Good morning y’all. Let’s get right to the news.
Are million-dollar homes coming to Over-the-Rhine? At least one of the city’s big movers and shakers thinks so. Reds owner Bob Castellini made that prediction last night during a speech at Music Hall for the Over-the-Rhine Chamber’s annual Star Awards, which spotlights the neighborhood’s growth and its business leaders. Castellini is on the board of 3CDC, the developer that is approaching $1 billion in projects completed in the neighborhood and downtown. He’s bullish on the idea that the once-neglected neighborhood will continue to see high-price new developments. He highlighted condos in 3CDC’s Mercer Commons development that have sold for more than $400,000 as one example of growing interest in high-end living in OTR. Following new development, median household incomes and property values have been going up in the historically low-income neighborhood in the last few years. That’s caused a lot of fanfare, but has also stoked fears about gentrification, apprehensions that came up again recently when a developer proposed $400,000 single-family homes in the neighborhood’s less-hyped northern area. Some advocates in the neighborhood say there isn’t affordable housing there.
• Cincinnati City Councilman P.G. Sittenfeld is shifting gears in his campaign for U.S. Senate. Sittenfeld’s campaign manager Ramsey Reid has left the Democrat’s team, the Cincinnati Enquirer reports. Sittenfeld’s campaign says his departure was planned from the beginning and that a new campaign manager and other new hires will be announced shortly. Sittenfeld recently ramped up his team, hiring a spokesman, a finance director and a polling specialist in his underdog primary battle against former Ohio Governor Ted Strickland. Strickland is a heavy favorite to win the primary. He’s garnered an endorsement from former President Bill Clinton and is currently polling nine points ahead of Republican incumbent Sen. Rob Portman. Sittenfeld has been steadfast about staying in the race despite pressure from some Democrats to bow out.
• If you need proof that the weather here really is a bummer and that you’re not just a big whiner, here it is. A new study by a popular meteorology blog called Brian B’s Climate Blog shows Cincinnati is ranked 5th in the country for major cities when it comes to dreary weather. The city tied for that… err, honor… with Cleveland and Lexington. Buffalo took the top spot, followed predictably by Seattle, Pittsburgh and Portland. The climate blog considered three factors in its rankings: total number of days with precipitation, total annual precipitation and total annual cloud cover. If you need more anecdotal evidence, just find your nearest window.
• A new bill in the Ohio House would allow concealed carry in the state without a license if passed. The bill, proposed by State Rep. Ron Hood of Ashville, has 20 cosponsors and support from State Rep. Ron Arnstutz, the second-most powerful Republican in the House. Lots of dudes named Ron are into this idea, which makes me think of the ultimate Ron. Anyway, the bill would do away with licensing and training requirements for those who want to carry concealed weapons, limiting concealed carry only to those below the age of 21 or people who aren’t permitted to have guns due to their criminal background or other legal reasons. Five other states, including Kansas, have already approved unlicensed concealed carry, and 10 more states are considering similar measures. Gun rights groups have applauded the bill, but opponents, including law enforcement groups, say it will make the state less safe.
• With bicycle commuting on the rise, both nationally and, I’m hoping, in Cincinnati, do we need better data collection practices from police when it comes to cyclist-car accidents? It seems that way, according to a study by the Harvard T.H. Chan School of Public Health. The study, summarized in this CityLab post, suggests that most data collection methods used by public safety agencies around the country are outdated and don’t consider the differences between cars and bikes and don’t make allowances for the different situations in which the two could collide. Better data could lead to safer bike infrastructure, the authors of the study say.
• Finally, it’s almost becoming a sentence in which you can just fill in the blanks with the latest shooter and deceased. Michael Slager, a white police officer in North Charleston, South Carolina shot an apparently unarmed black man named Walter Scott over the weekend. The police incident report says that Scott had the officer’s taser and that Slager feared for his life. But a video taken by a bystander contradicts all of that, showing Slager firing eight rounds at Scott as he ran away. After Scott fell to the ground, Slager appears to casually drop something next to him. More officers soon arrived, though none are seen administering the CPR the police report alleges took place. Scott died at the scene. The incident has drawn national attention and a murder charge for Slager — a rarity perhaps brought about by the graphic and shocking video taken by a witness.
The year 2014 was a great one for movies — a really, really good year. Sure, there were duds and bombs just like any other year, but there were seriously so many good films that it was tough to properly list off my favorites in a satisfying order. One of my favorites of last year was Wes Anderson’s The Grand Budapest Hotel. The movie reminded me of two Agatha Christie movies from the 1970s, Murder on the Orient Express (1974) and Death on the Nile (1978), the latter of which is my personal favorite of the two.
Based on the mystery novel of the same name, Death on the Nile tells of Christie’s famous Belgium (not French) detective Hercule Poirot (Peter Ustinov) as he investigates the murder of the beautiful newlywed heiress Linnet Ridgeway-Doyle (Jane Birkin) on the Egyptian riverboat S.S. Karnak. The mystery is made all the more difficult considering how everyone on board the ship hated her in one way: from the bitter and begrudged nurse Miss Bowers (Maggie Smith), whose family was ruined by the Ridgeways, to the exotic and eccentric novelist Salome Otterbourne (Angela Lansburg), who was threatened to be sued by Linnet for defamation. With the help of his friend Col. Race (David Niven), Poirot must track down the killer before the ship reaches its final destination.
In the Sidney Lumet-directed Murder on the Orient Express, Poirot was portrayed by Oscar-nominated actor Albert Finney. While Finney certainly did look the part of the famed detective, for me between him and Peter Ustinov, I have to go with the latter. The main reason is because Ustinov seems to fit the persona. Finney, while being a good actor, seemed to talk too fast and rushed through lines, while Ustinov took things slower and seemed much more like the intelligent private investigator who was motivated by morality attempted to keep more unlawful activities from happening. He also sports a splendid mustache, which is very vital to the character.
One reason The Grand Budapest Hotel reminded me of these kind of films was because of the all-star cast. Death on the Nile features Ustinov but also stars the aforementioned Maggie Smith (Prof. McGonagall in the Harry Potter series) and Angela Lansbury (Mrs. Potts in Disney’s Beauty and the Beast) but it also features Hollywood legend Bette Davis (All About Eve), George Kennedy (Cool Hand Luke), Olivia Hussey (1968 version of Romeo & Juliet), Mia Farrow (1974 adaptation of The Great Gatsby) and one of my favorite character actors, Jack Warden (12 Angry Men). Speaking of Grand Budapest Hotel’s cast: I could totally see Ralph Fiennes portraying Poirot in a movie.
But what about the actual mystery in the movie? It is pretty interesting. Yes, it is a rather standard whodunit sort of scenario where they go through the list of suspects until they come to the final decision. But with the given scenario of everyone having a reason to hate her and the fact that anyone could have gotten to her, it does make you wonder. The result is something that I’m sure a lot of people won’t see coming.
It’s a real treat for anyone who loves a good murder mystery and enjoys the works of Agatha Christie.
One final similarity that this film has with The Grand Budapest Hotel: both won Best Costume Design at the Oscars.
Hey all! Upside today: The Reds won last night. Downside today: It’s really gross outside. Now that I’ve covered the perfunctory topical conversation points, let’s get on to the news, eh?
