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by mbreen 10.13.2008
Posted In: Local Music at 04:51 PM | Permalink | Comments (2)
 
 
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The National Talks Barack, Fountain Square Concert/Rally

In advance of The National’s highly anticipated free performance this Thursday at Fountain Square, I had the opportunity to talk with the lead singer of the band, Matt Berninger. The concert is part of a rally in support of Democratic presidential nominee Barack Obama, donning the title “Vote Early, Rock Late.” It will feature political speakers and buses to take people to early voting locations, as well as two bands — Dayton natives The Breeders followed by Cincinnati’s own (though they live in Brooklyn now) The National. And, of course, there will be “plenty of Rock & Roll and beer,” as Berninger succinctly puts it. (UPDATE: The National's management says they are unsure of what times the bands will play, as of now. The only sure thing — both will play between 5 and 9 p.m.).

Berninger explains that the concert came together rather innocently; they simply wanted to show support for their candidate of choice. Initially the thought was to play a benefit concert, but as it all evolved, a rally seemed more appropriate, both in terms of what the band really wanted to accomplish and the nature of Obama’s campaign.

“It was our idea, but there have been so many people pitching in and helping along the way,” Berninger says. “No one is getting paid here, so it was really exciting to see so many people take the time to make this happen.”

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The National’s fundraiser for the Obama campaign developed in a similarly organic manner. Shirts depicting Obama’s face accompanied by the song title of what has become a familiar show-closer for the band, “Mr. November.”

“About nine months ago, that song came (up during a show) and I dedicated it to (Obama),” Berninger remembers. “And it wasn’t until about halfway through the song that I realized just how perfectly it fit, in terms of both mood and timing. That night, Scott (Devendorf, bassist from The National) and I decided to make a T-shirt and a week later we had a box to sell. I think it all happened in the midst of four hours, and since then we’ve been able to raise about $10,000, with all proceeds going directly to the campaign.”

The band — whose song "Fake Empire" was used in a film about Obama showed at the Democratic National Convention — returns to their hometown of Cincinnati in the midst of one of the most significant presidential elections in history. Southwest Ohio – with its conservative reputation and rising liberal and progressive presence -- stands as arguably the most hotly contested location in the election.

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“The thing I’ve always loved about the political landscape of Cincinnati is that you have it all,” he says. “You have extremely conservative Cincinnatians and you also have very progressive lefties and often you have that all in the same family. I don’t quite have the same conversations now, being in New York, that I used to in high school or around my dinner table in Cincinnati. And that’s the healthy thing about being there, is that those conversations are happening, truthful, and among people that, at the end of day, you truly respect and love.”

There is no hint of pessimism in Berninger’s voice. Rather, he sounds truly enthused about the opportunity America has to elect a candidate like Barack Obama, a man whom he believes embodies the most admirable qualities.

“There is an intellect, compassion and empathy to (Obama) that doesn’t seem fake,” Berninger says. “I want the best of us to be in the White House. I want the cream of the crop of American thinkers to be making decisions for me, and (decisions) that are going to affect me, my family and our future. I want the smartest guy in the room and the groundswell of support Obama has gathered shows that people see that in him.”

The National have recently wrapped up their tour in support of the critically-acclaimed album Boxer. They have written approximately 10 songs and returned to the studio to begin recording their follow-up. No word yet on a release date.

— Dave Tobias

(All photos by Keith Klenowski)

 
 
by Mike Breen 10.24.2012
Posted In: Live Music, Local Music, Music News, Music Video at 11:01 AM | Permalink | Comments (0)
 
 
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Music Tonight: The Toasters

Legendary NYC Ska group brings 30th anniversary tour to Cincy for free show

American Ska legends The Toasters perform a free show tonight at MOTR Pub in Over-the-Rhine. Showtime is 10 p.m. and — sorry, kids — you must be 21 or older to get in.

