The Cleveland Press Club
recognized nine pieces of work, including two first-place winners, while three CityBeat staffers
are finalists in the AAN contest (including Art Director Rebecca Sylvester, for her cover art for "Pileup at the Morgue," "Stranger than Fiction" and "The Love List"). AAN winners will be announced July 18.
This year’s most recognized piece of writing and reporting was “Stranger Than Fiction,” by Arts & Culture Editor Jac Kern and Staff Writer Nick Swartsell. The story won two first place awards in the Cincinnati SPJ contest — Arts/Entertainment Reporting and Investigative/Enterprise/Database Reporting — placed second in the Cleveland Press Club contest and is a finalist for the AAN’s national Arts Writing award. The Cincinnati SPJ describes it as such: “Extraordinarily thorough examination of the real impact of a staged reality TV show on an impoverished Cincinnati neighborhood. Homes were trashed to make for better TV. Story also presents a global look at how neighborhood revitalization really works.”
Cincinnati SPJ first-place winners were CityBeat columnist Kathy Y. Wilson for a collection of her columns;
Nick Swartsell for Business Reporting (“Whose Gonna Drive You Home?”); John
Lasker for Government Reporting (“Legal Limit?”); Rebecca Sylvester for
Newspaper/Magazine Design/Graphic (“RAW Numbers”); and the CityBeat staff for Special Section (“Best of Cincinnati 2014”).
CityBeat photographer Jesse Fox won first place in Cleveland Press Club’s “Spot News Photography” category for her image titled, “Hands Up for Justice.” Danny Cross and Maria Seda-Reeder won first place in Arts & Entertainment Reporting for “Your Name Here.”
addition to Kern’s and Swartsell’s “Stranger Than Fiction,” the Association of
Alternative Newsmedia named Rebecca Sylvester a finalist for Cover Design and
Jesse Fox’s “Faces of Pride” project a finalist for Innovation/Format Buster.
A complete list of winners and finalists for all three contests is below:
Cincinnati Society of Professional Journalists
WINNER: Jac Kern & Nick Swartsell, "Stranger Than Fiction"
JUDGE'S COMMENTS: Extraordinarily thorough examination of the real impact of a staged reality TV show on an impoverished Cincinnati neighborhood. Homes were trashed to make for better TV. Story also presents a global look at how neighborhood revitalization really works.
WINNER: Kathy Wilson
JUDGE'S COMMENTS: Most of the entries were strong and focused. Wilson's were straight and to the point. She exercised the kind of passion in her opinions that left no doubt about her feelings, regardless of what you thought of them. Some entries in this category were so polite it was hard to remember it was a column for analysis and opinion. Wilson hit both on the head.
WINNER: Nick Swarstell, "Who's Gonna Drive You Home"
JUDGE'S COMMENTS: An engagingly written piece that ably considers the local reverberations from new, disruptive business models.
WINNER: John Lasker, "Legal Limit"
JUDGE'S COMMENTS: This detailed and lengthy expose about the use of flawed breathalyzers in Ohio suggests possible story ideas for other states. Well-reported and well-balanced.
WINNER: Jac Kern & Nick Swartzell, "Stranger than Fiction"
JUDGE'S COMMENTS: This story skillfully combines good reporting about two issues – the questionable integrity of a “reality” TV show and its impact on property in an at-risk neighborhood. A long read, but worth it.
WINNER: Staff, CityBeat, “Best of Cincinnati 2014"
JUDGE'S COMMENTS: Fun, funky look at the best of what the city has to offer, as well as some well-written features of general interest to city and suburban dwellers. Visually exciting and fun, and let's face it, who doesn't like to know all there is about beer?
WINNER: Rebecca Sylvester, "RAW Numbers"
JUDGE'S COMMENTS: I think Rebecca did a great job presenting this idea. The stylized graphic treatment showing the money flow from events around the world to the "wheelbarrow-of-revenue" was a nice touch. There’s a good balance between all the elements on page. I also thought the red money backdrop in the pointer box was a nice graphic touch that emphasized the information being presented. Nice work!
