Texas Blues artist Ruthie Foster plays Oakley’s 20th Century tonight with local great Kim Taylor opening. Foster’s first album came out in 1997, but her last two (2009’s The Truth According to Ruthie Foster and 2012’s Let It Burn) really helped her make a name for herself; both earned Grammy nominations. Her latest is Promise of a Brand New Day, which mixes her Blues base with a variety of other influences.
From Steven Rosen's CityBeat show preview:
The singer/bassist Meshell Ndegeocello produced Promise of a Brand New Day and her and Foster’s intentions are announced in the very first song, the Foster-penned “Singing the Blues,” on which Foster intones “A little bit of Bobby ‘Blue’ Bland never gets old.” Bland, the great and dramatic singer whose voice could smoothly move from a whisper to a scream, proves a great inspiration for Foster. So, too, does Bonnie Raitt — Foster’s voice has the same level of warmth and generosity on some of the new songs.
Tickets for tonight’s show (a “seats only” affair) are $22-$25.
• Buzzin’ indie rockers Dreamers play a free show tonight at 10 p.m. at MOTR Pub. Great Columbus, Ohio Indie Rock crew Indigo Wild opens. In promo materials, Dreamers’ sound is described as a “unique brand of grunge that is nostalgic for a space somewhere between art-school eccentric and the late 1970s punk scene” and Stereogum says, “They’ve taken little bits and pieces from the past six decades of rock and molded it into something fresh and interesting.”
Dreamers’ self-titled debut EP is set for release Nov. 18. The music video for the EP’s “Waste My Night” recently premiered on Vice/Noisey.
• For the past several years longtime local Pop radio station Q102 has been bringing in hitmakers to perform at its Bosom Ball concert, raising money for various breast cancer research and awareness organizations. The Bosom Ball returns tonight to Covington’s Madison Theater for its 10th annual event.
This year’s concert features popular Pop Rock band O.A.R., British Pop singer Katy Tiz, the duo Alex & Sierra (winners of season three of The X Factor) and Mary Lambert, the Seattle singer/songwriter whose appearance on Macklemore and Ryan Lewis’ hit “Same Love” thrust her into the national spotlight (her debut full-length for Capitol Records, Heart on My Sleeve, was released Oct. 14). Bosom Ball proceeds are being donated to Susan G. Komen and The American Cancer Society’s breast cancer programs.
The show (open to those 21-and-up only) officially sold out earlier this week, but tickets are still available for the all-ages “Q102 Bosom Ball Underage Sound Check Party,” which takes place at 4 p.m. and features a performance from Alex & Sierra. Tickets are $10. http://www.cincyticket.com/eventperformances.asp?evt=2286
• Punk legends Misfits play Newport’s Thompson House tonight. The influential band was formed in 1977 by Glenn Danzig, who dissolved the band in the early ’80s when he formed Samhain (and then Danzig). Band members Doyle Wolfgang von Frankenstein and Jerry Only reactivated Misfits in the mid ’90s and, with various lineup changes, Misfits have continued to release albums and tour ever since. The current lineup of the band includes Only, singer/guitarist Dez Cadena (who spent some time fronting Black Flag in the early ’80s) and Eric "Chupacabra" Arce, former drummer for Murphy’s Law.
Here’s a track off of Misfits’ recent live album, Dead Alive!
Tonight’s show starts at 7 p.m. Tickets are $25.
• Dynamic Roots Rock crew Sons of Bill plays Newport’s Southgate House Revival tonight at 9 p.m. with guests Brave Baby. Tickets are $10.
Sons of Bill recently released its new album, Love and Logic, produced by former Wilco member Ken Coomer. The music video for Sons of Bill’s “Lost in the Cosmos” single (a tribute to Big Star singer/songwriter/guitarist Chris Bell) was recently premiered by Rolling Stone, which calls the new album “a classic roots-rock record for the modern age, filled with B3 organ, acoustic guitar, envelope-pushing arrangements and the sound of three siblings whose voices were born to mesh.”
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
Good morning readers. It was slim pickings in this weeks issue for "Words Nobody Uses or Knows." I only found three, which is OK, because I'm still recovering from last night's Iron Fork event (where I may have had one too many samples of bourbon) and the less thinking I have to do, the better.
