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by Rick Pender 10.24.2014 129 days ago
Posted In: Theater at 08:07 AM | Permalink | Comments (0)
 
 
safe-house_cincinnati-playhouse-_photo-sandy-underwood

Stage Door: Safe House and Spooky Performances

Last night I was at Cincinnati Playhouse in the Park for the opening of Keith Josef Adkins' new play, Safe House, the 71st world premiere staged by our Tony Award-winning regional theater. (CityBeat feature story here.)

It's a fascinating piece that's about the little-known circumstances of "free people of color" in 19th-century America — not slaves but not exactly free. They're put into complex and stressful situations, personified here by a pair of very different brothers: Addison is a hardworking, aspiring entrepreneur, dreaming of become a cobbler with his own store, while younger brother Frank is impetuous and chafing at the restrictions imposed on them. The heat gets turned up when runaway slaves through their Northern Kentucky county need shelter and perhaps passage to Liberia, something their Aunt Dorcas has quietly supported. The story is based on Adkins' family history in this region, and it comes to life in this provocative drama. Through Nov. 15. Tickets ($30-$75): 513-421-3888.

UC's College-Conservatory of Music only rarely gives more than one weekend to musical theater productions. This fall's privileged show is the very commercial Legally Blonde (a hit movie with Reese Witherspoon from 2001 that became a Broadway property in 2007). It's a genuinely entertaining show that actually has a meaningful message about living up to potential and not judging people by their exteriors. It also has a ton of dancing, so it's great news that this production is both being staged by veteran CCM choreographer Diane, who I profiled in my Curtain Call column this week. The production is happening at UC's Patricia Corbett Theater through Nov. 2. Tickets ($31-$35): 513-556-4183.

It's fairytale time at the Covedale Center with a production of Stephen Sondheim's Into the Woods. But proceed with caution: The first act takes more or less traditional stories of Cinderella, Red Riding Hood, Rapunzel, Jack and the Beanstalk and more, and mixes them into one happy stew. But in Act II, well, things aren't so "happily every after" when reality sets in. Big cast, great tunes, lots of humor — but some thoughtfulness, too. Through Nov. 16. Tickets ($21-$24): 513-241-6550.

The chance to see Bruce Cromer's one-man performance in An Iliad at Ensemble Theatre is an absolute must for anyone who's serious about theater. (CityBeat review here.) It's quite astonishing that one man can do so much and hold an audience's attention for 100 minutes in this retelling of the savagery of the Trojan War. It's all the more powerful because it's a condemnation of war across the ages. Don't miss this one. Through Nov. 2, and no chance that it will be extended, so call now for your tickets. Here's a tip, thanks to friendly relations with Know Theatre, just around the corner from ETC: Use the coupon code MOBY20 to get 20 percent off the price of two tickets for any remaining performances. Tickets ($28-$44): 513-421-3555.

With Halloween just a week away, several theaters are offering shows that will make your heart pound. There's creepy ghost in Falcon Theatre's production of The Woman in Black ($17-$19, 513-479-6783), and the characters in Conor McPherson's The Birds are under attack in ways that don't bode to well for human interaction ($22-$36, 513-381-2273). (CityBeat review here.) And while it's not exactly a Halloween story, Moby Dick at Know Theatre has some scary oddballs and a gargantuan villain out to murder everyone, so that qualifies, too. (CityBeat review here.) It's onstage through Nov. 8 ($18; 513-300-5669).

This weekend is last call for I loved, I lost, I Made Spaghetti at the Cincinnati Playhouse. (CityBeat review here.) Actress Antoinette LaVecchia spins some great stories about writer Giulia Melucci's bad taste in men, all the while making an aromatic Italian dinner — antipasti, wine, spaghetti Bolognese (homemade pasta and fresh sauce) — for a few lucky audience members. This is a totally charming show, great for weekend entertainment. Final performance is Sunday. Tickets ($30-$75): 513-2418-3888.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 10.17.2014 136 days ago
Posted In: Theater at 08:30 AM | Permalink | Comments (0)
 
 
bruce cromer_an iliad_etc _photo ryan kurtz

Stage Door: An Iliad, Varekai, and Other Items of Note

On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati.  Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555

There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000

For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669

Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
 
 
by Rick Pender 10.10.2014
Posted In: Theater at 08:20 AM | Permalink | Comments (0)
 
 
moby dick_left to right montez o jenkins as queequeg _rico reid as ahab _photo_deogracias lerma

Stage Door: A Whale, Two Brothers and a Beast

Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility.

UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.

Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932

If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469

I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
 
 
by Rick Pender 10.03.2014
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
antoinette lavecchia in i loved, i lost, i made spaghett_ photo sandy underwood

Stage Door: Spaghetti, Macbeth and More

Last night I was at the Cincinnati Playhouse for the opening of I Loved, I Lost, I Made Spaghetti, a charming one-woman play based on Giulia Melucci's foodie memoir from 2009. The frame of the show is that it's set in a stylish kitchen where actress Antoinette LaVecchia prepares a meal while sketching out her numerous disconnects in search of love, feeding boyfriends but finding herself starving. Four couples pay a bit more ($35 apiece beyond the ticket price) to sit at tables directly in front of her kitchen where she serves antipasti, salad and spaghetti Bolognese that she prepares as she talks about a series of amusing but unpromising relationships, convincingly painting portraits of her ill-fated choice in men. La Vecchia is so natural in the role (which she originated in 2012 and has played at several regional theaters since then) that you'll feel like you're one of her best friends. Running through Oct. 26, this Shelterhouse production gets a Critic's Pick. Tickets ($30-$75): 513-421-3888

I also thoroughly enjoyed New Edgecliff Theatre's production of The Little Dog Laughed (at Hoffner Hall, 4120 Hamilton Ave., Northside). The four-actor comedy by Douglas Carter Beane is about Diane, an acerbic agent, and Mitch, the actor whose career she's advancing. He's found a boyfriend he really likes (even though boyfriend is a male prostitute with a girlfriend), but she's convinced that this news could ruin his chances … and hers. Kemper Florin is a hoot as the motor-mouthed agent, spouting all sorts of crazy theories about how things should be in monologues that directly address the audience. The entire cast does a fine job, and I gave this one a Critic's Pick. Tickets ($20-$27): 888-428-7311


Area universities have two classics to offer. At UC's College-Conservatory of Music in a brief weekend run (through Sunday) it's Shakespeare's classic tragedy, Macbeth. In an unusual twist, the production features third-year female drama student Laura McCarthy as the power-mad military man who seizes the throne of Scotland. Tickets ($27-$31): 513-556-4183 … South of the Ohio River, Northern Kentucky University presents Euripides' The Bacchae, a play first performed in 405 B.C. The tale of power, revenge, decadence and debauchery takes place in Thebes, where citizens are torn between worship of the god Dionysus and the centrality of reason and humanism. Sunday will be the conclusion of a two-week run of the production. Tickets ($14): 859-572-5464

The musical Dirty Dancing, based on a hit movie from 1987 about young love at a family resort in the Catskills, wraps up two weeks of performance at the Aronoff Center. The touring production, presented by Broadway in Cincinnati through Sunday, features some dazzling video and lots of dancing. The story is pretty predictable, but it's one that people love. "Don't put Baby in the corner." Tickets ($39-$89): 513-621-2787
 
 
by Rick Pender 09.26.2014
Posted In: Theater at 07:56 AM | Permalink | Comments (0)
 
 
stage door 9-26 little dog laughed by new edgecliff theatre - nic pajic, jared earland, erin ward -  photo mikki schaffner

Stage Door: Dirty Dancing, Laughing Dogs and More

To see some of Cincinnati's finest actors working together in close quarters, check out Clifton Players' production of Kevin Crowley's new play The Riverside, onstage through Saturday at Clifton Performance Theatre (located just west of the Clifton/Ludlow business district at 404 Ludlow). It's 1989 and the denizens of a fictional bar in a very real Mt. Adams are riled up over Pete Rose's battle with the baseball commissioner gambling problems as well as the imminent closing of the family-owner bar where they all hang out. Although a few of the characters are rather caricatured, it's evident that Crowley is a close observer of everyday people. They drink and fight, love and cheat. And they have their passions, feelings that bubble up and over. The theater is a small space with seating for just a few dozen, but that's part of the fun — you feel like you're one of the regulars at the Riverside. Tickets ($25): https://cpt.tixato/com/buy