Investigations continue into a deadly drive-by shooting that happened over the weekend near the Walnut Hills YMCA. Seventeen-year-old Kelcie Crow died in that shooting and two other teens were injured. Police say a fight broke out at a birthday party at the Y, after which a white van drove by and fired at least 60 shots at the large crowd of teens. Police say they don’t currently have any suspects in the shooting. The shootings and Crow’s tragic death have drawn a lot of attention around the city, including from Cincinnati City Council. City Council Law and Public Safety Committee Chairman Christopher Smitherman vowed the city would find and bring to justice the perpetrators. He also placed some blame for the lack of leads so far on what he calls a “no snitching” mentality among some in the community.
• Over-the-Rhine based business accelerator The Brandery has announced a unique project with developer Urban Sites that will provide housing in the neighborhood for entrepreneurs coming to Cincinnati as part of the group’s yearly class of new startups. The Brandery has signed a lease with the developer for two buildings on Walnut Street with 14 two-bedroom apartments that will become a housing option for participants in The Brandery’s accelerator program, which connects young startups with funding, branding and design help as well as potential corporate clients. The accelerator’s fifth class wrapped up in October last year. Each year the accelerator accepts 10-12 startups from around the country and worldwide for its four-month program. About half of these companies stay in Cincinnati after graduating from the program, the group says. The apartments will be somewhat subsidized for participants, the group says, and are a way to meet the needs of entrepreneurs while they’re in town focusing on growing their businesses.
• Cincinnati’s Red Bike, a nonprofit bike sharing program that started last year, just got its first big sponsor. UC Health will pay to put its logo on the nonprofit’s bikes for three years, the hospital system announced yesterday. Red Bike is looking for other sponsors as it continues to grow. Currently, the bike share has 33 stations spread around downtown, Over-the-Rhine and uptown. An expansion in Northern Kentucky is planned as well. The bike share was kick-started last year by a $1 million grant from the city.
• At first, I thought this was just today’s weather forecast, but it turns out it’s a real thing. This summer, a Cincinnati street will turn into a giant waterslide for a day when Slide the City brings its 1,000-foot slide to Jefferson Avenue near UC. You can slide on the street, but it’ll cost you: )ne slide costs $20, three times will cost $35 and unlimited slides will set you back $60. But you also get a tattoo, a mouth guard, a bag and T-shirt with that. So yeah.
• Ah, my alma matter never fails to embarrass me at least once a year. Police at Miami University are investigating a slew of racist and homophobic graffiti in a residence hall there and have also discovered similar graffiti at two of the school's frat houses. You can read more about it at the link above. I'm going to go burn all the Miami spirit wear I own, though I actually bought it from a thrift store a few years after I graduated because it was super-cheap and I was broke.
• A nearby university wants to play host to one of the 2016 presidential debates. Wright State University in Dayton has applied to host a debate next year and is one of 16 sites vying for the opportunity. The school has played a role in presidential campaigns in the past. In 2008, Republican candidate John McCain announced Alaska Governor Sarah Palin as his vice presidential candidate at Wright State, and President Barack Obama has also campaigned at the school.
• Speaking of the election, U.S. Sen. Rand Paul of Kentucky officially announced his candidacy for the 2016 presidential election. Paul is vying with a crowded field of GOP contenders for the party’s nomination, including Sen. Ted Cruz of Texas, who announced his campaign a couple weeks ago, and others who have yet to formally declare their intentions, including former Florida Gov. Jeb Bush and Ohio Gov. John Kasich. As we talked about yesterday, Paul has tried to distinguish himself by playing on the Libertarian legacy of his father, former Texas Rep. Ron Paul, who ran for president several times himself. The younger Paul is trying to walk the line between his father’s rabid followers and the more traditional GOP establishment, where big donors and powerful endorsements are to be had.
Another area where Paul has distinguished himself from the pack is in presidential campaign merchandise. Please, please, please do yourself a favor and check out these hot items, including this Ladies Constitution Burnout Tee which, as the website says, is “soft and gauzy… wears well, looks great and sends the statists a message.” Yes. There’s also the NSA spycam blocker (a small plastic piece that slides over your computer’s built-in camera), the Real Rand Woven Blanket (for those times when you want to be all wrapped up in the warm embrace of something other than the nanny state) and something called the Rand Paul Bag Toss Game. I didn’t click on that one. Oh yeah, and you can also get an autographed copy of the constitution for a cool grand, which is probably the most libertarian product ever.
That's it for me. Tweet, email or comment with your favorite swag from a presidential contender — or to get my shipping address so you can send me the giant Rand Paul birthday card you're going to send me in November.
Over-the-Rhine's new three-level bar and restaurant, Taft’s Ale House — named for William Howard Taft, the 27th president of the United States, former Supreme Court Justice and native Cincinnatian — opens on Monday, Red’s Opening Day, and will feature a variety of specialty beers, as well as an emphasis on tri-tip beef (cut from the bottom sirloin). Helmed by Cincinnati local Kevin Moreland, former brewer at Listermann/Triple Digit, and partners Dave Kassling, a New York restauranteur, and Dave Williams, a UC grad, the bar, which is located at 1429 Race St., inhabits a building that formerly housed the 19th-century St. Paul’s German Evangelical Protestant Church.
Moreland describes his first experience in the building as walking into complete disarray. He had to use the side doors on Fifth Street to get in and, after entering, he walked into “straight dirt” and looked up to see holes the size of office spaces in the ceiling. To save the church, which was on the verge of destruction, he contacted 3CDC. Through their partnership — 3CDC helped stabilize the building, which had been abandoned for almost 50 years — they were able to restore the building, emphasizing it's historical appeal and architecture. The structure still retains it's dramatically high 40-plus-foot ceilings, large, Gothic-style arch windows and former bell tower. But now, instead of parishioners, it can hold more than 200 patrons.
“Part of what’s going on in OTR is saving something that used to be there,” says Taft’s Ale House General Manager Keith Maloy. “It would have been easier for us to start from scratch and build a new place. It would have been easier to construct and less expensive, but we would have lost a lot of the charm that’s in this building.”
The building’s three levels essentially create three different environments depending on an individual’s mood. There is the main beer hall level, with picnic tables, bar games and TVs; a mezzanine level for casual dining; and then Nellie’s Tap Room on the lower level. Nellie's, named after William Howard Taft's wife, is more of a cocktail bar than a beer hall, though the drink menu is still beer-centric; Nellie's serves Taft brews with eight guest taps from local and regional brewers, plus wine and cocktails.
The entirety of the building's décor, with Rookwood tiles and assorted antique ephemera, is inspired by the William Howard Taft National Historic Site in Mount Auburn, Taft's boyhood home.
“As soon as you walk in Taft’s home, you see this kind of laid-out pattern of multiple colors," Moreland says. "I wanted that to be something as a key feature in our place, so we did it. We had some hand-cut tile made to match that pattern. … A lot of the furniture matches and the color of the wood as well.”
Moreland considers Taft’s Ale House to be a gift to the city, specifically to OTR. “I wanted to keep things here in the heart of OTR and try to work with our neighbors because they’re going to be our patrons as much as we’re going to be their patrons,” he says. And in terms of patronage, Moreland started by working with other local vendors, linking local products and businesses to his passion for creating unique and innovative craft beers.
