Though Rock/Pop chartbusters Journey don't have the same frontman they did when ruling the airwaves in the ’70s/’80s, the band continues to draw big crowds whenever they tour. The band created some of the most well-known songs in modern music — "Don't Stop Believin" is the No. 1 iTunes download of all time, for example. Journey's summer tour for its 15th album, Eclipse, teams the band with fellow Arena Rock soldiers Night Ranger and Foreigner and comes to Riverbend this Wednesday. CityBeat had a chance to speak with the band’s drummer, Deen Castronovo, about touring, the new album, his love of KISS and some fond Coney Island experiences in Cincinnati.
Shinedown has been touring on its most recent album, Amaryllis, for the last two years and has just started its Carnival of Madness tour to complete touring on the record. It is the band's biggest, brightest and loudest tour yet. With each album, Shinedown's rocking sound shows bigger energy and different sides, as well as different looks.
CityBeat was able to catch up with bass player Eric
Bass to discuss life on tour and the close bond the band members have,
even after all these years. Shinedown will be tearing up the PNC
Pavilion at Riverbend on Saturday night on its Carnival of Madness tour
stop with Papa Roach, In This Moment and Skillet. (The concert is sold out.)
CityBeat: You guys have really been successful with the last couple albums. You have been on the Billboard charts for over two consecutive years. Did you ever expect that would happen?
Eric Bass: Did I ever expect it? I always hoped it would happen, I guess. You work really hard. We have this thing we say: "Keep your head down, stay humble and move forward." We are blown away by the success. To be honest with you, if you had told the 17-year-old me this was what was going to be happening, he’d be ecstatic. I can’t say that I expected it to happen. We wanted it to happen. We worked really hard for it. We are not surprised, I guess you could say, because of the hard work. It is a true blessing to be able to do what we do and have the success we have had.
CB: The band has been touring constantly. How do you make time to write new songs on the road?
EB: We actually don’t write on the road. We like to separate the two. We go home when we are done with this tour. We will lock ourselves away for a year and write as many songs as we can. Then, when we are done with that, we will go out and tour again and complete the process. We wrote “Diamond Eyes” on tour because it was for a movie soundtrack. That was the first experience we had with that. It worked out and everything went well with it. We work really hard when we are on tour. We are a go-go-go all day long band with interviews, meet and greets and that sort of thing. So there is really not a lot of time to get in and be creative like that. We prefer to separate the two and that creates the situation where each record is pretty different from the others because they are different times and you are not overlapping time periods. You are separating into blocks. It makes the records really interesting.
CB: I have photographed you on your last couple tours. Your shows have grown larger and larger with more pyro and turned into huge Rock shows. How did you guys prepare for Carnival of Madness?
EB: Well we started talking about it two or three months ago and we said, “It’s not going to be small.” That was the whole thing. We were going to make it as big as we could possibly make it. We are bringing our whole sound system with us. We are bringing our own lights. We are bringing our own pyro. We basically have carnival performers that are out with us. It is just a conscious, concerted effort to, every time, step your game up. We have sort of become known for that when we do these big headlining runs. We don’t want to disappoint anybody. People paid good money and want to see a great Rock show and that’s what they are going to get.
CB: You actually have carnival performers on stage with you?
EB: We actually do, yes. It’s going to be fun. I think everybody is going to really enjoy the show.
CB: The first show was this past weekend. How is it going so far?
EB: We are one down. We have the second one tonight. The first one was great. Internally, we found a couple things we could do differently, do a little bit better. We are definitely going to do that. The first show was great. The crowd was very receptive. It was awesome. I think tonight is going to be even better. Then the Cincinnati show, by that time, we will be well-oiled machines and veterans.
CB: Shinedown has a huge social media presence. Why is it important for you guys to stay connected to your fans in that way?
EB: Because the fans are the reason we get to do what we do. We never forget that. The fans are the boss, the most important thing. The fans buy the tickets, they buy the records. I have to say, and it’s going to sound cliché but it’s not meant to be, we have the best fans. Our fans are ridiculously loyal. We like to keep up with them. We actually know … you would be surprised how many fans we know. I’ll see fans at meet and greets that I will know from Twitter. We keep up with them and we know what’s going on. We like to hear what they have to say. They are going to let us know if something is not right. They will let us know if they don’t like something, if they like something. It’s a great tool to utilize as well. You get instant feedback on what you are doing.
