WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
Home - Blogs - Users Blogs - Latest Blogs
Latest Blogs
 
by Rick Pender 02.06.2015
Posted In: Theater at 09:44 AM | Permalink | Comments (0)
 
 
twilight lo 1992 - photo daniel l winters photography

Stage Door: Two One-Woman Shows Worth Seeing This Weekend

A special treat onstage at the Aronoff Center's Fifth Third Bank Theater through a Sunday 2 p.m. matinee: Twilight: Los Angeles, 1992, featuring Torie Wiggins giving voice to people making pronouncements about race, justice and violence in America. The script by Anna Deavere Smith, drawn verbatim from numerous interviews, was created in the mid-1990s in the following the Los Angeles riots after the Rodney King verdict more than two decades ago. But it feels incredibly timely in light of recent tragic events in Ferguson, Mo., New York City and elsewhere — leading to questions about whether America has made any progress since then. Wiggins brings to life dozens of people — black, white, Hispanic and Asian — offering a myriad of opinions about events and outcomes. "No Justice/No Peace," words heard recently, echo through this script, punctuated with videos and quick audio introductions as Wiggins flips from role to role. It's an impressive performance and a reminder how theater can be more than entertainment — Twilight is a provocative presentation about American culture. Staged by Cincinnati Shakespeare's artistic director Brian Isaac Phillips. Tickets: 513-621-2787.

A second one-woman show worth seeing is The Year of Magical Thinking, an effective, bare-bones production at the College Hill Town Hall (1805 Larch Ave., Cincinnati 45205) by the Cincy One Act Festival. It's based on Joan Didion's painful confrontation with grief following her husband's unexpected death and their daughter's serious and ultimately mortal illness. Cate White performs as Didion, the narrator of this deeply personal story; Lyle Benjamin is the director. The show is being presented on Fridays and Saturdays through Feb. 28 (no performances on Feb. 20-21). Tickets: 888-428-7311.

It's a great month for women onstage month on local stages, what with Corinne Mohlenhoff in another solo show The Handmaid's Tale at Know Theatre (CityBeat review here; box office: 513-300-5669), which also happens to be directed by Brian Phillips; and Regina Pugh as a beleaguered scientist whose world is coming unraveled in The Other Place at Ensemble Theatre (CityBeat review here; box office: 513-421-3555).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.30.2015
Posted In: Theater at 09:33 AM | Permalink | Comments (0)
 
 
etc the other place - photo ryan kurtz

Stage Door: Women in Distress on Local Stages This Weekend

Ensemble Theatre Cincinnati continues its hot streak of well-cast and engaging scripts with Sharr White's The Other Place, the story of a brilliant but abrasive woman who is losing her grip. Regina Pugh is excellent in this moving and sometimes funny production, ably supported by Michael G. Bath as her perplexed husband, and with two performers usually seen at Cincinnati Shakespeare, Kelly Mengelkoch and Billy Chace, in an array of supporting roles. This is a drama that keeps you guessing as to what's the truth behind the story that's unfolding. When it all comes together, the revelation is devastating. Definitely worth seeing. Box office: 513-421-3555.

Another powerful piece of theater is onstage at Know Theatre, where another Cincy Shakes regular is featured in the one-woman adaptation of Margaret Atwood's The Handmaid's Tale. The script feels a tad long, but it's such a pleasure to watch Corinne Mohlenhoff as Offred — and a half-dozen other distinct characters — that all you can do is marvel at her skill in presenting them, not to mention in memorizing more than two hours of text. This frightening dystopian tale of America's possible future staged by Brian Phillips (Cincy Shakes artistic director and Mohlenhoff's husband) on a very effective set designed designed by Andrew Hungerford (Know's artistic director) is definitely worth seeing. Box office: 513-300-5669.

Other productions worth seeing on local stages: A collection of Johnny Cash tunes in Ring of Fire at the Cincinnati Playhouse (CityBeat interview here), the humorous Greater Tuna at Covedale (CityBeat review here) and a compelling staging of Samuel Beckett's breathtaking piece of absurdity, Waiting for Godot, at Cincy Shakes (CityBeat review here).

Get ready for more fun at Know Theatre with the kick-off of the second season of Serials!, this one subtitled "Thunderdome." Starting Monday evening at 7:30 p.m. (and continuing at two-week intervals through the end of March) will be five 15-minute pieces intended to be episodically developed. But this time, two will be voted off each week by the audience, to be replaced by two new works the next time around. Sounds like fun, and if this repeats the success of last summer's inaugural event, it's a chance to see local actors and writers at work. Box office: 513-300-5669.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.23.2015
Posted In: Theater at 09:33 AM | Permalink | Comments (0)
 
 
cast of ring of fire_ photo sandy underwood 2

Stage Door: Theater Abounds This Weekend

I attended the opening of Ring of Fire: The Johnny Cash Musical at the Cincinnati Playhouse last evening. The show offers some sense of the great Country music singer's life, but it's not detailed in the way Rosemary Clooney was portrayed in the Playhouse's recent production. Instead, it's Cash's music that's front and center, performed by a half-dozen veteran musicians and four singer/actors, two men and two women, all of whom convey the sincerity and strength that were his calling card. Jason Edwards and Derek Keeling have voices reminiscent of the"Man in Black," the former in maturity and the latter as brash young man. Trenna Barnes and Allison Briner round out the quartet, sometimes conjuring the persona of June Carter, Cash's talented wife. Both are great singers, but Barnes is especially powerful and entertaining as a young spitfire in numbers like "Cry, Cry, Cry." The show features more than 30 numbers, some familiar, several sung amusingly by the musicians, and all engaging. Especially fun is "I've Been Everywhere," the second act opener that has all 10 performers singing, playing guitars and accelerating through a list of cities where Cash toured. Read more about the show in my interview (CityBeat interview here) with Edwards, who is also the show's director. Box office: 513-421-3888.

Speaking of the Playhouse, I should also mention that this weekend kicks off performances of Theory of Mind, the story of a teenager on the autism spectrum. It's about his first date with a young woman unsure of her own reasons for romance. Ken LaZebnik's play, created for young people who are 11 or older, premiered at the Playhouse in 2009 and was successful with kids and adults. This weekend it will show up at Prospect House in Price Hill on Friday at 7 p.m., at the Hyde Park Health Center on Saturday at 2 p.m. and at the Dunham Recreation Center in Price Hill on Saturday at 7 p.m. Some performances are free. For more details and a schedule of locations and dates (through Feb. 22), go to www.cincyplay.com.

You shouldn't miss Waiting for Godot at Cincinnati Shakespeare Company (through Feb. 7). The production features excellent acting by Bruce Cromer (if you've seen A Christmas Carol at the Playhouse, you know him as Ebenezer Scrooge) and Cincy Shakes stalwart Nick Rose. Playing a pair of sad-sack hobos waiting for someone who never shows up, they capture the desperation of human existence in Samuel Beckett's masterpiece of theater of the absurd. I gave the show a Critic's Pick. (CityBeat review here.) Tickets: 513-381-2273. 

Two other productions kick off this weekend — the very funny Greater Tuna at the Covedale Center, through Feb. 15 (513-241-6550) in which two actors play many of the people in the "third smallest town in Texas," and the very serious Handmaid's Tale at Know Theatre, through Feb. 21 (513-300-5669). The latter, a one-woman adaptation of Margaret Atwood's dystopian novel, features Cincy Shakes regular Corinne Mohlenhoff. I interviewed playwright Joe Stollenwerk in my Curtain Call (review here) column in CityBeat. 