The best (or worst) word in this weeks issue is pompatus, which actually appears in the deck of Brian Baker's interview with singer/songwriter Maurice Mattei. Neither Microsoft Word nor the blog platform I'm writing in recognizes this as a real word. Because it's not. Wikipedia says (there's an entire page devoted to this) that pompatus is a nonce word, a word coined for a special occasion and not likely to be heard again, found in Steve Miller's 1973 Rock song "The Joker."
OK. I still don't know what this word means or is intended to mean. New World Dictionary defines pompatus as: one who is pompous (n.) But in the above context, that doesn't make much sense.
I suppose the lesson this morning is: Famous people sometimes coin disposable, meaningless words that confuse regular people who aren't "with it."
Oeuvre: the group consisting of all the works, usually of a lifetime, of a particular writer, artist, or composer (n.)
In this issue: "But a whopping 33 of the aforementioned images in Pursuit are self-portraits, which — due to their abundance in her oeuvre — we might conclude Maier was quite fond of taking."
And finally, there's triptych, which is a great sounding word and it's found in this week's Staff Picks.
triptych: a set of three panels with pictures, designs, or carvings, often hinged
so that the two side panels may be folded over the central one, commonly
used as an altarpiece (n.) Similarly, a diptych is two related panels of art work, while a quadtych is four, you see what Latin does there?
In this issue: "North American New Opera Workshop (NANOWorks) continues to challenge traditional ideas of opera as it kicks off its new season with the first two parts of Daniel Felsenfeld’s triptych, She, After."
Good morning Cincy! I’m a little groggy today after last night’s Iron Fork event, which was awesome. If you were at the Moerlein Taproom for the chef showdown and restaurant sampling festivities, you probably saw me with the group that pretty much monopolized the giant Jenga set all night. Sorry ‘bout that. Anyway, on with the news.
One of the Greenpeace activists on trial for hanging an anti-palm oil banner from P&G headquarters has died, the Associated Press reports. Tyler David Wilkerson, 27, died Oct. 6, according to an obituary in the Fresno Bee newspaper. No cause of death or other details have been released. Wilkerson was one of eight activists facing felony burglary and vandalism charges in connection with the March protest. A ninth activist took a plea bargain.
• Yesterday’s City Council meeting was action packed. Well, maybe not action packed, but interesting and eventful. OK, OK, just eventful, and with more bickering than usual for some reason. Members of council got their feathers all ruffled by the fact that the media knew about Cincinnati’s $18 million budget surplus before they did, perhaps marking the end of new City Manager Harry Black’s honeymoon with the city’s most illustrious deliberative body. Council members found it a bit off-putting that plans were already being made for that money before they even knew it existed. Black promised to make sure every council member is tipped off the next time the city finds unexpected change in the couch cushions.
But look at me over here gossiping. Substantive stuff happened as well.
• The city will pay $300,000 to help clean up a failed compost facility in Winton Hills affectionately nick-named “Big Stanky.” OK, no one but me calls it that. But it does smell very bad, and that’s caused a great deal of controversy. The company, Cincy Compost, went bust earlier this year, but left something like 80,000 tons of rotting meat and other food scraps behind. The city is chipping in on the cleanup because it has to be done, but Mayor Cranley and a few council members weren’t happy about it. Cranley used the issue as an opportunity to jab at the city’s Office of Environmental Quality and Sustainability, which he blamed for the mess. Other council members, including Chris Seelbach, jumped to defend the office, to which Cranley replied that the office’s “Meatfree Monday” initiative was dumb. Seemed like a bit of a low blow, since Seelbach is a vegetarian, but that’s neither here nor there.
• Council also voted to apply for nine HUD grants worth more than $6 million for the city’s Continuum of Care program. The money would be used to provide rental assistance for homeless, low-income people with disabilities. Council also approved a $500,000 loan to Walnut Court Limited Partnership, a Walnut Hills developer. The developer will be rehabbing 30 units in the neighborhood to provide housing for very low income individuals. This deal was a bit more controversial, as Councilman Kevin Flynn questioned how the property, which was overseen by HUD, came to need such extensive renovations and why the city should have to pay for them.
