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by Rick Pender 12.09.2014 136 days ago
Posted In: Theater at 11:00 AM | Permalink | Comments (0)
 
 
clooney copy

Call Board: Theater News

Actors Sought. Ensemble Theatre Cincinnati hosts its third annual Meals for Monologues on Monday and Tuesday between 11 a.m. and 5 p.m. at 1127 Vine St. in Over-the-Rhine. It's an open casting call to Equity and non-union actors for theater, film, TV and/or commercial projects cast by the theater's artistic director D. Lynn Meyers. Interested performers should bring two non-perishable food (pasta, canned goods, etc.) or toiletry items (soap, toothpaste) to the theater — to be donated to the Freestore/Foodbank as well as a current headshot and résumé and a short prepared monologue, song or two monologues. (No accompanist, so songs need to be performed a capellla.) Time slots are five minutes maximum and are available by appointment only. The deadline was last Friday, but a quick email to Ben Raanan (braanan@ensemblecincinnati.org) will let you know if any slots are still available. Meyers is a member of the Casting Society of America, and she has tons of projects and connections beyond shows at ETC; she recently did a lot of casting during two locally shot films, Carol and Miles Ahead.

Seasonal Fundraiser for New Edgecliff. The classic holiday story, Miracle on 34th Street — yes, the one with Kris Kringle and Natalie Wood as a child actor — will be brought to life as a radio production on Sunday evening at the Northside Tavern (4163 Hamilton Ave.) as an old-time radio drama. Produced by New Edgecliff Theatre with sound effects by WMKV's Mike Martini, it's a benefit to the theater group. Admission is $35, and it includes a dessert buffet at intermission provided by Cincinnati State's Midwest Culinary Institute. Tickets: 888-428-7311 (or at the door).

Rosie Keeps Singing. The Cincinnati Playhouse's production of Tenderly: The Rosemary Clooney Musical seems to be a big hit. The show, onstage in the Shelterhouse, opened on Nov. 20, and on its first night artistic director Blake Robison announced that sales were brisk enough to make it possible to extend the production a week beyond its intended closing date (Dec. 28) to Jan. 4. Demand for tickets has continued, so the Playhouse has extended the show another week, now closing on Jan. 11. Tickets: 513-421-3888.

Welcome to Dystopia. If you've read Margaret Atwood's 1985 novel The Handmaid's Tale, you know it's a creepy vision of the not-too-distant future in which the United States has become a theocracy called the Republic of Gilead. An oppressive regime forces women to bear children for population growth, but Offred resists the demands made of her. Cincinnati Shakespeare gave Joe Stollenwerk's adaptation of the show a workshop in 2009 and a short-run production in 2011 featuring veteran Cincy Shakes actress Corinne Mohlenhoff as Offred. Next month Know Theatre fills in a TBA slot in its season with the show's first full-fledged production (Jan. 23-Feb. 21). Cincy Shakes' Brian Phillips will stage the one-woman piece with Mohlenhoff. They are married, so this is an unusual opportunity for them to work together on a new work rather than the classics that Cincy Shakes usually stages. Tickets ($20) are now available: 513-300-5669.


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.

 
 
by Rick Pender 12.08.2014 137 days ago
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
christmas carol_cincinnati playhouse - photo sandy underwood

Stage Door: A Ho-Ho-Whole Lotta ​Holiday Shows

If you want to go to the theater this weekend, you have plenty of choices, so long as you have the spirit of the season. Let's start with the familiar: Cincinnati Playhouse launched its 24th year of A Christmas Carol last week, and it's always a pleasure to see, featuring Bruce Cromer as Scrooge. But there are many more fine acting performances, including Ryan Wesley Gilreath as Bob Cratchit and Douglas Rees as the ebullient Mr. Fezziwig. Played out on a wingding of a set that spins and glitters and makes it possible to tell the story swiftly, Dickens' classic tale is a wonderful holiday tradition. Through Dec. 28. Tickets ($30-$85): 513-421-3888

Another tradition continues at Ensemble Theatre Cincinnati, where Sleeping Beauty is being revived for the fourth time. For 18 seasons, ETC has presented original shows by two local creators, playwright Joseph McDonough and composer David Kisor. It's a family-friendly piece that's conceived to entertain kids and adults with its innocent charm and a message that one person can truly make a difference. Many of ETC's regular actors return annually to do these shows, especially Deb G. Girdler (as the evil Wisteria) and Michael G. Bath (as her nefarious henchman). Intern Deirdre Manning is the sweet princess who sleeps for 100 years, and Terrance J. Ganser is both the prince who fulfills her curse and the one who breaks her free a century later. Especially enjoyable as a trio of mischievous fairies are Sara Mackie, Denise Devlin and Brooke Steele as Marigold, Lilac and Daisy. (They will be familiar to ETC audiences from several productions of the "Marvelous Wonderettes.") Through Jan. 4. Tickets ($28-$44): 513-421-3555

Lots of good holiday choices are up and running elsewhere: Forever Plaid – Plaid Tidings at the Covedale Center on the West Side; The Comedy of Errors at Cincinnati Shakespeare Company downtown; The Eight Reindeer Monologues at Falcon Theatre in Newport; and the Children's Theatre of Cincinnati's production of The Snow Queen at the Taft Theatre downtown.

If you prefer to avoid elves, nutcrackers and bah-humbugs, you should try Tenderly: The Rosemary Clooney Musical (CityBeat review here) at the Playhouse or The Bureau of Missing Persons, a the magical, mysterious production at Know Theatre (CityBeat review here).

Ho, ho, ho, indeed. That's enough theater to make anyone jolly.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 12.01.2014
Posted In: Theater at 08:52 AM | Permalink | Comments (0)
 
 
susan haefner as rosemary clooney - photo sandy underwood

Stage Door: Clooney, Christmas Carol and Comedy

Earlier this week I took my mom to see Tenderly: The Rosemary Clooney Musical at the Cincinnati Playhouse (CityBeat review here). It was just as good the second time around. Mom, who loved Clooney as a performer in her heyday, had this to say: "It was like seeing her perform live!" I agree: Susan Haefner offers a wonderful interpretation of a Cincinnati icon; and it's great fun to watch Michael Marotta (the only other actor onstage) play her psychiatrist and a dozen or so other characters from Rosie's life. It's a great story of a woman who overcame some daunting demons and made a second career when she had been largely forgotten. Through Jan. 4. Tickets ($30-$85): 513-421-3888.

Even though everyone's Christmas decorations have been up for a while, the holiday season doesn't really begin for me until the Cincinnati Playhouse opens its production of A Christmas Carol. Well, there's no more waiting for that one: For the 24th consecutive year, the Mt. Adams theater kicks things off tonight with a glittering production of Charles Dickens' story of the re-education of Ebenezer Scrooge by several ghosts and the loving family of Bob Cratchit. This show is worth seeing simply for Bruce Cromer's winning performance in the pivotal role, but there's so much more — it's a scenically beautiful production, and the ensemble totally enters into the spirit of the season and brings the audience right along, too. Through Dec. 28. Tickets ($30-$85): 513-421-3888.

Shakespeare's The Comedy of Errors is not exactly a holiday show, but it's a lot of fun (CityBeat review here), what with two sets of twins intersecting without realizing the confusion they're causing. Of course, it all sorts out eventually with a happy ending and multiple weddings. Set in a carnival town and costumed as if it were America in the 1930s, Cincinnati Shakespeare Company's production induces laughter from start to finish. It would be a happy weekend outing for anyone, young or old. Through Dec. 13. Tickets ($22-$36): 513-381-2273.