I caught a performance of Dirty Dancing, a musical based on the iconic 1987 movie about sensual dancing and the intermingling of guests and staff at a posh resort in the Catskills in 1963. This touring show is presented by Broadway in Cincinnati at the Aronoff Center, even though it has yet to land on Broadway. It uses a lot of creative video and projections, a constant reminder that its roots are cinematic. But it has an ensemble of vigorous dancers, especially Jillian Mueller as idealistic Frances "Baby" Houseman, who's eager to grow up, and Samuel Pergande as bad-boy dance instructor Johnny Castle. There's also Jenny Winton, whose dancing is especially watchable as the very sexy Penny Johnson. This is a dance show from start to finish, using familiar Pop tunes from the '60s plus a lot of sambas and rumbas. I realized as the performance  was winding up that the central characters never sang — not once. Mueller and Pergande look great as they recreate the iconic movie roles created by Jennifer Gray and Patrick Swayze, but virtually all the singing is handled by ensemble members Doug Carpenter and Jennlee Shallow — powerful vocalists who handle a number of singing styles, but who especially elevate the temperature with the show's best-known numbers, including "The Time of My Life." Don't go expecting great acting beyond the leads: Most of the rest of the roles range from shallow to silly. But trust me, you'll be surrounded by people who know and love this story, and they're having a good time, waiting until the moment when Johnny shouts, "Don't put Baby in the corner!" Through Oct. 5. Tickets: $39-$89: 513-621-2787

New Edgecliff Theatre has finally found a new home, Hoffner Lodge (4120 Hamilton Ave., Northside), after a season at the Aronoff. NET's first production at the former St. Patrick's church will be Douglas Carter Beane's The Little Dog Laughed, a very funny four-character comedy from 2006 about a Hollywood star, his controlling agent, his boyfriend and the boyfriend's girlfriend. Yes, it's that complicated, and that's the source of much of the humor as the agent tries to keep the lid on the gossip about her star client. Through Oct. 11. Tickets ($20-$27): 888-428-7311

A couple of well-received shows are still running, including Tennessee Williams' classic drama A Streetcar Named Desire at the Covedale Center (through Oct. 5; tickets: 513-241-6550), a stage version of The Great Gatsby at Cincinnati Shakespeare (through Oct. 4; tickets 513-381-2273), and a fast-paced mystery, Sherlock Holmes and the Adventure of the Suicide Club, at the Cincinnati Playhouse (through Oct. 4; tickets: 513-421-3888). Finally, this weekend is your last chance to see Showbiz Players' staging of the tongue-in-cheek musical Reefer Madness, about the "dangers" of marijuana, at the Carnegie in Covington. Tickets ($19.50-$22.50): 859-957-1940.
 
 
by Rick Pender 09.19.2014
Posted In: Theater at 08:05 AM | Permalink | Comments (0)
 
 
the riverside _daniel c britt _l_ and gary mcgurk_r_ photo provided

Stage Door: Riverside, Reefer and Sondheim

There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:

Local actor/director/writer Kevin Crowley has written a play called The Riverside, rooted in Cincinnati (Crowley is a member of a family that's lived locally for generations) and getting a production — he's directing it, too — at Clifton Performance Theatre, just west of the Clifton/Ludlow business district (404 Ludlow). It's set in an imaginary (or rather an imagined) bar called the Riverside, where a bunch of folks in 1989 are following the Pete Rose case about gambling that eventually got him banned from baseball. But there's a lot more happening — like protests in Tiananmen Square and the fall of the Berlin Wall. In CPT's tiny space is filled up with a lot of talent — Michael Shooner, Daniel Britt, Buz Davis, Mike Dennis, Mindy Heithaus, Reggie Willis, Mark Bowen, MaryKate Moran, Gary McGurk, Pete Wood, Cathy Springfield and Paul Morris — playing folks who hang out and argue about what's going on. I haven't caught this one yet, but everyone who has says it's worth seeing. Through Sept. 27. Tickets ($25): https://cpt.tixato/com/buy

