What’s up Cincy? Here’s your Friday morning news update.
Here we go again. Hamilton County Juvenile Court Judge Tracie Hunter has been indicted on another felony charge. The charge is a reprise of one of the eight felony counts a jury deadlocked on last year. Hunter is being charged again with misuse of a court credit card. Prosecutors say they have new evidence on that charge that they presented to a new grand jury, which handed down the indictment. Hunter is also facing a new trial on other charges the jury couldn’t come to agreement on in her former case. Hunter was convicted on one count of having an inappropriate interest in a court contract last year over interventions prosecutors claim she took in an investigation into her brother, a county court employee. Hunter’s attorney says the new credit card indictment is unfair since Hunter was already tried for the charge. He says Hunter will appeal it and the other pending charges set for retrial.
• The number of brewers in Cincinnati is exploding, bringing increased stress on the city’s sewage system, according the Metropolitan Sewer District. That’s led to increased fees for brewers to make up for the runoff that MSD must process. But Mayor John Cranley and City Manager Harry Black have halted those fees for now after breweries cried foul. Black says he understands the outcry and is working to find a compromise — a way to enforce water regulations while also keeping the city from dampening one of its fastest-growing industries. Smaller brewers say the fees could hurt their businesses as they operate on small margins and will have to pass the increased costs on to consumers. They’ve also said they were given little warning about the fees. Cranley supports the pause, saying he wants to give brewers who feel they’ve been mistreated a fair shake. Black has said he wants to make sure the system is fair to other rate payers and will be working on a new plan over the next several weeks.
• A citizen task force that has compared Cincinnati’s charter to the governments of 17 other cities says that our mayor has “extraordinary power,” an imbalance that leaves Cincinnati City Council at a disadvantage. The task force is part of a panel studying the city’s charter ahead of possible changes. The group says the mayor has more power than intended by a 2002 amendment to the charter that created a so-called “strong mayor” system in the city, though it stressed that the review wasn’t aimed at current Mayor John Cranley but at the way the city’s government overall is structured. Two ways the mayor is unusually powerful, according to the group, are that he or she sets City Council’s agenda and controls the hiring and firing of the city manager.
• The convoluted case of the Emery Building in Over-the-Rhine got a new chapter this week as the managers of the building agreed to pay $125,000 in property taxes to Cincinnati Public Schools. The building had been property tax exempt, but will now be on the Hamilton County tax rolls. The controversy originated with a complex arrangement to renovate the building, which is owned by the University of Cincinnati. A for-profit developer renovated the upper floors and lower-level commercial space and was to use the proceeds to renovate the historic Emery Theater on the building’s first floor. However, the Requiem Project, a nonprofit that at one point had an agreement with the Emery group, charges that isn’t what has happened, and that renovation efforts have stalled. The Requiem Project sued after its contract with the Emery groups was terminated in January 2013.
• Here’s an alarming statement about national infrastructure investment from former Treasury Secretary Larry Summers: Public investment in infrastructure these days is essentially zero percent (OK, .06 percent) of the country’s GDP, and federal, state and local spending is basically maybe enough for maintenance the infrastructure we already have. Maybe. But the country isn’t investing in new infrastructure at all by the numbers. That statement comes as a debate rages over what to do about the nation’s aging roads, bridges, highways and other publicly funded transportation necessities. The debate hits close to home: We’re years into the struggle to find a way to pay for the 51-year-old, traffic-packed Brent Spence Bridge, for instance, and a solution to the bridge’s $2.6 billion funding dilemma still seems distant. Bummer.
That’s it for me. Tweet or e-mail me news tips or your suggestions for favorite strange corners of the city to explore. I’m planning to be out and about this weekend soaking up the spring weather. Assuming that it’s actually nice out. If it’s not nice out, tweet me suggestions for great places to curl up in a ball and cry.
I seldom laugh out loud when I'm watching a comedy, but I found myself doing just that more than once at last night's opening of Peter and the Starcatcher at the Cincinnati Playhouse. You can read about this show and the appeal of Peter Pan here, but let me simply say this is a deliriously silly but wholly heartfelt prequel about the origins of the boy who "won't grow up." This award-winning play uses simple theatrics, not special effects, to work its magic, and the Playhouse cast of a dozen quick-change performers dive into the wacky storytelling with zest and zeal. Everyone is having a good time, perhaps Tom Story most of all, playing "Black Stache" (the pirate who will become Captain Hook) who spews malapropisms and extravagant posturing: "There's a poet in these pirate veins," he announces. The laugh-inducing moment that sets up his subsequent need for a hook is both ghastly and breathlessly funny, not to mention milked for all it's worth. Everyone in the cast has moments of fun. This is imaginative storytelling and extravagant theatricality at its best. You'll have fun if you bring a kid or two; but even if you don't, go by yourself and feel like a kid again. Through April 4. Tickets: 513-421-3888.
Seeing locals on reality TV combines two of my favorite things: Cincinnati and trashy television. So I was elated to hear that A&E’s Neighbors with Benefits – a new unscripted series following swingers — is set just north in Warren County. The show will document married couples in a suburban neighborhood that have open, extra-marital relationships. The show hasn’t even aired yet (it premieres Sunday, March 22), but it already has reality red flags, as with many A&E shows filmed in Cincinnati (remember Rowhouse Showdown?). While at least one couple on the show is confirmed local, some residents of the Thorton Grove neighborhood near Maineville question the legitimacy of the other couples and shooting location. There’s speculation that a rental home outside Thorton Grove was used to shoot the series after residents complained about associating the neighborhood with a swinger capital. But honestly, if the worst thing about your neighborhood is that people are having sex with each other, isn’t that something to brag about?
Marilyn Manson is all about
his pops these days. He took an unexpected but awesome role on Sons of Anarchy’s final season, saying
he took the role because he watched the show with his father, and now the two are in Paper Magazine.
New show news:
True Detective Season Two is still without a premiere date, but stars Vince Vaughn, Colin Farrell, Taylor Kitsch and Rachel McAdams have been at work shooting the next installment. Go here to read more about the season’s storyline — public transportation + murder + conspiracy — the characters and directors — various directors will take over for Season One’s Emmy winner Cary Fukanaga — and see photos from set. (Spoiler Alert only if you want to go in to the show with zero background info on the story.)
The ladies of Litchfield will be back for the binging when Orange Is the New Black Season Three premieres June 12.
American Horror Story’s fifth season will apparently take a look at the horrid world of hospitality because Lady Gaga revealed the next setting will be a hotel. Gaga will reportedly star. AHS: Hotel premieres in October and here’s some totally unconfirmed juice goose (translation: juicy gossip) posted on the AHS Reddit thread. I don’t know about Gaga taking the lead on this — let alone starring in three seasons amidst her very successful music career — but the general storyline sounds good to me! And the present-day setting with flashbacks to different eras is in line with the show’s pattern (so far, odd seasons have been set in modern day — Murder House, Coven — while even seasons were period pieces — Asylum, Freak Show). I love the idea of peeking in on various scandalous guests over the years — so many opportunities for killer guest-stars!
Hannibal returns June 4 and the first image is out. I’m getting Dr. Lecter-meets-SAMCRO vibes and I'm loving it.
Speaking of new shows, check out this week’s TV column for a spring television preview. Winter might finally be gone, Game of Thrones is coming!
Zoolander 2 is officially happening, as evidenced by Ben Stiller and Owen Wilson
stomping the Valentino runway as Derek and Hansel during Paris Fashion Week.
