A budget plan proposed by two council members today would eliminate layoffs at the fire department and reduce the amount of police layoffs to 25, down from 49, by making cuts elsewhere, particularly by forcing city employees to take 10 furlough days in fiscal year 2014.
Council members Roxanne Qualls and Chris Seelbach are co-sponsoring the motion. If it's approved by City Council, the amount of city employee layoffs in the fiscal year 2014 budget would drop to 84, down from the original "Plan B" estimate of 344, by amending Mayor Mark Mallory's budget proposal, which was announced yesterday.
The news is being well received by public safety advocates, but it's also vindication for some of the city's harshest critics. Democratic mayoral candidate John Cranley previously said the city was acting like "the boy who cried wolf" by suggesting it had to lay off 344 city employees, including 80 firefighter and 189 police positions.
"In 2009, 2010, 2011 and 2012 … they threatened to lay off police and firefighters, and it never happened," Cranley previously told CityBeat.
But avoiding the layoffs comes with large cuts and shifted priorities elsewhere: Furlough days for supervisory and leadership personnel would be bumped up from five to 10 ($250,000 in savings), all council members would be asked to take 10 furlough days ($22,700), City Council's office budgets would be reduced ($18,000), the clerk of council's office budget would also be reduced ($46,000), the departments of community development and economic development would be merged ($171,000) and the account for firefighter's protective gear would be reduced ($100,000). In total, the cuts in the motion add up to $607,000.
The motion will be formally introduced at tonight's Budget and Finance Committee meeting, which will also act as a public hearing for budget issues. The hearing will begin at 6:30 p.m. at the Duke Energy Convention Center.
The layoff reductions come after the city manager and mayor spent a bulk of the past six months repeatedly warning that the city would have to carry out significant public safety layoffs if the city didn't lease its parking assets to the Port Authority. That plan would have opened up funds to help balance the budget for two years and pay for economic development projects, including a downtown grocery store ("Parking Stimulus," issue of Feb. 27).
But the parking plan is now held up in court, and the city is apparently able to avoid most of the layoffs despite the repeated warnings.
The city must enact a budget by May 31, which will give the city the required 30 days to implement the plan by fiscal year 2014, which begins July 1.
Dynamic, Maryland-based Rock band Clutch has been grinding across the world for over 20 years. In that time, the band has seen great success across 10 studio albums and has had songs featured across different forms of media, from television to movies to video games.
Clutch is performing at Columbus, Ohio's Rock on the Range fest as the final act on the Jagermeister Stage this Saturday at 5:45 p.m. CityBeat was able to get some time with Dan Maines, the band’s bass player, to preview the show and talk about the longevity and progression of an independent Rock band. Click here for full info on this weekend's Rock on the Range.
CityBeat: What has been the highlight or best touring moment of the last year?
Dan Maines: Highlight? We had a really good show in London last European run. We did a good show at the Coco. London is one of those cities for us that has grown quite a bit. Just within the last year the clubs we have played have doubled in size. The last show we had there was probably around 1,500 people, but that was by far the biggest headlining London show that we have had. We are getting ready to go back there next month and we are going to be playing a different club that has a capacity of about 2,300 people and it looks like that show may sell out. We have been having some really good luck and some great shows all over the place. It has been a really, really good year for us touring.
CB: Do you feel the Rock scene is bigger in Europe than it is here in the U.S.? Do you feel like the fans are more engaged with Rock music today?
DM: I do feel like just your straight-ahead Rock & Roll band is doing better nowadays than 10 years ago. I don’t really have an explanation for it. We have been doing this for 20 years now and we really haven’t changed the formula much, but, for whatever reason, the past few years things have picked up for us and I think people are tired of going to see a band they have heard on the radio and they like a song and then they go to a show and the band never delivers. People are tired of that mentality. They want to see good music. They want to see a band that can pull off on stage what they put down on tape in a studio.
CB: It’s tough when you show up and it doesn’t sound the same. It is fantastic when bands deliver live and I think that is what really grows the audience over time.
CB: Your band has been together with same lineup for over 20 years. It is like a marriage. What is the secret to keeping the band together?
DM: I think we all have the same personalities.