The band was one of the leading inspirations behind the "third-wave" Ska explosion of the ’90s, but the band actually began 30 years ago, influenced by the 2-Tone Ska movement in the U.K. The Toasters blend of NYC Rock and 2-Tone made them cult heroes in the Ska underground, as did the band's D.I.Y. approach; founding member (the sole one in the current lineup) Robert "Bucket" Hingley formed the influential Moon Ska Records in 1983 to release his own albums, as well as those by acts like Mustard Plug, The Slackers and Hepcat. The label's various compilations also gave a boost to up-and-coming, non-Moon acts like Less Than Jake and No Doubt.

Here's The Toasters' first music video, for the tune "Radiation Skank" off of the band's debut release, 1985's Recriminations EP (which was produced by British singer/songwriter Joe Jackson; he is to The Toasters what Elvis Costello was to The Specials).



And here is "Modern World America" off The Toasters' 2002 release, Enemy of the System.



 
 
by mbreen 01.27.2013
Posted In: Live Music, Music News, CEAs at 10:42 PM | Permalink | Comments (2)
 
 
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Cincinnati Entertainment Awards: The Winners

The winners from tonight's epic CEA blowout at the Madison Theater

It was another epic Cincinnati Entertainment Awards ceremony tonight at the Madison Theater, as a full house celebrated some of the best Greater Cincinnati music has to offer. And drank. A lot.

The show went off great, with some excellent live performances from nominees and lots of fun from new host Ted Clark. I'll have more on the CEA show tomorrow (the afterparty is still in full effect as I type this), but gotta give props to CityBeat's own Jac Kern, who provided one of the funniest moments in CEA history before presenting the CEA for Hip Hop. Beyonce ain't got nothing on you, Jac!

More tomorrow (fear not — the show will actually be broadcast on cable this year; details coming soon), but, in the meantime, here's who won what at tonight's ceremony. Wussy — which has been on a serious roll since releasing the fantastic Strawberry near the end of 2011 (it made the cut-off for this year's awards, since the album came out around the same time as the last CEAs) — had the best night, taking home both the Artist of the Year and Album of the Year CEAs.

Congrats to all of the nominees and winners and everyone who showed up to party. Y'all are crazy.

1 Country - Mason James

2 Jazz - Blue Wisp Big Band

3 Singer/Songwriter - Kelly Thomas
4 World Music/Reggae - The Cliftones
5 Metal - Pulse8

6 Blues - Ricky Nye
7 Alternative/Indie - The Seedy Seeds
8 Hip Hop - Gold Shoes
9 Folk/Americana - The Tillers

10 Rock - Buffalo Killers

11 Bluegrass - Rumpke Mountain Boys

12 Electronic - You, You're Awesome

13 Live Act - 500 Miles to Memphis

14 Hard Rock - Chakras

15 R&B/Soul/Funk - The Cincy Brass

16 Punk - Switchblade Syndicate


17 Best new Artist – DAAP Girls

18 Album of the year - Wussy's Strawberry
19 Artists of the year - Wussy
 
 
by Alex L. Weber 05.04.2009
Posted In: Local Music at 03:08 PM | Permalink | Comments (4)
 
 
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The Secret History of Cincinnati Punk

In the late ‘70s and early ‘80s, “underground” and “indie rock” in the U.S. was birthed by a glut of bands that sprung up in the initial wake of the Sex Pistols. The luckier (or well-financed) bands—back when every stoned, obnoxious suburban kid and art-damaged bohemian miscreant was in a band—would self-release only one or two singles in limited pressings. Surprisingly, a lot of this stuff is remarkable rock ‘n’ roll rather than formulaic drivel, thanks to the fuck-it-do-whatever-you-want approach that defined the punk movement.

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by mbreen 01.08.2010
Posted In: Music News, Local Music at 10:57 AM | Permalink | Comments (0)
 
 
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Things Heat Up for Foxy Shazam

The hard work local experimental Rock/Soul/Pop/Prog/Glam oddballs Foxy Shazam have put in on the road the past couple of years is starting to pay off big time. Recent Foxy news includes everything from the impending release of the band’s major-label debut for Sire Records to gigging with Courtney Love in the U.K. to collaborations with Rock legend Meat Loaf.