At Clifton Performance Theatre on Ludlow Avenue Friday through Sunday only, you'll find a free show about coping with mental illness, She's Crazy, Mental Health and Other Myths features two local actresses, Sherry McCamley and Cathy Springfield, who developed this cabaret show that uses original songs and personal stories to reduce the stigma of mental health. Space is limited, so you are urged to call for reservations: 513-861-7469.

Not for this weekend, but coming soon, you can get some bargains on tickets at Ensemble Theatre (where The Other Place opens next Wednesday). If you've never purchased tickets to ETC, you can score two $10 tickets during the first two weeks of each of its next three productions. A few restrictions apply, but it's a perfect opportunity to check out this excellent theater company if you've not been there. ETC is quick to point out that it's located in the Over-the-Rhine, where there are restaurants and events galore and easy parking in nearby garages. Box office: 513-421-3555.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 01.16.2015
Posted In: Theater at 09:36 AM | Permalink | Comments (0)
 
 
cinderella_photo_carol-rosegg-

Stage Door: A Weekend of Classic Musicals and Plays, Plus a Party and Some Lies

Things are off to a good start for 2015: The touring production of Cinderella at the Aronoff is a very entertaining retooling of music by Rodgers and Hammerstein into a more contemporary version of the classic fairy tale. It's the same story, but the attitudes are of the 21st century, with a "power to the people" thread running through it and Cinderella conveying a populist message, convincing her prince that democracy is the way to go. The music is charming and there's some magical things done with quick changes in and out of ball gowns that will keep audiences guessing as to how it's done. I gave this one a Critic's Pick with my CityBeat review. Tickets: 513-621-2787.

Another classic musical is onstage at Covington's Carnegie: West Side Story. The show requires a lot of dancing and strong orchestral support, and this production offers both.The leads have excellent voices, although I felt (CityBeat review here) they were a tad too operatic for "kids" affected by gang warfare. Nevertheless, this show has some of the finest music ever written for the stage — the score is by Leonard Bernstein and the lyrics by Stephen Sondheim — so it's definitely worth seeing. Tickets: 859-957-1940.

Cincinnati Shakespeare Company opens its production of one of the 20th century's great stage works, Samuel Beckett's Waiting for Godot this weekend. I haven't seen it yet, but with a cast feature stage veteran Bruce Cromer and longtime Cincy Shakes actor Nick Rose, it's sure to be watchable. Here's a fun fact: Cromer has played Scrooge in A Christmas Carol at the Cincinnati Playhouse for eight years; this year Rose understudied the role and actually had to cover several performances when Cromer was out of commission with a twisted ankle. I expect their onstage chemistry to fuel a production that audiences will enjoy. 513-381-2273.

CCM voice professor Pat Linhart presents her annual faculty recital on Sunday afternoon at 4 p.m. It's a free event at Patricia Corbett Theater on the UC Campus. Every year Linhart assembles a program of zany humor and heartfelt singing, accompanied by the inestimable Julie Spangler. There are always a few surprises, and this year should be no exception. The theme is "It's My Party" celebrating Pat's 65th birthday, and I'm envisioning party hats and noisemakers for everyone in the audience.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.09.2015
Posted In: Theater at 09:31 AM | Permalink | Comments (0)
 
 
rebecca kling - photo provided

Stage Door: Alternative Theater & More

The tragic suicide of Leelah Alcorn a week ago has drawn attention to the challenges faced by transgendered individuals. All the more reason that you ought to head to Know Theatre (1120 Jackson St., Over-the-Rhine) on Friday or Saturday evening at 8 p.m. for Rebecca Kling's Fringe Encore performance of Something Something New Vagina. Kling's solo show in the 2014 Fringe fascinated and informed audiences (she was also in town for the 2012 Fringe with a piece about being transgendered, Storms Beneath Her Skin), and we're lucky she's returned coincidentally close to the Kings High School student's death. Kling's show is about loving one's self and one's body; it's a shame Leelah couldn't have seen it. But you have the chance. Be forewarned that Kling, who is a transgender artist and educator is frank and funny; she ends each evening with a "Strip Q&A" answering any questions audience members wish to pose. If you attend one of her performances, I guarantee you'll come away with new insights into the transgender experience. Tickets ($15) can be purchased at the door or online.

Since I'm on the subject of alternative theater, let me point you to the Queen City Queer Theatre Collective which presents a reading at Below Zero Lounge (1122 Walnut St., Over-the-Rhine) of Paula Vogel's And Baby Makes Seven on Monday evening at 7:30 p.m. It's the story of two lesbians who enlist the help of a friend to have a child while they negotiate the imaginary family they have already created. Performing will be Maggie Lou Rader and Justin McCombs from Cincy Shakes and local actress Erin McCamley. QCQTC uses theater to celebrate and encourage dialogue around queer experiences; the group offers these readings on the second Monday of each month. Admission is free, but they'd appreciate a $5 donation at the door. More info: facebook.com/qcqtccincinnati.

If you're looking for more traditional fare you have two choices this weekend: The touring production of Rodgers + Hammerstein's Cinderella retells the traditional fairytale with a few modern twists. It's an entertaining production with lavish costumes (Tony Award-winning, by the way), imaginative sets, lovely choreography and a cast of fresh-faced performers. I gave it a Critic's Pick with my CityBeat review here. Tickets: 513-621-2787.

If Broadway musicals are your thing, you need to catch West Side Story at the Carnegie between now and Jan. 18. The show was a big hit back in 1957, and its iconic score by Leonard Bernstein with lyrics by Stephen Sondheim is one of the best collections of stage music ever. Abigail Paschke, who played Maria in the Carnegie's staging of The Sound of Music a year ago, is a very different Maria this time, one of the star-crossed lovers in this contemporary version of Romeo and Juliet. Tickets: 859-957-1940.

This is the last weekend for Tenderly: The Rosemary Clooney Musical, which started back in November at the Cincinnati Playhouse and has been extended twice because of audience demand. It's the story of the girl singer from Northern Kentucky and Cincinnati who became an international star in the 1950s, then had to reinvent herself when pop music moved in a new direction and drugs nearly ended her high-flying career. Many of Clooney's best tunes are authentically recreated by actress Susan Haefner. Final performance is 7 p.m. on Sunday. Tickets: 513-421-3888.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 01.02.2015
Posted In: Theater at 09:37 AM | Permalink | Comments (0)
 
 
michael marotta_susan haefner_rosemary clooney in tenderly_photo sandy underwood

Stage Door: Start the New Year with a Show

With the holidays just behind us, there's a kind of a lull on local stages, but this weekend has a few offerings to consider. At the Cincinnati Playhouse there's a popular production that's been extended twice, so you still have chances to see Tenderly: The Rosemary Clooney Musical through Jan. 11. The show is a great recreation of the career of girl singer Clooney who grew up in Northern Kentucky and Cincinnati and rose to stardom in the 1950s and 1960s, only to find that the music world's fascination with Rock 'n' Roll was putting her in the rear view mirror. But she figured out how to reinvent herself and overcome drug dependency, too. Susan Haefner acts the part and sings a slew of convincing renditions of Clooney's Pop and Jazz hits. Michael Marotta plays her therapist and more: He steps in and out of portraits of all the other people in Clooney's life, from her mother and her sister to big names like Frank Sinatra and Bing Crosby. It's a very entertaining show, guaranteed to warm up an early January night at the theater. Tickets ($30-$85): 513-421-3888.