Know Theatre's production of The Bureau of Missing Persons is an evocative and entertaining piece of alternative theater (CityBeat review here). The story of a woman's quest from her New York City apartment to a cave in Moscow in search of someone missing is described in the show's publicity as "a poignant tale of loss and redemption — part mystery, part love story." It's also the directorial debut for Tamara Winters, who recently became Know's associate artistic director. There's a preview tonight and the official opening is Saturday evening; it will be onstage through Dec. 20. Tickets ($20 in advance; $10 at the door 10 minutes prior to curtain, if available … cash only): 513-300-5669.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 11.21.2014
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
susan haefner as rosemary clooney at cincinnati playhouse - photo sandy underwood

Stage Door: A Girl Singer and Two Pairs of Twins

Many Cincinnati stages are momentarily paused, readying shows for the holidays. Last night the Cincinnati Playhouse in the Park opened its production of Tenderly: The Rosemary Clooney Musical. Susan Haefner does a remarkable job of channeling the "girl singer" from Maysville, Ky., who grew up in Greater Cincinnati. We learn how she became a star, rose to fame, almost lost it to pills and dissolute behavior, then battled back for a "flip side" to her singing career. All the other characters in her story — male and female, young and old, famous and unknown — are performed by Michael Marotta, who principally plays her counselor but is amusingly convincing as Bing Crosby, Frank Sinatra, Merv Griffin and many more. It's a thoroughly entertaining two hours on the Playhouse's Shelterhouse stage, and it's already appealing to audiences apparently, since the show's run has been extended from Dec. 28 to Jan. 4. Tickets ($30-$85): 513-421-3888

Cincinnati Shakespeare Company kicks off its next production of the 2014-2015 season tonight with The Comedy of Errors. The emphasis in this show, one of Shakespeare's earliest works, is definitely on the comedy, what with two pairs of twins whose adventures are hysterically compounded by mistaken identities when they end up in the same town on the same day. For this staging, it's set in a seaside resort in America of the 1930s in the midst of a classic carnival, adding to the story's hilarity. This one will only be onstage until Dec. 13, so this weekend is the perfect time to catch a performance, before holiday shows take center stage elsewhere. Tickets ($22-$36): 513-381-2273

One last treat I'll mention, which happens to be operatic rather than theatrical: It's Great Scott, a new work that Cincinnati Opera is nurturing in partnership with UC's College-Conservatory of Music. The production's creators have been in town all this week honing this brand new opera, the story of a struggling opera company and the hometown football team. They come into conflict when the team is to play in the Super Bowl on the same day the company has planned to premiere a long lost opera. To heighten the drama, the team's owner is married to the opera company's founder. The composer is Jake Heggie, who wrote the music for Dead Man Walking, a work produced by Cincinnati Opera at Music Hall in 2002, and Great Scott's script is by prize-winning playwright Terrence McNally. The week's work will culminate in a public reading on Tuesday evening. It's free, but you are asked to make a reservation by calling 513-241-2742 to see it at Memorial Hall (1225 Elm Street, next door to Music Hall; it's easy to park your car in the nearby Washington Park Garage).


Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 11.14.2014
Posted In: Theater at 09:51 AM | Permalink | Comments (0)
 
 
once_photo_joan_marcus

Stage Door: Broadway Here, Broadway There — It's Everywhere

If you're looking for good theater this weekend you have two great choices at downtown Cincinnati's Aronoff Center. It's your pick: Recent Broadway hit Once, in a touring production, or a past award-winner, Young Frankenstein, staged by one of Cincinnati's best community theaters.

The musical Once began life as an Academy Award-winning film in 2007; the song "Falling Slowly" won an Oscar. The film became an off-Broadway production as a musical in 2011 then a Broadway contender in 2012, where it won eight Tony Awards, including best musical. Since 2013 it's been a hit in London (the film is about musicians in Dublin, and the stage adaptation is set in an Irish pub) and on a national tour in the U.S. a year ago that's been much praised. It's that tour presently onstage at the Aronoff Center's big hall. It's a very contemporary love story that succeeds in part because it's unpredictable: Boy Meets Girl (yeah, that's a cliché) but despite their chemistry and potential for romance, it doesn't turn out as you might expect. Along the way, a great cast of actor/musicians play instruments onstage and sing their hearts out as the story unfolds. And it's fun: Arrive early enough and you can queue up to go onstage and order a pint from the bar there and mingle with some of the cast. If there's such a thing as a casual musical for contemporary music lovers, this is it. Through Nov. 23. Tickets ($33-$80): 513-621-2787.

Don't think that you'll see something less than professional if you choose to head to the Aronoff's Jarson-Kaplan Theater to see Young Frankenstein, presented by Cincinnati Music Theatre through Sunday. This company of local theater junkies knows how to make big musicals work, and this jokey show by Mel Brooks (based on his equally jokey classic comedy from 1974) is a great vehicle for a talented cast and crew. There are great sets (designed by Rick Kramer) and visual effects (by Jeff Surber), and the talented performers milk every laugh line to the nth degree. Charlie Harper is lots of fun as the latter-day scientist Frankenstein, Alison Evans is his fetching lab assistant Inga and Kate Mock Elliott has great moments as his twitchy fiancee Elizabeth. Chuck Ingram's portrait of the Monster is spot on, and his delivery of the show's big number, "Puttin' on the Ritz," will stick that tune in your head for days in ways that Irving Berlin never imagined. Tickets ($20-$24): 513-621-2787.

Broadway star Faith Prince is making a local appearance at Memorial Hall for an 8 p.m. concert tonight. It's part of a series of "Libations & Lite Bites," this one titled "Broadway & Bordeaux." The evening begins at 6:30 with hors d'oeuvres from local restaurants, wine and cocktails and concludes with dessert and more. Tickets ($47-$57): cincinnatimemorialhall.com.

If you've got Broadway on the brain and you're on Cincinnati's West Side, you should definitely check out the Covedale Center's production of Stephen Sondheim's fairytale musical Into the Woods, finishing up its run on Sunday. It's an entertaining classic (in December it will be on movie screens everywhere in a new film version featuring Meryl Streep and Johnny Depp), and the Covedale has a great cast to put it across. Tickets ($21-$24): 513-241-6550.

You still have a chance to catch one of our great local actresses, Dale Hodges, in Driving Miss Daisy at Covington's Carnegie through Sunday. She's playing haughty, elderly Daisy Wertham, unwillingly partnered with Hoke, an African-American chauffeur (Reggie Williams) hired by her solicitous son Boolie (Randy Lee Bailey). It's a solid ensemble and a very entertaining production. Tickets ($18-$25): 859-957-1940.

And if you're looking for something that's brand new and edgy, check out All New People by contemporary writer Zach Braff. It's onstage at Clifton Performance Theatre, staged by Untethered Theatre through Nov. 30. It starts with a suicide attempt on Charlie's birthday and spirals from there. I'm going to see it this weekend. Maybe I'll see you there. Tickets ($20): 513-939-0599.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
 
 
by 11.07.2014
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
driving miss daisy_ the carnegie_photo matt steffen

Stage Door: What You Can Learn at the Theater

Most of us go to the theater to be entertained. But we are often subtly educated and sometimes changed by the stories we witness. Take Driving Miss Daisy, for instance, Alfred Uhry's Pulitzer Prize-winning play from 1987, currently onstage at the Carnegie in Covington. It has just three characters, all from different points on the personality compass. There's the feisty Daisy Werthan, an elderly, wealthy Jewish woman in Atlanta, fiercely independent but actually in need of assistance for daily life; her rather patronizing son, Boolie, a businessman trying to ensure her safety; and Hoke Coburn, the African-American chauffeur who Boolie hires to keep his mother from risking life and limb by driving herself. Things don't go well initially, but over the course of a quarter-century Miss Daisy and Hoke become best friends, and we learn how people can connect across vast divides. Featuring three very capable local stage veterans — the brilliant Dale Hodges as Daisy, Reggie Willis as Hoke and Randy Lee Baily as Boolie — this swift play (about 90 minutes) is a story about understanding and caring for someone whose life experience is vastly different. It's done with a lot of gentle humor and insightful moments. Staged by Mark Lutwak, whose day job is at the Cincinnati Playhouse, this very satisfying production is a great choice for theater this weekend. Through Nov. 16. Tickets ($18-$25): 859-957-1940

At the Cincinnati Playhouse, the world premiere of Safe House (CityBeat review here) connects because it's a story about family dynamics that aren't all that unusual — a pair of brothers with opposing perspectives who are on a collision course — but it's made interesting because it's set in Northern Kentucky in 1843, and the characters are "free people of color" — not slaves but not exactly free. Addison is a hardworking, itinerant cobbler, dreaming of opening his own shop, while his younger brother Frank is impetuous and chafing at restrictions imposed on them despite their freedom. They're caught up in the chaos of helping others escape bondage via the Underground Railroad. Playwright Keith Josef Adkins based his new play on his own family's history, and this meticulously crafted production will keep you guessing about the outcome and leave you with a sense of how some things evolve and some never change. Through Nov. 15. Tickets ($30-$75): 513-421-3888.

