As part of that initiative, the city of Cincinnati on Tuesday announced an agreement signed by Cincinnati city manager Milton Dohoney Jr. as well as city managers of Newport and Covington, Ky., agreeing to allow licensed taxicabs to freely commute and transport passengers across city lines from July 1-15. This differs from normal taxi law, in which a Covington driver who picked up passengers in Covington and transported them to Cincinnati, for example, would be barred from picking up another group of passengers within Cincinnati limits, instead required to go back to Covington to seek business.
Licensed taxi drivers who wish to take part of the integrated system are required to attend a "Hospitality Session" hosted by the City of Cincinnati, which will offer recommendations for interacting with international visitors and offer drivers World Choir Games schedule information. With completion of the session, drivers will earn a purple World Choir Games placard for their car, signifying their ability to commute across the river.
In May, City Council voted to approve a number of changes to the Cincinnati taxi system, to be implemented over a series of three stages, beginning July 1 to coincide with the influx of the World Choir Games. Changes included increased fares, an expanded arsenal of taxi stands and improved signage.
OK, so M.I.A.'s video for "Bad Girls" came out a couple weeks ago, and despite looping it for hours on end since then, I cannot get enough of it. It's one of those tunes that makes me want to dance in public even without a (few) cocktails in my system. With a penchant for controversy, the video (filmed in Morocco) depicts what seem to be Middle Eastern women in traditional-yet-pimped-out garb racing cars in the desert and dancing to music with strong, sexual, pro-femme lyrics.
Though it’s been said that the political standpoints M.I.A. makes in her music contradict her lifestyle, or sometimes don't even make sense, the “Paper Planes” singer is the queen of juxtaposition when it comes to her videos. It's also important to note that “Bad Girls” comes during a time when women in Saudi Arabia are banned from driving. So whatever her intended/implied/confusing statements may be, this video is a pretty hot way to say “F that.”
Go here to watch her response to fans’ YouTube comments on the video.
mega-fest’s initial lineup was released last week, boasting headliners like Radiohead, Red Hot Chili Peppers,
Phish and The Beach Boys. Every year I go back and forth on my
decision to go: Can I afford the ticket plus all the cash and supplies that go
into surviving there (screw anyone who says you just need water and a sleeping
bag)? Can my poor Irish skin bear four days in the blazing sun? What if next
year’s lineup is even better? I still haven’t quite decided, but 2012’s lineup
looks good to me for less-than-obvious reasons.
Ben Folds Five — As in, the original trio reuniting. One of my all time favorite bands. I’d die.
The Roots — I’ve been a fan of the crew since I first heard “The Seed (2.0)” when I was in eighth grade. And their day job as house band for Late Night with Jimmy Fallon has only solidified my love.
Ludacris — Not ashamed.
Of course there’s also this year’s #whoarethey Grammy winners, Bon Iver, Donald Glover’s alter-ego Childish Gambino, The Shins, jam band supreme Umphrey’s McGee and dozens more. Aziz Ansari (Parks and Rec, Funny People) is even confirmed to perform, though the rest of the comedy lineup is yet to be announced. It turns out most people go to ‘roo for music, but I will nerdily admit as a comedy fangirl, the stand-up tent was one of my favorite (and most air-conditioned) experiences during my trip to the fest in 2010. Ansari also appeared that year and Conan O’Brien, fresh off his firing from NBC, headlined.
A friend on Facebook recently posted a link to Hi-Fructose Magazine’s blog, a page covered in creepy-cute taxidermy art. Netherlands-based art partners (artners?) Les Deux Garçons create whimsical pieces in which real taxidermied animals are embellished with knick knacks, toys and lush decorative ribbons. If that weren’t enough, many the animals are dual-headed conjoined mammals, or are transformed into unicorn-esque creatures with crazy horns. These (ethically-obtained) animals are transformed into their own art form that carefully walks the line between beautiful and grotesque. Observe:
The media queen came to town Feb. 22 to speak as a part of the SmartTalk ConnectedConversations series, and boy, do I have a crush on her. She spoke (in a sexy Greek accent, BTW) on becoming fearless in love, work and life, providing many hilarious and interesting personal anecdotes along the way. Advice she gave included getting more sleep, turning off that negative voice, or “obnoxious roommate” in our heads and the importance of finding a “tribe” of friends we can all relate to and depend on. Fun Fact: She launched The Huffington Post in her fifties, thanks to help of a $100,000 loan from her tribe-mate Laurie David (former wife of Seinfeld/Curb Your Enthusiasm’s Larry David). Pretty inspirational. She ended the evening answering audience questions with Channel 12’s Cammy Dierking, who clearly also has a bit of a girl-crush on Huffington, and who nearly made me wet myself when she used the phrase “That’d go over like a turd in a punch bowl.” It was truly a fun femme-fest.