• Moving on to market rate developments, there are some new plans for the former site of the historic house that held Christy’s/Lenhardt’s restaurant and bar in Clifton Heights. The house was demolished last year to make way for an apartment building in the university neighborhood. Gilbane Development Co., which was part of initial plans to put a larger development at the site, has come back with some revised, scaled-down ideas. The building was originally going to be eight stories tall with 245 units of housing. It will now be only six stories with 190 units, as well as some commercial space. The project will be part of a larger development effort for the block that should happen sometime in 2015.
• A little old, but worth noting: The Hamilton County Public Defenders Office has written a letter to Mayor John Cranley
about Cincinnati Prosecutor Charlie Rubenstein, saying he took
inappropriate actions last month by getting a judge to sign a warrant
that would have allowed him to search the entire public defender’s
office over a single robbery case. That just doesn’t happen to private
law firms, the defender’s office says, and shouldn’t be allowed. The
mayor and the city manager have said they want to work with the public
defender’s office to make sure evidence is gathered in the least
invasive way possible in the future.
• LeBron James was in Cincinnati yesterday for a Cavs preseason game at
Xavier University against the Indiana Pacers, and he said he liked the
city, calling it “a great sports town.” Despite being arguably the
state’s biggest name in sports, James had never played in Cincinnati
before. He scored 26 points in the game.
• Let’s take a quick jog south and revisit the Kentucky Senate race, shall we? Recent articles have prognosticated that time is almost up for Democrat Kentucky Secretary of State Alison Lundergan Grimes, who is challenging Senate Minority Leader Mitch McConnell for his seat. The Democratic Senatorial Campaign Committee, the party’s national arm in the race, stopped spending money on ads in the state this week, leading reporters to say the party is pulling out of the race and that Grimes is ready for the fork, cause she’s done. That appears to have been a premature judgment, however. Potential Democrat presidential candidate Hillary Clinton campaigned for Grimes yesterday in Louisville, urging voters in the Bluegrass State to “put another crack in the glass ceiling” by putting Grimes into office. It also turns out that the DSCC is still running polls in Kentucky and may jump back into the race with more ads before all is said and done. Grimes' campaign also has about $4 million in that cash money in the bank, so don't count her out just yet.
Much has been made of Grimes’ refusal to say who she voted for in the last two presidential elections, and some pundits, including conservative commentator Rich Lowry, have said it has sunk Grimes’ chances in the race. Lowry wrote a deeply dumb rant ostensibly about that subject (though it quickly jumps the rails and becomes yet another boring anti-Obama diatribe about four paragraphs in). Clearly Democrats are still hoping Grimes has a chance, though.
The centerpiece of the FotoFocus Biennial’s programming was its five days of events at Memorial Hall — films, panel discussions, lectures and a Saturday-night performance of This Filthy World by John Waters.
As the Wednesday-Sunday events coincided with other key FotoFocus events — the excellent Screenings exhibit of short art films curated by the biennial’s artistic director, Kevin Moore, was at Lightborne Studios during the same period — it was hard to attend everything.
But what I did attend was really rewarding — thought-provoking discussions about photography that centered on ideas and thus were of interest to everyone. In fact, that’s a point I think needs to be made about FotoFocus as it seeks to grow its following: It isn’t a narrow-focused event for photography professionals; it’s for anyone who likes the visual arts. That should be everyone.
Here are some of the highlights of what I was able to attend:
A panel discussion on FotoFocus’ Vivian Maier: A Quiet Pursuit exhibition, about the secretive Chicago street photographer whose work has only recently been discovered since her death. One guest was Howard Greenberg, the New York fine-art photography dealer who represents John Maloof, the Chicago owner of much of Maier’s archives of unpublished work. Regarding a current dispute with another party over who has the right to print and sell her work, Greenberg said he and Maloof were close to an agreement with the city of Chicago-appointed attorney for the Maier estate to let sales of prints resume while the dispute proceeds, since the income would benefit the estate.
A conversation with photographer Elena Dorfman, whose recent Empire Falling project documented old Rust Belt quarries but then manipulated the images into something slightly ethereal, offered stimulating ideas about how post-industrial ruins have become melancholy pilgrimage sites — accidental earthworks to rival “Spiral Jetty” or “Lightning Field.”