Musicals are often at the far end of the lightweight entertainment spectrum, but if composer and lyricist Stephen Sondheim's name is attached, you can be sure there will be twists on stories and music that goes well beyond toe-tapping numbers. That's certainly the case with Into the Woods (CityBeat review here), currently onstage at the Covedale through Nov. 16. It's a mash-up of familiar fairy tales — Jack and the Beanstalk, Little Red Riding Hood, Cinderella, Rapunzel and more — that get entangled but seem to wrap up with happy endings by intermission. Then Act II comes along, and reality sets in. It's a show that's ultimately about understanding, caring and building community. Tickets ($21-$24): 513-241-6550.

Other productions worth checking out this weekend include Conor McPherson's adaptation of the psychological thriller The Birds (CityBeat review here) at Cincinnati Shakespeare (through Saturday; tickets, $22-$36: 513-381-2273); a creative stage adaptation of Herman Melville's Moby Dick (CityBeat review here) at Know Theatre (through Saturday; tickets: $20, 513-300-5669); Stephen Karam's comedy Speech and Debate about a trio of misfit teens (CCM Drama on the UC campus, through Saturday; free, but reservations required: 513-556-4183); and Zach Braff's All New People about a disrupted suicide (Untethered Theater at Clifton Performance Theatre through Nov. 30; $25: 513-939-0599). And Cincinnati Music Theatre, a community group that is both ambitioius and successful with musicals, takes on the silly but entertaining Young Frankenstein at the Aronoff Center's Jarson-Kaplan Theatre (through Nov. 15; tickets, $20-$24; 513-621-2787).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.31.2014
Posted In: Theater at 08:36 AM | Permalink | Comments (0)
 
 
bruce_cromer_photo_ryan_kurtz

Stage Door: No Tricks, All Treats – Theater Choices for Halloween Weekend

Don't be scared. Just because it's Halloween, you don't have to miss out on good theater. In fact, there are some great deals available. For instance, this weekend is your last chance to see Ensemble Theatre's production of An Iliad (CityBeat review here), a one-man retelling of Homer's epic tale of the Trojan War. (The final performance is Sunday at 2 p.m.) Bruce Cromer has been turning in one of the best acting performances seen locally in years as "The Poet" who narrates the story of the tragic conflict — as well as about a dozen of the story's central characters. Several of the weekend's performances are sold out, but seats do remain tonight at 8 p.m. and Saturday at 2 p.m. and if you use the coupon code SPOOKY to order tickets for either one, you'll get them for $25 each (they're usually $44). Box office: 513-421-3555.

This is also the final weekend for Falcon Theater's staging of The Woman in Black in Newport's tiny Monmouth Theater (which the group recently purchased, so it now has a permanent home, renamed "Falcon Theater"). The final performance on Saturday is sold out, but if you attend the classic ghost story tonight at 8 p.m. in costume, you'll get a $2 discount on your ticket (normally $19; $17 for students and seniors): 513-479-6783.

Cincinnati Shakespeare Company's production of The Birds (CityBeat review here) is also intended to give you the creeps, so it's another good choice for Halloween weekend. If that title sounds familiar, it's because Alfred Hitchcock adapted Daphne Du Maurier's short story into a classic thriller back in 1963. Cincy Shakes is presenting a more recent stage adaptation, this one by Irish playwright Conor McPherson (who has his own reputation as a storyteller who knows how to scare an audience, with past hits like The Weir and The Seafarer). It's an evening of psychological twists and turns with a cast featuring four of the company's best actors. This one will be around for another week, but if you're celebrating Halloween, you'll have fun with this one. Tickets ($22-$36): 513-381-2273, x1.

Also onstage through Nov. 8 is Know Theatre's production of Moby Dick (CityBeat review here.) It's not exactly a ghost story, but the obsessive Captain Ahab is certainly haunted by the specter of the great white whale, and Know's retelling of Herman Melville's great American novel is inventive and engaging. Tickets ($18): 513-300-5669.

Other good choices onstage are Covedale Center's Into the Woods (CityBeat review here) and the Cincinnati Playhouse's Safe House (CityBeat review here.) The former (tickets, $21-$24: 513-241-6550) is Stephen Sondheim's classic musical that's a mash-up of fairytales; the Playhouse show is a world premiere of a play by native Cincinnatian Keith Josef Adkins about people like his ancestors, free people of color in 19th-century Kentucky (tickets, $30-$75: 513-421-3888).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.24.2014
Posted In: Theater at 08:07 AM | Permalink | Comments (0)
 
 
safe-house_cincinnati-playhouse-_photo-sandy-underwood

Stage Door: Safe House and Spooky Performances

Last night I was at Cincinnati Playhouse in the Park for the opening of Keith Josef Adkins' new play, Safe House, the 71st world premiere staged by our Tony Award-winning regional theater. (CityBeat feature story here.)

It's a fascinating piece that's about the little-known circumstances of "free people of color" in 19th-century America — not slaves but not exactly free. They're put into complex and stressful situations, personified here by a pair of very different brothers: Addison is a hardworking, aspiring entrepreneur, dreaming of become a cobbler with his own store, while younger brother Frank is impetuous and chafing at the restrictions imposed on them. The heat gets turned up when runaway slaves through their Northern Kentucky county need shelter and perhaps passage to Liberia, something their Aunt Dorcas has quietly supported. The story is based on Adkins' family history in this region, and it comes to life in this provocative drama. Through Nov. 15. Tickets ($30-$75): 513-421-3888.

UC's College-Conservatory of Music only rarely gives more than one weekend to musical theater productions. This fall's privileged show is the very commercial Legally Blonde (a hit movie with Reese Witherspoon from 2001 that became a Broadway property in 2007). It's a genuinely entertaining show that actually has a meaningful message about living up to potential and not judging people by their exteriors. It also has a ton of dancing, so it's great news that this production is both being staged by veteran CCM choreographer Diane, who I profiled in my Curtain Call column this week. The production is happening at UC's Patricia Corbett Theater through Nov. 2. Tickets ($31-$35): 513-556-4183.

It's fairytale time at the Covedale Center with a production of Stephen Sondheim's Into the Woods. But proceed with caution: The first act takes more or less traditional stories of Cinderella, Red Riding Hood, Rapunzel, Jack and the Beanstalk and more, and mixes them into one happy stew. But in Act II, well, things aren't so "happily every after" when reality sets in. Big cast, great tunes, lots of humor — but some thoughtfulness, too. Through Nov. 16. Tickets ($21-$24): 513-241-6550.

The chance to see Bruce Cromer's one-man performance in An Iliad at Ensemble Theatre is an absolute must for anyone who's serious about theater. (CityBeat review here.) It's quite astonishing that one man can do so much and hold an audience's attention for 100 minutes in this retelling of the savagery of the Trojan War. It's all the more powerful because it's a condemnation of war across the ages. Don't miss this one. Through Nov. 2, and no chance that it will be extended, so call now for your tickets. Here's a tip, thanks to friendly relations with Know Theatre, just around the corner from ETC: Use the coupon code MOBY20 to get 20 percent off the price of two tickets for any remaining performances. Tickets ($28-$44): 513-421-3555.