Nothing says haute couture quite like Ben Stiller’s old ass on a runway. And if you really want to roll your eyes to the back of your skull and never to see the light of day again, get this: I looked on IMDB for evidence that this sequel is really happening (yes, I fact-check the gossip rags I read; yes, IMDB is a reputable fact-checking source) and found that Stiller is also attached to Dodgeball 2 (predictable) and Space Jam 2 (da fuh?).
Ryan Gosling must be craving some attention since that baby of his stole the spotlight, because he shared some cute throwback dance videos that have everyone saying, “Hey girl,” again.
Ryan, if you think we haven’t already seen all your talent show videos and Mickey Mouse Club clips, you are seriously underestimating the stalkiness of your fans. Speaking of, why is there no term for Gosling fans, a la Cumberbitches? Can I bring up “juice goose” twice in one post?
But I digress. Here’s the little man at work:
Vince Gilligan would like everyone to stop throwing pizzas on Walter White’s house, please. The Breaking Bad creator says fans flock to the real house used for exterior shots in the show, and the current owners are cool with that, except when people creep up at night and recreate the famous pizza scene.
The Dress that captivated the Internet is dead and buried and I’m not trying to resurrect it anytime soon, but if you are curious about the science behind why one dress looks completely different to different people, read here. And see how good you are at differentiating colors here — you may have a fourth cone, which means you probably saw the blue and black dress for what is was: a goddamned blue and black dress.
And here’s Earl Sinclair singing “Hypnotize” because it’s Thursday and we all need this.
Good morning readers! After a long dark haul, it's finally, finally spring. Well, actually, it's not. Spring technically doesn't start until March 20. But with the sun shining and the temps hitting 60 degrees, it certainly feels like it. And I'll take whatever I can get.
Let's jump right into Words Nobody Uses or Knows in this week's issue. I found three in Rick Pender's critique of August: Osage County, which is running at the Clifton Performance Theatre until March 14. (Three? What's he trying to do?!)
My favorite word of the issue is donnybrook — it sounds a bit made up, doesn't it?
donnybrook: a scene of uproar and disorder; a heated argument (n.)
Fun fact: The word originates from the historical Donnybrook Fair in Donnybrook, a district of Dublin, Ireland. The Fair, according to The Google, began in 1204 (whoa ... it always blows my mind a bit when I realize how much more history other countries have) and ran annually until 1866. Apparently the "fun fair" was infamous for its drunken brawls. Hence, the use of the word donnybrook.
In this issue: "The ultimate result is a family donnybrook, with Barbara forcing her mother into rehab."
Next best word in Pender's piece is miasma.
miasma: a vaporous exhalation formerly believed to cause disease; an influence or atmosphere that tends to deplete or corrupt (n.)
Appropriate, I think, because there was something about the word that reminded me of disease before I even looked up the definition. It's from the Greek word miainein, which literally means "to pollute."
In this issue: "Ivy has been the dutiful daughter, keeping her life on hold for years while tending to her battling parents and their ills and idiosyncrasies and being badgered for not marrying; she’s sick of the miasma of bad behavior and more than eager to escape."
The third (but not last) word from Pender is vituperative, pronounced "vahy-too-per-uh-tiv."
vituperative: bitter and abusive (adj.)
In this issue: "Hodges captures Violet’s vituperative nature, but allows a few cracks in her cantankerous façade to reveal the once vulnerable woman inside."
Of course, our lesson wouldn't be complete without an unusual word from Kathy Y. Wilson's piece "Mother and Child Reunion." It's actually one of my favorite stories in this week's issue. (Which I hope you've picked up already.) The word is mellifluous. It's a from the late Latin word mellifluus (15th century), where mel translates to "honey" and fluere translates to "flow".
mellifluous: (of a voice or words) sweet or musical; pleasant to hear (adj.)
Makes sense, right?
In this issue: "The very first time I heard the plaintive and mellifluous baritone of Luther Vandross I was riding with my mom through a cold rain through the intersection of Kemper Road and Springfield Pike in Springdale coming from the old Thriftway grocery store."
In recent movie news, there has been an announcement that a certain classic film franchise will be given a remake with a whole new cast. No, I’m not talking about Ghostbusters; I’m talking about the remake of theThe Magnificent Seven.
For those unaware: The Magnificent Seven was a 1960 western directed by the very underrated John Sturges. The story tells of seven gunmen who are hired by members of a poor Mexican village to chase away a bandit named Calvera (Eli Wallach) who has been harassing people and stealing their food and crops.
The movie was not just a traditional shoot ‘em up western; it was a film that took advantage of having seven characters and giving them all unique backstories. It’s also a film that is along the lines of George Stevens’s Shane, in that it’s a movie that doesn’t glorify the gunfighter’s life. It shows that each of them lead a rather unfulfilled life as a constant weary traveler.
The film also boasts a cast of legends. There’s Academy Award winner Yul Brynner as the cool and collected leader Chris; Steve McQueen as the drifting gunman Vin; Charles Bronson as the penniless and kid-friendly hired gun Bernardo O’Reilly; the voice of Mr. Waternoose in Monsters Inc. James Coburn as the silent knifesman Britt; and the late and great Wallach as Calvera the bandit.
It also has one of the best scores ever composed for a movie by Elmer Bernstein. Even if you’ve never seen the film you’ll recognize the music.
Now, like any film being remade, there will be a small crowd of people crying havoc and wanting to let slip the dogs of war, because there have been a lot of cases in which remakes haven’t turned out too spectacular. But many people often forget that The Magnificent Seven was actually a remake itself. It’s a western version of Akira Kurosawa’s classic Seven Samurai. It would technically later be remade by Pixar in A Bug’s Life.
I’ve long since went astray from being the angry Cinephile who went on long rants about how “Hollywood sucks,” and “Movies aren’t as good as they used to be,” and other such nonsense. Now these days I keep an open mind and to wait and see the film before I say anything.
Attached to direct the film is Antoine Fuqua, whose resume includes: The Equalizer, an adaptation of the hit 1980s show; 2004’s King Arthur; and Training Day, the film that earned Denzel Washington his second Academy Award win. Not a bad choice. I won’t claim he’s the best director, but he’s far from terrible. It could be worse; they could have Jonathan Liebesman directing it.
There have already been a couple casting choices made, including the aforementioned Denzel Washington, his Training Day co-star Ethan Hawke and even Star-Lord himself Chris Pratt has apparently signed on. That’s a pretty good cast in my book. But I’m just trying to imagine who else would be involved: Maybe they could get Jeremy Renner for one of the seven, and maybe a great character actor of today like Jon Bernthal, Steve Zahn or Barry Pepper. There are loads of possibilities.
I also see no problem in having Washington play the part of Chris the leader. In the original film, Chris is very calm and collected but just as intense, and a one-liner from him can let you know things mean business. I think Washington is perfectly capable of that.
The plot? From what I’ve heard, the plot is slightly different from the original. Apparently it’s about a widow (Haley Bennett) who hires Chris to help avenge the death of her husband who died at the hands of a gold baron and his thugs who have taken over her town. It could work and it’s a nice update to the original story.
To conclude: I’m sure the original 1960 film will remain superior, and a favorite of mine, but I am kind of looking forward to seeing this film and what it has to offer. Let’s not lose our heads and let’s see what the film has to offer. I hope it’s at least better than The Magnificent Seven Ride (1972).
Morning Cincy! Here’s your news today.
Former senator and potential Republican presidential candidate Rick Santorum visited the Greater Cincinnati area yesterday to speak at a conference on religious freedom in West Chester Township. Santorum wasn’t shy about mixing in some campaigning, telling the crowd that big government is threatening their freedom to be Christian and that the path forward is electing strong Christian leaders like Santorum himself. He threw out some recent headlines, including one about public schools in New York celebrating Muslim holidays, as examples of ways in which the religious right are being persecuted by pretty much everyone else. In his god, guns, no government stumping, Santorum appears to be reprising his role as 2012 Republican presidential primary runner-up. He came in second to Mitt Romney, a guy who has no weird religious ideas whatsoever. Santorum told the Cincinnati Enquirer he is considering running again for the GOP nomination and will make a solid decision in June or so.
