Shinedown has been touring on its most recent album, Amaryllis, for the last two years and has just started its Carnival of Madness tour to complete touring on the record. It is the band's biggest, brightest and loudest tour yet. With each album, Shinedown's rocking sound shows bigger energy and different sides, as well as different looks.
CityBeat was able to catch up with bass player Eric
Bass to discuss life on tour and the close bond the band members have,
even after all these years. Shinedown will be tearing up the PNC
Pavilion at Riverbend on Saturday night on its Carnival of Madness tour
stop with Papa Roach, In This Moment and Skillet. (The concert is sold out.)
CityBeat: You guys have really been successful with the last couple albums. You have been on the Billboard charts for over two consecutive years. Did you ever expect that would happen?
Eric Bass: Did I ever expect it? I always hoped it would happen, I guess. You work really hard. We have this thing we say: "Keep your head down, stay humble and move forward." We are blown away by the success. To be honest with you, if you had told the 17-year-old me this was what was going to be happening, he’d be ecstatic. I can’t say that I expected it to happen. We wanted it to happen. We worked really hard for it. We are not surprised, I guess you could say, because of the hard work. It is a true blessing to be able to do what we do and have the success we have had.
CB: The band has been touring constantly. How do you make time to write new songs on the road?
EB: We actually don’t write on the road. We like to separate the two. We go home when we are done with this tour. We will lock ourselves away for a year and write as many songs as we can. Then, when we are done with that, we will go out and tour again and complete the process. We wrote “Diamond Eyes” on tour because it was for a movie soundtrack. That was the first experience we had with that. It worked out and everything went well with it. We work really hard when we are on tour. We are a go-go-go all day long band with interviews, meet and greets and that sort of thing. So there is really not a lot of time to get in and be creative like that. We prefer to separate the two and that creates the situation where each record is pretty different from the others because they are different times and you are not overlapping time periods. You are separating into blocks. It makes the records really interesting.
CB: I have photographed you on your last couple tours. Your shows have grown larger and larger with more pyro and turned into huge Rock shows. How did you guys prepare for Carnival of Madness?
EB: Well we started talking about it two or three months ago and we said, “It’s not going to be small.” That was the whole thing. We were going to make it as big as we could possibly make it. We are bringing our whole sound system with us. We are bringing our own lights. We are bringing our own pyro. We basically have carnival performers that are out with us. It is just a conscious, concerted effort to, every time, step your game up. We have sort of become known for that when we do these big headlining runs. We don’t want to disappoint anybody. People paid good money and want to see a great Rock show and that’s what they are going to get.
CB: You actually have carnival performers on stage with you?
EB: We actually do, yes. It’s going to be fun. I think everybody is going to really enjoy the show.
CB: The first show was this past weekend. How is it going so far?
EB: We are one down. We have the second one tonight. The first one was great. Internally, we found a couple things we could do differently, do a little bit better. We are definitely going to do that. The first show was great. The crowd was very receptive. It was awesome. I think tonight is going to be even better. Then the Cincinnati show, by that time, we will be well-oiled machines and veterans.
CB: Shinedown has a huge social media presence. Why is it important for you guys to stay connected to your fans in that way?
EB: Because the fans are the reason we get to do what we do. We never forget that. The fans are the boss, the most important thing. The fans buy the tickets, they buy the records. I have to say, and it’s going to sound cliché but it’s not meant to be, we have the best fans. Our fans are ridiculously loyal. We like to keep up with them. We actually know … you would be surprised how many fans we know. I’ll see fans at meet and greets that I will know from Twitter. We keep up with them and we know what’s going on. We like to hear what they have to say. They are going to let us know if something is not right. They will let us know if they don’t like something, if they like something. It’s a great tool to utilize as well. You get instant feedback on what you are doing.
CB: What are your hobbies outside of playing music all the time?
EB: It’s kind of funny. I say all my hobbies become my jobs. I produce records. I do a lot of songwriting. I engineer, mix records. A lot of my hobbies have become my job.
I am a golfer. I enjoy golf a lot. More recently, I have started building model airplanes. I needed a quiet hobby I can sit in my house and do. It is something I have found solace in. It may be a little geeky, a little nerdy, but it is fun.