Finalist: Nick Swartsell, "Dreaming Big"
Finalist: Danny Cross & Maria Seda-Reeder, "Your Name Here"
Finalist: Jason Gargano, "The Rebuilder"
Finalist: Josh Katzowitz, "Homegrown Heroes"
Finalist: Nick Swartsell, "Change of Heart”
Finalist: Nick Swartsell, "Last Clinic Standing"
Finalist; Nick Swartsell, "Historic Crossroads"
Finalist: Mike Breen, "Spill It"
Cleveland Press Club Excellence in Journalism Awards
Complete list here.
ARTS & ENTERTAINMENT
FIRST PLACE: Danny Cross, Maria Seda-Reeder, “Your Name Here”
JUDGE'S COMMENTS: Investigative journalism in an arts & entertainment piece — an unusual and refreshing combination. This was a longer piece, but it was well-written and compelling to read.
SPOT NEWS PHOTOGRAPHY
FIRST PLACE: Jesse Fox, “Hands Up for Justice”
ARTS & ENTERTAINMENT
SECOND PLACE: Jac Kern & Nick Swartsell, “Stranger Than Fiction”
THIRD PLACE: Jason Gargano, “The Rebuilder”
JUDGE'S COMMENTS: Really liked how this story started out, what he was saying and what he really felt. The commitment to team, fans and the community. No sportizms. Clearly a man who knows himself. If there’s a sports features category, this should be in it too. Packed paragraphs with great descriptions. Nice!
SECOND PLACE: Nick Swartsell, “Pileup at the Morgue”
SECOND PLACE: Josh Katzowitz, “Homegrown Heroes”
JUDGE'S COMMENTS: Interesting local-interest piece with a national reach.
SECOND PLACE: Nick Swartsell, "Battling Barriers”
JUDGE'S COMMENTS: In-depth, comprehensive look at issue of sex-trafficking. Good use of description.
GENERAL FEATURE PHOTOGRAPHY
SECOND PLACE: Jesse Fox, “Zip Dip”
Association of Alternative Newsmedia
Complete list here.
Jac Kern & Nick Swartsell, “Stranger Than Fiction”
Jesse Fox, “Faces of Pride”
Good morning y’all. Here’s what’s going on in Cincy as we all try to wake up and do work.
It’s been a somber few days in Cincinnati since Friday, when Cincinnati police officer Sonny Kim was shot and killed by a gunman in Madisonville. Though I can’t imagine how devastating that loss must be for his family, the community has come together to try and help them in their time of need. A GoFundMe account started by Mason Police Association President Derek Bauman has raised about $95,000 for the Kim family. University of Cincinnati President Santa Ono has announced his three sons will receive free undergraduate tuition at UC should they choose to go there.
Kim was responding to a 911 call about a man with a gun when he encountered 21-year-old Trepierre Hummons. Police say Hummons texted friends about his plan to commit “suicide by cop” and placed the 911 call himself to lure police to him. Hummons shot Kim before Hummons himself was killed by police. Kim was the first officer killed in the line of duty in Cincinnati in 15 years. Hummons was the 29th person killed by police in that time. Cincinnati Police Chief Jeffrey Blackwell called Kim “one of our best,” citing the numerous commendations he’s received. In his off time, Kim, a resident of Evendale, ran a karate dojo in Symmes Township. Mayor John Cranley has asked Cincinnatians to wear blue Friday, June 26 in memory of Kim. In the wake of Kim’s shooting, Blackwell has announced a two-week delay in implementation of CPD’s recently announced 90-day violence reduction plan.
• Uptown Rental Properties, a major developer in Corryville and the surrounding areas, now owns an entire city block of properties in the neighborhood. The developer has purchased 11 properties from the New Nazarene Baptist Church as well as another single family home on the block, which it has been interested in for two decades. Uptown has yet to announce plans for the spaces, and the church itself is leasing the building it formerly owned from Uptown until it finds a new location. But the purchase could well be a sign that more major development is afoot in Corryville. Uptown Rental Properties has been very active in the area, currently building more than 250 apartments in two nearby developments collectively worth $55 million. The developer also has big plans for neighboring Mount Auburn, where it has planned another $55 million in apartments and office space.