CB: What are your hobbies outside of playing music all the time?
EB: It’s kind of funny. I say all my hobbies become my jobs. I produce records. I do a lot of songwriting. I engineer, mix records. A lot of my hobbies have become my job.
I am a golfer. I enjoy golf a lot. More recently, I have started building model airplanes. I needed a quiet hobby I can sit in my house and do. It is something I have found solace in. It may be a little geeky, a little nerdy, but it is fun.
CB: You actually co-wrote “I’ll Follow You” correct?
CB: I love that song. I know it is the new single and it is out, but what is the story behind the song?
EB: The story of the song is pretty interesting. The piano part I had for a couple years. I had been playing it in sound checks. We don’t write on the road, but if it’s something someone in the band hears, “Hey remember that. Record that.” We are pretty in tune with that sort of stuff.
We were out on our acoustic tour that we did on the end of our last record cycle with Will Hoge, a great singer-songwriter from Nashville. Nobody had really said anything about the piano thing I had, so I thought maybe it will be good for Will.
So I hit him up and said, 'On the next day off, I want to show you this piano piece I have got and we can write a song.' He gave me his number and said to give him a call. I gave him a call the day of, I called him like three times, never went to voicemail, never picked up.
The next day, I was like, “I called you three times.” He said, “It never came through. I don’t know what happened.” That day at soundcheck, Brent was like, “What’s that thing you are playing?” I was like, “Man, I have been playing it for three years.” He finally woke up to it. We actually had the recording that day at sound check kind of going through the song. Some of the lyrics are actually in there from that first time we ever played it through, he and I.
If you fast forward six months when we finally wrote it, finally sat down and wrote the song, it happened seamlessly. We wrote it in like two hours, the whole thing was done. Lyrically, it is about the person in your life who is your best friend, your spouse or your girlfriend, your boyfriend or someone really close to you, that person you will always be there for and they will always be there for you.
CB: The band took a different turn on the latest album, playing with the full orchestra. How did that concept come about?
EB: We talked about how Madness had a lot of string-sections stuff. We just talked while we were writing the record about how to make this record a little bigger and a little more grand. That was the first thing that came up, we need to do something with horns and full orchestra, rather than just string sections.
It was fun. It was a blast to be in there to watch that stuff be recorded, watching your vision come to life was amazing. There is very little that we do that is not a conscious decision. We kind of see what we want to do next. We were talking about our next record the other day on the bus. We will probably start working on that next year. We already kind of got an idea for it of what we want it to be. It is pretty phenomenal to have this type and level of instruments on something you have worked on. You pinch yourself every once in a while because it’s so cool.
CB: You guys have been together for some time. Are you all still friends? Do you still hang out?
EB: It’s pretty funny, we love each other so much. We all still ride the same bus even though we don’t have to. We, all four of us, camp out in the same place. We work out together every day. We eat together every day. We really are brothers. We have our moments of getting agitated with each other and angry with each other. There is something different that I don’t see in a lot of bands we travel with. There are some, but they are few and far between. You get a group of people that genuinely like each other and genuinely get along.
I can count on one hand the times I have been up in someone’s face in my band, that I have been that angry with someone. We just don’t get like that. We talk things out. If there is a problem, we sit down and we are very honest with each other. We don’t harbor any animosity toward each other for anything.
“I’ll Follow You” is out right now and is a song Brent and I wrote. Everybody in the band is happy as hell about that because it is doing well. “Bully” is a song Brent and Zach wrote, and I was happy as hell that was doing well. A lot of people get caught up in the unimportant stuff, like who makes more money or what’s going on with this or who’s more popular in the band. We don’t care about that stuff. It’s about the band, the entire group. We all really care about each other. We hang out when we aren’t on tour. It is really a blessing.
CB: It is amazing you guys spend so much time together and it is still like that. There aren’t many people I could spend 24 hours a day with?