Sleigh Bells on SNL
Despite my undying love for Saturday Night Live, even I can’t deny the amount of lackluster musical performances on the show. Granted, it is one of the few “really live” shows left, details often aren’t finalized until the last minute, sound is often off and the tiny stage isn’t ideal, but who could forget Ashlee Simpson’s career-killing disaster on the show? This year, it’s all about hating on Indie songstress/mannequin Lana Del Rey’s performance. Personally, I don’t think the performance warranted such a backlash, but judge both for yourself. And check out SNL’s hilarious response to Lana-gate (with Kristen Wigg as LDR) here.
Noise Pop duo (now touring with a third musician) Sleigh Bells killed it on last week’s episode. I wasn’t expecting
the live TV format to do them justice, but they sounded great and were
entertaining despite a nearly naked stage.
The weekly, true storytelling public radio show with its quirky, adorable host seriously has something for everyone — timely topics, laugh-out-loud (or cry-out-loud) anecdotes, thoughtful insight. TAL even got my stubborn, conservative father to listen to NPR on a regular basis. So since we can all agree how awesome it is, let's celebrate the announcement that Ira and Co. will present a live show in New York City, to be broadcast in movie theaters across the country on May 10.
Those who watched the television adaptation of This American Life know how flawlessly the program can be adapted to incorporate visual elements with the standard unscripted storytelling format. But the live show is set to involve more than just interviews and animations seen in the TV program.
The show will go live at 8 p.m. May 10 onstage at the Skirball Center for the Performing Arts in New York City. If you can't make the trip to the Big Apple (it's sold out anyway), check it out at one of many local theaters screening the show, including AMC Newport, Western Hills 14, Florence 14, Milford 16, Springdale Showcase Cinemas and Deerfield Town Center. Many of these theaters will present an encore screening May 15 as well. Go here for tickets.
I opted out of typing music listings and attending sociology class Friday in favor of checking out the conference taking place on the University of Cincinnati’s campus: Pop Praxis: Social Justice & the Media. With discussion topics like, “Disco Stick: Lady Gaga and the Phallus” and a keynote speech from Bitch Magazine’s own Andi Zeisler, I was stoked for an enlightening day of stimulating pop culture discussion.
The conference was the result of a collection of papers, presentations and workshops submitted by speakers ranging from undergrads to professors to alumni from a number of universities. Submissions were required to regard "pop culture as it relates to feminism, race, disability or queer theory, class, consumption, and all forms of political activism or cultural production."
It was an honor for the university to welcome Andi Zeisler, co-founder and editorial/creative director of Bitch: Feminist Response to Pop Culture. She wasted no time launching into a pointed discussion about the importance of feminism today, despite the general public’s tendency to assume that the movement is past and irrelevant.
“Any media needs to make money,” Zeisler pointed out, “and the quickest and surest way to do that is to sell out women.”
In short, while addressing the frustrating roadblocks today’s feminist advocates face, Zeisler commended technology and blogging as new ways to comment on the media and bring important issues to public attention, keeping intelligent discussion going that might not have been able to take place before.
Zeisler said Bitch’s goal is to help people think about pop culture in a more critical way, so it makes sense that the speakers in the sessions that followed did exactly that.
While the main event was arguably Zeisler's speech, the presentations and workshops were fun and eye opening.
During the first session, Sarah Mitchell called out Winnie of The Wonder Years for her textbooks that attempt to make math “sexy” for middle school girls in “Postfeminist Math Barbie: Danica McKellar’s Provocative Education Advocacy.” Lee Serbin also pointed out the shaky, back-and-forth stance Tina Fey’s character holds between feminism and postfeminism in 30 Rock during her discussion, “30 Rock and Feminism in Flux.”
Some women in the media, however, aren’t so bad to look up to. One presenter discussed how Lady Gaga rocked the phallus on the cover of Q Magazine as a response to the public’s accusation that she’s packing a package. While still technically enforcing the belief that a penis equates power, her gender-bending humor puts sexists in their place.
A strong argument was also made for Buffy the Vampire Slayer. Admittedly, she was skinny and blonde, but more importantly, she overcame that image to kick vampire ass. The slayer was decidedly deemed a pretty solid female role model for something popularized by mainstream television.
Feminism wasn’t the only topic of the day, however. One student discussed Batman as an extreme representation of hypermasculinity who tends to equate violence with being a man. That, and maybe steroid use after all the bulk the superhero’s acquired over the years.