Taft’s partnered with Maverick Chocolate in Findlay Market to create their Maverick Chocolate Porter, featuring Maverick's cacao nibs and roasted cacao husks. Moreland also incorporated Findlay vendor Dean’s Mediterranean's products into the Culebra Cut Coconut Brown, an American brown ale infused with toasted coconuts. And Taft’s Mooly Wooly Coffee Milk Stout is made with oatmeal, lactose and coffee that comes straight from Coffee Emporium.
“You can classify it however you want, but I classify beer by what it is," Moreland says. "There are these style guidelines that people like to follow, but I’m not that person. You can only brew so much IPA that tastes like everyone else’s IPA, so we have that but we wanted to spin it around.”
Other favorite brews include a Caribbean style ale — Nellie's Keylime Caribbean Ale —that focuses on key lime and coriander, and an IPA called Rookwood Mosaic, with mosaic hops.
With creative beer, comes a creative menu, so don't expect pizza or burgers at Taft’s Ale House. During his time studying breweries and pubs around the country, Moreland saw different variations of the same menu time and time again, but his discovery of tri-tip beef changed the game. And General Manager Maloy could not agree more. The restaurant trims and ages the steak for 21 days, massages it with a dry rub, chars it, smokes it over hickory chips and then bakes it.
“The tri-tip beef is great," Maloy says. "It’s a great cut of beef — we char it, smoke it. You can slice it thin and make a sandwich or cut it bigger like a traditional steak. We have interesting sides too: roasted vegetables, tater tots instead of french fries and sweet potato fries.”
Moreland and Maloy’s main focus is “marrying the [tri-tip] beef with the beer” while still making it affordable. They understand the importance of serving customers at a rate where it's cost-effective to come back. Sandwiches, like the Alehouse (tri-tip steak, onions, blue cheese and red ranch sauce) run between $7.50 and $10, while platters, which are served with mashed potatoes, gravy, roasted veggies and cornbread, are $17 (for grilled chicken breast) to $20 (for 12-ounces of tri-tip steak). A small kids menu features little steak and chicken sandwiches and chicken wings, served with tots. For vegetarians, there's a large selection of salads with housemade dressing.
The experience of the customer is an ongoing theme in the vision of Taft’s Ale House. Many restaurants could say the same, but Taft’s physical setup lends itself to attaining customer satisfaction. Quality, an experience, and being passionate about what you do is how Moreland describes their mentality.
“Sometimes I have to pinch myself," he says. "I don’t feel like it’s real yet. I’ve learned a lot. I can tell you it’s been an awesome experience. Passion breeds success. The passion we’re putting into crafting great beers is incredible.”
Taft’s Ale House opens Monday, on Moreland’s birthday. The first 100 people to arrive receive a free Red’s-Cincy-W.H.Taft-inspired T-shirt along with a glass of First Pitch Pale Ale. As for the future, Moreland is already thinking about taking the brand national, hoping to bring “big dollars” back to the city’s hotels, bars, eateries and more. “That is my focus: putting Cincinnati on the map for great craft beers,” he says.
4 p.m.-2 a.m. Monday-Friday; noon-2 a.m. Saturday and Sunday. Sundry and Vice, 18 W. 13th St., Over-the-Rhine, facebook.com/sundryandvice.
All photos by Aaron Conway
What happens when a guy who grew up in an inner-city neighborhood returns as a successful attorney, back because it’s now the trendy place to live? That’s Jackson’s story: He’s upwardly mobile and black, moving in with Suzy, his white schoolteacher girlfriend. But she’s not so comfortable with their arrangement. Add to the mix Don, Jackson’s privileged boyhood white friend who’s had drug issues and now needs a place to crash. The apartment’s buzzer is a reminder that their world isn’t so simple. Tracey Scott Wilson’s new play isn’t set in Over-the-Rhine, but it could be. Through April 19. $30-$85. Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, 513-421-3888, cincyplay.com.
It’s hard to stand out in the crowded Blues/Roots Rock field but Dallas-based Somebody’s Darling is a stacked deck of secret weapons. The visceral ’70s-to-today guitar pyrotechnics of David Ponder, the massive keyboard groove of Michael Talley, the velvet jackhammer rhythm section of bassist Wade Cofer and drummer Nate Wedan, and the smoke-and-whiskey-cured vocals of Amber Farris combine to create a blistering Blues sound that is reassuringly familiar and yet fascinatingly singular. Although Farris, who also plays electric and acoustic guitars, generates plenty of fair comparisons to Bonnie Raitt, Susan Tedeschi and Heartless Bastards’ Erika Wennerstrom (and maybe even a little Natalie Merchant in a rare quiet moment), she and Somebody’s Darling may align closest to Grace Potter and the Nocturnals by virtue of the slinky dynamism and mesmerizing power they both effortlessly exhibit. Somebody’s Darling plays Southgate House Revival's Revival Room on Friday. Tickets/more info here.
This is a busy time of year on local stages, and that's especially true at colleges and universities where the academic year is winding down.
At Northern Kentucky University, the 17th biennial Year End Series (Y.E.S.) Festival is underway, presenting three world premiere productions in rotating repertory. It's a Grand Night for Murder opened on Thursday; The Divine Visitor, a Restoration Comedy through a sci-fi filter (figure that one out) starts tonight; and Encore, Encore, about witty and caustic New York writer Dorothy Parker, gets underway on Saturday. There will be multiple performances through April 26. Tickets: 859-572-5464
At Xavier University this weekend you can find a production of the Rock musical Spring Awakening, the winner of eight Tony Awards in 2007. It's about a group of students struggling through adolescence to adulthood — with a lot of rebellion along the way. It's being presented in XU's Gallagher Student Center Theater. Tickets: 513-745-3939
A lot of high school students have been recruited by Cincinnati Shakespeare Company for more than 38 free art events based on the works of Shakespeare. You might recall that CSC "completed the canon" (produced all 38 of Shakespeare's plays) a year ago. The celebrate that accomplishment, the company devised Project 38 to work with numerous area schools. Each one was assigned and worked with some of the company's artists to be inspired in productions, art, writing — whatever moved them. The initiative is culminating in an eight-day festival of free performances and exhibitions in Over-the-Rhine's Washington Park. School performances are all free. Since performances of The Taming of the Shrew are sold out on CSC's mainstage, Project 38 gives you the chance to see Shakespeare you might have missed otherwise. Schedule here.
There's another take on a student coming to terms with the Bard at Dayton's Human Race Theatre Company: Taking Shakespeare is the story of a disillusioned college professor asked to tutor her dean's son through his freshman Shakespeare class. It's got its humorous moments, but the show delivers a serious message about living up to expectations. Playing the student is Cincinnati actor Jon Kovach, who's performed on numerous local stages. Through May 3. Tickets: 937-228-3630
The farcical show by Steve Martin, The Underpants, is evoking laughs at the Otto M. Budig Theatre in the Carnegie in Covington. It's a bit risqué, but the humor is very gentle. Tickets: 859-957-1940 … Not so gentle is the production of Death and the Maiden by Diogenes Theatre Company at the Aronoff Center's Jarson-Kaplan Theatre. This three-character thriller is set in an unnamed Latin American country where a woman gets control of a man she believes once tortured her under a brutal dictatorship. It's a powerful piece, magnificently acted by three top-notch professionals familiar to Cincinnati theatergoers — Annie Fitzpatrick, Michael G. Bath and Giles Davies. Not for the faint-hearted or those who are squeamish about violence, but this is production that deserves to be seen. Through May 2. Tickets: 513-621-2787
One last note, for anyone interested in playing a supernumerary for Cincinnati Opera (that's like being an extra in a movie): Open casting for the upcoming summer season happens on Monday at 6 p.m. at Music Hall. You don't have to be a singer. In fact, no experience is necessary; positions are filled on a voluntary basis. Details here.
