Music Saturday: There's a clinic on modern Psych Rock music at the Southgate House as three disparate practitioners team up for a 9:30 p.m., all-ages show. Headliners The Black Angels touch on the Velvet Underground brand of psychedelia, with droning hypnotics, as well as later artists like Spacemen 3 and Jesus and Mary Chain. D.C.'s Dead Meadow have been working their brand of hard-rocking trippiness for the past 13 years, while L.A.'s Spindrift make soundtracks for desert vision quests, influenced by the likes of The Doors, Hawkwind and Electronic music pioneer, Bruce Haack. The band's cinematic sound has been used to soundtrack several film projects (including the Tarantino-produced Hell Ride), and, this spring, the group released Classic Soundtracks Volume 1, featuring 14 themes from various scores, which were made into short films by various directors, touching on everything from Bollywood to film noir (the films, music videos and trailers from the project have been screened to a national audience on the IFC network). Check out a few examples from Spindrift's soundtracks project below. Tickets for tonight's show are $18 at the door.
Music Tonight: Popular Detroit Psychobilly/Punkabilly/Powerbilly trio The Koffin Kats hot-rod it into Newport for a show at the Southgate House. While the band, which formed in 2003, has done the Psychobilly schtick, writing songs with Horror and Sci Fi themes, the Kats' more "real life" songs have always been around and, over the years, become more dominant in KK sets and on albums. That should be especially evident on the upcoming Our Way & The Highway, due in mid-January, which reflects what singer/bassist Zac Victor told CityBeat was a general move towards a "Bruce Springsteen approach more than a Dracula approach" and even more reflective of their broad musical influences. Read the entire interview with Victor at citybeat.com, then catch the band tonight at SGH with Dr. Bombay, The Returners, Vice Tricks and Switchblade Syndicate. Showtime is 9 p.m. Tickets are $10 ($13 for those ages 18-20). Below, check out the great, swoony track (anybody else hear some Smiths in there?) "The Bottle Called" from last year's "split album" with 12 Step Rebels called From Our Hands to Yours (it will also be on the new album).
Music Tonight: Hailing from the same Tulsa, Okla., suburb (Broken Arrow) as singer/actress Kristin Chenoweth, Saturday Night Live comedian (and South Park writer) Bill Hader and Hall of Fame baseball pitcher Warren Spahn, singer/songwriter JD McPherson's upbringing found him youthfully exploring the music of Nirvana and The Stooges right alongside Carl Perkins and Buddy Holly, a signal of things to come. Today, McPherson (now based in the Chicago area) is making a name for himself with songs that reflect the influence of Rock & Roll's breakout period. McPherson performs tonight at MOTR Pub in Over-the-Rhine. The free show also features an appearance by like-minded locals (although with a bit more of a Honky Tonk stride) Straw Boss. Showtime is 9 p.m. Check out this potential Northside anthem, "North Side Gal," and dig McPherson's incredibly soulful and authentic ’50s vibe:
Up-and-coming underground rapper Chris Webby performs tonight at downtown club Play. Doors open at 7 p.m. and tickets are $20 at the door. The show is open to all ages. Guests include GMB, Nynewest and hosts DJ Scholar and DJ Drowsy.
Webby is a Connecticut native (he has it tattooed on his chest; I'd move to Ohio if I were going to do that) who started rapping before high school and began to draw crowds at freestyle battles and with his popular mixtapes releases. Webby's built huge buzz in independent Hip Hop circles and has so far resisted signing a record deal. Click here to check out his mixtapes and other releases.
Webby recently tweeted that he's just recently boarded his plane to Cincy. "PLAY in Cincinnati is about to get real weird tonight," he added.
• Utah rockers The Used blast into Bogart's tonight. The 7:30 p.m. show is all ages and includes openers Stars In Stereo. Tickets are $25.
The Used's energized Post Hardcore style is sparked by vocalist Bert McCracken, whose stage antics are an unpredictable throwback to Rock & Roll's more dangerous frontmen (Iggy, etc.). The Used's latest album, Vulnerable, came out earlier this spring on Hopeless Records. The album hit No. 1 on the Top Independent Albums chart when released and made it to No. 8 on the Billboard 200.
Here's the video for The Used's single "I Come Alive."
• The song of legendary drummer Ginger Baker, Kofi, is bringing his Cream tribute band to Covington tonight for an 8 p.m., all-ages show at the Madison Theater. Kofi Baker formed Kofi Baker's Cream Experience after catching the Cream reunion in 2005 and deciding he'd like to pick up where the originals left off. In the Clapton role is Tony Spinner, a Rock/Blues singer and guitarist who was a member of Toto in the ’00s. Playing bass is another talented musician, Ric Fierabracci, who has performed with the likes of Chick Corea, Shakira and Yanni.