During the same session, another speaker addressed the somewhat androgynous image of the emo kid. This speaker deserves props for researching something so fickle in the world of teenage cliques. She concluded that, while the emo subculture allows for somewhat of a break from that Batman-inspired masculinity, only the white boys of suburbia seem to make up this social group.
While it was impossible for me to make it to each presentation, at the end of the day, the message was clear: People need to be careful about what they consume.
There are no clear answers. Watching a Lady Gaga video over 30 Rock isn’t necessarily going to be more empowering, and children who prefer Batman to Chris Carrabba aren’t doomed to a life of violence. The important thing Pop Praxis stressed is that the discussion remains open and that we, as responsible consumers of popular culture, keep a critical eye on it.
This weekend Cincinnati Ballet presents a production quite fitting, considering our weather – Rite of Spring. With Stravinsky's music performed live by the Cincinnati Orchestra, Rite of Spring is a “raw, grungy” piece that pits “individual against the group; it’s kind of timeless and universal,” as described by Resident Choreographer Adam Hougland. There is an 8 p.m. performance tonight and 2 and 8 p.m. performances Saturday. Go here for ticket information and performance details.
Concert:nova's Food + Music Festival comes to a close Sunday with Quartetto Italiano. The festival, which featured food and music from France and Germany, wraps up with an Italian brunch at Via Vite prepared by Chef Christian Peitoso and string quartet music written by Italian composers Puccini, Verdi and Nino Rota. The event takes place at noon and is $55 ($35 for pass holders). Get tickets here.
46th annual St. Patrick's Day Parade steps off at noon downtown. The parade famously continues through rain, snow, or, perhaps this year, unseasonably warm weather. Hopefully the impending storms will hold off anyway. The route begins at Second and up Main Street, across Fifth and down Elm Street. Find details here.
If historically inaccurate holidays that celebrate stereotypes aren't your thing, check out The Art of Food, Merrily We Roll Along, A Day in Pompeii, tons of live music or any of our other To Do recommendations. Or just stay home and watch Always Sunny. No judgement.
In addition to Cinco de Mayo and Derby Day, the next couple days bring a ton of events and activities. Saddle up, grab some tequila and get out there this weekend!
Essex Studios blossom this weekend for the galleries’ spring Art Walk, BLOOM. The space has been transformed with a thousand origami flowers, yarn gardens by the Cincinnati BombShells and color-coded pathways. As always, more than 100 artists’ work will be on view as guests eat and drink their way through the studios. The art walk runs 6-11 p.m. Friday and Saturday.
Saturday is Clay Alliance’s annual pottery fair at DeSales Corner. Peruse decorative and functional pottery pieces, meet local artists and get supplies to work with clay on your self. Hourly raffles and live music round out the day. The 12th annual fair takes place 11 a.m.-5 p.m., rain or shine.
The first Saturday of May happens to be Cinco De Mayo this year, but it’s also Free Comic Book Day: once a year, comic/specialty book shops across North America offer free publications to all guests. Find a nearby participating store here. Many store offer additional in-store events and promotions; Up Up & Away in Cheviot welcomes The Walking Dead co-creator and original artist Tony Moore.
Crafty Supermarket is back! Making its home at the Clifton Cultural Arts Center, the spring show brings more than 50 indie, subversive crafters from across the city and country to sell their funky, functional handmade goods. Just in time for Mother’s Day, shoppers will find unique apparel and accessories, home goods, artwork and more goodies. Fuel your shopping with delicious food and coffee from local vendors while a PROJECTMILL DJ keeps you groovin’. Show up early to nab a coveted swag bag — every year, shoppers line up around the corner of Clifton Avenue in hopes of being one of the first 100 who get a bag. The market is open 11 a.m.-6 p.m. and admission is free.
Cinco de Mayo is more popular in the U.S. than Mexico, but since when do we let historical inaccuracies stand in the way of a good drinking holiday? Nearly every bar and restaurant participates in some capacity, but we’ve selected a few to host our annual Cantina Crawl. Here’s our schedule:
p.m. El Coyote
p.m. Pirates Cove
p.m. Tostado’s Grill
p.m. Cactus Pear (Clifton)
Join our roving squad of senoritas and “Seen on the Scene” photographers as they travel from place to place with more prizes than you can throw a maraca at.
Prom is a rite of passage many, but often LGBTQ kids don’t feel comfortable at school dances because of bullies and expectations about dress and dates. The Gay, Lesbian and Straight Education Network (GLSEN) Greater Cincinnati provides a welcoming environment for these individuals at their annual GLSEN Prom Saturday. Come to the Freedom Center for two events in one: those under 21 are invited to "dress as you want, bring who you want, and love as you want.” In a separate area of the center the over 21 crowd, who maybe didn’t get to experience a prom of their own, can enjoy dinner, drinks and dancing for $65. Those wanting to attend post-dinner can come after 9 p.m. for a discounted price. As always, kids are welcome free of charge with early registration. All proceeds support the local GLSEN chapter.
