Chris Forsyth & The Solar Motel Band bring their tour behind their debut studio album, the recently released Intensity Ghost, to The Comet in Northside tonight. Heart of Palm and Public Housing open the free 10 p.m. show.
Forsyth, who co-founded the experimental group peeesseye in New York around the turn of the century, is an acclaimed guitarist known for his exploratory approach and compelling skills. He fell in love with the music of Television in high school and ultimately ended up taking lessons from that legendary band’s Richard Lloyd.
You can hear the influence of Television particularly in his work with Solar Motel Band (which was formed based on the guitarist’s acclaimed Solar Motel album from last year). Many critics have described Forsyth’s most recent all-instrumental music as a cross between Television and The Grateful Dead; Forsyth (now based in Philly) discovered the Dead while immersed in the New York experimental music scene and was immediately drawn to it, so it’s a fair comparison. Overall, it’s very engaging, hypnotic stuff.
• Tonight and tomorrow sees the return of Ironfest, a huge two-night benefit concert in honor of late local music supporter and musician Iron Mike Davidson. This marks the fifth edition of the event since Davidson passed away in 2010.
Ironfest V, which continues to raise funds for Davidson’s family, takes over Newport’s Southgate House Revival both nights with a lineup stacked with local talent largely (but not entirely) from the worlds of Punk and Hard Rock. Friday’s lineup includes Mad Anthony, Martin Luther and the Kings, Kill City, Vampire Weekend at Bernie’s, Sweet Ray Laurel, Valley of the Sun, Lockland Brakes, Lohed, Subsets, Mala in Se, Black Signal and many more. Saturday at Ironfest, catch The Dopamines, Moonbow, Mudpies, We are Hex, Honeyspiders, Oxboard Drain, 500 Miles to Memphis, The Blue Rock Boys, Draculas, Ethicist, Cadaver Dogs and several others.
Tickets each night are $5 in advance (available at ticketfly.com) or $10 at the door. Showtime is 7 p.m. both nights.
• Tuvan throat singing string band Huun Huur Tu performs Saturday night at Parrish Auditorium on the Hamilton campus of Miami University.
Derek Halsey explains the unique music in his preview of the show for this week’s CityBeat (read the full preview here).
Tuvan throat singing describes the wild-sounding songs created by musicians in the southern Siberian and Mongolian Steppe region of Central Asia who, for want of a better explanation, use their throats as if they were a didgeridoo.
Not only does it sound cool — creating multiple notes at the same time using nothing but the human voice — but historically it was a way for humans to communicate over the vast plains in that part of the world, with different styles being created to represent different tribes.
Saturday’s show starts at 7:30 p.m. Tickets are $25 (there are discount for seniors, students and “youth”) and can be purchased in advance here.
• Cincinnati Blues crew The Whiskey Shambles host a release show at Over-the-Rhine’s The Drinkery in honor of their debut album, Loose Change for a Broken Man. The show is a benefit for the Save the Animals Foundation (where drummer Aaron Tyree volunteers). A $5 donation is requested at the door but you can be a jerk and not pay it; it’s technically a free show. JetLab opens things up at 9 p.m. and members of local choirs MUSE and Young Professionals Choral Collective are slated to make guest appearances with the Shambles.
CityBeat’s Brian Baker spoke with the band about their origins and the new release for this week’s issue. Brian describes the album and band’s sound like this:
While Loose Change exudes a contemporary vibe, the album bears the diverse hallmarks of the best ‘70s Blues Rock albums. Like Led Zeppelin, Cream and Free before them, The Whiskey Shambles channels first generation Blues subsets like Delta, Piedmont and Hill Country, combined with the members’ unique individual experiences to conjure an edgy, atmospheric vision of 21st century Blues.
• One of Cincinnati’s best bands, The Hiders, celebrate the release of their amazing new album Totem Saturday at Northside Tavern. The show is free. Singer/songwriter Ali Edwards (former bandmate of The Hiders’ frontman Billy Alletzhauser in Ruby Vileos) opens at 10 p.m.
• Unique Cincinnati Americana group The Tadcasters have released a new EP and on Saturday they’re playing Stanley’s Pub in celebration. The show features two other Roots acts that have recently issued new material — La Grange, Texas, Folk/Rock/Roots act The Youngest (supporting the new album Feral Road) and Oliver Oak, an Indie Folk sextet from Columbus, Ohio (supporting its new Sleepless Wilds release). Showtime is 9 p.m. and there’s a small cover charge at the door.
Here is “Chaingang” from The Tadcaster’s excellent new five-song EP:
• Sunday at the Southgate House Revival, friends of veteran local musician David Rhodes Brown are throwing a party in honor of his remarkable 50 years of playing music in the area. The multi-instrumentalist/singer/songwriter has been a part of numerous local acts in his half-century of service, coming into regional notoriety in the early ’80s with his long-running Rockabilly/Roots band The Warsaw Falcons (who will reunite and close out Sunday’s event) and going on to play with notable Greater Cincinnati groups like The StarDevils, Magnolia Mountain and numerous others. In 2010, Brown released his guest-laden solo album Browngrass & Wildflowers, and he’s played lap steel guitar with the popular Punk Pop/Roots Rock band 500 Miles to Memphis for the past several years.
Many of Brown’s friends and current/former bandmates will perform some of his songs at the event, including Ryan Mallot, Mark Utley, Wilder, Todd Lipscomb, Gregory Burton, Elle Crash and Pike 27. More friends and bandmates (including CityBeat’s own Brian Baker and should-be Hamilton Country Commissioner Jim Tarbell) will also give Brown the “roast” treatment at the party.
Showtime is 7 p.m. and admission is just $5.
Hey all, here’s what’s happening this morning. I’ll be brief. It’s Friday, and we all have stuff to do if we want to get out of work early.