There is not an ego with any band members and we all have similar goals (for) what this band is all about. We are not one of these bands that is
ever going to cater to other people’s expectations. We just do what we
want to do. We just write songs we want to write. We are a band that
really enjoys playing shows. We really enjoy going on the road and
touring. That is one thing that breaks down a lot of bands for the most
Touring is not an easy thing to do. You have to go for it. I have seen a lot of good bands who just couldn’t stick together because of the stresses of touring, which are overwhelming for one person or another. We have always been eager to play as many shows as we can. Without that mentality, we probably wouldn’t have lasted as long as we have. We aren’t the kind of band that is surviving on a particular song we wrote that gets played on the radio. We are a traveling band. I don’t really have a secret recipe for keeping the band together. We are just very fortunate to have been able to do it and we will continue to do what we do.
CB: Is it still fun for you to be on the road?
DM: It is still fun. Playing shows is easily more enjoyable to us than being in a studio. Even when we are at home and writing the material, that is always a good time, but you are eager to play the material for an audience and that is what we exist to do.
CB: What makes you laugh the hardest when you are on the road?
DM: I don’t know, maybe seeing people who might be seeing us for the first time and get caught up in the moment and try to sing along with Neil without actually knowing the words. Sometimes it can be as simple as what snacks our road manager decides to get for the dressing room.
CB: Where do you think you will be in 15 more years?
DM: Hopefully doing the same thing and not really paying attention to how many years have passed. Doing what we are doing but on a larger scale and going to places we haven’t gone yet.
CB: Who knows where you will be going by then, maybe outer space.
DM: Hopefully it will be something more local, like South America.
CB: What is the name of the first band you were in?
DM: Oh, that’s embarrassing.
CB: Oh, I want to hear.
DM: I guess the first band was called Moral Minority and that was myself with a couple other members of what became Clutch, but that was the high school incarnation of my first band and it was probably six or eight months later when Clutch was formed.
CB: Were your parents supportive?
DM: Always. They never really gave me a hard time about it. They never really laid down a lot of expectations to whether they wanted me to go in one direction or another, and they have always been very supportive of the band. Obviously now, but even way back in the beginning when we were traveling in a van getting stranded in cities on the other side of the country and figuring out ways to get back home. They never once said, “Maybe you should consider doing something else,” and I really appreciated that.
CB: What bands are currently influencing you?
DM: I have been listening to a lot of Galactic lately. You know what I have been listening to, I don’t know how recent it is, but Public Enemy still makes records and it came as a surprise to me that they are still doing it. What is more surprising is they are still making great records.
CB: I photographed Public Enemy last Sunday. Flavor Flav still jumped six feet in the air across the stage. It was unbelievable. Not only are they making records, they are touring and killing it. It was crazy. That is what everybody should aspire to do. You guys have your own record label. What are the challenges of releasing your own music?
DM: We have tried to keep the challenges down to a
minimum from the very beginning and just try to make it strictly an
outlet for Clutch music. Nowadays, it is not that difficult to take this
DIY approach to putting out music. Recording costs have come down a lot
and the overall costs of promoting and marketing a record have gone down
a lot because you have tools like the internet, where you can do so many
things for such a low amount of money that the actual costs of
producing a record, manufacturing and distributing it is not that high.
It is just being in a position that we are luckily in where we have relationships with people who kind of help fill in the blanks in areas where we are not experts. It has worked out well for us over the last five years, putting out a couple live CDs and two studio CDs. Who knows what could happen in the future? It could come to a point where it goes beyond the scope of Clutch. Right now it is just putting out Clutch related material. We have also put out side projects for various members of the band. We have John-Paul, who has been working with a band from Sweden called King Hobo, and hopefully those guys will have something that we can put out on the label. We have tried not to get overambitious with the releases and taking it very slowly.
CB: What can the fans expect at Rock on the Range next weekend?
DM: Four bearded men playing Rock music. We will be playing a lot of material off The Earth Rocker. I think on this tour we have been playing, on average, six songs out of 16 off the new record. We probably won’t be playing 16 songs at Rock on the Range. We will probably have a shorter set, so it is harder to predict what we will be playing. We are definitely going to be playing. It will be a heavily Earth Rocker loaded set for sure, and some of the classics thrown in as well.
CB: You guys change your set list every show, right?
DM: We try to. We have this system. We actually take turns writing the set list. Last night was Neil’s night, so tonight would be Tim’s night. It is something we can do that keeps things less monotonous and kind of keeps us on our toes and makes the sets more enjoyable for us, which is going to be more enjoyable for everybody else watching.
CB: If you could trade places with anybody for a month who would it be and why?
DM: That’s a tough one. Maybe George Porter Jr., the bass player (from New Orleans Funk legends, The Meters). He is a huge influence on me and just definitely a hero. It would be nice to spend some time in his brain and steal something.
CB: Do you play any other instruments?
