Though Rock/Pop chartbusters Journey don't have the same frontman they did when ruling the airwaves in the ’70s/’80s, the band continues to draw big crowds whenever they tour. The band created some of the most well-known songs in modern music — "Don't Stop Believin" is the No. 1 iTunes download of all time, for example. Journey's summer tour for its 15th album, Eclipse, teams the band with fellow Arena Rock soldiers Night Ranger and Foreigner and comes to Riverbend this Wednesday. CityBeat had a chance to speak with the band’s drummer, Deen Castronovo, about touring, the new album, his love of KISS and some fond Coney Island experiences in Cincinnati.
Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.
Motörhead are Metal gods. They’ve been rocking arenas and stadiums for 37 years and are currently out on the Mayhem Tour with Anthrax and other major acts of Heavy Metal and Hard Rock. They’ve released 21 albums and have played in front of millions across the world with the loyal support of their super-fans, the Motörheadbangers.
CityBeat spoke with guitar player Phil Campbell to preview their set today Riverbend. They spoke about how life in the band continues to thrive on the road after so many years and his impressive collection of guitars. Mayhem Fest will rock Cincinnati Tuesday and will also feature Anthrax, Slayer, Slipknot and The Devil Wears Prada.
CityBeat: What has been the craziest story from Mayhem so far for you guys?
Phil Campbell: We had a good party the other night. It was a costume party. All our band and crew went dressed pretty strange. There were quite a few strange costumes there. I think Lemmy and his assistant went as the Blues Brothers. I dressed as a clown. Mickey dressed as a frog. One of our crew dressed as Larry King. That was pretty good. It was a good party anyway. We are just too busy to get wild at the moment.
CB: You guys are famous for your pranks on the road. Have you played any pranks on any of the other bands yet?
PC: No not yet. We leave that for the end.
CB: What is the best and worst part of being out on the road now? You guys have been touring for 30 years.
PC: You are home for three weeks and then you are ready to come on the road for two months. You are dying get back home. We are not really complainers. One of the worst parts obviously is not having your family there, home comforts and your dogs and things like that. The food can be tough because you really don’t have much choice. That’s not particularly good. The best part is you don’t have to get up early in the morning anymore. We sleep in until really late so that’s very cool.
CB: What is your favorite guitar to play?
PC: My favorite guitar? I just bought a 1957 Les Paul a couple weeks ago so that is probably my favorite now.
CB: I know you have over 260. Do you rotate them in during the shows or do you pretty much stick with the same ones for the live performances?
PC: No I have about 12 on the road at any given time, so sometimes I rotate a couple. Some of the real amazing ones I don’t really want to take on the road. They are safer in different storage locations, but I have plenty to choose from.
CB: Any regrets through the years?
PC: No, not really, none. It has been pretty good. It has been a privilege to be able to play music for people who enjoy our music. No, no major regrets, no.
CB: Supergroups are very popular right now with bands like Chickenfoot and musicians doing side projects. If you could put together a dream supergroup who would you want to play with from any band?
PC: Elton John, Adam Jones from Tool, David Bato on the drums and Victor Wooten on bass.
CB: That’s pretty good. I know your children are also in bands. Have you thought about recording with them anytime in the future?
PC: Yeah, they are doing really good. I have some children in a band called Straight Lines. They have their second album out and they are doing lots of shows. They have great reviews in all the magazines and everything. Hopefully they will be doing the Warped Tour next summer. Another is in a band called Inside the Trees but they changed their name to The People’s Poet and they are recording their new album now, as we speak. It’s a quite different kind of music. They have their own sound as well. They are all doing really well.
CB: Do you ever play with them?
PC: I used to when they were younger but they won’t let me play anymore. I’m not good enough.
CB: They tell me you are a Lord. How did that process come about to become Lord Axesmith?
PC: I applied. The title goes back 500 years, Lord of Axesmith. It’s on my credit cards now and everything. I am an honorary member of the Knight’s Templar of Brittannia. It is a bit of fun when the crew has to call me “My Lord.”
CB: I was going to ask you what the best part is of being a Lord but that’s probably it, people have to address you as Lord.
PC: When we are at restaurants and they ask for the name of the party, if you say Lord Axesmith then you know they will give you a good table. Even before I became Lord Axesmith, I was told it did the trick.
CB: What can the fans look forward to from the Motörhead show in Cincinnati on Tuesday?
PC: Just another killer Motörhead show. It is only going to be about 50 minutes long because we have to have all the other bands on. So it will be loud and nobody will be disappointed.
Ted Nugent has been putting audiences in a stranglehold since he started touring nationally in 1967 with his crazy, energetic Rock & Roll. He's probably best known musically for giving us unbelievable, unstoppable guitar riffs, like the one featured in his smash hit “Cat Scratch Fever.” But he's probably more recently known best for his off-stage actions and antics. The outspoken Nugent is a confident free-spirit who prefers hunting wild game with big guns and lobbying for patriotism and his Second Amendment rights than blending into society's status quo.
