Kentucky’s Forecastle is a music festival that I had never been to before this year. At the end of Day 1, I was asking myself why.
After spending the majority of my Friday bouncing from stage to stage and tent to tent (still with much more to explore today), I found myself having the time of my life in this little temporary corner of Louisville known as Forecastle. Despite the spitting rain and chilly temperatures, the energy here is booming, the crowd is eager (though polite, for the most part) and the mood is happy. It’s obvious that it would take quite the storm to sink this ship, and it’s looking like smooth sailing from here for the next two days.
When I first got to Louisville after encountering terrible traffic (if you plan on going and are traveling south, LEAVE EARLY), I found myself a free little parking spot along River Road and proceeded on my trek to the festival. Free parking has its price, I suppose. For the record, you can pay to park, but was this gal was going to do what it took to save her pennies.
Thankfully I found CityBeat’s own photographer extraordinaire Jesse Fox at check-in, and we both arrived just in time for our interview with Punk band Against Me!. We waited under the press tent about 20 minutes past the scheduled interview time (you get used to this in the music world and begin to expect it) until Laura Jane Grace and Atom Willard entered the scene. Jesse and I shook their hands with mouths agape and eyes wide, nervous as all-get-out. They turned out to be very kind and Laura complimented my belt (therefore I am wearing it every day forever now). It’s the little things, you know? This is what I love about music festivals, conferences, etc. — it truly is a different world.
After our interview with Laura and Atom, we went to the Boom Stage to check out The Black Lips. These Atlanta-based dudes rule. Once their set finished I retreated once again to the media tent for some ’za from Mellow Mushroom and ah-mazing moonshine cocktails from Ole Smoky Tennessee Moonshine. (I also went to charge my phone.) I found familiar faces in the media tent as the CityBeat crew quite literally funneled in and took it over. I couldn’t have been more excited. I met new folks and took time to chat but was quickly out on the field again to explore. There is just so much to see!
I found myself back at the Boom Stage for Against Me! The band put on an amazing, high-energy performance with Laura Jane Grace bouncing around the stage. They played their best old hits (“I Was A Teenage Anarchist,” anyone?), but of course cranked out the new record, Transgender Dysphoria Blues, too.
Once Against Me!’s set ended, I had a bit of time to explore. The layout of the festival is quite nice, really. Nothing is too far from wherever you want to go and food/restrooms are almost always within arm’s reach. I had no difficulty traveling from stage to stage and found it easy to find almost everything (except for the Port Stage, that one takes a bit more exploring to get to). I can appreciate these details about a festival of this size.
I saw some old favorites one day one — Local Natives and Outkast, just to name a few — but I wanted to take the time to try something new as well. This was when I wandered to the Ocean Stage to find Nightmares On Wax. I had no idea what to expect and stood in the (what seemed to be very young) crowd, staring at the stage with the words “Nightmare On Wax” rotating in lights along the back of the stage. I began to get antsy, second-guessing my decision. Just then, the band excitedly entered the stage and began. The beat dropped and I couldn’t stop moving. The band’s sound is hard to pinpoint — there were definitely Reggae and Hip Hop influences in it, but it was perhaps more of a jam-band sound without all the instruments. I didn’t care what it was. I was into it, and so were the people around me. Not a soul was standing still. If you haven’t checked out Nightmares On Wax, the apparent brainchild of England native George Evelyn, you need to, especially when you’re sitting by the pool or driving on a summer night.
Outkast ended the night of course, playing all the hits (“SpottieOttieDopaliscious” and “Da Art of Storytellin’ (Pt. 1)” are my personal favorites, but they played a lot of their later material, too). Their show was nothing short of amazing. Andre 3000 is as odd as ever, Big Boi was as cool as ever and the two are truly a match made in heaven. You don’t need me to tell you that, though. With sore feet and limbs, I trudged back to my car to retreat for the night. I’m already excited for day two.
Things to check out if you’re Forecastling this weekend: Old Smoky Tennessee Moonshine cocktails. They are amazing. I suggest the Dolly, but they are all delicious.
Giant creatures walking around. You can find a giant monkey, bird, man, caterpillar-thing. These things just make you happy.
Poster exhibit on the far side of the festival (next to the Boom Stage). There are amazing band posters (which I’m a total sucker for) featuring tons of artists to check out. Go show ’em some love!
Cincy Summer Streets — a new free citywide festival series — takes cars off the road to make way for a pop-up playground for kids and adults alike. Like a block party on steroids, the inaugural Cincy Summer Streets takes over a one-mile strip in East Walnut Hills Saturday with activities like dance classes, yoga, magic shows, art workshops and more. Participating groups include Pones, Inc., Circus Mojo, Hoopinnati, Double Dutch Cincinnati Rope Twisters, Queen City Bikes, The Shakti Factory and The Yoga Bar. The fun takes place from 9 a.m.-2 p.m. Saturday on Woodburn Avenue between Madison Road and East McMillan Street, continuing down McMillan to Gilbert Avenue — so plan your driving and parking accordingly. Or better yet, bike over — Woodburn and McMillan will be open to foot traffic and bikes. Next month, Cincy Summer Streets heads to Northside for a similar fest Aug. 24. Find more details here.
A number of county fairs are in full swing this weekend: Kenton County (through Saturday), Butler County (Sunday through July 26), Warren County (through Saturday) and Clermont County (Sunday through July 26)
If your wardrobe could use an injection of local pride, stop by the Cincinnati T-Shirt Market Friday on Fountain Square. This annual market showcases more than a dozen local vendors. Whether you’re looking for tees representing area teams, Cincy-centric jokes or just local businesses, there are plenty of options on the square. The market runs until 11 p.m., coinciding with tonight’s MidPoint Indie Summer show. Young Colt, Mardou, DAAP Girls and Wesley Bright & the Hi-Lites will be rocking the MPMF stage on Fountain Square from 7-11 p.m.
The Burlington Antique Show has brought vintage collectibles to the Tri-state for the past 33 years. Unique, quality bits of nostalgia are all around at the show — you won’t need to rummage through tons of junk to find treasures, though sifting through the antiques is half the fun. The Burlington Antique Show is located on the Boone County Fairgrounds every third Sunday, April-October from 8 a.m. to 3 p.m. Admission is $3; early bird admission give eager shoppers early hours, 6-8 a.m., for $5.
Why not enjoy the classic
summer tradition of a picnic in the park this weekend? This week’s cover story offers six picnicking
destinations and tips on where to fill your basket nearby. Read it here.
The news transpiring this morning is all across the board.
The reshaping of Cincinnati’s downtown continues, and one of the biggest signs of more impending changes is the increase in housing in the city’s urban core. More people are interested in living in or near downtown, and developers are happy to oblige. Construction is ongoing for nearly 1,000 new apartments and condos in and around downtown, The Business Courier reports in a rundown of new construction today. The biggest projects include phase two of The Banks, which will have 305 new apartments, the so-called 580 building on Walnut Street, which is being converted from office space to 179 luxury apartments, and between 180 and 225 new apartments going in above Macy’s downtown location. There are also a number of projects happening in Over-the-Rhine, including a $26 million development in the Pendleton area that will also include 40,000 feet of retail space.
• All that change isn’t going unnoticed. It seems like I’m talking about Cincinnati making it onto some top 10 list or national publication at least a couple times a week here at the morning news, and here’s another one: Fortune magazine included Cincinnati in a list of top five cities with up-and-coming downtown areas. The article highlights Over-the-Rhine, saying, “while it’s still a work in progress, it’s already been transformed into one of Cincinnati’s most vibrant communities.” Oh, to work at a national magazine, parachute into a city for a couple days and reduce complex, decades-old dynamics into pithy, erudite observations. But I digress.
• Tea partiers won a victory of sorts in U.S. District Court yesterday when Judge Susan Dlott ruled a group of the political activists could pursue suits against Internal Revenue Service employees in Cincinnati. The activists’ claims, first filed last year, state that IRS officials unfairly flagged their applications for nonprofit status based on the fact the groups have names indicating they are conservative or have “tea party” in the name. Nonprofits can’t be primarily political, and in assessing a groups’ application, the IRS must determine the level of political involvement in which a group engages. While the IRS admits it did flag tea party groups, it also did so for some liberal groups, including Occupy-affiliated activists. Still, the conservative groups argue that the IRS acted in a discriminatory way by delaying or denying their applications. The judge’s ruling clears the way for the groups’ lawsuits to go forward.
• There’s a new senate candidate in Kentucky joining the Mitch McConnell/Alison Lundergan-Grimes fray, and he wants you to know he’s full of crap. “Honest” Gil Fulbright is a fake candidate created by represent.us, a group advocating to get big-money influence out of politics. Fulbright, who is played by an actor from New York, is pretty honest about his intentions.
“People of Kentucky, you deserve complete honesty, so here it is,” he says in a video. “I don't care about you. Unless you are a donor, a lobbyist who can write a big fat check, the result that you get from voting for me is negligible."
The parody is a way for the group to drive home its point that most politicians in Congress are beholden to the big-money donors who help them get elected. The group says satire is a more effective way to reach people than traditional news. Probably true.
Kentucky’s senate race, where Democrat Lundergan-Grimes is working to unseat incumbent and Senate Minority Leader Mitch McConnell, is expected to be the most expensive in history. Candidates and outside groups are on track to spend $100 million to convince voters they’re the better choice. A good deal of that money comes from big-money donors and PACs.
• Finally, while we’re talking about Kentucky, I need to share this story with you. The morning news absolutely does not condone law breaking, but if you’re going to do it, you might take a tip from this criminal genius. A Corbin, Kentucky man was arrested Tuesday for shoplifting. When taken to the station, he asked to make his requisite one phone call. Did he use that call to get in touch with a family member, friend or significant other who could bail him out? No, no. He used his only phone call to order five pizzas in the name of the officer who arrested him. The pizzas were then delivered to the police station, to the confusion of officers. This was either an A-plus troll move or an act of kindness. Something tells me this guy knew it was going to be a long night for everyone involved and just wanted to get the party started right. The authorities were not amused, however, and are now adding charges of impersonating an officer to his shoplifting counts.
Just like at last weekend’s Bunbury Music Festival, this weekend’s inaugural Country/Folk/Americana-centric Buckle Up Music Festival (founded by the creators of Bunbury) will feature several great Cincinnati area artists. Fans planning to attend the fest (running today through Sunday at Sawyer Point/Yeatman’s Cove on the riverfront) should definitely makes time to check out some of the locals — collectively they are proof that Greater Cincinnati’s Roots scene remains one of the strongest in the region. (Click on each performer’s name for more info and song samples and click here for a map with stage locations.)
Greater Cincinnati acts performing at Buckle Up on Friday include The Dan Varner Band (2 p.m.; Amphitheater Stage), Andrew Hibbard (2:45 p.m.; Acoustic Stage), Lonesome Jared & the Heart Attacks (2:45 p.m.; Lawn Stage), Jamison Road (4:15 p.m.; Acoustic Stage), Messerly and Ewing (5:45 p.m.; Acoustic Stage), Jeremy Pinnell and the 55’s (6:30 p.m.; Amphitheater Stage) and Pistol Holler (8 p.m.; Amphitheater Stage).