• The Human Rights Campaign, one of the nation’s largest LGBT advocates, has recognized a local nonprofit for its service to LGBT youth. HRC has awarded Lighthouse Youth Services with its All Children – All Families seal of approval, the organization’s highest recognition of competency with LGBT issues for child welfare agencies. Lighthouse, which does street outreach, residential treatment and other programs with homeless and at risk youth, is the first agency in Ohio to receive the award.
“It’s an honor to receive this recognition from HRC as we work to serve this population of young people who are at such high risk of homelessness and discrimination,” said Lighthouse President and CEO Bob Mecum in a statement.
• As a fan of dark beer, and, really, dark beer exclusively, I’ve sat on the bench watching a number of craft brewers pop up around the city. Those brewers are great and all, but hopped-up IPAs are just not my style and that seems to be the rage these days. However, someone has finally heard my cry and now there’s a brewer coming devoted to my love of the dark, chocolaty richness of stouts and porters. Darkness Brewery is planning to open just across the river in Bellevue in September, focused on the tastiest corner of the beer world. I’ll be camped out at the door come grand opening. Founders Eric Bosier and Ron Sanders are currently funding the enterprise themselves but might set up a Kickstarter campaign in the near future.
• Do courts in Kentucky discriminate against addicts by blocking those on probation from taking anti-addiction drugs like methadone? That’s what a federal lawsuit filed by a Kentucky nurse alleges. Stephanie Watson is an opiate addict who is forbidden from taking medication aimed at easing her off the drugs. Watson’s attorneys say that violates the Americans with Disabilities Act. The lawsuit targets the state’s Monitored Conditional Release program, which maintains the rules about the drugs, and seeks to have those rules overturned. Officials from the release program have yet to comment on the suit.
• Business groups across the state are signaling they’re not on board with Gov. John Kasich’s tax cut plan, mostly because it includes an increase in sales taxes. Kasich has proposed a $500 million tax cut for the state, mostly achieved by lowering income taxes while raising sales taxes and taxes on specific items such as cigarettes. Many of Ohio’s regional chambers of commerce have come out against the plan, saying it will limit Ohio’s nascent economic recovery. Kasich’s plan has also drawn flack from liberals, who say it makes the state’s tax structure more regressive. It’s also not gotten a lot of love from the Republican-dominated General Assembly, who have signaled they will be making changes to Kasich’s proposed budget.
• Here’s an interesting, and distressing, wrinkle in the ongoing national conversation about police use of force set off by the death of Mike Brown in Ferguson, Mo. This story explores the little-recognized fact that all the police involved in recent controversial shooting deaths of unarmed black citizens have been remarkably young and inexperienced — all well under the age of 30. While it’s important to realize that a number of systemic issues seem to be at play in the deaths of young men like Tamir Rice in Cleveland and John Crawford III in Beavercreek, officer inexperience seems to be an important, and under-recognized, element to the tragedies.
That’s all I’ve got today. You know the drill: tweet at me (@nswartsell), email me (email@example.com) or comment with news tips or general heckling. Whatever you gotta do.
Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard,
with a performance on Ellen DeGeneres' popular daytime talk/variety
show. After being introduced by DeGeneres as a "great Rock & Roll
band from Cincinnati, Ohio," the group played its single "Shut Up and
Dance" and singer Nicholas Petricca ran into the crowd to rock out with
Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.
Walk the Moon will play a hometown show at Bogart's on
April 1 (like many shows on the band's current tour, it has already sold
out), then returns this summer to play the Bunbury Music Festival in
early June (tickets available here).
On Tuesday, March 17, Cincinnati duo Bad Veins will see its latest album, The Mess Remade, released nationally. The 13-track effort isn't an entirely "new" album, but a re-recorded/remastered version of Bad Veins' sophomore full-length, The Mess We've Made, which came out in 2012 on the Modern Outsider label. The record — which features new cover art, as well — comes after some big changes in lead Vein Benjamin Davis' band — the departure of original drummer Sebastien Schultz (who now plays with local Indie Pop group Multimagic), the addition of new drummer Jake Bonta and a new label home, the third nationally-distributed label in Bad Veins' lifespan (its self-titled debut was released on Dangerbird Records).
The Mess Remade is being released on the Dynamite Music imprint, a new company founded by Marco Liuzzo and Mitch Davis (son of music biz legend Clive Davis). The label is partnered with Caroline, which is part of Capitol Records and Universal Music Distribution. Bad Veins are the company's second announced signees, following Pop singer Ryan Cabrera.
The Mess Remade includes two new tracks, "I Shut My Heart Down" and a cover of The Muppets' classic "Rainbow Connection" (Davis performed the song solo to open the 2013 Cincinnati Entertainment Awards ceremony). The early release of "Rainbow Connection" in January and last month's puppet-filled music video release (premiered at The AV Club) caught some buzz online. The album also features a shorter "radio edit" of the leadoff track "Kindness," as well as the original 5-minutes-plus version.
Here is a video clip for the new "Kindness":
And here's the "Rainbow Connection" clip:
Noisetrade.com has a four-track sampler of Remade available here if you can't wait a week.
Find more about Bad Veins here.
Morning y’all! Here’s a brief morning news rundown before I jet off to some interviews.
The Ohio Task Force on Community-Police Relations met last night at UC for a sometimes intense five-and-a-half-hour listening session. A large group showed up to listen to expert testimony and to speak to the panel themselves. Perhaps the most charged moment came when John Crawford, Jr., the father of John Crawford III, a Fairfield man shot by police in a Beavercreek Walmart, gave emotional testimony about the need for police reforms.
Among experts presenting were Garry McCarthy, superintendent of the Chicago Police Department, who talked about data-driven policing, Lt. Colonel David Bailey from the Cincinnati Police Department and Al Gerhardstein, a Cincinnati attorney who played a key role in the city’s collaborative agreement following the civil unrest here in 2001. State Sen. Cecil Thomas also testified about his role in the agreement. About 45 community members signed up to speak, including young activists with the Ohio Student Association, who argued there should be youth representation on the 18-person panel. Most attendees were from Cincinnati, but some drove from as far away as Columbus and Toledo. The panel concludes a tour of four listening sessions across the state. Now the task force, which was convened by Gov. John Kasich in December, will work on a report about its findings due at the end of April.
• A potential Over-the-Rhine neighborhood parking plan continues to take shape. Council discussed the prospective plan yesterday at its Transportation Committee meeting but did not pass anything just yet. Right now, the plan council is mulling would charge about $100 to park in one of 400 reserved spots around the neighborhood. That’s about a third of all the spots in OTR. Those who receive housing assistance would get a deal on the parking plan, however, only paying $18. Only two passes would be permitted per household.
• A bill necessary to move forward with tolling on a potential Brent Spence Bridge replacement is a likely wash in the Kentucky state Senate, meaning it’s back to the drawing board for the $2.6 billion project. Ohio Gov. John Kasich and Kentucky Gov. Steve Beshear recently proposed a public-private partnership to fund the 51-year-old structurally obsolete bridge’s replacement, but that requires Kentucky, which owns the bridge, to pass a law allowing public-private partnerships. Some Kentucky politicians, including many Northern Kentucky officials, oppose tolls on the bridge, saying they’ll hurt commuters and businesses in the region.