DM: No, I barely play bass.
98 Degrees appeared on Bravo’s late night show, Watch What Happens Live, last week and, shockingly, Justin Jeffre didn’t wear a fedora! But seriously, on the after-show, Nick played “Plead the Fifth” (without pleading the fifth!), a regular game in which host Andy Cohen asks a guest three personal questions, and they can only decline to answer one. Nick revealed, “The best thing about not having Joe Simpson anymore as a father-in-law is that I don't have to play grab-ass under the table on Easter Sunday anymore.” And judging by the reaction (plus the rumors about Joe batting for the other team), he ain’t talking about Jess… But the best part of this episode was the night's bartender, Internet sensation of yesteryear, Sweet Brown! In case you were wondering, no, she still ain’t got time for that.
Hold on to your knickers, girls, because Robb Stark (government name: Richard Madden) is going to portray Prince Charming in Disney’s upcoming live-action reboot of Cinderella.
If you somehow avoided the Internet late last week, perhaps you missed the genius that is Ryan Gosling Won’t Eat His Cereal, a series of Vine videos by Ryan McHenry. IknowIknowIknow ANOTHER Ryan Gosling meme — but this one will make you spew milk out of your nose. That is, if you’ll ever eat cereal again knowing RG’s disdain for it. Peep them all here, conveniently compiled by Buzzfeed.
Well, it’s time. Seven years after cancelling one of the smartest comedies on television, the folks behind Arrested Development “unmade a huge mistake.” Season Four comes to Netflix May 26 and the first official trailer is here.
According to HuffPo, AD goes live at 12:01 a.m. PT, which is 3:01 a.m. our time. Early morning frozen bananas, anyone? After all, breakfast is the most important thing — out of things you eat.
Kristen Wiig hosted Saturday Night Live last week (don’t even get me started on that mess) and Vampire Weekend performed two songs from their new album, Modern Vampires of the City. It’s pretty good; you should buy it here. Does anyone know if lead singer Ezra Koenig (right) and actor Michael Stuhlbarg (Boardwalk Empire, A Serious Man) are related?
Seth Meyers, head writer for SNL and Weekend Update host, is now the confirmed replacement for Jimmy Fallon when he leaves Late Night to take over The Tonight Show. Longtime veteran Jay Leno will be stepping down early next year. When the switch goes down, both The Tonight Show and Late Night will be filmed in New York. Lots of questions still remain: Will The Roots stay with Jimmy or stick to Late Night? How will old people react to two goofy, youngish SNL alumni with normal chins taking over their screens two hours each weeknight? Seriously, has anyone checked on Conan O’Brien lately? Is he doing OK?
I can be suckered into any number of advertising campaigns (HELLO, TARGET) but it really irks me when an ad tries too hard and I can totally see through it. For example, remember last spring when Mike and Ike billboards were popping up and — oh my gosh, someone vandalized them! Every single one! That’s right, the ads appeared to have either Mike or Ike scribbled out and then a few weeks later, the next wave of ads were released, which revealed that Mike and Ike have “broken up.” I really do not give a shit about boring movie candy. Do kids even know what Mike and Ikes are anymore? I guess that’s the point. Well, a year later, Mike and Ike are back at it. This time, they're getting some street cred thanks to their new friend, Nelly. From a press release:
Award-winning hip hop artist, Nelly has teamed up with MIKE AND IKE® to honor their recent reunion after a highly publicized split last Spring! As a long-time fan of the candy, Nelly played a role in helping Mike and Ike get back together and is excited to be part of their new campaign!
Read more of this
thrilling, newsworthy announcement here.
And don’t forget to check out Tom+Chee on Shark Tank this Friday!
The Ohio Rights Group could be asking voters to legalize medical marijuana and industrial hemp statewide in 2013 or 2014. The Coalition for a Drug-Free Greater Cincinnati says drug approval should be up to the Food and Drug Administration (FDA), but that may not matter because polls so far shows medical marijuana getting widespread approval from Ohio voters. The Ohio Rights Group argues its amendment would help Ohioans by opening up better health treatments and boosting the economy. Whether that will be enough to land the issue on the ballot remains to be seen.
Mayor Mark Mallory revised the city manager’s budget plan
to carry out less layoffs but more cuts to outside spending and
recreation centers. Mallory's changes will restore 18 firefighter
positions, 17 police positions, three inspector positions at the Health
Department and two positions at the Law Department, reducing the total
layoffs to 161, with 49 of those being police positions and 53 being
firefighter positions. But it will come with more cuts to third-party
agencies, including the Greater Cincinnati Port Authority, the Center
for Closing the Health Gap and Cincinnati USA Regional Chamber of
Commerce, and two closed recreation centers. The plan will also use
about $500,000 in recently discovered revenue. Mallory said the layoffs and cuts have to be made in part because of multiple outside factors, including reduced state funding and courts holding up the city's parking plan.