EB: We see each other more than we see our wives and girlfriends and our families. We are married. We have to get along. There is no way around it. You can tell on stage. We smile at each other on stage. We joke around. We throw picks at each other. It’s genuine. It’s not an act. You can tell bands on stage that don’t like each other, and you can definitely tell bands on stage that do, and we are one of those bands that really like each other.
Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.
Motörhead are Metal gods. They’ve been rocking arenas and stadiums for 37 years and are currently out on the Mayhem Tour with Anthrax and other major acts of Heavy Metal and Hard Rock. They’ve released 21 albums and have played in front of millions across the world with the loyal support of their super-fans, the Motörheadbangers.
CityBeat spoke with guitar player Phil Campbell to preview their set today Riverbend. They spoke about how life in the band continues to thrive on the road after so many years and his impressive collection of guitars. Mayhem Fest will rock Cincinnati Tuesday and will also feature Anthrax, Slayer, Slipknot and The Devil Wears Prada.
CityBeat: What has been the craziest story from Mayhem so far for you guys?
Phil Campbell: We had a good party the other night. It was a costume party. All our band and crew went dressed pretty strange. There were quite a few strange costumes there. I think Lemmy and his assistant went as the Blues Brothers. I dressed as a clown. Mickey dressed as a frog. One of our crew dressed as Larry King. That was pretty good. It was a good party anyway. We are just too busy to get wild at the moment.
CB: You guys are famous for your pranks on the road. Have you played any pranks on any of the other bands yet?
PC: No not yet. We leave that for the end.
CB: What is the best and worst part of being out on the road now? You guys have been touring for 30 years.
PC: You are home for three weeks and then you are ready to come on the road for two months. You are dying get back home. We are not really complainers. One of the worst parts obviously is not having your family there, home comforts and your dogs and things like that. The food can be tough because you really don’t have much choice. That’s not particularly good. The best part is you don’t have to get up early in the morning anymore. We sleep in until really late so that’s very cool.
CB: What is your favorite guitar to play?
PC: My favorite guitar? I just bought a 1957 Les Paul a couple weeks ago so that is probably my favorite now.
CB: I know you have over 260. Do you rotate them in during the shows or do you pretty much stick with the same ones for the live performances?
PC: No I have about 12 on the road at any given time, so sometimes I rotate a couple. Some of the real amazing ones I don’t really want to take on the road. They are safer in different storage locations, but I have plenty to choose from.
CB: Any regrets through the years?
PC: No, not really, none. It has been pretty good. It has been a privilege to be able to play music for people who enjoy our music. No, no major regrets, no.
CB: Supergroups are very popular right now with bands like Chickenfoot and musicians doing side projects. If you could put together a dream supergroup who would you want to play with from any band?
PC: Elton John, Adam Jones from Tool, David Bato on the drums and Victor Wooten on bass.
CB: That’s pretty good. I know your children are also in bands. Have you thought about recording with them anytime in the future?
PC: Yeah, they are doing really good. I have some children in a band called Straight Lines. They have their second album out and they are doing lots of shows. They have great reviews in all the magazines and everything. Hopefully they will be doing the Warped Tour next summer. Another is in a band called Inside the Trees but they changed their name to The People’s Poet and they are recording their new album now, as we speak. It’s a quite different kind of music. They have their own sound as well. They are all doing really well.
CB: Do you ever play with them?
PC: I used to when they were younger but they won’t let me play anymore. I’m not good enough.
CB: They tell me you are a Lord. How did that process come about to become Lord Axesmith?
PC: I applied. The title goes back 500 years, Lord of Axesmith. It’s on my credit cards now and everything. I am an honorary member of the Knight’s Templar of Brittannia. It is a bit of fun when the crew has to call me “My Lord.”
CB: I was going to ask you what the best part is of being a Lord but that’s probably it, people have to address you as Lord.
PC: When we are at restaurants and they ask for the name of the party, if you say Lord Axesmith then you know they will give you a good table. Even before I became Lord Axesmith, I was told it did the trick.
CB: What can the fans look forward to from the Motörhead show in Cincinnati on Tuesday?
PC: Just another killer Motörhead show. It is only going to be about 50 minutes long because we have to have all the other bands on. So it will be loud and nobody will be disappointed.
