It's the weekend, y'all.
And as it approaches 5 p.m. on a Friday, you're probably thinking to yourself, "What should I do this weekend?" Why not try one of these …
- Sauerkraut Pizza. Made by the Order of the Eastern Star Masons, the handmade pizzas come in whole pies or slices and are topped with tomato sauce, cheese, green peppers, onions and sauerkraut.
- Cabbage Rolls. For more than 30 years, St. Augustine's Church has cooked cabbage rolls for the festival — recently, more than 10,000 per weekend. Cooked cabbage leaves are filled with ground beef, rice and spices and covered in tomato sauce.
- Sauerkraut desserts. The Waynesville Chamber of Commerce will be serving up sauerkraut pie, sauerkraut fudge, sauerkraut brownies and sauerkraut cookies.
- Sauerkraut Balls. A classic: breaded and fried sauerkraut and bacon, served by the Waynesville fire department.
- German Sundae. This is a pile of potatoes, topped with kraut, sour cream, cheese, bacon and green olive. (Recipe below.)
Remember when Guy Fieri and his Flavortown mobile came to Cincinnati this summer to film Diners, Drive-ins and Dives? The Food Network star made appearances at several area restaurants from Corryville's Island Frydays and Northside's Melt to a bevy of spots in Over-the-Rhine. Melt and Island Frydays' segments have since aired; tonight, a special OTR-centric episode of DDD premieres.
Vine Street eateries Senate, Bakersfield and Taste of Belgium will all be featured in this "One Street Wonders" episode. Typically three restaurants from three different cities are compiled in each episode; tonight, the entire episode will be devoted to OTR's Gateway Quarter. Tune into Food Network at 10 p.m. Go here for additional showtimes and recipes from Senate and Taste of Belgium.
Diners Drive-ins and Dives is no stranger to Cincinnati. Before this summer's filming, Fieri had visited Terry's Turf Club, Blue Ash Chili and Virgil's Cafe for the show.
When I first met Valley of the Sun, one of the first things Ryan ever said to me was, “So you’re the enemy,” with a huge grin on his face. He was obviously referencing something and was extremely happy that he was finally able to do so.
I didn’t get it.
For those of you as clueless as I was, it’s from Almost Famous, the story of a young boy who gets to live his dream and follow a band on a nationwide tour while writing a story for Rolling Stone. In it, one of the band members continually calls his newfound follower the enemy because he sees everything — the good, the bad, the ugly, the drunken — and he can report on it all.
As I sit on a plane, 53 minutes away from Brussels, I finally get the reference (it doesn’t hurt that I watched Almost Famous for the first time the night before we left). So far I’ve watched Aaron drink wine straight from the bottle, seen Nick blatantly break the “no smoking” rule on international flights and learned just how cutthroat the game of Dibs can be. Ladies: Yes we are staring at you and yes we are claiming each and every one of you. Also, selfies. So many selfies.
It’s been pretty calm so far. Seating has been a breeze, Aaron and I prefer aisle, Ryan and Nick are window guys. Our connections have been effortless, leaving plenty of time for piss breaks and pizza runs. The flights were all smooth and filled with enough dibs-worthy frauleins to keep us busy the whole time. Even our luggage was fairly easy to manage. Only two gear bags needed some re-Tetrising, but it was easily corrected.
The trip out of the airport in Brussels was a bit more stressful. We had a hard time corralling our luggage, we couldn’t find our van and Ryan was stopped by an adorable drug dog and his less than adorable handler. But it was all sorted out and we headed out for Desertfest, our first show in Antwerp, Belgium.
The ride was short and we were the first band to arrive. We used our free time to track down some Belgian waffles; Arnaud’s bilingual skills helped us procure food that we actually recognized and pay for said food. We also sorted out usual tour things like reorganizing the van into less of a clusterfuck, catching up with old friends, making introductions to new members and passing out itineraries. Ryan was kind enough to provide us with a day-by-day breakdown of times and locations, all set inside a classy Lisa Frank folder. Because kittens are metal.
Merch is being sold by an outside agency, so I get the night to enjoy some of Stoner Rock’s finest acts, like Witch Rider and Truckfighters. I will be in charge of filming the band with Nick’s Go Pro cameras. No guarantee of quality can be made, but considering our mutual state of exhaustion, I think it’ll be forgiven. Tonight’s sure to be an interesting start to tour. We’ve each been given six drink tickets, we’re running on about 30 minutes of sleep apiece and the boys are playing to a sold-out fest with attendees flying in from as far away as Japan. It’s definitely a trial by fire scenario, but I think they’re up to the challenge. They just might need a caffeine injection between now and then.