The first hearing on the city's fiscal year 2014 budget proposals will be tonight at the Duke Energy Convention Center at 6:30 p.m. The public will be asked to give feedback on the budget plan put forward by the city manager and mayor, which would lay off 161 city employees, including cops and firefighters, to help balance the city's $35 million operating budget deficit.
CityBeat editorial: "Cincinnati's 1 Percent."
The Ohio Department of Transportation has raised its estimated price for the MLK/I-71 Interchange project by about $10 million to $30 million after meetings with business owners in Cincinnati's uptown area. It's so far unclear how the project's costs will be divided between the city, state and federal governments. Originally, Cincinnati was looking to pay for its share of the project through its plan to lease the city's parking assets, but that plan is being held up in court.
City Council approved a resolution yesterday supporting a statewide ban on injection wells used to dispose wastewater during the hydraulic fracturing — "fracking" — process, a drilling process that injects millions of gallons of water underground to unlock natural gas and oil reserves. The injection wells are a vital part of a fracking boom that has helped revitalize economies in Ohio and other states and could help combat climate change, but environmentalists and health advocates are concerned about the unintended consequences the wells could have on nearby water sources ("Boom, Bust or Both?" in issue of June 6, 2012).
The Ohio House approved changes to the state's third grade reading requirement that will relax standards teachers must meet to provide reading instruction and tutoring services for young students. The current law requires teachers to have taught reading for at least three years, but the bill approved by the Ohio House would eliminate that requirement.
The Hamilton County Board of Elections sent two more voter fraud cases to the prosecutor, but the question remains whether the dozens of people who filed provisional ballots and absentee ballots are actually in the wrong — an issue that will be ultimately decided by Ohio Secretary of State Jon Husted.
Ohioans, including CityBeat’s most dazzling staff member, apparently enjoy swearing.
Before the IRS harassed tea party groups, it harassed gay rights groups.
No further explanation necessary: "Police: Man used grenade to rob Hamilton bank."
Scientists have created the first cloned human embryo.
A new laser scanner can detect someone watching you from a kilometer away.
Did you know there's such a thing as National Etiquette Week? And that it's happening right fucking now?
Of course there is. This is America, motherfuckers.
Well, while the rest of the country is practicing their table manners and shit, we in Ohio apparently don't give a damn, according to a recent study conducted by Seattle-based Marchex Institute.
The bitches at Marchex apparently listened in on 600,000 calls placed from consumers to businesses across 30 different industries, and found that out of all 50 states, Ohioans are most likely to go AWOL on the phone.
Washington state was the least likely to curse. They swore about every 300 conversations; we dropped expletives about every 150 exchanges.
According to the findings, Washingtonians were also 800 times more likely to be afraid of caterpillars and use only anti-bacterial soap, while Ohioans were 46 times more likely to crush beer cans with their hands or eat store-bought apples before they even washed them.
We're guessing Washingtonians probably say things like, "Bejabbers!" or "Criminy!" when shit goes wrong. And that's just fuckin' lame.
Oh, and guys, don't forget — tomorrow is National Sea Monkey Day.
This week, more than 15 local restaurants are participating in Eat Local Cincy’s Restaurant Week, showcasing special menus with local ingredients through Sunday, May 19. From Northern Kentucky to Lebanon, local restaurants are offering the Restaurant Week special of three courses for $33.13. Customers create their own combination of an appetizer, salad and one entrée from the provided lists of options. Dishes vary by restaurant based on the regular menu, but individual specials feature locally-sourced items from area farmers and producers.
Participating restaurants include Behle Street Café in Covington, Mac’s Pizza Pub in Clifton Heights, The Golden Lamb in Lebanon, Italian hotspot Primavista overlooking the city and many more. Individual menus boast the very best dishes from their establishments, ranging from seafood to steak to simple and intricate pasta dishes. The large number of participating restaurants provides customers with an opportunity to experience a range of flavors, portions and atmospheres, from casual and family-friendly to fine dining.
Eat Local Cincy works to promote local, independent restaurants both in the Cincinnati community and on the national scale. The group strives to raise awareness about the unique local flavor Cincinnati restaurants can provide, championing the talents of individual chefs, the passion of local owners, and the benefits of purchasing goods from local producers.