And don’t forget to check out the "supermoon" Saturday — the biggest full moon of the year will peak around 11:30 p.m. tomorrow.
Cincinnati's Guerrilla Queer Bar is about to turn one! That means they're celebrating one whole year of transforming popular straight bars (e.g, Cadillac Ranch, the Pavilion) into a flashmob of "queer dance-love-heaven" for one night, the first Friday of the month.
It can’t be denied that news reporting, in many ways, is stepping further away from hard facts and closer to tabloid gossip. In a day and age where Twitter is the new paperboy, it can’t be denied that the facts are coming faster. And while this could be an opportunity for better news, more quickly, more often than not we’re trading chances for quick links to real stories with 140 character quips on MC-Hammer-like “did you see her butt”s (#chauvanistsforCyrus).
The real disappointment comes, though, when we look to major media outlets (Still trusted by some. Take off the aluminum hat, Johnny.) the next day for hard-hitting news, only to see that they’ve decided to throw their own hats in the ring. With prize-winning headlines such as CNN’s “Miley Cyrus twerks, stuns VMAs crowd,” the morning news was just as obsessed as the evening newsfeed.
As a reporter, a writer, an observer, this obsessive, sprawling focus is what scares me most. It isn’t the performance itself, full of dancers dressed as teddy bears or Cyrus’ gyrating hips on Thicke’s overly hyped crotch (See “Blurred Lines” for more details). It isn’t so much the event that took place, as it was the reactive reports that left an extra, bitter after taste to my morning coffee.
Even arts reporting, perceived to have more lenient, pop-culture laced subject matter, used to hold itself to similar standards of respectful re-tellings of facts rather than fiction. Though there had once been a clear distinction between opinion pieces and news articles, even in the realm of aesthetic focus, the lines are suddenly more blurred than ever. And where does that leave us, the “responsible” voices?
Culture is, in many ways, defined by the voices that carry out its most essential conversations. If we are of the few so lucky as to have a readership, our words carry the weight of decades of said cultural insight and historical backing. What do we have to say for ourselves when these words, our influence, sacrifice authenticity for celebrity? Integrity for popularity? What are we really accomplishing when we re-draw the line between honest reporting and scandalized, gossip mongering, and honest words inch closer to the latter? What would our (fore)mothers say?
This isn’t to say that there aren’t some voices, some news outlets out there, who aren’t doing it right. While most couldn’t look away from Cyrus’ extended tongue (search “Venom” and “Marvel Comics” for more details), The Guardian, for example, wouldn’t look past the more subtly digressive implications of the performance. Did you miss the moment where the young, stage-dominant, Caucasian Miley Cyrus groped her not so white back up dancers? (The Guardian didn’t.)
I ask again: What are we creating when we allow objectivity to bend to the will of popular demand, asking for glitter and jazz and sensationalized headlines? Nothing. We are creating a secular sinkhole of informational access. We lead our readers right back where they started.
And that says to me that there must be a change made. The truth is, we CAN stop. If we want to.
When journalists interview people, it's more often than not about something very specific. When we interview the governor, his press person would definitely give us a dirty look if we threw in questions like, "What's your favorite '90s boy band?" or, "Did OJ do it?" We're there to discuss something specific, and straying too far outside that topic is viewed as either a waste of the interviewee's time or an invasion of privacy.
The reality is that there are more facets to the people we interview than we'll ever know. What was Senate Chef Daniel Wright's favorite toy when he was a kid? What does CityBeat editor-in-chief Danny Cross order at Taco Bell?
The answers to questions like these don't define a person, but neither do their jobs, possessions, political leanings, philanthropic efforts or social status. It's a little bit of everything. In this blog series, I'll be picking random Cincinnatians who are doing something interesting, call them on the phone/harass them on the street and ask five or six weird questions and hope I don't get yelled at. Feel free to comment if there's someone you'd like to suggest.
As a practice go, I'm first interviewing my cubicle mate and reporter extraordinaire, German Lopez. If you don’t recognize the name German Lopez, it’s because you probably never read CityBeat, so shame on you. Around the office, he's known for his dry sense of humor, really liking donuts, ditching all of our happy hours and one time writing almost an entire issue by himself. He's the one we all go to when we need him to explain in plebeian language the meaning of complicated political and economic data.
Hannah McCartney: What's your favorite most recent viral video?