Under the old system, grants of $3,000-$5,000 were awarded to local artists. Now, the Cincinnati Arts Ambassador Fellowship Committee will provide more impactful grants of $6,000 to seven different artists.
The process kicked off at the beginning of the year when artists were invited to submit a letter and resume to City Councilwoman Laure Quinlivan before Jan. 15. The invitation was open to artists of all different disciplines but they had to be residents of Cincinnati throughout the program (July 1, 2012-May 31, 2013).
After more than 100 applications applied, twelve finalists were announced on Tuesday.
“We were blown away at the number of applications,” Todd Wurzbacher, Chair of the Cincinnati Arts Allocation Committee, said in a press release. He presented the list of finalists in Quinlivan’s Strategic Growth Committee today.
The twelve finalists are Jesse Mooney-Bullock, Tatiana Berman, Pam Kravetz, Karen Heyl, Melissa Godoy, Guy Michael Davis, Tonya Matthews, Terri Kern, Casey Riordan Millard, Brad Austin Smith, Rondle West and Nathaniel Chaitkin.
The finalists will be interviewed by the Cincinnati Arts Allocation Committee members, who will then choose the final seven artists to receive awards. The final awards will be given to seven artists on Tuesday, Oct. 16 at 11:30 a.m. on the steps of City Hall.
“I’m excited we have visual artists, musicians, dancers, filmmakers, and even a puppeteer in our finalists,” Quinlivan said in a press release. Quinlivan got council support to create the CAAF program. “More than 125 Cincinnati artists applied for the newly created Arts Ambassador Fellowship, proof that Cincinnati is a strong arts city,” she said.
Treece is searching for that “magical spot.” He doesn’t risk the charge of vandalism
like graffiti artists, but he still risks a trespassing charge with every foray
into the night.
Light painting is a photography technique that involves moving a camera or adding a light source while operating with a slow shutter speed. The resultant images include colorful, swirly lines and other creative effects. Like graffiti artists, “both of us trespass illegally. Both of us are night owls. Both of us have explored tunnels, creeks, bridges and abandoned buildings and have gained such a good understanding about the layout of the city,” Treece says.
Suffice it to say, Treece’s understanding of all the nooks and crannies of the city is far more in-depth than the average daylight city dweller.
Before his nightly jaunt into the darkness, Treece packs his equipment bag. At first glance, you wouldn’t think anything is out of the ordinary. Treece stuffs a Nikon D90 camera, remote shutter release, Nikon SB-600 Flash and two tripods into the main compartment of the bag. But the smaller compartments receive the stranger tools of the trade.
He reveals children’s toys, ones that light up. Treece begins to stuff light swords, mini color changing glow sticks, six different kinds of flashlights, laser pointers, finger LEDs, glow sticks and his custom nine LED light orb tool into every remaining compartment of his equipment bag.
All that’s missing is the party favors. At this point, it’s almost unclear if he’s going to a rave or going out to light paint.
Treece almost forgets the most important tool: batteries — lots of them.
Light painting hasn’t always been Treece’s passion, however. “I’ve always been interested in art, but my interest in light painting started sometime around May or June of last year,” he says. “I was browsing the Internet randomly and saw a picture of what looked like a spinning waterfall of sparks. I had seen light painting prior to this photo, but it really didn’t click that these [light painters] were using super long exposures and crazy light sources to create works of art.”
That night, Treece spent hours reading up tutorials on the website lightpaintingphotography.com and a particular online community that called itself “the light junkies.” There he learned that it was plausible to make his own contribution to the light painting community.
Not all places are created equal in the light painting community. Living in Cincinnati is both wonderful and a pain. Clifton Heights, Treece’s main stomping ground, provides him with an incredible amount of light pollution, which can be attributed to the area’s attempt to curb crime activity.
Cincinnati still provides an ample amount of opportunity to create. “[Cincinnati] has some of the most bad-ass tunnels built in the early 1900s. … Cincinnati also has a creek system, which over time had to be cemented because of industrial waste,” Treece says. “These tunnels and channels have created some of the best spaces for light painting.”