On Saturday, catch local Buckle Up performers Wild Carrot (2:45 p.m.; Acoustic Stage), Shiny and the Spoon (2:45 p.m.; Lawn Stage), Kentucky Timbre (3:30 p.m.; Amphitheater Stage), Buffalo Wabs & the Price Hill Hustle (5 p.m.; Amphitheater Stage), Arlo McKinley & the Lonesome Sound (5:45 p.m.; Lawn Stage) and The Tillers (8 p.m.; Amphitheater Stage), who recently had their amazing new music video for the track “Willy Dear” world-premiered on the site for American Songwriter Magazine.
Sunday’s Buckle Up lineup features area performers Honey & Houston (2 p.m.; Lawn Stage), Alone at 3AM frontman Max Fender (2 p.m.; Acoustic Stage), The Kentucky Struts (2:45 p.m.; Amphitheater Stage), JetSet GetSet (3:30 p.m.; Lawn Stage), Straw Boss (4:15 p.m.; Amphitheater Stage), Mark Utley and Bulletville (5 p.m.; Lawn Stage), Bobby Mackey (5:45 p.m.; Amphitheater Stage) and Noah Smith (7:15 p.m.; Amphitheater Stage).
For the full Buckle Up lineup, ticket information and more, visit buckleupfestival.com. And check out our interview with founder Bill Donabedian about Buckle Up and last weekend’s Bunbury fest here and Brian Baker's Top 10 "must-sees" here.
The Commonwealth Theatre Company's production of Route 66 continues its dinner-theater run at Northern Kentucky University. It's about a band traveling from Chicago to the West Coast in the 1960s along one of America's most legendary highways. Along the way, they meet a lot of colorful characters and see a lot of America. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele make up "The Chicago Avenue Band," who make stops at juke joints, diners, cheap motels and curio shops in this coming of age story. Through July 27. Dinner and the show ($30): 859-572-5464.
Last Saturday evening I ended up at Highlands High School in Fort Thomas to see teacher Jason Burgess's production of The Addams Family featuring a herd of high school kids from all over Greater Cincinnati and Northern Kentucky. It's a perfect musical for the program Burgess has created (C.A.S.T, the Commonwealth Artists Summer Theatre), bringing together a ton of students who are in love with theater. Surrounding the central characters in The Addams Family, nicely portrayed by Aaron Schilling as Gomez, Lindsey Gwen Franxman as Morticia and Harrison Swayne as Uncle Fester, are 18 ghostly "ancestors." Each one is costumed (designer Laura Martin) from various periods with a clearly evident character; together they sing and dance as a coherent company. (Amy Burgess served as the production's choreographer, and Alex Gartner is the music director — in creepy makeup.) Through Sunday at 2 p.m. General admission ($10) at the door or online via www.showtix4u.com.
Monday evening at 8 p.m. brings the third installment of Serials! at Know Theatre (1120 Jackson St., Over-the-Rhine). It's a wacky summer-long set of a half-dozen episodic plays by local playwrights. So far we have seen meat falling from the sky, an NSA spook monitoring a contentious couple, a kid refusing to go to a funeral, a philosophical fetus, a suicidal pair competing over techniques and more. Each 10-15 minute episode is preceded by a clever recap to catch you up, even if it's your first time there. Rest assured there are cliffhangers — not to mention Know's well-stocked Underground Bar. Admission is $15. Tickets: 513-300-5669.
Maybe the summer heat is stifling the writers’ vocab, (or they were out having too much fun this weekend at Bunbury) but there weren’t very many vocab words this week. That being said, that’s no excuse to let your vocabulary get stagnant, we’ll go with what we have …
requisite: a thing necessary for the achievement of a specific end, n.
My college education hasn’t thus far outright taught me this word, but now I see I knew it all along. I know perfectly well “prerequisite” means “course you need to take before you take you’re smart enough to take the one you really want.” So a requisite is also something that is necessary. It seems that requisite and prerequisite are synonyms (so Google tells me), why are they both needed?
In the issue: “Don’t forget the requisite potato pancake on the side,” referring to Rascals’ NY Deli in the Doggie Day in Amberley Village picnic option. I agree, potato products are a requisite for happiness — a good picnic, I mean. Is it lunchtime yet?
sycophantic: using flattery to win favor from those with influence, adj.
Without reading the definition, finish this sentence: If a journalist can be described as sycophantic, that journalist is also … ? Got nothing? Me either. Let’s get straight to the context clues.
In the paper: “Part of the problem, Sullivan said, is the failure of sycophantic Times writers and editors to ‘challenge and vet the views of these government sources,’ ” in this week’s edition of Ben L. Kaufman’s Curmudgeon Notes. In the past three weeks, we’ve heard about mislabeled sources, shield laws and jingoistic editorials — anybody else miss Worst Week Ever?
Bonus Round: The bonus round is just as long as the regular round, folks.
nascent: a process or organization coming into existence and displaying signs of future potential, adj. Like when you read blog the first week you thought, “the nascent copy editing blog.” Scavenger Hunt! Maybe I’m crazy but I can’t seem to find this word in the issue …
Exclusive cultural lesson for the week!
So there’s a movie out now called And So It Goes, with Michael Douglas and Diane Keaton. TT-stern-enzi (in a preview that was cut for space) described Keaton’s role in the film world right now as the woman that gets the lothario male character to settle down a la As Good As It Gets with Jack Nicholson. I’m not a movie previewer but maybe the preview will get posted online today (I don’t know, I’m not the web editor or anything).
So Lothario is the name of the male character in The Impertinent Curiosity, a metastory in Don Quixote. Lothario is a seducer of woman, giving his name use as a noun meaning, “a man who behaves selfishly and irresponsibly in his sexual relationships with women.”
Sideways rain and swamp-ass, but it wasn't so bad. The storms were intermittent, the day was clearly not a total washout and, out of the nine days of Bunbury over the past three years, this one might just have ended on the highest note of them all.
Upon arrival, I was greeted by above-and-beyond volunteer Jacob Heintz, who advised serious attention to hydration, as several people had already passed out from the heat. In order to accommodate more fluids, I needed to make a deposit at the Yeatman's Cove First National Bank of Evacuation.
You know what's great about the Porta-Kleens in the summer? Heated seats. You know what's not great about Porta-Kleens in the summer? Heated everything else. I felt like I was microwaved to about medium rare by the time I was done with business. But I was treated to a bit of pithy wisdom in the form of a neatly scrawled line of graffiti in the unit — "No one is free. Even the birds are chained to the sky." Of course, the trade-off is that birds can shit anywhere they like, which somehow seems to involve my windshield an inordinate number of times a week.
At any rate, a spotty rain began within minutes of my arrival, so I headed down to the Main Stage to see if things were continuing on schedule. On the way, I passed Daniel in Stereo on the Acoustic Stage, where he seemed to be offering an evocative Jeff Buckley vibe. Very nice. When I got to the Main Stage, the Brick + Mortar set had just begun. The politically conscious World Rock guitar/drum duo from Toms River, N.J., was cooking along nicely, but about three songs in, the lightning flashed, the thunder cracked and the staff shut them down.
"That sucks," noted guitarist/vocalist Brandon Asraf. "I had just tricked you into liking me for a minute." Then he launched into a stand-up comedy bit, quoting Half Baked and bemoaning his lack of life compared to his engaged drummer, John Tacon. "I'm single and chubby. What's up?" he said, canvassing the crowd.
The crew finally had to shut off the power so that was the end of Brick + Mortar. (The band will return to Cincy on Aug. 15 for a free show on Fountain Square.)
Shortly after that, the flaming finger of God erupted from multiple clouds and the rain, gentle at first, ultimately came pissing down from the heavens. I had taken refuge in the Yeatman's Cove tunnels and thought I'd gotten way lucky to avoid the torrential downpour, but that proved ineffective as well when a tornadic wind blew the rain horizontally straight through the passageway. Everyone was drenched from cowlick to ass-crack and beyond.
Luckily, the storm didn't last long and the only issue at that point was how long the clean up and reset would take. I wandered down to the Main Stage to see if Red Wanting Blue was going to happen, but it appeared as though it would take a considerable amount of time, so I motored back down to the Warsteiner Stage to see what progress had been made there.
To my unending delight, Kim Taylor was just getting started about the time she should have been wrapping up. I've been completely smitten with Kim's work since a friend at my long since defunct graphic design day job lived in the same apartment building with her. She had just begun her music career and had given my friend a copy of her self-released EP, which he passed along to me. Her gently compelling voice, her introspective and intelligent lyrics and her melancholic mastery of melody certainly gave me a chill similar to the one I felt after my first experience with Suzanne Vega, but Kim was most assuredly following a unique path, and so it has remained for the past decade and a half.
I've seen Kim numerous times over the years and written at least three features and a few MidPoint previews ahead of her releases and appearances, and she never disappoints, as an interview or as an artist. The power of her presentation at Bunbury was obvious; with no more than her acoustic guitar and drummer Devon Ashley, Kim Taylor turned the vast expanse in front of the Warsteiner Stage into an intimate performance space that crackled with a quiet intensity. It is powerful testimony to Kim's ability to hold an audience that, with dark clouds roiling overhead and thunder rumbling ominously in the distance, there was even greater drama brewing on the Warsteiner Stage.
After a quick stop to use the Big Mac Bridge as an umbrella, it was down to the Lawn Stage to witness the mind-bending energy of The Yugos. The relatively new and insanely young four-piece channel the absolute best elements of '70s Punk and New Wave with a dash of Surf and a couple hundred thousand volts of charisma. Spend any appreciable time with The Yugos and you'll detect distinct flashes of the jerky time signatures of XTC and Talking Heads, the Pop verve of Flock of Seagulls and the dark intensity of Echo and the Bunnymen. Drummer Jordin Gough jumps around the stage as though fire ants have been ceremonially sewn into his black jeans; he stands on his drum stool and beats on his kit from above, he takes the floor tom into the audience and thumps on it like a brave calling his tribe to action, while bassist Jeremy Graham provides an equally schizophrenic bottom and guitarists Christian Gough and Jackson Deal are peeling off punky New Wave riffs and licks that are as nerve-rattlingly appealing as The Cure on speed or Devo on hallucinogenics laced with antipsychotics.
At their Lawn Stage set, The Yugos rolled out their latest track, "Follow You," did the song about a dream where a robot chased Christian down a hill, constantly called out a guy in the audience that looked like James Franco, dedicated a song to Seth Rogen and implored the assembled multitude to shake their asses. Comedy, Surf/Punk and a heart needle full of adrenaline combine to make the perpetual motion music machine known as The Yugos; with five years under their belts already, they're bound to last a hell of a lot longer than their namesakes.
After a delicious burger from Dutch's in the Craft Beer Village and an equally delicious Puma Pilsner, courtesy of Black Owls hammer Brian Kitzmiller, it was a stroll over to the Main Stage to see ZZ Ward crank up her last couple of songs for a large and enthusiastic crowd and then down to the River Stage to catch a few songs from hot DJ/multi-instrumentalist Robert Delong, who filled the Serpentine Wall with Electronic music devotees who were digging his live-looped vibe with an almost religious fervor. Back on the Main Stage, Young the Giant blasted the swelling multitudes with the sticky/sweet Indie Rock hard candy that put them on a lot of attendees' must-see lists.
I took my leave of the growing crowd in front of the Main Stage — a combination of devoted Young the Giant fans and Flaming Lips aficionados staking out their space for the imminent start time — to catch The Orwells at the Warsteiner Stage. The Orwells made my personal don't-miss list after a little due diligence in checking out their history and sound online for a preview in last week's CityBeat and they didn't disappoint.