Comparing independent restaurants to bookstores, hardware stores and coffee shops, the Eat Local Cincy group considers local dining integral to maintaining a vibrant community, successful charities and increased culinary and cultural strength. Unlike large franchises, Eat Local Cincy and its independent restaurants celebrate passionate individuals and employees who take pride not only in their own establishment but in the Cincinnati community as a whole.
Along with its annual Restaurant Week, Eat Local Cincy also features a year-round rewards program that provides customers with points every time they dine at an Eat Local Cincy establishment. These points can then be redeemed during another visit at any of the participating restaurants. Visit Eat Local Cincy at www.eatlocalcincy.com for a list of businesses participating in Restaurant Week, upcoming events and individual menus.
Halestorm shows everybody out there that a female can rock with the guys. Lzzy Hale, Revolver Magazine’s reining “Hottest Chick in Hard Rock,” along with her brother Arejay, started the band back in 1999 and they have been on an upward trajectory ever since. This past February, the band received its first Grammy for Best Hard Rock Performance for the song “Love Bites… (And So Do I),” which made history as the first song by a female-fronted group to top the Active Rock radio airplay chart.
Halestorm has been headlining shows across the country in support of The Strange Case Of…, the band's second studio album. The group will be performing at this weekend’s Rock on the Range in Columbus on Saturday, playing the Main Stage alongside Papa Roach, Bullet For My Valentine, Three Days Grace, Stone Sour and The Smashing Pumpkins. Click here for full Rock on the Range info.
CityBeat: A lot has happened since I saw you guys in the fall. My first question is … where are you keeping your Grammy?
Lzzy Hale: You know what is funny — we actually don’t have them yet. It’s not quite real. We have been on the road so they have not been delivered yet. We have to sign a contract to make sure we aren’t going to do anything stupid with it. I have no idea where I am going to put it. My mom thinks it should be at her house. I’m like, “No, Mom, it comes with me.”
CB: You could put in your bunk (on the bus). That’s where you live anyway.
LH: Yeah. Very true.
CB: I know you just collaborated with David Draiman (of Disturbed) on the classic Ozzy and Lita song “Close Your Eyes.” What was the best part of doing that for you?
LH: It is such a cool thing. David Draiman has been such a champion of our band for the last couple years. He has been holding the Halestorm flag high. What a nice dude and always there for advice. He has sort of become this pseudo-big brother of mine the last couple years.
It is kind of surreal, a little bit, because I know this guy, but after singing with him and doing this duet, I find myself talking to my little brother and saying, “Remember when The Sickness came out and we went out and got that record, and we knew every word on that record.” We were huge Disturbed fans when we were kids. We still are, I should say. It is such an amazing honor to be asked to do that and what an incredible lineup on the entire record. Being the new kid on the block as far as the guest vocals are concerned is quite humbling, honestly.
CB: Were you nervous about re-recording that song?
LH: A little bit. There is always something in the back of your mind when you are recording a classic like that. You don’t want to ruin it. I am such fan for Lita Ford and Ozzy Osbourne and that whole era of music is really close to my heart. I was only hoping that we could do it justice. It was really David who put my mind at ease with that because as soon as I heard what he was doing with (it), I realized it was special, really special.
It is so weird, but when we were listening to the final mix of it, both David and I got goosebumps in the exact same spot of the song. We were like “Whoa! There is something about this song. We did something right.” I am happy we did it. I just sang it live with him for the first time at Carolina Rebellion. We are going to be doing it together again live. It’s truly magical. Not to sound cheesy, but it does hold a special place in my heart.
CB: Can we look forward to that at Rock on the Range?
LH: Oh, yes. Hell yes.
CB: I have seen you guys many times at ROTR over the years. What is your favorite Rock on the Range moment?
LH: Oh my God. The people that put that on are such nice people. We have been asked back for many years. The first time we were ever playing at Rock on the Range we were at the Jager Stage, then we were on the second stage, then last year we were first or second on the main stage.
I am telling you this, to be a part of this event, I am speaking for myself and all of my peers, we look forward to this festival. Not only is it a hell of a lot fun to play, but we get to see each other. I get to see all of my friends perform that I never get to see because we are all out on the road. It is this huge family reunion and this party from like 9 a.m. to whenever people decide to go home. It’s so wonderful and it keeps getting better every year, like last year was the best ever for me, but then the year before that was the best. I look forward to this time because maybe it will top last year. It is such a well-run event and the highlight of festival season.
