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by Amy Harris 09.15.2011
Posted In: Live Music, Interview at 10:42 AM | Permalink | Comments (0)
 
 
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Q&A with Theory of a Deadman (X-Fest Preview)

Theory of a Deadman is a Hard Rock band that has made a dent in popular music with catchy hooks and sounds that appeal to the heartbroken everywhere. Together for over 10 years, they became hitmakers with their third album, Scars and Souvenirs, and the No. 1 hit “Bad Girlfriend,” along with other popular tracks like “Hate My Life” and “Not Meant to Be.” The band's fourth album, The Truth Is, was released last month and contains the hit single “Lowlife," currently lighting up airwaves on Rock and Pop stations across the country.

CityBeat recently spoke with guitarist Dave Brenner prior to Theory of a Deadman's set at the Kentucky State Fair, part of the Carnival of Madness tour. Brenner talked about the new record and hobbies on the road. Catch Theory of a Deadman and the Carnival of Madness at Dayton's X-Fest this Sunday. (Check the commercial below or visit here for details.)

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by Amy Harris 05.16.2012
Posted In: Live Music, Interview, Festivals at 01:09 PM | Permalink | Comments (0)
 
 
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Q&A with John 5 (Rob Zombie)

Guitarist talks about his eclectic musical input and output

John 5 has seen almost everything in Rock music. He's toured with David Lee Roth, Marilyn Manson and Rob Zombie (with whom he's currently rockin') and been credited on songs from a wide range of artists — from Saliva to Salt n Pepa to k.d. lang to an upcoming collaboration with Rod Stewart. The guitarist has gained the reputation as a musical genius and one of the most action-packed guitarists in the world. He has just released his sixth solo album, God Told Me To, which mixes acoustic Spanish guitar along with Metal riffs.

CityBeat caught up with the guitar player to talk about the new album and some of the darker aspects of what goes into his writing, as well as the lighter aspects help put him to sleep every night. John 5 will take the stage with headliner Rob Zombie this Sunday at Rock on the Range in Columbus.

CityBeat: Can you tell us about the name of your album, God Told Me To?

John 5: The name, it is funny because … I am from Michigan, I am from Grosse Pointe. I was upper class growing up there. I was brought up in a really nice environment and home and I remember the night before I was leaving for California to really give it my shot saying, “I am going to try this. I am going to try to be this musician type of thing.” I remember I was saying my little prayer. I never wished to be a “rock star.” I just wanted to be a working musician. My dreams didn’t even go past a session player or a working musician. It was too far beyond my dreams. That’s kind of what the title means, that kind of thing, but also you can look at in the negative way, like when someone does a horrific murder, they always say, “Oh, God told me to.”

CB: I have read a lot of discussion in your recent interviews about serial killers and even the song “Night Stalker” being written about Richard Ramirez. Do you have an interest in serial killers and the history and stories behind them?

J5: I think it is interesting to me about how the mind works and how someone is wired, how their mind works, how it is completely OK to do these things, which I could never even think of doing something like that. It was always so interesting to read about this or watch documentaries. It is so odd for something like that to happen, so I have always had this little fascination with it — not that I am pro-for that kind of thing or anything but it is just very interesting to see something like that.

CB: I got a copy of the album and have been listening to it today. I love the acoustic Spanish-style versions on some of the songs. I know you are a lifelong learner. Did you take specific lessons around Flamenco or Spanish-style guitar lessons?

J5: Yes, I have always tried to learn, it is what keeps me sane. I love to learn and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot. That is what I enjoy because I love the guitar so much. Yes, I did a lot of studying and research on that.

CB: What current music is inspiring me right now?

J5: What current music is inspiring? You know what, and this will be a surprise, but I usually am very honest. I have had a little epiphany and this is very shocking. I was watching some movie or something like that and a N.W.A. song was on and I am no fan of Rap music, I really am not because I like the guitar. So I heard this N.W.A. song, I think it was “Gangsta Gangsta,” and I was like, “This is really, really, really good.” It was eye-opening to me and I appreciate it now. I was pretty taken back by it. I would have to say N.W.A. (is a current inspiration), which I can’t believe I am saying but it is the truth.

CB: There are a lot of bands right now collaborating outside their genres. Korn has collaborated with Skrillex and trying to create a lot of different sounds which would traditionally maybe not be in Metal music.

J5: Sure, and I think it is very important for that to happen because of the fact music has to always evolve and if it doesn’t, it has failed. It is good that it is evolving.