• Speaking of development, the Cincinnati Planning Commission has given the green light to a Towne Properties development that would feature seven newly constructed 2,800-square-foot townhomes on Elm Street in Over-the-Rhine. However, the city’s Historic Conservation Board wants changes before the project goes forward, saying the buildings are “too short and squat” and should have more individuality overall, among other criticisms. As someone who has been criticized for these same shortcomings, I feel for these prospective buildings just a little. No one has ever told me that I “need more detailing around the corners” or that I need to be three stories tall to emphasize the verticality of my district, though, so that’s where my empathy ends. Towne will have to tweak the designs to meet the board’s suggestions and come back before it for final approval. The townhomes will be the Mount Adams-based developer’s first foray into Over-the-Rhine, and the development effort will led by former 3CDC VP Chad Munitz. Each townhome will have a garage and a private backyard. Expected starting price for each is $650,000.
• Marijuana legalization effort ResponsibleOhio faces a potential legislative roadblock even if its state constitutional amendment gets on the ballot and is approved by voters. State lawmakers are working to pass a ban on monopolies in the state constitution, a law that looks tailor-made to short circuit ResponsibleOhio’s efforts. If passed, that law would make the weed legalization effort’s proposal, which limits marijuana growth to 10 sites owned by the group’s investors, illegal before it even goes into effect. The anti-monopoly law must be passed by the state House and Senate and signed by Gov. Kasich before going into effect. ResponsibleOhio needs to collect more than 300,000 signatures this summer to get its initiative on the ballot. Its plan would legalize weed for anyone over 21, create the 10 grow sites and also allow for small amounts of non-commercial home growth.
• Ohio Gov. John Kasich has said he would support removing the confederate flag from South Carolina state buildings if he lived there. In the wake of the tragedy in Charleston, S.C. last week where a white gunman killed nine black parishoners at a historically black church, a debate has raged about that state’s display of the flag above the state capitol building. Shooter Dylann Roof has expressed white supremacist ideals and sympathies and prominently displayed the flag on his car. The shooting has led to calls for removal of the flag from the capitol, and a number of liberal and conservative politicians have backed the idea.
• Democratic challenger and former Ohio governor Ted Strickland is leading over incumbent Republican Sen. Rob Portman in the 2016 race for Portman's Senate seat, a new poll shows. Strickland leads Portman by six points, according to a recently released Quinnipiac University poll. Meanwhile, Strickland’s Democratic primary challenger, Cincinnati City Councilman P.G. Sittenfeld, continues to search for state-wide recognition. Eighty-five percent of voters across the state said they didn’t know enough about Sittenfeld to make a decision about him.
• Finally, as you might already know if you’ve been glued to SCOTUSblog like I have, the U.S. Supreme Court today did not release its decision in Obergefell vs. Hodges, the landmark case that could decide the national fate of same-sex marriage. The court has just a few more days on which it will release decisions before its term is up at the end of the month. Meanwhile, OTR resident Jim Obergefell, for whom the case is named, continues to wait.
Story tips? Ideas on where I could get a used touring bike? Tweet at your boy or do the email thing.
On Wednesday, June 10, The War On Drugs performed live at the Madison Theatre in Covington, Ky. They slowly becoming one of my favorite artists in just a few short months, and I couldn’t pass up the opportunity to catch these guys while they were in town, just minutes from my city.
This American Indie Rock band from Philly began back in 2003 after Kurt Vile and Adam Granduciel met at a party. (Alcohol really does bring people together for more than just a one-night stand). Finally calling themselves The War On Drugs in 2005, the rest became history.
The disparate crowd in the Madison Theatre grew silent as Vile stepped onto the stage of smoke with his back turned away from us. The intro music patiently slipped through the fingers of the players, giving the crowd enough time to psych themselves up before Vile slowly circled, sending his voice through the microphone. I’d like to think goosebumps were contagious in that moment.
The show kicked off with “Burning” from their album Lost in the Dream, an album that needed and deserved an entire concert time. They dove into each song random and out of order, just the way concerts should be. They even chose to throw their most popular track “Red Eyes” into the middle of the show — something we as music-lovers are unfamiliar with, subconsciously expecting the ordinary concept of “saving the best for last” (or in some cases, the most popular). Instead, it kept the crowd on their toes. It kept us wondering … what’s next?
