Jazz musician Brian Newman, Ohio native and graduate of the University of Cincinnati’s College-Conservatory of Music, has become a New York City Jazz scene staple with his group’s popular residencies in the city. And he’s been popping up on national television a lot recently thanks to his role as the bandleader of Lady Gaga’s Jazz projects. Gaga has employed Newman’s group for various Jazz performances over the past few years, including surprise club gigs in NYC and the singer’s 2011 network TV special, A Very Gaga Thanksgiving.
Newman and his group, which features fellow CCM grads (and onetime players in Cincinnati’s music scene) Steve Kortyka (saxophone), Alex Smith (piano) and Scott Ritchie (bass), have also been working with American music icon Tony Bennett, thanks to Bennett and Gaga’s recent collaborative album, Cheek to Cheek, released in late September. For live and promotional appearances, Gaga’s Jazz backers meld with Bennett’s.
Newman and Kortyka were recently seen backing Bennett on The Tonight Show (Gaga was unable to make the appearance, but taped an intro for the segment).
Newman was also the “guest bartender” on the popular Bravo show, Watch What Happens Live. The trumpeter got sucked into the action during the “after show” when his mom and dad called in; click here to check out the cute clip in which Newman thanks his parents for letting him do whatever he wanted and pursue his musical career.
The full CCM-schooled crew will be featured on Tony Bennett & Lady Gaga: Cheek to Cheek LIVE!, part of PBS’ “Great Performances” series. Filmed at Lincoln Center in late July, the hourlong concert special premieres on Cincinnati PBS channel WCET on Oct. 24 at 9 p.m.
When I first met Valley of the Sun, one of the first things Ryan ever said to me was, “So you’re the enemy,” with a huge grin on his face. He was obviously referencing something and was extremely happy that he was finally able to do so.
I didn’t get it.
For those of you as clueless as I was, it’s from Almost Famous, the story of a young boy who gets to live his dream and follow a band on a nationwide tour while writing a story for Rolling Stone. In it, one of the band members continually calls his newfound follower the enemy because he sees everything — the good, the bad, the ugly, the drunken — and he can report on it all.
As I sit on a plane, 53 minutes away from Brussels, I finally get the reference (it doesn’t hurt that I watched Almost Famous for the first time the night before we left). So far I’ve watched Aaron drink wine straight from the bottle, seen Nick blatantly break the “no smoking” rule on international flights and learned just how cutthroat the game of Dibs can be. Ladies: Yes we are staring at you and yes we are claiming each and every one of you. Also, selfies. So many selfies.
It’s been pretty calm so far. Seating has been a breeze, Aaron and I prefer aisle, Ryan and Nick are window guys. Our connections have been effortless, leaving plenty of time for piss breaks and pizza runs. The flights were all smooth and filled with enough dibs-worthy frauleins to keep us busy the whole time. Even our luggage was fairly easy to manage. Only two gear bags needed some re-Tetrising, but it was easily corrected.
The trip out of the airport in Brussels was a bit more stressful. We had a hard time corralling our luggage, we couldn’t find our van and Ryan was stopped by an adorable drug dog and his less than adorable handler. But it was all sorted out and we headed out for Desertfest, our first show in Antwerp, Belgium.
The ride was short and we were the first band to arrive. We used our free time to track down some Belgian waffles; Arnaud’s bilingual skills helped us procure food that we actually recognized and pay for said food. We also sorted out usual tour things like reorganizing the van into less of a clusterfuck, catching up with old friends, making introductions to new members and passing out itineraries. Ryan was kind enough to provide us with a day-by-day breakdown of times and locations, all set inside a classy Lisa Frank folder. Because kittens are metal.
Merch is being sold by an outside agency, so I get the night to enjoy some of Stoner Rock’s finest acts, like Witch Rider and Truckfighters. I will be in charge of filming the band with Nick’s Go Pro cameras. No guarantee of quality can be made, but considering our mutual state of exhaustion, I think it’ll be forgiven. Tonight’s sure to be an interesting start to tour. We’ve each been given six drink tickets, we’re running on about 30 minutes of sleep apiece and the boys are playing to a sold-out fest with attendees flying in from as far away as Japan. It’s definitely a trial by fire scenario, but I think they’re up to the challenge. They just might need a caffeine injection between now and then.
I think I’m going to wrap it up for today but I want to start a tally here that will hopefully carry on through the tour. We’re up to two Spinal Tap references/situations today. Check back in to see if we can run into any more locked doors later this week!
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
Cincinnati’s Zebras in Public recently unleashed a new music video for its hard-charging rocker “Blown Away,” a highlight of the band’s 2014 full-length release, Paradise Leg.
