As you can see, the CityBeat web site has been updated with new tools, new features and a new look. Same for the staff blogs.
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Our blog archives remain active at TypePad, going back to mid-2006. Click here to find the old Porkopolis blog archives and then navigate to the other old blogs from there.
— John Fox
If you’re thinking of submitting a production for the 2012 Cincy Fringe Festival, now is the time to solidify your thoughts and get your application in to Know Theatre, the Fringe’s organizer. Friday Dec. 16 is the absolutely final day to do so. Follow this link for details, but don’t dally — this is a firm deadline.
The Fringe typically offers about 35 productions during its two-week run, May 30-June 9, 2012, this year. The Fringe is a juried festival that employs a selection committee composed of local artistic directors, actors, writers and producers to select which acts will be included. They study the sample material submitted with applications, then make recommendations based on several key factors:
Stung by a drop in income from all sources — donations as well as sales — the Cincinnati Art Museum has laid off seven staff members, or about 4 percent of its staff. That will allow it to continue through the foreseeable future with its hours and exhibition schedule preserved, Director Aaron Betsky says. "People are thinking twice about spending money in all areas," he says. All departments are being affected, Betsky says, although no department curators have been laid off.
The New Yorker magazine recently published its Summer Fiction issue. It includes a list of what its editors deem as the 20 novelists under the age of 40 worth watching, an endeavor destined to be as contentious as it no doubt was excruciating to craft. (There's a reason the magazine hasn't published such a list in more than a decade.)
The Broadway hit Rock of Ages took Arena Rock hits from the late ’80s by groups like Journey, Whitesnake, Styx and Bon Jovi and cobbled them together for an amped-up evening of Rock in the theater, particularly appealing to people who were, um, all about partying back in the day. Now it’s on the road, touring from city to city and inviting folks to relive their ill-spent youth — and have a raucous good time. It’s at the Aronoff Center starting tonight, running through Nov. 7.
Here it is. See it uncut and in the comfort of your own home. Well, sorta.
The American Dance Festival’s Israeli Festival portion of its season escalated Thursday night with the inaugural ADF performance at the new Durham Performing Arts Center in downtown Durham, N.C. New York City-based repertory company Cedar Lake Contemporary Ballet made their ADF debut unforgettable with a high-octane performance of Israeli-born choreographer Ohad Naharin’s 2007 work, Decadance.
This is the final weekend for performances by New Edgeclif Theatre of an unusual double-bill. Part one is a delightful one-man performance by local actor Joshua Steele of David Sedaris's The Santaland Diaries, an account of working as a Christmas elf — named "Crumpet" — at Macy's in New York City. Steele was great in this a year ago, and he's even better this time around.
"Hanging Garden," artist Shinji Turner-Yamamoto's 2010 art installation involving two trees — one live, one dead — suspended vertically in the middle of the abandoned Holy Cross Church in Mount Adams, has won a Gold Leaf Award from the Ohio Chapter of the International Society of Arboriculture.
The Kaplan New Works Series (Sept. 6-16, Cincinnati Ballet Center): This annual season opener celebrates new ideas and creative movement showcasing the female choreographer and focusing on local artists. This world premiere features dancers Amy Seiwert and Paige Cunningham, two SCPA alum, Director Heather Britt and choreographer Jessica Lang.
Frisch's Presents: The Nutcracker (Dec. 14-23, Aronoff Center): Victoria Morgan re-imagined the classic for 2011's world premiere, The New Nutcracker. This whimsical interpretation returns in 2012, complete with dancing cupcakes, flying bumblebees and a Sugar Plum Parade, where audience members will be invited to walk acrid stage and get a closer peek at the sets, costumes and dancers.
Prodigal Son with Extremely Close (March 22-23, Aronoff Center): Neo-classical choreographer George Balanchine comes to Cincinnati with his rendering of the classic parable about sin, redemption and unconditional love. On the same bill, Extremely Close is Alejandro Cerrudo’s thoughtful contemporary work. The performance opens on a stage of falling feathers, reflecting the delicacy and fluidity of movement, and connected throughout, punctuated by a surprising, thought-provoking ending.
Frampton & CB Come Alive (April 26-27, Aronoff Center): Legendary guitarist Peter Frampton will create a new work specifically for the performance and play live alongside choreography collaboration from Cincinnati Ballet and Exhale Dance Tribe.
New subscriptions and subscription renewals are now available at the Cincinnati Ballet Center (1555 Central Pkwy., Over-the-Rhine) or by calling 513-621-5282. Individual tickets to the following shows will be available July 22 at cballet.org.