CB: Are you going to be able to keep track of Arejay during the event?
LH: Nobody can ever keep track of Arejay. Are you kidding me? The phrase “Where’s Arejay?” is the phrase of the millennium. It’s awesome. He is the most incredible human being because he will be standing next you and you will be talking to him, you (turn) around and you’re talking to somebody else and you turn back to where Arejay was once standing and, poof, he is gone. He is a little Houdini. I love him. He is legendary. I am sure there will be many stories about Arejay at Rock on the Range.
CB: I saw recently you did an interview for a Playboy series online. Would you ever consider posing for the magazine if they asked you?
LH: I haven’t really been asked that a lot. I was thinking about it the other day. I guess I would have to cross that bridge when I come to it. It depends what it is and what it is for and how tasteful it would be. I am not going to say no, but I would have to cross that bridge when I came to it.
CB: I know you guys are recording a second Covers EP. Why did you guys decide to record a second covers record?
LH: We just recorded a few months ago and are starting to get mixes back now. We love doing that stuff, just being able to re-create your favorite songs, break them down and build them up as your own. Regardless of how fun it is, you learn a lot as a musician, about how you work and you’re learning your favorite songs and how to rebuild them from the ground up in your own way and try to find a new way to approach the songs which is kind of a challenge. We had a lot of fun doing it.
I don’t know when it is going to be released yet. It is probably going to be a couple months. When you see the final list of what we chose for this one, there will be probably some that you could predict and there are a few tracks you are going to look at the title of the song and the artist it’s by and you are going to go, “What? Why did they choose that song?” Then you can judge for yourself whether you like what we did. Either way it is going to be fun to see what everybody thinks about it.
CB: Are there any habits you would like to break?
LH: Yes, daily. My procrastination; I should practice more; I shouldn’t have had that cake at Josh’s birthday. I’m one of those people that does not care what everybody else thinks, but I do care a lot about how I feel about myself. I go through phases where I will have tunnel-vision and be determined and then I will be in the middle of tour and be like, “Screw it, I am going to finish this bottle of wine.” I think this time in my life I am starting to get my shit together and have more control over my vices. I am starting to exercise more and starting to be a little more responsible in my life, which is a battle, because I think I am perpetually 14 years old inside. I’m trying to be a grown up but still hold onto that fire.
CB: I love the story you have behind the “Rock Show” song and how you got inspired by it. Could you talk about that a little bit?
LH: Of course. To start that off, we got a lot of physical letters from fans, not the tweets and Facebook posts but a lot of handwritten letters — who does that anymore? — with a pencil. We get a lot of letters every day and it has increased in the past couple years. They are so incredibly inspiring. You get to see how you affect these people. You get to see and hear their stories. It is really, really humbling and really exciting for me because those stories start seeping their way into my subconscious.
A lot of the new songs I have written have been for a specific fan or another because it is interesting to see what these people go through in daily life and relate it to your own. It makes me feel less alone to be a part of their lives and they have welcomed us with open arms into their private life. I respect the hell out of that because it takes a lot of guts to do that.
Specifically for “Rock Show,” we received this letter. I don’t know how this little girl got the address to our studio, but she did. She wrote me this beautiful letter about her first Rock show, which happened to be Halestorm, and it was because of that show she picked up guitar and, long story short, she really shreds. She can play Eddie Van Halen’s “Eruption.” It is really cool to see. She was like 13 years old at the time. It is beautiful, almost like that show was a religious experience. It changed the course of her life and she finally knows what she wants to do and is starting a band.
I remember taking this letter into the studio and telling the guys we have to write a song for her. The title was called “Rock Show,” and we literally built this song around this letter we received and then we ended up thanking her in the notes as the next surprise so she will forever be in the artwork of our record because of that. It is wonderful to do that for those people, to give back, because it is a give and take. We wouldn’t be able to do what we love without these little girls and little boys and everybody that comes to our show. It is wonderful to be able to do small things like write a song for them or thank them.
CB: What are the characteristics that make a great Halestorm song?
LH: Lately, it has been more about honesty. What I never thought I would accomplish in this band, we kind of have in the last couple years. Halestorm is becoming the identity for some of these kids. It is something to stand for. It is something to look up to. I’ve been much more free to let more people into my life and trying to be a good example and be that shining beacon of empowerment for some of these people. I needed that when I was a kid. I looked up to a lot of my parent’s music because it was tough not to find anybody that wasn’t singing about death or “I hate my parents” when I was a kid. I remember needing that. I needed somebody that I could say, “I am going to be like that. If they can do it, so can I.”