The quartet's central Illinois lineage is pretty much all the Pop cred they require and they use it to sweeten their rough-edged Garage/Punk love, as evidenced on last year's Disgraceland and the subsequent Other Voices and Who Needs YouEPs. Given the band's ramshackle nature (they'd pair up nicely with Cincy bands Mad Anthony or The Harlequins for a local show), it seemed like The Orwells might come a little unglued in the live presentation, but they were perhaps a little more restrained than I would have imagined. That could have been the post-storm vibe. They did toss out a raw chunk of the Foundations' "Build Me Up Buttercup," so that was pretty cool. Here's hoping we can get them back for a full show in better circumstances in the very near future so we can see what happens when The Orwells really put the pedal to the floor.
I reluctantly ducked out of The Orwells a bit early to establish position for The Flaming Lips’ show, given the crush of rabid fans that were in all likelihood packing the front of the stage. For the sake of full disclosure, it should be noted at this juncture that I was looking forward to this show because I am a Flaming Lips virgin. I drank the Kool-Aid with Oh My Gawd!!! way back in 1987, but missed the local show on that tour because of my freelance production schedule.
Since then, I've totally dug the studio Lips but somehow have never found my way to experiencing the live Lips; the closest I've ever gotten was nine years ago when I was in Austin for SXSW and Wayne Coyne came rolling down Sixth Street in the bubble with some sort of boombox entourage trailing behind, offering a soundtrack to the proceedings. And I suppose I could claim a certain amount of Lips cred for my two band interviews, the first with Steven Drozd in 2003 after the release of Yoshimi Battles the Pink Robots and the second with Wayne in 2008 to talk about the DVD release ofChristmas on Mars.
But the Bunbury show represented the taking of my live Flaming Lips cherry; after a quarter century of studio foreplay, I was more than ready. And what a glorious deflowering it was.
After taking to the stage, which was appointed like a Peter Max flashback of Leary-esque proportions, the Lips launched into "The Abandoned Hospital Ship," with Wayne outfitted in a tinsel hairsuit that gave him the appearance of a glammed up Sasquatch. When it was over, he greeted the crowd warmly and promised that, should the rain begin again to the extent that the show had to be stopped, the Lips would be staying and they would finish the show, no matter what. The vast expanse of Lips fans roared their relief and the band shot headlong into "Yoshimi Battles the Pink Robots, Pt. 1," and the crowd's bliss was palpable.
After a set that was filled with brilliant Lippage ("Look...The Sun is Rising" and "A Spoonful Weighs a Ton" among them), dancing rainbows, magic mushrooms big enough to give Mario a coke boner, a gyrating sun and a video/LED presentation splashy enough to trigger a mild epileptic seizure, the clouds cried just slightly at the prospect of the end of the evening. The Lips took a short breather and then returned with the biggest one-two pay-off in Bunbury's short but potent history; the gorgeously contemplative "Do You Realize??" from Yoshimi and an absolutely epic version of the Beatles' "Lucy in the Sky with Diamonds," punctuated by several blasts from the four giant confetti cannons on stage. If I smoked cigarettes, I surely would have sparked one up after that conclusion.
And thus marked the end of Bunbury's third installment. The last day's weather difficulties notwithstanding, it was another flawlessly presented and managed music festival put on by one of the city's most knowledgeable and Zen-like business heads, Bill Donabedian, and his amazing staff, who all handle every detail from gravely major to almost subatomically minor with a combination of ninja professionalism and weaponized OCD. And, as Bill would be the first to tell you, it couldn't be done without the walking live army of volunteers who make this thing run with the precision of God's pocketwatch.
Plans are already afoot for Bunbury 4; they get harder to surpass with each subsequent summer, and somehow Bill and his festival all-stars manage to do just that. See you at the gate next July.
• A lot of notable absences in the crowd this year, particularly my brother-from-another-mother Matthew Fenton. Either he just couldn't make it down this year, or he's actually perfected his cloak of invisibility and skillfully avoided me for the entire weekend. I hope it's the former.
• Even with Sunday's threatened inclement weather, or as departing WCPO meterologist Larry Handley would characterize it, the blow job that nobody wants (no, Larry wouldn't say that, but I would and, in fact, just did), there was still a great turnout for the day's lineup. There was the inevitable run-in with Brent and Kat, and that makes every day worthwhile; they headed down to Brick + Mortar and after a swing around the grounds, I headed that way myself.
• With the advent of lightning and the first shutdowns of the day, I headed for the Yeatman's Cove tunnels before things got too crazy. Moments after entering, the sky opened up and the rain pissed down, so I thought luck was on my side. I stopped to talk with a group of photographers, one of whom I've seen numerous times at Bunbury and MidPoint, which has made us sort of nodding acquaintances. We chatted for a bit, then he introduced himself as Steve Ziegelmeyer and asked if I had attended a wedding last year for someone from Jungle Jim's. In fact, my wife and daughter and I have gotten to know one of the guys from the dairy department at the Route 4 store who goes by Squidd, and when he announced that he was engaged, he insisted that we come to the wedding, which we were honored to do. Turns out Steve's wife works with Squidd's wife at Jungle Jim's Eastgate store, and he was at the wedding. And when he said it, I totally remembered seeing him there and completely blanking on where I knew him from. He gave me his card and an idea for a feature; I'll be remembering him now.
• While I was waiting to see what would come of Kim Taylor's set, up strolled Eddy Mullet and his daughter Jess, looking none too worse the wear from Saturday's festivities. (Well, Eddy doesn't drink and Jess is 17, so the beating I take is typically incrementally worse than theirs, but I digress.) When the storm cranked up again, we headed for the shelter of the bridge and told ghost stories (they've got really good ones) until the sound of The Yugos drew us to the Lawn Stage.
• We were headed to Robert Delong's set when I was waylaid by Mr. Brian Kitzmiller, a drum beater of epic reputation and a beer buyer worthy of sainthood, or at least knighthood. When I steered over to Dutch's food booth for a burger, Brian introduced me to Jerry and Pam who run Dutch's (Brian knows at least 60% of every group of people that he finds himself in), as well as a couple of guys from the band The Easthills, who were playing the part of the Black Owls this year (their early afternoon set was rained out, like the Owls’ were in Year 1.) Over by the Delong set, the ubiquitous and always welcome King Slice appeared, as did Owls bassist Kip Roe and his sons, Kip Jr. and Ben, and we had ourselves a Rock & Roll convoy.
• Just before the Lips' extravaganza got underway, I ran into 500 Miles to Memphis frontman Ryan Malott, another prince of the local music realm, who was on his way down to the Warsteiner Stage to catch The Orwells. We had talked about the show when Ryan came into Class X to do Eddy's Kindred Sanction program for a Bunbury preview and a chat about the new 500MTM album, Stand There and Bleed, and I'm glad he reminded me. As I hit the Craft Beer Village on my way to The Orwells, I was absolutely floored to see my old friend Ric Hickey, one of the best guitarists this scene has ever produced, escorting his ladyfriend Michelle down to the Lips show. We caught up for a hot minute, then went our ways. Once at the Warsteiner Stage, as The Orwells were winding up, I spotted Mark Messerly near the back of the crowd, clearly contemplating how he would approach his Messerly & Ewing gig at next week's Buckle Up. No he was not; he was drinking a beer and imploring The Orwells to ramp it up. You know Mark. Venomous Valdez was right behind him, a vision in yellow on her birthday eve. Many happy returns, double V. And I finally caught up with Ryan, who introduced me to his lovely and relatively new wife Gina (I had to ask for her name twice because I'm old, I've got 40+ years of Rock & Roll ears and The Orwells had, in fact, ramped it up). As NRBQ once noted, you're good people, you are.
• We all wound up hanging together for a good portion of the Lips' set, but one of my favorite moments was the Roe boys' faces when I confessed that this was my first live Lips lock. They couldn't have looked more astonished if I'd told them I'd just eaten a half pound of heroin-soaked grapes. Kip and his boys have seen the Lips on numerous occasions and, as a result, once we got camped near the stage, Kip Jr. tapped me on the shoulder and very politely began pointing out the elements of the Lips' set design and what everything was for. It was a very good tutorial, a sweet gesture for a teenager to connect with an old duffer such as myself, and proof positive that childrearing is a high art and Kip Roe should teach the whole bloody world exactly how to do it.
• Finally, for the third consecutive year, the unofficial and extremely subjective results of my annual “Best T-Shirts at Bunbury” competition, selected and judged by me alone. This year was interesting for a couple of reasons, primarily because of Saturday's headliners, Paramore and Fall Out Boy. Their numerous fans were displaying their band love loud and proud, but I was struck by a rather odd observation; I'm fairly certain I didn't see two Fall Out Boy T-shirts featuring the same design (at least until the day after the show, when people who didn't have shirts likely bought them at the merch booths). Someone is accruing Donald Trump-like wealth from marketing an almost endless variety of FOB tees, that's for bloody sure. The other constant on Saturday was a steady parade of people in Ramones tees, in honor of Tommy Erdelyi, the last surviving original member of the legendary Punk band who succumbed to cancer on Friday. Bogart's owner Al Porkolab used to say that the best seat for a Ramones show was across the street at Dollar Bill's, where you could hear every note perfectly. I got his point, but I preferred my Ramones straight from the pipe. At any rate, R.I.P., Tommy.
And so, as always, in no particular order, until the winner at the end:
I (graphic of Kurt Russell as Snake Pliskin) NY
Bad Decisions Make Great Stories
I Had Fun Once. It Was Awful.
Y'All (in the Yale typeface)
G-Dub (with George Washington in Raybans)
Nope (with Shepard Faireyesque cat illustration); followed by
Dope (with Shepard Faireyesque Questlove illustration)
There were many Foxy Shazam tees as well, including a vintage Flamingo Trigger design but my favorite was “Foxy Shazam. White Music for Black People”
Got B3? (I'm assuming they mean the keyboard and not the vitamin)
I Eat Glitter for Breakfast
Rock is Dead. Long Live Paper.
I May Be Your Best Option
I Ain't Even Mad
And my favorite T-shirt from this year's Bunbury crowd:
T-Rex hates push-ups (with a silhouette graphic depicting exactly why)
Another pretty good day overall. The temperature was a little higher, as was the humidity, and even when the clouds moved in and things seemed perhaps a little iffy, the good weather prevailed and all was right for the second day of Bunbury, v.3.
The day began as it ended the previous evening, with some quick face time with volunteer excelsior and one of the scene's most gifted guitarists, Jacob Heintz. A Bunbury blessing from Jacob is the first step in a great day. And before I'd even gotten to the gate, I was called out by Brandon Weaver, owner/operator of Iron Wing Studio in Covington, who hosted my interview with Seabird last year; he's got a great facility and he's a really nice guy, so if you're looking for a place to paint your sonic masterpiece, give him a call.
I wasn't really committed to seeing anything until relatively late in the schedule, so I decided to just float around the stages for the first few slots and maybe do a little sampling from each. It was a pretty successful plan, as it turned out.
My first stop was the Warsteiner Stage to check out Miner, but the guy at the mic introduced the group as the Family Band, so apparently there was a Miner adjustment. Hahahahahahaha. I'm laughing because I know you're not. At any rate, the rather large band sounded a lot like our own Josh Eagle and the Harvest City, if they'd been juiced up on My Morning Jacket. They were quite good.