Good morning, y’all. Before we get to the news this morning, I want to plug a cover story we have coming up in a couple weeks. I've been working on it since February, and I really hope you all will take a look when it goes up April 29. It deals with one of the city's forgotten neighborhoods, a group of people fleeing incredibly difficult circumstances and a place where cultures from around the world mix in an incredible way. The folks in the story deserve your attention for their courage and patience. That's all I'm going to say for now. I hope you'll check it out.
There is a lot to talk about today, so I'll stop promoting and get to the news.
Let’s start with the positive stuff first. Cincinnati City Council yesterday declared April 28 John Arthur day in honor of the late Over-the-Rhine resident and gay rights activist who passed away in 2013 from ALS. Arthur’s husband Jim Obergefell has since fought the state of Ohio to get his name listed on Arthur’s death certificate, a battle that will find its way to the U.S. Supreme Court April 28. The case will almost assuredly be a history-making event. Look out next week for our feature story on the battle that could determine the future of same sex marriage.
• Council also locked horns, once again, on the streetcar yesterday. Councilman Chris Seelbach proposed a motion that would direct the city administration to prepare a report on possible funding for Phase 1B of the transit project. Sound like a small step? It is. But oh, what a fuss it raised. The next hour was dominated by arguments over the project, including recent revelations that revenue won’t be as high as anticipated, Mayor John Cranley again touting a residential parking permit plan as a way to make up some of the difference and calls from at least one council member to can the project entirely. After all the fireworks, the motion passed 5-4. You can read all about it in our coverage here.
• What else is new around town? Well, our own Nick Lachey, of 98 Degrees fame, wants to turn over a new leaf (heh see what I did there?) as a marijuana farmer. Lachey has invested in a ballot initiative by marijuana legalization group ResponsibleOhio. In return for putting up money for the effort, which needs to collect more than 300,000 signatures by this summer to get its proposal on the November ballot, Lachey will become part owner of a marijuana farm in the city of Hudson, which is in northeastern Ohio. That farm will be one of 10 under ResponsibleOhio’s plan, which would restrict commercial cultivation to a select number of sites. The group also tweaked its proposal after some criticism, and the current plan would also allow home growers to grow a small amount for personal use. Critics, however, including other legalization efforts, still say the plan amounts to a monopoly.
• Representatives from some area school districts, including Princeton City Schools, are lobbying in Columbus today in protest over state budgetary moves that would cut millions from their budgets. Princeton serves Lincoln Heights, Glendale, Woodlawn and much of Springdale and Sharonville in addition to other areas. Some school employees have taken personal days off from work to protest the proposed elimination of a state offset for the so-called Tangible Personal Property Tax. TPP was a big part of funding for many schools like Princeton. It was eliminated by lawmakers in 2007, but the state continued to funnel funds to schools to make up for the loss. Now, with Ohio’s new proposed budget, that offset will gradually be eliminated. Princeton receives nearly a quarter of its budget from the payments. It’s one of a number of schools on the chopping block from the new budget, which is a milder form of Gov. Kasich’s proposed financial blueprint for the state’s next two years. Kasich’s plan would have cut half of the districts in Ohio while increasing funding for the other half, mostly low-income rural and urban districts. State lawmakers have eased some of those cuts, but the prospect of losing money has caused ire among schools like Princeton, Lakota and others.
• There are a lot of other things happening in the state house today. Lawmakers are mulling whether to eliminate funding for the Partnership for Assessment of Readiness for College and Careers, or PARCC, tests. The state’s GOP legislators would like to eliminate the $33 million used to administer the tests, effectively killing them off. Part of the reason lawmakers want to eliminate them is that they’re tied to so-called federal Common Core standards. State Republicans are generally opposed to the standards, though Gov. John Kasich supports them. The tests’ roll-out this year has also been rocky, marked by complaints about glitches and difficulty. But there could be a big price tag for the political statement being made by eliminating the tests: the loss of more than $750 million in federal money for education in Ohio, according to the Columbus Dispatch.
• Elsewhere in the state house, the GOP is raising ire among its own with other measures in the state budget. Republican State Auditor David Yost has cried foul at an attempt to remove oversight of disputes about public records requests from his bailiwick. State lawmakers say that the auditor’s office is responsible for financial accountability of state offices, not their public records. They want to remove the auditor’s power to receive complaints about public records requests and issue information and citations about such requests. Yost says removing his office’s power to oversee public records request issues weakens his ability to hold other public offices accountable and is unconstitutional. The Ohio Newspaper Association has also come out against the move. Reporters file a lot of public records requests, after all, and I for one don't want to have to sue someone every time I want some information that YOU should be able to know.
• What’s going on in national news, you ask? Stories about Democratic presidential hopeful Hillary Clinton’s Chipotle trip continue, revealing little other than the utter intellectual bankruptcy of some of the national political press. The initial story about the stop in the Maumee, Ohio, Chipotle earlier this week was a bit of a campaign stunt in and of itself (Hillary’s campaign staff tipped off the New York Times about the stop, leading to this incredibly important breaking news) and now we’ve just spun down into the dregs of mindless chatter about a burrito bowl. Not even a real burrito! Burritos are for eating, not for think-piecing. Why do you folks get paid to do this, again?
Meanwhile, Kasich is getting some interesting press that could boost his chances in the Republican 2016 primary contest for the presidential nomination. National publications are calling him everything from the "GOP's Strongest Candidate" to the "GOP's Moderate Backstop." Ah, national media. Gotta love it.
Carol, the 1950s-set drama about an affair between two women that was filmed last year in Cincinnati, will compete for the Palme d'Or at this year's Cannes Film Festival. That will be its long-awaited premiere.
It is one of only two films by U.S. directors in the much-vaunted competition, according to Variety. The announcement was made at a press conference in Cannes today.
Directed by Todd Haynes (I'm Not There, Far From Heaven) with Christine Vachon as one of its producers, the film stars Cate Blanchett, Rooney Mara and Sarah Paulson and is based on the novel The Price of Salt by Patricia Highsmith. Variety succinctly describes Carol's story as "about a lonely young department-store clerk who falls for an elegant older woman in 1950s New York."
Besides Haynes, the only other U.S. director with a new film in competition at Cannes is Gus Van Sant, whose The Sea of Trees stars Matthew McConaughey and Ken Watanabe as two men who meet in Japan's "Suicide Forest."
However, because financing of movies is often international, Carol is actually listed as a U.S.-U.K. co-production. And another film in competition by a non-U.S. director, the French-Canadian Denis Villeneuve's Sicario, is listed as solely a U.S. production.