With Halloween just a week away, several theaters are offering shows that will make your heart pound. There's creepy ghost in Falcon Theatre's production of The Woman in Black ($17-$19, 513-479-6783), and the characters in Conor McPherson's The Birds are under attack in ways that don't bode to well for human interaction ($22-$36, 513-381-2273). (CityBeat review here.) And while it's not exactly a Halloween story, Moby Dick at Know Theatre has some scary oddballs and a gargantuan villain out to murder everyone, so that qualifies, too. (CityBeat review here.) It's onstage through Nov. 8 ($18; 513-300-5669).

This weekend is last call for I loved, I lost, I Made Spaghetti at the Cincinnati Playhouse. (CityBeat review here.) Actress Antoinette LaVecchia spins some great stories about writer Giulia Melucci's bad taste in men, all the while making an aromatic Italian dinner — antipasti, wine, spaghetti Bolognese (homemade pasta and fresh sauce) — for a few lucky audience members. This is a totally charming show, great for weekend entertainment. Final performance is Sunday. Tickets ($30-$75): 513-2418-3888.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.17.2014
Posted In: Theater at 08:30 AM | Permalink | Comments (0)
 
 
bruce cromer_an iliad_etc _photo ryan kurtz

Stage Door: An Iliad, Varekai, and Other Items of Note

On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
 
 
by Rick Pender 10.10.2014
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
moby dick_left to right montez o jenkins as queequeg _rico reid as ahab _photo_deogracias lerma

Stage Door: A Whale, Two Brothers and a Beast

Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility.

UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.

Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932

If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469

I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
 
 

 

 

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by Rick Pender 04.24.2015 11 hours ago
Posted In: Theater at 08:49 AM | Permalink | Comments (0)
 
 
stage

Stage Door: Searing Drama and Silly Comedy

A group you might not have heard of, Diogenes Theatre Company, is establishing a solid reputation with its recent production of Twilight: Los Angeles 1992 and its current staging of Ariel Dorfman's Death and the Maiden, featuring three professional actors you will know if you're a regular Cincinnati theatergoer. It's an award-winning moral thriller that explores the aftermath of violence and the uncertainties of truth and justice. Set in a Latin American country, perhaps Chile, it's about a woman who was once the prisoner of a cruel dictatorship. Years later, a man visits her home who she's convinced was her torturer. She turns the table on him. Annie Fitzpatrick is the woman; Giles Davies is the man she believes to be her captor; Michael G. Bath plays her government official husband who is caught in the middle. Diogenes has strong ties with Cincinnati Shakespeare Company, and the connections are evident. This production is staged by Lindsay Augusta Mercer, CSC's resident assistant director, and Brian Phillips, CSC's producing artistic director, is an artistic consultant. This taut drama, presented at the Aronoff's Jarson-Kaplan Theater, is definitely worth seeing. Tickets: 513-621-2787.

If you're into works that are hot off the press, you have this weekend to still catch productions at Northern Kentucky University's Y.E.S. Festival, onstage through Sunday. The best of them is Colin Speers Crowley's Encore, Encore, making its final performances on Saturday at 8 p.m. It's about the caustic drama critic Dorothy Parker and her sad, failed marriage; well-written and sparklingly performed by a student cast, directed by Ed Cohen. Read my review here. Tickets: 859-572-5464.

Another student production is onstage at UC's Cohen Family Studio Theater at CCM: You're Welcome (a cycle of bad plays).  It's a set of five small plays — intentionally silly and misshapen, with directors and stage managers wandering on and off and cutting things short or addressing malfunctions — that's as silly as it is amusing. In a bit more than an hour it covers love, death, desire, tragedy, comedy, drunk driving, sexiness, beauty, loss and the battle between good an evil. There's also a fog machine that works (occasionally) and a T-shirt cannon. Give yourself into the madness and you'll have fun; don't look for a lot of close meaning. But the student actors are great fun to watch, especially Bartley Booz's start-and-stop curtain speech at the beginning, which gives away (intentionally) most of what's to follow. Friday at 8 p.m., Saturday at 2 and 8 p.m. Admission is free, but reservations are required: 513-556-4183.

If you're an adventurer who likes unusual performance experiences, you should look into getting a ticket from the Contemporary Arts Center for the bus to Batavia tonight or Saturday evening. That's where you'll take a walk in the woods to see a piece of performance art imported from Norway: Ingrid Fiksdal's Night Tripper. No spoken words, but intriguing and mystical dance and music elements, combined with the natural environment. It sounds fascinating; read more about it here. Tickets via the CAC's website.

Queen City Flash, the flash-mob styled theater company that took off last fall is back with The Complete Tom: 2. Huckleberry, based on Mark Twain's stories about Tom Sawyer and Huckleberry Finn, adapted by Trey Tatum. It gets underway on Monday and continues through May 9. Here's the catch: free tickets are reserved at QueenCityFlash.com for the date and time of your choice; at 4 p.m. on the day of the show, you'll receive an email with a map and parking instructions to a secret outdoor location. Unusual, but intriguing.

Two productions are wrapping up this weekend: The very funny farce by Steve Martin, The Underpants, at The Carnegie in Covington [read my review here] and David Mamet's very taut drama Race, presented by New Edgecliff Theatre at the Hoffner Lodge on Hamilton Avenue in Northside.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 04.17.2015 7 days ago
Posted In: Theater at 11:57 AM | Permalink | Comments (0)
 
 
yes festival  nku - grand night for murder - robert macke as ginger baer - photo mikki schaffner

Stage Door: The Kids Are All Right

This is a busy time of year on local stages, and that's especially true at colleges and universities where the academic year is winding down.

At Northern Kentucky University, the 17th biennial Year End Series (Y.E.S.) Festival is underway, presenting three world premiere productions in rotating repertory. It's a Grand Night for Murder opened on Thursday; The Divine Visitor, a Restoration Comedy through a sci-fi filter (figure that one out) starts tonight; and Encore, Encore, about witty and caustic New York writer Dorothy Parker, gets underway on Saturday. There will be multiple performances through April 26. Tickets: 859-572-5464

At Xavier University this weekend you can find a production of the Rock musical Spring Awakening, the winner of eight Tony Awards in 2007. It's about a group of students struggling through adolescence to adulthood — with a lot of rebellion along the way. It's being presented in XU's Gallagher Student Center Theater. Tickets: 513-745-3939

A lot of high school students have been recruited by Cincinnati Shakespeare Company for more than 38 free art events based on the works of Shakespeare. You might recall that CSC "completed the canon" (produced all 38 of Shakespeare's plays) a year ago. The celebrate that accomplishment, the company devised Project 38 to work with numerous area schools. Each one was assigned and worked with some of the company's artists to be inspired in productions, art, writing — whatever moved them. The initiative is culminating in an eight-day festival of free performances and exhibitions in Over-the-Rhine's Washington Park. School performances are all free. Since performances of The Taming of the Shrew are sold out on CSC's mainstage, Project 38 gives you the chance to see Shakespeare you might have missed otherwise. Schedule here.