Community theater company Showbiz Players is staging the musical Reefer Madness at the Carnegie in Covington. It opens tonight (and runs through Sept. 28). This tongue-in-cheek show was inspired by a very serious film from 1936 designed to inspire fear and loathing when clean-cut kids fall prey to marijuana. The producers "warn" that it contains adult humor, religious parody and drug use — and note that it will go "straight to your head." Should be a lot of fun for those mature enough to get the jokes ... Tickets ($19.50-$22.50): 859-957-1940

Side by Side by Sondheim was the first musical revue created using songs by the guy who wrote the music and lyrics for shows including Company, A Funny Thing Happened on the Way to the Forum, Gypsy and A Little Night Music. That was in 1976 in London, but the tunes are just as fresh and vibrant today as they were nearly four decades ago. Middletown Lyric Theatre is presenting this collection of 25 numbers for two weekends (tonight and tomorrow, as well as Sept. 26-27) — using seven singers and two pianists. Tickets ($15): 513-425-7140
 
 
by Rick Pender 09.12.2014
Posted In: Theater at 10:09 AM | Permalink | Comments (0)
 
 
stage door 9-12 - sherlock holmes and the adventure of the suicide club - cincinnati playhouse - photo sandy underwood

Stage Door: Sherlock Holmes & More

Sherlock Holmes and the Adventure of the Suicide Club opened last night at the Cincinnati Playhouse in the Park. It's a new adventure for the Victorian sleuth. How can that be, you might ask, if you're a Sherlock fan — this isn't a familiar title. That's because playwright Jeffrey Hatcher picked up Sir Arthur Conan Doyle's memorable detective, a master of deductive observation, and plugged him into a tale of mystery and intrigue conceived by Robert Louis Stevenson back in 1878. No spoilers here, but I will tell you that the plot of this show requires closely following a complex tale of both personal and political intrigue. Hatcher has set the story in 1914, on the brink of the first World War, and the state of international relations in Europe is woven into the tale. But there's nothing dry about this story, and Steven Hauck's performance as Sherlock is very satisfying: He brings a quirky physicality as well as a sharp wit to the character that makes him very engaging. Fans of Sherlock will not be disappointed by this show. Through Oct. 4. Tickets ($30-$85): 513-421-3888.

 

I attended the opening of The Great Gatsby at Cincinnati Shakespeare Company last week. In my review, I said, "the production gets the story and the era right," and I added that CSC's Justin McCombs "perfectly embodies" Nick Carraway, the honest narrator of this Jazz Age tale of nouveau riche Jay Gatsby and Daisy Buchanan, the one-time debutante who obsesses him. There's lots to like about this production, which captures the essence of lavish parties and the fast life of the Roaring Twenties. Cincy Shakes is committed to bringing classic literary works to the stage, and this production is a good example of how they get it done. Simon Levy's script hews close to F. Scott Fitzgerald's 1924 novel, and the company's actors bring life to the characters. Through Oct. 4. Tickets ($22-$36): 513-381-2273.

 

Everyone I've talked to about Hands on a Hardbody at Ensemble Theatre has been enthusiastic about the show that brings to life a contest to win a Nissan pickup truck by keeping one hand on it the longest. It's a true story (it was a 1997 documentary) and these feel like real people, down on their luck but dreaming what a difference that winning could make. The music is by Trey Anastasio (of Phish) and Amanda Green, and the script was written by Pulitzer Prize winner Doug Wright. ETC has staged memorable productions of his play I Am My Own Wife and his musical, Grey Gardens. But the real attraction is an excellent cast who make you believe in these people, struggling to stay away and outlast one another under the brutal sun beating down on the Texas parking lot of a Nissan dealership. It's a fine entertainment. Through Sept. 21. Tickets ($28-$44): 513-421-3555.

 

Just opened at the Covedale Center for the Performing Arts is a production of Tennessee Williams's great American play, A Streetcar Named Desire. It's about a woman who's down on her luck but unwilling to admit it. When genteel Blanche DuBois moves with her pragmatic sister and her brutal, blue-collar husband, Stanley Kowalski, is a rude awakening that goes downhill fast. Through Oct. 5. Tickets ($-$): 513-241-6550.