I think I’m going to wrap it up for today but I want to start a tally here that will hopefully carry on through the tour. We’re up to two Spinal Tap references/situations today. Check back in to see if we can run into any more locked doors later this week!
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
If imitation really is the greatest form of flattery, WCPO's John Matarese should feel truly honored. Someone has created a parody Twitter account, @John_Mattress, devoted to Mr. Don't Waste Your Money. Like the real Matarese, fake John offers penny-pinching tips, like this helpful idea:
Who runs the account and why it only has 7 followers remains a mystery. The account's first post is dated Aug. 27, but we just discovered the page when "John" recently tweeted @CityBeatCincy.
Follow @John_Mattress for real Matarese retweets, money saving pointers and video game musings. Seriously, one of the funniest parody accounts we've seen in a while. Here are a few of our favorites:
Are you @John_Mattress? Know who is? Please email any details to email@example.com.
Oh wow it’s Friday, I saw pretty much the best show I’ve seen in months last night when Mirah played MOTR Pub and I just had a pretty great donut and tons of iced coffee. But this isn’t a baked goods or early 2000s music blog (I wish), so let’s get to the news.
Attorneys for the Greenpeace activists arrested for hanging a banner from P&G’s headquarters in March lost a legal tussle yesterday as a judge ruled jurors wouldn’t be able to take a tour of the crime scene. The defense alleges the activists didn’t damage windows when hanging the banner, and that other windows on other floors have similar damage that pre-existed the protest. The felony charges against the activists hinge on that damage. P&G says the company has made so many changes since the incident, including new security measures, that a tour of the building would only confuse jurors. The judge in the case sided with the company, because nothing is more confusing to jurors comparing windows than some extra security guards milling about. Eight of the nine protesters face felony burglary charges that could land them in prison for more than nine years. A ninth protester made a plea bargain over the summer.
• Imagine this: guidelines from a federal agency are vague and clouded, and local factions on both sides of an argument are using that ambiguity to make political points. Shocker, right? The streetcar funding imbroglio is a white elephant gift that just keeps getting passed back and forth between the mayor, transit advocates and news organizations. First, the mayor said the city may cut streetcar service if the project’s $4 million annual operational funding gap isn’t filled. Advocates for the project objected, saying that the federal grants used to build the streetcar prohibit the city from doing so. Then a Cincinnati Enquirer story last month said the hours would be up to the city, with the Federal Transportation Administration staying out of the mix. But it also suggested that the city couldn’t run it only for special events, as Mayor Cranley suggested on 700 WLW in what he later called an “extreme hypothetical.”
Hm. So, uh, can we just get some numbers up in this? Like, just how many hours a week does the city have to run the streetcar? In its various grant applications to the FTA, the city has promised to run the streetcar 16-18 hours a day, 365 days a year. Is the city tied to that number? The FTA’s response to the controversy doesn't totally clear this up.
“We expect Cincinnati to provide the nature and quality of service that
it proposed in both the TIGER and Urban Circulator grant applications,
which were a consideration in the selection of the applications for the
award of grant funding,” the agency said in a statement responding to recent questions from the Cincinnati Business Courier. Well, huh.
• The clock is still ticking on an effort to establish a co-op grocery store at the site of the former Keller’s IGA in Clifton, but the game is now in overtime. Officials with the group Clifton Cooperative Market announced they’ve signed an extension on a contract to purchase the building on Ludlow Avenue near Clifton Avenue, and now have 90 more days to do so. The group is trying to raise $1.65 million to buy the building by selling shares to community members. So far, they’ve got more than 800 co-op members and $600,000 banked for the project. The market will be an “uptrend” grocery, which I think means $3 bottled sodas, a lot of quinoa and kale as far as the eye can see. I’m not hating. I like all those things.
• Here's an interesting story about the way the city of Cincinnati collects property taxes, and how small-government conservatives passed laws back in the late 90s limiting the amount the city can collect to a specific dollar figure. The results have been a mixed bag at best.
• Cincinnati is one of the worst places in the country for irrelevant political ads, a new study has found. I mean, given the level of non-representation we’re getting out of our federal, state and local politicians and the appalling lack of options we have for most races, I’d say pretty much anything these jokers slap on a billboard is more or less irrelevant. But alas, the study says our ranking is because our market is split between Ohio, Kentucky and Indiana and because candidates in one state often have to buy ads for the whole region.