Ensemble Theatre Cincinnati is offering one final weekend of its "non-denominational" holiday fairytale musical, Sleeping Beauty. With songs by local composer David Kisor and an entertaining script by Cincinnati playwright Joe McDonough, this production is good for kids and adults. Acting intern Deirdre Manning steps out in the title role with a fine singing voice and fellow intern Terrance J. Ganser is her Rock star prince and her soulful savior a century later. But the real zip in the show comes from Deb G. Girdler's evil Wisteria and Michael G. Bath as Falcon, her devious assistant. Final performance is 2 p.m. on Sunday. Tickets ($18-$44): 513-421-3555.

Speaking of ETC, for the next week or so the theater is offering $10 off adult tickets to performances early in the runs of an engaging thriller The Other Place (Jan. 29-Feb. 3), the drama with historical context Detroit '67 (March 18-24) and a romantic comedy Outside Mullingar set in Ireland (May 6-12). Just mention the coupon code NEWYEAR15 when purchasing tickets in those date ranges online (www.ensemblecincinnati.com), in person or by phone (513-421-3555), and you'll save $10. That's a good way to get 2015 off on the right foot!

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by RICK PENDER, CityBeat staff 12.22.2014
Posted In: Theater, Arts community at 09:24 AM | Permalink | Comments (0)
 
 
eric ting, associate artist - photo_cincinnati playhouse in the park

Call Board: Theater News

More Directing Talent at the Playhouse. Last Wednesday the Cincinnati Playhouse in the Park announced that Obie Award-winning director Eric Ting will join the theater as an Associate Artist for the 2015-2016 season. Playhouse Artistic Director Blake Robison said, "I've known Eric for nearly 15 years, when he began his career as a student at the University of Tennessee. Since then he has created an impressive body of work as one of the country's most gifted young directors. He's in touch with a new generation of American playwrights, and he brings a fresh perspective to the classics. He's distinguished himself off-Broadway with an Obie Award. And his time at Long Wharf Theatre [in Connecticut as associate artistic director] has given him experience in an institutional theatre." Ting's 2012 Obie recognized his direction of Jackie Sibblies Drury's We Are Proud to Present a Presentation on the Herero of Namibia, Formerly South-West Africa from the German Sudwestafrika, Between the Years 1884-1915. The New Yorker called his production at Soho Rep "a thrilling opportunity to see both a serious new talent developing her voice and what an inspiring director can do to encourage it." Ting said he's honored to be named an associate artist at the Playhouse: "I've long admired Blake's work as an artistic leader and have been following the storied work of the Playhouse ever since my sister's family settled in nearby Montgomery. The associate artists program combines two of the things I hold most dear in life: art-making and community building." Ting joins three other associate artists: Timothy Douglas, Michael Evan Haney and KJ Sanchez. According to Robison, these directors "form the backbone of our directing corps and bring diverse backgrounds, experiences and viewpoints to the Playhouse."

Bowled Over. I made my first excursion to Cheviot late last week to see The Drama Workshop's production of a revue of music by Stephen Sondheim, Putting It Together. The community theater's cast of five did a commendable job with Sondheim's challenging tunes, and I was glad to get to see what TDW has done with its new home, The Glenmore Playhouse, a former bowling alley that's become a spacious performance venue thanks to the hard work of the group's many volunteers. TDW recently announced its five-show 2015-2016 season: the musical comedy I Love You, You're Perfect, Now Change (Sept. 11-27); Ira Levin's murder mystery, Death Trap (Oct. 22-Nov. 8); Barbara Robinson's The Best Christmas Pageant Ever (Dec. 4-13); Paul Slade Smith's Unnecessary Farce (Feb. 26-March 13, 2016); and the world's longest-running musical, The Fantasticks (April 22-May 8, 2016). More information: www.thedramaworkshop.org.

Christmas Caroling. For the first time in 24 years, the Cincinnati Playhouse decided to have an understudy for Ebenezer Scrooge in A Christmas Carol, and it's a good thing they did: Bruce Cromer had to miss several performances after he sprained his ankle "making merry" during a rambunctious scene in the show. Another local professional, Nick Rose — a founder and a stalwart performer with Cincinnati Shakespeare Company for two decades — stepped up from a smaller role and handled a number of performances commendably. Cromer has played Scrooge for a decade (following eight years as Bob Cratchit), so it's nice to know that another fine actor might be ready to become the old curmudgeon when it's time. … Speaking of Dickens' classic story, tune in to WVXU (FM 91.7) on Christmas Eve at 7 p.m. for a recording of versatile master comedian Jonathan Winters (an Ohio native who died at age 87 in 2013) presenting his own distinctive reading of the holiday story of redemption. The pioneer of improvisational stand-up comedy, an Ohio native, was a mentor for the late Robin Williams.

Last-Minute Theater Gift? Need just one more gift to finish your Christmas shopping? The creative folks at Cincinnati Landmark Productions have put together three clever packages for dinner and a show at one of their theaters. For $75 there's the "Covedale and Coneys Bundle," offering a pair of tickets to a performance at the Covedale and a $25 gift card for Price Hill Chili. If you're willing to wait until summer is here, you can purchase an "Incline District Complete Night Out" for $100; it includes two tickets to a show at the brand new Warsaw Federal Incline Theater (due to open in June), plus a $50 gift card to either the Incline Public House or Primavista. And if you care to splurge, for $200 you can get "The Incline District Summer of Fun" tickets for all three shows during the summer of 2015 at the Incline Theater plus a $75 gift card for either the Incline Public House or Primavista. For more information or to purchase one of these packages: 513-241-6550.

Happy holidays to one and all!


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.
 
 
by Rick Pender 12.19.2014
Posted In: Theater at 09:31 AM | Permalink | Comments (0)
 
 
soldiers christmas - aaron epstein_ jeffrey k. miller - photo mikki schaffner

Stage Door: Tears or Laughs

Take your pick with these holiday shows

It's unusual that we get a chance during the holidays to see a world premiere of a new play, but it's happening at Northern Kentucky University's Corbett Theatre, where New Edgecliff Theatre and Actor & Playwrights Collaborative are producing Phil Paradis's new script, Soldier's Christmas, through Sunday. The show commemorates the centennial of the memorable "Christmas Truce" in which British and German troops stopped fighting along the Western Front during World War I and came together to celebrate the holiday. I had the opportunity to see its opening performance last week, and I can assure you that it's worth your time. A strong cast of men play nine solders, especially focused on one Brit, Corporal Tug Wilson (Aaron Epstein) and one German, Sgt. Gerhardt Dietrich (Jeffrey K. Miller). They meet tentatively after a furious episode of hand-to-hand combat, seeking warmth. They recognize their common ground and slowly convince their fellow soldiers of the common humanity that they share, leading to a momentary celebratory event in which they sing carols in their own language and discover how much alike they are. These scenes are counterpointed by five actresses playing women — wives, mothers, sisters, lovers — of the soldiers, telling their stories in monologues and chorus-like passages. Paradis's script covers the emotional spectrum, from humor to pathos, from anguish to joy. Cincinnati theatrical veteran Robert Allen directed the piece, and he keeps it from become maudlin or unbelievable. In fact, the tale is deeply moving — not to mention profoundly sad when the men are all but forced to return to their trenches and the senseless warfare that they've momentarily escaped. Nevertheless, a thread of hope runs through Soldier's Christmas, an emotion that makes this seem fitting for the season. Tickets ($18-$22) are available for performances on Friday and Saturday at 8 p.m. and a Sunday matinee at 3 p.m.