I think there definitely always has to be an element of empowerment in what we do, in the music we write, but then you have to pair that with the honesty that you are human and that we are all the same. You are encouraging people to take the risk and to carve out their own path and be themselves. It is all we have learned about diving right into this business. We have learned so much about ourselves and how to be comfortable in our own skin. If we can pass that along, that’s something we strive for.
Mayor Mark Mallory announced revisions to the city manager’s budget plan today that will reduce the amount of layoffs by making several additional cuts, particularly in funding that goes to outside agencies, and using recently discovered revenue.
Mallory’s changes will restore 18 firefighter positions, 17 police positions, three inspector positions at the Health Department and two positions at the Law Department, reducing the total layoffs to 161, with 49 of those being police positions and 53 being firefighter positions.
To balance out the restored positions, the mayor is suggesting closing down two more recreation centers: Westwood Town Hall Recreation Center and Mt. Auburn Recreation Center. He is also suggesting cuts to the mayor’s office budget ($32,000) and outside agencies ($1.3 million), including the Cincinnati Center City Development Corporation (3CDC), the Greater Cincinnati Port Authority, the Center for Closing the Health Gap, the Cincinnati USA Regional Chamber of Commerce and the African American Chamber of Commerce.
Mallory’s revised budget plan also makes use of about $500,000 in revenue that was not located in time for City Manager Milton Dohoney’s budget proposal.
Mallory justified the cuts by saying public safety must come first, but he says he would keep the funding under better circumstances.
“The progress we have seen in our city cannot stand on its own without an emphasis on public safety,” he said.
The budget will have to be enacted by June 1 to give the
city 30 days to implement the changes before fiscal year 2014, which
begins July 1. It will now move to City Council, which will be able to make its own changes.
Mallory stressed that the city’s $35 million operating budget deficit is being driven by a few outside factors, including reduced state funding, court challenges holding up the parking plan and the recent economic downturn.
Gov. John Kasich has cut local government funding by about half in his state budget plans, which Dohoney estimated cost Cincinnati about $22.2 million in 2013 (“Enemy of the State,” issue of March 20).
The city was planning to make up for some of that lost funding by leasing its parking assets to the Port Authority and using the funds to help balance the deficit and fund development projects around the city, including a downtown grocery store (“Parking Stimulus,” issue of Feb. 27). But opponents of the plan, who say they are cautious of parking rate hikes and extended parking meter hours, have successfully held up the plan in court and through a referendum effort.
Cincinnati’s population has steadily decreased since the 1950s, which means the city has been taking in less tax revenue from a shrinking population. That was exacerbated by the Great Recession, which further lowered tax revenue as people lost their jobs and cut back spending.
Still, the city has run structurally imbalanced budget since 2001, according to previous testimony from Budget Director Lea Eriksen. The previous budgets were balanced through one-time revenue sources, but Dohoney told media outlets last week that, barring the parking plan, those sources have run out.
Mayor Mark Mallory will deliver his operating budget proposal to City Council today after making changes to the city manager’s proposal, which hikes property taxes and lays off 201 city employees, including cops and firefighters. City Council will then be able to change and give final approval to the budget plan before June 1. Some of the cuts may hit parks the hardest, but city administration officials are cautioning that they did not recommend the specific cuts being outlined, and it’s up to the Cincinnati Parks Board to decide which areas the cuts will impact. The city planned to help balance its $35 million operating budget deficit with the parking plan, but that plan is currently being held up in court.
The Greater Cincinnati Homeless Coalition is speaking out against the settlement to sell the Anna Louise Inn to Western & Southern for $4 million. “What has been served today is not justice nor moral on the part of Western & Southern, and we will push for a day when Western Southern recognizes their wrong-doings, asks for forgiveness and turns to doing good,” said Josh Spring, executive of the Homeless Coalition, in a statement. The group is asking supporters of the Anna Louise Inn to meet at the Mt. Auburn Presbyterian Church Friday at 6 p.m. to discuss further action.
City Council is likely to keep its ability to call votes on different items in larger ordinances and motions after seemingly failing to get support from six elected council members. Councilwoman Yvette Simpson, who proposed the changes, says the power is confusing because there’s no hard standard set for what is separable, but Councilwoman Laure Quinlivan, who has used the power before and supports it, says the rule retains choice and flexibility. City Council is currently reviewing many of its procedural rules, according to Simpson.