Next it was a quick jaunt down to the Amphitheater Stage to see Brent James & the Vintage Youth. What started out as super tight bar boogie a la Aerosmith evolved into a super smart Rock show that drew on any number of potent influences, all of which were on full display when James and the Youth rolled out an absolutely jaw-dropping cover of Johnny Cash's "Folsom Prison Blues," a blazing blend of Bon Jovi dramatics and Georgia Satellites off-the-rails jamarama. Equally impressive was James' soulful swagger on "Needle to the Groove," and imagine my surprise when James called out his band, which includes regional wunderkind Ricky Veeneman, who won the 1999 Jimi Hendrix National Guitar Competition (when he was 15, by the way) and bassist Matt Gandenberger, who provided four-string assistance on a couple of tracks on Ricky's 2003 album, Change. James noted that the band would be opening for ZZ Top at the Horseshoe Casino in the near future, so here's a note to ticketholders — don't skip the opener.
After the Vintage Youth, I wandered down to the Main Stage to take in a little of Crass Mammoth's set. After a handful of songs, they struck me as gritter, punkier Modest Mouse with a Classic Rock vein and melodic Pop undercurrent that guitarist/vocalist Joseph Crowe characterized as "the cute part of the show." And once that was concluded, the north Georgia trio went right back to raw and ripping mode. There's a good chance that Crass Mammoth made as many new fans today as they drew from their fervent existing fan base.
From there, it was back to the Warsteiner Stage for an uplifting and raucous set from the pride of Hartford, Connecticut, Bronze Radio Return. Although there was more than a hint of Mumford and Sons/Lumineers Folk/Pop to BRR's presentation, there were also Rock elements ranging from The Black Crowes to Tom Petty to shades of Crash Test Dummies. The band drew a relatively big crowd and a good many of them were already fans, as evidenced by the large number of people singing along with nearly every song. Bronze Radio Return's frontman, Chris Henderson, was engaging and very much the band's ringmaster, their material was anthemic and joyful and I would love to see what the band would do with a long form set.
At this point, I decided to get my wander on and just roam the Bunbury grounds getting a taste of the musical talent that had been assembled for Day 2. First, there was New Politics down at the Main Stage, which reminded me of Neon Trees with a considerably heavier bottom and a Hip Hop heart. Next up was Bonesetters, a great Americana/Indie Rock band from Indianapolis that shimmered in the heat of the Lawn Stage with a palpable Jim James/Ryan Adams/Eef Barzelay vibe. Then it was back over to the Warsteiner Stage to catch a few songs from Nashville's Fly Golden Eagle, an atmospheric Roots/Soul/Psych Rock aggregation that grooves and jangles and totally lives up to the title of their 2011 album, Swagger. They've toured with Alabama Shakesm Dr. Dog and Arctic Monkeys and garnered comparisons to Lips both Black and Flaming, Beck and the Black Crowes, and that adds up to a band that needs to come on back.
After digging a few FGE songs, I drifted down to the Amphitheater Stage to enjoy local-girl-made-good Jesse Thomas, who's gotten her songs placed on Shameless and Hart of Dixie. The L.A. resident/Covington native has a tang and twang that suggests Patty Griffin, Kathleen Edwards and Shawn Colvin, and that ain't bad company no matter how you slice it. Jesse drew a pretty healthy hometown crowd and she made the most of her first festival appearance, Bunbury or otherwise.
After Jesse Thomas' spirited set, it was a short stroll over to the Lawn Stage to experience the full frontal assault of Nashville's Modoc, who I got into by way of a story I did earlier in the year on Melvin Dillon and his vinyl-only label Soul Step Records. Modoc was one of Melvin's early signings when he approached the band about pressing vinyl on their excellent debut full-length. In the studio, Modoc make a mighty racket that crashes happily at the intersection of Led Zeppelin and Southern Rock, but everything that the band does so well in the sterile confines of the recording booth are amplified a dozen times and set ablaze like Jimi Hendrix's Stratocaster. Thunderous riffs, razor wire slide leads, pummeling bass lines and a drum sound heavy enough to drill through solid bedrock, Modoc does it all with a wink/nod sense of humor and a joyful passion that comes through with every note. They've played a couple of MidPoints (they’ll be back for this year’s MPMF) and they're building a pretty sizable following, if their Bunbury turnout was any indication. And as frontman Garry Crisp so eloquently put it, "We love Cincinnati. It's got sin in it twice!" Right back atcha, G-Dawg.
I managed to see at least some of Jane Decker's set. I'd talked to Jane and bassist Mitch Winsett two years ago when Belle Histoire was still a viable concern, but the band has since scattered to the wind and Jane has stepped away from a band configuration to make her mark as a solo artist. Her Bunbury set was supposed to be a full band gig, but something happened in the days before the festival and she wound up on the Lawn Stage singing to the acoustic guitar accompaniment of Sean (just Sean, apparently), her songwriting partner on a good deal of the album that is currently being mastered for an imminent release. Jane auditioned for The Voice last season and was bounced because the judges didn't know what to do with her. As I sat listening to her acoustic set at Bunbury, her incredibly poppy songs stripped to the essentials of Jane's beautiful Dolores O'Riordon-tinted voice and the simple counterpoint of Sean's tasteful acoustic soundtrack, I cannot imagine what Adam Levine wasn't hearing. Any of the songs Jane presented in her acoustic set could be produced up to megahit proportions and go toe-to-toe with Lorde, Arianna Grande, or whoever is the flavor of the moment. It certainly seems like Jane's moved beyond The Voice incident (the failure being theirs and not hers), and is ready to pursue her dream and make a skadillion dollars without Blake Shelton's help.
Molly Sullivan won the Singer/Songwriter CEA back in January and every time she puts herself in front of an audience, she offers a little more evidence to support that honor. She has an amazing vocal range, from midnight howl to 3 a.m. hush and she has the uncanny ability to shift from melodic Folk/Pop beauty to dissonant Jazz artfulness while retaining the thread of her creative identity. Molly's set at the Acoustic Stage was simply fantastic, further proof that her CEA win was no fluke and is likely to be followed by a few more similar triumphs down the line.
Over at the Main Stage, it wasn't too hard to see why Paramore is the current darling of high-octane Pop Rock. The band was physically moving air during their powerful and obviously well received set; their drums pounded their way into your rib cage and altered your heartbeat to a different time signature. I stuck around for a handful of songs but ultimately opted for an early exit in order to find some prime real estate on the Serpentine Wall.
Tonight would be Foxy Shazam's second appearance at Bunbury, and they had their work cut out for themselves. No one who witnessed their gig at the inaugural Bunbury two years ago will ever forget it; frontman Eric Nally imploring the Reds' Joey Votto to "hit the motherfucker out of the park," and Sky White tossing his keyboard into the crowd and then leaping in after it, continuing to play while the audience held it and him aloft. Oh, and they played a lot of great music. And therein lies a common misperception, that the band's onstage antics are somehow going to detract from their musical performance. This notion is typically floated by people who have never seen Foxy Shazam work an audience like a skilled pickpocket while simultaneously putting on a dazzling Rock show.
As advertised, Foxy presented their new album Gonzo in its entirety for the first 30 minutes of the set, with bassist Daisy Kaplan on guitar and guitarist Loren Turner on bass (it was a device they used to jump start the writing process and they decided to maintain the set up for the live translation). Where The Church of Rock and Roll was more of an immediate album, Gonzo is a work that reveals its gifts slowly, and those albums always seem to wind up being fan favorites. The packed Wall showed their appreciation for Gonzo with a fevered response to each of the album's nine songs.
Of course, it wouldn't be a Foxy show without Nally's brilliant non sequitur patter — like "The only difference between me and a scholar is how much we paid for what we know," and "If it was legal to shoot people, I'd be dead." The real showstopper came in the second half of the set, when Foxy hauled out the back catalog and Kaplan and Turner returned to their regular roles. By this time, trumpeter/vocalist Alex Nauth had tossed his horn into the light rigging a half dozen times, White had played his keys with his ass and Nally had somersaulted, vaulted, balanced and slid all over the stage.
After blowing through high voltage turns on "Holy Touch" and "I Like It" (where Nally adlibbed, "Let me see your butthole, baby," something I'm fairly certain I never heard Barry White utter), among others, Nally introduced the band's last song of the evening thusly: "This next song, this last song, is about time travel. I wrote it next week." And with that, Foxy Shazam roared headlong into "Unstoppable," the anthemic 2010 hit from their self-titled album. As the band neared the end of the song, Nally called for cigarettes from the crowd; grabbing one from a pack, he lit it with a lighter thrown on the stage and called for the lights to be killed. As "Unstoppable" faded to its squalling conclusion, Nally blew sparks out of the end of the cigarette into the darkness on the stage, and then shrieked, "You're all pregnant!" He dropped the mic, the lights came up and that was the end. As unlikely as it seemed less than an hour before, Foxy Shazam had indeed cleared the bar they'd set two years ago. As the late Jack Palance used to intone on a weekly basis, "Believe it … or not."
I hung around after Foxy to chat with ClassX Radio’s Eddy Mullet whose daughter had a little trouble with rude doofuses, but he handled it with aggressive diplomacy. We were talking about our plans for the end of the evening, and I was tempted to bail on Fall Out Boy to get home and get started on these reviews, while Eddy seemed ready to call it a day as well. But at the last moment I decided to catch at least a few songs from the last band of the day, and announced it with the unfortunate phraseology, "I think I'll go check out a little Boy." Eddy's daughter Jess went, "Uhhh. …" Point taken.
So we all headed off toward the Main Stage area, me to find a good viewing position and them to see if the exit next to the stage was open (it wasn't). Having come this far, Eddy decided to stick around as well, and so we all lingered for a bit to witness the Pop/Punk majesty of Fall Out Boy. I've always liked the Wentz/Stump dynamic, perhaps not enough to passionately explore their output, but more than enough to appreciate the fact that they've elevated the conversation in the genre. But as Shakespeare noted, the play's the thing, and Fall Out Boy do the thing pretty well.
Bookended by festival closers that were and would be visual orgasms of color and light (Empire of the Sun on Friday, Flaming Lips on Sunday), FOB chose to make their presentation the spectacle, playing their hits and beyond with an expansive flair without forgetting that they were compact and energetic Punk-tinted Pop songs. About midway through the set, an already adrenalized crowd went ballistic when Paramore's Hayley Williams stepped out to duet with the band on "Sugar, We're Goin Down," and the frenzy just continued from there. Patrick Stump played to the hometown crowd by giving a shout out to "our friends in Foxy Shazam," which was nice, and later Stump asked how many parents were in the audience, and reminisced how his father would take him to Punk shows in Chicago when he was a teenager, and as a tribute to all the DNA-linked chaperones in attendance, peeled off a sweet version of "We Are the Champions," followed with an incendiary spin through "Save Rock and Roll."
At that point, we took our leave to beat the rush; as I was headed toward my car, I could hear the strains of "My Songs Know What You Did in the Dark," and I was really glad I'd stuck around to experience Fall Out Boy in this perfect setting.
• On Bunbury Day 2, I began the day by filling the gastank with a carton of Island Noodles (with the teriyaki chicken, thank you), an amazing repast that lasted well into the evening, when I had a slightly less amazing but incredibly delicious Kobe Dog from Dutch's booth. Both are highly recommended (but the noodles are less likely to stop your heart; on the other hand, we're walking it off, are we not?)