CB: You actually co-wrote “I’ll Follow You” correct?
CB: I love that song. I know it is the new single and it is out, but what is the story behind the song?
EB: The story of the song is pretty interesting. The piano part I had for a couple years. I had been playing it in sound checks. We don’t write on the road, but if it’s something someone in the band hears, “Hey remember that. Record that.” We are pretty in tune with that sort of stuff.
We were out on our acoustic tour that we did on the end of our last record cycle with Will Hoge, a great singer-songwriter from Nashville. Nobody had really said anything about the piano thing I had, so I thought maybe it will be good for Will.
So I hit him up and said, 'On the next day off, I want to show you this piano piece I have got and we can write a song.' He gave me his number and said to give him a call. I gave him a call the day of, I called him like three times, never went to voicemail, never picked up.
The next day, I was like, “I called you three times.” He said, “It never came through. I don’t know what happened.” That day at soundcheck, Brent was like, “What’s that thing you are playing?” I was like, “Man, I have been playing it for three years.” He finally woke up to it. We actually had the recording that day at sound check kind of going through the song. Some of the lyrics are actually in there from that first time we ever played it through, he and I.
If you fast forward six months when we finally wrote it, finally sat down and wrote the song, it happened seamlessly. We wrote it in like two hours, the whole thing was done. Lyrically, it is about the person in your life who is your best friend, your spouse or your girlfriend, your boyfriend or someone really close to you, that person you will always be there for and they will always be there for you.
CB: The band took a different turn on the latest album, playing with the full orchestra. How did that concept come about?
EB: We talked about how Madness had a lot of string-sections stuff. We just talked while we were writing the record about how to make this record a little bigger and a little more grand. That was the first thing that came up, we need to do something with horns and full orchestra, rather than just string sections.
It was fun. It was a blast to be in there to watch that stuff be recorded, watching your vision come to life was amazing. There is very little that we do that is not a conscious decision. We kind of see what we want to do next. We were talking about our next record the other day on the bus. We will probably start working on that next year. We already kind of got an idea for it of what we want it to be. It is pretty phenomenal to have this type and level of instruments on something you have worked on. You pinch yourself every once in a while because it’s so cool.
CB: You guys have been together for some time. Are you all still friends? Do you still hang out?
EB: It’s pretty funny, we love each other so much. We all still ride the same bus even though we don’t have to. We, all four of us, camp out in the same place. We work out together every day. We eat together every day. We really are brothers. We have our moments of getting agitated with each other and angry with each other. There is something different that I don’t see in a lot of bands we travel with. There are some, but they are few and far between. You get a group of people that genuinely like each other and genuinely get along.
I can count on one hand the times I have been up in someone’s face in my band, that I have been that angry with someone. We just don’t get like that. We talk things out. If there is a problem, we sit down and we are very honest with each other. We don’t harbor any animosity toward each other for anything.
“I’ll Follow You” is out right now and is a song Brent and I wrote. Everybody in the band is happy as hell about that because it is doing well. “Bully” is a song Brent and Zach wrote, and I was happy as hell that was doing well. A lot of people get caught up in the unimportant stuff, like who makes more money or what’s going on with this or who’s more popular in the band. We don’t care about that stuff. It’s about the band, the entire group. We all really care about each other. We hang out when we aren’t on tour. It is really a blessing.
CB: It is amazing you guys spend so much time together and it is still like that. There aren’t many people I could spend 24 hours a day with?
EB: We see each other more than we see our wives and girlfriends and our families. We are married. We have to get along. There is no way around it. You can tell on stage. We smile at each other on stage. We joke around. We throw picks at each other. It’s genuine. It’s not an act. You can tell bands on stage that don’t like each other, and you can definitely tell bands on stage that do, and we are one of those bands that really like each other.
Lightnin’ Malcolm is an emerging driving force in the genre of underground Blues as a member of the North Mississippi All-Stars and also as a solo artist. Alongside counterpart Carl Gentle White aka "Stud" on drums, the dichotomy of their two styles produces a rough, soulful sound that reminds folks of Blues legends like Lightnin' Hopkins and Howlin' Wolf. Audiences should be prepared to dance, party and delight in Malcolm’s deep Mississippi sounds tonight at the Southgate House Revival. Malcolm is opening for and playing alongside the North Mississippi All-Stars. Showtime is 8 p.m.
