This summer, on-the-rise Northern Kentucky-based Hip Hop artist Trademark Aaron released his excellent EP Act Accordingly, which included a bonus track titled "The Best," a collaboration with Cincinnati MC Easy Lantana, the RCA/Polo Grounds Music recording artist who made waves nationally last year with his single, "All Hustle, No Luck."
The track about hard work and perseverance now has an accompanying music video. The clip, directed by Franco Mudey and Mark Merkhofer, had its premiere yesterday on the front page of popular video site Vevo.
Trademark Aaron's next performance is part of what could very well be the best local Hip Hop show of the year, this Thursday at Over-the-Rhine’s Rhinegeist. Reflection Eternal, renowned Cincinnati-based producer/artist Hi-Tek’s collaboration with legendary MC Talib Kweli, headlines the 8 p.m. concert, marking a rare appearance by the duo. Thursday’s lineup also features Cincinnati heroes Mood, who took Cincy Hip Hop nationwide in the ’90s, Buggs Tha Rocka (who’s prepping a new album release for early December), ClockworkDJ (Mac Miller’s official DJ), Valley High, Aida Chakra and many others.
Tickets for the 8 p.m. concert are $20 in advance (through cincyticket.com) or $30 at the door (if there are any tickets remaining). There are also $60 advance VIP tickets available, which include a meet-and-greet with the artists.
Morning y’all. Before we begin, I have to share something only tangentially related to the news. Last night I went and checked out a concert at Union Terminal, which has a 100-year-old organ in house and more than 4,000 pipes for that organ built into the walls. I don’t know a whole lot about baroque and classical music, but I do know a lot about loud music, and it was insanely loud. And awesome. Very recommended. To tie this into newsy stuff, I’ll just say go weigh in one way or the other on Issue 8 (the icon tax) at your local polling place.
City Council’s Budget and Finance Committee yesterday more or less tied up what the city will do with its $18 million budget surplus. The committee, which is composed of all nine council members basically adopted City Manager Harry Black’s recommendations outright. The decision came with controversy, however, as some on Council again questioned the process by which the recommendations were proposed. Council members Chris Seelbach, Yvette Simpson and P.G. Sittenfeld pushed back on the process, accusing Budget Committee Chair Charlie Winburn of trying to push the proposals through quickly and asking why public input wasn’t sought on the proposals before they were brought before Council for a vote. The three abstained from voting for Black’s recommendations.
• Council also wrangled again over funding for Mayor John Cranley’s Hand Up Initiative at the committee meeting. Several council members had questions about why some established programs are being cut to fund the $2.3 million jobs initiative, especially when the city is running a large budget surplus. Councilman Chris Seelbach pushed for an amendment to the ordinance funding the program to try and restore some cuts to housing advocacy group Housing Opportunities Made Equal and People Working Cooperatively, which helps the elderly and low-income with home weatherization, maintenance and energy efficiency. Those programs lost federal dollars from Community Development Block Grants that have been diverted to the mayor’s new jobs program. The amendment was voted down, 5-4.
“These programs employ people,” said Councilman Wendell Young, who, along with council members Seelbach, Sittenfeld and Simpson voted for the amendment. “When these programs take a hit, that impacts their employees. There’s a real paradox there. These programs leverage dollars. Let’s do the right thing. Let’s help everybody.”
Others turned out to either support the mayor’s program or oppose the cuts. Many spoke on behalf of Cincinnati Cooks, which is a Hand Up partner. But some questioned the mayor’s program. Greater Cincinnati Coalition for the Homeless Director Josh Spring praised the organization's partnering with Hand Up, but said cutting other programs was counterproductive and unnecessary.
“Are we really going to lower poverty by five percent in five years by serving just 4,000 people? What the mayor has accomplished is that he has forced groups that get along to come down here and fight each other,” Spring said. “We do have a surplus. There are other ways to do this. Things like lead abatement, things like home repair, things like upward mobility so that folks experiencing low incomes can move up economically — those aren’t handouts.”
• One other skirmish broke out at the marathon meeting, which was still going when I stopped watching it on Citicable at about 6 p.m. (yes, I lead an exciting and enviable life). The tussle broke out over money that was once set aside for permanent supportive housing in the city. That money had been earmarked for a prospective 99-unit affordable housing development in Avondale for those recovering from addiction and other issues called Commons at Alaska. However, pushback from some community members there hamstrung that development. Now it will be used for other things.
“Last June, we had money set aside in the budget for permanent supportive housing,” Seelbach said. “I know some people say Alaska Commons doesn’t have enough community buy-in. But permanent supportive housing is an essential part of the equation. We were told we were not going to be eliminating it. And now guess what? We’re eliminating permanent supportive housing. Well, I’m not going to do that.” Seelbach voted against moving the money, along with Simpson, Young and Sittenfeld.
• That’s enough City Council action, at least until Wednesday. Let’s move on. Normally, the words “best” and “suburbs” in the same sentence cause heavy cognitive dissonance in my brain. But this is cool, I guess. Three Cincinnati suburbs have been ranked among the best in America by a new study. Madeira (3), Montgomery (21) and Wyoming (24) were tops in the region and among the best in the country, according to Business Insider. The rankings looked at nearly 300 ‘burbs across the country and took into account housing affordability, commute times, poverty, public school ratings and the number of stifling gated communities, GAP outlets and SUVs with stick figure family stickers on the back window per capita. Just kidding on those last ones, guys. Suburbs can be cool, too.
• The end of a long, watery saga: Jeff Ruby’s Waterfront restaurant, a boat that has been basically sinking since August, is being demolished.
• The Ohio Department of Transportation commissioned a study to determine future transit needs, and it found that the state will need to double its funding of transit over the next decade to more than $1 billion due to increasing demand. In 2000, the state spent $44 million for public transit. In 2013, it spent just $7.3 million. ODOT also gets money for transit from the federal government, however. Gov. John Kasich's administration has been especially cold to public transit, calling passenger rail supporters a "train cult" and turning down $400 million in federal funds for a commuter line between Cincinnati, Columbus, and Cleveland. He also, you know, withheld state funds for the streetcar. This is why we can't have nice things.