• Saturday had a much different crowd vibe than Friday, due to the headliners for the evening, Paramore and Fall Out Boy. Usually I run into a half dozen friends and acquaintances before I've decided on which lunch and what beer to chase it. But it wasn't too long before I ran into Brent and Kat, the scene's most visible couple. They mentioned they were going to catch an unannounced set by Billy Catfish, and Kat said that she had noticed a distinct similarity between Billy's eyes and Brent's eyes. To that end, she noted that if Brent kicks it, she's going to ask Billy out. To which Brent replied, "If Kat dies, I'll ask Billy out, too." Together in everything, as it should be. Not long after, I crossed paths once again with another prince of the realm, The Ready Stance's Wes Pence and his son Wyatt, on the lookout for action of every imaginable variation. If you don't know Wes, there is a great gaping void in your life. And if you don't know The Ready Stance, same thing. As Dr. Steven Brule says, “Check it out.”
• I had seen photographer extraordinaire (and CityBeat alum) Sean Hughes having a little difficulty getting into the photo pit at the Warsteiner Stage with his pass on Friday (for the love of Annie Leibowitz, do you people know who he is?), and I told him that I was about to come over and throw my weight around. Not influence — I have none of that anywhere — but my actual weight. I can create a fatass distraction like nobody's business. On Saturday, Sean noted that he could have used my help later the day before, but I reminded him, "I can't be where you are, you have to be where I am, that's how my fatassery works." Then he saw girls in the misting station and said, "People getting wet … that's my thing," and off he went. Another prince? Most assuredly.
• At the Modoc show, I caught up with Soul Step Records owner/operator Melvin Dillon and his lovely sister Wendy. I figured I'd see Melvin there; he's a big fan of Modoc, having sought them out specifically to press the vinyl version of their self-titled debut LP. Melvin mentioned that he's currently working with a big name local band (I won't jinx the deal by announcing anything … yet) to do the vinyl version of their new album. Stay tuned. It will be epic.
• Once again, ran into Eddy Mullet, only this time with two daughters in his entourage; his youngest daughter Cassie was along for the ride on Saturday. Not quite the music fan that her sister Jess has become, Cassie did have a full-bore good time at the Foxy Shazam extravaganza, so she may be making some forays into the local music world with dear old dad in the near future. Or maybe not. Kids will always find their own way.
Here it is: Everything (well, probably) that you need to know today.
The struggle to pay for renovations for Union Terminal and Music Hall continues to make news, with articles out this morning exploring the details of the buildings’ ownership and why a tax hike to fix them up won’t be like the much-loathed 1996 stadium deal. The Enquirer delves into the reasons why the city isn’t responsible for upkeep of the buildings even though it technically owns them. Basically, non-profits that lease the spaces are contractually obligated to pay for their maintenance, though the city also pitches in some funds to help. Meanwhile, the Business Courier has a look at the way a tax hike would be structured. The piece points out that the increase doesn’t make the same assumptions about economic growth that the stadium deal did, and is therefore unlikely to balloon out of control.
• P&G left the game, but it turns out the game needs it. That game is adult diapers. The Cincinnati company is considering jumping back into adult incontinence products after leaving a decade ago. P&G already makes diapers for babies, and with the market for adult diapers growing by 8 percent a year, it’s an easy and attractive step that could net P&G $500 million annually. That’s great, but I find it a little depressing that as a nation we’re having a harder and harder time not peeing ourselves. But hey, the market is getting bigger because we’re all getting older because we’re living longer, right? That’s a good thing.
• One of the many reasons I left my former city of residence, Washington D.C., was a whale. A pink, cartoonish whale with a smug smile. Call it a reverse Ahab situation–I tried to avoid it, but instead of being elusive, it was ubiquitous. I came back here, to landlocked Ohio, partially to escape it. But now it has followed me. I’m talking about the logo for Vineyard Vines, an up-market clothing brand that recently announced it may build its first Ohio store in Kenwood. The brand specializes in a certain kind of east coast prep look. Think boat shoes. Novelty ties. Business casual pants in salt water taffy colors, or with little whales all over them. It’s a very Washington vibe, and before now you had to drive hours to get it. But soon, you too can be covered in little pink whales. It’s great news on the development front, to be sure, but it also gives me flashbacks to my time elbowing through gaggles of Georgetown grads for a spot at many a bar in DC.
• Cincinnati Symphony Orchestra and Christian Moerlein are teaming up to create a Lumenocity-themed beer for next month’s light show. Do I really need to say anything else about that? Sounds awesome.
• Ohio’s Board of Education is investigating reports that a Dayton charter school has been the site of racism, sexual misconduct, testing irregularities, misreporting of attendance figures, and other problems. A number of former teachers have testified that Horizon Science Academy has been mismanaged. The school is run by Chicago-based Concept Schools, which operates 19 schools in Ohio. The education organization is already under investigation by the FBI.
• Finally, the Transportation Safety Administration (you know, the folks who make you wait in line forever and have a machine that can see through your clothes) is probably one of the most-hated government agencies, but they can write a good blog. Their last few, about some of the crazy things people try to take through airport security, are pretty good reads (with pics!) Highlights include loaded guns, bullet-shaped knives, throwing knives, blades stashed in Scooby Doo greeting cards, fireworks, spent artillery shells and bear repellent. Four words for Samuel L. Jackson in case he’s looking for his next project/sequel opportunity: Bears on a Plane.
Good morning all. I may be writing this news rundown from my porch at home, enjoying the amazing weather and eating Graeter’s black cherry ice cream for breakfast, but that doesn’t mean I’m not real, real serious about the news. Let’s do this.
As we reported yesterday, the Obama administration is expected to jump into the fight over early voting in Ohio. U.S. Attorney General Eric Holder made remarks, released yesterday, indicating that the Justice Department will file with the Ohio ACLU and other civil rights organizations already fighting reductions to early voting in the state. The administration has made voting rights a key issue following last year’s Supreme Court decision that rolled back certain sections of the 1965 Voting Rights Act.
• The head of Cincinnati Metro resigned yesterday, according to a press release by the Southern Ohio Regional Transit Authority. Metro’s CEO Terry Garcia Crews will step down immediately and will be temporarily replaced by Darryl Haley, who was Metro’s executive director of development. Metro will conduct a national search for her permanent replacement. In the press release, Crews says she’s leaving to focus on her family, including her parents, who live out of town, and to continue her transportation consulting business.
“I have great confidence in the leadership and the team at Metro and community leaders to carry forth the discussion and implementation of expanding public transportation in this community,” Garcia Crews said.
Metro gives about 17 million individual rides each year. Its role looks to grow as transit needs in the city expand and the streetcar comes online next year.
• There was some drama in Over-the-Rhine last night, though the actual situation was not quite as intense as initial reports made it out to be. Police entered a building at 13th and Walnut to do an inspection at the request of the building’s owner. They came upon a man who fled from them. As he fled, a gun the man was carrying went off. Multiple news outlets reported the officers had been fired upon and that a standoff situation was developing. In reality, the gun accidentally went off as the man attempted to hide it in his pants. Which, yeah, probably not a great idea, but there you have it. The man fled to another building, threw the gun out a window and hid. He was arrested a short time later and faces multiple charges today. Still a scary scenario, but, you know, not exactly a police shootout.
• A list put together by CityLab shows that Cincinnati is among the top cities in the country when it comes to design. While we all know the Queen City has some great graphic design and marketing talent, it’s surprising to see the city also ranks impressively high for industrial design. Our fair city is well-represented in nearly every category measured, which is pretty cool.
• Remember that guy who threatened to shoot down a helicopter a couple days ago? Yeah, a judge told him today to cool it with the guns for a while, and required him to turn over his firearms to authorities. I’m sure there are some hardcore gun rights activists out there fuming about how the government is infringing on his 1st Amendment right to express displeasure with helicopters and his 2nd Amendment right to bear arms, but me, I’m perfectly OK with it in this particular case. At least he didn't try hiding them in his pants.
• The race for Ohio governor is getting interesting. Democratic contender Ed FitzGerald’s campaign is citing polls that show him neck and neck with incumbent Gov. John Kasich, though, as with any poll that a campaign is excited about, it’s probably best to be wary. The poll was paid for by the Ohio Democratic Party and echoes another recent Democrat-funded poll showing FitzGerald within striking distance. However, both of these polls contradict earlier independent polling done this spring showing Kasich ahead by as many as 15 points.
FitzGerald’s campaign is getting proactive, though, dropping its first TV ad today. In the ad, FitzGerald implies that Gov. Kasich is all about the 1 percenters.
“Who is the promise of Ohio meant for?” FitzGerald asks in the 30 second spot. “Just the wealthy and well-connected?”
FitzGerald gives a shout out to “Ohioans who get up early and get it done every day,” which made me kind of feel bad about working from home while eating ice cream. He goes on to promise support for the state’s middle class, including more funding for teachers, police and firefighters. Though he never mentions Kasich by name, he hits on the idea that the current administration favors the wealthy again at the end of the ad.
Meanwhile, an attack site paid for by the Ohio Republican Party against the challenger called fitzgeraldforohio.com just sprung up. The site mostly attacks FitzGerald on his first choice of running mate, former lieutenant governor candidate Eric Kearney. Kearney quit the ticket in December last year after it was revealed he owed a large amount in back taxes. The site also features an ad linking FitzGerald to former Gov. Ted Strickland, who has endorsed FitzGerald. The ad argues that Strickland was bad for Ohio and FitzGerald would be, too.
In a kind of strange twist, however, the ad seems to blame Strickland for many ills Ohio faced due to the great recession, including spiking unemployment and budget overruns. As if those same dynamics weren’t happening in nearly every state around the country during Strickland’s term from 2007 to 2011, when the recession was at its worst. The candidates’ next filing deadline is just a couple weeks away, and it will be interesting to see if either grab more big bucks. Stay tuned.
going back to the land of Muncie, Indiana, where we don’t have cool stuff like
altweeklies or rideshare competition, which you can read about in this week’s cover
story. We have to like, walk home from a night out like the plebeian college
students Nick ran into, because who can pay someone $24 to drive them home?
That’s more money than I’m going to lose if I get jumped while walking.
Anyway, I wish the future copy of CityBeat the best of luck until there’s a new copy editor and from now on, you’ll have to rely on context clues to decipher CityBeat writers' language.
Acrimonious: caustic, stinging or bitter, adj.
If something is acrimonious, I bet it sounds like a really bad song. It’s like harmonious, but acidic. Except, not at all.
In the issue: “Hurricane Katrina forced a lengthy stay in Austin, Texas in 2005 and the following year saw the acrimonious departure of Huston,” in Brian Baker’s Sound Advice on The Iguanas. Maybe Huston just wished they had stayed in Houston instead of Austin and that’s why he left. Sounds sad. Looks like the rest of the band is still doing alright without him, playing shows and selling albums and whatnot.
Mandala: a schematized representation of the cosmos in Oriental art, n.
In my head I pictured this as a mandolin, a menorah and gondola all combined, but that’s just me. This is the first word in today’s blog under the category of Nouns You May Not Have Known and Will Never Use.
In the issue “The first and last paintings in Elvis Suite are more like multi-bordered mandalas or horoscopic charts,” in Steven Rosen’s Art Shook Up (what a clever title) about the Elvis Presley portrait exhibit currently at the Carl Solway gallery. Yes, if you haven’t read the article yet, that’s right. There’s a series of calendar art focusing on Elvis of which the first and last pieces are schematized representations of the cosmos because that has so much to do with Elvis.