CityBeat: I know you have an album coming out on Sept. 10. Can you tell me a little bit about it?
Lightnin' Malcolm: Well, it is 14 original songs and they have quite a few different styles on them. It is all based on my style, which is based on the hard driving, raw boogie North Mississippi Hill Country style. It is mostly (the) guitar and drums duo but we add some horns on a few tracks. We have Luther Dickinson playing slide on a few songs. So it is a pretty good mix of stuff.
CB: I was listening to some of it this week. I love “My Life is a Wreck.” Can you tell me the story behind that song?
LM: Well, that is a semi-autobiographical piece. One of my greatest influences was T Model Ford and he recently passed and that song was based on a style he had on the guitar. His grandson Stud is playing drums with me now. That was the first song we did in the studio. That was his first song recording and I thought it was a great way to feature it. My music depends on a great drummer. Drums are so important to the music and he is one of the best. I have known Stud since he was like 1 years old. He grew up watching me play drums with his granddad. He knows the style of drums that I like, the raw, four on the floor, predator style, no messing around. Just raw and making people dance. By us knowing each other so long, he is like my little baby brother. We have this chemistry together that works so well.
CB: I watched some videos of you two playing together. It is super high energy and looks like a lot of fun.
LM: Yeah, that is the key to it all. We don’t have to hit a note exactly right or (do flashy) guitar solos. We just try to create as much … fun for the people as we can. We just want to see people party and have fun.
CB: How old were you when you picked up your first guitar?
LM: I was about 10 or 12. Before that, I really wanted to be a drummer. I used to beat on buckets and pots and pans, put the radio on and play along with them. I didn’t have any actual drums and I finally got a hold of a little piece of guitar. I didn’t know how to tune it or nothing, but I fell in love with the strings in my hand. It took a while to learn how to tune it because I didn’t have anybody around me to show me at that time. Once I learned how to tune it, I started learning pretty fast. It just became everything to me. I look at the guitar like some people look at The Bible. It is like a vehicle for something later. I leave Earth. I can go on a vacation in my backyard with a guitar. I can escape to a whole other world with it.
CB: I know you eventually moved to Mississippi after growing up in Missouri. How did you hook up with some of these great guitar and Blues players in Mississippi?
LM: I just made friends with them. They saw something special in me, I think. I wasn’t trying to blow them off stage. I didn’t ask them many questions, like how to do things. They noticed whatever they played, I could play back. They hadn’t seen too many white guys, or any guys, that could do that. So we just made friends. It was pretty easy. Those were the kind of guys I wanted to be around. They really took me in. They were really nice to me. They never said I wouldn’t be able to do it. There was everybody else saying, “You won’t be able to do it.” They were the guys saying, “You got it. Stick with it.”
CB: Alive or dead, what one person would you want to collaborate with if you could?
LM: That’s a good question. I think, you know what’s funny, there are a lot of people outside of the Blues I’d like to collaborate with nowadays. Of course, like, John Lee Hooker is one of my all time favorites, Howlin' Wolf, there are so many Blues guys. Out of living artists, I’ll tell you a guy I love right now, two guys I love, they are more like R&B. (One is an) artist named Lyfe Jennings, I don’t know if you’ve ever heard of him, he’s fucking awesome, he’s so sincere. Another guy is Anthony Hamilton who is a Soul singer. To me, even though their style is way different than mine, those are guys I really hear singing where I’m like, "Wow, they really hit the ceiling." You don’t hear it that much anymore. Everybody is using effects. You really don’t hear that wail in that voice. Otis Redding had that, you heard his voice and you just had to see him. You don’t hear anybody like that anymore. I know people wouldn’t expect that from me, but when I am riding down the highway listening to music, those are two guys I really listen to, that I look up to and would be great to collaborate with.