• The accepted wisdom on millennials is that we’re all entitled Bard College grads working on our Tumblr poetry blogs and being snotty to baby boomers from our perch as lowly Starbucks baristas while we work to save up money to move to Bushwick. We really haven't helped ourselves in this regard, as we're pretty much a generation obsessed with branding ourselves as such. But hey! Did you know that two-thirds of millennials don’t have a bachelor’s degree? Did you know that many grew up facing deep poverty and lack of educational opportunity? This NPR piece gives a little more attention to young folks who you probably won’t see on an episode of Girls anytime soon. It’s a good read.
• Finally, I can't decide if this fake John Matarese Twitter account is trolling us or not. Or if it's even really fake. John, is that you?
CityBeat: When did you start getting into bar tending and creating craft cocktails?
Mike Georgiton: I’ve been a bartender for about 11 years. I was working for a while in fast-paced club kind of environment, and it wasn't until later that I got another job in a lounge. It was actually the worst job I’ve ever had; I hated it there. Eventually, the club changed hands, and the new owners brought some guys from Louisville to train everyone. I went through like 90 hours of training of cocktail history and that’s when I started making craft cocktails and started to enjoy the process. It wasn't until I started here that I began researching and getting creative. I started reading and figuring out more techniques and developing my own from there.
CB: What would you say is your technique/method in coming up with original cocktail recipes?
MG: I don’t like to read too many cocktail books. Books do help in getting kind of basic idea of what people are doing, but I like to get more inspiration from food and the way people pair food together. I ask myself, ‘How can I pair this food ingredient with a liquor?’ and that way I’m coming up with more obscure ingredients that are my own. Flavor combinations that chefs use in a lot of their dishes will push me to think, ‘Well, how can I tie in pistachios?’ or ‘How can I tie in this or that?’ I want to do something that’s completely different and inspired from my own source — something that no one else is doing.
CB: What’s your favorite ingredient to use in your cocktails?MG: My favorite ingredients are usually more food-type ingredients that chefs are also using in their dishes. My favorite liquor to use is Domaine de Canton, which is a cognac-based ginger liquor. I put it in a lot of drinks. It’s one of those that I love it because it goes good with everything, but I also kind of hate it because I want to put it in everything.
CB: Do you notice any changes in cocktail culture within OTR?
MG: I have noticed that, more than before, people are starting to get more creative in making original cocktails instead of just taking recipes from a book. People are using more modern techniques, and I think that’s great because that was always what I was more into than just traditional cocktails.
CB: What’s the strangest ingredient that you've ever put in a cocktail?
MG: Foie gras, which is stuffed goose liver. Hands down the most bizarre that I've done.
It's fatty and it’s easy. You cook it and render it down in a pan and add some cognac to it. I know cognac has always been a classic pairing with foie gras, so I thought it would be really interesting to come full cycle and put foie gras in the cognac. It was one of the initial cocktails that I did more of a direct food style. In the cocktail I added a fig emulsion, some black pepper tincture and sprinkled some nutmeg, which are all ingredients you usually find being used with foie gras. It turned out really great and is on the menu here [at Senate], but to get one great original cocktail you have to go through five horrible ones. It takes a lot of experimenting.
CB: What is one of your favorite cocktails served at the Senate?
Fidel Castro. It goes great with the fall season, and we have it pre-mixed and
ready to serve at Senate.
2 oz. oak-aged spiced rum
1/2 oz. pure maple syrup
3 dashes of Angostura bitters
1 dash orange bitters
1-inch piece of orange peel
Shake all ingredients together (except for orange peel) over ice in a cocktail shaker. Stir and strain into glass. Heat up orange peel with a lighter. Squeeze the peel over the glass, running the rim with it before adding to the cocktail.
Oak-Aged Spiced Rum
750 ml. bottle Bacardi Silver Rum
1 vanilla bean, halved lengthwise
2 whole cinnamon sticks
1 T. whole coriander, cracked
10 allspice berries, cracked
3 black peppercorns, cracked
2 whole nutmegs, cracked
1 1/2 tsp. whole cloves
1 T. cardamom pods, cracked
1 star anise
1 T. sarsaparilla bark or root (optional)
3 4-by-1-inch strips of orange peel, white pith removed
5 slices ginger root
1/4 cup French or American oak chips
Combine ingredients in a large glass jar. Cover and allow to age, shaking every few days. It can be used after a few days.