Morass: a troublesome situation difficult to get out of, n.; and "maelstrom": a disordered state of affairs, n.
These words go great together. Next time you’re really upset just run around and be like “This is a maelstrom and a morass!”
In the issue: “Maybe, in all the morass and maelstrom of confusion, violence and power play …” in Kathy Y. Wilson’s column, "Elevators," where she talked about domestic violence and briefly mentioned that elevators serve as a catalyst for it before talking about more serious things than elevators.
Tulpa: a being that is created in the imagination through visualization techniques such as in Tibetan mysticism, n.This is the second and final word of the day under Nouns You May Not Have Known and Will Never Use.
In the Issue: Again in "Art Shook Up," Laffoley, the artist, said he wants to “take calendar art and turn it into a meditation series in which the fans attempt to recreate Elvis’ existence as a tulpa.” You read that right. That went from calendar art to mysticism real fast.
take back what I said earlier. You may use this word again. You may in fact use
it if you take Laffoley’s advice and see these images of Elvis, he will become a
choose-your-own-tulpa-Elvis: Will you pick the Christmas Album Elvis or the Aloha
From Hawaii Elvis?
The Senate (America’s most powerful deliberative body, not the hotdog place on Vine Street) voted yesterday
to approve former P&G CEO Bob McDonald as head of the Department of
Veterans Affairs. The vote was 97-0, and while such approvals are
usually kind of a mundane procedural affair, they’ve been pretty
difficult with many Obama nominees due to a pretty rowdy, partisan
Senate. Some expected McDonald to have some trouble during the
process, but the near-unanimous vote signals a vote of confidence in
the former Army Ranger and Cincinnati native. McDonald has pledged to
make reforms to the troubled VA within 90 days of starting his new gig.
• Mayor John Cranley has indicated his pick for the city’s next City Manager — Harry Black, finance director for the city of Baltimore. Cincinnati City Council will choose between Black and current interim City Manager Scott Stiles, who has served since Milton Dohoney stepped down last year after Cranley’s election. Black, 51, grew up in a rough neighborhood in Baltimore and describes himself as “an inner city kid who has been fortunate enough to have some breaks.”
Black says he’ll put an emphasis on data-driven decisions and accountability. He sees a “tremendous” potential in Cincinnati and would like to shore up long-term financial planning here as well as create new ways for innovation to happen in the city.
Though Cincinnati would be his first time as a city manager, Black has served more than a quarter century in city government roles, mostly in finance, and has also worked in the private sector. While many praise his work, he’s also acquired a reputation for toughness. Before his job in Baltimore, Black served as chief financial officer in Richmond, Virginia, where he was involved in a long fight between the mayor and city council that earned him the nickname “Mr. Pitbull.” He says that’s a misleading name and that he’s grown from the turbulent times in Richmond.
• The city has unveiled the design for the streetcar’s power station. It appears the station, which will run power to the streetcar lines, will be a big rectangle on Court Street made out of bricks. It will also be adorned with artwork and some steel pieces, making it only slightly more visually interesting than the proposed GE building at The Banks.
What’s more interesting, to me, at least, is the logic behind the building’s location. It can’t go on Central Parkway, officials say, because of structural issues with the subway tunnels. And it can’t go in the subway tunnels because, according to the Business Courier, the long-term transit plan for Greater Cincinnati calls for the tunnels to be used for rail transit some day. I’m not holding my breath for the subway to start operating (that’s how many of my ancestors passed away), but it would be awesome to see rail travel going through those tunnels someday.
The city also revealed it will replace the 14 parking spaces the building would eliminate, answering concerns about parking loss due to the new structure.
• If you have plans this weekend that involve traversing
I-71, beware. The southbound side of the highway will be closed at the
Dana Avenue exit from Friday, Aug. 1 at 10 p.m. until Monday, Aug. 4 at 5
a.m. If you try to go that way, you’ll be routed along the Norwood
Lateral to I-75. Just a heads up.
• A recent piece on urban planning and development blog UrbanCincy.com asks some good questions about a large proposed 3CDC development at 15th and Race streets in Over-the-Rhine. The development, which is currently on hold, would look a lot like Mercer Commons just to the south, span most of a block, contain 300 parking spaces, 22,000 square feet of retail, and just 57 residential units. The piece questions whether the development as planned is really in the spirit of what residents want and what’s best for one of the city’s most promising pedestrian neighborhoods. It’s worth a read.
• Finally, a new Quinnipiac poll shows incumbent Gov. John Kasich, a Republican, up 12 points over his challenger, Democrat Ed FitzGerald. That’s a huge gap, with FitzGerald trailing badly in terms of the number of Ohio voters who recognize his name. Sixty-five percent of respondents said they had no opinion of FitzGerald. That’s bad news, but it’s better than the 15-point deficit FitzGerald had in May, the last time the poll was done. Still, he has serious ground to cover in the three months before the November election. The challenger has been campaigning for more than a year and a half on promises to make higher education more affordable and reform the state’s charter school system, among a number of other talking points. FitzGerald’s campaign is heavily outgunned financially, with just under $2 million to Kasich’s $9 million. The challenger’s campaign recently launched its first TV ad, though Kasich has been running them for months.
The Cincinnati Art Museum on Tuesday announced in this press release its new director, who is replacing Aaron Betsky. The latter announced his resignation late last year and left his post in May.
CINCINNATI - JULY 29, 2014 – The Board of Trustees of the Cincinnati Art Museum today unanimously voted to name Cameron Kitchin as the museum’s director. Kitchin, a nationally recognized innovator and leader in the museum field, comes to Cincinnati from the Memphis Brooks Museum of Art in Memphis, Tenn., where he served as director. Kitchin will begin in his new position on Oct. 1. He will report to the museum’s Board of Trustees.
“On behalf of the Board of Directors of the Cincinnati Art Museum, I am excited to announce the appointment of Cameron Kitchin as our new director,” said Marty Ragland, president of the Board of Trustees and co-leader of the search committee. “From Day 1, our members and patrons, as well as members of our search committee, board and staff, agreed that, in addition to being an accomplished museum leader, our new director must have a passion for art, be a strategic thinker and embrace our city with the goal of bringing people to the enjoyment of art. We found these qualities and many more in Cameron.”
Kitchin will oversee the entire institution, including collections, staff, facilities, exhibitions, research resources, education and outreach programs, external relations, fundraising and administrative activities. As an arts and cultural leader, Kitchin will initiate, maintain and develop new partnerships and collaborations in Cincinnati, the state and the region to enhance and support the Cincinnati Art Museum’s mission to bring people and art together in ways that transform everyday lives and the community.
Kitchin’s appointment comes at the end of a nearly seven-month search by the committee led by Ragland and board chairman Dave Dougherty. The Board of Trustees also hired professional search firm, Russell Reynolds Associates, to help guide the process. Kitchin won the unanimous vote of the search committee prior to going to the board vote.
"I am greatly honored to be appointed to serve as director of the Cincinnati Art Museum,” Kitchin shared. “I look forward to joining with the Cincinnati community to grow the museum's role in the life of our new city. I have long admired the Art Museum’s exhibitions, programs, collections and transformative educational initiatives. I am excited now to lead a team of talented professionals and supporters, with our dedicated trustees, to expand the impact and to broaden the reach of the museum to serve all Cincinnatians."
Kitchin led the Memphis Brooks Museum of Art, one of the South’s leading art museums, for six years. He oversaw the growth of the museum as a community-based institution, leveraging the museum’s significant collections and history to forge new partnerships with a wide network of cultural institutions, educational entities, universities and social service agencies. Under his leadership, the Brooks engaged in rigorous new educational initiatives, pursued exciting original scholarship and successfully achieved broad appeal in exhibitions and programs. Kitchin led the museum through two comprehensive strategic plans, a capital plan and a groundbreaking program in early childhood education in partnership with the Smithsonian Institution. Other significant new achievements included art therapy, Alzheimer’s services, teen art programs and overhauls of critical museum systems, collections databases and security infrastructure. Kitchin’s innovations and effectiveness in reaching new audiences across the entire community, building bridges through public service and leading a diverse and talented professional museum team drew the attention of the Cincinnati Art Museum’s search committee. In addition, Kitchin’s use of technology as a tool for exploring art and his creative public programming impressed the museum’s board.
Prior to joining the Memphis Brooks Museum of Art, Kitchin served as executive director of the Virginia Museum of Contemporary Art, the statewide contemporary art museum in Virginia. During his six years there, he led the museum through a comprehensive institutional revitalization, increased visitation and achieved a balanced budget every year. He also mounted numerous acclaimed exhibitions of national and international note while simultaneously opening the doors to new audiences through creative programming. His successful completion of a major capital campaign and commitment to social discourse at the museum raised the museum to new heights during his tenure.
Previously, Kitchin managed Economics Research Associates’ national consulting practice for museums and cultural attractions for three years in Washington, D.C., and led the economics component of Washington’s Museums and Memorials Master Plan, as well as studies for the Newseum and National Law Enforcement Museum in Washington, D.C. In previous engagements, he directed the American Alliance of Museums’ strategic planning process, headed AAM’s national political campaign in support of museums and led a complex digital copyright initiative for museums.
Kitchin is an active member of the Association of Art Museum Directors and has served on numerous task forces, including one on AAMD’s national standards on deaccessioning and broadened and diversified the membership of the association as an appointee to the AAMD membership committee. He received a bachelor’s degree in fine arts from Harvard University in 1993 and an MBA with a concentration in not-for-profit and museum management from the Mason Graduate School of Business, William & Mary in 1999. Kitchin was also selected from among top international museum professionals to participate as a residential program fellow in the Getty Leadership Institute’s Museum Leadership Institute, the most rigorous and longest-established academic program for interdisciplinary museum leadership, in 2008. He is also an AAM accreditation peer reviewer, an IMLS national grant panelist and an active leader in numerous professional associations and societies.
Kitchin will relocate to Cincinnati this fall. He will be joined by his wife Katie - a national public policy expert in homelessness and child and family wellbeing - and his three young children, ages 10, 7 and 3.
Good morning all! Here's what's happening today.
A Hamilton County judge yesterday ordered the city to pay back the $4 million it borrowed from neighborhood funds in 2012. We reported on that money and other budget-related cuts to neighborhood funds in June. Common Pleas Judge Robert Gorman wasn’t amused, called the arrangement, which borrowed a total of $5 million from 12 neighborhoods, “creative financing.” He ordered the city to avoid such arrangements in the future. The city has paid off $1 million of the loan and had originally intended to pay the rest back in 2015. But that repayment was pushed until 2017 in Mayor Cranley’s recent budget. Now, the remaining money will be paid back on a court-ordered timeline that has not yet been set. The city hasn’t budgeted for that quicker repayment, though it says giving the money back won’t affect city services. The city originally borrowed the money to cover a debt to Cincinnati Public Schools.
• Mayor Cranley announced yesterday that the city is willing to commit $200,000 a year for 25 years toward upkeep of Union Terminal, a show of support that seems aimed at convincing Hamilton County Commissioners to put the so-called icon tax on the November ballot. The Cultural Facilities Task Force, a group of business leaders tasked with finding ways to renovate the crumbling train station as well as the city’s historic Music Hall, suggested the .25 percent tax hike earlier this summer as the best way to raise some of the estimated $330 million or more needed to fix up the buildings. The city already pays the $200,000 a year to help with Union Terminal’s maintenance requirements, but it isn’t required to do so. Cranley’s proposal would simply lock that amount in long-term.