City Council committed to doubling human services funding in its meeting yesterday. The fund, which provides money to 54 organizations that fight poverty in the city, will go from $1.5 million to $3 million in the next city budget. That boost will bring the fund up to .84 percent of the city’s operating budget, with a goal of eventually raising it to 1.5 percent, a level the city hasn’t seen in ten years due to harsh cuts during that time.
• At their respective meetings this week, both City Council and Hamilton County Commissioners agreed unanimously to create a city-county cooperation task force. The task force would look for ways to share services between the two governmental bodies. Councilman Chris Seelbach said he’d like to see the group find ways to cooperate with the region’s other municipalities as well, including places like Norwood and Saint Bernard.
• Developers are looking to pour about $80 million into projects in Mount Auburn, one of the city’s more neglected neighborhoods. The area just north of Over-the-Rhine and just south of Clifton and Corryville could see new office space and apartment buildings, among other development projects.
• In a way, this is the flip-side of the shared services coin: the City of Sharonville is considering doing away with its health department in order to contract services through Hamilton County Public Health. That’s upset some members of the community there. Mayor Kevin Hardman has recommended the move, and Sharonville City Council will vote on it soon.
• Are you ready for a Rand Paul presidential run? The Kentucky Senator and tea party hero is about “95 percent” certain to be vying for the Republican nomination in 2016, according to this Politico story. Paul’s father, Ron Paul, is something of a libertarian folk hero who has pushed for auditing the Federal Reserve Bank, zeroing out entire departments in the federal government and other kinds of whacky ideas. The elder Paul made runs in the last two presidential elections as an independent, where he got a lot of attention but not much of the vote. Rand has combined many of his father’s libertarian ideals with a more palatable tone and connections to both establishment and tea party factions of the GOP. He’s also tried to make inroads on traditionally progressive issues, saying he wants to reform drug laws and pull back U.S. military involvement overseas. He’s gone to places where liberals are most likely to hang out— speaking at UC Berkeley and this summer’s Urban League conference in Cincinnati, for instance — in an attempt to make his case. Be prepared to see a lot more of that in the near future.
• Meanwhile, on the opposite end of the political spectrum, firebrand Senator Elizabeth Warren will join Democratic leadership in that chamber, a sign the party is seeking to bring the left-leaning part of its base in closer. Warren has crusaded against big banks and their role in the financial crisis and has big populist appeal among progressives. Some of her job in her new position will be reaching out to those groups and voters as well as advising the party as a whole on policy and messaging. Some progressives have pushed her name as an alternative to Hillary Clinton for the Democrats’ presidential nominee in 2016, but so far, Warren has said she’s staying out of the race.
City Council yesterday unanimously passed a motion committing $1.5 million more to the city’s Human Services fund in its next budget, doubling the fund’s size.
The increase is part of an ongoing rethinking of the city’s human services funding. But with that change in focus comes the potential that some of the 54 organizations that receive support from the fund could see some cuts in the next budget.
A working group headed by Councilwoman Yvette Simpson and Vice Mayor David Mann suggests focusing first and foremost on two major areas: increasing gainful employment and reducing homelessness, splitting the fund down the middle for those purposes. Along with those major focus areas, it also suggests the establishment of a collaborative between law enforcement and the community to curtail violence in Cincinnati when more funds are available.
The changes won’t take place for another six months, kicking in with the new fiscal year, giving organizations and the city time to adjust to the new budget priorities.
“Number one, we wanted to make sure to increase how much we put into human services each year,” said Mann, who helped draw up the proposal, “and secondly that we focus on a few significant areas and see if we can’t make progress there instead of trying to shotgun amongst many programs.”
The motion to adopt the suggestions by the human services working group is the next step in a months-long process to update the way the city funds anti-poverty programs. It’s also a step toward restoring funding for human services to 1.5 percent of the city’s operating budget, a long-term goal for the city and a level it hasn’t seen in a decade.
Currently, the city’s $1.5 million human services fund accounts for just .42 percent of the city’s $358 million budget. In the past, the city has made deep cuts to the fund. The boost would raise the fund’s proportion of the budget to .84 percent. Simpson and others, including Mann, say they hope to get back to 1.5 percent as more funding becomes available.
Simpson says the working group included advice from the United Way, which currently helps the city evaluate programs it is funding, as well as community members and various boards like the Human Services Advisory Committee and the Community Development Advisory Board, which oversees how federal Community Development Block Grants are spent.
The city hasn’t decided where the money for the increase will come from yet, a point of concern for some council members.
“Whenever we move to increase funding for something, I like to be able to identify the source of funds,” said Councilman Kevin Flynn. He noted there was still time to do that before the overall budget is passed.
Flynn also said he’d like to see human services funding go through the same process, something that has been a sore point among some council members lately.
“There’s a lot of money that we’ve approved in our general operating budget that hasn’t gone through the guidelines and process that we’ve established,” Flynn said.
Councilman Seelbach expressed similar concerns, specifically about the way decisions are made on funding anti-poverty programs.
“All of us have agencies that we’re somewhat close to, and it’s not fair to pick them over others,” Seelbach said, a reference to recent moves that have shifted money from some nonprofits to others. “So if we can put them all in a fair, non-political process like the United Way, I think the city’s better for it.”
Good afternoon readers! I've spent my day wrestling with terribly out of date software and silently cursing in my sad, grey cube. How's your day been?
If you haven't already noticed, this week marks CityBeat's 20th anniversary. (Hooray!) Our enormous anniversary paper recaps coverage of the issues Cincinnati has grappled with over the last 20 years. Plus, it has a head shot of me from 1994 wearing a purple turtle neck. Pick it up! Or, at the very least, join the staff at the anniversary party tomorrow for delicious food, drinks, and CAKE.