CB: That leads me into another question. There has been so much publicity recently around Pop music with Miley Cyrus and the VMAs. To me it shows how much more important it is to keep really authentic Blues music in front of people. What are your thoughts on that?
LM: I agree with that. I’m out here fighting the good fight doing what I can. It’s not always easy. People have to support what is going on. If people start throwing their money at garbage, you’re going to end up with a lot of garbage. I can’t speak for the next person but I can say this — there isn’t enough hours in the day to listen to great music. There is all the great music you can listen to. There is definitely no time for nonsense. I don’t waste time listening to stuff that sounds like garbage. That’s just me.
My drummer, Stud, he’s young. He was watching the awards the other night and I was laying on the couch trying to sleep. I didn’t miss much. The hours in the day are precious. I would use them wisely. You don’t have to listen to garbage. That’s about the best I can do. If anybody can make some money doing something, good for you, I don’t mean it the wrong way. If you ask me about serious music, there is great music out there being made. It is just underground. Maybe it is too real for people. I am not the expert on this type of thing, I just know what I like, I listen to what I like. Even when I was a kid in school, I was listening to way different music. I was listening to Lightnin' Hopkins and John Lee Hooker and would tell the other kids, “You have got to hear this. Check it out.” They just said, “Whatever.” I thought maybe when they grew up they would understand.
CB: What can the fans expect from you guys at the Southgate House Revival show?
LM: We are coming to rock y’all. We want y’all to come and have fun and dance and boogie. We want you to get in the groove and forget about everything in the outside world for a couple hours and get in the zone. We want to have a party for y’all. Being on stage can be the funnest thing in the world when it is going right. When it is going wrong, you just want to disappear. It is a funny thing. When it is right, it is right as a motherfucker.
Bret Michaels is a one of a kind crossover superstar who has transformed himself from hard rocker to big partier to reality television star. Best known for his nearly 30 years with rockers Poison (giving us such Rock & Roll staples as “Every Rose Has It’s Thorn”, “Talk Dirty to Me” and other arena mega hits), in 2010, Michaels’ life took a dramatic turn when he was faced with multiple emergency surgeries. The first was to remove his appendix and then a sudden life threatening brain aneurysm led to brain surgery. He bounced back by winning Donald Trump’s Celebrity Apprentice, continuing solo music tours across the country, completing a summer tour with Poison and Motley Crue and plotting more television projects.
CityBeat spoke with Michaels this week in advance of his pre-Super Bowl party concert tomorrow in Indianapolis. He performs Friday at 9:30 p.m. in Indianapolis, helping open the Super Bowl Village and get fans in the right spirit for the big game next Sunday. (Friday’s concert is free; click here for more info.)
John 5 has seen almost everything in Rock music. He's toured with David Lee Roth, Marilyn Manson and Rob Zombie (with whom he's currently rockin') and been credited on songs from a wide range of artists — from Saliva to Salt n Pepa to k.d. lang to an upcoming collaboration with Rod Stewart. The guitarist has gained the reputation as a musical genius and one of the most action-packed guitarists in the world. He has just released his sixth solo album, God Told Me To, which mixes acoustic Spanish guitar along with Metal riffs.
CityBeat caught up with the guitar player to talk about the new album and some of the darker aspects of what goes into his writing, as well as the lighter aspects help put him to sleep every night. John 5 will take the stage with headliner Rob Zombie this Sunday at Rock on the Range in Columbus.
CityBeat: Can you tell us about the name of your album, God Told Me To?
John 5: The name, it is funny because … I am from Michigan, I am from Grosse Pointe. I was upper class growing up there. I was brought up in a really nice environment and home and I remember the night before I was leaving for California to really give it my shot saying, “I am going to try this. I am going to try to be this musician type of thing.” I remember I was saying my little prayer. I never wished to be a “rock star.” I just wanted to be a working musician. My dreams didn’t even go past a session player or a working musician. It was too far beyond my dreams. That’s kind of what the title means, that kind of thing, but also you can look at in the negative way, like when someone does a horrific murder, they always say, “Oh, God told me to.”
CB: I have read a lot of discussion in your recent interviews about serial killers and even the song “Night Stalker” being written about Richard Ramirez. Do you have an interest in serial killers and the history and stories behind them?