Cincinnati’s Zebras in Public recently unleashed a new music video for its hard-charging rocker “Blown Away,” a highlight of the band’s 2014 full-length release, Paradise Leg.
Directed by the band’s drummer, Chris Himes, the rumbling music is matched up with footage of the band members zooming around Full Throttle Indoor Karting in Springdale. The fast-paced visuals are a great match for the high-octane nature of the song.
This spring, CityBeat’s Brian Baker spoke with the band about its history and the release of Paradise Leg. Check it out here.
With cool, rainy weather in the forecast, this weekend’s planned Mayesfest Bluegrass & Americana Festival in Bellevue has been cancelled. But with artists traveling into Northern Kentucky for the outdoor, riverside event, and many fans excited for it, organizers have decided to present what they’ve called on their Facebook page a “mini Mayes,” moving the music indoors to Over-the-Rhine’s Christian Moerlein Taproom (1621 Moore St., near the Shell gas station on Liberty), which hosted two stages during the recent MidPoint Music Festival.
The event will now begin at 5 p.m. on Friday and Saturday and feature a stripped-down but still excellent lineup of local and touring Bluegrass and Americana artists.
Here is the new lineup:
5 p.m. Price Hill Hustle
6:30 p.m. Al Scorch
8 p.m. Morgan O'Kane
9:30 p.m. Henhouse Prowlers
5 p.m. Honey & Houston
6:30 p.m. Jack Grelle
8 p.m. Woody Pines
9:30 p.m. Morgan O'Kane
Transgender advocate and actress Laverne Cox will give a keynote speech at Northern Kentucky University in celebration of LGBT History Month on Tuesday, Oct. 28, at 7 p.m.
Many will recognize Cox for her groundbreaking role as Sophia Burset, an incarcerated transgender woman, in the Netflix com-dram series Orange Is the New Black.
Earlier this year, she made history as the first transgender person to appear on the cover of Time Magazine and the first to produce and appear in her own television show, TRANSForm Me.
Her success in the film and TV industry has made Cox a highly sought after speaker. Her empowering messages about gender expectations and transgender issues have made her an icon in the LGBT community, being named in Out Magazine’s “Out 100” and one of the top 50 transgender icons by Huffington Post.
Tickets for the event have been selling quickly, as less than 10 remain available to the public. They can be purchased for $10 in Student Union Room 320 on the NKU campus.
The event is sponsored by the university's LGBTQ Programs & Services, which provides advocacy and support to NKU students, staff, faculty and the greater Northern Kentucky community. More info here.
Remember in my first blog when I said I was worried that I had over packed?
Guess what? I over packed.
I’ve been on tour for a week now and these are a few things I’ve learned so far, in no particular order. Hopefully they help you the next time a Rock band drags you across Europe. Or on your next trip to Disneyland.
Two of the leading lights from Nashville’s exploding underground Rock scene, JEFF the Brotherhood and Diarrhea Planet, perform tonight at Northside Tavern. Admission is $10 and the show starts at 9 p.m. Locals Gazer and See You in the Funnies open.
JEFF the Brotherhood recently released a covers EP, Dig the Classics, on Warner Brothers Records. Brothers Jake and Jamin Orrall picked six of their favorite tunes to record for the EP: Pixies’ “Gouge Away”; The Wipers’ “Mystery”; My Bloody Valentine’s “Come in Alone”; Colleen Green’s “Cujo”; Teenage Fanclub’s “Mad Dog 20/20”; and Beck’s “Totally Confused.” A new original full-length, the followup to the duo’s fantastic Hypnotic Nights LP, is currently being completed and is slated for release early next year.
• Austin, Texas, Indie Pop trio The Please Please Me returns to town tonight, this time for a free show at Over-the-Rhine’s MOTR Pub. With a mix of cello, guitar and some spectacular melodies and harmonies, The Please Please Me has been working on its first full-length release, the followup to last year’s debut EP, Shake a Little Harder.
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
Hello Cincy! Here’s what’s going on this morning.
Though you won’t find a way to help shore up the building on the ballot in November, efforts to fund renovations of Music Hall may get a big boost soon. Advocates for the Cincinnati landmark have applied for $25 million through the Ohio Historic Preservation Tax Credit Program offered by the state once every two years. Music Hall is competing for the tax credits with The Huntington Building and May Co. Department Store building in Cleveland and the former Goodyear headquarter building in Akron. The award would be in addition to another $25 million in other tax credits and $40 million in private donations, all of which go along way toward the building’s estimated $133 million renovation costs. The winner of the credits will be announced in December.