• In Ohio and beyond, it’s looking more and more likely that Democrats are going to take a beating this midterm election. That’s especially true in Congress, where once-safely Democratic House seats suddenly seem to be up for grabs. If Dems lose enough of those seats, they may not have any chance of taking back a majority in the House until redistricting rolls around again. Many analysts and some in the party have blamed the potential slide in House seats on the unpopularity of the president.
• Finally, if all this news is just too overwhelming for you (I know how you feel) check out this porcupine. He’s eating a pumpkin. It's adorable. You’re welcome.
Our night in Milan did not have one of those types of promoters. Hell, to even call him a promoter is an insult to the concept of promotion. Let’s dive in a little bit and discuss just what potential promoters should and shouldn’t do when bands come a’callin.
First thing’s first — it’s always helpful to be at the venue by the scheduled get-in time. When bands like us arrive, we’ll generally have some questions for you about our lodging for the night, dinner, load-in and load-out logistics, etc. This is especially pertinent on tours like this due to the fact that we aren’t even from this continent; a little extra handholding is appreciated.
What you shouldn’t do is show up at the venue at 9 p.m. when load-in started at 6 p.m. and not even introduce yourself to anyone.
Second, please follow the agreed upon terms of the contract and make sure that the obligations you have are completed satisfactorily. On this tour, Valley of the Sun has two major requests in their contract: a hot meal every night (or a 15 Euro buyout) and accommodations after the show. These accommodations have varied from a promoter’s floor to nice hotels.
If you got caught with a joint that one time in college here in Cincinnati and now you're applying for jobs, that youthful indiscretion can make it much tougher for you.
But that could change. Some of the 10,000 Cincinnatians convicted under an unpopular and now-repealed marijuana law may soon be able to put the past behind them.
City Council’s Law and Public Safety Committee today passed an ordinance that, if backed by a full Council vote Wednesday, would allow some city residents convicted of having less than 200 grams of marijuana to have the charges removed from their criminal record.
In 2006, the city passed an ordinance making it a criminal offense to have even small amounts of the drug. A first offense was a fourth-degree misdemeanor punishable by up to 30 days in jail and a $250 fine. A second offense could net someone a first degree misdemeanor charge punishable by 90 days in jail and a $1,000 fine.
Under Ohio law, possession of small amounts of marijuana is a minor misdemeanor charge akin to a parking ticket. Those charges are much easier to get expunged. But municipalities can pass tougher laws against the drug, leading to a patchwork of penalties from one place to another.
Cincinnati’s law was repealed by City Council in 2011, but the after effects remain for many in the city. The drug charges stay on a person’s criminal record, are difficult to get expunged and could inhibit them from getting jobs or school loans.
“Our goal to seal these records so citizens can get on with their life and get jobs," said Councilman Charlie Winburn at the Monday meeting. Winburn, a Republican, has been pushing the ordinance as he runs for state Senate in Cincinnati’s largely Democratic 9th District.
Ian McLagan, who performs at Southgate House Revival on Wednesday, is a Rock and Roll Hall of Fame inductee. And for good reason.
In 1965, he replaced one Jimmy Weston as keyboard player in Small Faces, one of the two great Mod bands (the other was The Who) who captured the youthquake mood and sense of liberation that swept the Swinging London of the mid-1960s.
In Britain, Small Faces had hit after hit featuring vocalist/guitarist Steve Marriott — “Sha-La-La-La-Lee,” “All or Nothing,” “Tin Soldier,” “Lazy Sunday,” “Here Come the Nice,” “The Universal” and more. Their one U.S. hit, the psychedelicized “Itchycoo Park,” has been a Rock-radio staple from the day it hit the charts in 1967.
When Marriott departed, the remaining group members — McLagan, bassist Ronnie Lane and drummer Kenney Jones — decided to carry on by recruiting two members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. Called Faces, they became one of Britain’s most successful bands of the early 1970s with their rough-hewn, pub-friendly style of rowdy-yet-tender acoustic-electric Rock. Among their classics are “Stay With Me,” “Cindy Incidentally” and “Ooh La La.”
With all the talent in that band, it didn’t stay together too long. Stewart’s concurrent solo career got too big, while Wood was wanted by The Rolling Stones and Jones by The Who. McLagan, whose vocal duties were limited in Small Faces and Faces (who were simultaneously inducted into the Rock Hall in 2012), became an in-demand session and touring keyboardist for Bonnie Raitt, Billy Bragg, Bob Dylan, The Rolling Stones and many others.
He also began occasionally releasing his own mostly small label albums, solo and with The Bump Band, that showcased his ruggedly naturalistic voice and songwriting talents. He has lived in Austin, Texas, since 1994, after moving to the U.S. from Britain and living in L.A. for 16 years.
At the time of his Austin move, Lane was also there. But the latter’s worsening multiple sclerosis soon prompted a move to less-humid Trinidad, Colo. In fact, Lane already was planning that move when McLagan told him he was coming to Austin. So their time together in the same town only lasted for one and a half months. Lane died in 1997.
McLagan’s solo career took a great leap forward with 2009’s Never Say Never, filled with sometimes-rueful, sometimes-redemptive songs, melodic and rhythmic, prompted by the loss of his wife, Kim, in an auto accident. The songs have some of the majesty of Paul McCartney’s “Maybe I’m Amazed,” another high point of early-1970s British Rock.
That album, in turn, inspired the label Yep Roc — home to still-vital veteran singer/songwriters like Nick Lowe, Dave Alvin and Robyn Hitchcock — to distribute his follow-up, this year’s fine United States. It’s been getting rave reviews and is helping McLagan finally emerge as a bandleader.