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by Amy Harris 07.25.2011
Posted In: Live Music, Interview at 11:40 AM | Permalink | Comments (0)
 
 
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Q&A with Danish Metalers Volbeat

Volbeat — performing at Bogart's tomorrow (Tuesday) — may not be a household name around venues in the United States, but they are an intense Danish Heavy Metal  band that has played in front of some of the largest crowds in the world overseas. The band — Michael Poulsen (vocals/guitar), Anders Kjolholm (bass), Jon Larsen (drums) and Thomas Bredahl (guitar) — is about to kick off the U.S. leg of their Grand Summer Tour, promoting Volbeat's latest album, Beyond Hell and Above Heaven. CityBeat caught up with lead vocalist Michael Poulson by phone from his home overseas to discuss the band's growing popularity in America, being naked with Metallica and the great successes of the band in Europe.

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by Amy Harris 10.12.2012
Posted In: Live Music, Interview at 10:11 AM | Permalink | Comments (1)
 
 
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Q&A with Social Distortion's Jonny Wickersham

Classic Punk band plays Bogart's Saturday

Formed in 1978, Classic Punk band Social Distortion reached the height of its fame in the late ’80s and early ’90s. The band has seven studio albums beginning with its iconic Mommy’s Little Monster. Although there has been over a dozen ex-Social D members, the group — known as a touring juggernaut (sometimes at the expense of making new music) — has maintained a lineup that has been fairly consistent for the past decade. 

CityBeat caught up with rhythm guitarist Jonny “2 Bags” Wickersham in anticipation of Social D's current tour. The group performs at Bogart’s on Saturday (Oct. 13) night and will surely wow fans new and old.

CityBeat: I know Mike (Ness) has said in the past we won’t have to wait seven or eight years for a new Social D record. Are you guys working on new music right now? How is that coming along?

Jonny Wickersham: In a perfect situation we would love to get a record out sooner than we have been putting them out. I don’t know that it looks like it will happen real soon. We have been really busy touring the last couple of years. As far as new material there are always new songs in the works. We will work on them at sound checks and rehearsals. When it comes time to get serious to put a record together, the songs that stick in our minds are the ones that are the best stuff and they typically make the record. We will finish it up. We will see. Conceivably we can get together and start really getting serious in the beginning of next year and have a record to follow shortly after that. It has to feel right. I have always felt it is a good thing not to rush records. I know that people like to see a record come out on a certain schedule with bands, but it is also good to evolve a little bit as people and as a band in between albums.

CB: You spend most of the time as a touring band on the road. Do you ever write down the tour stories or keep mementos from the tour to remember them all?

JW: I have never been a big journal keeper or anything like that. I don’t. Certain stories definitely do stick in your mind but not really.

CB: What current music or music you are listening to right now is currently inspiring you?

JW: You know what a really great record is, the new Hot Water Music Record, have you heard that?

CB: No.

JW: I have been listening to a lot of that in my car.

CB: Good driving music?

JW: Oh yeah. It is such a great album. It really is good. I also like the Drive By Truckers a lot. I don’t listen to a lot of new music to be honest. I listen to a lot of old Blues and stuff and old Rock N Roll.

CB: From your standpoint, what are the characteristics that make a good Social D song?

JW: I would have to say a good riff and a good lyric that is poppin'. You can’t go wrong with a good lyric. You can try to stretch that a bit, not just stay with our formula as a band. We have a different division of sounds with the band. We are not trying to re-invent sound in an extreme manner or anything but it is good to try to mix it up. I am hoping in the future, in the stuff coming up, we can do that and re-visit some of the earlier stuff.

CB: We are heading into a critical election year. Ohio is a crazy place to be during this whole thing. Do you guys have any political views or support for any of the candidates?

JW: Well, I am going to vote for Obama and hope for the best.

CB: What is the worst job you have ever had?

JW: I don’t know. I had a job at the Orange County jail once a long time ago. We had to cut the bunks down from three bunks to two and carry them all out to the loading dock and get them out of the jail. Any job where you are locked up is not a great job. I had so many jobs growing up. I started working in construction fields at a really young age because where I come from that is just what you did when you got to the age of going out to get a job, try to get a construction trade. I have also worked at Carl’s Jr. and Burger King as a teenager and neither one of those jobs lasted more than a couple weeks. I have worked as a stagehand. I have worked in an Art Department building sets for film production. Those are cool jobs. I really liked the Art Department work. Any job that anybody could have at this point is a good job is kind of how I feel. I definitely never want to think I am beyond any kind of work. You never know what is going to happen in life. There are times where being able to get any job is critical for you.