• Lots of questions have been popping up in City Council and elsewhere recently about the way the city makes development loans, even as past loans to some of the city’s biggest developers continue to linger unpaid. Council members have expressed concerns that there isn’t enough of a process for deciding who gets the loans and on what terms, leaving a patchwork of deals that are of questionable value for the city. The city has a number of old loans it has made to big developers still hanging around, including almost $9 million worth from between 1991 and 2001. Those loans were used on big, now completed projects in and around downtown. The terms are fairly generous, and many of the borrowers have yet to repay much if any of the principles on those loans.
• Err, so I went to school here for a few years. The Principal of Edgewood High School, which is up in Butler County between Hamilton and Middletown, has said he’ll be getting his concealed carry permit so he can start packing a gun on the job. State law allows individual districts to decide if staff should be armed, but Edgewood, based in the rural/exurban town of Trenton, is the only district in the Greater Cincinnati area that has moved to allow it. Principal Russ Fussnecker said he may start carrying the weapon before the school year is out. He says it’s a measure “to make the school safer” in case of a mass shooter. Other schools have taken milder safety measures. Kings High School in Mason has installed new barriers to keep someone from shooting their way through doors into the school. Lakota has added in-school police and training drills.
•Law enforcement officials from Memphis, Tenn., and Detroit are meeting with officials from Ohio in Cleveland this week to discuss rape kit backlogs at a first-of-its-kind summit around the issue. Untested kits, which may contain genetic information that can convict rapists, have piled up here and in other states. The untested kits have become a big issue in this year's race for attorney general, as challenger Democrat David Pepper hits Republican Attorney General Mike DeWine over Ohio's backlog.
• Kentucky Secretary of State Alison Lundergan Grimes is getting more help from Democrats in her much-watched run against Kentucky Senator and Minority Leader Mitch McConnell. Many of the 16 female Democratic senators are rallying around Grimes with campaign plugs, strategy advice, money and other support. Powerful Senators like Debbie Stabenow, D-Mich., Claire McCaskill, D-Mo. and progressive firebrand Elizabeth Warren, D-Mass. have all jumped on board, holding fundraisers, donating cash and giving shout outs to Grimes. Whether all that help will pay off remains to be seen. Various pundits and polls have recently declared Grimes dead in the water, while others say she’s still neck and neck with McConnell.
• One of the big issues in the race is the state’s dependence on coal. Both McConnell and Grimes have promised to keep coal-friendly policies alive in Kentucky, which is dominated by the industry. McConnell has tied Grimes to Obama, who many Kentuckians blame for the industry’s decline. But how much does coal really matter to Kentucky? Turns out, there is as much myth flying around as fact.
• Throw off thy long-sleeved chains of corporate oppression, my barista sisters and brothers, and put on the short-sleeve shirt or necktie of freedom. But please not both at the same time, because that just looks terrible. Starbucks is lifting its ban on visible body art, as well as “colored ties and neck scarves and black denim.” Really? You all couldn’t wear black jeans? If CityBeat outlawed black denim, I would have to go buy like, five new pairs of pants.
The event, which raised money for local nonprofit Gabriel’s Place and its Junior Culinary Institute, took place at the Christian Moerlein brewery in Over-the-Rhine. The restaurants represented (Jimmy G's, Django Western Taco, LaLa's Blissful Bites, Invito Chef, El Rancho Grande, Huit BBQ, Redondo Taqueria, Axis Alley on the Levee, Seasons 52, Silver Ladle, Elephant Walk Injera & Curry House, Washington Platform, Swad, O'Malley's in the Alley, Mazzaro's Place, The Pub, Boswell Alley and Moerlein Lager House) each provided a small sample of their favorite items for attendees to nibble on, from mini-steak sandwiches to shot glass-sized pecan pie. Some of the vendors were parked in the more polished taproom, while the majority of the booths and the competition itself appeared in the “basement chic” room next door. Attendees wandered from booth to booth, balancing small plates and frothy cups of Moerlein beer as they waited for the main event to begin. Everyone looked slightly confused at first, but it didn’t take long for everyone to catch on and figure out where to go — the Four Roses bourbon cider probably helped.