Because the 14 films announced for competition are lower than in past years, Variety suggests several more may be added. This will be the 68th annual Cannes Film Festival, the world's most prestigious, and occurs May 13-24.
To read the full Variety story, go here.
Cincinnati City Council today passed a motion asking the city administration to draw up a report on possible funding sources for the planning and construction of phase 1B of the streetcar.
But the relatively small step caused a firestorm of controversy, illustrating how politically divisive the transit project remains. The motion, authored by City Councilman Chris Seelbach, launched a contentious hour of debate among council members about whether it was appropriate to look ahead to the next phase of the controversial transit project when the current phase, a 3.6 mile loop around downtown and Over-the-Rhine, has yet to be nailed down.
The motion passed on a narrow 5-4 vote, with council members Seelbach, Yvette Simpson, P.G. Sittenfeld, David Mann, and Wendell Young voting for the measure. Council members Charlie Winburn, Kevin Flynn, Amy Murray and Christopher Smitherman voted against having the city produce the study.
Seelbach said the idea was to gather information to make an informed decision about next steps.
“This motion doesn’t say we’re ready to study Phase 1B of the streetcar,” Seelbach said. “All it says is we want some facts on paper about opportunities we may even want to pass up. I think that’s a very fair conversation we want to have. But let’s at least get the facts on paper.”
Seelbach cited the availability of federal TIGER grants, $500 million of which have been made available for fiscal year 2015 to cities proposing transit projects that spur economic development. Supporters of extending the streetcar say the city should start planning now so it can apply for future federal money that would help pay for a route extension.
But streetcar opponents, including Mayor John Cranley and Councilman Christopher Smitherman, said the focus now should be on the project’s beleaguered current phase. They pointed to a recent revelation that the Southern Ohio Regional Transit Authority projects revenues for the streetcar will be well under earlier expectations.
“I guess my question is, 'Why aren’t the supporters of the streetcar leading the $500,000 new deficit that we discovered yesterday,' ” said Cranley. “Where is the plan to solve the revenue gap we discovered yesterday? Let’s make Phase 1 a success. Instead people want to write more checks and spend more money on Phase 2.”
Early estimates placed revenue from ridership and advertising sold on the streetcar at $1.35 million in the first year. But adjustments in the way passengers will pay fares (by time spent on the cars, not on a per-ride basis), factoring in subsidized rides for low-income riders and revised advertising revenue estimates mean the streetcar is likely to pull in just $781,000 in its first year, SORTA told council yesterday. That means the transit project may have to tap into a $9 million fund provided by the Haile Foundation to help fund the streetcar’s first decade in operation. Opponents like Cranley and Smitherman say the project's first phase is a financial mess that will leave tax payers holding the bag.
Cranley used the opportunity to again propose a residential parking pass for residents of Over-the-Rhine. In the past, he's floated proposals to charge as much as $300 a year to residents who want to park in the street in the neighborhood. Citing the number of new high-price condos springing up in OTR, Cranley said the owners of those high-price abodes should have to foot some of the bill for the amenity running past their doors.
But supporters of the project fired back, saying the project is meant to spur economic development and must be looked at through that lens. Councilwoman Yvette Simpson said investment spurred by the streetcar,
including new development in Over-the-Rhine, would far outweigh the expenditures the city will make. She chalked up continued opposition to
the streetcar, and the motion to produce a report, to politics.
“I think it really comes down to leadership,” said Simpson. “We made a commitment to a project, and there are times when there are challenges. The campaign is over. Our ability to put our best foot forward on this project will really determine the success of the project.”
Originally, the streetcar was intended to run from The Banks to a location uptown. However, after Gov. John Kasich eliminated millions in state funds from the project, it was scaled back. The route now ends near Findlay Market. Supporters, however, including many who pushed the streetcar through a contentious three-week pause in 2013, haven’t given up hope that the second leg can be completed into the area around the University of Cincinnati and the area’s major hospitals.
The debate over the motion once again opened up old arguments.
Councilman Charlie Winburn called once again for the streetcar to be halted entirely, saying it should be “scrapped altogether.” Winburn told City Manager Harry Black that he didn’t have to follow the motion, which doesn’t have the force of law, and asked the city administration to disregard it. The city solicitor confirmed that the motion was non-binding, and it is unclear whether the city manager will direct city administration to produce the report.
The first time I saw the Warsaw Falcons, my Cincinnati experience was only slightly longer than the band's existence. I'd moved here in January 1982 on the heels of a failed and miserable marriage. I was working for (and living out of) a record store in North College Hill run by my friends/saviors Rick and Karen (aka Cookie, long before Empire, bitches) Kandelson, who gave me work and a safe haven.
I found full time work and a girlfriend in fairly short order, and for the most part felt I'd made the right decision in relocating to Cincinnati. But I desperately missed my 2-year-old son and my family and friends back in Michigan, so I entertained the notion of asking my new love to consider moving back to the Mitt with me.
And then a cosmic intervention took place. Within the span of a couple of weeks, I saw the raisins, who had been around for a while, and the Warsaw Falcons, who had only just formed. After those two musical epiphanies I said to myself, with unbridled joy and complete certainty, "I don't have to go home, I am home."
Beyond all doubt, I was where I was supposed to be.
The raisins were everything I loved about Pop Rock — smart and smartassed, loud, melodic, lyrically brilliant and gloriously dumb, intricate in the pursuit of simplicity. The Falcons exhibited a lot of the same characteristics, but in a totally different context. I couldn't tell you much about the original band at that point, as I was fairly riveted to the sight of David Rhodes Brown, a 6' 4" beanpole with an additional foot of roostered pompadour, snake-charming the nastiest, slinkiest, rawest, most compelling riffs from his hollow bodied Gibson that I'd ever heard in my 25 years. Brown and the earliest incarnation of the Falcons roared through a couple of sets of jumped-up Rockabilly/Boogie Woogie/Blues at an intensity level that could have microwaved a 15-pound roast to perfection in under a minute, and I stood watching in absolute wonder, as if I was attending the swaggering, staggering, yowling birth of Rock & Roll its own damn self.
There was no fundamental difference in any subsequent Falcons show I witnessed over the next seven years, give or take, and they were legion. At Dollar Bill's, Shipley's, Bogart's, Cory's, all the way out at the Townshipn Tavern and any number of places in between, the Warsaw Falcons never gave any less than their absolute all, tearing shit up with gleeful intent, putting it back together with ramshackle abandon and ultimately reducing it to smoke and ash with the zeal of blissed-out revolutionaries, confident in their cause and the destruction it inspired.
Through any number of lineup shifts, the Falcons delivered the goods night after night, set upon set upon set. There were gaps in the band's history when Brown lit out for Austin, Tex., and Nashville, Tenn., but he returned with more riffs to play, more stories to tell, more challenges to conquer. Brown shuttered the Falcons just after taking them into John Curley's Ultrasuede Studio to record their only full-length album, the righteous and red hot Right It on the Rock Wall. That incarnation of the band included legendary session saxophonist Bobby Keys. Brown dusted off the Falcons in 2001, turned out a couple of EPs and played out a bit but shelved them again when a proposed record contract fell victim to the post-9/11 downturn.