The album is bringing McLagan (with Bump Band bassist Jon Notarthomas) to Southgate House Revival in Newport Wednesday. As far as he can recall, this is his first show as a headliner in the Cincinnati area since his first solo album, Troublemaker, came out in 1979.
“This year I’ve toured as much as I have in last 10 years,” the affable, sunny-dispositioned McLagan says in a phone interview. “Now I have a record company that wants me to tour and that’s great.”
It’s also a little strange. McLagan, 69, is a member of British Rock & Roll royalty — of the same generation, and often friends with, those who have been arena-filling superstars for six decades and counting. Yet his Cincinnati area date is surprisingly low profile, with little advance publicity. (For a variety of reasons, Southgate House didn’t announce it until just two weeks before the show.)
It’s an odd situation. He’s been making music professionally for 50 years, yet is still establishing himself as a touring attraction.
“The funny thing is, if I’d made several albums in the 1960s and had some success, the people that like my albums now would have grown up liking them,” McLagan says. “I didn’t have that, and I realize I’m stumbling around this wonderful world trying to attract attention now.
“It’s pretty funny, really. But I just love what I do,” he says. “I am so blessed that all I’ve done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.”
One thing that remains constant in McLagan’s shows — in his psyche — is his love for his late wife. He met her when she was estranged from husband Keith Moon. He always performs several songs from Never Say Never.
“I sing to my wife; it helps me,” he confides. “She was my muse. I’ve written so many songs about her, to her, with references to her, and still do. She’s a big part of my life. We were together for 33 years. It actually does me good — she’s with me all that time in that way.”
Even though McLagan isn’t that famous as an individual, he was in groups whose records sold millions. So shouldn’t his royalties afford him such a cushion he can treat work like a hobby?
“Ha, ha, ha — you’re very funny,” he replies.
He explains Small Faces were on a modest salary that was paid by their manager, Don Arden, with knowledge of their Immediate record label’s head, Andrew Loog Oldham. They never got royalties during the band’s lifetime.
McLagan joined Small Faces in 1965 after original keyboardist Weston left following the group’s first British hit, “Watcha Gonna Do About It.” Although it wasn’t why original Small Faces keyboardist Weston left, he had been the only member of the original lineup who wasn’t actual small, height-wise.
McLagan, who was, had been gigging with more Blues-oriented groups, including one led by Boz Burrell (future King Crimson and Bad Company member).
“They got me because they read a review of a show I was in with another band that said I played Hammond organ and I was really good, and it had a photograph with my name under it," McLagan says. “But it wasn’t a photograph of me, it was of Boz Burrell. So when they saw me, they laughed and Steve picked me up because they hadn’t known I was short. How cool is that? They said, ‘He doesn’t look like his photograph but he looks all right.’ ”
Arden asked McLagan how much he was earning and he said five pounds (the British currency) a week, a very small sum. So he offered McLagan 30 pounds during probation and then an even split with the others.
“He was showing off,” McLagan says. “I was thinking, ‘Wow, I’m a millionaire.’ Eventually, I asked Ronnie Lane, ‘What’s going on? Am I still on probation?’ They knew nothing about it. We went up to the office and Ronnie said to Don, ‘Hey, Mac’s in the band, all right?’ My money went down to 20 pounds a week — that’s what they were getting! We never got anything other than 20 pounds a week for two years and then it was 50 pounds a week. Since 1997, we now get our royalties. Of course, Small Faces albums are not selling in the amount they were when we didn’t get paid, but we are at least getting something.
“But you know what? It didn’t fucking matter,” he continues. “I’m earning every day, Don Arden’s dead, Andrew and I have made up and we’re friends. The money’s gone so move on.”
As for the Faces, McLagan says their record label — Warner Bros. — does pay. But it’s been slow to release archival product. The four-disc Warner/Rhino retrospective Five Guys Walk into a Bar came out back in 2004.
“The Faces sell a little bit but Warner Bros. are such a bunch of idiots because they didn’t realize if we haven’t got records out we can’t make any money,” McLagan says. “It’s taken a while, but there should be a Faces live album … out next year.”
The album was recorded in the States during the Faces’ heyday.
“We’ve just discovered this recently,” McLagan says. “We recorded it and completely forgot about it. I heard a couple tracks and it sounds really good.”
McLagan then reveals an enticing possibility.
“Hopefully we’ll tour behind it,” he says. “Rod’s keen, I’m keen, Kenney’s keen and Ronnie Wood is keen, so I don’t see anything in the way of it.”
In the meantime, McLagan’s Wednesday show at Southgate House is a rare chance to see this great Rock & Roll musician in an intimate setting. (Click here for ticket info.)
Progressive Italian Indie/Electronic band JoyCut are continuing their ever-expanding global takeover with an extensive fall tour, which includes a free show tonight at Over-the-Rhine's MOTR Pub. Cincy trio Orchards open the show at 10 p.m.
JoyCut blends elements of Dark Wave, EDM, Post Rock and other adventurous styles to concoct its engaging, often mesmerizing instrumental sound, most recently heard on the full-length PiecesOfUsWereLeftOnTheGround. JoyCut has performed with heavyweights like The Arcade Fire and Modest Mouse and only this year began touring the States. The trio's first U.S. visit was very well-received and resulted in tons of glowing press and other accolades (JoyCut was named MTV's Iggy Artist of the Week in April and radio has been embracing the new LP). Not too shabby, especially for an all-instrumental band.
Hey all! We’re hustling this week to put together our election issue, which will be just overrun with everything you need to know before Nov. 4 or, heck, right now if you’re doing the early voting thing. In light of that, I’m going to hit you with a brief, just-the-facts version of morning news.
• Some folks in the city, including advocates for the poor, are upset with the way Mayor John Cranley’s new job training program, called the “Hand Up” initiative, will be funded. That initiative is getting some of its funding from federal grants originally slated for other established programs in the city. Cranley says those programs aren’t the best use of the federal funds, and that his program will help up to 4,000 Cincinnatians reach self-sufficiency. Others, however, challenge that assertion.