Moving onto the subject at hand...vocab. It was slim pickins' in this week's issue for Words Nobody Uses or Knows. Either that or my knowledge of pretentious words is actually expanding. (Doubt it.)
Best word of the issue is vitriolic, found in our anniversary issue; in the hilarious bit about Mike Breen pissing off all of Cincinnati's Jimmy Buffet fans. (You can read the digital version of our anniversary issue here.)
vitriolic: extremely biting or caustic; sharp and bitter: vitriolic talk (adj.)
In this issue: "This resulted in hundreds of hate emails from Buffett fans from across the country, most of which were nastily vitriolic, some even violently so (one writer said he hoped Breen's children were raped by drug dealers in Over-the-Rhine and given AIDS), a far cry from those smooth tropical vibes Buffit emits from stage."
People are the worst, aren't they?
Next best word is ethnomusicologist, which sounds like the best made up job ever. It's in this weeks Sound Advice.
ethnomusicology: the study of folk or native music, esp. of non-Western cultures, and its relationship to the society to which it belongs (n.)
Imagine introducing yourself to people with that title, and the reactions you'd get. People would be simultaneously confused, amazed and envious.
In this issue: "Huun Huur Tu got the attention of the West when American ethnomusicologist Ted Levin made the trek to Central Asia in the 1980s and brought the group to the U.S"
Next word is missive, also found in our anniversary issue. I feel like most people probably already know this one. It's in the other hilarious bit about that time everybody thought CityBeat was full of sexual deviants for selling adult-themed ads.
missive: a letter or written message (n.)
In this issue: "The missive called on CityBeat to exercise 'integrity as a corporate citizen' and asked that we 'eliminate the adult services category, and refuse to accept ads elsewhere for sexual services, in both your print and online editions.'"
If there's anything I've learned about the altweekly business in the three months I've worked here, it's that if you're being sued, you're doing something right.
Hey hey all. Hope your Thursday is going well. Tomorrow’s Friday! And that's our 20th anniversary party! You should come. You should also venture out into that bleak, unforgiving cold to pick up a copy of our 20th anniversary issue now. It’s got a lot of really fun looks back at the past two decades of CityBeat as well as a picture of a very young me holding a puppy. How can you resist?
After the absolute deluge of news yesterday, today is relatively quiet. Well, for the most part. The hearing in Hamilton County courts on former Juvenile Court Judge Tracie Hunter’s request to have her felony conviction thrown out is happening as you read. Hunter was convicted on one of nine counts she was facing last month on a variety of charges. The one that stuck: allegations she improperly intervened in disciplinary actions against her brother, a court employee accused of assaulting an inmate. There’s a big wrinkle in the case, however, as three jurors have recanted their guilty verdicts. It promises to be a very interesting day in court.
• U.S. Department of Health and Human Services Secretary Sylvia Burwell will be dropping by Cincinnati today to talk about health care coverage and enrollment in a health policy under the Affordable Care Act ahead of the Nov. 15 open enrollment period. She’ll be joined by Mayor John Cranley at the National Underground Railroad Freedom Center at 12:45 p.m. Burwell will also be swinging through Columbus earlier in the day.
• It’s been a rough week, so I’m into this next thing. Today is World Kindness Day, it turns out. I’d never heard of that before, but I guess any excuse to be nice to people is a good one. If you mosey down to Fountain Square between 11 a.m. and 2 p.m., you can pick a flower from a large flower wall being installed by KIND Healthy Snacks. The idea is you pass the flower along to a stranger or anyone else you see who could use a little pick-me-up. There will also be surprises for people who are nice or could use a little kindness throughout the day.
• This year is a big anniversary for another group. The Greater Cincinnati Coalition for the Homeless, which started in 1984, is celebrating 30 years working to end homelessness. The coalition has also been very active in asking big questions about development in Over-the-Rhine and other places where low-income folks live. They’re having a celebration Dec. 11.
• Ironically, there’s yet another big anniversary this year. The term “gentrification” was coined in 1964 by British sociologist Ruth Glass. Here’s a really fascinating and provocative history of the term published last week that’s worth reading.
• The debate over net neutrality has been on the front burner lately, thanks in part to new statements from President Barack Obama. That debate hasn’t just been about words and ideas, of course, because nothing in politics ever is. Cash has played a big role in the fight. Anti-net neutrality telecommunications companies, who want the right to create so-called “fast lanes” and treat certain kinds of internet content differently, have given more than $62 million to political action committees in the past 14 years. Compare that to big tech companies like Google and Facebook, which support net neutrality. They’ve given just $22 million. Part of that is that these companies haven’t been around or as powerful for as long. No matter what the cause, though, it’s clear that telecomm is pouring vast sums of money into the pockets of politicians to try and keep the federal government from making rules about net neutrality.
• Today, you get a crazy news two for one. First, a guy got arrested (in Florida, you guessed it) trying to steal a chainsaw by sticking it down his pants. That’s wonderful. Second, Philae, that unmanned European space probe you’ve probably already heard about, landed on a comet yesterday. That’s never been done before. The probe has been beaming back pictures and drilling samples out of the comet’s surface. It’s also been live-tweeting its trip, though most of its commentary has just been about the fact it’s really cold and boring in space and about how the comet doesn’t have as good of a jukebox or beer selection as The Comet.
Survivor-type Bear Grylls may drink his own pee and propose to his wife with an ass diamond, but naturalist filmmaker Paul Rosolie is upping the ante in the weird wilderness game by allowing himself to be “eaten alive” — for real, apparently — by an anaconda on TV.
Judging by the trailer, viewers will witness Rosolie and his crew travel to the Amazon, hunt down an anaconda, suit up in a custom death-proof ensemble, douse himself with pig blood and wait for said anaconda to get hungry. The Eaten Alive special airs on Discovery on Sunday, Dec. 7 as part of something called “Mega Week.” Apparently both Rosolie and the anaconda survived the incident, which was filmed in advance. Cue the music!