In the new millennium, things have been different. Music is ones and zeros instead of a spiraled groove or a spun tape reel, and David Rhodes Brown has reinvented himself a half dozen ways to Sunday. He had Ricky Nye teach him the rudiments of Boogie Woogie piano, he learned the Hank Williams songbook and joined Ryan Malott's 500 Miles to Memphis as a lap steel shredder and vocalist, helping transform it from cool local entity to national semi-sensation. Then he taught himself clawhammer banjo, grew a Rip Van Winkle-meets-ZZ Top beard and started playing old time music with the same dedication and intensity that marked his time in the Falcons, with less actual electricity and an improbable rise in passion and workload. He spread his attention over numerous full and part time projects, leading inevitably to his debut solo album, 2010's exquisite Browngrass & Wildflowers.
And then, as so often happens, fate intervened in the form of last November's celebration/roast of the David Rhodes Brown on the occasion of his 50th year in the entertainment racket (if you count his being paid to sing requiems at Catholic mass, which he does). The event was organized by one of the scene's greatest boosters and its unceasing heartbeat, the amazing Kelly Thomas, ably assisted by Brown's biggest supporter, fan and sugar mama, the incomparable Bobbi Kayser, who together assembled a veritable murderer's row of artists and friends in order to pay deserved tribute to DRB, if for no other reason than to thank him for his role in helping to build the solid foundation upon which the greater Cincinnati music scene has built its magnificent house over the past four decades.
And in a moment of divine inspiration, the once and future David Rhodes Brown called up the two other most recognizable components of the Warsaw Falcons — bassist John Schmidt, whose stoic demeanor on stage was always at odds with the blistering pulse he provided, and drummer Doug Waggoner, whose maniacal approach to rhythm was to beat it into submission, hammering it into new and exotic shapes with Thor's thunder and Odin's lightning. The Falcons' frenetic six-song set at the end of the evening — with Brown in the teeth of a mutant flu strain that would have coldcocked the sturdiest lumberjack or dockworker — was the stuff of local legend. And as the last chords were still ringing through the Southgate House's Sanctuary, Brown (clean-shaven for the express purpose of revisiting his youthful past) informed us that he, Schmidt and Waggoner had worked too hard and had too much fun to lock the Falcons back in their respective trophy cases and that they would be returning, badder and better than ever.
That promise was teased with the Falcons' opening slot for 500 Miles to Memphis at the Southgate House last New Year's Eve, but it was fulfilled with a righteous vengeance last Friday night when the trio headlined their first club date in nearly a decade and a half, transforming the swank surroundings of the newly refurbished Woodward Theater into an edge-of-town roadhouse, with all the danger and chicken-wire that implies.
The evening began with a spirited set from JetLab, the compelling Synth Rock trio that made a serious local splash with their eponymous 2014 debut album and earned a well-deserved Best New Artist CEA nomination earlier this year. In the studio, the trio — Elle Crash (a huge fan of DRB's since way back), Nick Barrows and Dave Welsh — churn out an arty Flying Lizards/Gary Numan/Breeders/Tom Tom Club-tinged soundtrack, but in the live setting, JetLab channels their performance adrenaline into a manic Soul Coughing/Mike Doughty ethic, with brush strokes from the pallets of early Talking Heads, B-52s and our own Perfect Jewish Couple from back in the day. Barrows and Crash take their turns on the Korg, accompanying each other on electric and acoustic guitars with Crash occasionally strapping on the bass to beef up the bottom. Through it all, Welsh provides the slippery beat to hold it all together, shifting seamlessly from tough-edged shuffle to hard-hitting machinegun attack. JetLab has already amassed a sizable and suitably loyal local following, but its rapidly maturing live presence shows the trio is stocked with brains and muscle and its best days lay just ahead.
Next up on was yet another standard stellar appearance by The Tigerlilies, whose greatness has been trumpeted in our pages and on this site for a good long time. Friday's show was solid evidence to support that stance. The band's fourth and undeniably best album, last year's In the Dark, was handed out with each ticket sold and anyone who didn't already have it was the proud recipient of one of the best albums of 2014, period. In my review of In the Dark, I name-checked Cheap Trick, Husker Du, The Clash and The Beatles and I confidently stand behind those reference points. In the live context, however, The Tigerlilies' energy level rises exponentially and they shift into a sixth gear that is almost impossible to quantify. With an audience to spur them on, The Tigerlilies blenderize all of the above and throw in heaping handfuls of the Dictators and Voidoids to create a sound that is Power Pop at a blistering yet amazingly nuanced Hard Rock level. Bassist Brian Driscoll and drummer Steve Hennessy have the kind of telepathic beat mentality that is the hallmark of every great rhythm section, and Pat Hennessy and Brendan Bogosian are proving to be one of the most adaptable and multidimensional guitar tandems in the city, able to pummel with Punk passion and pacify with Pop persuasion. Pat once took guitar lessons from DRB, distinguishing himself to his instructor by bringing him a Johnny Burnette single with the intent of learning the song. That breadth of interest and experience still informs everything he does with The Tigerlilies.
Inevitably, it was time for the Warsaw Falcons to take the stage. Suited up in dapper black like Sopranos extras ready for their close-ups, Msrs. Brown, Schmidt and Waggoner opened the evening with the one-two punch of their slinky and seductive "Skinny Anklebone," the Falcons' first 7-inch from back in 1984, followed by the propulsively thunderous "Mix Your Mess," and it was a slightly mannered free-for-all from there. As always, the Falcons proved themselves to be masters of pacing, knowing exactly the right time to draft and when to accelerate, slowing things down with the swaying Rockabilly/Doo Wop intensity of "I Fall Apart," heating things up with the insistent thump and throb of "Two Cigarettes in the Dark" and "You Can't Talk to Me." And the evening's special status was cemented with a backing vocal cameo from Mark Utley, taking a break from Bulletville and Magnolia Mountain (the latter of which once claimed DRB as a member) to sing harmonies on "You Can't Talk to Me" and "Melody" and provide appropriate shouts on "Cat Daddy."
When the Falcons finally closed with a rafter-rattling spin on "Never My Lover," the understandably frenzied crowd erupted with some fireworks of their own, stomping on the Woodward's dance floor with seismic fury until the trio retook the stage to finish the night with the hypnotic rumpshake of "Bertha Lou" and the incendiary barnstorm of "Swingin' on the Way Down."
As the lights came up on the dazed but exultant attendees (which included everyone's favorite politico/city booster Jim Tarbell; as Brown noted earlier in the night, "Well, when Jim Tarbell shows up, you know you've got a thing"), it was clear that the audience was comprised of two distinct factions — old fans who were basking in the glow of memories of ancient Falcons triumphs and the unexpected prospect of new frontiers ahead and new fans who had just witnessed a scorching force of nature whose earliest gigs may have preceded their births or at least coincided with their formative elementary school years. These younger fans had never seen the trio in their heyday, and I assured them that what they had just experienced was played out in that same fashion, at least five nights a week, three sets a night, back in the ’80s. Their jaw-dropped reaction was proof positive that the Warsaw Falcons belong back together, belong on the current scene with their (much) younger contemporaries and have more than enough fuel to go wherever they bloody well want to go.