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by Amy Harris 05.18.2012
Posted In: Live Music, Festivals, Interview at 12:42 PM | Permalink | Comments (0)
 
 
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Q&A with Megadeth

Metal giants headed to Columbus for Rock on the Range festival this weekend

Megadeth can be considered one of today's legendary bands, not just in Metal, but in all of music. They are synonymous with a time period, moments in the lives of so many of their fans. They may have a different look than when the band was formed in 1983 but they are one of the founding fathers and would definitely find themselves on the Mount Rushmore of American Metal and can still fill festival stadiums all over the world. Megadeth have been doing their thing for almost 30 years and show no signs of stopping. They had released their fittingly named 13th studio album TH1RT3EN last year before they came to Cincinnati. They will return to Ohio as one of the main acts at next week’s Rock on The Range.

Over the past year, CityBeat spoke with band drummer Shawn Drover twice and lead guitarist Chris Broderick at Mayhem Festival about life on tour and what the future holds for the band. Megadeth's timeless sound continues on. Hear for yourself when the group performs on the Main Stage in Columbus Sunday night with Marilyn Manson and Rob Zombie for the Rock on the Range festival.

CityBeat: I know you joined the band in 2008, right?

Chris Broderick: Yeah, the very beginning.

CB: What was it like the first time you played and jammed with Dave (Mustaine)?

Chris: It was a little intimidating at first I think. But one of the things that really happened was we had to get to work so quickly. We had to get so much done so fast. 

CB: Because of the album and the tour right?

Chris: Well yeah because of the tour at the time. I didn’t really have time to think about what was going on. I was just working. I was trying to knock out as many songs as I could before we went on tour less than a month away. That was my focus really.

CB: You are a classically trained guitarist, right? Can you tell me, how do you think that prepared you for Megadeth and to play metal music?

Chris: Well I don’t know if anything prepares you for Metal music or Megadeth. But I do think it does give me a different skill set, one where I can look at more melodies and harmonies and construction of those types of the aspects of the music and apply what I’ve learned in classical guitar theory or classical theory to the Metal genre.

CB: That’s kind of what stood out to them, right, when they called you to join the band, because you did a lot of classically trained type work?

Chris: It’s hard for me to say. I know it was an influence on their decision, but I know that it was a recommendation of Glen Drover and Shawn Drover that encouraged them to call me.

CB: Good recommendations. They probably didn’t even have to ask.

Chris: And then some of the YouTube clips that I had posted also.

CB: I have been hearing so many bands that are picking people off YouTube. It’s really amazing, Cinderella type stories of people being picked up off YouTube videos.

Chris: Well, it’s one of those things that is awesome in a way because it gives the individual the power of PR, somebody that can market you and get you to the right people to get you a gig or get you the right contact. So it is kind of cool that way.

CB: What was your highlight from the Big 4 concerts?

Chris: It was probably the last Big 4 show actually in the UK. That was pretty huge. We got to play on stage with some of the original members of Diamond Head. Honestly, they weren’t my biggest influence. They were a little bit before my time. But because I am playing with so many people that they heavily influenced, it was instant respect on my behalf and their behalf. It was quite awe-inspiring to see Hetfield  (James) kind of bowing down before him when he went to do the solo. It was awesome.

CB: What is it like on the road these days? Is it really clean living?

Chris: Yeah. It almost has to be because we have so much going on. I couldn’t do all this press and all the meet and greets and stuff like that. It works out pretty well for me too because luckily I never acquired a taste for that kind of that thing. I guess I am too Type A. I always want to be in control.

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by mbreen 11.24.2008
Posted In: CEAs at 01:27 AM | Permalink | Comments (9)
 
 
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Cincinnati Entertainment Awards 2008: The Winners

The afterparty is still going on as I write this, but, while we assess what happened last night at the 12th annual Cincinnati Entertainment Awards event at the Emery Theatre — the first sold-out show and quite possibly the best show in CEA history — here's who won what last night.