Ohio’s third grade reading guarantee was reworked by the Ohio House in part to relax standards for teachers. Previously, the law mandated teachers providing reading guarantee services to have taught the subject for at least three years, which critics of the law previously called “impossible to meet.”
The Ohio House is slowing down with its Internet cafe moratorium bill while the Ohio Senate works on its bill that would effectively ban the businesses altogether. State officials, particularly Attorney General Mike DeWine, have warned that Internet cafes are prone to criminal activity, but supporters say the businesses are just providing a demanded service.
The National Transportation Safety Board is recommending states strengthen drunken driving standards from a blood-alcohol limit of 0.08 percent to 0.05 percent.
Here is the science behind hating nails on a chalkboard.
Buckcherry has been epitomizing Hard Rock since the late ’90s. The band recently started touring behind its sixth studio album, Confessions, adding to a great and energy filled set-list, alongside crowd favorites and major hits “Crazy Bitch” and “Lit Up."
CityBeat had a chance to speak with enigmatic Buckcherry singer Josh Todd in preparation for the band's set at Rock on the Range in Columbus this weekend (May 17-19). Buckcherry takes to the stage Friday night alongside Hollywood Undead, Cheap Trick and Korn. Click here for more Rock on the Range info.
CityBeat: I have seen you at Rock on the Range many years. What is your favorite Rock on the Range moment from the past?
Josh Todd: One year we were there performing “Lit Up” or “Crazy Bitch," I can’t remember, and a guy in a wheelchair started crowd surfing. That was a pretty memorable moment.
CityBeat: You guys just came off a tour with Kid Rock recently, which is a great match. What was your craziest tour story?
JT: Surprisingly, it was a pretty tame tour. We didn’t have too many backstage parties. The coolest thing we did, Bob — Kid Rock — invited Keith and I to his place in Alabama. We got to go and do some skeet shooting and eat some barbeque. I had a lot of deer meat which I hadn’t had in a long time, a lot of deer jerky. So that was a lot of fun.
CB: I was just covering the Kid Rock cruise and he was singing “Crazy Bitch.” It was a cool moment, one of my favorite songs with him singing.
JT: Yeah. I don’t know what to think of that. I’m flattered, you know, but it is kind of strange since we were on tour with him. I think it is cool because he loves the song.
CB: I want to talk about the record a little bit. I know Confessions is loosely based on the seven deadly sins. Which sin do you think is the worst?
JT: The worst or the most hard to manage?
CB: Either is fine?
JT: Probably lust, especially when you have been in a Rock band since you were 15 … it is something that comes up a lot.
CB: I know “Sloth” was written about your experience with your Father’s suicide. Is it ever hard to perform that live?
JT: I have never performed that live. We are working on it right now. We have six records. We have 80 some odd songs to really sift through. The songs we have performed off Confessions so far are “Wrath” “Gluttony” “Greed” “Air” and “Nothing Left but Tears.” We will get there eventually. I don’t think it will be hard for me because I just got a lot of great feedback from a lot of people who really connected to that song. That makes it a lot easier for me. It was real tough to record, but I think now it will be all right.
CB: Are there any habits you would like to break?
JT: Yeah. I struggle with sugar. So, yeah, not so much sugar.
CB: I know your songs are very autobiographical. Is there anything you have regretted writing about in any of your 80 songs?
JT: Since I write all the lyrics, it is kind of therapeutic for me to get out what is going on inside of me and somehow make it where a lot of people can relate to it. That is the challenge of the songwriter, to take a piece of your personal life and the lives around you and try to create a song where lots and lots of people can remember. That is the fun of it and also the challenge of it all.
CB: What does your perfect day look like?
JT: A perfect day would be to be home with my family. Just getting to spend time with them is a perfect day to me because I tour so much. To be home with my family is great.
CB: Is there anybody you would like to trade places with for a month?
JT: Yeah, I would like to be Kyle Busch for a day.
CB: Oh, a race car. Do you have fast cars?
JT: Yeah, I race fast go-carts. I have a race cart at home. I race that as much as I can. I did a NASCAR experience out here in Fontana and that was a lot of fun. I have always wanted to race an oval track race in a stock car. That would be amazing.
CB: Can you tell us what the fans should expect from your set at Rock on the Range?
JT: They can expect what we always deliver — their money’s worth.
CB: Are you going to be performing any of the new album?
JT: We will be performing “Gluttony” “Wrath” and “Nothing Left but Tears,” which is going to be the new single. Plus, we have to get to a lot of other songs. I don’t know how long our set is, but depending on how long our set is, we have been doing “Greed” recently and it is really great live now.