For something completely different, look for the hilarious production of Every Christmas Story Ever Told (and then some) at Cincinnati Shakespeare Company. This is the ninth consecutive year for Cincy Shakes to present this mash-up of holiday tales told by three inventive comic actors and one very drunk Santa Claus. I've seen the production, featuring Sara Clark, Billy Chace, Justin McComb and Miranda McGee (she's Santa with a can of Foster's and her native Australian accent) for several years running. Even when I know what's coming, I find myself laughing out loud. That's because the cast and director Jeremy Dubin refresh the material every year with topical references and new bits, so it you have to keep up with their quick wit and frequent ad libs. McComb is the goofy but mischievous innocent; Chace is a pompous hipster; and Clark is the Dickens devotee who tries to coax her colleagues to pull together for the greatest "BHC" (Beloved Holiday Classic) of them all, A Christmas Carol. They steadfastly refuse, spewing forth with machine-gun rapidity one sharp parody or silly take on these familiar stories . The second act (the entire performance is about 90 minutes with an intermission) seems to be headed into Scrooge territory, but it keeps veering off into It's a Wonderful Life — in the most delightful and daffy way. After awhile you begin to wonder whether these shows are all somehow connected. And in fact they are: with an exclamation point provided at the end with a rendition of "Every Christmas Carol Ever Sung," an amazing compilation of musical numbers spliced together. Tickets ($28) for this production are virtually sold out, but it's worth a call to see if you can get in, especially for tonight's special 11 p.m. performance. In case you're wondering, Cincy Shakes does have a liquor license so you can join in the good fun with a drink of you own. Box office: 513-381-2273.

Most every local stage in Cincinnati is presenting a holiday show this weekend, so check CityBeat's listings for more choices. It's a great weekend to go out and have fun at the theater.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 12.15.2014
Posted In: Theater, Performance Art at 09:54 AM | Permalink | Comments (0)
 
 
pricehillholiday

Call Board: Theater News

Actors Sought: If you're an actor looking for an unusual afternoon this week, the Cincinnati Police S.W.A.T. team invites you to volunteer for a training event on Tuesday from noon to 3 p.m. at a location near downtown. Officer Tim Eppstein wrote this in his announcement: "Volunteers will play characters in S.W.A.T.-type situations that may include hostage situations, barricaded individuals and suicidal individuals. These trainings have been very effective for the S.W.A.T. negotiators, and the volunteer actors report that it is a positive experience, allowing them to grow as actors and have fun in an extreme role." Eppstein needs 5-6 volunteers; if you're interested, give him a call at 513-352-4566. ]

A Mega-Hit: Crossroads Church in Oakley (3500 Madison Rd.) has a major holiday hit on its hands, it appears. Its annual monumental production of Awaited, under way since Dec. 5, completely filled 29 performances in less than 24 hours when free tickets were made available in late November. That's a total audience of 100,000 seats, double the number that attended a year ago. Crossroads has presented Awaited since 2007. It's the familiar Bible story of Jesus's birth staged in a spectacular production described as "a Christmas rock concert meets the ballet meets Cirque du Soleil meets the Omnimax"; it uses a cast and crew of 265 volunteers. Performances continue through Dec. 23, and the event's website encourages those interested to look into standby seating and to check in periodically regarding the availability of returned tickets.

Celebrate on the West Side: There's a new event on Saturday at the historic Dunham Arts Center (1945 Dunham Way): A day full of festivities, The Price Hill Holiday Xtravaganza, begins at 11 a.m. with Santa's Frosty Follies, a 45-minute revue of favorite holiday characters and songs. (Tickets are $8.) Santa shows up after the show to review kids' lists and pose for picture. The day culminates with a 7 p.m. performance of It's All About Love, a 90-minute holiday variety show featuring tributes to the Andrews Sisters, Frank Sinatra, Elvis, Whitney Houston and more. (Tickets for this one are $16; $14 for students and seniors.). Proceeds from the day will benefit restorations of the arts center, which is the home for Sunset Players, a community theater company. (The building was part of a one-time tuberculosis hospital dating back to 1879.) You can order tickets online or by calling 513-588-4988.

The Feds Support Our Local Arts Scene: The National Endowment for the Arts made seven grants to Cincinnati area arts organizations, pumping $165,000 into our local arts economy for 2015. One of these will support the Cincinnati Playhouse's production of Tracy Scott Wilson's Buzzer, about a young lawyer who moves back to a rapidly redeveloping neighborhood where he grew up. The play (March 21-April 19 on the Shelterhouse Stage) will encourage dialogue about race, gentrification and urban renewal. Another grant will support Cincinnati Opera's world premiere of Morning Star (June 30-July 9 at the School for Creative and Performing Arts) by composer Ricky Ian Gordon and librettist William Hoffman, a work about the immigrant experience a century ago in New York City. Other local grant recipients include ArtWorks, Cincinnati Ballet, Cincinnati Symphony, Kennedy Heights Art Center and Taft Museum of Art.

At the Movies: In less than two weeks you'll be able to see the new film of Stephen Sondheim's great musical Into the Woods featuring Meryl Streep, James Corden, Emily Blunt, Anna Kendrick, Chris Pine and Johnny Depp. Directed by Rob Marshall (he won the 2002 Academy Award for his film of the musical Chicago), it opens on Christmas Day. Here's the trailer: http://youtu.be/Rl1CWNFClqg


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.
 
 
by Rick Pender 12.12.2014
Posted In: Theater at 09:38 AM | Permalink | Comments (0)
 
 
plaid tidings_covedale center- photo mikki schaffner

Stage Door: A Weekend of Holiday Theater

This weekend affords you numerous chances to see a holiday show. (Quite a few shows will still be onstage in another week, but you might be too busy shopping or baking cookies ...)

A Christmas Carol at the Playhouse has been drawing crowds for 24 seasons, and it's worth seeing (CityBeat review here). Lots of people do it as a family outing. (Tickets: 513-421-3888.) If kids are younger, you might consider Sleeping Beauty at Ensemble Theatre Cincinnati (CityBeat review here). This is the 18th year that ETC has offered a musical fairy tale created by two local artists, playwright Joe McDonough and composer David Kisor. (Tickets: 513-421-3555). Both shows are lots of fun (Christmas Carol does have some ghosts, of course, but they are portrayed with humor and wit), quickly paced and dazzlingly produced with costumes and sets that make watching an enjoyable outing.

A new holiday show to the area is Soldier's Christmas, presented at Northern Kentucky University by New Edgecliff Theatre and the Actors & Playwrights Collaborative. This weekend marks the premiere of local playwright Phil Paradis's show about a remarkable event that happened on Christmas Eve 1914 when battle-weary British and German soldiers came out of their World War I trenches, left their weapons behind and celebrated the holiday together. The "Christmas Truce" was also the subject of Cincinnati Opera's Silent Night, presented last July. (Tickets: 888-428-7311).

If you simply want to have a good time, I gave a Critic's Pick to the Covedale Center's production of Forever Plaid: Plaid Tidings (CityBeat review here). The show is a sequel to the amusing musical about a quartet of Doo-Wop singers who return from heaven to do the big concert they missed out on in life (they died when their car was broadsided by a busload of girls on their way to see the Beatles' American debut on The Ed Sullivan Show). This time they're back to do a Christmas concert. It's a lot of silliness, of course, but the four guys — all musical theater majors at UC's College-Conservatory of Music — are talented singers, dancers and actors, so they're a blast to watch. (Tickets: 513-241-6550).