Stevie Nicks has truly enhanced and defined the role of women in Rock & Roll. She is the gold standard by which female lead singers in Rock bands will forever be measured against. The defining voice behind Fleetwood Mac since the mid ’70s, she has also been able to separate and create a wonderful solo career, recently releasing her seventh album, In Your Dreams, which launched with great success, debuting in the Top 10 of the Billboard album chart. Nicks is currently on the road to promote her latest record and she comes through Cincinnati on Saturday night for a show at Riverbend's PNC Pavilion. We caught up with Stevie via email this week to discuss her upcoming tour stop in Cincinnati, the inspirations for her new album and what a typical day looks like for an iconic Rock star.
Shinedown has been touring on its most recent album, Amaryllis, for the last two years and has just started its Carnival of Madness tour to complete touring on the record. It is the band's biggest, brightest and loudest tour yet. With each album, Shinedown's rocking sound shows bigger energy and different sides, as well as different looks.
CityBeat was able to catch up with bass player Eric
Bass to discuss life on tour and the close bond the band members have,
even after all these years. Shinedown will be tearing up the PNC
Pavilion at Riverbend on Saturday night on its Carnival of Madness tour
stop with Papa Roach, In This Moment and Skillet. (The concert is sold out.)
CityBeat: You guys have really been successful with the last couple albums. You have been on the Billboard charts for over two consecutive years. Did you ever expect that would happen?
Eric Bass: Did I ever expect it? I always hoped it would happen, I guess. You work really hard. We have this thing we say: "Keep your head down, stay humble and move forward." We are blown away by the success. To be honest with you, if you had told the 17-year-old me this was what was going to be happening, he’d be ecstatic. I can’t say that I expected it to happen. We wanted it to happen. We worked really hard for it. We are not surprised, I guess you could say, because of the hard work. It is a true blessing to be able to do what we do and have the success we have had.
CB: The band has been touring constantly. How do you make time to write new songs on the road?
EB: We actually don’t write on the road. We like to separate the two. We go home when we are done with this tour. We will lock ourselves away for a year and write as many songs as we can. Then, when we are done with that, we will go out and tour again and complete the process. We wrote “Diamond Eyes” on tour because it was for a movie soundtrack. That was the first experience we had with that. It worked out and everything went well with it. We work really hard when we are on tour. We are a go-go-go all day long band with interviews, meet and greets and that sort of thing. So there is really not a lot of time to get in and be creative like that. We prefer to separate the two and that creates the situation where each record is pretty different from the others because they are different times and you are not overlapping time periods. You are separating into blocks. It makes the records really interesting.
CB: I have photographed you on your last couple tours. Your shows have grown larger and larger with more pyro and turned into huge Rock shows. How did you guys prepare for Carnival of Madness?
EB: Well we started talking about it two or three months ago and we said, “It’s not going to be small.” That was the whole thing. We were going to make it as big as we could possibly make it. We are bringing our whole sound system with us. We are bringing our own lights. We are bringing our own pyro. We basically have carnival performers that are out with us. It is just a conscious, concerted effort to, every time, step your game up. We have sort of become known for that when we do these big headlining runs. We don’t want to disappoint anybody. People paid good money and want to see a great Rock show and that’s what they are going to get.
CB: You actually have carnival performers on stage with you?
EB: We actually do, yes. It’s going to be fun. I think everybody is going to really enjoy the show.
CB: The first show was this past weekend. How is it going so far?
EB: We are one down. We have the second one tonight. The first one was great. Internally, we found a couple things we could do differently, do a little bit better. We are definitely going to do that. The first show was great. The crowd was very receptive. It was awesome. I think tonight is going to be even better. Then the Cincinnati show, by that time, we will be well-oiled machines and veterans.
CB: Shinedown has a huge social media presence. Why is it important for you guys to stay connected to your fans in that way?
EB: Because the fans are the reason we get to do what we do. We never forget that. The fans are the boss, the most important thing. The fans buy the tickets, they buy the records. I have to say, and it’s going to sound cliché but it’s not meant to be, we have the best fans. Our fans are ridiculously loyal. We like to keep up with them. We actually know … you would be surprised how many fans we know. I’ll see fans at meet and greets that I will know from Twitter. We keep up with them and we know what’s going on. We like to hear what they have to say. They are going to let us know if something is not right. They will let us know if they don’t like something, if they like something. It’s a great tool to utilize as well. You get instant feedback on what you are doing.
CB: What are your hobbies outside of playing music all the time?
EB: It’s kind of funny. I say all my hobbies become my jobs. I produce records. I do a lot of songwriting. I engineer, mix records. A lot of my hobbies have become my job.