• Seven Greenpeace activists were scheduled to stand trial today for hanging a banner protesting P&G’s use of palm oil from the company’s headquarters in March. But that trial has been postponed until Jan. 20. Another activist who was also facing charges died Oct. 6. A ninth took a plea deal Sept. 8 and is awaiting sentencing. The remaining activists could face more than nine years in prison on felony burglary and vandalism charges.
• Yet another development deal may be happening soon on Central Parkway in Over-the-Rhine. Have you ever driven down Central Parkway near Liberty Street and wondered what the building that says Warner Brothers on the front was all about? Developer Urban Sites is considering turning the 40,000-square-foot historic building, which was used by the film company as a vault, into offices or apartments.
• Democrat Senate candidate and Kentucky Secretary of State Alison Lundergan Grimes is still running neck and neck with Sen. Mitch McConnell in one of the country’s most-watched races. Recent polls put the two dead even, and, in a sign that folks who follow such things think she still has a chance, Grimes was endorsed by two of Kentucky’s major newspapers over the weekend. Both the Louisville Courier-Journal and the Lexington Herald-Leader have backed Grimes. McConnell’s challenger made a last-minute swoop through Covington over the weekend, showing up to hang out with a few dozen supporters at the MainStrasse Village Dog PawRade.
• Let’s zoom out to the bigger picture on the Senate. This AP story explores how weak Republican governors in some states could hurt the party’s chances of taking back the Senate, which it desperately, desperately wants to do so it can keep President Obama from doing really communistic type things like making sure people have health care and stuff.
• Finally, while we’re talking about elections, could the national attention focused on civil unrest Ferguson, Mo., spur greater black turnout in this midterm election? I normally don’t pay too much mind to the Daily Beast, but this article is thought-provoking.
Cranley’s “Hand Up” job initiative will be funded in part by cuts to other anti-poverty and blight mitigation programs. That has some advocates for the poor up in arms.
The Hand Up program, which has an overall budget of $2.3 million, will provide education, job training and other services for Cincinnatians experiencing poverty. It will fund nonprofit job training organizations Cincinnati Cooks, Cincinnati Works and Solid Opportunities for Advancement and Retention.
Cranley says the program will eventually provide more than 4,000 Cincinnatians with jobs making at least $10 an hour. But it will do so by redirecting more than $1 million from federal Community Development Block Grants that was budgeted to other well-established Cincinnati programs that serve the poor.
Former City Council candidate Michelle Dillingham, who now works for the Greater Cincinnati Coalition for the Homeless, says the cuts are short-sighted and unfair.
“The programs the mayor has recommended for elimination are the few we have that are able to address systemic discrimination and inequality faced by our citizens,” she wrote in an Oct. 21 editorial in the Cincinnati Enquirer. She also noted that there are other more pressing concerns the funds could be used for.
“Block-grant funds could also be used to create more units of affordable housing,” she says, “an especially acute need given than homelessness in the city is increasing and the average age of a person receiving emergency shelter last year here was 9.”
Cranley says the cuts have been vetted by a board that approves the city’s use of CDBG funds. CDBG grants, which come from the Department of Housing and Urban Development, allow cities some flexibility in how they’re distributed. But HUD hasn’t prioritized job training over the kinds of programs being cut, critics like Dillingham say.
The cuts include $40,375 from Housing Opportunities Made Equal, which does tenant advocacy work, tenant education and other services. About $152,000 will come from People Working Cooperatively, an organization that provides home repairs, energy efficiency help and other services to low-income people.
Some critics, including Over-the-Rhine Community Council President Ryan Messer, say Cranley’s message of job training over assistance for the poor mirrors regressive conservative talking points about poverty, including Wisconsin Republican U.S. Rep. Paul Ryan’s infamous budget proposal last year, which slashed spending on food aid and other anti-poverty programs.
Cranley has said that the program is designed prioritize teaching people to provide for themselves over “traditional welfare handouts.”
Councilman Chris Seelbach has been skeptical of the cuts and has drawn up a motion to restore funds to some of the programs. He’s hoping to get the motion before council at its Nov. 3 meeting.
Today, I wanted to write about something that all five of us share on this trip. Something we all cherish, hold close and respect more than anything. I want to talk about something that holds us all together on a daily basis. The love of Rock & Roll.
Ha ha! Just kidding, I’m talking about gaffer’s tape.
Some of you may be asking what gaffer’s tape (aka gaff tape) is. Others of you may be saying that gaff tape is just like duct tape. To the first group, I will say that gaff tape is a wondrous roll of tape with properties that make it perfect for a touring band’s needs. To the second group, I will say, “Shut up, no it isn’t.”
Gaff tape comes in a large roll similar to duct tape, is generally black (shiny or matte) and adheres to just about anything. The non-stick surface and a Sharpie is a match made in heaven. And when you go sticky side to sticky side, nothing short of The Hulk (or a knife) will get that stuff separated.
But there is one attribute that makes it invaluable: it rips off the roll super easily. Anyone who has used duct tape knows what a struggle it is to get that stuff to part with the rest of the roll. OK, it’s not super hard to do, but when you’re half asleep, in some random European city, with 15 minutes till doors open and an entire merch area to set up, convenience is crucial.
To give you an idea of just how versatile gaff tape is, I want to share with you some of the myriad ways we’ve put gaff tape to work.
The first is makeshift signs. When you have to advertise what sizes we have left in stock on a shirt, gaff tape comes to the rescue.
We also use the black gold to hang our merch when no hooks or other devices are present.