Friday night’s keynote lecture on “Shadow and Substance: Photography and the Civil War,” by Jeff L. Rosenheim of the Metropolitan Museum of Art, was fantastically involving. He was an engaged and engaging speaker. For instance, he explained why there are so few actual photographs of battles – with both sides blasting away, sometimes imprecisely, at each other on battlefields, few photographers wanted to set up their cumbersome equipment along the dangerous sides to capture the action. But once a battle was over, it wasn’t so difficult to document the bodies on the ground.
A panel discussion on the growth of Instagram, tied to a FotoFocus-sponsored “Fotogram” project for which Instagram photos were fed into a screen at the temporary ArtHub structure in Washington Park, had food for thought. Jose Garcia, the ArtHub’s architect, somewhat jokingly characterized Instagram selfies as “a cry for help.” And Nion McEvoy, chairman and CEO of San Francisco’s Chronicle Books, observed that new technology — with its emphasis on swiftly delivered virtual transmissions rather than carefully crafted physical objects — has been met with a healthy, growing counter-movement encompassing vinyl records, locavore-oriented slow foods, letterpress printing and more. And, he said, Chronicle Books’ main business is still print.
John Waters drew a big crowd to Memorial Hall — FotoFocus had sold 200 more passes than seats (a pass was good for all Memorial Hall events, not just Waters) and was worried. Fortunately, not every passholder came to his Saturday night show — there were some empty seats on the sides. His show lived up to its This Filthy World title, as he joked about seemingly every sex act known to the human race (and maybe some known only to aliens).
But he also made humorous references to artists — he’s an art connoisseur — and some of his political observations had the kind of shocking in-your-face bite reminiscent of Lenny Bruce. For instance, on abortion, he said (and I paraphrase a little, since I didn’t take notes), “If you’re not going to love your child, don’t have him. I don’t want him to grow up to kill me."
Afterwards, he signed objects for fans and then joined a small group of FotoFocus organizers, supporters and guests for a late dinner on the Memorial Hall stage. As fate would have it, he sat next to me. Charming man.
Who you gonna call? Lady Busters! After years of talk about another Ghostbusters film, Paul Feig (Freaks and Geeks, The Heat, Arrested Development, Bridesmaids, The Office) say he will direct a femme-centric sequel and co-write the script with The Heat’s Katie Dippold. Here’s to them casting Melissa McCarthy, Kristen Wiig and Mindy Kaling with Seth Rogen as a Dana Barrett character!
Katy Perry will be the halftime performer at Super Bowl XLIX. Expect plenty of day-glo, emojis, personified junk food, accessories from Claire’s 1999 collection and just the perfect amount of cultural appropriation. Hopefully Riff Raff will be in tow.
But Katy Perry isn’t just a Pop star with an awesome
gig — she knows her football, too. In fact, she was recently a guest picker on ESPN’s College GameDay for the
recent LSU v. Auburn game. I was...interesting.
Men in Hollywood are facing an epidemic. Too often
Everyman-looking funny dudes disappear for a minute only to reemerge changed.
Thin. Toned. Chiseled. We saw Jonah
Hill shrink, Chris Pratt turn to stone and even Drew Carrey get slim. Now we
have skinny Zach Galifianakis. What has the world come to?
If you haven’t seen or read Gone Girl, go do one or both right now so you can enjoy it before it inevitably gets spoiled for you. If you have experienced the mind-fuck that is Gone Girl, you know about the series of Amazing Amy books Amy Dunne’s parents wrote throughout her life. Soon, you’ll be able to buy actual Amazing Amy books. Meta. Peep a preview here.
As speculated earlier when a Twin Peaks casting call made its rounds on the Internet, the beloved David Lynch series is returning to television! The limited nine-episode series will air on Showtime at some point in 2016 — just don’t expect this to be a direct continuation of events from the last season that aired in 1991.
Who doesn’t like to fire up Sam Smith, dim the lights and have a good cry? Dude has soul. But for a lighter, more humorous take on Smith’s hit "Stay With Me,” check out Daniel “Forever Damien from Mean Girls” Franzese in “Please Go Home.”
All together now: “You can’t stay with us!”
Three years ago, Parks and Recreation introduced the world to “Treat Yo’ Self” Day (typically observed on Oct. 13, when the episode originally aired). So if you’re in need of a little pampering, Buzzfeed has a few ideas about how to celebrate this week.