My personal favorite didn’t come on until sixth to last. Waiting for “In Reverse” kept my anticipation high throughout the entire show, leaving me thoughtless and speechless and I swayed and felt more than what can be felt from listening through ear-buds.
The overall energy of the room was exactly what you’d expect it to be. The drifting rhythms and synthesized sounds of the acoustics was enough to send anyone into a parallel universe — a place I found myself throughout the show as I clung tightly to my beer with one hand and my friend’s arm with the other. "Lost in the Dream" truly says it all.
Vire’s communication with the audience was scarce, but with such strong lyrics that symbolize love, isolation and depression, it became more about speaking through the music. Instead of having to explain why a particular song was written or what is was about, it is left up to the listener to decide. It was all about interpretation.
A handful of songs from various other albums were chosen and thrown in the very beginning, as well as the encore before closing out with “Suffering,” also from Lost in the Dream. It was a slow closer (also uncommon) as if it was meant to easily transition people back down from concert to reality.
As a surprise during the encore of the show, we were treated to The National drummer Bryan Devendorf stepping in and taking over. It’s safe to say the crowd went a little nuts in the best way possible.
Every inch of the album Lost in the Dream was just as beautiful live as it is right from your Spotify playlist. Whether you’re taking a drive far out in the distance or spending an hour on your bedroom floor with your feet up on the wall, this is the background sound you’re looking for. You’ll be back for seconds — I promise.
Two cinemas weave — though not seamlessly — together in Chunhyang, South Korean filmmaker Im Kwon-taek’s adaptation of Chunhyangaa, a legendary Korean folktale that follows the journeys of two lovers, one poor and one aristocratic, as they face problems within Korea’s ancient class system. The two cinemas in question are traditional film cinema and pansori, a Korean storytelling custom where a vocalist tells a story accompanied by a percussionist playing a buk, a traditional Korean drum. Its roots come from the Korean for “sound” and “a place where many people gather.” In a way, this makes it a type of cinema that predates film by hundreds of years.
For me, pansori was harsh at first. It felt out of place, the grating transitions back and forth between the live pansori performance in modern day South Korea and the dramatic portrayals in 18th century Korea too cobbled-together to resemble a harmonious story. But then I surrendered to its slow, sometimes arrhythmic tempo, and its strange, lithe magic was an experience I haven’t felt in a movie since. By intertwining traditional storytelling techniques with a (somewhat) contemporary one, we as an audience are able to experience firsthand the tensions that exist in a culture between old and new.
Chunhyang is an ideal gateway film into the cinema of Korea, territory that can often seem daunting to Western moviegoers due to the century-spanning political baggage that stretches from the Joseon Dynasty to the Korean War to current events. But the sweep of the region’s moral tides encompasses a generally universal understanding, and this film is full of simultaneously heart-wrenching and understated pathos as we watch forbidden trysts and suspenseful compromises unfold. It’s a folktale, but the ache of its themes will always be, perhaps unfortunately, timeless.
There’s not too much theater going on as summer moves in with full heat. But there are enough laughs at Cincinnati Shakespeare Company for several shows with the production of the great 2011 British farce, One Man Two Guvnors. It’s based on a play from the 18th century called The Servant of Two Masters, but don’t think that because it’s a classic it will be over your head. This show has slapstick, fart jokes, silly antics, sly innuendo and just about anything else that might induce laughter. Matthew Lewis Johnson is a comedy machine as the irrepressibly hungry (and hopelessly confused) Francis Henshaw, and he’s not the only one. At least a half-dozen of Cincy Shakes regulars dive into the hilarity headfirst. There’s also a great band playing tunes that sound like Pop numbers from the early 1960s; the story had been updated to the British seaside town of Brighton, where scandalous behavior was apparently the norm. Signing on to work for two bosses who have cross-purposes and connections that Francis doesn’t know about, he’s in for a raucous 24 hours as he tries to keep a lot of plates spinning — almost literally. Demand for tickets was strong from the opening last week (this show won awards in London’s West End as well as on Broadway in 2012, where James Corden played the manic Henshaw), so you’ll find two added performances to the announced schedule — this Saturday and next at 2 p.m. Tickets: 513-381-2273.