There's another take on a student coming to terms with the Bard at Dayton's Human Race Theatre Company: Taking Shakespeare is the story of a disillusioned college professor asked to tutor her dean's son through his freshman Shakespeare class. It's got its humorous moments, but the show delivers a serious message about living up to expectations. Playing the student is Cincinnati actor Jon Kovach, who's performed on numerous local stages. Through May 3. Tickets: 937-228-3630

The farcical show by Steve Martin, The Underpants, is evoking laughs at the Otto M. Budig Theatre in the Carnegie in Covington. It's a bit risqué, but the humor is very gentle. Tickets: 859-957-1940 … Not so gentle is the production of Death and the Maiden by Diogenes Theatre Company at the Aronoff Center's Jarson-Kaplan Theatre. This three-character thriller is set in an unnamed Latin American country where a woman gets control of a man she believes once tortured her under a brutal dictatorship. It's a powerful piece, magnificently acted by three top-notch professionals familiar to Cincinnati theatergoers — Annie Fitzpatrick, Michael G. Bath and Giles Davies. Not for the faint-hearted or those who are squeamish about violence, but this is production that deserves to be seen. Through May 2. Tickets: 513-621-2787

One last note, for anyone interested in playing a supernumerary for Cincinnati Opera (that's like being an extra in a movie): Open casting for the upcoming summer season happens on Monday at 6 p.m. at Music Hall. You don't have to be a singer. In fact, no experience is necessary; positions are filled on a voluntary basis. Details here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 04.10.2015 14 days ago
Posted In: Theater at 08:10 AM | Permalink | Comments (0)
 
 
stage door 4-10 - 110 in the shade @ ccm - (l-r) ben biggers, john battagliese & brianna barnes - photo adam zeek copy

Stage Door: The Heat Is on at CCM ... And All Over Town

There's a ton of theater opening up this weekend, something for just about every taste. But if you're looking for something free, I have a special recommendation: It's 110 in the Shade at UC's College-Conservatory of Music. This is a production in the Cohen Family Studio Theater (an intimate black box venue that seats about 150). The production is in the "Musical Redux" series, bringing back a show that's not often produced. 110 dates back to 1963. It's the story of Lizzie Curry, on her way to being an "old maid," who lives with her dad and her brothers. A charming con man shows up posing as a rainmaker and promises relief to drought-stricken farmers. Is he for real? Lizzie has her doubts, but he works hard to win her over. CCM Studio productions are free, but reservations are required (513-556-4183), and performances are often filled up. This one is likely to be a lot of fun; it's this weekend only, final performance at 8 p.m. Saturday.

I gave Cincinnati Shakespeare's The Taming of the Shrew a Critic's Pick in my CityBeat review here. It's lusty and lewd, and the battle of the sexes has never been fought in a more entertaining way. Two of the company's veteran actors, Nick Rose and Kelly Mengelkoch, play Petruchio and Katherine, and they mix it up with with and humor. Definitely an entertaining evening. Tickets: 513-381-2273.

A week ago I had a chance to see one of the Cincinnati Playhouse's current touring productions (this one is aimed at kids in grades K-3), Bird Brain. It's funny fable that teaches a lesson that strange behavior isn't always foolish. More info here. This weekend it will be presented at Springfield Townships Grove Banquet Hall (Friday at 7 p.m.), The Drama Workshop at Glenmore Playhouse in Cheviot (Saturday at 2 p.m.), the Blue Ash Recreation Center (Saturday at 7 p.m.) and The Lebanon Theatre Company (Sunday at 1 and 3 p.m.). Admission is usually free (or very inexpensive). Grab a kid and go.

Other productions opening this weekend: Steve Martin's very funny farce,The Underpants, kicks off a three weekend run at the Carnegie in Covington. New Edgecliff Theatre, still not in its new permanent home in Northside, is staging David Mamet's piercing drama, Race, at the Hoffner Lodge (4120 Hamilton Ave., Northside). At Falcon Theatre (636 Monmouth St., Newport) you can catch the first weekend of The Cover of Life, a drama about three young women married to brothers from the same small town who have gone off to fight in World War II. Meanwhile, in Bellevue, Ky., at St. John United Church of Christ, you can see a production of Joanna Murray-Smith's Honour by WIT-Women in Theatre. The story of three women propelled to ask the question "What is love?" when they've been struggling with tough relationships, is onstage for two weekends. Children's Theatre kicks off two weekends of public performances of Disney's Aladdin JR. at the Taft Theatre. It's a stage version of the popular animated musical feature; the production includes jugglers, acrobats and stilt walkers. And Lion King continues its month-long run at the Aronoff. (CityBeat review here.)

Don't forget that Monday evening at 7:30 p.m. is another quarterly offering from the True Theatre guys at Know Theatre. The theme this time is "true beauty," with real monologues by people who talk about things they've really experienced.

Something for everyone, as they say!

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here

 
 
by Rick Pender 03.27.2015 28 days ago
Posted In: Theater at 08:22 AM | Permalink | Comments (0)
 
 
buzzer

Stage Door: Race and Urban Living on Local Stages

Two shows on local stages are dealing with top-of-mind issues of race and urban living, one at the Cincinnati Playhouse, the other at Ensemble Theatre.

Last evening the Playhouse opened its production of Tracey Scott Wilson's Buzzer. Wilson is a playwright who's not afraid to get at prickly issues of contemporary life (read more here), and that's what she does in this piece that could be set in Cincinnati's Over-the-Rhine. (It's actually in New York City, but that doesn't make it less relevant.) Jackson returns to his onetime childhood neighborhood, once neglected and now trendy; he's black, girlfriend Suzy is white, and so is Jackson's troubled friend Don, out of rehab yet again and needing a place to stay. Their triangle is a toxic mix with a troubled past that's exacerbated by life in a neighborhood where black and white relations are strained. The Playhouse is offering talkbacks after each performance to discuss issues raised, and there will be a panel discussion focused on OTR's housing challenges here in Cincinnati on Saturday evening at 6 p.m. My take: This show is more about personal relationships that aren't entirely honest, even though there is constant conversation about "no secrets." The actors in this tense drama are vividly real, unpredictable and vulnerable; you'll feel like they're people you know. (Through April 19.) Tickets: 513-421-3888

The second show that's heating up conversations about race is ETC's staging of Dominic Morisseau's award-winning play, Detroit ’67 (reviewed here). While the story has a historical setting — the story of family aspirations and disappointments unfolds against the backdrop of the Motor City's race riots almost 50 years ago — it almost feels ripped from current news stories about unrest stemming from police brutality in Ferguson, Mo. Five actors portray some colorful and occasionally humorous characters from the era involving the family dynamic between a brother and sister who differ about making ends meet in a challenging environment. Motown tunes from the ’60s are the soundtrack for a story that's often painful but ultimately hopeful. (Through April 5.) Tickets: 513-421-3555

Know Theatre opens Hearts Like Fists tonight at its Jackson Street stage in Over-the-Rhine. Adam Szymkowicz's comic-book-inspired action adventure has some fine local actors as the Crimefighters, female superheroes who are out to stop Dr. X, on a mission to murder happy couples in their sleep using a deadly serum that goes straight to the heart. When the show was staged in New York in 2012, the New York Times called the show's comic hybrid of parody and punches "madcap" and "hysterical." That's what Know will be striving for, through April 25. Tickets: 513-300-5669

If you are interested in seeing actors, singers and dancers who are on their way to professional careers, you might want to catch Senior Showcases from the drama and musical theater programs at UC's College-Conservatory of Music. The drama majors, readying their piece for trips to Los Angeles (for potential TV work) and New York City, will perform today at 2 and 7 p.m. at Patricia Corbett Theatre. (Admission is free.) The triple threats graduating from the musical theater program offer their showcase twice on Saturday at 4 and 8 p.m. as they prepare to shine for Broadway producers and casting agents in New York next week. Admission is free but reservations are required: 513-556-4183.  