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by Mike Breen 03.22.2012
Posted In: Music Video, Music History at 10:11 AM | Permalink | Comments (1)
 
 
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This Date in Music History: March 22

Queen gets denied by MTV and Angelo Badalamenti is a soundtracking genius

On this day in 1984, Rock legends Queen started filming the music video for their song, "I Want to Break Free." Queen was a band that embraced the concept of music videos early on. The current Spectacle exhibit at the Contemporary Arts Center, about the history of music videos and where it's at today, cites the band as a vanguard act of the video age thanks to early clips for songs like "We Will Rock You"/"We Are the Champions" and, especially, "Bohemian Rhapsody."

By 1984, MTV was finding its legs and providing an outlet for new clips by artists; in the early days, the network had little to chose from to fill 24 hours a day with vids, so they played anything available, including those early Queen clips. The "I Want to Break Free" video featured the band members dressed as women in a parody of suburban life and British evening soap operas. The clip had Freddie Mercury decked out in a short skirt, tight sweater, big falsies, a wig and that trademark mustache, running the vacuum cleaner. It also featured Mercury in his more familiar uniform — leather pants, no shirt and that trademark chest hair —  and classic ’80s music video elements like choreographed dancers prancing in the haze from a smoke machine.

The clip was well received (and the single did well) in the U.K., but not so much in the U.S., thanks in part to MTV's decision to "ban" it from the network (a clear sign they were becoming less desperate for music clips to air now that everyone was starting to make them). It wouldn't run on the network until 1991.

Cross-dressing had become fairly common in Rock & Roll by that point. The Rolling Stones, New York Dolls and David Bowie had all playfully donned women's clothing for album covers, live shows, videos and photo shoots. For some weird, unclear reason, Queen weren't allowed to indulge in that bit of cheeky humor — perhaps because Mercury was a rare "out" gay man in the public eye during a time when AIDS had so many people in a panic (Mercury told NME in 1974, "I am as gay as a daffodil, my dear." I'm assuming NME said back, "No shit.")

Straight or bi guys in drag were cool with MTV, apparently, but if the cross-dresser is gay … well, God forbid anyone in the U.S. be exposed to that.

Kind of odd to think of MTV playing moral watchdog given the tripe of reality-exploitation shows about teen moms and drunken boneheads that infest the channel. And they play videos by that transvestite Lady Gaga all the time. (Note: I've been informed that Lady Gaga is not a transvestite, but actually a woman. My apologies to Ms. Gaga, her fans and her family.)

Below is a cool, hour-long documentary on Queen from the BBC called Days of Our Lives. At about the 21 minute mark, the film addresses the "Break Free" controversy. Guitarist Brian May seems to believe the banning of the video by MTV killed Queen's chances of bigger success in the states during those latter years (he doesn't mention that the song was also not very good). 

Queen remains an important band to many Rock fans and musicians, their influence more evident in some of the music of today's younger artists' music than it has been for decades (think Foxy Shazam or My Chemical Romance).

The "Break Free" clip follows to doc. Weirdly, the version posted on the official Queen YouTube page is labeled as unsuitable for certain audiences and requires users to sign in to view it. Seems people are still incredibly afraid of a man in a leather dress, fake tits and giant hot pink earrings. (It sure didn't hurt Rudy Giuliani's career.)



Click on for Born This Day featuring Shatner, Stephanie Mills and Angelo Badalamenti.

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by Mildred C. Fallen 10.11.2012
Posted In: Local Music, Music News at 09:53 AM | Permalink | Comments (5)
 
 
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R.I.P. Skandal Da Ruckus Man

Remembering the late local Hip Hop champ Marcus Mitchell

EDITOR’S NOTE: Marcus Mitchell, aka local Hip Hop artist and inspiration Skandal Da Ruckus Man, passed away this week after a battle with leukemia. In tribute, here is an interview with Marcus from March 2005, written by CityBeat contributor Mildred C. Fallen, from our archives. Check next week’s issue of CityBeat for more remembrances of the fallen Cincinnati music supahero.