In other “Oh my god, Becky” news, Kim Kardashian’s greasy butt on the cover of Paper magazine has everyone all in a tizzy. I think we should be offended by the headline/goal of the spread to “Break the Internet,” because haven’t we all seen Kim’s dump truck plenty of times before? More noteworthy is the fact that she’s popping out of a trash bag, which is actually quite fitting.
Look at these cute illustrations of movies with one letter removed from the title. And yes, I would totally see a Ron Swanson superhero movie called Ron Man.
Some of your favorite lady-shows are coming back in January!
Girls returns Jan. 11:
Broad City is back Jan. 14:
Your BFF Jennifer Lawrence will never get a Twitter, and it’s all because
you pervs who looked at her hacked pics she’s “not very good on phone or
TIL Jennifer Lawrence is all of our moms.
Entertainment Weekly’s annual reunion issue is on stands now, which means apparently it’s already time to reminisce about Mean Girls and Napoleon Dynamite.
Fox News’ Megyn Kelly accidentally cursed on air when introducing Mike Huckabee this week. She said Fuckabee.
Watch these 1980s aerobic workout stars get down to Taylor Swift earworm “Shake It Off”
New movie trailers to hit the Interwebz: Neill Blomkamp (District 9, Elysium) teams up with the incomparable Sharlto Copley again with Chappie, about a robot raised by a group of humans (Dev Patel, Yolandi and Ninja of Die Antwoord), proving once again that Copley is the go-to actor to play robot men; World War I drama Testament of Youth, starring Kit Harington (aka a beardless Jon Snow) and Hayley Atwell; and a fucking Minions movie.
In honor of CityBeat’s 20th anniversary, music editor Mike Breen and music section contributor Brian Baker (both of whom have been with the paper since the first issue) did an e-chat to discuss their experiences writing about music for the past two decades, from interview horror stories to the joys of covering Cincinnati musicians.
Mike Breen: So 20 years. We were both working (or, rather, volunteering) at Everybody’s News when we found out EN’s editor John Fox was leaving to start a new paper. I remember when he first told me, when it was still hush hush, and asked me to come aboard as the music editor while I was still in college. He pulled me aside as we were leaving the EN building after a day of work, told me (in hushed tones) about his plans and said he’d like me to be the music editor. I was excited because I believed in John’s broader vision — providing a liberal/progressive voice for the city, celebrating the arts and striving to create quality journalism — but also because I was going to finally be paid for my work. Do you remember when you first heard word about CityBeat's formation?
Brian Baker: Vividly. After John left EN, no one paid the slightest attention to me. I don't think they ran a single review of mine after his departure. At some point that following summer, John James, who'd been doing the Positively Yeah Yeah Yeah column, called me at my design day job and said John Fox wanted to have lunch to talk about something he's got planned. So the three of us met at this little seafood place on Reading Road and John (Fox) laid out the blueprint he had in mind for CityBeat. It sounded like a great idea, and my reaction was the same as yours. A byline and a check? Pinch me, I'm dreaming.
But John offered a single caveat, and it would have rather lasting implications. He said, "I can't use you as a reviewer, I need you as a feature writer. Can you do that?" I said yes, and that really changed everything regarding my writing career. In a very tangible sense, everything that's happened to me over the past 20 years is due to John's insistence that I write features, and I owe him a great debt because of that one simple clause in our contract.
MB: I remember months before the first issue of CityBeat I spent days putting together request letters to mail out to hundreds of record labels asking to be added to their mailing lists. Which is funny to think of now — we weren’t using email and, as opposed to receiving most review copies these days as downloads, we started getting dozens of CDs (and even cassettes at that point) a week. It’s crazy to me to think about doing research for reviews and stories in the very earliest days of CityBeat; I had a handful of “encyclopedias of music” books, but mostly we had to just rely on those press kit folders, which usually had a press release, a bio and then a stack of stapled-together photocopied reviews and interviews from other outlets. Now you can literally press a button and see every review and feature story ever written about an artist. It’s certainly easier now to be lazy.
What do you think has changed the most about writing about music over the past 20 years?
BB: No question that the internet has made the research part of our jobs a whole lot easier. And today's connectivity makes it almost (although not quite entirely) impossible for publicists to duck our requests for material and interviews. But remember tearsheets? Sending physical proof of my features and reviews to labels and publicists used to be enormously time-consuming, especially after I started picking up outlets other than CityBeat. Now it's like everything else: email a link.
Here's the thing about the new research paradigm. Back when my daughter was in 4th grade, her class and one other were doing a project on newspapers, where they split into groups, had editors and writers and each made their own version of a newspaper. Isabelle's teacher asked if I would be interested in talking to both classes about working on a real newspaper, which I happily agreed to do. The one point that I really tried to hammer home to the young journalistic minds in the group is that the internet has no editor, and you have to be incredibly careful with pulling what you think are facts from websites that may actually be offering little more than glorified opinions. In some ways, the internet has made everything incredibly easy, and in other ways, it has added in almost arcane levels of complexity that never existed before.
As I am often fond of pointing out, computers didn't make everything better, they made everything different.
MB: We’ll move on from computer-related stuff after this, but I want to vent about internet trolls so just humor me for a sec (haha). As I’m often fond of pointing out, the best thing about the internet is that everyone has a voice. And the worst thing about the internet is that everyone has a voice.