Iron Fork’s version of Kitchen Stadium was a small-ish cooking space set up at one end of the very large room. It was fully stocked with brightly colored produce from SYSCO, plenty of spices, gas burners and shiny stainless steel cookware from Cooks'Wares. Scattered across the room were large TVs (not in HD, our spoiled selves lamented) for those who may not be able to find a spot in the small area in front of the kitchen to watch the action. The three judges were perched to the left of the kitchen, presumably starving.
Frances Kroner of Sleepy Bee, Jose Salazar of Salazar and Joe West of The Palace at The Cincinnatian were the three chefs chosen to appear for the event. Each of them had one hour to create a dish using the elusive secret ingredient: figs. (Most of the crowd had left before the secret was revealed; it had to remain a secret to make the competition fair for everyone.) Each chef also had a Junior Culinary Institute student from Gabriel’s Place on their team; all three of the students, it must be said, were incredibly impressive in their professionalism and skill.
The hour-long cooking time per chef allowed attendees to continue to wander and stuff their faces with local treats. The amount of sweet options seemed high (possibly because it was hard to locate the free water to cleanse your palate). The beer line never seemed to shorten, which was fine. If anything, it allowed for more socializing with the other food enthusiasts. Watching the cooking itself was only really entertaining near the end of the hour-long time limit — Jose Salazar straight up ran to the judges’ table with his dishes at the end, and that’s just good TV.
Once each chef’s segment was complete and the three judges were served, a fourth dish was auctioned off to a lucky audience member. (Frances Kroner’s dish went for a whopping $150.)
"All the chefs did a great job and we had a lot of fun sharing our thoughts and our food with the crowd," says judge and CityBeat food writer Anne Mitchell. "Frannie Kroner's lamb chop entree was wonderful, and (Ilene Ross, CityBeat food writer and judge) had a great idea — she added one of her lamb chops to the auction for Gabriel's Place."
"I ate all three of mine and gnawed the bones clean, so that shows you where my heart resides," she continues, laughing. "Jose's appetizer, lamb tartare, was amazing. Ilene licked her plate. It was the kind of dish that separates ordinary food from art."
The audience did not hear from the judges until the end, when they named The Palace’s Joe West as the winner for his appetizer and entree dishes.
"Joe West's appetizer and entree blew us away," says Mitchell. "The scallop crudo was another work of art, and it was the perfect starter for Joe's main dish. I wish I could be 100 percent sure of the description but things got a little crazy at the end and we really didn't hear what Joe said, but I think it was halibut in veloute sauce with bacon crumbles for a garnish, flash-fried potato 'chips' from tiny fingerling potatoes and the figs."
"Figs were the 'secret ingredient' that all the chefs had to incorporate into their dishes," she continues. "It would have been fun to see them utilized a little more essentially in the dishes instead of used as a (yummy) garnish, but that seems a little like splitting hairs."
Overall, the event’s first run was a success. Did I want to snag one of Kroner’s scallops or a bite of Salazar's lamb tartare right off the judges’ table? Sure. But I didn’t, and it still turned out to be a nice little Wednesday night.
Cincinnati greats Wussy continue to surge into the national spotlight, playing sold-out shows across the country and continuing to garner glowing press for their spectacular Attica! album. The band also recently posted several photos of the members filming something for CBS in New York City recently (more info TBA), which should escalate its status even more (a film crew was on hand she the band played the MidPoint Music Festival recently, as well). Can’t think of a more deserved local band.
This evening you can catch the band live FOR FREE on Fountain Square as Wussy headlines this week’s happy-hour “Rocktober on the Square” series. Music starts at 5 p.m. with the fantastic Roots Rock ensemble Arlo McKinley and the Lonesome Sound.
Here’s Wussy’s full appearance on KEXP recorded earlier this year.
• Nashville rockers Those Darlins are also a band on the rise and their fan base in Cincinnati continues to grow thanks to their repeated visits to the Queen City (and their great sound and live show). The group plays a free show at Northside Tavern tonight with guests Jeremy Pinnell and the 55’s and Even Tiles. Doors open at 8 p.m.
• The two-night, “whole house” showcase at the Southgate House Revival in Newport celebrating local indie label Phratry Records kicks off tonight. Showtime is 8 p.m. and admission is $5 each night. Click here and here for details. A documentary film about Phratry is currently in the works. Here’s the trailer:
• London Pop band Bastille was supposed to play at Covington’s Madison Theater back in May but cancelled and then got HUGE (or HUGER — its music had already been selling big and the band appeared on Saturday Night Live in January). So tonight the group is playing its make-up date at our riverfront arena. A review of Bastille’s recent show in Toronto said the young crowd screamed a lot.