Sometimes we use it to keep our expensive tour banners from falling over.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
This American Life, the true storytelling public radio show hosted by Ira Glass, is one of the most popular radio programs and podcasts today. Each week since 1995, Glass presents a theme — cars, summer camp, break-ups — and a variety of writers, comedians, journalists and everyday people share stories of their experiences with that subject. For the few unfamiliar with TAL, it’s one of those shows that will keep you in your car with the radio on long after you’ve pulled in the driveway.
Ira Glass will present his
live show, Reinventing Radio, this
Saturday at the Aronoff Center. CityBeat spoke to Glass about his history with
public radio — check out our interview here.
To celebrate the program and its adorable bespectacled host, CityBeat staffers have compiled a few of our favorite episodes (in no particular order).
Why not start at the beginning? This American Life’s very first episode — back when the program was called Your Radio Playhouse — aired on Nov. 17, 1995. The theme: New Beginnings. One of the guests is Ira’s mom.
Fear of Sleep (Aug. 8, 2008) features tales on various things that go bump in the night. Comedian Mike Birbiglia shares his astonishing stories of sleepwalking, which later inspired his movie, Sleepwalk with Me.
This American Life has done a few live productions over the years. On May 10, 2012, Glass
and friends took the stage at New York University’s Skirball Center for Invisible Made Visible,
a performance that was streamed live in movie theaters across the country. It
was an incredible interactive experience that included music, dance, comedy and
a short film. Check out photos here.
From mistaken identity to evil twins, Dopplegangers (Jan. 11, 2013) has it all. Including Fred Armisen’s impeccable Ira Glass impression.
A lot of This American Life segments are anecdotal, but sometimes the show has taken on newsier issues — and one time, they got it all wrong. On Jan. 6, 2012, Mr. Daisey and the Apple Factory aired. Mike Daisey spoke about the conditions of an iPhone factory in China, including vivid details and interviews with workers. Soon after, it was revealed that Daisey had fabricated his story and lied during the fact-checking process. Retraction is not only an interesting correction to the original Daisey program, but a commentary on journalistic integrity, the importance of fact-checking and the lengths people will go for a moment in the spotlight.
Reinventing Radio: An Evening with Ira Glass takes place at 8 p.m. Saturday at the Aronoff Center. Tickets: 513-621-ARTS or cincinnatiarts.org.
I crowd surfed for the first time ever in Strasbourg, France. And I did it in a hot dog costume.
Man, I can’t wait to tell my grandkids this story.
The hot dog spawned from a Facebook Messenger conversation before we even left. As we were preparing for the trip, the group bought me a glow in the dark skeleton onesie. It proved far too comfy and warm for it to be a nightly outfit in dirty, sweaty bars. I know this because I happily wore it around my house on several occasions.
Through the conversation it was eventually decided that I needed an Elvis outfit to wear during shows. I agreed and took a trip to a local Spirit Halloween in search of my tour uniform.
I was quickly disappointed.
Not only did they not have any Elvis costumes, the employee told me that the only place she knew that had one was a costume rental shop across town. The price put the costume way out of my price range. So I had to come up with something just as American (i.e. over the top and ridiculous). I browsed around, shot down the idea of a German beer girl costume — no one needs to see that much of my upper thigh — and stumbled across an area of cheap, lazy costumes. One of which was the hot dog suit. I snapped a picture, sent it to the boys and was met with joyous approval. I was still under my assigned budget so I picked up a Flavor Flav-sized dollar sign pendant and made my way to the register. Now, I was truly ready for Europe.
The hot dog costume has made an appearance a handful of times at shows, typically during the last song of the set or the encore. Sometimes I’ll put it on and rush to the front of the stage to get the guys to laugh and mess up. Being the consummate professionals that they are, they’ve never flubbed a song as far as I can tell.
But recently, they’ve been requesting the hot dog from stage, meaning I have to quickly dig it out, throw it on and run out to the crowd. They usually do so for their own amusement or to drive sales at the merch booth by proclaiming they have the würst merch guy in history. I never said that these guys were comedians …
Now, the majority of crowds just look confused by the sudden appearance of a hot dog at a Rock show but some get it and boy are their reactions spectacular. You haven’t lived until you’ve headbanged with two long hairs in a sweaty Halloween costume. But the crowd reaction in Strasbourg takes the cake.
The show was Punk Rock all the way — the sound was awful, the fans were packed in like sardines and the beer was flowing freely. The crowd had already spawned a crowd surfer, which is an admirable feat due to the fact that the venue is in a basement. Crowd surfing and grazing the ceiling of a club rarely go hand-in-hand. When the band called for the hot dog, I pushed through and found myself in an open pit in the center of the crowd. The final song started and I began my “dancing” and headbanging with the crowd. Pictures were taken, laughs were had, and I thought that was the end of it.
Then I saw the universal “You want to go up?” hand signal. Apparently crowd surfing crosses language barriers. Before I knew it, I was on top of the crowd trying to simultaneously avoid being dropped to the floor or bounced into the ceiling. It was awesome and scary and ridiculous and unbelievable all at the same time. If that’s not a great commercial for Spirit Halloween, I don’t know what is.
Now I really can’t wait for our Halloween show tonight. We plan on having a merch guy who’s all skin and bones, a blinged out bassist and the würst drummer you’ve ever seen.
Hey, I never said I was a comedian, either.
Halloween shows abound tonight. Elsewhere on our site you can read about several of them, including 500 Miles to Memphis' release party at Southgate House Revival and Gov't Mule's tribute to Neil Young at Taft Theatre. In the Spill It column, find out about tonight's Injecting Strangers' release party at MOTR, as well as two great, free local music double bills in Northside — The Hiders/The Perfect Children at The Littlefield and The Pariahs/The Cincinnati Suds at The Comet. Another great double-bill free show is on Fountain Square. The 5 p.m. Rocktober on the Square happy hour concert tonight features The KillTones and The Sundresses.
