Kristy Kemper, a senior at the Art Academy of Cincinnati, creates visually beautiful works of art filled with vibrant, lovely colors and stylistic, flowing Art Nouveau shapes and forms. The artist draws attention to the world of animals and their behaviors drawing us into a magical, beautiful and sometimes dangerous world.
Brian Harmon, an artist and educator from Taylor Mill, Ky., delights eyes with his photographic and installation artwork. Harmon uses his artwork as a means to communicate themes such as memory, memory loss and archiving. He took time out of his schedule to speak with ArtSeen about his artwork and his artistic methods.
Among the eight winners announced for the 2012 Governor’s Awards for the Arts in Ohio are several Cincinnatians. Cincinnati Playhouse in the Park Producing Artistic Director Ed Stern, who retires at the end of the current theater season, and Executive Director Buzz Ward have been named the recipient of the year’s recognition in the field of Arts Administration. Louise D. Nippert will be honored in the category of Arts Patron.
The Emery Theatre is finally on its way back. After years of dormancy, the 100-year-old Over-the-Rhine venue is in the midst of a restoration that will allow artistic endeavors of varying stripes to grace its stage.
The Emery Center Corporation Board and The Requiem Project — the nonprofit brainchild of Tara Lindsey Gordon and Cincinnati native Tina Manchise, a duo intent on restoring the Emery's historic legacy — announced over the weekend that the Emery has secured two architects to take on the renovation: locally based John Senhauser Architects, and Cleveland-based Westlake Reed Leskosky, a firm that specializes in opening closed arts venues.
Usually I make a theater recommendation for the weekend on Friday, but this week, I'm talking about another Stage Door, the one at Cincinnati Shakespeare Company where it's serving as an exit for someone who has played a big role in keeping the company stable and focused since 1999.
Greater Cincinnati has two awards programs that recognize our excellent theater scene. Perhaps that’s good news, but you might wonder if this kind of competition between competitions is the best way to go.
Twenty years ago today one of the most significant moments in modern-day Cincinnati occurred: Police officers walked into the Contemporary Arts Center and presented CAC Director Dennis Barrie and board members with four indictments against Robert Mapplethorpe: The Perfect Moment, which had opened to the public that morning. Barrie (pictured) would later say the police "had symbolically walked into every arts institution in the country. When they demanded that we take the photos down they had found offensive, they were seeking the censorship of all art that was challenging, provocative or not politically correct."
The Creative Economy exhibit deals with art and economics, particularly the prospects for creative sustainability in Cincinnati and nationally, art and its relationship to capital, and various narratives about how economic realities effect creative endeavors. The grant dinner will be part of the closing reception.
The Fine Arts Fund has released the results of a year-long study intended to start the process of building more collective responsibility in Greater Cincinnati for the arts. Despite the general public’s longstanding support for arts and culture in their communities, charitable giving to and public funding of the arts struggle to keep up with demand nationally and locally — and this study was undertaken to try to “change the conversation” here about the arts as a shared public good and to motivate Cincinnatians to increase support.
Taft Museum of Art has named its new director/CEO to replace Eric Lee, who left in the spring to head the Kimbal Art Museum in Fort Worth. She is Deborah Emont Scott, recently chief curator at the Nelson-Atkins Museum of Art in Kansas City and before that the museum's Sanders Sosland curator of 20th Century. She becomes the sixth director in the Taft's 77-year-history.