Planning ahead? The popular touring production of The Lion King returns to Cincinnati where it's been a big hit twice, in 2003 and 2007. The magnificent musical about good overcoming evil and youth finding maturity opens on Tuesday for a four-week run at the Aronoff Center. (Through April 26.) Tickets: 513-621-2787


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 03.20.2015 35 days ago
Posted In: Theater at 08:02 AM | Permalink | Comments (0)
 
 
stage door 3-20 - etc detroit67 - photo mikki schaffner

Stage Door: Memory Lane and Beyond

I took a trip to my senior year in high school when I attended the opening of Detroit '67 by Dominique Morisseau at Ensemble Theatre Cincinnati on Wednesday. It's set in Detroit during that city's 1967 "race riots," but they are the backdrop for a family drama: Sister and brother Chelle and Lank are trying to make ends meet by running an after-hours club in the basement of their family home, now theirs since the death of their parents. Chelle is satisfied with the status quo; Lank dreams of owning his own legit bar. But they'd need to sell the house to make that possible, so they're at an impasse. He's impetuous and makes moves to buy a local joint without her knowledge, only to have the destructive riots threaten his deal. More personal complications make the story interesting, if a bit too pat. Motown tunes — Lank buys an eight-track player to replace his sister's turntable — make this production a walk down memory lane for Baby Boomers. But Detroit '67 will grab everyone because the events of five decades ago are eerily and sadly similar to recent disturbances in Ferguson, Mo., and elsewhere. (Through April 5; tickets: 513-421-3555)

Peter and the Starcatcher at the Cincinnati Playhouse is a playful and over-the-top imagining of the origins of Peter Pan. It's not a very adult cup of tea; it's more a swig of giggle-inducing rum. But if you yearn to head back to childhood for a few hours — playing with words, making fart jokes and having an adventure "against impossible odds" — this production is a joyous must-see. (Through April 4; tickets: 513-421-3888)

The Marvelous Wonderettes was a big hit for Ensemble Theatre a few years back. They staged the original story of girls singing Doo-Wop hits in 1958 and coming together again in 1968 for more old tunes, and did well with several sequels that kept audiences eagerly coming back for more. The show is now being presented at the Covedale Center in West Price Hill, and it has a nostalgic draw for people who grew up with those tunes. But the production's characterizations of Cindy Lou, Betty Jean, Missy and Suzy feel a little shallow, reducing the potential charm of the show. Nevertheless, it's a lot of fun if you love the music of the era and remember your own angst about boyfriends and girlfriends. (Through April 4; tickets: 513-241-6550)

Cincinnati Shakespeare's very pleasant production of an adaptation of Little Women continues through Saturday evening; tickets: 513-381-2273. The musical based on Louisa May Alcott's 1868 novel about the March sisters is onstage through Saturday, too, at Newport's Stained Glass Theatre, produced by Footlighters, Inc., a community theater; tickets: 859-652-3849.

The moving play based on The Diary of Anne Frank is being presented this weekend by the School for Creative and Performing Arts with performances remaining on Friday and Saturday evening at 7 p.m. and Sunday at 2 p.m. It's the powerful story of a Jewish family who went into hiding from the Nazis in Amsterdam during World War II; Anne, the diarist who recorded their tribulations, died at age 15 in a concentration camp. Tickets: here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 03.16.2015 39 days ago
Posted In: Theater, Visual Art at 03:10 PM | Permalink | Comments (0)
 
 
resized_if-then-nationaltour-photo-joan-marcus

Call Board: Theater Seasons

Broadway in Cincinnati, Local Universities, LaComedia and Actors Theatre of Louisville

Every year, BROADWAY IN CINCINNATI brings to downtown Cincinnati’s Aronoff Center a series of touring shows that got started in New York City. This year marks the 20th year shows have been presented at the Aronoff. Today the presenters released details about what’s in store starting September and running through May 2016. There will be several recent Tony Award-winning productions coming our way: Kinky Boots (winner of six awards in 2013), Pippin (winner of four awards in 2013), Newsies (its score and choreography won awards in 2012) and one of the longest running Broadway revivals of all time, Cabaret (which won eight awards back in 1966 and more for much-lauded revivals in 1998 and 2014). Here’s the lineup:

Motown The Musical (Sept. 8-20) is the story of how Berry Gordy journeyed from being a featherweight boxer to the heavyweight music entrepreneur who founded Motown. His label launched the careers of Diana Ross, Michael Jackson, Smokey Robinson and many more. The show premiered on Broadway two years ago and had a run of more than 700 performances.

Pippin (Oct. 13-18) was an early work by Stephen Schwartz, who made his name with shows as varied as Godspell and Wicked. Pippin began a five-year run in 1972 with a production that won five Tony Awards. It’s had several well-received Broadway revivals: The most recent in 2014 (now touring) was recognized as the season’s best revival with its extraordinary acrobatics, magical feats and great songs. It’s the story of a young prince in the Middle Ages on a death-defying journey to find meaning in his existence. His choices include a happy but simple life or a big flash of glory. With a clever circus filter, the show uses spectacular choreography — and features great songs such as “Magic To Do,” “Glory,” and “Morning Glow.”

Cast of the national touring production of Pippin
Photo: Terry Shapiro

Irving Berlin’s White Christmas
(Nov. 24-Dec. 6) arrives right before Thanksgiving to kick off the holidays. It’s about two showbiz buddies who put on a production in a picturesque New England inn and find romance in the process. The tunes from this show are icons in the American Songbook (“Count Your Blessings Instead of Sheep,” “Sisters” and “Blue Skies”) as well as seasonal numbers like “Happy Holiday” and, of course, the title song.

Kinky Boots (Jan. 5-17, 2016) was named the best musical of 2013 by the Tonys, and it landed six more trophies (it had 13 nominations), so it’s a certified hit. (In fact, it’s still running on Broadway and a London production is in the works.) Maybe you remember the 2005 movie it’s based on about a struggling shoe factory that “reboots” itself to manufacture footwear for drag queens. For the stage version, it’s been tricked out with an upbeat score by Pop star Cyndi Lauper

Kinky Boots
Photo: Matthew Murphy

If/Then (Feb. 2-7, 2016) is a 2014 Broadway musical about living in New York today — and contemplating the possibilities of tomorrow. The show’s creative team made its mark with Next to Normal (winner of the Pulitzer Prize and the Tony Award); that show was a big hit (and revival) for Ensemble Theatre Cincinnati. If/Then follows two possible life paths for Elizabeth (played on Broadway by Idina Menzel), and it paints a moving portrait of the lives people lead, as well as the lives they might have led.

Newsies The Musical (March 1-13, 2016) was a 2012 crowd-pleasing musical based on a 1992 Disney film. It recounts real events from 1899 when a bunch of orphaned and homeless boys who hawked newspapers on street corners stood up to the power elite, personified by Joseph Pulitzer, publisher of the New York World. Their spunk and tenacity — aided by Gov. Theodore Roosevelt — resulted in a compromise that made a difference for the hardworking kids. The show has a great score and eye-popping choreography, both of which won Tony Awards.

Cabaret (May 10-22, 2016). It’s hard to believe but this show has been around for just about a half-century, winning awards every time it’s been staged on Broadway. The production coming to town is from the 2014 New York staging by Sam Mendes, director of Skyfall and American Beauty, and Rob Marshall (whose film of another Kander & Ebb musical, Chicago, was the 2002 Oscar-winning best picture, and who recently dazzled musical theater lovers with a fine rendition of Stephen Sondheim’s Into the Woods.)

While the Broadway in Cincinnati season (sponsored by Fifth Third Bank and presented by TriHealth) is great news — the presentation of so many recent Broadway hits is a step up from several seasons with shows that hadn’t even made it to Broadway — but there’s lots more theater that’s been announced recently. Here are some quick rundowns:

The musical theater and drama programs at UC’S COLLEGE-CONSERVATORY OF MUSIC have announced mainstage productions for 2015-2016. David Edgar’s epic drama Pentecost will be at Patricia Corbett Theater on Oct. 1-4; the same venue will be the site for a coming-of-age comedy by Eugene O’Neill, Ah! Wilderness (Feb. 11-14, 2016). Rodgers and Hammerstein’s 1945 musical Carousel will get a big-stage production at Corbett Auditorium (Oct. 20-Nov.1). The most exciting CCM news for 2016 is that the program has obtained the rights for one of the first university productions of American Idiot, based on Green Day’s Grammy-winning album of the same name. The show, nominated for a Tony as 2010’s best musical, will be presented at Patricia Corbett Theater (March 3-13, 2016), staged by Aubrey Berg, the musical theater program’s chair.

The 2015-2016 academic theater season at NORTHERN KENTUCKY UNIVERSITY has also been announced. It will start with Ken Ludwig’s theater-based comedy Moon Over Buffalo (Sept. 24-Oct. 4, Corbett Theatre), and continue with Shakespeare’s The Winter’s Tale (Oct. 20-25) in the Stauss black box theatre. Back at the Corbett Theatre, Ahrens and Flaherty’s whimsical musical, Seussical will be staged (Nov. 12-22). For 2016, productions will include the George S. Kaufman and Moss Hart 1930 comedy, Once in a Lifetime (Feb. 18-28, Corbett Theatre); George Bernard Shaw’s Pygmalion from 1913 (March 29-April 3, Stauss Theatre), later adapted into My Fair Lady; and Stephen Sondheim and James Lapine’s fairytale mash-up, Into the Woods (April 21-May 1, Corbett Theatre).