Directed by the band’s drummer, Chris Himes, the rumbling music is matched up with footage of the band members zooming around Full Throttle Indoor Karting in Springdale. The fast-paced visuals are a great match for the high-octane nature of the song.
This spring, CityBeat’s Brian Baker spoke with the band about its history and the release of Paradise Leg. Check it out here.
With cool, rainy weather in the forecast, this weekend’s planned Mayesfest Bluegrass & Americana Festival in Bellevue has been cancelled. But with artists traveling into Northern Kentucky for the outdoor, riverside event, and many fans excited for it, organizers have decided to present what they’ve called on their Facebook page a “mini Mayes,” moving the music indoors to Over-the-Rhine’s Christian Moerlein Taproom (1621 Moore St., near the Shell gas station on Liberty), which hosted two stages during the recent MidPoint Music Festival.
The event will now begin at 5 p.m. on Friday and Saturday and feature a stripped-down but still excellent lineup of local and touring Bluegrass and Americana artists.
Here is the new lineup:
5 p.m. Price Hill Hustle
6:30 p.m. Al Scorch
8 p.m. Morgan O'Kane
9:30 p.m. Henhouse Prowlers
5 p.m. Honey & Houston
6:30 p.m. Jack Grelle
8 p.m. Woody Pines
9:30 p.m. Morgan O'Kane
(Editor’s Note: CityBeat contributor Nick Grever leaves today for Europe, where he’ll be on tour with Cincinnati Rock group Valley of the Sun as the band’s “merch guy.” Nick has graciously agreed to blog about his journey for citybeat.com over the next three weeks. Below is his first installment, an introduction written last night when he was [possibly over] packing for the trip.)
Hello, my name is Nick and since I’ve been a teenager, I’ve dreamt about living the Rock & Roll lifestyle. There’s just one problem – I can’t play music worth a damn.
As a freelancer for this fine publication, I have been able to get a taste of my dream but one element has always eluded me: touring. So imagine my excitement when local rockers Valley of the Sun invited me to work merch for them on their second European tour. I just never expected to be touring the world in a hotdog costume.
Maybe a little background is in order. I’ve known the Valley guys (guitarist/vocalist Ryan Ferrier, drummer Aaron Boyer and bassist Ryan McAllister) for several years, culminating in a profile piece in the pages of CityBeat for their first full-length release, Electric Talons of the Thunderhawk. With that release (and my expertly devised words of praise, no doubt), the band has risen to new heights.
Valley of the Sun signed with Fuzzorama Records and has already toured Europe once, in support of Desert Rock titans Truckfighters. Now it’s time for them to return for another three week tour for shows ranging from massive fests to small dives. We’ll be traveling throughout Germany, France, Italy, Belgium, Switzerland and other countries, joined by Valley’s sound guy across the pond, Arnaud Merckling. In their infinite wisdom, the band invited me along to run their merch; Mangrenade’s Nick Thieme is also on the trip, playing bass in McAllister’s absence.
I’m writing this the night before we leave and I’m still not entirely sure what to expect. But here’s what I do know: I’ll be writing constantly, I probably over packed and Ryan, Nick and Aaron are really excited to see me run around in a venue in my new skeleton onesie (far warmer and more comfortable than it has any right to be) and hotdog ensemble.
These blog entries will ultimately be a record of our trip but it’s going to be more than just a recap of the shenanigans we’re sure to get into and the excellent food we’re sure to eat — although expect a few Instragram worthy images of foreign cuisine, too. (I love me some sausage.) It’s going to examine all the parts of tour life that arise over the course of our trip. What is it like to sit in a small van with four other guys for eight hours when none of us have showered for three days? Is German beer really as good as people say? What happens at 4 a.m. when Ryan starts spouting off about the multiverse as we sit around a bar in Switzerland? Seriously, did I pack enough underwear?
These hard hitting questions, along with my observations and insights, will fill these digital pages. Hopefully they’ll be interesting enough for you to come back and read some more. Expect updates at least every few days — it all depends on how reliable the wifi is in Europe. Hey, that’s another blog entry topic!
Early this year, Cincinnati Indie Dance Rock crew Founding Fathers released a tease of their forthcoming debut full-length release with a music video for their funky track, “Stop Drop and Roll.” Last week, the band unveiled another cool video clip to accompany its fantastic new song, “Welcome Home.”