Lightnin’ Malcolm is an emerging driving force in the genre of underground Blues as a member of the North Mississippi All-Stars and also as a solo artist. Alongside counterpart Carl Gentle White aka "Stud" on drums, the dichotomy of their two styles produces a rough, soulful sound that reminds folks of Blues legends like Lightnin' Hopkins and Howlin' Wolf. Audiences should be prepared to dance, party and delight in Malcolm’s deep Mississippi sounds tonight at the Southgate House Revival. Malcolm is opening for and playing alongside the North Mississippi All-Stars. Showtime is 8 p.m.
CityBeat: I know you have an album coming out on Sept. 10. Can you tell me a little bit about it?
Lightnin' Malcolm: Well, it is 14 original songs and they have quite a few different styles on them. It is all based on my style, which is based on the hard driving, raw boogie North Mississippi Hill Country style. It is mostly (the) guitar and drums duo but we add some horns on a few tracks. We have Luther Dickinson playing slide on a few songs. So it is a pretty good mix of stuff.
CB: I was listening to some of it this week. I love “My Life is a Wreck.” Can you tell me the story behind that song?
LM: Well, that is a semi-autobiographical piece. One of my greatest influences was T Model Ford and he recently passed and that song was based on a style he had on the guitar. His grandson Stud is playing drums with me now. That was the first song we did in the studio. That was his first song recording and I thought it was a great way to feature it. My music depends on a great drummer. Drums are so important to the music and he is one of the best. I have known Stud since he was like 1 years old. He grew up watching me play drums with his granddad. He knows the style of drums that I like, the raw, four on the floor, predator style, no messing around. Just raw and making people dance. By us knowing each other so long, he is like my little baby brother. We have this chemistry together that works so well.
CB: I watched some videos of you two playing together. It is super high energy and looks like a lot of fun.
LM: Yeah, that is the key to it all. We don’t have to hit a note exactly right or (do flashy) guitar solos. We just try to create as much … fun for the people as we can. We just want to see people party and have fun.
CB: How old were you when you picked up your first guitar?
LM: I was about 10 or 12. Before that, I really wanted to be a drummer. I used to beat on buckets and pots and pans, put the radio on and play along with them. I didn’t have any actual drums and I finally got a hold of a little piece of guitar. I didn’t know how to tune it or nothing, but I fell in love with the strings in my hand. It took a while to learn how to tune it because I didn’t have anybody around me to show me at that time. Once I learned how to tune it, I started learning pretty fast. It just became everything to me. I look at the guitar like some people look at The Bible. It is like a vehicle for something later. I leave Earth. I can go on a vacation in my backyard with a guitar. I can escape to a whole other world with it.
CB: I know you eventually moved to Mississippi after growing up in Missouri. How did you hook up with some of these great guitar and Blues players in Mississippi?
LM: I just made friends with them. They saw something special in me, I think. I wasn’t trying to blow them off stage. I didn’t ask them many questions, like how to do things. They noticed whatever they played, I could play back. They hadn’t seen too many white guys, or any guys, that could do that. So we just made friends. It was pretty easy. Those were the kind of guys I wanted to be around. They really took me in. They were really nice to me. They never said I wouldn’t be able to do it. There was everybody else saying, “You won’t be able to do it.” They were the guys saying, “You got it. Stick with it.”
CB: Alive or dead, what one person would you want to collaborate with if you could?
LM: That’s a good question. I think, you know what’s funny, there are a lot of people outside of the Blues I’d like to collaborate with nowadays. Of course, like, John Lee Hooker is one of my all time favorites, Howlin' Wolf, there are so many Blues guys. Out of living artists, I’ll tell you a guy I love right now, two guys I love, they are more like R&B. (One is an) artist named Lyfe Jennings, I don’t know if you’ve ever heard of him, he’s fucking awesome, he’s so sincere. Another guy is Anthony Hamilton who is a Soul singer. To me, even though their style is way different than mine, those are guys I really hear singing where I’m like, "Wow, they really hit the ceiling." You don’t hear it that much anymore. Everybody is using effects. You really don’t hear that wail in that voice. Otis Redding had that, you heard his voice and you just had to see him. You don’t hear anybody like that anymore. I know people wouldn’t expect that from me, but when I am riding down the highway listening to music, those are two guys I really listen to, that I look up to and would be great to collaborate with.