CB: Do you have any scars?

JW: I have a scar on my upper leg.  When I was a little kid, me and a couple friends built this bicycle Motocross track on a dirt lot by our house in our neighborhood. We went out and worked really hard with shovels and built this really cool track and the enemy kids down the street, who were our nemesis, came over one day when we weren’t there and totally ruined our track, kicked in all our berms and jumps and trashed it. So we went down the street  where they had built this really shitty tree fort that was like three stories tall off the ground into the tree. We went up there and we started hammering at it, we brought sledgehammers over and we started bashing in their tree fort. The stupid thing on our part was that we started on the bottom and climbed up to the next level and up to the next level. We were breaking this tree fort apart and we were way up at the top and the thing collapsed. I fell and my leg got clipped up on a nail. It ripped my leg open so I have a scar. I have a bunch of other scars too.

CB: What is the last thing you do before you go to sleep?

JW: Well it depends. Turn out the television if I have been watching the television. I don’t always watch TV at night. Sometimes I do. If I am on the bus on the tour, I listen to music on my iPod. The last thing I do is turn that on and I usually fall asleep listening to a record. Then I have to wake up and pull the headphones off and fall back asleep. If I’m reading a book, close the book and turn out the light. It can be one of many different things.

 
 
by Amy Harris 09.14.2011
Posted In: Interview, Live Music at 08:23 AM | Permalink | Comments (0)
 
 
Emphatic

Q&A with Emphatic (X-Fest Preview)

Omaha rockers Emphatic began making waves within the music scene with the single “Bounce,” which has flown up Rock charts. The band, which just released its debut album, Damage, are currently on the Carnival of Madness tour, which comes to Dayton's X-Fest (at the Montgomery County Fairgrounds) this coming Sunday with Staind, Theory of a Deadman, Five Finger Death Punch and others.

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by Amy Harris 12.01.2011
Posted In: Interview, Live Music at 10:11 AM | Permalink | Comments (2)
 
 
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Q&A with GNR's Richard Fortus

Icon Rock & Roll band Guns N’ Roses has been selling out arenas since their debut album Appetite for Destruction went to No. 1  in 1987. Though Axl Rose and Co. have not released an album since Chinese Democracy in 2008, they've continued to rock out across the with large-production shows, entertaining audiences not only searching for a taste of nostalgia but also value great music and a sound you cannot find anywhere else. CityBeat caught up with rhythm guitar player Richard Fortus this week and discussed his personal music path and what fans can expect from the show. Guns N’ Roses comes to Cincinnati Friday (with guests D-Generation) for a concert at US Bank Arena and it sounds like fans can expect a really long night of music. (Read our interview with current GNR/former Replacements bassist Tommy Stinson here.)

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by Amy Harris 09.29.2011
Posted In: Live Music, Interview at 11:01 AM | Permalink | Comments (0)
 
 
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Q&A with Death Cab for Cutie

One of the strangest word combinations to ever create a band name, Death Cab for Cutie controls the alternative music scene across America. They have been a nationally touring band since 1997 with their first release. Now in their 14th year, Codes and Keys has been one of the band's most successful offerings to date. The first single, “You Are A Tourist,” received a lot of airplay on Rock radio across the country reaching number one on the Alternative charts in the U.S. The band recently released the video for its latest single, "Stay Young, Go Dancing" (view it at the bottom of this post below).

CityBeat recently spoke with bassist Nick Harmer to discuss the new album and it’s critically acclaimed reception (as well as a very scary moment on their festival run this past summer). Death Cab starts their latest tour on Friday night in Cincinnati at the PNC Pavilion at Riverbend Music Center.

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by Amy Harris 08.21.2012
Posted In: Live Music, Interview at 11:33 AM | Permalink | Comments (0)
 
 
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Q&A with Linkin Park and Incubus

Two contemporary Rock giants join forces on Honda Civic Tour

Linkin Park and Incubus have hit the road together this summer on the Honda Civic Tour, a four-week, 18-city tour of North America. The tour comes to Cincinnati tomorrow (Wednesday) for a stop at Riverbend Music Center.

Linkin Park's fifth studio album, Living Things, debuted at No. 1, giving them more No. 1 albums on the Billboard 200 than any other band this century. Since 2000, Linkin Park has had more Top 10 singles on the Alternative chart than any other artist, as well.