More high-jinks are available thanks to OTR Improv at the courtyard at Arnold's Bar & Grill for The Naughty Show (starting Sunday evening, presented by Know Theatre; tickets: 513-300-5669), as well as Falcon Theater's production in Newport of The Eight Reindeer Monologues (it finishes up this weekend; 513-479-6783).

Finally, if you're tired of holiday stuff (and who isn't when it gets cranked up not long after Halloween?) there are three choices for you: Cincinnati Shakespeare's very funny The Comedy of Errors (CityBeat review here; tickets: 513-
381-2273); Know Theatre's mysterious and magical The Bureau of Missing Persons (CityBeat review here; tickets: 513-300-5669); and Cincinnati Playhouse's staging of Tenderly: The Rosemary Clooney Musical (CityBeat review here; 513-421-3888). The latter has been selling lots of tickets, causing the Playhouse to extend the show until Jan. 11.
Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 

 

 

Latest Blogs
 
by Rick Pender 08.28.2015 7 days ago
Posted In: Theater at 07:00 AM | Permalink | Comments (0)
 
 
shakespeare in the park crowd - photo provided by cincinnati shakespeare company

Stage Door

Park your theatergoing outdoors

At this point in the summer you have to look a little harder for theater productions. Most of our local companies are rehearsing for shows to open their 2015-2016 seasons. But that doesn’t mean there’s nothing to see, especially if you’d like to enjoy theater in the great outdoors.

Queen City Flash’s performances of The Complete Tom, from Mark Twain’s tales about Tom Sawyer, are both outside-the-box and — literally — outside, popping up in different area parks for each evening their final romp with Tom Sawyers, Detective, is being presented. In this installment (the fourth of four), Tom and Huck Finn set out to clear a friend implicated in a murder. To catch one of these free performances, you need to reserve a ticket at queencityflash.com. At 4 p.m. on the day of the show, you’ll receive an email with details of the “secret” outdoor location. The production, creatively staged by Bridget Leak, features six actors who play multiple roles using puppets and quick costume changes.

Another outdoor adventure is in store for you if you track down a FREE Shakespeare in the Park performance of a modern-dress staging of Romeo and Juliet this weekend. You’ll find one at Seasongood Pavilion in Eden Park on Friday, another at the McDonald Commons Park Shelter in Madeira on Saturday and a third at Keehner Park in West Chester on Sunday; all performances are at 7 p.m. This series is produced by Cincinnati Shakespeare Company, and it will be toured (as will a production of A Midsummer Night’s Dream) to local schools, community centers and other venues through May 2016.

If you prefer to sit in a theater, head to Covington where The Carnegie has a head start on the theater season with its mid-August production: Stephen Sondheim and George Furth’s innovative Company, onstage through Sunday. Even though the show has been around for 45 years, its outside-the-box approach — no beginning-middle-end story, in particular, but rather a central character, Robert, who’s turning 35 but remains disconnected, despite his married friends pushing help toward relationships — seems timely. Although the Carnegie’s actors are a tad young and don’t really feel like the New Yorkers who Furth’s script portrayed, they do a good job with the songs, and Zachary Huffman does a fine job with the central role. Here’s my CityBeat review. It’s onstage through Sunday. Tickets: 859-957-1940

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.21.2015 14 days ago
Posted In: Theater at 10:32 AM | Permalink | Comments (0)
 
 
stage door 8-14 hundred days @ know theatre - id from left - lindsey mercer - abigail bengson -brian koch - shaun bengson -colette alexander - photo by daniel r. winters

Stage Door

A few end-of-summer theater choices

Theater slows down this time of year as most local companies are readying to launch their 2015-2016 seasons in September. You’ll find two newish productions on local stages — Company at The Carnegie in Covington and 9 to 5 at the Incline in East Price Hill. Stephen Sondheim’s Company is a solid production with a nice turn by Zachary Huffman in the central role of Robert. There are lots of well-performed tunes by a young cast and some able musicians. Here’s my review. I’m not so enthusiastic about the third show of the Incline’s inaugural season: 9 to 5 is a weak offering after the successes of The Producers and 1776. That’s largely due to a script that’s pretty stale and silly, as I mentioned in my review. It’s based on a 1980 movie about a chauvinistic boss and three women who give him his comeuppance. Dolly Parton played a feisty secretary in the movie and had a hit with its title song. When the movie became a 2009 stage musical, she wrote the songs. They don’t add much. Cincinnati Landmark must have pulled out all the stops for the first two shows this summer; this one looks like they cut some corners. These two productions continue through Aug. 30.

This is the final weekend for Hundred Days at Know Theatre. This Rock opera has been an unqualified hit for the 18-year-old Over-the-Rhine venue. I gave it a Critic’s Pick and I’ve talked with several friends who have gone back to see it a second time. Abigail and Shaun Bengson sing their way through a tragic love affair — a marriage cut short by a terminal disease — that ends up feeling pretty joyous since they choose to celebrate their “100 days” as if it was the 60-year marriage they had hoped for. Great concept, great execution. Get a ticket if you can: 513-300-5669

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.14.2015 20 days ago
Posted In: Theater at 12:33 PM | Permalink | Comments (0)
 
 
stage door 8-14 hundred days @ know theatre - id from left - lindsey mercer - abigail bengson -brian koch - shaun bengson -colette alexander - photo by daniel r. winters

Stage Door

Only a few more days for 'Hundred Days'

Know Theatre’s Hundred Days is not running for 100 days. In fact, it has only seven more performances, so I urge you to get your tickets now if you haven’t seen it yet. (I say this in part because I’ve now heard from three acquaintances that they liked the show so much they’ve purchased tickets to go back to watch a devoted couple deal with a marriage that’s foreshortened by illness. So I’m sure some performances are getting very full.) David Lyman gave it a good review in the Enquirer, and I attached a Critic’s Pick to my CityBeat commentary, so we agree — and I suspect you might, too. Abigail and Shawn Bengson, the performers and creators of Hundred Days, are full of energy and passion, and their backup musicians are infected with the same spirit. Next Wednesday (July 19) is a free admission performance, which is likely to be very full. Tickets ($25 in advance): 513-300-5669

This is the final weekend for Cincinnati Shakespeare Company’s very funny show, The Complete History of America (Abridged), featuring three very funny performers — Amanda McGee, Justin McCombs and Geoffrey Barnes. I don’t think you’ll leave the theater knowing more about American history, but you’ll understand our willingness to poke fun at ourselves and others. It has some moments that fall flat, but that’s to be expected in two hours of non-stop efforts at hilarity. When they hit it, the show is a laugh-out-loud riot. Final performance is Sunday at 2 p.m. Tickets: 513-381-2273

Cincy Shakes’ FREE Shakespeare in the Park continues this weekend with performances of A Midsummer Night’s Dream at the Dunham Arts Center in West Price Hill (this one is actually an indoor performance) on Saturday at 2 p.m. and at Covington’s Linden Grove Cemetery on Sunday at 7 p.m. (Not that you want or need to drive to Portsmouth, Ohio, to see a performance, but the troupe is there tonight — showing just how far they’re willing to go to advance the cause of Shakespeare.)