I am a golfer. I enjoy golf a lot. More recently, I have started building model airplanes. I needed a quiet hobby I can sit in my house and do. It is something I have found solace in. It may be a little geeky, a little nerdy, but it is fun.
CB: You actually co-wrote “I’ll Follow You” correct?
CB: I love that song. I know it is the new single and it is out, but what is the story behind the song?
EB: The story of the song is pretty interesting. The piano part I had for a couple years. I had been playing it in sound checks. We don’t write on the road, but if it’s something someone in the band hears, “Hey remember that. Record that.” We are pretty in tune with that sort of stuff.
We were out on our acoustic tour that we did on the end of our last record cycle with Will Hoge, a great singer-songwriter from Nashville. Nobody had really said anything about the piano thing I had, so I thought maybe it will be good for Will.
So I hit him up and said, 'On the next day off, I want to show you this piano piece I have got and we can write a song.' He gave me his number and said to give him a call. I gave him a call the day of, I called him like three times, never went to voicemail, never picked up.
The next day, I was like, “I called you three times.” He said, “It never came through. I don’t know what happened.” That day at soundcheck, Brent was like, “What’s that thing you are playing?” I was like, “Man, I have been playing it for three years.” He finally woke up to it. We actually had the recording that day at sound check kind of going through the song. Some of the lyrics are actually in there from that first time we ever played it through, he and I.
If you fast forward six months when we finally wrote it, finally sat down and wrote the song, it happened seamlessly. We wrote it in like two hours, the whole thing was done. Lyrically, it is about the person in your life who is your best friend, your spouse or your girlfriend, your boyfriend or someone really close to you, that person you will always be there for and they will always be there for you.
CB: The band took a different turn on the latest album, playing with the full orchestra. How did that concept come about?
EB: We talked about how Madness had a lot of string-sections stuff. We just talked while we were writing the record about how to make this record a little bigger and a little more grand. That was the first thing that came up, we need to do something with horns and full orchestra, rather than just string sections.
It was fun. It was a blast to be in there to watch that stuff be recorded, watching your vision come to life was amazing. There is very little that we do that is not a conscious decision. We kind of see what we want to do next. We were talking about our next record the other day on the bus. We will probably start working on that next year. We already kind of got an idea for it of what we want it to be. It is pretty phenomenal to have this type and level of instruments on something you have worked on. You pinch yourself every once in a while because it’s so cool.
CB: You guys have been together for some time. Are you all still friends? Do you still hang out?
EB: It’s pretty funny, we love each other so much. We all still ride the same bus even though we don’t have to. We, all four of us, camp out in the same place. We work out together every day. We eat together every day. We really are brothers. We have our moments of getting agitated with each other and angry with each other. There is something different that I don’t see in a lot of bands we travel with. There are some, but they are few and far between. You get a group of people that genuinely like each other and genuinely get along.
I can count on one hand the times I have been up in someone’s face in my band, that I have been that angry with someone. We just don’t get like that. We talk things out. If there is a problem, we sit down and we are very honest with each other. We don’t harbor any animosity toward each other for anything.
“I’ll Follow You” is out right now and is a song Brent and I wrote. Everybody in the band is happy as hell about that because it is doing well. “Bully” is a song Brent and Zach wrote, and I was happy as hell that was doing well. A lot of people get caught up in the unimportant stuff, like who makes more money or what’s going on with this or who’s more popular in the band. We don’t care about that stuff. It’s about the band, the entire group. We all really care about each other. We hang out when we aren’t on tour. It is really a blessing.
CB: It is amazing you guys spend so much time together and it is still like that. There aren’t many people I could spend 24 hours a day with?
EB: We see each other more than we see our wives and girlfriends and our families. We are married. We have to get along. There is no way around it. You can tell on stage. We smile at each other on stage. We joke around. We throw picks at each other. It’s genuine. It’s not an act. You can tell bands on stage that don’t like each other, and you can definitely tell bands on stage that do, and we are one of those bands that really like each other.
Grace Potter and the Nocturnals' Blues- and Folk-tinged sound is a wake-up call to the shift in the music quality that is overtaking American Rock music right now. The band continues to promote its 2010 self-titled album, which has given them their biggest spike in popularity, in part due to hit single, “Paris (Ooh La La).” Her current Country collaboration with Kenny Chesney, “You and Tequila,” is also getting heavy radio play right now. CityBeat spoke with Potter to preview her appearance in Cincinnati Friday at PNC Pavilion.
Anthrax has shaped the heavy metal movement in America. The band recently released its 10th studio album, Worship Music, which brings back the band’s early sound with the re-emergence of lead vocalist Joey Belladonna. I love heavy metal guitars, so it was a privilege to speak to one of the all time metal guitar greats, Scott Ian, to preview their performance at Mayhem Fest Tuesday at Riverbend Music Center.