Tickets are even scarcer, apparently for The Producers at Cincinnati Landmark Productions new Incline Theater. That zany musical about trying to make money on a Broadway flop has been a big success, heavily subscribed from start to finish. You might try for the waiting list (513-241-6550), but don’t get your hopes up. Same goes for Commonwealth Theater Company’s production of Neil Simon’s The Sunshine Boys at Northern Kentucky University, (859-572-5464) also in its final weekend. It’s a dinner theater production, and it looks like most of the seats at that table are taken, too.
Since you can’t get into either of those, how about a free interpretation of the movie Footloose on Saturday evening? The dance troupe Pones Inc. and Gorilla Cinema have joined up to present the film in a parking lot in Covington (at West Seventh and Washington streets) starting at 8 p.m. All the inspired dance scenes from the 1984 film about teens in a town where dancing is discouraged will be performed live, and you’re welcome to join in! No charge for admission; snacks and suds available for purchase. Check out the trailer:
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
Hey all. Here’s what’s up this morning.
Cincinnati City Council yesterday passed its $1 billion
fiscal year 2016-2017 budget despite worries that wrangling between council and
the mayor could spiral into a partial city government shutdown. The budget council
passed looks similar to the one proposed by City Manager Harry Black, though it
includes the full $3 million for United Way-vetted human services agencies
council requested last November. Black’s original budget funded traditional
human services at a much lower level.
The budget process this time around was full of last-minute deals and switcheroos by various council members. Vice Mayor David Mann, for instance, stepped across the line between his fellow Democrats on council and Mayor John Cranley to help engineer the final deal. Mann’s negotiations sometimes caused chagrin among his fellow Democrats — his vote against giving infant mortality agency Cradle Cincinnati $275,000 made that priority vulnerable to a veto, which Cranley took advantage of. All told, Cranley vetoed six ordinances containing Democratic council priorities, including a $400,000 grant for Clifton Market and $150,000 for bike lanes. Council had a majority of five votes on those spending measures but couldn’t muster the sixth to override the mayor. You can read all about the fiscal fun times in our coverage here.
• One thing council didn’t pass yesterday was an agreement about who will operate the streetcar. That means the Southern Ohio Regional Transit Authority will step in to decide which bid to take — most likely the cheaper turnkey option, in which an outside management company chooses its own workers instead of unionized SORTA employees. That option came in at about $4 million, just under the city’s $4.2 million budget for operating the streetcar. Another management bid approved by council’s budget and finance committee Monday involved a company overseeing SORTA employees and came in at $4.7 million. SORTA officials have said in the past that they can’t take up a bid for which they don’t have the money, so it looks like the cheaper option will happen by default, despite pro-union Cranley and five Democrats on council backing the more expensive option.
• But hold up, wait, there’s controversy around those bids. The head of the Amalgamated Transit Union says SORTA is “playing games” with the bidding process and that a cheaper option involving unionized workers might be available. ATU head Troy Miller has been emailing council members saying that one of the bidders, a company called First Transit, didn’t make it as a final bid despite having a cheaper plan that used union workers. That plan would have cost about $4.1 million, just under budget. The company has called that option a turnkey proposal, but says it would use union members. Here’s more on that story in this article by WCPO.
• Speaking of SORTA, and in less divisive news, the agency has released real-time streaming bus-arrival data, which has enabled for the creation of a new app that allows users to track the progress of Metro buses. That app was developed by local tech company Gaslight and will be available starting today. That is amazing. Like, an app that actually does something useful in my life on a daily basis instead of just having me take pictures of the food I’m eating or posting about dogs or something.
• 3CDC will use at least some of the $45 million in federal new market tax credits it just received to change up Ziegler Park in Over-the-Rhine, officials with the development group announced today. The project, which will expand and renovate the park, according to 3CDC, is expected to cost $27 million. Programming in the park, including fitness classes and basketball leagues, will be part of the project. The development group has said it will not be eliminating basketball courts or the pool at the park, a major sticking point with community members during the developer’s changes to Washington Park on the other side of OTR in 2012.