I wish I could tell you that 9 to 5, the third musical in the inaugural season at the Warsaw Federal Incline Theater, is as entertaining or well done as its predecessors, The Producers and 1776. But it isn’t. Nevertheless, based on the strength of the season so far and the novelty of going to a brand-new theater most of the tickets for this lightweight musical have already been snatched up. It’s based on a movie from the 1980s that featured Dolly Parton, Jane Fonda and Lily Tomlin. Parton’s countrified tunes, written for the musical not the movie (which did feature her hit song of the same title), are mildly entertaining, but the story is full of clichéd stereotypes about “working girls” who struggle to work with a chauvinistic boss. The real Parton makes a video appearance, but it’s not quite enough. Through Aug. 30. Tickets: 513-241-6550

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 08.07.2015 28 days ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 8-5 -hundred days at know theatre - id - shaun bengson - photo by daniel r. winters

Stage Door

Make ’em Laugh: Midsummer Theater

Hundred Days, a Folk Rock Opera onstage at Know Theatre, continues to be the go-to show of the summer. The story of a marriage that gets short-circuited by a fatal illness turns into a joyous 75-minute concert music written and performed by the dynamic duo of Abigail and Shaun Bengson, with five musicians and singers behind them. Rather than wallow in grief about having only 100 days, they celebrate their love by condensing what they imagine 60 years of life might have held. It’s a lovely story, told in an imaginative, contemporary way. Read my CityBeat review, which gave it a “Critic’s Pick.” Tickets: 513-300-5669

Cincinnati Shakespeare has three excellent comic actors onstage at the moment who know how to wring every possible laugh out of a satiric script. Geoffrey Barnes, Justin McCombs and Amanda McGee are performing The Complete History of America (Abridged), another script by the zany trio who wrote The Complete Works of William Shakespeare (Abridged). I think this one tries a little too hard to be hilarious, so a few moments feel kind of lame, but these three players manage to pick things up, make a little fun of themselves and move right on with more gags, jokes, pratfalls, spit takes and costume changes. It’s an evening of hilarity. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273

Cincy Shakes’ FREE Shakespeare in the Park tour continues this weekend with a 7 p.m. performances of Romeo and Juliet at Cottell Park in Deerfield (Friday) and the Community Park Pavilion in Milford (Sunday) as well as A Midsummer Night’s Dream — at the Community Pavilion in Glenwood Gardens, a Hamilton County Park. 

Finally, if you’re willing to drive to Dayton for the Human Race Theatre Company’s first-ever Festival of New Works. The weekend offers a collection of readings of five scripts — three plays and two musicals — by local, national and international writers. The lineup includes full readings of Have You Ever Played, Dayton?, a play by Robb Willoughby, and Mann … and Wife, a musical by Douglas J. Cohen and Dan Elish based on the latter’s novel Nine Wives. There will also be three 30-minute “snapshot” readings: Karen Righter’s play, The Day After Epiphany; Central Park Tango, a musical by Nicky Phillips and Robert Gontier; and Scott Stoney’s adaptation of Some Self-Evident Truths, a play based on the journals of Lucille Wheat and Lois Davies. Open talkbacks with the creative teams follow the readings. The “snapshots” (Saturday at 8 p.m.) are presented and ticketed as a group. Readings will be held in the 60-seat Caryl D. Philips Creativity Center of The Human Race and The 212-seat Loft Theatre in downtown Dayton. Info: 937-228-3630 or humanracetheatre.org

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 07.31.2015 35 days ago
Posted In: Theater at 09:07 AM | Permalink | Comments (0)
 
 
stage door 7-31 - hundred days at know theatre - id - abigail bengson -  photo by daniel r. winters (1)

Stage Door

Make ’em Laugh: Midsummer Theater

On Wednesday evening I took a bunch of kids (four elementary-school-age nieces and a nephew in town for a visit) to see a bunch of kids (high schoolers, average age 16) in Hairspray, this summers’ Cincinnati Young People’s Theatre production at the Covedale Center. The verdict: “We loved it.” One of them said, “They did more singing than talking.” (A good thing, in her opinion.) And one even got the message of black and white teens breaking color barriers and just being teens. So the story from 1962 still makes some sense. The CYPT performers come from 33 schools across Greater Cincinnati. It’s a big undertaking to get that so many performers (I counted 70 in the program) working together, plus several more backstage. Tim Perrino has been doing this for 34 years, so he knows how to get the best out of teen performers, and there are some standouts in this cast — especially Julie Deye and Gabe Schenker as the ebullient but fair-minded plus-sized teen and her lumpy mom. The kids are all right! Performances continue through Sunday at 7:30 p.m. Tickets: 513-241-6550

The most dazzling show onstage right now is Hundred Days, a Folk Rock Opera, at Know Theatre. It’s 75 minutes of great music written and performed by the dynamic duo of Abigail and Shaun Bengson, backed by five talented musicians and singers. But it’s also a fine piece of theater — a love affair cut short by a fatal illness that’s met head-on with clarity and joy to celebrate what might have been 60 wonderful years in just “100 days.” Great concept, great execution. I gave it a Critic’s Pick in my CityBeat review.

You’ll get a lot of laughs out of Cincinnati Shakespeare’s performance of The Complete History of America (Abridged), largely thanks to the comic talents of actors Justin McCombs, Miranda McGee and Geoffrey Barnes. Even if the script  — by the comic trio who originated The Complete Works of William Shakespeare (Abridged) — strains a little too hard to be hilarious, playing fast and loose with America’s past, these three know how to turn every scene into a good laugh. Things occasionally fall flat and a few elements are borderline tasteless, but before you know it they’re off and running again with another gag, joke, pratfall, misunderstanding or just tossing a bucket of water. All in good fun; it’s not very profound nor is it intended to be. Here’s my CityBeat review. Through Aug. 15. Tickets: 513-381-2273

If you like your Shakespeare a bit more traditional — but perhaps just a little funny — some of Cincy Shakes' troupe begins their FREE Shakespeare in the Park tour this weekend. Throughout August they’ll be offering performances in parks across Greater Cincinnati and beyond using a handful of young actors handling multiple roles in two-hour reductions of plays by Shakespeare. This weekend you have three chances to see A Midsummer Night’s Dream — at Eden Park’s Seasongood Pavilion on Friday at 7 p.m., at the Harry Whiting Brown Lawn in Glendale on Saturday at 7 p.m. and in Washington Park on Sunday at 6 p.m.

If you haven’t tuned in yet for the third iteration of Serials! at Know Theatre, you might want to show up on Monday evening at 7:30 p.m. Each of five plays will have the third of five 15-minute installments; the trick this time out is that the playwrights trade places with each biweekly event, so stories definitely veer off in unexpected and unplanned directions. Don’t worry about catching up — there’s a quick preview as each piece starts. But even more, these are just zany stories, made all the zanier by the format. You’ll have fun watching even if you can’t quite figure out what’s going on. Tickets: 513-300-5669

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 07.24.2015 42 days ago
Posted In: Theater at 09:40 AM | Permalink | Comments (0)
 
 
100

Stage Door

Hundred Days? Several hundred years? Theater has a lot to offer this weekend

Did you attend the Cincy Fringe back in 2011? If so, maybe you saw Abigail and Shaun Bengson perform a musical work in progress then called “Songs from the Proof.” They came back in 2012 to present a one-night concert of some of the songs. The work evolved into a show called Hundred Days, which had a staging in San Francisco in early 2014. It’s continued to evolve — and its next incarnation will be onstage at Know Theatre for the next month, opening on Friday and running through Aug. 22. It’s about a young couple who fall in love, only to have their time together cut short by a fatal illness. They decide to live the 100 days they have left as though it were 60 years they had hoped for. Lots of music and creativity have gone into this one, and it promises to be a powerful performance with some great tunes. (Read more in my Curtain Call column in this week’s edition of CityBeat.) Tickets: $25 in advance; rush tickets at the door ($10, if available). Free performances on Wednesdays, but reservations required: 513-300-5669.