Kofi made his first live appearance when he was 6, playing with his pops on BBC's Old Grey Whistle Test in 1975. Here he is rocking with the Cream Experience in more recent years.
• MOTR Pub in Over-the-Rhine has a free show tonight headlined by Canadian Electro Pop group Parallels. Showtime is 10 p.m. and like-minded locals Skeleton Hands also perform.
Parallels has drawn comparisons to New Order and singer Holly Dodson has been likened to singer Kate Bush and Madonna. The band was formed in 2008 by Dodson and Cameron Findlay, the former drummers for popular electronicists Crystal Castles.
Parallels sophomore full-length, XII, is due out June 26. Here's a clip for the band's song "Ultralight."
Click her for more music events around town tonight.
Music Saturday: This weeks' CityBeat cover stars The Kentucky Struts have reached the end of their yearlong recording/art project, The Year of the Horse. After releasing one track online from the album each month in 2011, as well as showcasing a corresponding, horse-themed piece of art commissioned to accompany the song, the Roots/Country/Rock band will have copies of the full release available at Saturday's release party at Newport's Southgate House. The visual artists featured on the project are a mix of local and national artists, including Joshua Black Wilkins (also an acclaimed singer/songwriter), Rob Warnick, Karen Heyl, Matthew Shleton and Julie Hill. Some proceeds from the release show (featuring openers The Sundresses), as well as profits from prints of the artwork, will be donated to the Kentucky-based horse rescue organization, Speak Up For Horses. Click here and here for more on the project (and to look at some of the amazing art pieces). Below, take a gander at the pre-launch video, which explains the ambitious venture.
Younger local musicians and the music fans who love them might find it hard to fathom, but once upon a time, Cincinnati’s corporate Rock radio juggernaut WEBN was one of local music’s biggest allies, a wild, wooly and eclectic FM outlet as open-ended and freeform as any internet radio station or podcast. In the ’70s and ’80s, before inflexible, homogenized playlists made it impossible for even major label Cincy bands like The Afghan Whigs to get spins, the annual WEBN Album Project compilations gave major exposure to local and regional artists. Saturday at the Madison Theater, the WEBN Album Project Reunion Show flashes back to that era. In this week’s CityBeat, Brian Baker caught up with one of Cincinnati’s most popular bands ever (and an early Album Project participant), The Raisins, whose seminal lineup is reuniting for Saturday’s event, joining several other AP alumni. Brian also caught up with some of the other participating musicians to discuss the Album Project’s legacy. Below are their thoughts, as well as some vintage video clips from the era.
The Cincinnati-born, Brooklyn-based members of Indie Rock sensations The National recently announced details about their first new album since 2010's High Violet, Trouble WIll Find Me. The album is due in the U.S. on May 21 on the 4AD label. (Click here for the album cover, track listing and more National news.)
Today, The National unleashed the first song from Trouble, the warm, crawling "Demons." Check the tune and a video for it below.
UPDATE: Today (April 11), The National released audio of the first single from Trouble Will Find Me, "Don't Swallow the Cap." Check it out:
The National perform a homecoming show on July 14, headlining the final night of the three-day Bunbury Music Festival at Sawyer Point Park. For tickets and more info, click here.
Music Tonight: Tonight’s the last time you’ll be able to catch Cincinnati-based trio The Rubber Knife Gang in town for a while. But it’s not for any kind of hiatus — no rehab or plastic surgery or whatever it is bands do on such breaks. Quite the opposite. It’s because the band is jumping on a plane in a few weeks and heading overseas to spread RKG’s soulful Americana/Roots/Bluegrass sound. Tonight, the Gang joins Nashville’s Grace Adele and the Grand Band for a free, 10 p.m. show at MOTR Pub. The two acts reteam for a Columbus show this weekend, then RKG hops on a plane for Belgium, where the threesome will play two weeks’ worth of dates through mid-September (with a few shows in Germany and the Netherlands sprinkled in).
Recently, local singer/songwriter Maurice Mattei and his band, The Tempers, celebrated the release of a live album recorded last December at a Christmas show at Covington's Madison Theater. While The Tempers Christmas Show does include a few holiday classics (Lieber & Stoller's "Santa Claus is Back in Town" and Chuck Berry's "Run Rudolph Run"), the bulk of songs are Mattei originals and not exactly of the "Christmas" variety. (Listen to the whole release here.) Still, it's a great release, as the band takes advantage of the live-recording format — the songs exude a palpable, occasionally Punk-like energy. Check out one of those non-holiday tracks, "Made a Mess of It," in music video form below. (Maybe the "Vixen" in the line "Listen to the vixen in the ol' hoosegow/Funny that's the only kinda milk cow" is "Vixen" from Santa's slave-reindeer team?)