• Former Ohio Governor Ted Strickland has garnered another big endorsement in his run against Cincinnati City Councilman P.G. Sittenfeld for the Democratic Party’s nomination in the 2016 race for Republican Rob Portman’s Senate seat. The Democratic Senatorial Campaign Committee, the campaign arm of the party’s senators, has backed Strickland over Sittenfeld. There was some speculation that Sittenfeld, who is regarded as a promising rising star within the party, would bow out to the more experienced and well-known Strickland when the latter announced his campaign last month. But the younger Democrat has vowed to stay in the race, even as the going gets tougher. Yesterday, we told you that current Democrat Sen. Sherrod Brown also endorsed Strickland. Sittenfeld has backers of his own, to be sure, and has raised a respectable $500,000 for his campaign.
• Finally, let’s go national. When something like the following happens, I automatically assume it happened in Florida, and I’m right a distressing amount of the time. On Sunday, thieves there stole a tractor-trailer with $85,000 worth of… mozzarella cheese. That’s a felony level of cheese there, friends. If I had that much cheese, I’d probably swim in it the way Scrooge McDuck used to swim in all those crazy gold coins he had. Police haven’t found the culprits yet, but I have a hot tip for them: Look for the guys making an insanely large pizza.
That’s it. See ya. Tweet at me @nswartsell or hit me on email (firstname.lastname@example.org).
Jess Lamb’s initial performance for the judges on American Idol’s bus tour was undeniably a show stopper. It wrapped up the episode and introduced America to one of Cincinnati’s brightest talents, while also moving her on to the Hollywood round after impressing the judges. Her second televised appearance, a group rendition of Meghan Trainor’s “All About That Bass,” was considered one of the stronger performances of the Idol Groups round.
That is why it shocked many viewers when she was quietly cut from the show after the performance.
Allegations quickly followed blaming Lamb’s cut on comments that Jennifer Lopez had made regarding the age of some of the contestants, due to Lamb being one of the older performers in the competition (she is only 29). If there’s anything that Lamb would like to set straight it is this: Don’t believe everything you hear. And this is far from the end of the road for her.
“Honestly, I got nothing but really awesome comments from [Lopez]. No bad comments, nothing,” Lamb explains.
Lamb is still unsure as to exactly why she didn’t move on to the next round — American Idol never provided her with a reason — but she does not believe that it was Lopez’s comments or her age that caused the cut. Lamb frequently questioned the editing of the episode and the presentation of Lopez’s comments while discussing the episode and the ensuing fallout.
While the cut was undeniably a blow to Lamb, it is one she is quickly recovering from. In fact, when the episode aired, she wasn’t even able to watch because she was working on one of her myriad new projects at the time.
“I’m busier since Idol than I ever have been. I’m working with Bootsy [Collins], writing with his backup singer, talking with his wife about a project she wants me to work on, preparing for [record label] showcases,” Lamb says.
While Idol’s promised record contract is now out of reach, that hasn’t slowed down Lamb’s work towards her goal of signing with a label and releasing a full-length album. In fact, Idol gave her the exposure that she needed to land on the radar of several big names within the Pop music community. “Grammy-award winner” is descriptor not often connected to people working with local music acts, but it applies in this instance. (Lamb can’t divulge too much information about certain facets of her industry interactions, so vague hints will have to do for now.)
Details are still being discussed and Lamb is still under Idol’s contractual obligations restricting her from signing with any labels before the show is over and a set period of time has passed since its finale. But Lamb is making the best of the time between now and May.
“I’m just trying to do what I’m legally able to do,” Lamb says.
While American Idol continues its search for the next American pop star, Lamb is determined to grow her career using many of the tools that she’s been using for years. She’s constantly attempting to break into new markets, make music with new people and perform for new audiences. The only difference is that she now has a national TV show appearance to help with promotion and publicity. The details of her release from American Idol may be shrouded in a bit of controversy, but ultimately what will endure are her fans’ memories of her performances. It is those memories that will be reignited once American Idol runs its course and Lamb is able to finally take the steps she’s been feverishly working towards putting in place.
And with several months till Idol’s run completes, Lamb has plenty of time to make some very big plans.
For some musicians, their 9-to-5 is little more than a means to an end. Pizza and guitar strings don’t pay for themselves, after all. Others take pride in their work, both on stage and in the “real world,” but view them as two parts of a whole.
But for Jess Lamb, her twin identities as a musician and teacher are deeply intertwined. She works hard in both professional avenues and has put a large amount of effort into maintaining them, even during her post-American Idol influx of activities. It’s a balancing act with some unexpected complications that she is still learning to walk gracefully. But for Lamb, there is no other choice.
“I think that the public has seen me as a teacher and I don’t want my name to be tainted by this other persona, this other career, this other life. So I don’t want to be slosh drunk. I don’t want to be like Jim Morrison in my experimenting with life. But at the same time there’s a whole other vibe with playing in venues, playing in bars and it is very different from the teacher thing,” Lamb explains.
Before Idol, Lamb’s work as a musician and an ESL teacher were more easily separated. Nowadays, with the added exposure that Idol has brought to her and her late-night performances around town, she has had to go to greater lengths to protect the sanctity of both. A shot of Jameson may not be thrown back with the same careless abandon as a few months prior and photo ops are utterly devoid of the counter-cultural staples of, say, a middle finger or devil horns. This isn’t to say that Lamb was or is a reckless partier at night and a quiet bookworm during the day.
Rather, what happens at night can bleed into the daylight hours and her work in one aspect of life can’t compromise the other. She has to take into account who her new audience members may be and how they learned of Lamb. Being a teacher requires maintaining professionalism at all times. When a teacher is shown on national television, keeping that even-headed mentality all day and all night becomes even more important.
Considering all the time that Lamb has spent on her music after her Idol run, some may wonder why she doesn’t put the teaching on hold for the time being. Between the Idol recaps she does regularly for Fox 19 since leaving the show, the myriad interviews, the residencies at Japps in Over-the-Rhine and Jags in West Chester (as well as other shows), the studio work and all the other opportunities that have arisen, finding time for teaching is pretty much impossible at this point. In fact, Lamb has cut down her teaching work to roughly four hours a week, doing basic lesson planning and similar activities. But she still carves out time for her teaching for a very important purpose.
“I don’t do it for the money, it’s not sustaining me. I do it for my spirit. It’s for something that feels important, I don’t know that what I’m doing all the time feels important,” Lamb says.
She views being a teacher and an entertainer as two professions with two different contributions to society. Music and teaching both give something back to the community at large, but she feels that teaching impacts the public on a much larger scale. While singing in a smoky bar reaches a small amount of people, teaching has a much larger reach.
Ultimately, Lamb is a musician and teacher in equal measure. At this point, the music is taking more of her time, but she is determined to not let it take all of it.
“I don’t want to cancel out one or the other with a teacher persona that’s too square or a Rock star persona that’s too crazy and unstable,” Lamb says.
For Lamb, finding a mix of her two professions and passions is an ever-present struggle. When Idol rocketed her music to the forefront, she has had to constantly work to balance it out with activities that are equally as fulfilling. It hasn’t been an easy process by any means but one that she sees as absolutely necessary.
Just don’t be offended if she turns down a shot of whiskey next time you run into her in the Main St. district.
Nick Grever is checking in periodically with Cincinnati-based American Idol contest Jess Lamb about her post-Idol life. Check out previous "Beyond Idol Chatter" posts here. Visit jesslamb.com for music, show dates and more.
Good morning y’all. It’s the end of the week and the sun is out. Those are both good enough reasons to keep this news update short, so just the facts for you today.
