On this day in 1984, Michael Jackson swept the 26th annual Grammy Awards, winning eight trophies, for everything from Record and Album of the Year ("Beat It" and Thriller) to Best Recording for Children (timeless children's classic, the E.T. the Extra-Terrestrial soundtrack). No doubt because of Jackson's presence, the telecast remains the most watched in history; Whitney Houston's death this year almost helped the Grammys break that record, but it still came up about four million viewers short of the 43.8 million who watched in 1984.
But there were other winners that night. Rounding out the "Big 4" categories: Sting won "Song of the Year" for writing The Police's "Every Breath You Take" and the coveted Best New Artist award went to Culture Club (which had scored three Top 10 singles off of its debut album in the U.S., the first band since The Beatles to do so).
Elsewhere, former Cincinnati Bengals defensive lineman Mike Reid won Best Country Song for writing "Stranger in My House" for Ronnie Milsap and the crappy movie Flashdance was all the rage, winning Irene Cara "Best Vocal Performance, Female" for "Flashdance (What A Feeling)" and Giorgio Moroder "Best Instrumental Composition" for "Love Theme from Flashdance", while the soundtrack won the awkwardly titled "Best Album of Original Score Written for a Motion Picture or a Television Special."
Best R&B Instrumental Performance went to Jazz legend Herbie Hancock's "Rockit," the first popular single to feature DJ scratching (by pioneering turntablist, GrandMixer D. St.) and the first time "Hip Hop" was accepted by the Grammy committee. It would be five years before the awards added a "Rap" category, though that year (1989), most nominees (including winners DJ Jazzy Jeff and the Fresh Prince) boycotted the ceremony because it was one of the awards not given out during the telecast.
Here's Hancock, his band and D. St. doing "Rockit" live:
Click the jump for Born This Day featuring Rolling Stones co-founder Brian Jones.
This date in music history is a sad one, marking the "gone too soon" deaths of several young musicians with a lot ahead of them.
• Guitarist Paul Kossoff was the cofounder of British Rock band Free with singer Paul Rodgers and bassist Andy Fraser. The band's 1970 Fire and Water album spawned the band's best-known song, "All Right Now," but the band split by the end of that year. They reformed in 1972 and put out two more albums before calling it quits for good. Kossoff did solo work, played with many other artists and formed a band called Back Street Crawler. The guitarist was in poor health in the years after Free, reportedly due to drug problems and frustration over the demise of his most successful musical project. Kossoff died on a flight from L.A. to New York in 1976 from heart problems. His father spent the rest of his life campaigning against the perils of drug abuse, even doing a touring one-man show about his son. Kossoff's headstone contains the epitaph, "All Right Now."
Kossoff was 25.
Click on for Born This Day featuring Bun B, Billy Sheehan, Ricky Wilson and Terry Hall:
On this day 18 years ago, Kurt Cobain decided he was done with life and ended it with a single shotgun blast to the head. While it's fun to play the "What if?" game with brilliant artists who died too soon — like, "Would John Lennon have followed Yoko's lead to become a Dance music superstar?" or "Would James Dean be doing stereotypical 'cool old guy' roles today if he was still around?" — it is, of course, a pointless exercise.
But crystal-ball wonderings of a person who actually knew the artist? That's at least a little more interesting. Spin has a piece this morning about the vague musings of Cobain's widow, musician/actress Courtney Love, in an interview a year ago with Mark Yarm, author of Everybody Loves Our Town: An Oral History of Grunge. Love told Yarm, "We'd probably live on the Upper West fuckin' Side now and have three fuckin' kids. We might even have a divorce, like both be on our third marriage. I don't fuckin' know. He might be a playwright, (or have) his latest show in MoMA." (Read more here and check out the links featuring other Cobain remembrances.)
I like to think the couple would have starred in a really bad Everybody Loves Raymond-type sitcom on CBS. But mostly I wish Cobain would have stuck it out. As they say a lot nowadays, "It gets better."
I was lucky enough to see Nirvana a couple of times before Kurt made that impossible — once at Shorty's, the tiny subterranean club on Short Vine in Corryville, with about 50 people in attendance and once at Dayton's Hara Arena (see: poster above) with … quite a bit more people in attendance. Both shows were memorable. I think I got kicked out of Shorty's because some guy wanted to stab me that night (long story). (Nirvana played a few times in our area in those get-in-the-van-and-go, pre-stardom days, including a show at Clifton Heights bar Murphy's Pub. They were scheduled to play with the great AmRep band The Cows at the Top Hat in Newport but their van allegedly broke down on their way. I remember it well ’cause this local band opened up.)