There's also a fun show at Over-the-Rhine's The Drinkery; RamonerHead (a tribute to the Ramones and Motorhead), ThoseWhoCannotBeNamed (a tribute to debauched punks Dwarves) and Standinavian Leather (a tribute to Norway's Turbonegro) team up for the club's Zombie Prom. (Another fun tribute band show goes down Saturday at Silverton's MVP Sports Bar & Grille — The Rocket Queens, an all-female Guns N' Roses tribute band, headline.)
Here are a few more options for tonight and the rest of the weekend.
• Endlessly creative veteran L.A. rapper Murs first teamed up with Miami Rap group ¡Mayday! (featuring a pair of MCs and a full live band) on the latter’s first album, 2012’s Take Me to Your Leader. The two entities (both signed to Tech N9ne’s Strange Music imprint) connected so well they decided to reteam for this summer’s ¡MursDay!, an electrifying, high-energy album with an eclectic musical palette and dynamic live-instrument additives.
The album received positive reviews, with many noting that the music should translate incredibly well in a raucous live setting, meaning the collaborative’s show at Thompson House in Newport could be one of the more entertaining concerts to hit the area this fall. Showtime is 7 p.m. and tickets are $20.
• Successful Canton, Ohio Pop Rock band Relient K plays Bogart's in Corryville tonight with guests Blondfire. The band is celebrating the 10th anniversary of the release of Mmhmm, its breakthrough LP. The album spawned a pair of hits, including "Be My Escape," their most widely recognized track.
Doors for tonight's show open at 6:30 p.m.
• Austin, Texas' The Bright Light Social Hour have built up a nice following here in Cincinnati thanks to regular visits, though it's been a while since the group has graced a local stage. That all changes Saturday when the band comes back to MOTR Pub for a free, 10 p.m. show with Cincy Indie Pop masters Darlene.
The Texas indie psych rockers are gearing up for the release of their second album. In a recent interview with Fayetteville Free Weekly, BLSH's Jack O'Brien said the full-length is due early next year and will be titled Space is Still the Place.
• The Funkified Hoedown Tour featuring Zach Deputy and Hot Buttered Rum comes to the Ballroom at the Taft Theatre on Sunday. Showtime is 8 p.m. and tickets are $20 in advance/$25 day of show.
Deputy, a South Carolina native, describes his sound as "Island-infused Drum n’ Bass Gospel-Ninja-Soul." CityBeat's Charlie Harmon explains more in his preview of the show from this week's paper:
"When (Deputy) gets up on stage to start one of his infamous dance parties, it’s just him. He is the definition of a one-man band, usually donning just an acoustic guitar, four microphones and the pedals to handle all the looping and layering he does with them. Using the microphones, he creates drum and bass sounds, beatboxing almost all the percussion, as well as synthesized choir noises and soulful vocals."
For more live music options this weekend, click here. And feel free to plug other events in the comments.
Cincinnati Ballet will be spreading their wish to inspire hope and enchantment in the community by broadcasting the 2 p.m. performance of Peter Pan on Nov. 8 to Cincinnati Children’s Hospital live from the Aronoff Center. Patients and their families who might otherwise miss the magic will now be able to experience the spectacular tale of the flying boy who never grows up — straight from their hospital room.
The Ballet recently came together again with The Cure Starts Now, a cancer research and awareness foundation they’ve been working with since 2009, to bring oncology patients at Children’s the third year of “Ballerina for a Day.” In this behind-the-scenes event, children and their families were offered a chance to see the background of the ballet world with makeovers, crafts, dancing and costumes. With the show streaming right to the comfort and safety of their rooms, they can now complete the full circle of the ballet experience by enjoying a live show.
Cincinnati Ballet has also invited Leah Still — the dance-loving daughter of Devon Still battling stage 4 neuroblastoma and who has brought a plethora of attention to organizations like The Cure Starts Now — to perform in the show with a walk-on role. If her parents and doctor give the go ahead, this would mark 4-year-old Leah’s debut in a professional stage performance.
This wondrous benefit for dozens of children marks an incredible collaboration by various members of the regional community. Unions have waived fees, Children’s has cooperated in arranging the broadcast and camera operators have donated the use of their time, talent and gear in order for this to be possible, according to Victoria Morgan, artistic director and CEO of Cincinnati Ballet.
Peter Pan hits the stage Nov. 7-9, with performances 8 p.m. Friday, 2 and 8 p.m. Saturday and 2 p.m. Sunday. Look out for an interview with composer and music director Carmon DeLeone in next week’s issue.
Halloween is here. I’m taking an informal poll: how many folks are dressing up as Union Terminal and/or Music Hall tonight? I’m not knocking ya. I just wish I’d thought of that in time. Instead I have an Abraham Lincoln mask, American flag aviators, and a bow tie for a costume, so I will probably look like a very unappealing, election-themed male stripper. Procrastination is lame, folks.
These are painful times for the Cincinnati Enquirer. A reorganization has been happening for a while now, but recently, news broke that a number of newsroom veterans are leaving the paper, including No. 2 in command Laura Trujillio and social issues reporter Mark Curnute, whose stories I've always been impressed with. Over the past couple months, employees have been asked to reapply for their jobs under new, more digitally-oriented job descriptions. That's definitely ruffled some feathers, and has caused the biggest shake-up in the paper's history. The departures probably have something to do with the fact Gannett brass have been wrapping layoffs at the Enquirer and other papers in the disingenuous corporate speak of an exciting new opportunity to create "the newsroom of the future", but who knows?
• Right now the Ohio Department of Transportation is having its Southwestern Ohio town hall meeting on the future of public transit in the state. In Lebanon, because everyone knows that is the absolute hub of public transit in the region. You can watch the proceedings live here if you’d like to follow along at home. It’s standing room only there, maybe because I spread a rumor that there’s an ODOT party bus shuttling folks to some killer Halloween parties right after the meeting. That’s false, as far as I know.