Starting on a somber note, officials continue to investigate the death of Cincinnati firefighter Daryl Gordon, who fell down an elevator shaft while responding to a fire at an apartment building in Madisonville yesterday. Gordon was a 30-year veteran of the department. Two other firefighters and four residents where hurt in the blaze, which broke out early yesterday morning. Investigators are still trying to piece together exactly what happened to Gordon.
• Will you be able to walk around The Banks with an open beer in time for the Major League Baseball All Star Game in July? It’s looking increasingly possible. The Ohio House passed a bill allowing the creation of so-called “open container districts” this week. The proposed law could allow cities to designate specific areas where people can drink a cold one right out on the sidewalk. But the timeline is tight for would-be All Star Game revelers. The bill still has to go to through the state Senate and get Gov. John Kasich’s autograph. After that, the city could rush through designations for specific districts but would have to wait 30 days for them to take effect. The race is on.
• Three men who have wrongfully spent the past 18 years in prison may soon walk free thanks to efforts by the Ohio Innocence Project, which is based at University of Cincinnati’s College of Law. The Innocence Project announced yesterday that a Cuyahoga County Judge has thrown out the convictions of Derrick Wheatt, Laurese Glover and Eugene Johnson based on new evidence. The three will be released on bond and get a new trial. Their incarceration stems from the 1995 murder of Clifton Hudson, Jr. in Cleveland. Wheatt, Glover and Johnson who were nearby, were eventually arrested for the crime and convicted on the testimony of a single 14-year-old eyewitness. That witness later recanted her testimony and other evidence surfaced casting doubt that the three had a role in the crime.
• Ever been in a situation where you have to spend extended amounts of time the same room with someone who is competing with you for the affections of your crush? That’s probably how former Ohio Gov. Ted Strickland and Cincinnati City Councilman P.G. Sittenfeld will feel tonight when both attend and speak at the Ohio Democratic Party’s annual dinner. The two are currently going head to head in the party’s primary for the chance to take on incumbent Republican U.S. Senator Rob Portman. Making things especially uncomfortable is the fact that Sittenfeld had signaled he wouldn’t continue with campaign if Strickland entered the race. But the city councilman gained some good fundraising momentum and has decided to stay in the contest. Most of the higher-ups in the Democratic party have backed his more experienced foe, but Sittenfeld has said he’s in it to win it. I really hope someone seated them at the same table.
• I mentioned a couple days ago that the Ohio House was mulling a fetal heartbeat bill that would ban abortions as early as six weeks into a pregnancy. That bill has now passed the House thanks in part to local state representatives Jonathan Dever of Madeira and Paul Zeltwanger of Mason, who both voted for the proposed law. The bill will now make its way to the state Senate, where it faces skepticism from some moderate Republicans. They say the bill wouldn't survive an inevitable legal challenge. Some supporters of the measure, however, say bring it on — they see the ensuing legal battle as a way to challenge the Supreme Court's Roe v. Wade decision prohibiting abortion bans.
• Let's jaunt next door to the great state of Indiana where Republican Gov. Mike Pence signed into law yesterday a measure that prohibits the government from restricting religious freedom unless absolutely necessary. Critics of that bill say it could allow businesses to refuse service to people, including LGBT individuals, based on the business owner's religious beliefs. Pence says the bill will do no such thing, but that hasn't stopped backlash from forming. A number of businesses, including the NCAA, and even some religious groups have expressed reservations about the law, which takes effect in July. OK, let's leave Indiana now.
• News is happening in national politics. So much news. Well, really, political quasi-news that probably doesn’t actually make a difference but that we should pay attention to anyway because politicians are technically our employees and they haven’t really done that great of a job lately. One of the more interesting, and probably meaningless, stories on that front right now is that powerful Republicans in key primary states are saying that U.S. Sen. Ted Cruz of Texas, who is so far the only presidential candidate to officially announce his campaign, has no chance of winning. A poll of 100 influential Republicans in Iowa and New Hampshire found that not one thought Cruz had a chance at the nomination, let alone prevailing in the general election. That’s important because those states are big in the primary game. Winning them signals to other delegates and funders around the rest of the country that you’re a serious contender.
• The other big story in national politics is that the most powerful, and many would say infamous, Democrat in the Senate will retire after his current term. Sen. Harry Reid, who is currently the Senate minority leader, has been a thorn in the side of nearly every Republican in Congress. Reid is a bare-knuckle brawler of a legislator who pulled out just as many nasty tricks during his time as Senate majority leader as his counterpart in the House, Republican John Boehner has. Reid’s 10-year turn as majority leader ended last November when Republicans took control of the Senate, but he’s continued to be a force there. The 75-year-old’s term ends next year. Republicans are rejoicing, seeing a rare opportunity to take Reid’s seat as one of Nevada’s two Senators.
Carol, the drama about a romance between a younger and older woman in 1950s New York that was filmed in Cincinnati last spring, may have its premiere in May at the prestigious Cannes Film Festival in France.
Variety, which closely follows the film industry, yesterday published a speculative report about what may be appearing at this years Cannes, the world's most important film festival. It said, in part:
"Looking to represent North America in competition are [Todd] Haynes’ Carol, a 1950s lesbian love story starring Cate Blanchett and Rooney Mara, and [Denis] Villeneuve’s Sicario, a south-of-the-border crime drama starring Emily Blunt, Benicio Del Toro and Josh Brolin. Slots may also be reserved in the official selection for Jeff Nichols’ Midnight Special, a science-fiction chase thriller starring Adam Driver and Michael Shannon, and Gus Van Sant’s The Sea of Trees, a suicide drama starring Matthew McConaughey and Ken Watanabe."
Based on a novel The Price of Salt by Patricia Highsmith, Carol has impeccable credentials for Cannes. The director is Todd Haynes (Far From Heaven, I'm Not There), a producer is Christine Vachon, and it stars Oscar-winner Cate Blanchett and Oscar-nominee Rooney Mara. The film came here with the assistance of the Greater Cincinnati and North Kentucky Film Commission.
This year's Cannes Festival occurs May 13-24. The full official-selection lineup will be announced April 16.
Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.
Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888
The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555
Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669
If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.
Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787
Music! Plays! Events with alcohol! Acrobats and Classical music! Gorilla suits!
FRIDAY 27MUSIC: SEBADOH
ONSTAGE: CIRQUE MECHANICSThe Cincinnati Pops presents Cirque Mechanics, an innovative show featuring aerialists, trapeze artists and contortionists performing alongside orchestral favorites from composers like Tchaikovsky, Strauss, Copland, Ravel and more. In a press release, conductor John Morris Russell describes it as a mix between Cirque du Soleil and the steampunk scene, with a huge titanium infrastructure placed before the orchestra that serves as the canvas for the entertainment. Additional fire performers, jugglers and magicians will also be at the event. 8 p.m. Friday and Saturday; 2 p.m. Sunday. $25-$99; $10 children. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.
EVENT: ART AFTER DARK AT THE CINCINNATI ART MUSUEM
The theme of this art-meets-cocktail-party event is “Cherry Blossom Bash.” Check out the museum’s Japanese art collection with hourly docent-led tours, and enjoy live music from The Happy Maladies (6:30 p.m.) in the Great Hall. Sushi and drinks available for purchase. 5-9 p.m. Free. Cincinnati Art Museum, 953 Eden Park Drive, Eden Park, cincinnatiartmuseum.org.