In the earliest days, we had one computer in CityBeat’s office that had web access, so people had to share time. My earliest memory of interacting with a “reader” online was when some asshole kid sent me this scathing note about something I’d written about Goth or Industrial music. He was a dick to me, so I was a dick right back (some things never change!). He threatened to “tell my boss” the mean things I said to him, which may have been the first time I did a computer-related “LOL.” It’s weird to think of now, in a time when online trolls are just par for the course. It’s probably the thing I hate most about the job, and it was evident in my very first experience communicating with someone online about something I’d written. (I should give credit to my first “troll,” singer/songwriter/funnyman David Enright, who, since the internet was still developing and Facebook was many years away from giving voice to everyone’s vitriol, made hand-written fliers eviscerating me, CityBeat and CityBeat’s music section for being lame. He stapled them onto telephone poles all over the Clifton area. I wish I’d saved one.)
We’d always talk about how we sort of wrote in a vacuum — we’d write stuff, throw it out there and assume people were reading it, but, outside of the rare “letter to the editor” or meeting people in the flesh, we had no idea how people were reacting to the content. Now we can kind of see in real time what people are reading (online) and get instant feedback if it hits the wrong or right chord. But people seem to mostly respond only when something pisses them off, which is fine, but it’s almost always rude and insulting, which is maddening.
Anyway, you (wisely) stay off of social media, and I imagine you are spared a lot of this more annoying feedback. But over the years, what have your communications with both subjects and readers been like? Are they only mean to me or do you get some of that too? (For the record, most artists are very cool, even if a review isn’t especially glowing, and very few are anything but kind and polite when I meet them in person.)
Also, and this is mostly for my own curiosity really, why do you avoid social media?
BB: I think I've had maybe one or two weird trollish kind of events, and in both cases I tried to reframe my case for the sake of clarification and when that went nowhere, I just surrendered, which I'm guessing is probably the money shot for most of these boners, so you're welcome. The anonymity of the internet has made self-imagined giantkillers out of intellectual/emotional pipsqueaks, and it has become an occupational hazard for those of us who would dare offer an opinion to a great unwashed mass that now has the means to respond from the bliss of their ignorance at the click of a mouse. On the other hand, it has also given us an opportunity to have fascinating conversations with people who actually relish the thrill of debating divergent opinions without having to declare a winner. A fair trade, I suppose.
My experience with the artists that I review and interview has always been, as you noted, very positive. And when I get introduced to people at shows, events, county fairs, beauty pageants and hog calling contests, and they realize I'm "that guy," they're always overwhelmingly nice, typically working up to a comment that goes, in general, "I've always loved your writing," and it's always nice to hear. A woman recently wrote in with some rather lavish praise about my online coverage of MidPoint, and her compliments were were well received by my always conflicted ego, although I was slightly bemused by this admission: "I've not read any previous articles by Mr. Baker..." So thanks for your kind words on my MidPoint reviewage, and if you're so inclined, there's 20 years of this stuff in the archive. Knock yourself out.
As for my social media blackout, I'm neither Amish nor am I a crotchety old duffer who doesn't understand the platforms and just wants these damn kids to stay out of my internet yard. My avoidance of Facebook has become something of a cause celebre; I didn't join because I couldn't see the benefit weighed against the time involved in posting/monitoring/responding, and now I'm one of a dozen people connected to the modern world who is not on Facebook.
At least part of the reason for the rest of it is the electronic array in the Bunker is just a couple of steps above the radio that the Professor made out of two palm fronds and a coconut shell on Gilligan's Island, and my phone is the Flintstones to everyone else's Jetsons. I have, in fact, grown rather weary of swearing at my 10-year-old Motorola flip phone (I know, I know), and I will soon be upgrading to something more befitting the second decade of the new millennium. And when that happens, I will probably be tweeting and whatnot with the rest of humanity. Until then, you kids stay the hell out of my internet yard.
"After a couple months, I started to realize that I liked being in the restaurant more than reading and writing scientific articles," Pesola says. "It was fast-paced, challenging and gave me an avenue to interact with people dynamically. In addition, I really enjoy how tangible the hospitality industry is."
This past summer, Pesola branched out and started selling rotisserie chicken on pita bread at Findlay Market. The resulting Revolution Rotisserie was so popular, he's opening a brick-and-mortar location on Race Street in Over-the-Rhine in early 2015. The rotisserie and bar will do dine-in, carry-out and catering, plus vegetarian options and specialty cocktails.
We caught up with Pesola to learn more about the restaurant and his chicken technique.
CityBeat: Why chicken and how did that relationship come to pass?
Nicholas Pesola: The concept originally had nothing to do with chicken. I wanted to introduce something unique to Cincinnati and I thought that it would be cool to reinvent gyros, one of my favorite foods from my youth. I wanted to stack marinated beef/lamb and do it like they do in Europe/Middle Eastern countries. I knew that I would have to offer other meats so I chose to stick with the rotisserie meat theme. When I put on tastings, everybody liked the rotisserie chicken sandwiches with my gourmet toppings and sauces the most. When no one offered to fund my unproven restaurant concept, I decided to start small at Findlay Market and pilot the idea. I knew I had to simplify my concept in order to be successful so I gave the people what they wanted: rotisserie chicken. I wanted to become known for rotisserie chicken sandwiches on pita bread because I thought that was the most unique. I also thought I would sell more sandwiches versus whole chickens to the Findlay Market crowd.
CB: What's been the best response you've seen from a customer?
NP: We have had many great responses. I love when people walk by my stand, stop abruptly after seeing the sample, and say, "That looks good. But what is it?" When they find out there is rotisserie chicken under the toppings and sauce, it is usually game over. I also enjoy the skeptical customer who reluctantly orders our food and then comes back with friends 10 minutes later because they really liked it.
CB: Can you tell me more about your chicken? Where do you source it? What separates it from other rotisserie? Is there a special technique, seasoning, butcher? A family recipe?