 

If you've become a fan of shows in the intimate Clifton Performance Theatre, you might want to check out The Riverside, a play written and directed by local theater artist Kevin Crowley. It's a story set in a Cincinnati bar in 1989 as locals follow the saga of Pete Rose's demise in baseball, the fall of the Berlin Wall and Tiananmen Square. But the bar itself is changing, too, impacting the lives of the family that owns it as well as its patrons.

Through Sept. 27. Tickets ($25): https://cpt.tixato.com/buy/.

 
 
by Rick Pender 09.05.2014
Posted In: Theater at 01:10 PM | Permalink | Comments (0)
 
 
stage door 9-5 - etc hands on a hardbody - dallas padoven as chris alvaro - photo ryan kurtz

Stage Door: 'Tis the Season for Theater

If you'd like to go to the theater every evening for the next four days, there are plenty of options for you to consider as the 2014-2015 season is getting underway on stages all over town. Here are some good choices to consider:

Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review, giving it a Critic's Pick. I was there, too, and couldn't agree more about the infectious, heartfelt joy coming from the big cast of 15. The show is based on a true story (the subject of a 1997 documentary) about people in a downtrodden Texas town who enter a contest to win a Nissan pickup truck by outlasting others who vow to keep one hand on the vehicle. The cherry-red truck is as much a character as any of the contestants, the physical embodiment of their hopes and dreams — which take the form of songs by Trey Anastasio (of Phish) and Amanda Green. The script by Pulitzer Prize winner Doug Wright treats these diverse, down-on-their-luck folks with dignity, and the performers (who often perform with the truck as their dance partner) bring every one of them to life in vivid ways. This one is a must-see, a great way to kick-off ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555

The Great Gatsby kicks off Cincinnati Shakespeare Company's season tonight. You didn't know Shakespeare wrote it? Well, he didn't. This theater company focuses on the Bard, to be sure, but it frequently branches out to present stage versions of other classics, in this case an adaptation of F. Scott Fitzgerald's 1925 classic about a mysterious nouveau-riche millionaire who's obsessed with a one-time debutante. Set in the Jazz Age and inspired by lavish parties the high-flying Fitzgerald attended on the prosperous North Shore of Long Island, Gatsby is a story about the ups and downs of the American Dream. Simon Levy's script is the only one authorized by Fitzgerald's estate, and Cincy Shakes is presenting its regional premiere. (And here's a tip: on opening nights at 6 p.m., the theater offers ticket holders a complimentary catered meal, beer and wine.) Through Oct. 4. Tickets ($22-$36): 513-381-2273

Sherlock Holmes and the Adventure of the Suicide Club opens next Thursday at the Cincinnati Playhouse, but previews begin for the season opener this Saturday (through Wednesday). Tickets for these performances are discounted, and you'll be seeing a show that's pretty much ready to go. Jeffrey Hatcher's script should be lots of fun for fans of the Victorian sleuth. He's taken the character created by Sir Arthur Conan Doyle and dropped him into a tale conceived by another inventive writer, Robert Louis Stevenson, for a mash-up that will keep even Baker Street regulars guessing. Tickets: 513-421-3888

Serials! at Know Theatre, which has presented episodes of six Fringe-like shows at two-week intervals all summer long, culminates on Monday evening at 8 p.m. with finales of each tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom? These questions and more will be answered on Monday. Even if you've missed a few episodes, don't worry: Each 15-minute performance begins with a brief recap of the story so far. Zany and fun for anyone who's enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669

Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five plays are scheduled to be presented, as well as panel discussions, seven hours of programming in all. The day begins at 12:30 p.m. and is set to conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org

 
 
by Rick Pender 08.15.2014
Posted In: Theater at 09:21 AM | Permalink | Comments (0)
 
 
for stage door 8-15 - know theatre presents harry & the thief by sigrid gilmer id left to right sola thompson as vivian - darnell pierre benjamin as knox - photo by deogracias lerma

Stage Door: Busy August

Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.