Clearly the Falcons themselves and those of us who followed them with unfailing fervor from the start bear all the marks of the passing decades. There is considerably more salt in our once peppery hair, but you know what they say about snow-covered roofs and the fire stoked furnaces beneath them. The Warsaw Falcons may well be looked at as the grandfathers of the Cincinnati scene, but they built this city on Rock and soul and the music they made is as timeless as the seasons, as immutable as the laws that govern the universe and as relevant as tomorrow's headlines.
Friday night's show at the Woodward was the first in a series of gigs where the headlining Falcons will be supported by bands whose members can claim some connection to DRB and his intrepid band of riffmongers, joined by special guests both past and present. Think the Warsaw Falcons are just the new geezer Rock? Get your mind right, kids, and talk to the virgins who got popped at the Woodward last week. They drank the Kool-Aid and they believe. You will, too … right down to your skinny anklebones.
Morning all! Let’s get started on this news thing right away. I’ll be brief today.
Good news for transit drama junkies: The next episode of the streetcar soap opera just dropped, and it’s a double feature. Turns out the 2013 pause in streetcar construction while Mayor John Cranley railed against the project and Cincinnati City Council mulled pulling the plug could end up costing the city $2 million. The city has already spent about $1 million on costs associated with the pause, and now the team responsible for the streetcar is negotiating with a consultant involved in the construction of the streetcars over how much it owes for other costs related to the work stoppage. The cars themselves will be delayed six months because of the three-week pause, the streetcar team says, since the company making the cars thought the project was dead at the time. That cash will have to come out of the streetcar’s contingency fund, which will have about $1 million left after payments related to the pause are made.
Meanwhile, estimates for how much money the streetcar will rake in every year are down, according to the Southwest Ohio Regional Transit Authority. Adjustments in the way passengers will pay fares (by time spent on the cars, not on a per-ride basis), factoring in subsidized rides for low-income riders and revised advertising revenue estimates mean the streetcar is likely to pull in just $781,000 in its first year, much less than the originally-estimated $1.35 million. That means the transit project may have to tap into a $9 million fund provided by the Haile Foundation to help fund the streetcar’s first decade in operation.
• We’ve known for a while that the current site of the Anna Louise Inn, an historic women’s shelter downtown near Lytle Park, is slated to become a luxury hotel. Now we know which luxury hotel. Marriott announced yesterday it is bringing its Autograph Collection hotel concept to the site. Autograph Collection hotels are high-end, boutique accommodations. Others include European palaces and swanky hunting lodges. Plans have been in the works to relocate the century-old women’s shelter after a protracted and contentious legal battle between the city, Anna Louise Inn operators Cincinnati Union Bethel and insurance giant Western & Southern ended in 2013. A new CUB facility is being constructed in Mount Auburn.
• Here’s a quick one: Two Cincinnati lawyers have filed a lawsuit hoping to legalize prostitution in San Francisco. Lou Sirkin and Brian O’Connor of Cincinnati-based firm Santen and Hughes have filed in a California U.S. District Court on behalf of an organization called the Erotic Service Provider Legal, Education and Research Project. Three sex workers and a prospective client of sex workers are named as plaintiffs in the suit, which Sirkin and O’Connor say is a constitutional issue. Sirkin has worked on a number of constitutional and individual rights cases across the country.
• Lebanon City School District is facing a civil rights complaint from the mother of one of its students. Heather Allen has filed the complaint with the U.S. Department of Education alleging that issues of racial discrimination and bullying haven’t been taken seriously by the district. Allen says her biracial children, as well as other black children in the district, have been subject to racist jokes, taunting, repeated use of racial slurs including the n-word and an alleged threat from another student who Allen says had a knife. Nine incidents total are listed in the complaint, which comes a few weeks after an Instagram photo surfaced from a district student bearing racial slurs and a threat toward a black Lebanon student. The district thus far has not responded to media inquiries about the complaints, though it did address the Instagram photo, saying it didn’t have jurisdiction over that issue since it happened off school property.
• Former death row exonerees took to the capitol yesterday to advocate for changes to Ohio’s death penalty. Six men who had been wrongfully convicted of murder and who spent time in prison for their wrongful convictions gathered to urge lawmakers to adopt 57 recommendations for changes to the way the state administers justice made by the Ohio Supreme Court Task Force on Capital Punishment. Among them was Ricky Jackson, who was finally freed last November after spending 39 years in prison for a murder in Cleveland he didn’t commit. Jackson was exonerated thanks to the work of UC’s Ohio Innocence Project, an initiative co-founded by Mayor John Cranley in 2003. The Innocence Project is the subject of this week’s CityBeat news feature — it just won a new trial for three other Cleveland men who may have been wrongfully convicted in another murder. Check it out.
• Finally, your 2016 update: U.S. Senator Marco Rubio of Florida entered the presidential fold Monday, declaring he’ll seek the Republican nomination. Meanwhile, there is noise about who former secretary of state and current Democratic frontrunner Hillary Clinton will tap for vice president. Will it be former San Antonio mayor and current Department of Housing and Urban Development Secretary Julian Castro? Some think-piece writers think so. It seems clear that Castro, along with his brother, U.S. Rep Juan Castro, are both being groomed by the Democratic Party for bigger things. The Castro brothers are promising stars in the party, to be sure, but there’s also a pretty calculated element to the speculation: Rubio is strong with Hispanics thanks to his own Hispanic background, and Castro as VP could be a way to counteract that, political pundits say. Ew. Politics is gross.
That’s it for me. Tweet at me. Email me. You know the drill.
The surefire signs of spring seem as if they’re finally here to stay. Annuals are sprouting everywhere, joggers are jogging and that most significant local spring holiday — Opening Day — is in our rear-view mirror. It’s finally time to trade boots for sandals and spend every single one of our sunshiny days eating and drinking outside. Here’s a cultivated list of perfect patios that should keep you busy for at least a week.
With Anchor, you get dinner and a show. Where else can you sit next to Washington Park and enjoy any of the programming for free while dining on chef Derek dos Anjos’ super fresh fare from the sea? Our favorite nights are Tuesday, when lobster rolls are only $20, and Thursday, when oysters are a buck. 1401 Race St., Over-the-Rhine, 513-421-8111, theanchor-otr.com.
Avril-Bleh & Sons Marketplace and Deli
Fast food doesn’t need to be crap food. Head down to Court Street, where every lunch Tuesday-Friday (weather permitting), the good folks at Averil-Bleh will be grilling their tasty, housemade sausages as well as burgers. Wanna be super fancy? Stroll inside, pick up some fresh homemade salads, like German potato and coleslaw, head to a park and have yourself a picnic. 37 E. Court St., Downtown, avril-blehmeats.com.
Bouquet Restaurant and Wine Bar and Otto’s
We’re super stoked when we don’t have to travel too far for a street-side gourmet progressive dining experience. Pick cocktails and apps at MainStrasse’s Bouquet Restaurant and Wine Bar — chef Stephen William’s housemade charcuterie and pickles are to die for — then literally walk a couple feet for your main dish at Otto’s. If you prefer a slightly less pedestrian feel to your meal, take a seat on the back patio of either establishment. Bouquet, 519 Main St., Covington, Ky., 859-491-7777, bouquetrestaurant.com; Otto’s, 521 Main St., Covington, Ky., 859-491-6678, ottosonmain.com.