• Dog owners in Cincinnati could soon be held more responsible for vicious pets. When it gets together again next week after its summer recess, City Council will consider an ordinance proposed by Councilman Chris Seelbach that would impose up to six months in jail for owners of dogs who seriously injury people. The proposed law doesn’t stipulate certain breeds and kicks in the first time a dog injures someone. Currently, no such penalties exist. A violent attack on a 6-year-old girl by two pit bulls in June resulted in only a $150 fine for the dogs’ owner.
“For decades the city of Cincinnati has given a free pass to owners of dangerous and vicious dogs who attack children, adults and other pets in our community," Seelbach told The Enquirer. "The vast majority of these attacks are due to negligent and irresponsible owners. It's time to eliminate the free pass."
• More trouble for the Department of Veterans Affairs, and this time it’s local. According to a federal report released Monday, accusations have surfaced that the Cincinnati VA hospital engaged in manipulation of patient wait-time data. Officials at the 277-bed hospital in Corryville altered records to hide the amount of time patients had to wait for care, according to an anonymous whistleblower cited in the report. Charges of record manipulation covering up long wait times for patients have brought intense scrutiny to the entire VA, sparking further investigation of 112 VA clinics nationally. Wait time data is tied to employee performance reviews and bonuses.
• After years of preparation, school districts in Ohio are gearing up for final implementation of national Common Core educational standards. As they do so, Republican lawmakers in the statehouse are working to repeal those guidelines. State Rep. Andy Thompson of Marietta has introduced a bill to replace Common Core with state-specific benchmarks based in part on those used in Massachusetts. Thompson calls Common Core “the wrong road.” The standards were developed by education experts and politicians over a number of years and focus more on critical thinking skills in math and reading. The new benchmarks have caused criticism from both conservatives and liberals, however. Those to the right say the standards represent a federal takeover of education, while some on the left see massive benefits to large education companies like Pearson and see a corporate takeover of the school system.
• Hey, y’all seen that Snow Piercer movie? So this next thing is just like that, but also kind of the opposite. Basically, both are icy and really dystopian. If you’re the kind of person who is really into apocalyptic stuff, you’ve got $20,000-$40,000 lying around and you’re also into irony, have I got a deal for you. You can now take a climate change-themed cruise ship through parts of the arctic that, until recently, were impassible by boat due to, you know, being covered in ice like they're supposed to be. However, thanks to global warming, it's now possible to take a luxury liner from Alaska, swing north of the Arctic Circle, pop out near Greenland and be in New York City a month later. And for only the average yearly salary of a school teacher, you can do it.
The high end of the price range will get you a penthouse suite on the ship, all the better for watching sea waters rise and arctic seals and polar bears
cling desperately to ice floes bask in the newly balmy temperatures. The 68,000-ton,13-deck, 1,000-passenger ship, which has three times the per-passenger carbon footprint of a 747, is called the Crystal Serenity, of course, because nothing is more serene than watching the planet come apart at the seams before your very eyes. Pure magic.
It's Monday and stuff is already getting crazy. Here's the good, the bad and the befuddling in the news today.
Butler County Sheriff Richard Jones shared his thoughts Friday on… something… ostensibly related to Cincinnati Mayor John Cranley’s recently announced immigration initiative. The initiative looks to attract documented immigrants who will contribute to economic growth in the region. Jones, who is well known for his vocal and strident opposition to immigration, went somewhere else entirely with it. Of note: Jones doesn’t seem to know the mayor’s name, calling him “Mayor Cranby” on 700 WLW. Anyway, Jones applauds Mayor
Cranberry’s Cranley's plan, or the imaginary version of it he's conjured, for some fairly nontraditional reasons. I’ll just let him tell ya what’s on his mind:
“I want [Cincinnati] to be a haven for illegal aliens also,” he said. “Really I do. If Cincinnati, with all the violence, the killings they have every night in downtown Cincinnati … anybody that’s illegal in the country, let alone in Butler County, I encourage them to go there. If you’re listening today, if you’re illegal, you’ve committed crime, the mayor, Cranley or Cranby or whatever his name is, wants you to come to Cincinnati. I encourage it.”
Jones, you see, is freaked out about all the undocumented folks streaming into Butler County and would rather they come to a place like Cincinnati where someone gets shot downtown every night (note: this is not even remotely reality, but let’s keep moving). Jones was making the rounds Friday, also appearing on Glenn Beck’s The Blaze (where, puzzlingly, he posed in front of a picture of Cincinnati's skyline, probably because Hamilton's isn't nearly as epic or dangerous-looking). He went on the show to raise alarms about the incredibly dangerous influx of undocumented immigrants caused by Obama’s lax immigration policies and the upswing in horrific crimes that has happened since. Oh, and they’re going to spread disease because they haven’t been immunized. Jones is worried about that, too.
Except a few things. State data shows crimes in Butler County have been steady or falling since 2007, including the drug-related crimes and violent offenses Jones cites. And while the sheriff vaguely highlighted a couple tragic and genuinely reprehensible individual examples, the flood of immigrant-related crime seems hard to find statistically. Also, epidemiologists say that refugees and immigrants coming from Mexico and Central America often have similar or even greater vaccination rates than U.S. citizens and pose little threat of spreading diseases. Finally, pinning a surge in illegal immigration on the Obama boogeyman is tough, since his administration has been pretty active in deporting undocumented immigrants. But, y'know, immigrants are scary and all.
• LumenoCity organizers have something new in store this year: an interactive website, app and social media presence that will stream the event live as well as aggregate social media posts about the event, which takes place in Washington Park and combines a Cincinnati Symphony Orchestra performance with a dramatic light show projected onto Music Hall. The interactive portion will be introduced during the July 31 dress rehearsal, which has been opened up to an audience due to overwhelming demand for tickets to the event, which takes place Aug. 1 through Aug. 3.
• While you’re at LumenoCity this weekend — or, if you didn’t get tickets, hanging out around the park craning your neck to see what’s going on — you can pick up a new card designed to promote the arts in Over-the-Rhine. The Explore OTR card will be distributed by the small arts organizations in the city like Know Theatre and the Art Academy. After you’ve used the card at five of these smaller venues, you can redeem it for deals at larger arts organizations like the Cincinnati Symphony Orchestra. Pretty cool.
• After some stinging criticism of General Electric’s proposed new building at The Banks, some hand-wringing has commenced as to whether the gargantuan, decade-in-the-making development along the Ohio River is too boring (spoiler: probably).
A quote from Jim Fitzgerald, who sits on the city’s Urban Design Review Board:
"We have been disappointed with the quality of architecture on The Banks to date other than the stadiums. The stadiums are of reasonably good architecture, but the other buildings are very vanilla, very uninteresting, very disappointing."
The review board looks at all plans for buildings before construction begins, though their role is strictly advisory and their advice to the city is non-binding. Others, including city and county leaders, have pointed out that all the buildings currently constructed or planned for the site meet the standards the city has set out and say that the project is a work in progress.
• I’m always trying to get my out of town friends hooked on Cincinnati chili, with varying degrees of success. Skyline, it seems, is doing the same, making plans to open a fifth location in Louisville. Why Louisville? My guess: It’s just close enough that on a clear day, with the wind blowing just right, the fragrance of that sweet but spicy meat sauce wafts across the rolling landscape between the cities and entices Kentuckians the same way it does Cincy natives. Or there are just a lot of people originally from Cincinnati who now live there. Probably the latter. Currently, the chain operates stores in Ohio, Kentucky, Indiana and five locations in Florida, of all places. Go forth, Skyline, and spread the gospel of mountainous cheese and tiny hotdogs.
If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.
Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.
I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.
The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.
If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.
As we reported yesterday, Mayor John Cranley rolled out his new immigration task force at Music Hall. The volunteer group, made up of 78 community leaders split into five committees, will look for ways to make Cincinnati a welcoming city for immigrants with an eye toward economic development and growth. The initiative is in its early stages, with committees scheduled to report their findings and suggestions in December. No word so far on hot-button issues like undocumented immigrants, but you can read more about the task force and the work it will be doing in the above blog post.
The mayor also mentioned another immigration-related effort underway, though one unrelated to the task force. Catholic Charities of Southwestern Ohio and the Catholic Archdiocese are working to find ways to house some child refugees who have come to the U.S. through Mexico from Central America, fleeing turmoil related to drug violence in their home countries. The groups have applied for federal grant money through the Department of Health and Human Services to give about 50 refugee children a temporary place to stay in the Cincinnati area.
The massive border crossings have been called a humanitarian crisis and have drawn response from President Obama, Texas Governor Rick Perry, and many liberal and conservative groups. Perry, a staunch conservative, has taken the step of calling in National Guard troops to the Texas-Mexico border. Closer to home, Dayton’s Mayor Nan Whaley recently caused controversy with conservatives when she expressed willingness to house some of the child immigrants in Dayton. That led to a backlash from Republican U.S. Rep. Mike Turner, who represents Dayton in Congress. Turner called her comments “completely out of line.” Dayton has been engaged in efforts since 2009 to attract more immigrants to the city, though those efforts are focused on documented immigrants who can help the city grow economically.
The federal government works to move unaccompanied child immigrants out of federal facilities and into temporarily housing with “sponsors,” families or non-profit groups. So far this year, the government has placed about 30,000 children into such arrangements.
• Last month we reported on a lawsuit against the Ohio Bureau of Workers Compensation. The state has settled that suit, and now, local companies overcharged by the OBWC will be getting at least some of their money back. The state settled a lawsuit yesterday over unfair payment structures that gave big discounts on insurance rates to some companies while charging much higher rates to others. Local companies like BAE and non-profits like the Cincinnati Ballet are owed hundreds of thousands of dollars due to the payment scheme. The OBWC has changed how they calculate payments and will create a $420 million fund to repay companies overcharged by the scheme.
• Sen. Rand Paul, R-Ky., spoke today at the ongoing National Urban League Conference here in Cincinnati. Paul is a staunch libertarian conservative and tea party favorite who in the past has expressed some skepticism about parts of the 1964 Civil Rights Act, saying private businesses should be free to discriminate if they see fit. Paul has since walked back a bit on that, but statements like that make him an unlikely choice to speak at the civil rights organization’s big national gathering. He didn’t draw the biggest crowd of the conference, for sure, but he did touch on at least a couple issues relevant to the black community, including his ideas for changing mandatory drug sentencing laws. Current drug laws in the United States have contributed to the highly disproportionate incarceration rates faced by young black males, Paul says, and he’d like to change that. One proposal he'll be pursuing in the Senate-- ending the much higher penalties for selling crack over powdered cocaine. Paul also made his argument for libertarian policies that he says will increase the availability of jobs for everyone, including minorities. Paul has been reaching out to minority groups with mixed success as he builds up to his 2016 presidential bid. Meanwhile, Democrats are rolling their eyes at Paul’s attempts.
• Cincinnati set a Guinness World Record last night for most salsa dancers when more than 2,000 people danced at Fountain Square. The previous record was 1,600 dancers. The effort was put together by a number of community organizations to celebrate Cincinnati’s Hispanic community.