Stacy Sims reviewed Know Theatre's production of Harry & the Thief, which opened last week. She called it "a wonderfully ridiculous, history-twisting, large cast mash-up of a play," and that's just the beginning." Sigrid Gilmer's play is a riot of modern perspectives and Civil War values, a mingling of contemporary attitudes with opinions and behaviors long since set aside — but not so far off that we can't recognize them as prejudice, misogyny and racism. But Gilmer's weaves a lot of humor and satire around Harriet Tubman (a real woman who led many people out of slavery into freedom in the 1850s and 1860s). The play has been staged by guest director Holly Derr to spotlight a zany streak of humor that the playwright has generously salted across her script from start to finish. This feels a lot like a Fringe festival show, and that makes sense, since Know is the annual producer of the Cincy Fringe, and Harry & the Thief kicks off its 2014-2015 season.

As Stacy noted, "this bodes well" for the theater now being managed artistically by Andrew Hungerford. I watched a performance earlier this week with a full house resulting from Know's "Welcome Project," throwing its doors open to anyone who wants to come on several Wednesday evenings (hoping that a few of them will pay something, but requiring nothing more than showing up). I suspect many of those in attendance will be recommending this production to friends. Through Aug. 30. Tickets ($20 most of the time, although you can get rush tickets for remaining seats 10 minutes before curtain time, and free next Wednesday, Aug. 20): 513-300-5669.

Speaking of the Fringe, Know presents occasional encores from past festivals. On Sunday evening at 8 p.m. (one night only) you can catch one of the best acts I've ever enjoyed in the Cincy Fringe: David Gaines returns with 7(x1) Samurai, retelling Kurasawa's classic 1954 film in a one-man show that was a hit of the 2009 festival. It's true to the source about victimized peasants, marauding bandits and samurai warriors, astonishing to watch and one hell of a performance. Tickets ($15): 513-300-5669.

There's another astonishing, virtuoso work of theater onstage, this one south of the Ohio River at Covington's Carnegie Theatre. It's Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street. I plan to see it on Friday evening (it opened last week), but people are already saying that Justin Glaser brings a great voice to the maniacal killer and Helen Raymond-Goers sings the role of the meat-pie-baking Mrs. Lovett with both wit and polish. This is one of the greatest musicals of the late 20th century, and all indicators are that this is a production worth seeing. Through Aug. 23. Tickets ($21-$28): 859-857-1940.

Cincinnati Shakespeare Company will double your choices this weekend. At its Race Street theater you'll find the final performances of The Complete Works of William Shakespeare (Abridged), a comic rendering — or at least passing references to — all 38 of the Bard's plays, his sonnets and some amusingly presented "facts" about his life. It's a romp from start to finish, featuring three of Cincy Shakes' best actors having a hell of a good time onstage, Jeremy Dubin, Justin McCombs and Nicholas Rose. Tickets ($22-$31): 513-381-2273.

If you want something a tad closer to the original, find one of CSC's free touring productions at an area park: Macbeth on Friday night (7 p.m.) at Keehner Park in West Chester and Saturday evening (7 p.m.) at Cottell Park in Mason or A Midsummer Night's Dream on Sunday evening (6 p.m.) at Washington Park. These are somewhat reduced productions (done in two hours) using just six actors: That makes them all the more exciting to watch — and to be dazzled by actors who can convincingly play multiple roles.
 
 
by Rick Pender 08.01.2014
Posted In: Theater at 09:35 AM | Permalink | Comments (0)
 
 
shakes

Stage Door: Free Shakespeare!

The big show this weekend will be Lumenocity in Washington Park. If you were lucky enough to get a ticket, you'll be seeing some great images on Music Hall's facade with accompaniment by the Cincinnati Symphony. If you weren't so lucky, you can still enjoy the show via radio (WGUC), television, big screens (at Fountain Square and Riverbend, for free) or via live streaming at lumenocity2014.com.

If you want to check out a free show at another park, how about free performances of A Midsummer Night's Dream? Cincinnati Shakespeare kicks off its Shakespeare in the Park tour this weekend. They'll be at Seasongood Pavilion at Eden Park on Friday evening, at Harry Whiting Brown Lawn in Glendale on Saturday and the Community Park Pavilion at the Milford Historical Society in Milford on Sunday. Performances generally begin around 7 p.m. Show up earlier to get a good seat and enjoy six of Cincy Shakes actors playing a bunch of characters in a very funny comedy.