NP: We use Amish chicken from Miller Farms and will be switching to FreeBird chicken which has even more strict standards when it comes to how the chickens have been raised: no hormones, no preservatives, all vegetable diet, more room to roam, etc. Our chickens are never frozen, always fresh. We brine our birds, season them with a custom blend of the best spices, cook them on a gas-fired 40-bird rotisserie to perfection. And I assure you our whole chickens will not sit around for hours and dry out like they do at the grocery store. For our sandwiches, we hand-pull the meat, white and dark, and make sure it maintains its juiciness before serving. We have arrived at our current technique after talking with chefs and experimenting with other methods, but the reality is I'm always looking for ways to make the product even better.
CB: So you're opening a brick-and-mortar spot in OTR? What inspired you to take the jump?
NP: Even before I started at Findlay Market, I wanted to open up a brick-and-mortar shop. I just didn't have enough money and that was a blessing in disguise because it forced me to start small. I knew the time was right to circle back with potential investors when my customers kept asking where Revolution Rotisserie was located after eating our food.
CB: Why OTR? And why Race versus Main or Vine?
NP: I live in OTR and it's a very exciting place to hang out and start a business. The real question should be why not OTR? I believe my concept contributes something very unique to the scene. I chose the spot at 1106 Race Street because it was the size I wanted, featured an open kitchen, and fit my budget. In my opinion, Race Street is the next logical restaurant street in OTR because of Washington Park, Zula, Anchor, and Taft Ale House all down the street. Plus I live on Race Street, you can't beat that commute.
CB: What will be on the menu at Revolution?
NP: Chicken! We will showcase the versatility of chicken with eight rotisserie chicken sandwiches served on grilled pita bread — all of which can be made vegetarian by substituting hummus, black beans or extra veggies. This is a bold statement, considering we are primarily a chicken restaurant, but I think our pita sandwiches and salads set us up to offer one of the best vegetarian menus in the city. Of course, we will do whole/half chickens, side salads, mashed potatoes, cinnamon applesauce and a few other sides. At the bar, we will specialize in specialty cocktail infusions and of course, craft beer.
CB: People love chicken during the holidays. With restaurant prep ahead of you, will you still be at Findlay Market or taking any orders for whole or half chickens?
NP: Unfortunately, the cold weather prevents us from operating at Findlay Market under the tent. However, if people would like to place catering or large carryout orders, they can email email@example.com. The best way to do this is to visit our website revolutionrotisserie.com.
Follow along with Revolution's progress on Facebook and Twitter @RevolutionOTR.
Morning all. Let’s get right to the news, shall we?
It’s hardly a secret that arrest rates in communities across the country are often much higher for minorities. That’s certainly true for suburbs in the Cincinnati area, where authorities often arrest a much higher proportion of blacks than whites. In Sharonville, for instance, blacks are 12 times more likely to be arrested, and in Norwood, they’re seven times more likely. Law enforcement authorities in those communities say that the data controls for the lower population of blacks in those communities but doesn’t take into account the fact that not everyone committing crimes in those places lives there, which they say skews the numbers. Civil rights activists, however, say the data shows a clear racial disparity caused by a number of factors that need to be addressed. Many studies have made it clear that drug use, for instance, is just as high among whites as it is blacks, but law enforcement in many communities makes many more arrests in the latter.
• Are City Manager Harry Black and Mayor John Cranley trying to pre-empt a rail project right out of existence? It seems a little premature to say, but that’s the concern expressed by the city’s planning commission chair Caleb Faux and some advocates for a rail component of the proposed Wasson Way trail. The project looks to extend bike paths and eventually, possible commuter rail lanes through Evanston, Hyde Park and Mount Lookout. But on Thursday, Black removed from the city’s planning commission agenda legislation seeking to preserve the possibility of rail in the area by creating a transportation overlay district. The move has sparked worries that Black was acting on orders from Cranley, no friend of rail, in a bid to pre-emptively block a future rail project through the Wasson Way corridor. Cranley said he only wanted to give time for more public input before a vote on the overlay district was taken.
• In other City Hall news, Black announced his pick for the city’s director of trade and development today in a news release. Oscar Bedolla will be the city’s head of economic development. He previously worked for the U.S. Department of Transportation and the Federal Highway Administration on infrastructure projects in Washington, D.C., Baltimore, Chicago and Denver.
• State Rep. Alicia Reece, who represents Cincinnati, is pushing for a law that would require greater aesthetic differences between fake guns and real ones in the wake of another police shooting Saturday night in Cleveland. A 12-year-old boy was shot and killed by police officers, who thought the toy gun he was carrying was a semi-automatic pistol. The incident has tragic echoes of the August shooting of John Crawford III in a Beavercreek Walmart. Crawford was carrying a pellet gun sold in the store when police shot him.
• As lawmakers in the Ohio General Assembly wrangle over how to fix the state’s unemployment compensation system, a new report on the fund reviews how slashes to taxes on employers put the state in debt to the federal government to the tune of $1.3 billion. It’s interesting reading, to say the least, and a primer in the problems that can arise from some lawmakers' "cut every possible tax to the bone” mentality.
• Finally, if you’re really serious about video games, I have a Kickstarter for you to check out. It’s for a company that wants to make a controller that extracts real blood from you every time you’re injured in a video game. “It’s stupidly simple,” the pitch starts. Well, that’s at least partially right. Yow. The device keeps track of how much blood it hass removed, however, so you don’t like, pass out or bleed to death because you’re terrible at "Call of Duty."
Cincinnati is host to a great number of music festivals and it feels like every season adds another one. Midpoint is becoming nationally recognized for its ability to draw in heavy hitters, Bunbury has exploded in popularity in just a few years and Buckle Up had a great inaugural year this past summer, just to name a few obvious examples. It’s a great time to be a music lover and music journalist in this city.
But for this music journalist, there’s only one festival that gets my money, year in and year out: Ironfest.