J5: I think it is interesting to me about how the mind works and how someone is wired, how their mind works, how it is completely OK to do these things, which I could never even think of doing something like that. It was always so interesting to read about this or watch documentaries. It is so odd for something like that to happen, so I have always had this little fascination with it — not that I am pro-for that kind of thing or anything but it is just very interesting to see something like that.
CB: I got a copy of the album and have been listening to it today. I love the acoustic Spanish-style versions on some of the songs. I know you are a lifelong learner. Did you take specific lessons around Flamenco or Spanish-style guitar lessons?
J5: Yes, I have always tried to learn, it is what keeps me sane. I love to learn and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot. That is what I enjoy because I love the guitar so much. Yes, I did a lot of studying and research on that.
CB: What current music is inspiring me right now?
J5: What current music is inspiring? You know what, and this will be a surprise, but I usually am very honest. I have had a little epiphany and this is very shocking. I was watching some movie or something like that and a N.W.A. song was on and I am no fan of Rap music, I really am not because I like the guitar. So I heard this N.W.A. song, I think it was “Gangsta Gangsta,” and I was like, “This is really, really, really good.” It was eye-opening to me and I appreciate it now. I was pretty taken back by it. I would have to say N.W.A. (is a current inspiration), which I can’t believe I am saying but it is the truth.
CB: There are a lot of bands right now collaborating outside their genres. Korn has collaborated with Skrillex and trying to create a lot of different sounds which would traditionally maybe not be in Metal music.
J5: Sure, and I think it is very important for that to happen because of the fact music has to always evolve and if it doesn’t, it has failed. It is good that it is evolving.
Buckcherry has been epitomizing Hard Rock since the late ’90s. The band recently started touring behind its sixth studio album, Confessions, adding to a great and energy filled set-list, alongside crowd favorites and major hits “Crazy Bitch” and “Lit Up."
CityBeat had a chance to speak with enigmatic Buckcherry singer Josh Todd in preparation for the band's set at Rock on the Range in Columbus this weekend (May 17-19). Buckcherry takes to the stage Friday night alongside Hollywood Undead, Cheap Trick and Korn. Click here for more Rock on the Range info.
CityBeat: I have seen you at Rock on the Range many years. What is your favorite Rock on the Range moment from the past?
Josh Todd: One year we were there performing “Lit Up” or “Crazy Bitch," I can’t remember, and a guy in a wheelchair started crowd surfing. That was a pretty memorable moment.
CityBeat: You guys just came off a tour with Kid Rock recently, which is a great match. What was your craziest tour story?
JT: Surprisingly, it was a pretty tame tour. We didn’t have too many backstage parties. The coolest thing we did, Bob — Kid Rock — invited Keith and I to his place in Alabama. We got to go and do some skeet shooting and eat some barbeque. I had a lot of deer meat which I hadn’t had in a long time, a lot of deer jerky. So that was a lot of fun.
CB: I was just covering the Kid Rock cruise and he was singing “Crazy Bitch.” It was a cool moment, one of my favorite songs with him singing.
JT: Yeah. I don’t know what to think of that. I’m flattered, you know, but it is kind of strange since we were on tour with him. I think it is cool because he loves the song.
CB: I want to talk about the record a little bit. I know Confessions is loosely based on the seven deadly sins. Which sin do you think is the worst?
JT: The worst or the most hard to manage?
CB: Either is fine?
JT: Probably lust, especially when you have been in a Rock band since you were 15 … it is something that comes up a lot.
CB: I know “Sloth” was written about your experience with your Father’s suicide. Is it ever hard to perform that live?
JT: I have never performed that live. We are working on it right now. We have six records. We have 80 some odd songs to really sift through. The songs we have performed off Confessions so far are “Wrath” “Gluttony” “Greed” “Air” and “Nothing Left but Tears.” We will get there eventually. I don’t think it will be hard for me because I just got a lot of great feedback from a lot of people who really connected to that song. That makes it a lot easier for me. It was real tough to record, but I think now it will be all right.
CB: Are there any habits you would like to break?
JT: Yeah. I struggle with sugar. So, yeah, not so much sugar.