The song — which originally appeared on the release The Tempers Perform The Best of Maurice Mattei Volume 3 — was made into a video by Dave Miller from Southern Californian design/illustration company Deluxerider, who has done several clips for Mattei songs, including the Chuck Berry X-mas tune (posted below, as well).
Tonight, the Venue Formerly Known As The Southgate House hosts its first big show. The Thompson House — as it's now called after a family dispute went to court and resulted in the longtime operators getting the boot and the owners of faux-strip club the Brass Ass taking over — opens its doors tonight to the public for a 7 p.m. concert headlined by modern Ska/Reggae revivalists The Aggrolites.
A recent Enquirer story about the "new" venue drew an avalanche of comments, the vast majority of which suggested that those who were fans of the Southgate House despise the look and direction of the Thompson House, with its purple decor and Rock star murals. Check out this pic from the Thompson House's website:
But the new venue's origins and the relative abruptness of the closing of the Southgate House is angering people more than the color scheme. The wall colors are just purple icing on the cake, so to speak.
The Thompson House has been developing a schedule that seems to be attempting to mimic the eclectic nature of the old Southgate House — a little Jazz, some open mic stuff, a Hard Rock band, some Metal, some Country. Often, the Southgate House's eclectic nature harvested a following whose tastes crossed over. And as diverse as the bookings were, rarely were there shows at the old club that made you go, "Why would they bring THAT show to the Southgate." For much of its run, whoever was booking the Southgate House seemed to have good and, more importantly, consistent taste in a wide-range of music. They wouldn't just book a random Country band; they'd book an interesting, great or unusual one.
The Thompson House bookings so far seem like they will be able to attract a varied audience. But can the people who, say, go to the Blue Wisp Jazz Club every couple of weeks and will probably enjoy the local Jazz lineup at the venue feel at home going to the same club as the younger music lovers who used to hang out at The Mad Hatter (or its current occupier, Bangarang's of Covington) to watch Hardcore and Death Metal bands? We'll see.
I have clubs that I like to go to more than others, but I have never gone to a concert because of where it was being held. And I've never not gone to see a concert at a venue I don't feel as comfortable. But I would be less inclined to frequent a venue if I have a bad experience and I'd be less likely to just roll the dice and take a chance on a show at a venue in which I don't feel comfortable.
I understand the passion of the Southgate lovers who insist they'll never set foot in the Thompson House, but if a band comes to town that you'd like to see, or your favorite local artist is performing in the "Rock Star Lounge" some night, you'll be hurting those artists as much as the new owners. Over the years, I've had club owners or promoters be dicks to me and occasionally have reached the point of anger where I momentarily think, "Screw them, I'll never write about one of their shows again." But it passes quickly. I've never "blacklisted" a club or promoter, no matter how big of an a-hole their employees are, because I've always felt that it would be unfair to both the musicians that work with them and the music fans who would like to know about the concerts they're promoting.
Like I said, I can totally understand the urge to boycott — I haven't stepped inside Clifton movie theater The Esquire since they "banned" CityBeat and its film critic from the theater after we reported how the operators had censored a raunchy part of a film without permission and without informing the audience of the edit. It's just one of those "principled" stands we all take and whether they are "rational" or not is relative and personal. (I'll admit that not going to the Party Source for several years after a manager was a jerk to me there was a little silly … but it made me feel a little better.)
Perhaps the hope is that if all these people who say they'll never go to the Thompson House actually don't, the club won't survive. But, from the bookings so far, a big chunk of the Southgate House's old clientele would never have been interested in the Thompson House bookings anyway. And if the Thompson House fails, someone might just come in and turn it into a Toby Keith's I Love This Bar and Grill.
Me? I'm leaving the door open. I won't be there tonight, though I am a fan of The Aggrolites (and local openers The Ohms and The Newport Secret 6 are excellent, as well). I just have other plans. But, out of sheer curiosity alone, I will step foot in the Thompson House. And when there's music there I want to check out, I'll step foot it in it again and again. I miss the old Southgate House as much as anyone and I really appreciate the efforts of the previous owners, but I'm not going to deprive myself of a good concert experience. I mean, I never stopped going to Bogart's, even when it was the source of some of the worst concert experiences I've ever had.
Although when the Thompson House starts hosting the "Thompson House-produced country (music) revue show, 'Through the Years,' " as the Enquirer reported, I'll probably pass. I'm loyal to Kings Island when it comes to cheesy musical revue numbers.
Tickets for tonight's show are $13. You can buy them here and pick them up at Will Call (or buy them at the door). Click here to see who else is performing at the Thompson House, as well as some of the specialty nights.