Whereas most of Cincinnati’s festivals focus on the city’s vast assortment of Folk and Pop influenced artists, Ironfest is awash in the loud, angry and just plain aggressive side of local music. John “Black Arm” Gerhardt, the organizer of Ironfest, puts in a massive amount of time and effort to assemble a legion of acts that are all a little left of center, but still eclectic enough to bring in all types of fans. There’s only one place in town that you can see the darkened Electronic soundscapes of Black Signal alongside 500 Miles to Memphis’ Country Punk and Moonbow’s raucous brand of Heavy Metal, all under one roof, and that’s at Ironfest.
Nov. 14 and 15 marked Ironfest’s fifth year. It was founded as a celebration of the life of “Iron” Mike Davidson, a mainstay in Cincinnati’s music scene before his untimely passing. While this is still the case, Ironfest has grown beyond a simple memorial. In fact, many of the attendees nowadays didn’t even know “Iron” Mike — myself included. But if Davidson had so many talented friends in so many awesome bands, I’m sad that I didn’t.
Gerhardt has a knack for getting a great mix of bands together to take over Southgate House Revival’s three stages and this year’s iteration was no different. At any time, you could check out the bands listed above, along with the likes of Valley of the Sun, Smoke Signals, Martin Luther and the Kings, The Dopamines, Honeyspiders or out-of-towners like OC45 and Punching Moses (featuring ex-Banderas guitarist Jesse Ramsey), among many more.
While each year’s lineup is undeniably star-studded, Gerhardt also always seems to have one band on the bill that stands out above the rest and this year’s edition was no different. Closing out Saturday night was the reunion of Oxboard Drain, Iron Mike’s old band, with Valley of the Sun’s Ryan Ferrier filling in for the late bassist. I had never heard Oxboard Drain before that night but I got the distinct feeling that I missed something special. When a band still draws fans out that sing along to every word years after their dissolution, you know they made an impact during their tenure. Seeing Ferrier, Gerhardt and the rest of the band honor their friend by ripping through a powerhouse set was something to behold.
While the music at Ironfest is amazing and honoring Iron Mike’s memory is important, neither is the real reason I have attended the past three years. I go for the community that Ironfest celebrates and all of the people it brings together. My roommate attended this year’s festival for the first time this year; at the end of the show he commented that I seemed to know half of the attendees that night. While estimate may have been a bit of an exaggeration, the point is valid. For fans of the scene such as myself, Ironfest is almost like a high school reunion that you’d actually want to attend. New bands mingle with established acts, old bandmates and friends reconnect with each other, and the past and present of Cincinnati’s alternative music scene is celebrated over a weekend.
That’s what makes Ironfest so special. All of the other festivals that Cincinnati hosts every year celebrate the music and musicians contained within them. Ironfest celebrates the community itself that spawns around the music and musicians. It’s a two-day period where we can fondly recall the good memories of days gone by while still creating new memories for the next time we all converge at that old church.
It’s only been just over a week since Ironfest V wrapped up and I already feel like I’m in withdrawal. That much music, that many friends, that much fun in the photo booth (and, yes, that much booze) all adds up to a weekend that’s talked about until the next one rolls around. For many, “Iron” Mike’s passing was a horrible loss but his passing spawned an event that has kept people coming back for five years straight. And for that, I have to say, “Thanks ‘Iron’ Mike, and I’ll see you all next year.”
Things to leave the house for all weekend. Shopping. Holiday stuff. Music. Plays. Food.
Afternoon, readers! Thanksgiving is almost here, which means an absurd amount of delicious, fattening food and stampedes of greedy consumerists who will overtake the Walmarts and Macys and the Best Buys in the days and weeks following the holiday where you're supposed to be thankful for everything you've already got.
It also means three days of work next week and an early issue. Look for it on stands Tuesday!
(As a side note, if you're like me and will do anything to avoid the hollowed-eyed throngs of shoppers in the days before and after Thanksgiving but still need to get a head start on holiday shopping, check out our gift guide. You're welcome.)
Let's get to the Words Nobody Uses or Knows in this weeks issue. Best word of the issue is loquacious, which I think sounds like salacious? Not sure. It's in Kathy Y. Wilson's editorial on Bill Cosby and his recent string of no good very bad sexual assault accusations by various women.
loquacious: very talkative; fond of talking (adj.)
In this issue: "NPR is the nexus of Cosby’s identity in America as the loquacious raconteur (reality) and the benign All-American Dad (television)."
Loquacious raconteur. I have no idea what a raconteur is either; but it sounds French, so I keep thinking loquacious raconteur with a French accent in my head.
raconteur: a person who tells stories or anecdotes in an amusing and clever way (n.)
Next word is vagaries in this week's Sound Advice.
vagaries: odd or unexpected changes in behavior or actions (n.)
In this issue: "Written and recorded in the winter months after solidifying Spencer and Pressley’s partnership (which came to include the vital input of percussionist/philosopher Ryan Clancy), Wormfood was a song cycle on the vagaries of love and the songs that detail those particular woes."
Last is hamlet, also in Sound Advice.
hamlet: a small village, or a dramatic play written by Shakespeare in the 1600s (n.)
I had no idea hamlet ever meant anything other than Shakespeare's play. CityBeat's pretentious writers have been teaching me so much!
In this issue: "Delavan is a farm country hamlet of less than 2,000 people located about halfway between Chicago and St. Louis."
Enjoy the holidays, readers.
Before news, let’s talk chili. Yesterday, true to my word, I checked out Cretan’s Grill in Carthage as part of my quest to discover the city’s smaller independent chili parlors. Excellent start. I paid five bucks for two coneys and a ton of fries. The chili was great — a little sweeter and meatier than say, Skyline. Where should I go next week?
Anyway, a lot of stuff happened yesterday. News stuff. So let’s get to it.