North of Cincinnati at Springboro’s LACOMEDIA DINNER THEATRE, 2015 marks the 40th anniversary season at Ohio’s only combination theater and restaurant. It’s already under way with a staging of Rodgers and Hammerstein’s South Pacific (through May 3), followed by The Addams Family (May 7-June 28), The Little Mermaid (July 8-Aug. 30), The Church Basement Ladies Last Potluck Supper (Sept. 3-Oct. 31) and A Christmas Story (Nov. 4-Dec. 31) for the holidays. The venue also presents a lunch-and-learn series for kids (featuring The True Story of the Three Little Pigs) and a concert series featuring an Elvis impersonator, music in the style of the Van Dells and a family of Gospel singers. Info: http://www.lacomedia.com.

A bit farther away and in the more or less the opposite direction, ACTORS THEATRE OF LOUISVILLE will begin its 2015-2016 season with August Wilson’s Seven Guitars (Sept. 1-20), then Rebecca Gilman’s Luna Gale (Oct. 6-25). Having seen The Hypocrites perform a daffy version of Gilbert and Sullivan’s Pirates of Penzance early in 2014, I’m glad to hear that the inventive group will return to re-imagine H.M.S. Pinafore (Nov. 17-Dec. 13). Early in 2016, Actors Theatre will stage two shows already familiar to Cincinnati Playhouse audiences: Amy Herzog’s comedic drama 4000 Miles (Jan. 5-31, 2016) and Rick Elice’s Peter and the Starcatcher (Jan. 26-Feb. 17, 2016), a show that’s currently onstage locally at our own regional theater. The 40th anniversary of the venerable Humana Festival of New American Plays runs March 2 to April 10, 2016, typically featuring a half-dozen world premieres. Actors Theatre also presents two holiday-related shows for 2015: Dracula for Halloween (Sept. 9-Nov. 1, 2015) and A Christmas Carol (Nov. 24-Dec. 23, 2015). Info: http://www.actorstheatre.org.

Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 03.06.2015 49 days ago
Posted In: Theater at 09:41 AM | Permalink | Comments (0)
 
 
peter pan at ccm -  photo mark lyona

Stage Door: Pirates, Indians, Lost Boys and Little Women

I wanted to start today's note about theater opportunities for this weekend by bringing your attention to my CityBeat column here, a tribute to my late friend Tom McElfresh, who passed away in February. Tom was a Cincinnati theater critic in the 1970s and ’80s who I brought on board as my back-up at CityBeat in 1998. For a dozen years, his enthusiasm for theater — as well as his sometimes blunt observations — kept CityBeat readers informed about shows on local stages. If he were still writing, he'd be encouraging you to go see a show.

I was at UC's College-Conservatory of Music last event for the opening of a short but spectacular run of the Peter Pan, the legendary Golden Age musical from 1954. This is an eye-popping production of the show with familiar tunes such as "I've Gotta Crow," "I'm Flying" and "I Won't Grow Up," backed up by an orchestra of nearly 30 players. That's about double the number that you'll find in the pit at touring Broadway shows; and these players are decked out as pirates! Even more spectacular are Dean Mogle and Rebecca Senske's funny, over-the-top costumes for Captain Hook (played with delicious deviltry by Nathaniel Irvin) and his crew, Tiger Lily (Samantha Pollino, an athletic dancer) and her storybook Indians and Peter (alternating between Clara Cox and Hannah Zazzaro) and his Lost Boys. Mark Halpin's big circus-inspired set is fun to watch, and guest director and choreographer Joe Locarro's staging is inventive and wonderfully danced by the big cast, especially "Ugg-a-Wugg," with nearly 20 closely synchronized performers. Oh, there's flying, too. It's a shame this one doesn't have a longer run, but that's what happens at CCM, where productions come and go quickly. The final performance is a 2 p.m. matinee on Sunday. Get there to see this one — and take a kid with you. Tickets: 513-556-4183.

The March sisters whose story is told in Louisa May Alcott's Little Women remain popular after more than 150 years. You can find a spirited adaptation (CityBeat review here) of the novel onstage at Cincinnati Shakespeare through March 21, featuring the company's excellent actresses, especially Maggie Lou Rader as fiercely independent Jo, who aspires to be a writer. Tickets: 513-381-6673, x1.  A musical adaptation of the story about the sensitive, imaginative girls who grow into strong, diverse women during and after the Civil War is happening at Footlighters, the community theater that performs at the Stained Glass Theater in Newport. It too is running through March 21. Tickets: 859-652-3849.

Still worth seeing are Chapatti (CityBeat review here), the heartwarming story of two lonely senior citizens who love their pets but need more human companionship, at the Cincinnati Playhouse through Sunday (tickets: 513-421-3888) and Clifton Players portrait of the contentious and dysfunctional Weston family in the Pulitzer Prize-winning sprawling three-act drama August: Osage County (CityBeat review here), surprisingly well staged in the intimate Clifton Performance Theatre, which has just 40 or so seats for each performance (tickets: 513-861-7469) through March 13.

If you missed Theory of Mind, the Cincinnati Playhouse's February touring production for young audiences about a kid on the autism spectrum, you can catch it for free at Music Hall on Sunday at 2 p.m. The charming show is about a socially awkward kid trying to find his way in the world of dating; it's not only endearing, it's quite funny. The performance is part of the Artswave Sampler Weekend, sponsored by Macy's to draw attention to the annual fundraising campaign on behalf of the arts.

Once upon a time dinner theaters were a big thing.That's not so much the case in 2015, but La Comedia continues to thrive in Springboro, 40 miles north of Cincinnati. Celebrating its 40th anniversary this year, it's one of the largest theaters in America where you can enjoy a buffet meal before a show — and it's the only one still operating in Ohio. It just opened a two-month run of Rodgers and Hammerstein's legendary musical South Pacific. This organization knows the formula for combining dining and theatergoing — and you can't beat the sweet potato soufflé! Tickets: 800-677-9505.

I want to close with a shout-out to Gina Cerimele-Mechley, winner of the 2015 recognition for outstanding arts educators from the annual Overture Awards. She's been part of the local theater scene for years, and if you watch this video nomination from her students at Cincinnati Music Academy, you'll see why she's made a difference. Here's a remark she made: “My strength as a teacher is constantly being a student. I learn the strengths of each individual student and try to hone those skills into something marketable. When a student has completed working with me I want them to be able to stand on their own two feet and make their own choices.”

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.27.2015 56 days ago
Posted In: Theater at 09:45 AM | Permalink | Comments (0)
 
 
little-women_-cincinnati-shakes-photo-mikki-schaffner

Stage Door: Cincinnati Theaters Generating Heat, Despite Cold Weather

Last weekend's snowstorm canceled performances at several local theaters (including the Cincinnati Playhouse), so you might have had several days without theater. Is it time to make up? I finally caught up with Cincinnati Shakespeare Company's adaptation of Little Women​ last night, and I'm glad of it. While the weather is still cold and sidewalks still treacherously icy, the warmth generated by Jo March and her saucy sisters is a welcome tonic. Of course Louisa May Alcott's story of a temporarily fatherless family during the American Civil War is sentimental and, at times, rather maudlin, but the actresses at Cincy Shakes bring such vivacity to their roles that there's plenty to enjoy. Maggie Lou Rader is especially vivacious as Jo, the fiercely independent aspiring writer who insists on finding her own way in a world controlled by men; Kelly Mengelkoch is emotional, conscientious elder sister Meg; Caitlin McWethy is shy and loving Beth; and Courtney Lucien is Amy, the impetuous baby who matures in the second act. Annie Fitzpatrick is Marmee, their steadfast mother, and Justin McCombs is the spirited boy next door who captures the hearts of several of the sisters. The production is simply but effectively staged, enhanced by some subtle video projections and lovely choral singing of period hymns by the ensemble. It's a gentle story that beautifully conveys the virtues of family, sisterhood and feminine intellect in a period when such matters were not always top of mind. It's onstage through March 21. Box office: 513-381-2273, x1.