Cincinnati Shakespeare Company’s 2015-2016 season is beginning as it has for several years with a light-hearted abridgement — but this time it’s The Complete History of America (abridged), opening Friday night and continuing through Aug. 15. The show is the creation of the same nuts responsible for the hilarious Complete Works of William Shakespeare (abridged). It’s the same format: Veteran comic actors Miranda McGee and Justin McCombs, along with newcomer Geoffrey Barnes, will take audiences on a whirlwind tour that sends up America’s greatest hits … and misses. It’s the kind of delirious summer entertainment we’ve come to expect the from our often-more-serious classical theater folks. Tickets ($22-$35): 513-381-2273

Last weekend I went to Stanberry Park in Mt. Washington to see The Complete Tom: 3. Abroad, presented by Queen City Flash, Cincinnati’s flash-mob theater company. It’s the third installment of its four-part play cycle of Mark Twain’s tales of Tom Sawyer, Huck Finn and Jim, the runaway slave. It was charmingly performed by Dave Powell, Rico Reid and Trey Tatum — plus some amusing puppets (aka wooden spoons) and a few sheets for ghost stories. This charming episode features the threesome on a trans-Atlantic voyage in a Jules Verne-like airship, meeting a number of interesting characters along the way — played in quick-change manner by the three actors. Free performances begin at 8 p.m. but don’t go to Stanberry Park — they’ll be elsewhere this weekend. In fact, the outdoor locations remain secret until 4 p.m. the day of performance when an email is sent to ticket holders with a map and parking instructions. The show is a lot of fun and great entertainment for kids, and part of the adventure is figuring out where you’re headed. Take a chance! Tickets — no charge — can be reserved at QueenCityFlash.com

This weekend offers the final performances of 1776 at the Incline Theater (513-241-6550) and The 25th Annual Putnam County Spelling Bee (859-572-5464). Both are worth seeing.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 

 
 
by Rick Pender 07.17.2015 49 days ago
Posted In: Theater at 08:25 AM | Permalink | Comments (0)
 
 
complete tom - queen city flash - photo provided

Stage Door

A weekend for summer theater, indoors and outside

Every year, Ensemble Theatre Cincinnati brings together a group of young professionals who spend a season at the Over-the-Rhine theater understudying roles, working backstage, helping build sets and run lights and sound — learning the ins and outs of professional theater. Many of them stick around town continuing their lives in the theater. Several of them will come together at Washington Park on Sunday evening at 6 p.m. for a free performance of Still Life with Iris, a play by Steven Dietz. The 1996 script is an adventure about a little girl’s search for the simplest of things: home. She lives with her mom on a magical island where by night workers make things seen in the world by day. The rulers are determined to have the best of everything on their island, so they kidnap Iris and bring her to be their daughter, leaving her with no memory of her home or family. She joins with friends she meets on her journey as she embarks on a quest to return home. The family-friendly play, written in 1998, was the first to receive the Kennedy Center’s Fund for New American Plays Award. The cast is comprised entirely of former ETC interns, including: Jared D. Doren (1996), Sara Mackie and Burgess Byrd (2000), Daniel Winters (2005), Lisa DeRoberts (2011), Ben Raanan and Jared Earland (2014), and Molly Israel and Patrick Phillips (2015).

The summer theater company, Stone on a Rock, is back for the second production of its second season with a new version of Aristophanes’ ancient comedy Lysistrata. The company focuses on productions that are “short, sweet and cheap.” This one is a time-tested farce about the women of Greece giving their husbands an ultimatum: Stop waging war or no more sex. Maybe they can next bring their strategy to bear on Greece’s current financial crisis? Performances are at Simple Space, 16 E. 13th St., Over-the-Rhine. Tickets ($10) can be purchased at the door.

Another summer company is presenting the 1998 Tony Award-winning musical Ragtime at Highlands High School’s Performing Arts Center (2400 Memorial Parkway in Ft. Thomas). The Commonwealth Artists Summer Theatre (C.A.S.T.) is led by theatre instructor Jason Burgess; his cast includes students from Anderson, Walnut Hills, Newport Central Catholic, Cincinnati Country Day, Seven Hills, Highlands, Scott High Schools and more. Ragtime is a remarkable show with great music (composed by Stephen Flaherty, a graduate of the University of Cincinnati’s College-Conservatory of Music). Set at the dawn of the 20th century, it’s a time of change and possibility in the volatile melting pot New York City. The show tells three interwoven stories — a stifled upper-class wife, a determined Jewish immigrant and a daring young Harlem musician — united by courage, compassion and belief in the promise of the future. It’s being presented for two weekends, opening tonight and continuing through a matinee on July 26. Tickets ($10) can be reserved at http://www.showtix4u.com. (Remaining unreserved seats may be purchased at the door one hour prior to each performance.)

Queen City Flash, Cincinnati’s flash-mob theater company, is up to the third installment of its four-part play cycle of Mark Twain’s tales of Tom Sawyer. This part, The Complete Tom: 3. Abroad, is performed by three actors and an array of puppets. For this episode, the characters of Tom, Huck Finn and Jim the runaway slave are on a trans-Atlantic voyage in a Jules Verne-like airship. Free performances begin at 8 p.m. but the outdoor locations remain secret until 4 p.m. when an email is sent to ticket holders with a map and parking instructions. (The fourth installment is set to happen in August.) Tickets — no charge — can be reserved at http://www.QueenCityFlash.com

You can stay at home on Saturday evening, if you prefer, and enjoy a radio theater production of Edmond Rostand’s Cyrano de Bergerac by LA Theatre Works, broadcast on WVXU-FM 91.7 at 8 p.m. The story of the brash 17th-century soldier-poet with an oversized nose is also a tale of love and longing. The audio production features Hamish Linklater, Jason Ritter, Devon Sovari and Gregory Itzin. This is your chance to get prepared for Cincinnati Shakespeare Company’s season opening production (Sept. 11-Oct. 13).

Continuing productions of 1776 at the Incline Theater (513-241-6550) and The 25th Annual Putnam County Spelling Bee (859-572-5464) are both worth seeing.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.


 
 
by Rick Pender 07.10.2015 55 days ago
Posted In: Theater at 11:38 AM | Permalink | Comments (0)
 
 
jefferson, franklin & adams - 1776 @ the incline - photo mikki schaffner

Stage Door

History, Spelling and One-Minute Plays

Of course, everyone is focused on baseball this weekend, leading up to Tuesday’s All-Star Game right in our own backyard — and that’s great for Cincinnati. But if you’re looking for theatrical entertainment, it’s here, too. 