Bill Hader hosted Saturday Night
Live last weekend — despite him having only left the cast a year ago —
bringing the return of some favorite characters (of course Stefon) as well as
fan favorite Kristen Wiig. Did you miss the episode? Apparently everyone did —
it was the show’s lowest rated episode ever
matched only by Charlize Theron’s episode from just 5 months ago. Woof. And it was actually pretty good!
One the flipside, everyone watched the crazy Walking Dead premiere Sunday. Let's celebrate the show's return with a new Bad Lip Reading, shall we?
New movie trailers to hit the Interwebz: Haley Joel Osmet stars in Sex Ed as a sex-starved dude (…named Eddie…) who lands a gig at a middle school teaching — you guessed it! — human sexuality; Disney mystery-adventure Tomorrowland, starring George Clooney; and holiday comedy A Merry Friggin Christmas — one of Robin Williams’ final films.
So much stuff has happened in the last 24 hours. I’m just going to hit you with all of it without my usual witty introduction.
A jury found Hamilton County Juvenile Court Judge Tracie Hunter guilty on one felony count yesterday. The jury says Hunter broke the law by gaining access to confidential files relating to the firing of her brother, an employee of the juvenile court, and passing them on to him. The jury could not reach a decision on eight other felony charges against Hunter, for which she may or may not be retried. The conviction carries a penalty of up to a year and a half in prison. Hunter will be sentenced in December. It’s also very likely the state Supreme Court will take disciplinary action, which may include disbarring her. Hunter has been on suspension with pay as the trial took place and will now be suspended without pay until she is removed from the bench officially.
• Sometimes you put on that pair of jeans you haven’t worn in a long time and find some cash you forgot about wadded up in one of the pockets. I love those days. Cincinnati just found $18 million in its pants somewhere, and now the city is debating how to spend it. The cash is a budget surplus from better-than-expected tax revenues and cost-cutting. City Manager Harry Black has some ideas on how to use that money, including kicking more than $4 million to a fund for winter weather response, using another $4 million to pay back neighborhood development funds the city borrowed, holding $3 million in reserve for possible future police and fire expenses, $275,000 to make sure the city hires more businesses owned by women and minorities, $400,000 for a new city government performance analysis office and other ideas. I always just spend extra money I find on pizza, but that’s probably among the reasons why I don’t run the city. But seriously, $18 million is enough to buy each resident of the city $60.50 worth of pizza, maybe combined into one enormous Adriatico’s MegaBearcat the size of Mt. Airy Forest. Think about it, Mr. Black.
• You’ll note that using any of the surplus to fund streetcar operating costs is not on that list, presumably because Mayor John Cranley has drawn a hard line in the sand about using city money for its projected $4 million annual shortfall. But others are more open to using money from the city’s coffers to plug that gap, including Vice Mayor David Mann, who suggested at yesterday’s City Council Transportation Committee meeting that while not ideal, he hasn’t written off the idea. That’s significant because Cranley's suggestion to draw down operating hours to close the funding gap would have to be approved by City Council. Other options include raising funds through a parking plan, special improvement or other means. Council seems split on whether it would vote for a reduction in service hours
• Mayor Cranley thinks there are "too many" transitional living houses for those recovering from addiction in the city, but Price Hill-based New Foundations Transitional Living can stay in the neighborhood, according to a settlement it reached with the city recently. The six homes for men and women recovering from addiction to drugs and alcohol have been the focus of controversy in recent months. Neighbors complained earlier this year about the houses, saying the neighborhood wasn’t zoned for them. Price Hill is zoned for single occupancy, not the so-called “congregant occupancy” needed to normally run group homes. The city investigated removing the homes from the neighborhood. But under the Fair Housing Act, transitional homes such as New Foundations are allowed in single occupancy neighborhoods. Under a compromise, the for-profit group will reduce the occupancy of the houses and promise not to expand in the neighborhood.
• Another building along Central Parkway in Over-the-Rhine is being rehabbed, and this one’s really cool news. The Central Parkway YMCA is getting a $27 million renovation that will include the creation of affordable housing. The update will modernize and augment the building’s fitness equipment, adding new weight rooms and group fitness areas, a cycling studio and put affordable housing for seniors on the top floors. I love the building and have recently pondered getting a membership because they’re one of the few fitness places in town with an actual track for running. I should probably wait a little bit on that, though, because the building will be closing in December for renovations. It’s expected to open back up in early 2016.