• Finally, if you’re like me after finishing a long article on the subject last week, you’re in too deep on the hot topic of charter schools and need some tips for how to uh, unwind. Luckily, Ohio Department of Education Communications Director John Charlton has some advice for anyone in this position. In a personal tweet sent out July 18, Chartlon advised opponents of charter schools to “take a break from muckraking and enjoy the weekend. Maybe you can get laid. Lol.” Charlton was responding to a tweet asserting that he thought “charter schools are OK no matter what shenanigans take place.” Laugh out loud!
Charlton deleted the tweet yesterday, and explained it this way:
"It was an offhanded comment made as a back and forth with critics who engaged me on my personal account," he said.
Bee-tee-dubs, keep an eye out for our piece on charter schools next week. It’s a deep dive into what’s up with Ohio’s charters. Until then, relax, enjoy your weekend, and maybe you can get… some pizza or something.
Mayor John Cranley today announced the creation of a 78-person task force that will work toward making Cincinnati "the most immigrant-friendly city in the country."
The effort will work to bring more investment from highly-educated and well-to-do immigrants to the area. Few specifics were offered about how the initiative would address the hot topic of undocumented immigration.
“This is a country of immigrants, and this is a place where immigration is rewarded and thanked,” Cranley said during a news conference at Music Hall. “We’re all going to be richer and better by being a friendly city for immigrants.”
The task force, which is all-volunteer and uses no city money at this point, will research ways to attract and retain immigrants in the city. The group will be split into five committees focused on economic development, community resources, education/talent retention, international attractions and rights and safety. The task force will be led by co-chairs Raj Chundur and Tom Fernandez.
Cranley cited economic studies suggesting that immigration is good for economic growth. Economic experts and politicians are split on the wider point of whether welcoming more immigrants overall aids the economy, though some researchers believe even undocumented immigrants are a net positive. Either way, there is much evidence to suggest well-thought-out programs to attract documented immigrants can help cities. Dayton began working to attract immigrants in 2009, and has received national attention for its program. Since the start of the program, more than 3,000 immigrants, mostly from Turkey, have moved to Dayton, helping to revitalize the city's blighted North Dayton neighborhood.
He specifically discussed the EB5 visa program, which rewards immigrants who invest between $500,000 to $1 million in their communities with a special long-term visa and the opportunity for citizenship. He said that program has helped spur development in the city, especially along the Short Vine area in Corryville.
“I can tell you this means a lot to me personally, because I and my family are immigrants to this country,” said University of Cincinnati President Santa Ono, who will lead the task force’s education committee. Ono said his time at UC has shown him just how important attracting and retaining immigrants is for the city.
Cranley hedged some on revealing how undocumented immigrants would fit into the plan, saying that was work the task force will need to do as it prepares its recommendations.
“The whole point of the task force is to look at these issues in depth and come back with specific recommendations,” he said.
The mayor did share one effort to help children refugees in the country’s ongoing border crisis, though it is unrelated to the task force. Catholic Charities Southwest Ohio CEO Ted Bergh is a co-chair on the task force’s community resources committee. That nonprofit group and the Catholic Archdiocese in Cincinnati are working to help house in dormitories and hopefully find temporary foster homes (called "sponsors") for about 50 kids who have crossed the border into the United States due to turmoil in Mexico and Central America.The groups have applied for federal grants through the Department of Health and Human Services to fund the effort.
Tons going on today in Cincinnati. Check it out.
Vice President Joe Biden spoke this morning at the National Urban League Conference, which is here in town this year. Biden’s speech touched on the challenges the black community has historically faced and the progress the country has made toward economic and social equality. But there are a lot of challenges ahead, the VP said.
“Both civil and economic rights are under siege in the aftermath of the great recession. We can’t be satisfied with where we are now in either civil rights or economic opportunities for African Americans,” he said. Biden called out new voting laws designed to “prevent fraud where no fraud exists” in states like Wisconsin and Pennsylvania. Ohio has attempted to enact new voting laws as well, limiting early voting times during which many black voters go to the ballot.
“We need to call this what it is,” Biden said. “This is an attempt to suppress minority voting masquerading as an attempt to end fraud.”
Biden also outlined the deep economic disparities facing African Americans, including lack of access to high-quality education and good paying jobs. But there's hope, he said, highlighting new jobs in technology and the medical industry. "If I made this presentation to you seven years ago, I wouldn't be so optimistic. But I'm telling you, this is a new era, not just because of this administration. We're better positioned than anyone in the world." But the United States needs to invest in education and infrastructure to capitalize on that opportunity, Biden said.
True to form, he sprinkled some scatter-brained levity into his talk, opening with wall to wall jokes. Biden’s daughter Ashley is on the board of the Urban League, he noted. “I should have had at least one Republican kid who makes money,” he joked. “That way, when they put me in a home, I get a room with a view.”
• Hundreds of folks from all over the city crowded into the Sharonville Convention Center last night to talk about the plan to hike sales taxes to pay for renovations at Union Terminal and Music Hall. Many supporters of the plan showed up, but there were some skeptics in the audience as well. One suggestion that popped up a couple times, and that Commissioners say they may consider, is splitting renovations of the two buildings. Some have suggested raising taxes by a smaller amount so that people across the county can help pay for the badly-needed renovations to Union Terminal, while saving less-urgent Music Hall for the city to fund. Other attendees at the meeting didn’t like the proposed tax plan at all, saying they felt it put too much burden on the county. Many of the plan’s supporters came sporting the yellow signs that are part of the Save Our Icons campaign, a local effort to raise awareness about the buildings and advocate for a renovation plan sponsored by the Cincinnati Museum Center and Music Hall Revitalization Company. The next and final public meeting on the plan before Commissioners decide whether it will go on the ballot will be at the Commissioners’ regular meeting at 11 a.m. on Monday, July 30.
• Former P&G CEO Bob McDonald is another step closer to becoming the head of the Department of Veterans Affairs after the Senate Committee on Veterans Affairs voted unanimously yesterday to endorse his nomination. The VA has been plagued by mismanagement, with serious questions arising about patient wait times and record keeping at the agency. Sen. Sherrod Brown is on the committee, and voiced strong confidence in McDonald.
“The VA is faced with many hurdles that it must overcome,” Brown said. “These hurdles are not insurmountable, and I am confident Bob McDonald will meet these challenges head-on.”
McDonald is a veteran himself, graduating from West Point and serving in the Army Rangers before his time at P&G.
“…I desperately want this job because I think I can make a difference,” McDonald told the committee yesterday.
• Cincinnati is the top city in the country for recreation, a new ranking says. A study done by finance website WalletHub.com puts our fair city on top of the nation’s 100 largest cities when it comes to having a good time. The study measured availability and affordability of various recreation—from parks to bowling to beer and wine—and then ranked cities accordingly. In all, 24 factors were considered. Most notably, the city is 2nd in the country when it comes to low prices for pizza and burgers. That’s the kind of metric I like to see. I may need to verify this during lunch hour today.
• A local non-profit called People’s Liberty has announced it will give out two $100,000 grants to Cincinnatians looking to make a difference in their community. Smaller grants will also be available for one-off projects and efforts. The group, which will be based in the Globe Building across from Findlay Market in northern Over-the-Rhine, is looking for “civic rock stars” who will use the money to try new, adventurous ways of getting people civically engaged. The grants will come with access to work space, support from staff, and connections with Cincinnati’s business and non-profit communities.
The coolest thing about this idea, I think, is the promise to make it inclusive and diverse.
"This is not going to be a playhouse for the hip," CEO Eric Avner told the Enquirer. "We will talk to everybody. We will listen to everybody. We will do it with intention."
• Finally, from the "weird crimes" file—the press secretary for a Pennsylvania Republican congressman was arrested late last week for trying to bring a loaded 9mm pistol into the Cannon congressional office building. Ryan Shucard, the press secretary for Rep. Tom Marino, tried to walk right through a security checkpoint at the building, which is just a block from the Capitol. Security found the weapon and magazine, and how Shucard is charged with carrying a weapon without a license, which is a felony.
Strangely enough, all of the regular content eye-catching words start with the letter “P.”
paucity: smallness of quantity, n.
reporters note that rockets fired from Gaza are aimed at Israeli civilians,
although they note the comparative paucity of Israeli victims,” in Ben L.
Kaufman’s Curmudgeon Notes. Yet again, another week of worthy comments on the
shortcomings of journalistic coverage. His comments on the reporting of the
Israeli-Palestinian conflict are important albeit hard to understand.
portend: to foreshadow, v. (used with an object)
“What does this all portend for the live presence of Clap Your Hands Say Yeah?” in Brian Baker’s Sound Advice for the CYHSY show. Actually, that’s a great question, considering the band used to have four members and at least three of them have left the group since 2011. I’m curious how this resolves itself on Fountain Square this Friday night.
prescient: to have knowledge of something before it exists, adj.
example of how prescient the Alvins believe Broonzy to have been …” in Steven
Rosen’s Bond of Brothers, describing the relationship two really old guys have
with a record done by an even older guy that they listened to in their
Worst Politicians Vocabulary
apprised: to inform or tell someone, v.
“Dayton explained he had been credibly, confidently apprised that the Capitol itself would be shortly laid waste by terrorists,” in Neal Karlen’s description of Minnesota Governor Mark Dayton. Who apprised him of that?
Also, who knew that someone who gave his own tenure in the Senate an “F” could be elected governor on a pity vote? I didn’t know it was so easy but then again, I don’t have $4 million to finance my own campaign.
moribund: in a dying state, near death, adj.
“A defrocked demagogue, she still pretends her Tea Party is a reactionary revolution, not a moribund refuge for the Republicans’ traditional bloc of bat-shit crazy far-right-wingers,” in Karlen’s bit on Minnesota U.S. Representative Michele Bachmann.
I hope Karlen’s use of moribund in relation to the Tea Party is accurate, but considering Bachmann’s talk of another presidential run in 2016, it may be wishful thinking. Karlen (if you ever read this), brace yourself because I’m sure you’ll have to cover that.
Shout-out to Karlen, by the way, for using one of my personal favorite phrases, “bat-shit crazy.” I keep trying to convince my mother it’s a thing because obviously, it’s a thing.
opprobrium: harsh criticism or censure, n.
“… Jan Brewer affixed her signature to the infamous, immigrant-bashing Senate Bill 1070 and rode a wave of xenophobia to electoral triumph… and liberal opprobrium,” in Stephen Lemons description of Arizona Governor Jan Brewer. It wasn’t just “liberal opprobrium,” considering the U.S. Supreme Court threw out a lot of the law as unconstitutional. Take that, Jan Brewer.
When I was learning how to insert the photos, our design editor specifically said, “Use the photo where she’s laughing like the devil.”
troglodyte: a prehistoric cave-dweller, a person of degraded character or a person unacquainted with affairs of the world, n.
“DeMint backed Todd ‘Legitimate Rape’ Akin, Richard ‘God Wants Rape Babies’ Mourdock and a host of other troglodyte true-believers,” in Chris Haire’s bit on South Carolina former U.S. Senator Jim DeMint. Troglodyte is the word of the week, hands down. Pick whatever definition you want, they all apply. Props to Haire for his ability to find the perfect word for such people. DeMint was one of my personal favorites on the list, for his views that gays and unwed heterosexual women having sex shouldn’t be allowed to teach in public schools. I’d love to hear his plans for unwed heterosexual men and how he would like to enforce these ideas.
state schools in Indiana (or at least Ball State) start school really early
(like August 18) so I’m heading back to Muncie and you lovely people only have
one more week until you probably won’t notice the fabulous words in CityBeat
anymore. Please return next week for my going away Fiesta Edition. I just made