CB: That leads me into another question. There has been so much publicity recently around Pop music with Miley Cyrus and the VMAs. To me it shows how much more important it is to keep really authentic Blues music in front of people. What are your thoughts on that?
LM: I agree with that. I’m out here fighting the good fight doing what I can. It’s not always easy. People have to support what is going on. If people start throwing their money at garbage, you’re going to end up with a lot of garbage. I can’t speak for the next person but I can say this — there isn’t enough hours in the day to listen to great music. There is all the great music you can listen to. There is definitely no time for nonsense. I don’t waste time listening to stuff that sounds like garbage. That’s just me.
My drummer, Stud, he’s young. He was watching the awards the other night and I was laying on the couch trying to sleep. I didn’t miss much. The hours in the day are precious. I would use them wisely. You don’t have to listen to garbage. That’s about the best I can do. If anybody can make some money doing something, good for you, I don’t mean it the wrong way. If you ask me about serious music, there is great music out there being made. It is just underground. Maybe it is too real for people. I am not the expert on this type of thing, I just know what I like, I listen to what I like. Even when I was a kid in school, I was listening to way different music. I was listening to Lightnin' Hopkins and John Lee Hooker and would tell the other kids, “You have got to hear this. Check it out.” They just said, “Whatever.” I thought maybe when they grew up they would understand.
CB: What can the fans expect from you guys at the Southgate House Revival show?
LM: We are coming to rock y’all. We want y’all to come and have fun and dance and boogie. We want you to get in the groove and forget about everything in the outside world for a couple hours and get in the zone. We want to have a party for y’all. Being on stage can be the funnest thing in the world when it is going right. When it is going wrong, you just want to disappear. It is a funny thing. When it is right, it is right as a motherfucker.
Ted Nugent has been putting audiences in a stranglehold since he started touring nationally in 1967 with his crazy, energetic Rock & Roll. He's probably best known musically for giving us unbelievable, unstoppable guitar riffs, like the one featured in his smash hit “Cat Scratch Fever.” But he's probably more recently known best for his off-stage actions and antics. The outspoken Nugent is a confident free-spirit who prefers hunting wild game with big guns and lobbying for patriotism and his Second Amendment rights than blending into society's status quo.
Formed in 1978, Classic Punk band Social Distortion reached the height of its fame in the late ’80s and early ’90s. The band has seven studio albums beginning with its iconic Mommy’s Little Monster. Although there has been over a dozen ex-Social D members, the group — known as a touring juggernaut (sometimes at the expense of making new music) — has maintained a lineup that has been fairly consistent for the past decade.
CityBeat caught up with rhythm guitarist Jonny “2 Bags” Wickersham in anticipation of Social D's current tour. The group performs at Bogart’s on Saturday (Oct. 13) night and will surely wow fans new and old.
CityBeat: I know Mike (Ness) has said in the past we won’t have to wait seven or eight years for a new Social D record. Are you guys working on new music right now? How is that coming along?
Jonny Wickersham: In a perfect situation we would love to get a record out sooner than we have been putting them out. I don’t know that it looks like it will happen real soon. We have been really busy touring the last couple of years. As far as new material there are always new songs in the works. We will work on them at sound checks and rehearsals. When it comes time to get serious to put a record together, the songs that stick in our minds are the ones that are the best stuff and they typically make the record. We will finish it up. We will see. Conceivably we can get together and start really getting serious in the beginning of next year and have a record to follow shortly after that. It has to feel right. I have always felt it is a good thing not to rush records. I know that people like to see a record come out on a certain schedule with bands, but it is also good to evolve a little bit as people and as a band in between albums.
CB: You spend most of the time as a touring band on the road. Do you ever write down the tour stories or keep mementos from the tour to remember them all?
JW: I have never been a big journal keeper or anything like that. I don’t. Certain stories definitely do stick in your mind but not really.
CB: What current music or music you are listening to right now is currently inspiring you?
JW: You know what a really great record is, the new Hot Water Music Record, have you heard that?