CityBeat caught up with Ian to discuss the highlights of Mayhem so far and how being a father has changed his perspective on life and music.
CityBeat: What has been the highlight of Mayhem Fest so far for you?
Scott Ian: For me personally it is just the overall vibe. This is the first time we have done a U.S. festival traveling tour in the summer. We kind of knew what to expect since we are friends with Slayer, Slipknot and Motorhead, but it has been so much fun to hang with our friends. The crew and everyone who works with Mayhem have been great and it really is a big family vibe out here. It is a really great place to show up for work.
CB: What has it been like having Joey back the past few tours with the band?
SI: It’s been like two and a half years already. Hopefully that answers the question. It is obviously been going great. We couldn’t be happier with the record we made. We couldn’t be happier with the way shows have been going. I think this is by far the best version of Anthrax that we have ever had.
CB: You became a father last year for the first time. Has this changed your perspective on writing music or life in general?
SI: I haven’t really written yet since he was born because we have been in touring mode. One way that my perspective overall has changed is now having this person in my life that I love beyond anything I can comprehend. It makes me hate the human race even more because of all the pressure that comes with raising a child and wanting to protect him. People ask what do you have to be angry about and there is plenty to be pissed off about now. Look at what happened in Colorado last night with the guy shooting people in a movie theater. It sickens me to the pit of my stomach for a million reasons. What if that was my child in the movie theater?
CB: It is terrible and it is beyond my comprehension how that can happen.
SI: Up until he was born, I had my wife and close family but they are adults and are responsible for themselves. Now we have this person that is 100 percent helpless and relies on us to take care of him, so there is this protective instinct that showed up as soon as he was born. I think that will have a big impact on my writing in the future when the time comes.
CB: Do they come visit you on the road?
SI: Yes they are here right now and have been with me for 10 days.
CB: What is the longest you have gone without playing guitar?
SI: Probably way back in 1977 when I broke my wrist at a skateboard park and I couldn’t play guitar for two months because I had a cast on. I was so bummed that I couldn’t play guitar that I pretty much gave up any type of fancy skateboarding on ramps or pools. The guitar was definitely more of a priority.
CB: What is the biggest difference for you touring versus in the 1980s?
SI: Sometimes we sit around and talk about how did we ever get anything done before we had cell phones and laptops? In the ’80s no one even knew what a cell phone was. I remember the first time a tour manager had that big briefcase thing with a phone in it and it was something like $18 a minute to use it. The idea that we were able to do stuff back then and everything got done is amazing. I try to think about how it got done and I have no idea how we made it through one day let alone a whole tour without the technology.
CB: What habit would you like to break?
SI: I don’t know. I don’t smoke. I don’t drink excessively. My wife is saying talking with my mouth full so I guess I will go with that as a born and bred New Yorker.
CB: What adjectives do you hope describe you at 75?
SI: I hope when I am 75 no one has anything to say about me. I hope the only thing they say is “What ever happened to that guy?” because I am so far off the grid by that point.
CB: I doubt that will happen.
SI: No, we will probably still be playing music and people will say “I can’t believe he is still banging his head.”
CB: What has been your craziest fan story over the past few years?
SI: The craziest audiences in the world are in South America in Chile with the craziest fans overall. We do a signing every day at the Rockstar Energy Drink tent and we get to meet a lot of fans every day on this tour. Anyone who would get anything Anthrax related tattooed on their body is amazing to me. I can’t really call it too crazy because I have Gene Simmons and Angus from AC/DC tattooed on me. I understand that point of view of being such a fan that you would be willing to make that commitment but being the guy in Anthrax and seeing an Anthrax-related tattoo makes you feel great because I know the commitment and I know how much Anthrax must mean to them.
CB: What is the best guitar solo of all time?
SI: Eddie Van Halen “Eruption.”
Anthrax performs July 24 at Mayhem Fest at Riverbend Music Center. More information: rockstarmayhemfest.com.
Theory of a Deadman is a Hard Rock band that has made a dent in popular music with catchy hooks and sounds that appeal to the heartbroken everywhere. Together for over 10 years, they became hitmakers with their third album, Scars and Souvenirs, and the No. 1 hit “Bad Girlfriend,” along with other popular tracks like “Hate My Life” and “Not Meant to Be.” The band's fourth album, The Truth Is, was released last month and contains the hit single “Lowlife," currently lighting up airwaves on Rock and Pop stations across the country.
CityBeat recently spoke with guitarist Dave Brenner prior to Theory of a Deadman's set at the Kentucky State Fair, part of the Carnival of Madness tour. Brenner talked about the new record and hobbies on the road. Catch Theory of a Deadman and the Carnival of Madness at Dayton's X-Fest this Sunday. (Check the commercial below or visit here for details.)