CB: I know your songs are very autobiographical. Is there anything you have regretted writing about in any of your 80 songs?
JT: Since I write all the lyrics, it is kind of therapeutic for me to get out what is going on inside of me and somehow make it where a lot of people can relate to it. That is the challenge of the songwriter, to take a piece of your personal life and the lives around you and try to create a song where lots and lots of people can remember. That is the fun of it and also the challenge of it all.
CB: What does your perfect day look like?
JT: A perfect day would be to be home with my family. Just getting to spend time with them is a perfect day to me because I tour so much. To be home with my family is great.
CB: Is there anybody you would like to trade places with for a month?
JT: Yeah, I would like to be Kyle Busch for a day.
CB: Oh, a race car. Do you have fast cars?
JT: Yeah, I race fast go-carts. I have a race cart at home. I race that as much as I can. I did a NASCAR experience out here in Fontana and that was a lot of fun. I have always wanted to race an oval track race in a stock car. That would be amazing.
CB: Can you tell us what the fans should expect from your set at Rock on the Range?
JT: They can expect what we always deliver — their money’s worth.
CB: Are you going to be performing any of the new album?
JT: We will be performing “Gluttony” “Wrath” and “Nothing Left but Tears,” which is going to be the new single. Plus, we have to get to a lot of other songs. I don’t know how long our set is, but depending on how long our set is, we have been doing “Greed” recently and it is really great live now.
Volbeat — performing at Bogart's tomorrow (Tuesday) — may not be a household name around venues in the United States, but they are an intense Danish Heavy Metal band that has played in front of some of the largest crowds in the world overseas. The band — Michael Poulsen (vocals/guitar), Anders Kjolholm (bass), Jon Larsen (drums) and Thomas Bredahl (guitar) — is about to kick off the U.S. leg of their Grand Summer Tour, promoting Volbeat's latest album, Beyond Hell and Above Heaven. CityBeat caught up with lead vocalist Michael Poulson by phone from his home overseas to discuss the band's growing popularity in America, being naked with Metallica and the great successes of the band in Europe.
Red is a Christian Rock band that has ascended into the mainstream alongside Rock acts like Papa Roach and Korn. The band members let their faith creep into their music and their message, but do not let it define them. Earlier this year Red released its fourth studio album, Release the Panic. The album debuted in the Top 10 of the Billboard album chart, showing their strength as a national act (Red's previous release, Until We Have Faces, debuted at No. 2 in 2011).
CityBeat recently caught up with Anthony Armstrong, the band’s guitar player, who spoke about the band’s inspirations and vision for the future of Rock music. Red is playing on Friday at King’s Island in Cincinnati for Spirit Song 2013, which runs Thursday-Saturday and features some of the biggest names in Contemporary Christian music.
CityBeat: I saw you guys at (Columbus, Ohio, Hard Rock fest) Rock on the Range. What was your favorite Rock on the Range moment this year?
Anthony Armstrong: That’s a tough one. You know what is really sad, our good buddies Sevendust played right before us and we didn’t get to see their set so I was really disappointed. Papa Roach put on an incredible show every single time they take the stage, so I would say they are up there as one of the best. It was cool to see Bush. That was really cool to feel like I was in high school and to see those guys doing their thing. When they started playing “Come Down” I felt like I was right there back watching. There was an old movie from the ‘90s called Fear with Reese Witherspoon and Mark Wahlberg, and I think Bush was the entire soundtrack to that movie. I just felt like I was back in the ‘90s and high school listening to Bush records. It was cool.
CB: You guys play Christian music and are a Christian band. Is it ever hard to be on tour or at these festivals in this non-Christian atmosphere?
AA: It’s never for us. I think media outlets and sources, even in interviews like this, people are so curious about that. They ask the question because they want to understand and know the answer to how we deal with that. For us, we don’t see it any different than if we are playing a Christian show. We are all just people in general. You are going to see crazy stuff happen at those shows too. We like to hangout and we like to have a good time. We don’t get too out of control. We hang out with all these guys. We love these guys and they love us. We just show them we aren’t any different than them because we love God and we believe in God. We don’t feel like it should be something that draws a line or creates a wall that we can’t get past. It is just what we believe. There are plenty of guys up on those stages in all the different bands that believe different stuff. I say come see one of our shows. We are going to do exactly what those bands do just as good if not better. We aim high and we really try not to focus on that kind of stuff. It just complicates things. We are just a Rock band.