• If you’re not tired of the tea party vs. conservative establishment narrative that has dominated the political news cycle the past, oh, seems like forever now, here’s another one for you. Some prominent local tea party activists are bummed because they weren’t allowed into a Monday rally for Gov. John Kasich in Butler County. The group, including Cincinnati Tea Party President Ann Becker, was outside the rally protesting Common Core, the educational initiative that looks to standardize performance measures for U.S. students. They say they were denied admission because they were wearing anti-Common Core T-shirts. Officials with the Kasich campaign say it had nothing to do with their shirts and everything to do with the fact they were being disruptive to the event. I honestly don’t know who to root for here so I’m just going to move along on this.
• While we’re on the “suburbs are cray” tip, let’s talk about this story for just a sec. State Rep. Ron Maag is throwing a fundraiser he’s calling a “Machine Gun Social” in Lebanon Oct. 25. By throwing Maag a little cash for his re-election campaign, you get to fire machine guns in a nature preserve. Just like when you were in high school and your cool gun rights friend would invite you out to the rock quarry to shoot at bottles and cans! But don’t worry — you have to be at least a teenager to fire the guns, they’ll be permanently pointed downrange and there will be instructors present to, like, instruct you on the best way to neutralize a threatening soda can with a hail of semi-automatic rifle fire. Maag’s Democratic opponent is of course pitching a fit, but has chosen, oddly, only to take issue with his use of the word “social.”
• Whoa, this is already too long, but I need to get at least one national story in here. Another medical worker in Texas has tested positive for Ebola. That worker apparently flew from Cleveland to Dallas the day before she started having symptoms. I usually try to end this stuff on a positive, non-terrifying note, but today I failed.
• Ohio Hip Hop crew Bone Thugs-N-Harmony are still kicking. The ensemble, called by MTV the “most melodic Hip Hop group of all time” (thanks largely to their deft ability to work melodies not only into chorus hooks, but also their rhymes), performs at Bogart’s tonight at 7 p.m.
The group, which came into the national spotlight in 1993 when Eazy-E signed it to Ruthless Records, won a Grammy in 1997 for “The Crossroads” (a tribute to their late mentor). Bone Thugs’ current tour is their first in a while to feature all of the original members. The group recently made news when it started its own “TV channel,” which is actually an internet channel that will simulcast the crew’s homecoming concert in Cleveland tomorrow night (for a fee). The big homecoming show will feature backing from a full orchestra; proceeds from the pay-per-view broadcast benefit their hometown non-profit, Roots of American Music.
This should be one of the last times to catch the original Bone Thugs — the group has announced its next album and upcoming dates will be its last with the full lineup.
• Indie Rock heroes Surfer Blood perform tonight at The Southgate House Revival in Newport. The Florida-based band broke through in 2010, the same year Surfer Blood appeared at Cincinnati’s MidPoint Music Festival (where so many people showed up for the show, many had to be turned away at the door). The band is currently touring behind its sophomore album, last year’s Pythons. Surfer Blood recently came off a tour with We Are Scientists. The two bands also released a tour-only split single; you can hear Surfer Blood’s contribution here.
Read Jason Gargano's preview of the show from this week's CityBeat here.
Virginia based trio Eternal Summers opens tonight’s 8 p.m. show. Tickets are $17.
• Folk/Roots duo The Hobo Nephews of Uncle Frank play a free show tonight at MOTR Pub. The Minnesota-based twosome’s 2013 album Number One Contender was called one of the best Minnesota-made albums of last year by the Minneapolis Star Tribune. You can listen to it in its entirety below.
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
We’ve all seen Iron Chef, right?
That’s basically what’s happening at CityBeat’s inaugural Iron Fork event from 5:30-10 p.m. Wednesday. The Christian Moerlein Brewery in Over-the-Rhine will transform into a local version of Kitchen Stadium with area chefs Frances Kroner (feast, Sleepy Bee Café, Random Snacks of Kindness), Jose Salazar (Salazar) and Joe West (The Cincinnatian Hotel and The Palace) going head-to-head in a cook to the death!