In Dayton (memorable in hindsight because Cobain would be dead within a year), Kurt thought former drummer Chad Channing (who lived in Ohio then) was in the audience. The band called for Channing to come up and play "School" with them, but he never showed. Turns out, he wasn't there.
The band did play "School" later in the set and dedicated it to Channing. Check out the audio below.
Click on for Born This Day featuring Peter Case, Pharrell and Joe Meek.
On this day in 1981, The Survivors Live, an album featuring Johnny Cash, Carl Perkins and Jerry Lee Lewis, was recorded in West Germany. The story goes that the three artists — who all started out together on the trailblazing Sun Records — were touring Europe at the same time and Lewis and Perkins joined Cash at a concert on their day off. The trio reportedly played the concert without rehearsing, performing several of each others well known tunes and covers like the finale, "I Saw the Light," a Hank Williams standard (listen below). The threesome were 3/4 of the "Million Dollar Quartet," named for a legendary recording session in 1956 that featured Perkins, Lewis, Cash and some fella named Elvis Presley (The Survivors name, obviously, a reference to Presley's absence; he died four years earlier).
The trio would get together one last time for a recording. The 1986 album Class of ’55 also featured Roy Orbison (who, coincidentally, would have turned 76 today).
Born This Day: Musical movers and shakers sharing an April 23 birthday include early Boogie Woogie piano pioneer "Cow Cow" Davenport (1894); Rock legend Roy Orbison (1936); violinist for the ’70s version of Prog aces King Crimson, David Cross (1949); musician/writer/producer (Whitney Houston, Mariah Carey, Aretha Franklin) Narada Michael Walden (1952); late, longtime Def Leppard guitarist Steve Clark (1960); stylish former bassist for Interpol, Carlos "D." Dengler (1974); and singer and guitarist for Icelandic Post Rock group Sigur Ros, Jónsi (1975).
Jónsi provides the bowed guitar and falsetto vocals for Sigur Ros (among other things), which has been an internationally acclaimed band for the past decade or so with their enrapturing, cinemascopic sound. The band's new album, Valtari, is due May 28 and, this July, Sigur Ros is embarking on a very brief North American tour.
If you are unable to make it to one of the nine North American dates announced thus far, this Friday you will be able to experience an artsy, quality approximation of the Sigur Ros live show right here in Cincy. Earlier this month, as part of the auxiliary programming related to its current Spectacle music video exhibition, downtown’s Contemporary Arts Center welcomed in award-winning singer/songwriter Feist and music video director Martin de Thurah for a special screening and talk. This Friday, the CAC welcomes another music video auteur, Vincent Morisset, who will present a screen of the widely acclaimed black-and-white Sigur Rós concert film titled Inni (Morisset also made the Sigur Rós flick Heima.)
The movie screens at 6:30 p.m., followed by a discussion with Morisset about the Sigur Rós projects, as well as his stunning music video work, including Arcade Fire’s riveting “interactive” video, “Sprawl II.” The screening and chat are free to attend with regular gallery admission ($7.50; free for members). Click here for more details.
Below, you can check out the trailer for Inni and also register to win a signed Inni poster (the drawing for the winner will be done at the screening). Just enter your email address below.
On this day in 1993, two blissfully ignorant adolescents named Beavis and Butt-Head became instant superstars when their Mike Judge-created TV series began its run on MTV. The episodes "Door to Door" and "Give Blood" were the first to air as a series (the notorious "Frog Baseball" and "Peace, Love and Understanding" shorts debuted on MTV's Liquid Television animation showcase).
Some might argue that Beavis and Butt-Head helped shift the direction of society towards the futuristic Dumpocalypse imagined in Judge's underrated live action flick, Idiocracy. I wouldn't go that far, but it certainly helped along the evolution of "snark," the prevailing attitude in so much modern internet journalism and commentary. Coming in at the dawn of the slackerly, often apathetic Alternative music "revolution," B&B echoed the "Whatever, butt-munch" attitude that thrives to this day. Snark is the language of the internet and we can thank Beavis and Butt-Head's dismissive "critiques" of artists, songs and music videos, at least partially, for helping to sink public discourse to that level.
That said, I love those dudes (as much as one can love fictional cartoon characters). The revival run on MTV, featuring new episodes, picked up right where the old series left off. Perhaps like all those old bands that reunite to capitalize on their growing posthumous fame, the freaky, geeky duo returned to the small screen to capitalize on their notoriety as kings of "Whatever."