ONSTAGE: PETER AND THE STARCATCHERIn Rick Elice’s loopy script (based on Dave Barry and Ridley Pearson’s novel about Peter Pan’s backstory), wordplay abounds, sometimes blowing by faster than the typhoon that comes upon ships on the way to Rundoon with three orphan boys to be sold into slavery. But this ensemble cast can manage wind speed as they narrate and perform the hilarious show — sometimes individually, sometimes together — but even more so as they race through delirious reinvention of the fairytale. Everything is performed both obviously and imaginatively, from levitating (at the close end of a seesaw plank) to a storm at sea to flying (with just the suggestion of motion, no wires — no “real” taking flight). Amusing costumes, a star field of 200 incandescent light bulbs and buckets of stage magic make it possible. Peter and the Starcatcher continues through April 4. $30-$85. Cincinnati Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, cincyplay.com.
Streets don’t get much meaner than those of Belfast back in 1971 as the British army all but occupied the territory, caught up in what amounted to terroristic street fights between Catholics and Protestants with few truly innocent bystanders in the middle. Everyone took sides, no matter how reluctantly. Gary Hook (Jack O’Connell), an anonymous soldier in the British army, trains hard but is no standout. Hook looks for all intents and purposes like a young Liam Neeson or a baby-faced soldier-boy of few words (think Clint Eastwood) who is simply waiting for the opportunity to prove himself in the theater of battle. And he certainly gets his chance when his unit, under the command of a rather green lieutenant (Sam Reid), receives orders to back up local police in a neighborhood search for weapons. Opens Friday. Read full review here.
SATURDAY 28EVENT: OVER THE MOON VINTAGE MARKET Rustic vases, crocheted tops, paint-chipped mirror frames and more will flood the Over the Moon Vintage Market this weekend. Shop a variety of vendors as you peruse various booth displays for vintage and urban goods, including primitives, furniture, garden items, artisan jewelry and unique feminine and bohemian style clothing. 4-9 p.m. Friday; 9 a.m.-4 p.m. Saturday. Free. Agner Hall at Lawrenceburg Fairgrounds, U.S. 50 and Hollywood Blvd., Lawrenceburg, Ind., facebook.com/overthemoonvintagemarket.
MUSIC: ELLIOTT BROOD WITH YOUNG HEIRLOOMS
When a band’s sound gets tagged as “Death Country,” you know something special is afoot. And Canadian trio Elliott Brood lives up to its advance billing in every conceivable way. Utilizing guitar, banjo, ukulele, bass pedals, kazoo, harmonica, keyboards, percussion and a sampler in acoustic and electric contexts, Elliott Brood has reimagined rootsy Country, Bluegrass and Folk in a twangy and bracing manner that suggests Old 97’s and legitimately deserves the designation of Canadiana.The trio’s latest triumph is Work and Love, released late last year to rapturous reviews, many of which cited it as the trio’s best album to date. No need to plan a long trip to see Elliott Brood; the best of the Great White North is coming your way. Free. MOTR Pub, 1345 Main St., Over-the-Rhine, motrpub.com.
EVENT: POP-UP CINCY CONCEPT CAMP
POP-UP CINCY, a monthly pop-up organization founded by local artist and designer Catherine Richards, invites creative thinkers and makers to participate in the second Concept Camp at an unused storefront in Corryville. Participants will brainstorm with peers from various sectors about effective ways to take their ideas from concept to completion in this one-day event. The space will feature an “idea wall” to pin project outlines and receive feedback from participants, as well as the opportunity to connect with those whose skillsets might help accelerate your plan. Work session: 1-4:30 p.m. (sign-up required); celebration: 5-7 p.m. Free. 3501 Burnet Ave., Corryville, facebook.com/popup.cincy.
CLASS: HOW TO BUILD A RAIN BARREL
Spring is slowly showing itself as the winter and its accursed snow melt away. As you plan to plant petunias, sunflowers, vegetables and more, consider the task of watering and the best practices to save money, go green and store water for a hot summer so your plants (and your wallet) won’t suffer. The Civic Garden Center hosts a DIY class on how to build and use your own rain barrel to collect free rain water to use for the garden. 1:30-3 p.m. Saturday. $10; free for Civic Garden Center volunteers. 2715 Reading Road, Avondale, civicgardencenter.org.
COMEDY: DC BENNY
Like his peers Jimmy Shubert and Rocky LaPorte, D.C. Benny is a talented veteran comic who received a nice boost by competing on last season’s Last Comic Standing. Well-known in the New York and L.A. comedy scenes, Benny has also written and performed extensively for various TV projects. He also functions as the producer and head writer for Jim Breuer Unleashed on Sirius/XM satellite radio. On stage he mixes jokes with storytelling, peppering them with several original characters. Showtimes Thursday-Sunday. $15-$17. Funny Bone on the Levee, Newport on the Levee, Newport, Ky., funnyboneonthelevee.com.
ONSTAGE: DETROIT ’67
Detroit ’67, making its regional premiere at Ensemble Theatre Cincinnati this month, is not something to smile about — but it might be possible to feel good about the “tryin’,” even though 48 years later the backdrop of this story feels eerily familiar, perhaps leading us to ask if America will ever rise above such racially driven conflicts. The details behind the story of Chelle (Zina Camblin) and Lank (Bryant Bentley), a sister and brother hoping to build a secure future, are this: In late July 1967, more than 10,000 citizens of Detroit rioted. Police had raided a blind pig — an unauthorized after-hours hangout very much like the one Chelle and Lank have established in their family’s basement — where more than 80 patrons, all African-American, had gathered to celebrate the return of a Vietnam veteran. Detroit '67 continues through April 5. $18-$44. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, ensemblecincinnati.org.
SUNDAY 29FILM: MOON DUST Detroit-based painter Scott Reeder’s new Moon Dust is a sci-fi feature film with a one-and-a-half-hour running time. Moon Dust is about the denizens of a run-down tourist resort on the moon (called Moon World) who struggle to maintain enthusiasm at a time when the hip, wealthier travelers have all gone to Mars. With its deadpan tone, frequently improvised dialogue from non-professional actors (including Reeder, himself) and eccentric production design featuring color-saturated, patterned or monochromatic sets and oddball costumes and hairstyles, it very much is the work of a visual artist. 2 p.m. Sunday. Free. Cincinnati Art Museum’s Mary R. Schiff Library & Archives, 953 Eden Park Drive, Mount Adams, cincinnatiartmuseum.org.
CHARITY: CINCINNATI GORILLA RUN
This Sunday don’t be surprised to find downtown resembling a scene from Planet of the Apes. Hundreds of runners dressed as our endangered primate relatives will be participating in the Cincinnati Gorilla Run 5K presented by The Gorilla Glue Company, which aims to raise money for the Mountain Gorilla Conservation Fund. Gorillas found in the African mountains are close to extinction, and the Mountain Gorilla Conservation Fund is working to expand the program’s wildlife health and research center in Uganda. Registration closes at 5 p.m. March 28. Race opens at 9 a.m.; run starts at 11 a.m. $99.95 first-time gorillas; $40 and up for returning gorillas; $15 kid gorillas. Montgomery Inn Boathouse, 925 Riverside Drive, East End, cincinnatigorillarun.com.
ATTRACTIONS: MUMMIES OF THE WORLD
The Cincinnati Museum Center’s new once-in-a-lifetime exhibit, featuring real mummies and artifacts, some dating back as far as 4,500 years, is in its final weeks. Discover how mummies are created, where they come from and who they are in an immersive, multi-media display. Through April 26. Non-member exhibition-only tickets: $19.50, $17.50 senior, $12.50 child. Cincinnati Museum Center, 1301 Western Ave., Queensgate, mummies.cincymuseum.org.
Today, whenever the terms “remake,” “reboot” or anything like that pop up in terms of film or TV, people automatically assume the worst thing imaginable. While I won’t deny the fact that there have been several remakes that have been pointless, there have been a lot of remakes that have been very good and, in a lot of cases, have improved on a few aspects.