I had a chance to see the musical 1776 at Cincinnati Landmark’s new Warsaw Federal Incline Theater on Wednesday. It’s just the second show to be staged there, but it’s a fine one from just about every angle. The 1969 show — as much a play about American history as a musical (it has a stretch of 30 minutes in which no music happens) — is seldom produced in part because it requires nearly two-dozen strong singing male actors. This production found them, and they do a fine job: Especially noteworthy is Rodger Pille as the feisty John Adams, as well as his colleagues Ben Franklin (played by Bob Brunner )and Thomas Jefferson (taken on by Matt Krieg). But numerous others have their “historical” moments, as do Allison Muennich as Adams’ understanding wife Abigail and Lindsey Franxman as Jefferson’s lovely wife Martha. The show is both entertaining and inspiring, even if it takes a lot of liberties with real events. It won the 1969 Tony Award for best musical, and it’s a delight to see. It’s onstage at the Incline through July 26. Tickets: 513-241-6550

After 10 years, the musical about adolescents vying for honors in the 25th Annual Putnam County Spelling Bee has become pretty familiar. But it’s still a lot of fun to watch, and I suspect anyone who goes to the Commonwealth Theatre Company’s dinner theater production on campus at Northern Kentucky University will be having a good time — maybe even becoming a volunteer speller to join the contest. For 8 p.m. shows in the Stauss Theatre, there’s dinner at 6:30 p.m. in the Corbett Lobby. Through July 26. Tickets: 859-572-5464

If you want something a little more off the beaten path, you’ll find it at Know Theatre on Saturday and Sunday when the One-Minute Play Festival has three performances. Part community-convening, part social action and part play festival, the program investigates who we are and how we relate to our community through a series of 60 moments of storytelling by local writers and actors. If you’ve enjoyed the annual Fringe Festival, you should show up for this one. Tickets: 513-300-5669.

In a similar vein — and just a block away from Know Theatre’s Over-the-Rhine location — you’ll find a show by the GoodPeople Theatre Company, Is This Really Happening Right Now? It’s some vignettes by two local writers exploring friendships and relationships — on a blind date, in a coffee shop, in a Laundromat and over Tinder. Tickets ($15) at the door at Simple Space (16 E. 13th St., Over-the-Rhine).

And if you still need more, remember that Monday will be the second round of Serials! at Know Theatre, with five plays started by local writers pick up for another 15-minute episode, but now penned by a different playwright. This time around the theme is “Round House,” and it’s sure to generate some zany stuff. 


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 07.02.2015 64 days ago
Posted In: Theater at 09:59 AM | Permalink | Comments (0)
 
 
todo_serials-knowtheatre_photoericvosmeier

Stage Door

'Two Guvs' has a few last laughs; next week look for some brand new work

With the Fourth of July falling on a weekend, most theaters will be dark, and all the hubbub around the All-Star Game means that most of them will wait until the dust settles at Great American Ball Park before they crank things up again. But if you’re jonesing for some good summer theater and you haven’t seen Cincinnati Shakespeare’s hilarious One Man, Two Guvnors, it has performances on Friday at 7:30 p.m. and Sunday at 2 p.m. Be forewarned that both are sold out, but if you want to try your luck with the regional premiere of this excellent situation comedy about a hapless guy with two bosses, show up at the theater 719 Race St., Downtown 30 minutes before the performance and ask to join the waiting list. Box Office: 513-381-2273

While you’re waiting for the fireworks on Saturday, you might consider what theater you’ll see over the next week or so. Of particular interest is The 1st Cincinnati One-Minute Play Festival that will be presented at Know Theater at 8 p.m. on July 11 and 2 p.m. and 8 p.m. on July 12. It’s a collaboration between Know and One-Minute Play Festival (aka #1MPF). In nearly 20 cities #1MPF partners with local companies to present brief works by local writers. They are given a prompt that asks them to consider the world around them, their community and all the ways in which they view and engage with the world, and to write and submit moments that could only happen at this time and in this place. It’s a great chance to check out local talent in the form of brand-new one-minute plays by Linnea Bond, John Bromels, Michael Burnham, Nick Carmine, Kevin Crowley, Bekka Eaton, Kate Fine, Brian Griffin, Mike Hall, Becca Howell, Alan Jozwiak, David Loehr, Robert Macke, Erica MacDonald, Joe McDonough, Eric Pfeffinger, Maggie Lou Rader, Alison Rampa, Brant Russell, Paul Shortt, Stacy Sims, Andy Simpson, Nathan Singer, Jim Stark, Paul Strickland, Trey Tatum, Eileen Tull, Chris Wesselman, Torie Wiggins and Alison Vodnoy Wolf. It’s also a showcase for local directors including Michael Burnham, Ed Cohen, Katie Lupica, Regina Pugh, Brant Russell, Carrington Rowe and Torie Wiggins. Tickets ($20): 513-300-5669. Part of the proceeds will benefit new play development at Know Theatre.

In the mood for more locally generated material? Check out the premiere of Is This Really Happening Right Now? – A Series of Vignettes, developed and presented by Good People Theatre on July 9, 10 and 11 at 8 p.m.. They’re performing at Simple Space, located in Over-the-Rhine at 16 E. 13th St., just a block or so north of Know Theatre. Four original pieces by Mollie J. Amburgey and Will Bonfiglio are about friendships and relationships — one takes place on a blind date, one in a coffee shop, one via Tinder and one in a Laundromat. Tickets $20: http://goodpeopletheatre.ticketleap.com/CincyPremiere


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
 
 
by Rick Pender 06.26.2015 70 days ago
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
sanger - pamela daly - photo flash productions

Stage Door: Too Many Bosses, One Crusader and a Theater Party

Need a good laugh this weekend? Cincinnati Shakespeare has the show you want to see: One Man Two Guvnors, based on an 18th-century comedy, The Servant of Two Masters. It’s a riot of slapstick, fart jokes, pratfalls, lewd innuendo and more. Francis Henshaw (Matthew Lewis Johnson) is the hapless hero, trapped between jealous bosses and a crew of comic types, each one funnier than the last. The show was an award winner London and on Broadway, where James Corden played the manic guy who can barely keep all the plates spinning. I gave this one a Critic’s Pick. Read my full review here. Tickets: 513-381-2273.

In 1916, Margaret Sanger founded the organization that eventually became Planned Parenthood. She was a fearless protester for women’s rights and an ardent crusader for birth control when it was a hush-hush topic. She was often arrested for speaking frankly about sexuality. Cincinnati native Pamela Daly this weekend is presenting a one-woman show that she personally commissioned; it’s onstage at the Aronoff Center’s Jarson-Kaplan Theater. Sanger uses the militant firebrand’s own words to dig into issues that remain inflammatory today: abortion, birth control, sex education and the plight of women. Performances on Saturday at 7 p.m. and Sunday at 2 p.m. Tickets: 513-621-2787.

Monday evening at 7:30 p.m. is the first installment in the third run of Serials! at Know Theatre. This time the theme is “Roundhouse”: You’ll find the 15-minute episodes of new plays, every two weeks for a total of five evenings. Five playwrights, five stories, five directors, five casts. Each week the playwrights switch, so not even the original writers know where their shows are headed. Here at the titles: Hangin’ with BenFire Down Below#roxybalboaThe Good, The Bad, and the Elderly; and Real Time Strategy. Tickets for this crazy episodic theater party: 513-300-5669  More info here.

Not for this weekend (in fact, this fills in a gap in Ensemble Theatre Cincinnati’s upcoming season next spring, March 22-April 10, 2016), but you might want to know that Sharr White’s Annapurna will be onstage. White wrote The Other Place, a well-received script that ETC presented earlier this year. The award-winning show from 2011 is a simple piece — two people in a room, in fact, a room in a mobile home. It’s about a woman and her husband, a poet, who deserted her. He’s in failing health, living in a low-rent trailer park, and she decides to re-enter his life. More information about ETC’s complete season here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 

 
 
 
Close
Close
Close