Here's a short clip from the most recent season, as the boys stumble upon an abortion protest and get psyched to meet some of the "whores" that apparently hang out at abortion clinics. Rush Limbaugh would approve. Hey, maybe he can join their show when he gets cancelled? Beavis, Rush and Butt-Head has a nice ring to it. (Or would it just be Beavis and Two Butt-Heads?)
On this day in 1970, a Cincinnati native (whose "celebrity" we do not celebrate locally, Nick Lachey-style) released one of the few albums we will gladly tell you to seek out and download illegally, should you need to hear it. Lie: The Love and Terror Cult, the "debut album" from singer/songwriter/cult leader/convicted murderer Charles Manson, was recorded on Sept. 11, 1967, and released just months before the murder trial of Manson and his "family." A year after the album was released, four Manson Family members (including Manson) were sentenced to death (in 1972, the sentences were reduced to life in prison after California abolished the death penalty in that state).
The album's original pressing reportedly only sold 300 copies, but subsequent reissues (proceeds from which were given to the families of Manson's victims) kept the notorious cult leader's weirdly experimental, psychedelic Folk Rock songs alive for future generations of musicians to cover. Guns N' Roses were the biggest band to ever cover one of Manson's songs. The convicted killer was an aspiring Rock Star who had schmoozed his way into the SoCal music scene of the late ’60s, most notoriously befriending Beach Boys drummer Dennis Wilson (The Boys' reworked one of Manson's compositions on the 1969 album 20/20).
Other artists covering Manson over the years include Marilyn Manson (no relation) and wacky actor Crispin Glover.
Here's the song GNR recorded for its 1993 covers album The Spaghetti Incident?, "Look at Your Game, Girl."
Click on for Born This Day featuring Pink Floyd's David Gilmour and more …
On this day in 1987, the Beastie Boys' debut LP Licensed to Ill became the first Rap/Hip Hop album to reach No. 1 on the Billboard album charts. Though the band members today seem embarrassed by some of the ridiculousness evident all over the album (including, no doubt, the Wiffle Ball Bat-assisted sexual assault references), it could have been worse for the now-enlightened MCs, who originally wanted to title the record, Don't Be a Faggot. Columbia refused to release anything by that name so the group was eventually convinced to go with something a little less … dumb.
In 1999, Beastie Adam Horovitz wrote a letter to Time Out New York apologizing for their youthful indiscretions on that first album, saying he wanted to "formally apologize to the entire gay and lesbian community for the shitty and ignorant things we said on our first record. There are no excuses. But time has healed our stupidity. … We hope that you’ll accept this long overdue apology."
The Boys' still perform bits of Ill, but with some careful self-editing. Here they are doing "Brass Monkey" at Madison Square Garden a few years back.
But what we really wanna know is … when does Tom Carvel get his even-longer overdue apology?
Born This Day: Musical movers and shakers sharing a March 7 birthday include celebrated French composer Maurice Ravel (1875); legendary Jazz sideman and producer, late drummer Lee Young (1917); one of the greatest frontmen in Rock & Roll history, J. Geils Band's Peter Wolf (1946); the man who played one of the most recognizable organ solos in Rock on "Whiter Shade of Pale," Procol Harum's Matthew Fischer (1946); Pop/Dance music performer Taylor Dane (1962); singer/songwriter for Louisville based Hard Rock crew Tantric, Hugo Ferreira (1974); and multi-instrumentalist with Funk/R&B/Rock & Roll legends The Isley Brothers, Ernie Eisley (1952).
Ernie Eisley was born in Cincinnati 60 years ago and he joined his brothers' group when he was old enough, playing bass on the band's "comeback" hit, the funky "It's Your Thing," in 1969. His bros — led by Ronald Isley — were already hugely successful, selling a million copies of their 1959 single "Shout," not to mention "This Old Heart of Mine" and "Twist and Shout," which, of course, became one of the group's biggest songs thanks to a cover version by a little British band called The Beatles.
When Ernie teamed up with his brothers, they became more of a "band" than a "vocal group," and enjoyed a long string of hits for which Ernie was crucial (either as songwriter or player), including "Fight the Power," "Between the Sheets" and a reworked version of their older tune "That Lady," this time featuring an amazing Rock guitar lead from Ernie.
The group split in the ’80s — Ernie found success with Isley-Jasper-Isley, the group formed with brother Marvin and his brother-in-law — and joined forces again in 1991; littlest bro Marvin retired in 1997 (and passed away two years ago), leaving only Ernie and Ronald. In 2001, the Isleys hit the charts with "Contagious," which made them the only group to have a Top 100 hit in six decades in a row (from the ’50s-’00s). The Isleys were inducted in the Rock and Roll Hall of Fame — a no-brainer, really — in 1992. While Ronald embraced being embraced by contemporary R&B and Hip Hop artists from R. Kelly to Tupac Shakur (and spent some time in the jail for tax evasion in more recent years), Ernie retreated from the spotlight somewhat, working with community groups and schools in St. Louis, where he now lives. But he still hits the road from time to time with Ronald and has continued to work as a solo artist.