Fellow Synth Pop band Grizfolk opens tonight’s 8 p.m. show at U.S. Bank Arena. Tickets are $29.50-$35.
• It’s looking more and more like you’ll never get a chance to see Led Zeppelin perform live and in person ever again. But tonight you can see the “American Led Zeppelin,” Get the Led Out, at the Aronoff Center. Showtime is 8 p.m .Next best thing? If you go, let us know. It’s certainly going to cost you less than what it would to see the real deal — tickets are $33-$46.
• Eclectic Americana singer/songwriter Cory Branan plays Saturday night at 10 p.m. at Over-the-Rhine’s The Drinkery, one of the best newer live music clubs in the area. Local duo Rucca opens.
Branan has been drawing attention for his dynamic, boundless sound over the past 15 years, but his most recent album, The No-Hit Wonder, is earning him some of the best reviews of his career.
Writer Brian Baker spoke with Branan for a feature story in this week’s CityBeat. Branan said the diversity of styles that crop up in his songs just kind of happen naturally and is something never predetermined while a song is being written.
“I try not to impose on the song,” Branan says. “I end up in much more interesting places if I follow and see where it’s going. I overwrite a lot and go back with a machete instead of clippers, so I can end up three songs down from the one I started with, and that’s the interesting place for me. Then I sort of let them tell me what clothes they want to go out in, even down to the studio. Like ‘Sour Mash,’ I always pictured it as a flat-picked barnburner with fiddle and banjo, and then we were doing the record and I found out that Joe Fick, who’s a Memphis boy, was up in Nashville and he’s just the best doghouse (upright bass) player I’ve ever heard, so I was like, ‘OK, we’ll go a little more Sun Records on this one.’ I pivoted at the last minute.”
• Chicago Blues singer/songwriter/guitarist E.G. Kight performs Saturday at the DownTowne Listening Room, the intimate, “listener-friendly” new venue downtown in the historic Shillito’s building. Born in Georgie and based in Chicago, Kight is a cult favorite and has worked with everyone from B.B. King and Koko Taylor to Merle Haggard and George Jones. Showtime is 7:30 p.m. Admission is $15 (all proceeds from shows at the Listening Room go to the performing artists).
• Legendary British Folk artist Richard Thompson plays the Dave Finkelman Auditorium on the campus of Miami University-Middletown Saturday night. Amanda Shires opens the 7:30 p.m. concert. The show is a part of Thompson's current acoustic tour in support of Acoustic Classics, an album featuring acoustic takes on some of the songwriter's favorite songs from his storied catalog. Tickets are $35 and available in advance here.
Check out Jason Gargano’s show preview for CityBeat here.
• Australian Electronic music composer/performer Ben Frost brings his tour behind his latest album A U R O R A to the Contemporary Arts Center on Sunday. Showtime is 8 p.m. Tickets are $15 ($10 for CAC members).
This is Electronica, but it’s neither conventional Electronic Dance music, pure-noise Industrial nor (solely) peacefully Ambient droning. Noirish and foreboding, thrilling and involving, it aurally paints a landscape that has been compared to Blade Runner. It unfolds for 40 minutes, like an urgent story. The music can be lulling, even comforting, in its brooding introspection, but it keeps building — it’s complicated like a symphony. Overall, it’s tough and emotional, with moments of grandeur along with reverence to minimalism.
• Some other Australian musicians will also be in town Sunday night. Psych Folk/Rock band Immigrant Union — fronted by Dandy Warhols member Brian DeBoer — plays Sunday a 10 p.m. show at Over-the-Rhine’s MOTR Pub with guests White Violet. Like all MOTR shows, it’s a freebie. DeBoer describes the 10-year-old band’s sound as “Spiritualized being (baptized) in a river of Creedence Clearwater.”
Click here for more live music events in Greater Cincinnati this weekend and feel free to promote other cool shows that were unmentioned in the comments.
Two that I highly recommend, and that I’m afraid might be overlooked because of bigger museum shows, are Emily Hanako Momohara’s Heirloom — at Downtown’s Weston Art Gallery — and David Benjamin Sherry’s Western Romance at a temporary space at 1500 Elm St. in Over-the-Rhine. Momohara’s show is up through Nov. 30 but Sherry’s ends Nov. 1.