• More last-minute changes to the state budget mean that some women’s health clinics that provide abortions might be in danger of closing, at least temporarily. Ohio law requires clinics to have admitting privileges with local hospitals, or to obtain a variance from the Ohio Department of Health. A new tweak to those laws in the state budget would require those clinics to obtain their variance from the state within 60 days or shut down. Planned Parenthood’s Elizabeth Campbell Surgical Center in Mount Auburn and the Women’s Med clinic in Dayton both operate on variances. The Planned Parenthood site in Cincinnati waited a full year to receive its variance last year and is currently awaiting another one. Women’s Med has waited two years for its exception. The state Senate expects to pass the budget today, after which it will negotiate its version with the Ohio House of Representatives ahead of a June 30 budget deadline.
• Finally, I don’t even know what to say about this other than to express some kind of unutterable sadness and anger. As you’ve probably already heard, nine people were shot to death while they prayed in a church in Charleston, South Carolina last night. The African Methodist Episcopal Church is an iconic, historically black church that has been serving black congregations since 1816. Charleston's Emanuel AME church, where the shooting took place, has been there since 1891 and has been a symbol of both refuge and resistance for the black community there. The suspected shooter, who was caught on video, is 21-year-old Dylann Roof, whose social media presence shows affiliation with or sympathy for white supremacist groups. Authorities are calling the shooting a hate crime. Among the dead, according to relatives, is South Carolina State Senator Clementa Pinckney, a civil rights leader and also the church’s pastor.
Cincinnati City Council today passed its FY 2016-2017 budget, a $1 billion spending plan that hews closely to the one drawn up by Mayor John Cranley and City Manager Harry Black, but with boosted human services funding originally left out of the plan.
The budget boosts police officers and will spend $110 million on road repair and fleet maintenance, big priorities for Cranley. Cranley called the budget "great" today as it passed, saying it is structurally balanced and forward-looking.
But not everyone got what they wanted from the process, and heightened tensions between the mayor and council may have left some hard feelings. Cranley and council have been fighting back and forth during the budget process. This morning, Cranley compared Democratic council members to children on a WLW talk show. Democrats have fired back with their own harsh words.
Despite the political wrangling, the final budget resulted from a deal cut this morning between the mayor and members of council, including council conservatives and Democrat Vice Mayor David Mann. The compromise provided an extra $500,000 in funding for traditional human services vetted by the United Way, an amount above the $2.5 million in the city administration's previous budget proposal.
That brings human services up to the $3 million for United Way-chosen human services organizations council unanimously requested last November, an amount initially left out of Black's budget. The city aims to fund human services at 1.5 of its capital budget, a goal it hasn't hit in a decade. Today's deal brings the city to .8 percent of the capital budget.
But the deal also left the council's five Democrats facing a mayoral veto on other spending priorities: individual ordinances calling for a $400,000 grant to co-op Clifton Market, $150,000 for bike lanes, $24,000 for new bus stops in Bond Hill and more money for community organizations.
"If the trade-off is we don't get bus shelters in Bond Hill or work on
bike trails or public support for Clifton Market I think it is worth the
trade-off," Mann, the Democrat who helped broker the deal, said during today's council meeting.
Those individual ordinances were the result of a move by Cranley to split up Democrats' original omnibus budget counter-proposal. That put the individual pieces at the mercy of Cranley's veto. Each measure received only five votes on council. Six are needed to override a mayoral veto. True to his word, Cranley vetoed all four of the ordinances he took issue with. Cranley says the move increases transparency and keeps extra pork out of the budget. Democrats, however, have accused the mayor of playing politics, noting that the city administration's $375 million operating budget still came in omnibus form. Several, including Democratic Councilman P.G. Sittenfeld, have said that amounts to ignoring the majority of council.
A standoff over Cranley's capital budget and Democrats' unfunded priorities led to speculation that Cincinnati might undergo a partial government shutdown, but today's deal and subsequent vote effectively funds the city's government when the current budget expires June 30.
City Hall was less successful in making a decision about streetcar operations today, however. City Council couldn't agree on either of the two operating bids presented by the Southern Ohio Regional Transit Authority, meaning that SORTA itself will now make the call. That means the agency will probably select the cheaper turnkey solution, in which a management company will be able to hire outside employees instead of using SORTA's union workers. That bid came in at $4 million for the first year of operations, under the city's maximum of $4.2 million. A union-friendly management bid came to $4.7 million. SORTA says it legally cannot enter into a contract for which it does not have funding.