Ernie has also participated in the "Experience Hendrix" tribute tours of the past few years. It's fitting — Hendrix played guitar with the Isleys when Ernie was 11 years old, even living with the Isley family in New Jersey for a couple of years before becoming hugely successful on his own.
Here's a fantastic archival video from Soul Train featuring The Isleys performing "That Lady."
On this date last year, somebody paid $10,000 for a T-shirt. An Australian man purchased a 1979 Led Zeppelin concert T-shirt on eBay for that amount, making it the most expensive concert T-shirt ever sold. (Though I bet The Eagles got close on their various, outrageously-priced reunion tours in recent years.) The shirt appears to be a "back stage pass" from the concert.
After the sale, Denver weekly Westword posted a story on its blog counting down the next 10 most costly shirts purchased. From their research, they deemed a James Brown shirt with a bad caricature of the Godfather of Soul and the words "I'm Black and I'm Proud," an early Nirvana shirt featuring a parody of John Lennon's Two Virgin's album cover and a "Metal Up Your Ass" Metallica shirt as the next most rare, each going for $1,000.
Currently, the most costly concert shirts available on eBay are a 1976 Stones shirt (yours for $7,900), a 1973 Who concert "staff" shirt ($4,691.82), a different Zep shirt (from, I believe, the same concert as the one that cost 10 grand; $3,949.21) and a Johnny Thunders shirt from 1984 ($3,909.72).
Here are a couple of Ohio tunes written in honor of those crucial concert souvenirs. Early Hamilton, Ohio, Punk band ChemDyne and Columbus' Watershed both had songs called "Black Concert T-Shirt."
Born This Day: Musical movers and shakers sharing a May 11 birthday include legendary songwriter ("God Bless America," "White Christmas") Irving Berlin (1888); one of the greatest white Soul vocalists ever with The Animals, Eric Burdon (1941); drummer and founding member of The Allman Brothers Band, Butch Trucks (1947); producer and founding member of avant-garde Pop group the Art of Noise, Gary Langan (1956); original MTV VJ Martha Quinn (1959); and frontman for one of Cincinnati's all-time greatest Rock bands, The Afghan Whigs, Greg Dulli (1965).
Dulli — born and raised in Hamilton, Ohio — is currently gearing up to begin performing once again with his Whigsmates John Curley (still living, working and playing music in Cincinnati) and Rick McCollum (now living in Minneapolis). Tickets for the group's first show in 13 years — May 23 at the Bowery Ballroom in New York City — go on sale today at noon. According to the band's website, the fan pre-sale sold out and there are "a very limited number of tickets" left. The band will warm up for the show on May 22 with a performance on Late Night with Jimmy Fallon.
Will the Whigs merely do a reunion victory lap then go their separate ways again? It's unclear so far, but in interviews with Dulli, he seems very inspired playing with his old pals again. In terms of a possible new Whigs album, he told the website www.thisisfakediy.co.uk, "I am going to keep the book open and keep the possibility, all possibilities available. We're going to see what happens, and react to what happens, but right now it's wide open. Yes, maybe, maybe not, we'll see. I hate to be ambiguous, but in this particular case, I think it's best." (He also said re-issues of the band's back catalog are "definitely going to happen.")
Raise a glass and wish Mr. Dulli a happy 47th birthday. Here are a few clips of Dulli's extracurricular activities during his days with the Whigs to help you celebrate:
• In 1994, Dulli sang John Lennon's parts on the soundtrack to Backbeat, a film about early Beatles bassist Stuart Sutcliffe. On the soundtrack he was part of a band that included Thurston Moore (Sonic Youth), Mike Mills (R.E.M.), Dave Pirner (Soul Asylum) and Foo Fighter/ex-Nirvana drummer Dave Grohl. Here they are doing a song originally made a hit by Cincinnati-born music icons The Isley Brothers.
• Dulli teamed with Grohl again in 1995, playing guitar on his debut album, Foo Fighters. Grohl played all of the instruments on the album except for a guitar part on "X-Static," which Dulli provided.
In 1999, Dulli recorded a cover of "Dixie Peach Promenade (Yin for Yang)," a tribute to late Moby Grape member Skip Spence and his cult classic album, Oar.