OK, not death — these three will be competing for the coveted Golden Fork Award. Beginning at 6 p.m. with Kroner, the chefs will each take a turn in the kitchen creating a dish using a secret ingredient (which they won’t know about until an hour before they begin). Salazar will follow at 7 p.m. and West will go at 8 p.m. Each chef will get help from a youth apprentice from Gabriel's Place, a local food education nonprofit. CityBeat dining contributors Anne Mitchell and Ilene Ross will join Kristen St. Clair, Kitchen Director and Resident Chef at Gabriel’s Place, as the competition judges.
As the chefs do their thing, there will be live feeds of the action on monitors around the event, so guests will be able to catch the fun while they enjoy beer from Christian Moerlein, Four Roses cocktails and bites from more than 20 area restaurants and food vendors including Django Western Taco, Huit BBQ and Jimmy G’s.
Tickets are $30/$40 day-of and include two Moerlein beers, a Four Roses drink and ample food samples. Get ‘em here. Proceeds benefit Gabriel’s Place.
When researching Bogart’s for the first of these columns, I discovered a place that used to be its side-stream neighbor. Sudsy Malone’s, which sat just across the street from Bogart’s until 2008, may be a well-known name to older Cincinnatians, but to those of my generation I imagine it’s a legend unheard.
Sudsy’s, as those who knew it well referred to it, was more than just a bar or music venue. It was a laundromat. A gathering place of locals who fancied having a beer and hearing a tune as their clothes turned over in bubbly cleanliness. And while it was only open for a fraction of the time many of the big venues around here have been, it occupies a deep space in the history of Cincinnati and its local music scene.
Refined searches and several page scrolls through Google turns up hardly anything on the former venue. I finally found a memorial Facebook page that further fascinated me, still only offering a brief and general history but filled with posts by former loyal patrons reminiscing of great times at the bar, offering tales of hilarious happenings along with images, videos and old posters to fill it all in with color.
I wanted to know more in hopes of giving Sudsy’s its due place in Cincinnati music history. To understand where it all started and where it went from there, I talked to Janine Walz, a former managing partner who was around during the establishment’s heyday.
Sudsy’s was originally owned by John Cioffi and opened in 1986. As I understand it, the idea was inspired by similar businesses popping up in the region such as Dirty Dungarees in Columbus. They serve beer, so you can sip some foam while listening to the groan of washers and dryers, but Dungaree’s was never quite a bar. They served drinks in more of a refreshment center style. Cioffi’s vision for Sudsy’s was different.
The decision for the name came from a lot of scrawling and scratching by Cioffi and his family.
“They just had a long list of names that they would write down as they were brainstorming, and then they started crossing names out until it was down to Soapy Tucker’s or Sudsy Malone’s,” Walz says.
Sharp, the highly adored Renaissance man known for his ballet career in
Cincinnati and who sadly just passed away in September, designed the character
logos. Soapy Tucker was a sort of motherly figure, whereas Sudsy Malone was a true
He became the face of the place, with his one-eyed look, suds-filled beer and coin-flipping hand becoming the calling card of the bar’s sign.
Upon walking in the front door guests faced a 40-foot bar.
“We would have competitions to see who could slide a mug full of beer the furthest down the bar without spilling it,” Walz recalls with a smile.
They had little round cocktail tables covered with dark blue tablecloths and standard bar stools. The ceiling undulated with the movement of fans under which each had a globular light, providing a sort of soft ambiance to the bar.
At the back of the building sat the laundry area, a brightly lit room where the fluorescent lights glinted off dozens of top-of-the-line washers and dryers.
“I remember some of the bands complaining after a while about the laundry room lights because they would glow into the bar and kill the mood for the crowd,” Walz says. “We strung up some Christmas lights and would just turn those on instead when bands were on stage at night.”
When the place first opened, however, the stage didn’t exist. Live music had never even been part of the idea.
“It was only intended to be a laundromat with frosty-mug beer,” Walz says of the original plan.
Walz recalls being the second laundry customer when Sudsy’s first opened. She worked at the Perkins just up Short Vine, and happened to be John Cioffi’s waitress the day he sat down to get food with the liquor agent that was supposed to be approving Sudsy’s license.
“When they were finishing lunch he asked me to come a few doors down to talk to him about a job,” she says. “I figured it was the same distance from home and might pay better, so I went. Next thing I knew I was hired on as a manager.”