Republican Hamilton County Commissioners Chris Monzel and Greg Hartmann have agreed to pay $281,000 to keep open the possibility the county could acquire a former hospital in Mount Airy. The commissioners made the move in anticipation of possibly renovating the building to house several county offices, though they have made it clear those renovations will not happen in the coming year. County Administrator Christian Sigman originally proposed a 2015 budget with a .25 percent sales tax increase to pay for renovations so that the county coroner, crime lab and board of elections along with other offices could occupy the building. Monzel and Hartmann have signaled they will not support a sales tax increase, however, and want a long-term plan for how the former Mercy hospital might be used.
• As we reported last night, the Ohio Department of Health has renewed the Elizabeth Campbell Surgical Center’s license, meaning Cincinnati’s last clinic providing abortions will stay open. Planned Parenthood had filed a lawsuit against the state after the clinic in Mount Auburn was cited for lacking a transfer agreement with an area hospital. The clinic had an agreement with UC Hospital, but lost it when a law forbidding state-funded hospitals from entering into transfer agreements with abortion providers was passed last year. The clinic applied 14 months ago for an exception to that rule because it has doctors on staff with individual admitting privileges with nearby hospitals.
• Cincinnati Red Bike may be expanding soon. The nonprofit bike sharing company that Cincinnati City Council boosted last year with $1 million in startup funds has been a big success, beating ridership projections in its opening weeks this summer. Currently, Red Bike has 30 stations in downtown, Over-the-Rhine, and uptown near UC. The company has been talking with Northern Kentucky officials about possibly putting additional stations in places like Covington and Newport. Red Bike is also considering putting new stations in places like Longworth Hall downtown and Burnet Woods in Clifton.
• More bad local media news. Scripps Networks Interactive, a Nashville-based entertainment company that produces HGTV, the Food Network and the Travel Channel, is closing its Cincinnati office and shedding the 150 positions based here. The company spun off from Cincinnati-based E.W. Scripps in 2008 and employs about 2,000 people total.
• A bill that would ban abortions in Ohio once a fetus has a detectable heartbeat passed committee yesterday and will now make its way to a vote in the full Ohio House. The legislation, which could outlaw abortions as early as six weeks into a pregnancy, would be one of the most restrictive in the country if passed. Bill cosponsors Reps. Christina Hagan, R-Alliance and Lynn Wachtmann, R-Napoleon have said they see the legislation as a means for challenging Roe v. Wade in the Supreme Court. If they want a legal battle over the bill, they’ll probably get it. The American Civil Liberties Union of Ohio has threatened a lawsuit if the measure makes it into law, which has some conservatives, including Gov. John Kasich, wary of passing the bill. Federal courts have found similar bans in other states unconstitutional, and a lawsuit challenging the ban could also jeopardize other anti-abortion laws in the state, conservative lawmakers feel.
The measure barely made it through the House’s Health and Aging Committee. Several last-minute swaps of committee members were performed so that there would be enough committee members present and so that those supporting the bill would outnumber those opposed. The proposal passed 11-6 after three Republicans and one Democrat were swapped out of the committee. That’s… kinda sketchy.
• Finally, President Barack Obama announced yesterday evening he would take sweeping executive action to grant relief to millions of undocumented immigrants currently living in the United States. Up to five million immigrants could be shielded from deportation by the action, which directs immigration officials and law enforcement to focus on criminals instead of families. It’s a huge move, and one that has drawn a lot of attention. Conservatives have gone nuts over the announcement. Oklahoma Senator Tom Coburn predicted instances of “anarchy” and “violence” as a result of the move, and many other GOP officials have called Obama’s power play an illegal use of presidential power. Obama has countered that every president has used executive actions and that Congress should focus on passing legislation to fix America’s broken immigration system.
Send me news tips, chili tips, hate mail, suggestions for what I should buy myself for my birthday, fan mail, weird tweets, whatever: @nswartsell or firstname.lastname@example.org Remember, even your hateful tweets boost my Klout score, so fire away.
Another historic Cincinnati building is being artfully illuminated. This year's past LumenoCity light mapping to a live orchestra on Music Hall was more popular than ever, and tonight the NEAR*BY Curatorial Collective is doing something similar at Rhinegeist.
Rhinegeist brewery is housed in the skeleton of an old Moerlein bottling plant. And starting at 7 p.m. Thursday (Nov. 20), 17 artists and collaboratives will be exhibiting projected video, sculptural and environmental installations in/on the structure's architecture. The interdisciplinary works will demonstrate how contemporary artists currently embrace the dematerialization of image and how that manifests in a non-traditional art space. The name Rhinegeist literally translates to "ghost of the Rhine," and according to the curatorial statement, "Though often intangible, light and art can likewise be said to haunt or inhabit space."
Participating artists include Brandon Abel, Jen Berter, Nicki Davis, DAAP Clay & Glazes, headed by Katie Parker and Guy Michael Davis (featuring the work of Olutoba Akomolede, Christine Barron, Amanda Bialk, Michael Broderick, Linnea Campbell, Catherine Gilliam, Theresa Krosse, Sarah Maxwell, Megan Stevens, Christine Uebel, Allison Ventura & Victoria Wykoff), Lizzy Duquette, Sam Ferris-Morris, Mark Governanti, John Hancock, Joe Ianopollo, Maidens of the Cosmic Body Running, Andy Marko, Alice Pixley Young, Play Cincy, Lindsey Sahlin, Caroline Turner, Justin West, C. Jacqueline Wood and Charlie Woodman.
The one-night only exhibit kicks off at 7 p.m. and will go until 10 p.m. It's free and open to the public. Rhinegeist is located at 1910 Elm St., Over-the-Rhine. Get more information about the event or NEAR*BY and their mission to create ephemeral and interdisciplinary exhibits that bypass the art institution here.