Now, I’m not claiming that the 10 I’m listing off are “better” than the original. Instead, these films (listed by release date in chronological order) are evidence that a remake is not an automatic seal of sucking.
The Magnificent Seven (1960, John Sturges)
I’m sure some of you saw this coming given what my first "Reel Redux" was about, but none the less this is still a pretty good film. A remake of Akira Kurosawa’s Seven Samurai, this version doesn’t do too much different from the original film but it is still holds up through its fine acting, amazing music score and story.
A Fistful of Dollars (1964, Sergio Leone)
Another remake of a Kurosawa film, this time a remake of his film Yojimbo. In this film you see the foundations of Eastwood’s most famous screen persona, many of Leone’s trademarks and an awesome final duel. A good stepping stone for anyone wanting to get into Spaghetti Westerns.
The Thing (1982, John Carpenter)
Yes, believe it or not there are some good horror remakes, and this was one. John Carpenter’s remake of the Howard Hawks-produced The Thing from Another World ups the ante with the suspense and gore. This is not for the faint of heart. But it’s more than just a gore-fest — it’s a film with amazing suspense and atmosphere.
Little Shop of Horrors (1986, Frank Oz)
This music adaptation of the Roger Corman B-movie is a genuine delight and definitely improves on a few aspects of the original, mainly the special effects. That glorious Audrey II puppet is a testament to how great practical effects can be. Also, Levi Stubbs of The Four Tops is a perfect voice for Audrey II.
Beauty and the Beast (1991, Gary Trousdale & Kirk Wise)
This classic Disney animated musical actually has a lot in common with the 1946 French surrealist adaptation by Jean Cocteau. Both beasts have a similar design, both feature a castle of human servants that are also appliances, and both have a Gaston equivalent. But of course the animated version does do a few things differently, mainly musical numbers, funny side characters and, of course, being a cartoon.
Homeward Bound – The Incredible Journey (1993, Duwayne Dunham)
Here’s another Disney remake that proved its worth. A remake of the 1963 movie just called The Incredible Journey, this renditions seems to hold up for anyone because of the animals. All three have distinct voices and personas that make us love and root for them.
The Birdcage (1996, Mike Nichols)
A film by the late Mike Nichols and starring the late Robin Williams is a remake of a French-Italian film called La Cage aux Folle. With the combined comedic charm and brilliance of Williams and Nathan Lane, it’s no wonder why Nichols had a hard time holding his laughter during some of the scenes. My words won’t do it justice — you just have to watch.
Lord of the Rings Trilogy (2001-2003, Peter Jackson)
If we’re loosely defining the term remake, Jackson’s fantasy trilogy is technically a remake of Ralph Bakshi’s Lord of the Rings (1978) and Rankin/Bass’ Return of the King. If you’ve seen those animated films then you can see why Jackson’s are usually the preferred versions. Jackson's films create an epic fantasy environment, they have an amazing film score and feature some awesome battle sequences.
3:10 to Yuma (2007, James Mangold)
Many hold the original 1957 film as a classic and it is, but Mangold’s version doesn’t try to duplicate it. Instead he goes the action route, and it does not disappoint. The gunfights are stunning throughout the film. Also, the chemistry between Christian Bale and Russell Crowe is stunning, and it also has a great villain performance from Ben Foster.
True Grit (2010, Ethan & Joel Coen)
My first two listed were westerns and so we end with two westerns. The Coen Brother’s version of the manhunt of Tom Chaney is truly phenomenal. The Coens stay close to the tone and style of Charles Portis’ original book by sticking to the dryer tone, keeping it less romanticized and “Hollywood.” And it features some trying fantastic performances from everyone.
Last night before photographer Roe Ethridge's FotoFocus Lecture at Cincinnati Art Museum, FotoFocus' Artistic Director Kevin Moore announced the organization is co-presenting a two-day symposium on photographer Robert Mapplethorpe's work with the Contemporary Arts Center on Oct. 23-24.
It will mark the 25th anniversary of CAC's presentation of The Perfect Moment, the retrospective of Mapplethorpe's work that prompted conservative elements — led by then-Sheriff Simon Leis Jr. — to pursue criminal charges for alleged obscenity. (Some of Maplethorpe's work in the show was sexually graphic.) A Hamilton County jury cleared the museum of all charges.
Specifics for the symposium have yet to be announced, although indications are speakers from around the country will be invited. Also not yet announced is what, if any, works by Mapplethorpe will be shown and in what context.
Information should go on on the FotoFocus site when firm.
A terrified-looking local 2-year-old has become something of an Internet sensation over the past week. In a funny photo with a cute story-turned-viral image, Quincy Kroner posed with two friendly looking garbage men in front of their truck (as he held his own mini garbage truck toy).
Pictured: Internet gold.
Dad and Northside resident Ollie Kroner, who’s no stranger to CityBeat, posted the photo on Facebook, saying, “Quincy's been waiting all week to show the garbage men his garbage truck. But, in the moment, he was overwhelmed in the presence of his heroes.” The photo was shared by friends and family, then their friends and so on until the image appeared prominently on Tumblr, Imgur, Awkward Family Photos, Huffington Post and ABC News.
Despite the sudden fame, Quincy continues to live a low-profile, tiny human life. Read more here. (Worth noting is the writer’s choice to drive home the point that “it started with a sticker chart” and to include the comment "Garbage men get swole as hell and are generally the greatest people around.")
Stock footage provider Dissolve created a “faux” TV trailer using only stock video, and it appears only slightly more generic that a CBS fall lineup.
Just in time for Mad Men’s final season premiere, AMC paid tribute to the show with a bench resembling the Don Draper silhouette logo that has become so iconic. The bench — which I really need them to mass-produce — was unveiled in front of the Time-Life building, which Sterling Cooper & Partners has called home in Mad Men universe since Season Four. Jon Hamm was profiled in GQ’s April issue, and the show’s leading man shared some advice given to him from a guy who knows what it’s like to portray an iconic TV character and then, suddenly, not — Breaking Bad’s Bryan Cranston.
"It's hard, man," Cranston told him. "It's hard to let it go. It'll hit you a couple of different ways at different times."
But before you get depressed thinking about all of Mad Men joining Walter White and the other characters in the big TV set in the sky, there’s still a whole (OK, half) season of Mad Men to obsess and drink over, starting April 5.
Serena Williams made her own 7/11 video a la Beyoncé.
Almost as good as the original and how cute is it when she stops dancing to let that old man walk by? Definitely needed more azz, though.
Goodbye Zuckerberg, hello Luthor! Jesse Eisenberg lost his curly locks to embody his upcoming role as Lex Luthor in Batman v Superman: Dawn of Justice. Check out his TRANSFORMATION (he just shaved his head) here.
The cast of Pretty Woman the movie’s 25th anniversary with a reunion on the Today Show. While it has been quite a few years since the last good hooker-with-a-heart-of-gold movie, don’t count on a sequel. They say there will never be a Pretty Woman 2. At least some things are sacred.
With that being said, of course there’s new remake news this week.
Fox announced that David Duchovny and Gillian Anderson will return as Mulder and Scully in the network’s limited-series reboot of The X-Files.
The John Candy classic Uncle Buck is also getting a TV remake. Mike
Epps and Nia Long are set to star in the ABC comedy. (This isn’t the first time
Uncle Buck is getting the TV
treatment — there was a short-lived series of the same name in 1990). Until
then, go downtown and have a rat gnaw that thing off your face.
Some movies are getting turned into TV shows while some television series are getting reworked for the big screen. Finally, the Entourage movie trailer is here.