The clip, directed and edited by Peter House, starts off with a young man finding out he’s lost his job after he wakes up presumably hungover and his car won’t start. From there, the video follows his efforts to find a new gig, applying at local haunts like Mac’s Pizza Pub, Union Terminal and The Esquire movie theater to no avail. Frustrated, he returns home and loses himself in a wild party that happens to be going down. It’s a cool clip for an even cooler song, loaded with infectious hooks and grooves (think a tight mix of LCD Soundsystem and Walk the Moon), which should have fans and non-fans alike excited to hear more from Founding Fathers.
You can listen to earlier Founding Fathers material here, while "Stop Drop and Roll" and "Welcome Home" can be downloaded for free here. Keep tabs on the band through their Facebook page here for upcoming shows and updates.
The Cincinnati Dronescape recording project stemmed from an idea forged by local resident Isaac Hand over the summer. Hand and a friend went around town recording sounds that they felt were “quintessentially Cincinnati.” The found sounds, Hand says, included “the sound of the Western Hills Viaduct, the train yards, the hum of the (University of Cincinnati Medical Center), the Moerlein Brewery” and other location-specific noises.
They then distributed the sounds to various musicians, who mixed them into their own unique compositions.
The results are featured on the mesmerizing and creative Cincinnati Dronescape album, which, along with Cincinnati Drones (an album featuring the original source-material soundscapes), is available to stream and download via cincinnatidronescape.bandcamp.com (see below; hard copies can also be found in local-music friendly record retailers in the area). The sonic adventurers featured on the album include ADM, umin, Molly Sullivan, Jarrod Welling-Cann, Zijnzijn Zijnzijn and several others.
This Saturday at 7 p.m., the project participants will gather in the West End at the intersection of Gest and Summer streets (near Union Terminal) and play Cincinnati Dronescape from several cars simultaneously. Copies of the CD will also be available for purchase at the listening party event. For more information on the project and listening party, click here.
Yesterday (Oct. 5) marked the 21st anniversary of the release of Gentlemen, the major label debut from Cincinnati-spawned rockers The Afghan Whigs, which helped catapult the band into the international spotlight. To celebrate the album reaching drinking age, Rhino Records is releasing a deluxe edition later this month under the name Gentlemen at 21. For the album’s birthday last night, the band (which recently performed a hometown show at the MidPoint Music Festival and is in the midst of a tour behind its new album, Do to the Beast) played an expansive set at Brooklyn's Music Hall of Williamsburg. With tickets priced at $21, last night's show reunited the Whigs with special guest Usher, doing a version of the superstar’s “Climax” (the entities first teamed up at last year’s South by Southwest fest in Texas).
Due Oct. 28, the Gentlemen at 21 set will be available digitally and as a two-CD collection. A vinyl version of the original remastered album will also be released Oct. 28, followed by a three-platter deluxe vinyl edition with all of the bonus material, which is being issued for Record Store Day's Black Friday event on Nov. 28.
Gentlemen at 21’s bonus material will include all of the original demos for the album, which were recorded in Cincinnati at bassist John Curley’s Ultrasuede studio. The set will also feature rarities, including radio sessions and B-sides. The Whigs’ version of fellow Cincy greats The Ass Ponys’ track “Mr. Superlove” (originally issued on a vinyl single from local label Mono Cat 7, with the Ponys covering the Whigs’ “You My Flower” on the flip side) is also slated for the Rhino release.
Here is Gentlemen at 21’s full track listing:
1. “If I Were Going”
3. “Be Sweet”
5. “When We Two Parted”
6. “Fountain And Fairfax”
7. “What Jail Is Like”
8. “My Curse”
9. “Now You Know”
10. “I Keep Coming Back”
11. “Brother Woodrow/Closing Prayer”
1. “If I Were Going”
3. “Be Sweet”
5. “When We Two Parted”
6. “Fountain And Fairfax”
7. “What Jail Is Like”
8. “My Curse”
9. “Now You Know”
10. “Brother Woodrow”
11. “Little Girl Blue”
13. “Mr. Superlove”
14. “Dark End Of The Street”
15. “What Jail Is Like” (Live)
16. “Now You Know” (Live)
17. “My World Is Empty Without You/I Hear A Symphony” (Live)
Tracks 1-8 Demos Recorded At Ultrasuede
Tracks 9-10 Instrumental Rough Mixes, Ardent Studios
Tracks 15-17 Recorded Live For KTCL At The Mercury Café, Denver, CO, May 10th, 1994
Also this past weekend, the Whigs’ YouTube channel debuted Ladies & Gentlemen, The Afghan Whigs, an hour and a half-long road documentary chronicling the band’s touring of Europe in the early ’90s. The film, produced by the Whigs’ longtime sound engineer Steve Girton, was screened at Newport’s Southgate House in 2005 during the Lite Brite Indie Pop and Film Test, but has otherwise only been circulated as a much-coveted bootleg. Check it out below:
On Friday, Saturday and Sunday, Mainstay Rock Bar will be celebrating its final weekend before closing its doors after five and a half years in operation. As I prepared to write about the closure of my favorite local bar, I struggled to figure out just how to voice my sadness. I’m still not entirely sure how but I did think of a ton of stories that exemplify why Mainstay was so special to me.