Django Western Taco
Tasty tacos and other Southwestern favorites, tequila-based drinks, live music on Thursday nights and a secret stash of Nerf guns for the occasional Nerf war are the super-sweet lures chef Andrew Mersmann has tucked away on his back patio in Northside. Kids are welcome, but why would you want them in the way of all of that grown-up fun? 4046 Hamilton Ave., Northside, djangonorthside.com.
The 50-seat patio at Dutch’s makes it the perfect place in East Hyde Park to stop after work. Fire pits keep you warm while bocce ball keeps you entertained as you nibble on everything from the housemade truffle popcorn to a selection of charcuterie plates that go perfectly with Dutch’s outstanding beer and wine selection. Feeling a bit more ravenous? No problem. Try one of Dutch’s mouthwatering sandwiches, including an extremely decadent short rib grilled cheese. 3378 Erie Ave., Hyde Park, 513-871-1446, facebook.com/dutchslarder.
Not only has the inside of the former Lavomatic received a complete indoor facelift, but the rooftop deck has received a total overhaul as well and is ready for its debut season as one of the loveliest outdoor dining spots in Over-the-Rhine. The elevated location offers the perfect opportunity to enjoy your meal, removed from the hullabaloo of Vine Street below. 1211 Vine St., Over-the-Rhine, 513-834-8670, facebook.com/kruegerstavern.
Whether you choose to hang on the patio in the Madeira location or under the tent at the Newtown restaurant, chef Suzanne DeYoung’s soup serves two purposes: to fill your belly and also the many other hungry bellies in our community. For every quart sold, a bowl is donated from this for-profit soup kitchen with the heart of gold. 7701 Railroad Ave., Madeira; 4150 Round Bottom Road, Newtown, lasoupecincinnati.com.
Mac’s Pizza Pub
Pizza isn’t just something that gets delivered to your door. Venture out for your pie, literally. All three Mac’s locations have something different to offer — the vibe at Clifton is all crazy mural and ferns, Landen has a new volleyball court and a pool table, and Wooster Pike offers a gazebo. But there are plenty of TVs to be had at each, so you can follow your favorite team while you eat and drink. 205 W. McMillan, Clifton Heights; 2920 W. US 22 and 3, Mainville; 6309 Wooster Pike, Mariemont, macspizzapub.com.
Although Catch-a-Fire Pizza is setting up permanent shop at MadTree Brewing, the super popular Hop-Up Dinners at the brewery will continue. Each week a different local chef sets up a pop-up shop for one night only — last week it was The Meatball Kitchen’s chef Jason Louda. There’s a large patio with picnic tables, a fire pit, corn hole and a TV. As for the ambience, Kenny McNutt, MadTree’s self-proclaimed “Beer-ded Baron” says, “The tall fence helps to hide the Motel 6.” 5164 Kennedy Ave., Oakley, 513-836-8733, madtreebrewing.com.
There’s no need for a pricey trip to Italy when the absolutely gorgeous wisteria-covered, fern-laden patio at Nicola’s is waiting for you. Just grab one of the 10 tables out back, order some of chef Joel Molloy’s authentic contemporary Italian cuisine and you’ll be instantly transported. 1420 Sycamore St., Over-the-Rhine, 513-721-6200, nicolasotr.com.
Chef Jackson Rouse is especially proud of his “pimp of the pimps double deck,” as he calls it, with a fire pit, adult swings, fresh new cedar tables and a full rocking bar. It’s the best place to be on Sunday for a seriously funky brunch hosted by Ria Matlib, aka DJ Mowgli. 1077 Celestial St., Mount Adams, 513-929-0525, therookwood.com.
Post Hyde Park Farmers Market, head to chef Julie Francis’ very secluded, super European-looking back patio for a relaxing Sunday brunch. All of that shopping will have burned so many calories you’ll be ready for her almost immoral Blue Oven French Toast (honey orange mascarpone, candied almonds, champagne and pear compote, and hickory smoked bacon). 1000 Delta Ave., Mount Lookout, dineatnectar.com.
Taste of Belgium
While Taste of Belgium’s original OTR location has only a few outdoor tables — and honestly they’re often tough to get — the Clifton patio is huge and a spot is often easier to snag. Also, there’s the Findlay Market counter, where you can grab your waffle or crepe and people-watch outside. And at the end of May the new Rookwood location will be open with 50 outdoor seats. authenticwaffle.com.
The lineup for this year's MidPoint Indie Summer was announced this morning. Along with a slew of solid local acts, this year's free Friday night concerts on Fountain Square will feature more well known national acts than ever before.
Shows run 7-11 p.m. from May 29-Sept. 4.
May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place and I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison
The shows are sponsored by CityBeat's MidPoint Music Festival (MPMF does not book artists for the Fountain Square events). MidPoint returns this year Sept. 24-26. The festival is currently accepting applications from artists interested in playing MPMF 2015. Click here for details.
As I said in my in Silverado review, western films fell out of popularity during the ‘80s and ‘90s with some obvious exceptions. One of these was the TV miniseries Lonesome Dove, based on the novel of the same name by Larry McMurtry. On a side note: Lonesome Dove is probably my favorite novel of all time and you should all read it.
What connection does that miniseries have to today’s film Quigley Down Under? Both feature the same director, Simon Wincer, and the same music composer, Basil Poledouris, but unfortunately the film was sort of passed over when it should have been watched and at least given the compliment of, “that was pretty good.”
Quigley Down Under is the story of an American cowboy and skilled sharpshooter named Matthew Quigley (Tom Selleck) who receives a job on an Australian ranch run by Elliott Marston (Alan Rickman). But upon his arrival, Quigley runs into a woman named Cora (Laura San Giacomo) who confuses Quigley for her abandoning husband Roy and he finds out that his job will be shooting the native Aborigines. Quigley disapproves of what Marston wants to do and goes against him, only to be left for dead in the Australian desert with Cora. He must survive the harsh environment and then stop Marston from continuing his cruel treatment of natives.
It does kind of surprise me how well Australia’s Outback works as a setting for a western. It really shouldn’t, though — the scale of the desert almost matches the grand scale of Monument Valley on the Arizona-Utah state line. Add in the intense heat and it adds another element of suspense for the story.
One of the best elements in the movie is the script itself. It has a very good story and some great dialogue, which is delivered with charm courtesy of Magnum, P.I.’s Selleck. It makes me wonder why this film was passed up by Warner Bros. The role of Quigley was originally offered to Steve McQueen and Clint Eastwood, and while I could see Eastwood doing this kind of role I think Selleck fits perfectly.
The other performances are also very good. Rickman is also great as the villain who wishes to be a Wild West gunslinger. So, yes Harry Potter fans, you get to see Prof. Snape in a gun duel.
The real highlight performance comes from Laura San Giacomo. She just steals every scene she’s in as the half-crazed woman who has demons of her own. During her first few scenes she could be seen as a just another forced comedic character but as time goes on we hear about her back story and see what led her to her crazy attitude.
As I mentioned before, the movie’s film score was compose by the last Basil Poledouris. To me, Poledouris is a film composer that deserves to be held in the same regard as people like Elmer Bernstein and John Williams. The music he composed for this movie, along with Robocop, Starship Trooper and every other film he’s worked on is amazing. It can capture a sense of excitement and it can be touching as well.
haven’t checked this film out then do yourself a favor and track down a couple
in the near future.