To dub Marcus D. Mitchell a “big man” doesn’t necessarily state the obvious. In some cultures, “big man” also translates as a local personality who speaks on behalf of his people, commences rituals and parleys with other “big men.” And facing foes, big men fight for honor.

In 2000, Mitchell, better known as Skandal (or Skandal Da Ruckus Man), flew to New York to freestyle on BET’s 106 and Park and contended with other unsigned MCs on HBO’s Blaze Battle. Today, the self-described juggernaut of Supapowers has been reincarnated as an industry ghost writer and producer after someone attempted to rob him of his ambition last spring.

While he was away, thieves carted away his studio equipment and masters. Although his property never resurfaced, he feels he knew the thief’s motive.

“Damn monkeys!” he declares, still affected. “Whoever stole it was doing it to get at me personally, because they didn’t touch anything else in the house, not even money. It was Easter Sunday, at that! Man, they know they goin’ to hell!”

Depressed and unable to produce tracks or record vocals, Skandal bounced back after supportive colleagues bartered their efforts.

“A lot of cats just saw the opportunity (to barter) and was like, ‘You ain’t got no equipment? Man, I been wantin' to do beats with you for years,’ ” he says.

Producers Fame and DJ Scott pitched in and donated many of the tracks heard on Vet Game, his first in a series of mixtape compilations to be distributed through the internet. Presented by Hall of Justice Entertainment and co-sponsored by Supapowers cohorts CJ the Cynic and Da Kid, Vet Game tongue-lashes antagonists, reprimands local radio and guides listeners of a tour of the Queen City, pointing out its idiosyncrasies.

Rounding out the compilation are appearances from Trina Holidai and Michelle Hollis, Piakan, Science, Donte (of Mood), Hi-Tek and J-Wiz.

“As far as the bangers, look for ‘Get Stole On’ and ‘Spell My Name Right,’ both produced by DJ Scott. ‘The Wrong Nigga’ talks about the break-in on Easter, when I was at Mom’s gate eating a plate,” he says. Thunderous vocals set violators straight as they detonate: “Y’all ain’t do nothin’ but put Skan/Back to ’96 with the hunger pangs.”

Reloading, “The Big Payback” unflinchingly fires direct hits at local black radio and venue promoters for lack of support. On the other hand, he shouts out Big Kap of New York’s influential station, Hot 97, for giving “For the Queen” 30 spins in a week, and says the exposure opened doors for him to sell songs to other artists, which subsidized his upcoming CD, Vigilante World.

“People don’t understand; you’ve got to invest in yourself before that big record deal comes,” he explains.

“For the Queen” traces Skandal’s roots back to Woodward High School “Bomb Show” performances and huddling in rhyme-ciphers against out-of-towners on Fountain Square.

“Before all the fightin’ and shootin’ started, we defended this city against all outsiders,” he says. “It was like something out of the movie Highlander.

“(Cincinnati) always had a beast,” he continues, naming warriors who fell into obscurity. “Regan used to be the most feared in a MC battle; he passed the torch to me and Clips (J-Wiz). Now Ill Poetic is the beast.”

“I used to really, really admire (Skandal),” says Ill Poetic, a solo artist and half of the duo Definition. He met Skandal following the Blaze Battle. “He was battling at Top Cat’s and I was amazed that Zone (the other half of Definition) knew him. He was just one of those people I kept hearing about.”

Although the HBO Blaze Battle episodes are available on DVD, Skandal laments, “Ain’t no honor in battling anymore, so now songwriting is where it’s at. There’s money in it. Cats who are known for their battle rep often aren’t known for making hit records.”

Skandal hopes his upcoming release, Vigilante World, will change that.

“I got the formula,” he says. “The problem is that nobody is rockin’ the (Hip Hop) heads and the streets at the same time. There’s nothing wrong with making good music that people who don’t make music can jam to.”

Having hosted local battles, he observes that today too many MCs lack originality and rely on trading insults to win battles.

“(There) was a time when you could murder ‘em with style,” he says. “Now, you only get response from the crowd when you say a punch-line, which is what I don’t like about battling anymore."