Celebrating their 20th year together, AltRock giants Incubus recently turned a Los Angeles storefront space into a low-key, hi-tech residency that resulted in six nights of free performances and fan encounters in 2011, chronicled on special HQ Live CD/DVD bundles. Last summer, Incubus released its seventh studio album, If Not Now, When?

Linkin Park and Incubus will continue the tradition of a "Green" Honda Civic Tour in 2012 by supporting the Power the World organization, to raise awareness about people who have no access to energy and to fund cleaner energy solutions.

To kickoff the Honda Civic Tour (which also features Mutemath), the two bands joined forces for an open press conference with lead vocalists Chester Bennington (Linkin Park) and Brandon Boyd (Incubus).

Q: What can fans expect from this year’s tour?

Chester
: I think the most special thing about this tour is the fact that you have two headlining bands singing together on one bill. The fact that both Incubus and Linkin Park perform full sets with full production is kind of special. Linkin Park isn’t the band that you go to see with chairs on the floor in the arena. No one wants to come to a Linkin Park show and stand there and look at the band and listen to beautiful music. People want that but they also want to be kicked in the face and they want to run into each other and they want to jump up and down and sing and have a really great, high-energy time. The new record has so much energy that we feel like we could add a bunch of new music to the set and people will be stoked about it.

Q: You guys are committed to green energy on the Honda Civic tour. Can you talk a little about it?

Chester: Yes, it’s more of a purpose-driven green movement in terms of just wanting to be more clean and efficient with our tours so we leave less of a footprint when we’re out there.

Q: As you each grow older and wiser, how do you both stay inspired to produce the style of music on both the record and in concert that your most loyal and long-term fans both love and expect?

Chester
: You know? When I’m 70 I don’t know if I’ll be, um, screaming “Victimized” at anybody. Hopefully that will be the case, but I doubt it. That’s one of the things that is so interesting about our business. None of us are guaranteed that anyone can come to one of our shows or care about the last record we put out.  Every record that we go into, I look at like, this is our very first album and this is the best representation of what we are giving something to the people who are going to hear it. It’s basically like when you create a song and people hear it and they connect with it, you’re giving that person a sense of inspiration.

Brandon: I know for me as a lyricist and as a singer, my deepest intention beyond just trying to express myself with a sense of purity is to hopefully achieve a sense of timelessness. You want to touch on subjects that are potentially universal. And that don’t really need to be tied to the ’90s or the 2000s or the 2030s. You want to be able to make music that will essentially transcend time.

I’m not interested in making a kind of music. I think that’s why Incubus records have changed sometimes dramatically over the years. Our newest record If Not Now, When? is really a good example of that. It’s more different than any of our records than we’ve ever done before. And I personally am really inspired by that. I’m proud of that. I want to make music that continues to evolve and challenge people and surprise people.

Q: Throughout the years both bands have essentially kept their core members. So how do you all stand each other after such a long time, because it’s got to be kind of tough on tour.

Brandon: There’s the understanding that it’s family, and it’s very much a familial thing. That even though there are times when they hurt your feelings or they might get on your nerves, essentially the majority of your experience with them is rooted in love. So as long as we can hold on to that sort of transcendent notion, everything usually is OK. And it’s OK to be angry at your family members sometime, and it’s OK for them to get on your nerves. The best thing to do, I think, is just to remember who you are. And understand the difference between a need to express frustrations and potentially your own ego.

Chester: I think that within Linkin Park we all have similar aspects of our personality that we share with each other. We all are very driven. We all like to work really hard. We all like to do whatever it takes and be involved in every aspect of what we do. But it takes all of us. Together, the band is worth far more than each of us is as an individual. And I think that being in my band is an example of the most functional relationship I’ve ever had in my life.
 
 
by Amy Harris 11.09.2012
Posted In: Interview, Live Music at 04:58 PM | Permalink | Comments (0)
 
 
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Glen Campbell Says 'Goodbye' at Taft Theatre

American music legend's final tour comes to Cincinnati Sunday

Singer/guitarist Glen Campbell is truly Country music’s “Rhinestone Cowboy.” Starting out as a masterful, much-used session musician, in the ’60s and ’70s, Campbell represented the genre as one of its premier stars and was also embraced on the pop charts, scoring huge crossover hits with singles like "Wichita Lineman," "Galveston," "Southern Nights" and "Rhinestone Cowboy."