CB: I have seen you tour three times over the years and you never look any different or sound any different than the other bands. It is just a different message through the words.
AA: Yeah, that’s the thing with the message. We are not going in there with some sort of agenda. We are not going into these shows with some sort of recruiting mentality. We are just going to play some Rock songs. Wherever these songs reach, wherever they are in their life, if these songs inspire them, then we did our job. That’s all we care about doing. We’ve done many of the things people standing in the crowd are doing. We know they don’t work out for us. We know they are bad for us. We know the one thing that works for us is our faith. A lot of people want to hold you over the coals for it because they think it’s lame; they think it’s cheesy and you are not hardcore if you believe in God. I know more crazy, jacked-up people that believe in God than I know that don’t believe in God. We are the ones that are here because we need God because we can’t get out of our own way. A lot of the guys that turn to God and live that lifestyle were at that point. Brian (“Head” Welch) from Korn is a perfect example of that. The guy was literally on his death bed constantly getting high. He reached out and said, “If you are real I want to know. I want you to show it to me.” And God did that for him. That was just a cool story for him to hear.
CB: I know you tour a lot over the years. Do you take time out to write as a band or do you write when you are on the road?
AA: We write so much it’s ridiculous. It’s a love-hate relationship. It takes more love than anything. It’s really cool. We just released a record. We probably won’t really start diving into writing until about January or February of 2014. We usually put records out about every two and a half years. That’s about the time you start digging into the new stuff. You take this first part of a new record release to key in on the new songs and translate and see how everything goes, start paying attention to what is going on in the world. You start collecting the inspiration you need to write another record. That’s one of the things we’ve always focused on.
CB: One of my favorite songs that you guys have was your first single, “Perfect Life” — could you tell me the story behind that song?
AA: Yeah, we were out in L.A. with our new producer, we had never used him before, his name was Howard Benson. We had three records with the same guy that we still love. We will probably do another record with Rob Graves. It was just a transition for us. We wanted to try something new. We were out there in the Hollywood hills hanging out at Howard’s huge house. You could probably fit our tour bus in there three times. We were hanging out on his back patio talking about the record and what we were about to do. He said, “Check this out guys,” and we look out and there is Kim Kardashian in the compound in front of us. We started talking about that TV show and that transitioned into what it is really like out in Hollywood and what the media projects as what life really is on the Jersey Shore and all this other stuff. What life is all about when you can have these things and be this glamorous and have this lifestyle. This is the perfect life. This is what you want. This is what you can attain. We were like, “This is complete bull. You can be happy no matter what you are doing” It’s about chasing down the things people think are important. The perfect life is projected to us in a certain way. For us we are saying, find out for yourself. What is the perfect life for you? It shouldn’t be what other people do. It should be what you do.
CB: Is it hard being on the road with your brother?
AA: No, it’s not. It’s amazing. It’s really cool because in a band, when you have a band of four individuals, when you have a fight or an argument it gets pretty awkward. Randy and I are like the unofficial leaders of Red. We take care of everything from the administration to the music. I am really involved with the writing side of things. Randy is really involved in managing our affairs. When something goes down, Randy and I can usually sort it out between the two of us. We will discuss things together as a band and a group of guys. Ultimately, Randy and I can bounce things off each other and get a little heated but the guys just know we are brothers and that’s the way brothers are. We have been competitive towards each other our whole lives and now we are in a rock band together. We have never been separated. We have always been together. We went to college together. We roomed together for four years. We might as well have dated the same girls. It was just wild. I love the dynamic. They say never mix business with family, and I haven’t really experienced it being a bad thing with me and Randy being in the band together.
CB: I hear also that you cause the occasional accident over the years on stage. Any new accidents lately? I am personally surprised Michael doesn’t hurt himself more jumping around the way he does.