• You’ve probably already heard about the controversy over a proposal by outgoing State Sen. Eric Kearney to change the name of State Route 562 from the Norwood Lateral to the Barack Obama Norwood Lateral Highway. I bet you can guess some folks’ reaction to that idea. Norwood Mayor Tom Williams doesn’t want a name change, but did throw out another, much different suggestion: naming it after Norwood-raised business magnate Carl Lindner, who died in 2011. Williams called Lindner, who owned Chiquita, Great American Insurance, and a number of other businesses “a beautiful individual” and said the several times he got to hang out with him were “an absolute thrill.” Hm. Maybe let’s just keep calling it the Norwood Lateral.
• More than 400 people in eastern Ohio were forced to leave their homes this week after a fracking operation there began leaking and “shooting an invisible gaseous discharge into the air.”
…no, I’m just not even going to go there. The blowout happened about 6 p.m. Tuesday. Homes within a 2 mile radius of the site where evacuated, though officials with the Ohio Department of Natural Resources say no permanent environmental impact was caused by the leak and residents were back in their houses by midnight. No word on the cause of the accident.
• Is the chairman of the Ohio Democratic Party on the way out? Could be. Some say those within the party are furious at the monumental disaster that Dem gubernatorial candidate Ed FitzGerald’s campaign has become, and party chair Chris Redfern could take the heat for that. We’ll see.
• Almost a year exactly after political brinksmanship and partisan wrangling ground the U.S. government to a halt, Senate Minority Leader Mitch McConnell says if voters in Kentucky choose him, it’s because “they want divided government.” It may be true, though. New polls heading into the Nov. 4 election show McConnell up five points over his Democratic challenger, Kentucky Secretary of State Alison Lundergan Grimes.
• Finally, I want to introduce you to perhaps the weirdest online quiz ever. Can you distinguish the wisdom passed down by ornery, Texan tea party favorite Sen. Ted Cruz from the golden, learned lessons of rapper and self-proclaimed genius Kanye West? The Washington Post wants to help you find out.
In this week’s CityBeat we review Patience, Child, the debut full-length from Cincinnati’s theatrical Progressive Pop madmen Injecting Strangers. Given some of the album’s playfully spooky tracks (including the two-part horror story “Nightmare Nancy”), it’s fitting that the band is celebrating the album’s release tonight at a free Halloween spectacular at Over-the-Rhine’s MOTR Pub. Nashville’s New Wave Rebellion opens the show at 10 p.m.
Here is a track from Patience, Child that would make a great addition to your Halloween mixtape. From the review: “‘Haunted Heavens’ also fits the (Halloween) vibe perfectly, with its sinister spoken-word passages and eerie choral background vocals. It’s like Michael Jackson’s ‘Thriller’ filtered through Queen, Public Image Limited and The Nightmare Before Christmas and then re-filtered through a modern Indie Rock mindset.”
A Tavola has made its mark on Over-The-Rhine with its rustic wood fired pizzas and superb flavor combinations. What you might not know about the high-end pizza joint is that its craft cocktails are one-of-a-kind. CityBeat sat down with A Tavola’s head bartender Aaron Strasser to pick his brain, and it turns out he is as personable as he is creative and stirs up one hell of a cocktail.
CityBeat: How did your career in bartending start?
Aaron Strasser: I was a history major at UC, and my favorite period of time was Prohibition. I found it very interesting that you could ban one of the greatest things in the world — the cocktail. I really got into studying that when I was in college. I also started flavor profiles. I grew up in the kitchen with my mom and she always baking stuff and I loved tasting all the flavors and figuring out, ‘Oh, you can pair this with this.’ I got my start here at A Tavola almost four years ago. I didn't know much, but what I did know is flavor profiles and combinations. So the owners gave me a chance and allowed me to make the bar what it is now.
CB: What’s your favorite spirit?
AS: I usually go with my whiskeys and bourbon. Rye whiskey for sure.
CB: What’s the strangest ingredient you’ve used in a cocktail?
AS: I have a couple. I always saw that simple syrups were being made with fruits and some herbs and spices, but I wanted to make a simple syrup out of a vegetable, so I made a red beet and ginger simple syrup, which goes great with gin. It’s very unique, it’s a beautiful color and the taste was very interesting. I didn't want to just use fruit. Another strange ingredient in our new cocktail menu is the jalapeño jam instead of a simple syrup. It’s a recipe that one of my kitchen people and I have worked on. I wanted to have something that was sweet and savory. We do a lot of that as far as combinations go — even in our food — lots of sweet and savory.
CB: Do you see a change in cocktail culture around OTR?
AS: Oh, yeah, its definitely growing. There is a lot more appreciation as far as drinks go. A lot of people are not just ordering cocktails that they know, instead they are actually looking at the cocktails and asking, ‘What does this place have to offer that I haven’t tried before?'
CB: If you had to pick one cocktail to drink for the rest of your life what would it be?
AS: An Old Fashioned.
1 slice of orange
1 sugar cube
1 or 2 dashes of Angostura bitters
2 oz. rye or bourbon whiskey
Place the sugar cube in a glass and add one or two dashes of Angostura bitters and a splash of club soda. Muddle the the sugar cube. Add whiskey and ice. Stir until sugar is dissolved. With a lighter, singe a strip of orange peel and pinch the peel to release oils. Add the orange peel and the Amarena cherries to top it all off.
That’s the opinion of John Sanphillippo of San Francisco, in this recent article from newgeography.com about how acquaintances from there who, upon finding that city too expensive, moved to Cincinnati and discovered a similar environment, only affordable.
His point is very provocative — young people who want but can’t afford the progressive, stimulating urban life that is such a lure for cities like San Francisco, Brooklyn, N.Y., Seattle or Boston aren’t giving up on their dreams and retreating to the familiar dullness of Great American Suburbia.
Instead, they’re finding that all cities now — and especially what he calls “Rust Belt” cities — are alive with examples of progressive New Urbanism. And he singles out Cincinnati as a choice example.