Last Sunday, while many of you might have been watching the Academy Awards, I was one of 15 or so people in the audience watching Clifton Players' staging of August: Osage County. That's not quite as pitiful as it might sound, since the tiny Clifton Performance Theatre has only about 40 seats for this production. You're right in the midst of the bitter wars being conducted by the combative Weston family, brought together by the disappearance of their father and their mother's relapse into drug dependence and impossibly difficult behavior. But each of Beverly and Vi's three daughters have problems, issues and complicated family situations of their own, so Tracy Letts' three-act, three-plus hour show offers plenty of juicy roles for some of Cincinnati's best actors. The show has typically been played on a big set, but the closeness of CPT makes August: Osage County a powerful evening of dysfunction that's right in your face. Need some heat despite the cold snap? This is your show. It's a Critic's Pick (CityBeat review here). Onstage through March 13. Tickets: 513-861-7469.

Performances tonight and Saturday evening will wrap up the run of In the Heat of the Night at Falcon Players in Newport (tickets: 513-479-6783), and Northern Kentucky University's Les Misérables continues through a Sunday matinee. The latter has been sold our for most performances, but if you show up an hour before curtain time, you can get your name on a wait-list for a seat.

For a glimpse of the future, check out my blog postings here and here from earlier this week with 2015-2016 season announcements for the Cincinnati Playhouse in the Park, Cincinnati Landmark Productions (at the Covedale Center and the new Incline Theatre) and Cincinnati Shakespeare.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.20.2015 63 days ago
Posted In: Theater at 09:46 AM | Permalink | Comments (0)
 
 
little women_cincy shakes-photo cal harris

Stage Door: Fatherless Families on Cincinnati Stages

Just how can Tracy Letts' sprawling play August: Osage County be wedged into the tiny Clifton Performance Theatre on Ludlow? Director Buz Davis knows that this show is more about characters and great dialogue than the set; he told me so. (Read more in my Curtain Call column here.) He's made it possible for you to sit in the midst of the home of the cantankerous Westons as they fuss and fight when their father goes missing and their mother's addiction to pain killers spills over into everyone else's lives. The show won both the Pulitzer Prize and the Tony Award in 2008, so it's one you should have on your list to see if you're a serious theatergoer. (Through March 13). Tickets: 513-861-7469.

Although it's about another family struggling to get along while husband and father is absent, there's a whole different dynamic in Louisa May Alcott's Little Women, presented by Cincinnati Shakespeare Company. This adaptation by Emma Reeves should offer an excellent opportunity to see some of Cincy Shakes' best actresses onstage; it's being directed by Sara Clark (who would likely be in the show, but she's pregnant right now, wich doesn't quite fit this story). It opens tonight and runs through March 21. Tickets: 513-381-2273, x1.

The short run of a touring production of Cole Porter's jaunty Anything Goes is over on Sunday. Need a mid-winter getaway? Take a madcap cruise on the S.S. American and watch as love affairs go overboard and confusion reigns. This show from 1934 has been reinvented numerous times, most recently in a 2011 Broadway revival that won a boatload of Tony Awards. Tickets: 513-621-2787.

It's always worth paying attention to productions on our local university stages, where fine renditions of classic theatrical works are the norm. Northern Kentucky University just opened a production of the great musical Les Misérables, onstage through March 1. I'm told most performances are sold out, but if you show up in person (no calls) you can be put on a wait list and fill seats available just before curtain time. At Xavier University this weekend (through a 2 p.m. Sunday matinee) you'll find a production of Shakespeare's most beloved comedy, A Midsummer Night's Dream, staged by Jeremy Dubin, veteran member of Cincinnati Shakespeare Company. Tickets: 513-745-3939.

Continuing productions this weekend include the Cincinnati Playhouse's staging of the charming romance between dog and cat lovers, Chapatti (through March 8; CityBeat review here) and Falcon Theater's production of the tense drama about race relations in 1960s Alabama, In the Heat of the Night (through Feb. 28). Falcon performs in a small theater space on Monmouth Street in Newport. … It's also the final weekend for Know Theatre's production of the one-woman version of The Handmaid's Tale, Margaret Atwood's dystopian novel adapted for the stage. Cincy Shakes veteran Corinne Mohlenhoff is doing a bravura job with this thoughtful and frightening piece. Tickets: 513-300-5669

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.13.2015 70 days ago
Posted In: Theater at 09:37 AM | Permalink | Comments (0)
 
 
heidi chronicles_ ccm- photo mark lyons

Stage Door: One Weekend Run for Heidi Chronicles at CCM

I hope my Curtain Call column (found here) in a recent issue moves you to head to UC's College Conservatory of Music for Richard Hess's staging of Wendy Wasserstein's Pulitzer Prize winner, The Heidi Chronicles, onstage through Sunday. If you remember the 1970s and ’80s, this production will transport you back in time as you watch young feminist Heidi Holland grow up, grow weary and grow wise. Tickets: 513-556-4183.

A dog might be man's best friend, but sometimes that's not quite enough. That's one of the lessons of Christian O'Reilly's
Chapatti, which opened last night at the Cincinnati Playhouse. Set in contemporary Ireland, it's about two lonely hearts, both in their 60s, who love animals — he's a dog guy ("Chapatti" is his dog's name) and she's a cat lady (she has 19 of them). That brings them together, but what they need is human companionship. That might sound predictable, but there's more to it than that. (Through March 8.) Tickets: 513-421-3888.

Falcon Theatre in Newport is opening its stage adaptation of In the Heat of the Night this evening for a two-weekend run. It's the story of a black homicide detective from L.A. who gets caught up in an Alabama homicide investigation in the early 1960s. It's a powerful drama that reminds us of how messy race relations were a half-century ago. With Ed Cohen as director and Derek Snow as Virgil Tibbs, this is likely to be a solid production. Tickets: 513-479-6783.

Get a kid started on going to theater: Take her or him to see School House Rock Live! JR., presented by the Children's Theatre of Cincinnati this weekend at the Taft. It's an adaptation of the educational cartoon from the '70s and '80s. And grown-ups are likely to have fun, too, since the local rock band The Rusty Griswolds is performing tunes like "Conjunction Junction" and "Three Is a Magic Number." Public performances tonight (7:30 p.m.), Saturday (2 and 5 p.m.) and Sunday (2 p.m.) Tickets: 800-745-3000.

Three well-received productions have their final performances this weekend on Sunday: Ensemble Theatre's riveting mystery/psychological drama, The Other Place (CityBeat review here), with a fine cast led by Regina Pugh; the Cincinnati Playhouse's assemblage of Johnny Cash numbers, Ring of Fire (CityBeat interview here), featuring four singers and six excellent supporting musicians; and the funny two-man, 20+ character show Greater Tuna at the Covedale Center (CityBeat review here). And The Handmaid's Tale at Know Theatre, a one-woman adaptation of Margaret Atwood's dystopian novel, has just one more week in its run.

The energizer bunnies at Know keep things going with Serials 2: Thunderdome on Monday evening, 15-minute episodes of five new scripts. The concept had a big following over the summer, and one of those works has its parts reassembled as a "full-length" piece: Saturday the 14th, a dark romantic comedy. Playing two lonely losers who meet as they mutually contemplate suicide are Miranda McGee from Cincinnati Shakespeare and Nic Pajic. Tickets: 513-300-5669.

The Broadway Series offers a quick stop (they call it a "season extra") of the musical Anything Goes next week, openingTuesday and running through Sunday. If you can't get away for a mid-February cruise, this Cole Porter classic on an ocean liner might be just the ticket for an evening's escape. Tickets: 513-621-2786.
 
 
 
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