In other words, she was there from the start. Walz watched the bar being built, and she knew it when it was just a place for people to wash clothes and have a drink, the crowd rarely exceeding 10 people.
Only months after the place opened, a local band called The Thangs approached the owners with the idea to play music. Essentially, they just wanted a place to gig when nowhere else would let them. After some hesitation, Sudsy’s let them do it, and much to their surprise the first show was packed with about 100 people. Sudsy’s wasn’t expecting this, and they completely sold out of every drop of beer they had stocked at the time.
outrageous success, The Thangs wanted to come back. Before long, music became
the detergent to Sudsy’s suds, responsible for consistently bringing in large
crowds. At first they charged a very minimal cover, mostly so they had
something to give the band, and offered a free soft-drink ticket with entry for
By ’87 they were charging a $5 cover, although they would still let people in for free if they had a basket of laundry. This often resulted in washers full of abandoned clothes the next day, as people brought the clothes to get in and then simply forgot about them in the excitement of music and merriment. Over time, Sudsy’s developed a massive collection of forsaken threads.
This memory sparked another for Walz: “I remember this guy that would show up about once every year driving a station wagon. He would take the clothes people had left over time and pack every inch of his car, literally. He would do something with them, I think donate them.”
As the place continually packed in people like foam to the top of a mug — thanks to the highly praised booking magic of Dan McCabe (Now of MOTR Pub) — problems inevitably occurred that now seem laughable. The carpet in the bar area became so matted and disgusting that it resembled tile, so Walz had it ripped out and replaced with wood. The men’s bathroom was a story of its own. Widely known as “Worst Men’s Bathroom,” Walz said she wouldn’t go near it, even almost buying stainless steel sheets to layer on it so she could just hose it down at night.
At one point the fire department came in and completely cleared house, although there wasn’t a single flame or wisp of smoke. The building’s stated capacity was far under how many people they would pack in, and one night they had to count the crowd back in, one by one. Eventually they completely stopped the music for a period of time to get the building up to code.
Despite its small size, Sudsy’s brought in now-major acts that were rising at the time — Beck, Smashing Pumpkins and Red Hot Chili Peppers — while also helping breed local acts like The Afghan Whigs and Over The Rhine. Almost all the music was original, save some special events like Grateful Dead night.
Even on nights they weren’t playing themselves, members of bands could always be found among the crowd. The music scene at the time was like a circle, made up of bands and fans that truly appreciated music and enjoyed simply watching people express themselves creatively. Bands would come out and support other bands. Non-musicians would out come and support them all.
and celebrities that were too big to play there live in the storybooks.
Popularly known folks like Jackson Browne, "Weird Al" Yankovic and
James Taylor stopped in to wash clothes or use the phone. Kate Pierson (B52s)
and Chrissie Hynde (The Pretenders) came by during their Tide protest to pass
out literature in affiliation with People for the Ethical Treatment of Animals.
Walz recalls the afternoon before a Jefferson Airplane concert at Riverbend when the bar was pretty empty and there were four guys hanging out doing laundry and drinking a beer. They were worried about their cab not showing up and frantically trying to figure out how to get to their hotel — so Walz drove them. Only after dropping them off did she realize the reason the dudes were so worried about being late.
Walz showed me the blueprint of the building, and again lit up when she pointed out the wash sink in the laundry room.
“Some crazy celebrity took a bath in that sink one night,” she says. “I’m pretty sure it was Marilyn Manson.”
And these stop-ins aren’t the only “celebrity” claims to fame for Sudsy’s. The bar itself was given awards throughout the years from Cincinnati’s former alternative weekly Everybody’s News, from “Best Looking Staff” to “Best Rock Club,” and even “Best Place to Ditch a Blind Date.” They were also named the best bar in Ohio in ’93 by Creem magazine, courtesy of The Connells.
However, all the press, awards and celebrities aside, Walz says what really made the place special were the local patrons.
“It was like a family, people were loyal,” she says. “They would look out for others, and for the bands, and would always defend Sudsy’s no matter what. Without the people, everybody, the people that watched the bands, the bands themselves, Sudsy’s was nothing.”
The bar would even cater specifically to bands they knew well, for example stocking extra Hudy Delight when The Thangs would come back because their crowd loved to drink it.