The photos aren’t marked, but you can see Shake It Records, the Suspension Bridge, East Walnut Hills, Vine Street. And the author doesn’t even mention the streetcar.
This article ran Saturday on the New Geography site, a joint venture of author Joel Kotkin (The City: A Global History) and Praxis Strategy Group devoted to “analyzing and discussing the places where we live and work.”
According to his bio, Sanphillippo “lives in San Francisco and blogs about urbanism, adaptation, and resilience at granolashotgun.com. He's a member of the Congress for New Urbanism, films videos for faircompanies.com, and is a regular contributor to strongtowns.org. He earns his living by buying, renovating, and renting undervalued properties in places that have good long- term prospects.”
For the past two and a half weeks, Arnaud’s van has been home for five full-grown men. While we’ve been lucky enough to not have to spend the night in it at any time, we’ve done pretty much everything else. We’ve eaten in here, we’ve slept in here, we’ve emptied bladders (well, only one … Nick was desperate), it houses all of our possessions on this continent and we’ve had far too many inappropriate conversations in here. It has all the comforts of home … except for TV, Internet, showers, a kitchen or any sort of privacy. But then again, some of our non-moving accommodations don’t have any of those things either, so it’s fine.
We even have our own “rooms.” Arnaud usually drives with Ryan copiloting. If you move one bench back, Nick sits in the farthest seat from the door so he can lean against the window to nap. The next seat is empty and holds our various jackets, water bottles, candy and other items a touring band needs. Next to that is me; my seat offers no real advantage other than the ability to get out fast at rest stops when the call of the wild can be heard. Aaron has claimed dominion over the back bench, but two of the seats hold two overnight bags and random stuff (mostly scarves that Aaron has bought along the trip).
The ride is rough; it seems like the shocks were an afterthought and you can feel every bump in the road. Turns make the van shift and roll and the seats don’t adjust from their full upright and locked position. This all adds up for a ride that isn’t very comfortable or relaxing. If you’re wondering how we can sleep in here under such conditions, all I can say is that touring Europe is a very tiring experience, no matter how fun it is.
Of course, the real reason we needed the van is to not just transport ourselves, but all of the band’s gear from show to show without the need for a trailer. And that, my friends, is an experience all it’s own. Arnaud and Nick have set up a system to load and unload the back of the van efficiently at each stop. While I play Tetris at shows, those two play Tetris in real life. Just take a look at this setup and tell me that isn’t almost artistic to see how much crap can be fit into such a small space.
This van has been a constant in our lives for almost a month now; while I can only speak for myself, I have to say that I will almost miss it when I get back home. While the ride might be rough, there was an element of comfort and familiarity in crawling into this thing as we headed towards our next show. And it’s the place where we all really bonded as a group — being stuck in a tin can with four other dudes for six hours will do that to you. It’s been a special spot for all of us.
But, man, I really wish the seats reclined.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
Brian Powers, the Cincinnati librarian who has done exhaustive work researching King Records history, thought he had found a “Holy Grail” photo — of the West End record store that Syd Nathan owned before starting King.
He knew it had been on Central Avenue, but didn’t know what it looked like.
It was in the Hebrew Union College/Skirball Museum FotoFocus-connected exhibit Documenting Cincinnati’s Neighborhoods, which features George Rosenthal’s photographs, taken in the late 1950s, of the West End before I-75 construction would dramatically alter it. Rosenthal’s photographs, owned by Cincinnati Museum Center, hadn’t been shown at least in 50 years, if ever.
Visiting on the exhibit’s opening day, Oct. 22, Powers saw one Rosenthal photo of a Central Avenue record store at 1567 Central Ave. Just a small storefront with a homey screen-door, it had what looked like neon signs that announced “Records All Speeds” and then listed the choices: Spirituals, Classics, Pops, Rhythm-Blues, Bop, Hillbilly & Western.
You can also partially see some letters and the initials “CO” at the top of the signs. Some additional written information was on a window, and another sign offered television sets for $29. Nathan wouldn’t have still owned such a store in this time period — he started King in 1943 — but might it have carried on the same location, more or less unchanged, with someone else in charge?
Powers told Henry Rosenthal, the late George’s son, about his hunch. And in his opening remarks, Henry mentioned it. Henry was particularly proud because he owns the desk that James Brown kept at King Records’ headquarters in Evanston. “It’s my prize possession,” he said.
Among the Rosenthal family members at the opening, besides Henry, were Jean Rosenthal Bloch, George’s wife; daughter Julie Baker; George S. Rosenthal and Roger Baker, George’s grandsons; great-grandson Clay Baker, and cousin Ed Rosenthal. With several hundred in attendance, it was an important moment in recognizing Rosenthal’s work.
Alas, when Powers (who didn’t attend the reception) later started researching, he saw the record store in this photo wasn’t where Nathan’s was located.
“Syd’s shop was at 1351 Central Ave.,” he said via E-mail. “The shop in the photo is at 1567 Central. It was called Mo-F-A Co. It’s listed as a TV repair shop. It was owned by a guy named Ted Savage, who seemed to have lived there with his wife.
“It looks like Syd handed over his store to Ike Klayman around 1945 to 1946. I don’t see 1351 Central listed after 1949. It may have been torn down by then. It’s where Taft football field is now.”
Powers added that he has seen a photo of a record store owned by Klayman, but believes it is at a different location
So the search for a photo of Nathan’s record store goes on, but meanwhile this very evocative one is now — finally — available to be seen.
The exhibit, which looks at what life in Cincinnati was like in the West End and Downtown before much was torn down for controversial “urban renewal” from the 1960s to 1980s, both in terms of their architecture and the conditions of the poor, also features powerful photos by Daniel Ransohoff and Ben Rosen.
It is up through Dec. 21 at the Skirball and Jacob Rader Marcus Center on the HUC campus, 3010 Clifton Ave. Go here for details.