AA: We are more afraid of the fire now. We are pretty scared of getting burned. We have had a couple near accidents. If you get too close to the flames, it singes all the hair off your arms. Nothing has been like it used to be with injuries. I hit Michael in the head twice, sent him to the hospital once. I opened his eye and had seven staples in his head with my guitar. My brother has hit me in the face with his bass guitar and cut my eye wide open. Rock & Roll.
CB: What is your favorite guitar to play?
AA: I have a custom 24 PRS that I named Vegas after my Bulldog. It was my first PRS guitar they made for me and only me. I have a love affair with that guitar.
CB: A lot of people right now are saying that Rock is dead and Rock music is dying, that Country is the new thing selling out the stadium, it’s the new Rock. Do you believe that?
AA: I don’t believe it because when I went to Rock on the Range and I saw it is alive and well. I don’t believe that Rock & Roll has its act together. We live in Nashville, Tenn. We see the CMA Awards and the CMT Awards. You see how it is such a different animal. It would be really cool to see Rock get its act together and have that sort of Rock N Roll Awards. The MTV Awards used to be about Rock. We don’t have anything specific to us. We don’t have anything specific to Rock Music in general. It’s the Grammys or we are part of something. I would love to see that sort of thing happen. Other than that, I don’t think in a million years the world would be livable without Rock N Roll. It’s something in Rock music makes you feel. It gets you fired up and people love that feeling. It’s like drugs.
CB: What current music is inspiring you guys or you personally?
AA: There is such great music right now. In Rock N Roll right now, I’d say, we are big Muse fans. We have always been huge Sevendust fans. When we first moved here, I think I had to buy their record three times because I listened to it over and over and over. We are inspired by not just the music. We get out on the road with these guys and see what kind of guys they are. They work their tails off. We are all scratching for our place and hoping things just work out and it is just cool to see other bands doing things we do.
CB: I am sure you guys are going to have a great set here in Cincinnati at Kings Island.
AA: They won’t let us use fire this weekend.
CB: I have seen your show with fire and without fire and it is always good.
AA: We consider it icing on the cake, another cool thing. We want to be able to stand alone without it. When we can use it, we use a lot of it. What is funny, Rock on the Range, this summer when we play festivals, we do 28 points of flames, 28 different nozzles of fire. It’s just fire but it is so much fun. It is such a cool thing.
CB: After that show, are you going back on tour this summer?
AA: Yeah. Right now, the summer is chalked full of festivals. We will play festival dates and it is really cool for us because we play the big late night stages where we can do the pyro and stuff. After that we will get into the fall and have a couple tour options but we are not allowed to talk about the yet because they haven’t been announced. We are going overseas. We are going to Europe for three weeks right before Thanksgiving. We have some stuff happening.
Icon Rock & Roll band Guns N’ Roses has been selling out arenas since their debut album Appetite for Destruction went to No. 1 in 1987. Though Axl Rose and Co. have not released an album since Chinese Democracy in 2008, they've continued to rock out across the with large-production shows, entertaining audiences not only searching for a taste of nostalgia but also value great music and a sound you cannot find anywhere else. CityBeat caught up with rhythm guitar player Richard Fortus this week and discussed his personal music path and what fans can expect from the show. Guns N’ Roses comes to Cincinnati Friday (with guests D-Generation) for a concert at US Bank Arena and it sounds like fans can expect a really long night of music. (Read our interview with current GNR/former Replacements bassist Tommy Stinson here.)
New York-based band Return to Forever made a name for itself in the ’70s as one of the premier Jazz Fusion ensembles, alongside Weather Report and Mahavishnu Orchestra. After a brief return in the ’80s, the band re-formed in 2008 and has seen wild worldwide success since the comeback. The group was a breeding ground for some of the biggest names in Jazz, including Al Di Meola, Earl Klugh and all of the members of the current lineup. Dubbed "Return to Forever IV," the all-star ensemble currently features original members Chick Corea (the founder) and Stanley Clarke, Jean-Luc Ponty, Frank Gambale and Lenny White. RTF's second world tour since the return comes to Riverbend's PNC Pavilion this Thursday with Dweezil Zappa's tribute to his father, Zappa Plays Zappa.