This past year, Campbell's 50 years in the music business was celebrated at the Grammys, where he was given the Grammy Lifetime Achievement Award and honored with a musical tribute by The Band Perry and Blake Shelton that was capped off by Campbell joining the musicians for a version of "Rhinestone Cowboy."

After his Alzheimer’s diagnosis in the summer of 2011, Campbell decided to hit the road one last time while he still could. After releasing the collaborative album Ghost on the Canvas (featuring covers of songs by modern artists like Jakob Dylan, Teddy Thompson, Paul Westerberg and Guided By Voices' Robert Pollard), Campbell kicked off his extensive “Goodbye Tour," which comes to the Taft Theatre in downtown Cincinnati this Sunday. For ticket info, click here.

CityBeat was privileged to have the opportunity to speak with Campbell about changes in music from when he started to today and how close he stays with his family on tour.

CityBeat: How did you choose songs and artists to collaborate with on Ghost on the Canvas?



Glen Campbell: Julian Raymond is my producer. He found the majority of the material. However, he kept notes of things I said or did and some of this material makes its way into the album. (Closing track) “There’s No Me…Without You” is an example of this.

CB: What has it been like to see the changes in music technology from vinyl to 8-track to cassette to CD to IPod? Do you think music sounds better or worse with the new technology, analog vs. digital?

GC: It has been wonderful to see all of the technological advances with recorded music. I think the music sounds better with the new technology.

CB: You are often highly autobiographical in your own songs. Do you regret ever sharing any of your stories through your music or songs?



GC: I have no regrets about the autobiographical songs I recorded.

CB: Are your children still on tour with you? What is the best part of having them on the road with you?



GC: My son plays drums for me. Shannon is on guitar and Ashley plays keyboards and bass. It’s wonderful sharing the stage with them. I love it. They are terrific musicians in their own right. The best part of having them with me is that our whole family and my wife Kim are all together and doing great shows which people have warmly embraced.

CB: What is your favorite guitar solo on any recording that you have done?



GC: One of my favorite guitar solos I recorded was for Frank Sinatra on his “Strangers in the Night.” I also like my guitar solo on “Wichita Lineman.” Jimmy Webb never finished the song so I just filled the hole with the guitar solo.

CB: What is your favorite guitar to play?



GC: Ovation.

CB: What is the longest time you have gone without playing guitar?



GC: I play every day.

CB: Would you ever consider playing with a Beach Boys reunion? (Campbell filled in for Brian Wilson on tour in the mid-’60s and recorded on Pet Sounds and other records.)



GC: I would not want to do a Beach Boys reunion at this point. They just celebrated their 50 years together with a big tour. I think that more than covered it.

CB: How has music helped you cope or deal with your Alzheimer's diagnosis?

GC: The music has brought me much joy and comfort.

 
 
by Amy Harris 07.19.2012
Posted In: Live Music, Festivals, Interview at 02:31 PM | Permalink | Comments (1)
 
 
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Q&A with Asking Alexandria

Rockers headed to Riverbend for next weekend's Mayhem Fest

Asking Alexandria has a British Metal sound, is proudly rough around the edges and even prouder of its stereotypical Rock & Roll lifestyle. Nothing shows this more than the short film they just released, Through Sin and Self Destruction. They have two studio albums, most notable being Reckless and Relentless, which blasted into the Top 10 on the Rock charts in the States. In a music industry that can be so straight edge and proper at times, AA is a callback to the dangerous Rock & Roll living of yore.

CityBeat had an entertaining meeting with lead singer Danny Worsnop and discussed the band’s shaky public relations past and what the band’s attitude means to the landscape of Metal and Rock & Roll. Catch Asking Alexandria when the Mayhem Festival comes to Riverbend Music Center on July 24.

CityBeat: I took the time yesterday and watched your new short film Through Sin and Self Destruction. What made you decide to do a short film like that when most people aren’t even doing videos anymore?

Danny Worsnop: I think it was a chance to tell a story; (there had been) kind of rumors about it for a long time but it had never reached the surface. It is a very loose, over-dramatized version of what was going on in my life at that point.

(See the NSFW trailer below.)


CB: Does the film really portray the typical kind of lifestyle that you guys lead?

DW: It is exaggerated but it is my lifestyle.

CB: I talk to a lot of bands and it is being compared to Guns N Roses and the Appetite for Destruction days and I don’t talk to many bands that are able to sustain that.