JW: I have been listening to a lot of that in my car.
CB: Good driving music?
JW: Oh yeah. It is such a great album. It really is good. I also like the Drive By Truckers a lot. I don’t listen to a lot of new music to be honest. I listen to a lot of old Blues and stuff and old Rock N Roll.
CB: From your standpoint, what are the characteristics that make a good Social D song?
JW: I would have to say a good riff and a good lyric that is poppin'. You can’t go wrong with a good lyric. You can try to stretch that a bit, not just stay with our formula as a band. We have a different division of sounds with the band. We are not trying to re-invent sound in an extreme manner or anything but it is good to try to mix it up. I am hoping in the future, in the stuff coming up, we can do that and re-visit some of the earlier stuff.
CB: We are heading into a critical election year. Ohio is a crazy place to be during this whole thing. Do you guys have any political views or support for any of the candidates?
JW: Well, I am going to vote for Obama and hope for the best.
CB: What is the worst job you have ever had?
JW: I don’t know. I had a job at the Orange County jail once a long time ago. We had to cut the bunks down from three bunks to two and carry them all out to the loading dock and get them out of the jail. Any job where you are locked up is not a great job. I had so many jobs growing up. I started working in construction fields at a really young age because where I come from that is just what you did when you got to the age of going out to get a job, try to get a construction trade. I have also worked at Carl’s Jr. and Burger King as a teenager and neither one of those jobs lasted more than a couple weeks. I have worked as a stagehand. I have worked in an Art Department building sets for film production. Those are cool jobs. I really liked the Art Department work. Any job that anybody could have at this point is a good job is kind of how I feel. I definitely never want to think I am beyond any kind of work. You never know what is going to happen in life. There are times where being able to get any job is critical for you.
CB: Do you have any scars?
JW: I have a scar on my upper leg. When I was a little kid, me and a couple friends built this bicycle Motocross track on a dirt lot by our house in our neighborhood. We went out and worked really hard with shovels and built this really cool track and the enemy kids down the street, who were our nemesis, came over one day when we weren’t there and totally ruined our track, kicked in all our berms and jumps and trashed it. So we went down the street where they had built this really shitty tree fort that was like three stories tall off the ground into the tree. We went up there and we started hammering at it, we brought sledgehammers over and we started bashing in their tree fort. The stupid thing on our part was that we started on the bottom and climbed up to the next level and up to the next level. We were breaking this tree fort apart and we were way up at the top and the thing collapsed. I fell and my leg got clipped up on a nail. It ripped my leg open so I have a scar. I have a bunch of other scars too.
CB: What is the last thing you do before you go to sleep?
JW: Well it depends. Turn out the television if I have been watching the television. I don’t always watch TV at night. Sometimes I do. If I am on the bus on the tour, I listen to music on my iPod. The last thing I do is turn that on and I usually fall asleep listening to a record. Then I have to wake up and pull the headphones off and fall back asleep. If I’m reading a book, close the book and turn out the light. It can be one of many different things.
Stevie Nicks has truly enhanced and defined the role of women in Rock & Roll. She is the gold standard by which female lead singers in Rock bands will forever be measured against. The defining voice behind Fleetwood Mac since the mid ’70s, she has also been able to separate and create a wonderful solo career, recently releasing her seventh album, In Your Dreams, which launched with great success, debuting in the Top 10 of the Billboard album chart. Nicks is currently on the road to promote her latest record and she comes through Cincinnati on Saturday night for a show at Riverbend's PNC Pavilion. We caught up with Stevie via email this week to discuss her upcoming tour stop in Cincinnati, the inspirations for her new album and what a typical day looks like for an iconic Rock star.
Grace Potter and the Nocturnals' Blues- and Folk-tinged sound is a wake-up call to the shift in the music quality that is overtaking American Rock music right now. The band continues to promote its 2010 self-titled album, which has given them their biggest spike in popularity, in part due to hit single, “Paris (Ooh La La).” Her current Country collaboration with Kenny Chesney, “You and Tequila,” is also getting heavy radio play right now. CityBeat spoke with Potter to preview her appearance in Cincinnati Friday at PNC Pavilion.