Both use color wonderfully to make you focus on objects and/or landscapes close-up — so close-up they have a transporting, transcendent effect if you can spend enough time with them.
Sherry, an L.A. artist recently featured on The New York Times Magazine’s cover, uses color in a psychedelic way, achieving the effect he wants during processing. It gives his Western mountain and desert landscapes a glaze — a “purple haze,” in the case of “Putting Grapes Back on the Vine” — that turns physical geography into a state of mind. There are also in the show black-and-white prints by masters of Western photography — Ansel Adams, Carleton Watkins — to acknowledge Sherry’s debt and also proclaim a change.
Momohara, who taught photography at the Art Academy of Cincinnati but now is relocating to China, is using Heirloom to explore ideas about her Okinawan and Japanese ancestry. These distinctive still photographs and photograph-like videos isolate and deeply contemplate objects related to or inspired by that.
The vertically formatted pieces — like the fantastic “Gathering” video, which looks at luminescent, open-mouthed koi as they crowd around the water’s surface — seem to be moving forward a grand narrative, like scrollwork. And the more horizontal pieces, like “Mask #1,” revel in mystery through the way illuminated objects occupy space in an otherwise dark ground.
To me, these two shows are among FotoFocus’ very best — and I especially hope Momohara returns at some point with something much more extensive.
All right. It’s beautiful outside right now and I’m at a desk (as I imagine you are) with a load of election stories to write. I’m sure you’ve got your own stuff going on as well; let’s do this news thing quick so we can all be a little closer to getting to the weekend.
Are you embarrassed for Ohio yet? No? Just wait. Everyone’s favorite big-talkin’ sheriff will be representing the Greater Cincinnati area to an audience of millions soon. Butler County Sheriff Richard Jones is filming a segment of Comedy Central’s The Daily Show, where he will tangle with host Jon Stewart. Jones is well known for his antics and sometimes factually questionable assertions. He recently tried to bill Mexico for the amount it cost Butler County to jail undocumented immigrants he alleges came from that country. He also likes to equate immigrants with crime, drugs and disease which I explored briefly a while back. Now… he’s going national.
“We’re going to be filming a segment on illegal immigration and the upcoming elections,” Jones told the Cincinnati Enquirer about the show, which he’s filming this afternoon. Can’t wait!
• Dena Cranley, wife of Mayor John Cranley, will join 14 area pastors’ wives in an effort to extend health tests and information about diseases that predominantly affect low-income urban areas, the mayor's office said in a news release today. The services will be available at area churches with financial support from Walgreens. The program is part of a national push called First Ladies Health Initiative that has already been launched in Los Angeles and Chicago. The initiative provides free screening for diseases like diabetes, high blood pressure, breast cancer, HIV/AIDS, and more.
• 3CDC will buy three buildings with 80 units of low-income housing in Over-the-Rhine on the 200 block of West 12th Street across from the Drop Inn Center and at 1301 Walnut Street. The developer says the buildings are “problem” properties, with high amounts of police calls, and that residents there want out. 3CDC says it’s helping those living in the 64 occupied units find other places to live. The developer doesn’t know what it will do with the buildings yet, but says the building on Walnut may become an expansion of nearby Mercer Commons project and could end up as mixed-income housing,. Helping low-income people find more enjoyable, safer surroundings sounds great, but a couple questions spring to mind. Will the low-income units be replaced one-for-one? What do residents have to say, and will they be relocated to nearby housing in OTR? None have been quoted so far about the buildings’ problems, and it’s unclear where they will be moved to. You can peruse crime stats yourself to see the propensity of police calls to the buildings, how many people arrested lived in the buildings and so forth.
• There’s a reason you shouldn’t get relationship-related tattoos, and I think it’s kind of the same with building names. Chiquita Brands International peaced out on Cincinnati in 2011, first moving to North Carolina and now training its wondering eyes toward Ireland. Until recently, we still had a big, prominent building, the Chiquita Center, bearing the company’s name. It kind of made us look like we weren’t ready to move on from the relationship. No more. We’re finally letting go. The center will be rebranded as 250 East Fifth, a simple, bold declaration that the building doesn’t need to define itself by its bygone relationship with some flashy, globe-trotting company with tons of banana money.
• Finally, I think I found my Halloween costume. This guy was dressed in the creepiest possible way when he drunkenly entered someone’s house and passed out on their couch, only to be discovered by children. Undead Santa couch surfer for the win.