DW: Most bands these day aren’t even really bands. They are just people who kind of play music. There aren’t many real bands anymore so there really isn’t opportunity for that lifestyle to sustain. I am by no means condoning the lifestyle but it has always kind of been there in Rock & Roll.

CB: Do you guys see a big difference when you tour in Europe versus touring in the U.S.?

DW: Not really. At first there was a crowd size difference but we are known to the world now. It is pretty much the same no matter where we go, besides the currency. Currency is different. And age of sexual consent.

CB: Can you tell me the process for you guys as a band to put the songs together or write the songs?

DW: The songs are based on whatever I am going through at the time. The albums are very honest and very personal. Everything that we have been doing is a story of my life.

CB: Where do you see yourself and the band in 10 years?

DW: Hopefully, in a much bigger house than I live in now driving a much nicer car with a lot of money. And hopefully still playing music in 10 years.

CB: Who are your current influences in music?

DW: The same they always have been. Motley Crue, Aerosmith, Journey, Def Leppard and AC/DC, just Rock & Roll. I would rather much listen to those bands than Metal. I am not a Metal singer. I don’t listen to Metal music. In my eyes, we are a Metal band with a Rock & Roll singer.

CB: You guys have a highly anticipated new album coming out this year. How is that coming along?

DW: It is coming along really well. It is different than the previous records. It is far more mature. I have written some real songs. Hopefully that comes through.

CB: Is it still looking like a September timeframe (for release)?

DW: It is looking to be the end of November or beginning of December right now.

CB: What has been your greatest Rock star moment so far?

DW: That is a tough one. It depends which way you want to go with it. Do you want something completely inappropriate?

CB: You could go with either or both.

DW: We opened for Guns N Roses and we felt like true Rock stars. That was definitely infamous. In terms of behavior, however it may be frowned upon, I guess the most shamed Rock star moment was the whole Seattle incident.

CB: You guys were out with Guns this year. What was the highlight of that for you guys?

DW: Just the experience of doing it. It’s such a great honor to do something like that. It was mind-blowing at times.

CB: Did you get to spend time with Axl at all or the band themselves?

DW: No, I didn’t really hang around much at that show. I left pretty soon after we played.

CB: I always ask this question of bands because I have had some pretty crazy stories over the years. Have you ever had any crazy boyfriend or husband stories?

DW: I have never had a boyfriend or a husband. I’m sorry I’m going to let you down with that one.

CB: No, with the girls coming after you guys?

DW: We have had many of the guys come up to us and ask us to sleep with their girlfriends or wives. I did once have sex with a chick and later found out she was engaged to one of my good friends.

CB: That’s never good.

DW: No.

CB: Did you tell him?

DW: No and he still doesn’t know. We aren’t friends anymore so it would be impossible for me to tell him. It was a friend at the time.

CB: Do you guys have any pre-show rituals. Do you come together and do anything special?

DW: No. It was always something that was natural to me just like I’m going anywhere else except there are thousands of people watching it.

CB: What can the fans look forward to at Mayhem?

DW: It is going to be a real fun tour. I am going to be wearing leather. They can look forward to that. I may take my shirt off during the show.

CB: It’s going to be pretty hot for leather.

DW: Yeah, that’s why I may take it off.

CB: It’s pretty hot. I don’t know if you’ll get the leather off.

DW: I know I’m hot. Stop telling me. Stop flirting with me.

CB: You guys have been out on the road. What is the best and worst part of being on the road?

DW: The worst part is being away and not getting to see loved ones. The best part is probably just the shear freedom from the human race. Normal rules don’t apply. It is a completely different world when you are on the road. As myself, I am a completely different person on the road than any other time in my life. I am an insane creature.

CB: Do you believe the cliché that there is no bad press?

DW: I know there is bad press. I just don’t necessarily dislike it, which is a good thing because I have had a hell of a lot of it.

CB: Some people it really bothers and gets under their skin and some people it doesn’t.

DW: I think sometimes I prefer bad press.

CB: Why?

DW: Everyone is trying so hard to just be so nice now. I don’t want that. I want to be known as me and I am not a good person but I am OK with that. I have come to terms with it. It’s not that I am a bad person, it is just that I speak my mind and I don’t sugar coat stuff.

CB: I interviewed Alice Cooper a few weeks ago, a legend, and he seemed upset with current bands because nobody wanted to be Rock stars anymore, basically.

DW: Last time I saw him he was on stage at the Golden God Awards ceremony thanking me and for keeping Rock & Roll alive.

 
 

 

 

 
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