Skandal cites crowd-judged battles and MCs who deliver pre-written raps as the demise of the art form. He also emphasizes that styles differ from region to region.

“A lot of New York rappers spit written (verses) in battles and call it a ‘freestyle.’ And in the Midwest we call freestyling right off the top of the head,” he explains. “We used to listen to the New York style, not knowin’ they was spittin’ writtens in a freestyle, and we thought New York was just ‘cold wit’ it’ off the head.”

But since New York MCs assumed the precedent for battling, Skandal says he and his friends used New York as a benchmark in the beginning until they crafted their own niche.

Endearingly, he refers to his friends Supapowers as “stand-up guys I’d take a bullet for.” But of everyone, his mother is his best friend.

“She gives me an insight to things that you can only get from experience. I’m a true mama’s boy and if anybody got anything to say about it, come holla at me,” he says.

His weightiest ambition is to appeal to the female market and he’s slimming down because he feels that MCs like Notorious B.I.G., Big Punisher and Heavy D were merely lucky to be seen as sexy.

“They were rarities,” Skandal says. “When you’re fat, I don’t give a fuck, people are biased. I wanna have the whole package, not just the skills. I wanna have the whole market on lock.”

 
 
by Mike Breen 04.30.2013
 
 
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Friday 'Indie Summer' Concert Series Announced

Free Friday concerts return to Fountain Square starting May 31

The lineups for 2013's PNC Summer Music Series on Fountain Square — featuring live music from different genres for free throughout the summer — have been coming out gradually. We're happy to announce the lineup so far for the Friday night "Indie Summer" shows (presented by CityBeat and the MidPoint Music Festival).

Look for the rest of the finalized lineups — for American Roots Tuesdays, Reggae Wednesdays, Salsa Thursdays, Saturday's popular Beats night (with Hip Hop, Dance and Electronica) and the acoustic-music-meets-wine-tastings "Sunday in the Grove" — later this week. Washington Park in Over-the-Rhine is also again presenting regular music programming this year, with Jazz on Wednesday, Bluegrass and Roots music on Thursday and R&B/Soul/Hip Hop on Fridays, plus a new Tuesday night feature, Dance Under the Stars, featuring dance lessons in a variety of styles.

The bad news? The Indie Summer shows kick-off on May 31 with the final show by fantastic Cincinnati Indie Pop band Pomegranates. The good news? It will also be the first show by Healing Power, Pomegranates' new name. The opener will also serve as a "release party" for great local Indie crew The Yugos. Christian altrockers Seabird will also use their Indie Summer show to celebrate the release of a new album, the band's first independent release after a couple of albums on Credential Recordings/Universal Music Group. Northern Kentucky rockers Dept. Store Alligators will also put out their new release in conjunction with their Aug. 16 appearance with Belle Histoire.

Local restaurant/club chain 4EG will host "Happy Hour" parties on Fridays as well, featuring various local DJs and drink specials from 5-8 p.m.
Indie Summer concerts are open to fans of all ages and run from 8-11 p.m. all summer on the Square. Click here for details.

May 31: Pomegranates/Healing Power; The Yugos; The Never Setting Suns

June 7: We Were Promised Jetpacks; Tweens; Public

June 14: Seabird; Mike Mains & The Branches; TBA

June 21: Loudmouth; The Dopamines; The Lockland Brakes; BoyMeetsWorld

June 28: Psychodots; Cari Clara; The Ready Stance

July 5: Margot & the Nuclear So & So's and Matt Pond with Matrimony

July 12: Plumb; more TBA

July 19: Wussy; Queen City Radio; TBA

July 26: Brian Olive and Man Halen with The Tongue & Lips

Aug. 2: The Seedy Seeds with The Guitars and the student band from Mason's School of Rock

Aug. 9: Archers Paradox; (headliner to be announced on June 2)

Aug. 16: Belle Histoire; Dept. Store Alligators; TBA

Aug. 23: Drew Holcomb & the Neighbors; Green Light Morning; TBA

Aug. 30: Why? with Vito Emmanuel and TBA

 
 

 

 

 
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