I started going to Mainstay back in college before it was even Mainstay. It was called The Poison Room and my friends and I used to go to their weekly ’80s dance night. My memories of those nights are fond (if a bit hazy), but I was too new to the scene for the closure to upset me too much. When the location reopened with a new moniker and a makeover, I was happy to have another place that catered to my musical tastes. But it took some time for my love of Mainstay to truly grow.
Looking back, the closures of the original Southgate House and Mad Hatter in Northern Kentucky are what sparked my connection to Mainstay. With two of my normal haunts gone in the space of months, I needed another place to go and Mainstay was at the top of a fairly short list. I started only going for shows, but the bar soon lived up to its name. It transitioned from just a music venue to a reliable fallback to my first choice. Need a good burger? Mainstay. Want to sing some karaoke? Mainstay. Interested in hearing some Rock & Roll? Mainstay. Do you prefer bartenders that actually know what they’re talking about? Mainstay.
Of course, a major part of Mainstay Rock Bar’s appeal to me was that middle word — the “Rock.” Mainstay has been host to some of the best local and regional bands the area has to offer. In recent years, the selection of bands and performances has also become more and more eclectic. There are few bars that can host a Hip Hop show one night, a burlesque performance the next and a Surf Rock show to round out the weekend. Mainstay has proven time and time again that its dedication to the local music scene is genuine by taking the time to champion bands on the rise and hosting all sorts of community events like the ubiquitous Midpoint Music Festival. And they’ve done it all without charging a cover on any shows save the biggest of the big. If you wanted to take a chance on a new band or genre, Mainstay was the place to go. At least you had a fantastic beer selection to console you if you didn’t like what you heard.
For all of my wild and crazy memories, the ones I have of my time with the staff are the fondest. Memories like an interview being derailed when the entire band and I took a minute to stare at the hot new bartender (sorry Becky, hopefully Mangrenade and I tipped you well that night). Or pulling the curtain for Dandelion Death with Scary. Or riding Chris’s knee scooter to the bathroom, weaving in between a busy Friday night crowd. Or the little things, like Lena taking the time to listen to my post-breakup moaning and buying me a “girl’s suck” shot when it was all said and done. The staff (past and present) of Mainstay consists of an insane bunch of people who love the music, love the atmosphere and know how to have a good time. And that attitude coursed through the entire venue night after night. To be a part of it at any point in time was intoxicating. To be welcomed in as a friend and included in the shenanigans was humbling.
As I became more of a fixture of the establishment, the more I grew to know the staff and feel accepted. I’ve frequently called Mainstay my Heavy Metal Cheers; it’s the only bar in Cincinnati where I can walk in and be greeted with a handshake or high five and see my favorite beer and shot sitting on the bar.
As I reach the end of this article, I still don’t know how to say just what Mainstay means to me. It’s where I sang dozens of Danzig songs, watched hundreds of bands take the stage, spent several birthdays and drowned far too many brain cells. There isn’t a place in Cincinnati quite like Mainstay and its closing will leave a pretty big hole in my heart. But I wanted to say thank you for the five and a half years of memories and raise a glass – full of Jameson, of course – to the people that made that place so special.
For your final weekend, I’ll be sitting at the bar, enjoying a shot and a brew at Mainstay — where everybody knows your name… or at least your favorite drink.
Earlier this year, Cincinnati’s Buffalo Killers released their finest album yet, Heavy Reverie, a stellar representation of the band’s increasingly melodic Rock & Roll sound. The album earned the group some of the best reviews of its career and landed them their network television debut — a full interview segment on Last Call with Carson Daly.
Fans won’t have to wait too long for new Buffalo Killers material. On Nov. 24, the six-track EP Fireball of Sulk will be issued through Sun Pedal Recordings. The EP is available to pre-order now (here); doing so comes with an instant download of the EP’s “Marshmallow Mouth.”
Today, Relix.com premiered a music video for the track “Weird One,” a song about “those lost, pre-drug days when all you wanted to do was get away from your parents, dye your hair and drive around with your friends,” BK’s Zach Gabbard tells the site.
Buffalo Killers’ next scheduled live date in Cincinnati is Nov. 26 at Northside Tavern with The Soledad Brothers.