Who doesn’t love a good conspiracy theory? Reddit user Euchrid_Eucrow posted an in-depth analysis on the Barenaked Ladies song “One Week” (yes, you’re reading all of this correctly) in the Fan Theories subreddit. S/He argues that that song — an upbeat Pop-Rock earworm full of random bits of early-Millennium pop culture — is about a man who killed his girlfriend and is slowly going mad as he stays in a room with the corpse. Internet!
Here’s Sarah Jessica Parker throwing fifty shades of shade at Tom Hanks at a hockey game.
Forget Resting Bitchface —
Carrie Bradshaw’s got a very active bitchface.
Morning all. Are you as disappointed with the soggy gray awfulness outside as I am? Over the past few days I’ve been tuning up my bike, getting ready for spring. My plan was to get it out today and ride to work instead of walking. But this morning has been more kayak commuting weather, and since I don’t own a kayak, I’m working from home. Bummer. Anyway, let’s move on to news. This is the weekly City Council update edition, where I tell you about all the zany stuff our council members got up to yesterday.
First, council passed a resolution supporting marriage equality in the state of Ohio authored by Chris Seelbach, Cincinnati’s first openly gay elected official.
“The protection and equality we want is no different than what everyone wants," Seelbach said, highlighting the ways in which his life with his partner are the same as any married couple’s. Seelbach also drew attention to the continued court battles being waged by Cincinnatians against Ohio’s gay marriage ban. Among them is Jim Obergefell, whose case against Ohio’s gay marriage ban will be tried in the U.S. Supreme Court next month. Obergefell is seeking to be listed on his late husband John Arthur’s death certificate. The two were legally married in Maryland.
“Our city could have fought us, as our state continued to do, but instead our city stood on the side of love with a message that is resoundingly clear: We welcome, accept and love everyone,” Obergefell said in a written statement read by a representative from LGBT rights group Why Marriage Matters.
Six council members voted for the resolution, with Councilman Charlie Winburn voting against it and two, P.G. Sittenfeld and Amy Murray, absent from the meeting for unrelated reasons. Winburn applauded Seelbach’s advocacy for the issue, but said he didn’t agree with its premise. Winburn has been a vocal opponent of gay marriage. Cincinnati joins several other Ohio cities, including Dayton and Columbus, in supporting marriage equality.
• More council stuff: our esteemed deliberative body yesterday rejected
another stab at a parking plan for Over-the-Rhine that would have
created 400 permitted spots around the neighborhood. The plan would have
cost residents in the area $109 a year, plus $5 each for guest permits.
Some council members, including Seelbach, said the
price is still a bit too high and probably not necessary to generate
the revenue needed. “I think we’re close,” Seelbach said. “This is close
to what we would support. But the annual permit at $109 is the highest
Vice Mayor David Mann said he expected the plan to pass.
“This continues to be a work in progress,” Mann said. “We’re very open to changes as we implement and see how it works … but I think it’s time to do something. It’s been in and out of committee for three months.”
• Council also named a whole block of Colerain Avenue in Camp Washington after John "Johnny" Johnson, who has been working at Camp Washington Chili in the neighborhood for a mind-boggling 64 years. That's pretty cool. The restaurant, which I have patronized many a late night after various shows, has received national accolades for its chili, which is awesome. Johnson's uncle started the restaurant in 1940, and he began working there in 1951after coming here from Greece.
• The road is long and difficult and every step is studded with obstacles. No, I’m not talking about an underdog team in the NCAA tournament, nor the plot of a Tolkien novel. I speak of the streetcar, which is facing yet another round of drama this week involving contracts for who will operate the transit system. The Southwest Ohio Regional Transit Authority, tasked with finding employees to operate the streetcar, must choose between two types of bids: those from companies that will manage SORTA’s union employees and those that will hire their own. Democrats on council want SORTA to go the former route and consider only bids that rely on employees from the Amalgamated Transit Union, of which most of SORTA’s employees are members. A past effort by council to get more details about the bids in relation to this wish drew sharp rebuke from the Federal Transit Authority, however, which said that any attempt to change SORTA’s bid process could result in loss of federal funds for the streetcar. The feds provided more than $45 million for the nearly $150 million project.
"If confidentiality is not maintained,” wrote FTA attorney John Lynch in a Monday letter to SORTA, “that presents risks to the process and increases potential exposure to protests and legal action from the proposers. The council's proposed changes to the procurement process could be perceived as giving preferential treatment to one contractor over another."
Now a new motion proposed yesterday by most of council’s Democrats would direct SORTA to only consider bids in which SORTA employees are used to run the streetcar. That motion needs two more votes and isn’t binding — it’s asking, not telling, SORTA to hire ATU employees. That motion also leaves maintenance personnel out of the equation, which is important because that’s a sticking point in negotiations between SORTA and the ATU on what using union workers would look like. The two are tangling over a few specialized maintenance positions that require particular electrical engineering training. The ATU says whoever does those jobs should be union members; SORTA says it has the right to hire outside workers for those positions. Phew. So there you have it. Bids for operating the streetcar are due at the end of the month, and SORTA’s board will vote to award the contract in July.
• Here’s a completely unsubstantiated, unscientific observation: People named “Woody” seem much more apt to support legalization efforts for marijuana. First there was Woody Harrelson, and now we have Taft Broadcasting Co. Development Director Woody Taft. Taft and his brother Dudley are among the funders of an ongoing effort by ResponsibleOhio to get an Ohio constitutional amendment legalizing marijuana on the November ballot. The Tafts are just a couple of the big names in town who have invested in the legalization scheme, which would legalize production and sale of marijuana but limit commercial cultivation to 10 legal growers. That dimension of the provision has raised ire from other pot legalization advocates. ResponsibleOhio has modified its proposal to allow for home growth of small amounts of weed, but those growers would not be allowed to sell their products.
The Tafts would be part owners of a marijuana cultivation farm proposed in Butler County should the ballot initiative pass.
“Our current laws are archaic and cruel to the people in Ohio who need medical marijuana,” Woody Taft said in a statement sent out by the pro-marijuana group.
• Finally, eight protesters were arrested outside House Speaker John Boehner’s Washington office yesterday. No, they weren’t up in arms about his continued efforts to dismantle the Affordable Care Act, or his moves to stymie Democrats’ immigration reform agenda. Nor were they there staging an intervention for Boehner’s all-too-evident tanning bed addiction.
Instead, they were all riled up about the fact that Boehner and other congressional Republicans haven’t moved fast enough on a ban on abortions after 20 weeks. The House was set to vote on the bill way back at the beginning of the year, but some moderate GOPers balked at the ban because it required a woman to report her rape or incest to law enforcement in order to qualify for an exception to the proposed law. Members of the Christian Defense Coalition, who were the protesters praying outside of Boehner’s office, say his failure to push that bill through is a “betrayal” of the pro-life cause. Boehner’s office shot back that he’s the most pro-life speaker in history, which seems a hard claim to fact-check considering abortion was illegal for much of our country’s history.
That’s it for me. Tweet me. Email me. You know the drill.
Former Cincinnati-based (now Austin, Texas headquartered) band Heartless Bastards have announced the release of its fifth album, Restless Ones, on the Partisan Records imprint on June 16. It’s the band’s first new full-length since 2012’s acclaimed Arrow, the group’s debut for Partisan. (The band took local group Wussy on tour after Arrow's release.)
The Bastards, who recently opened some arena concert dates for Rock music legend Bob Seger, also announced a string of tour dates beginning in June that will bring them back to Cincinnati for a two-night stand at Woodward Theater. The band plays the newly remodeled/reopened Over-the-Rhine venue June 25-26 with opener Craig Finn (frontman for The Hold Steady).
A limited number of tickets for the Woodward shows are available starting today at noon through a special songkick.com presale. Click here for details.