On the West Side, it's the final weekend for Footloose The Musical, presented as the 33rd annual summer show by Cincinnati Young People's Theatre at the Covedale Center for the Performing Arts. This is a program that gives teens from across Greater Cincinnati a chance to work onstage and backstage. During the past three decades more than 2,300 kids have participated. The show, based on a popular movie from 1984, is about a teenager and his mother who move from Chicago to a small farming town where dancing is frowned upon by the local preacher. But his rebellious daughter shakes things up and love wins out. It's a fine show for teens. Tickets ($12-$16): 513-241-6550.

If you're willing to make the drive to Dayton, you have the opportunity to check out workshops of new musical theater material at the Human Race Theatre Company. Molly Sweeney is about a young woman whose blindness becomes an obstacle for her new husband to overcome, even though she has a different perspective. (It's happening Friday night at 8 p.m. and Saturday at 2 p.m.) The second work is a songwriter showcase (Saturday at 8 p.m.) by a dozen creators who are working on new shows. It's being hosted by Dayton native Susan Blackwell, creator of the clever [title of show]. Advance tickets ($15): 888-228-3630 – or $20 at the door at the Loft Theatre (126 N. Main St., Dayton).
 
 

 

 

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by Rick Pender 02.27.2015 3 days ago
Posted In: Theater at 09:45 AM | Permalink | Comments (0)
 
 
little-women_-cincinnati-shakes-photo-mikki-schaffner

Stage Door: Cincinnati Theaters Generating Heat, Despite Cold Weather

Last weekend's snowstorm canceled performances at several local theaters (including the Cincinnati Playhouse), so you might have had several days without theater. Is it time to make up? I finally caught up with Cincinnati Shakespeare Company's adaptation of Little Women​ last night, and I'm glad of it. While the weather is still cold and sidewalks still treacherously icy, the warmth generated by Jo March and her saucy sisters is a welcome tonic. Of course Louisa May Alcott's story of a temporarily fatherless family during the American Civil War is sentimental and, at times, rather maudlin, but the actresses at Cincy Shakes bring such vivacity to their roles that there's plenty to enjoy. Maggie Lou Rader is especially vivacious as Jo, the fiercely independent aspiring writer who insists on finding her own way in a world controlled by men; Kelly Mengelkoch is emotional, conscientious elder sister Meg; Caitlin McWethy is shy and loving Beth; and Courtney Lucien is Amy, the impetuous baby who matures in the second act. Annie Fitzpatrick is Marmee, their steadfast mother, and Justin McCombs is the spirited boy next door who captures the hearts of several of the sisters. The production is simply but effectively staged, enhanced by some subtle video projections and lovely choral singing of period hymns by the ensemble. It's a gentle story that beautifully conveys the virtues of family, sisterhood and feminine intellect in a period when such matters were not always top of mind. It's onstage through March 21. Box office: 513-381-2273, x1.

Last Sunday, while many of you might have been watching the Academy Awards, I was one of 15 or so people in the audience watching Clifton Players' staging of August: Osage County. That's not quite as pitiful as it might sound, since the tiny Clifton Performance Theatre has only about 40 seats for this production. You're right in the midst of the bitter wars being conducted by the combative Weston family, brought together by the disappearance of their father and their mother's relapse into drug dependence and impossibly difficult behavior. But each of Beverly and Vi's three daughters have problems, issues and complicated family situations of their own, so Tracy Letts' three-act, three-plus hour show offers plenty of juicy roles for some of Cincinnati's best actors. The show has typically been played on a big set, but the closeness of CPT makes August: Osage County a powerful evening of dysfunction that's right in your face. Need some heat despite the cold snap? This is your show. It's a Critic's Pick (CityBeat review here). Onstage through March 13. Tickets: 513-861-7469.

Performances tonight and Saturday evening will wrap up the run of In the Heat of the Night at Falcon Players in Newport (tickets: 513-479-6783), and Northern Kentucky University's Les Misérables continues through a Sunday matinee. The latter has been sold our for most performances, but if you show up an hour before curtain time, you can get your name on a wait-list for a seat.

For a glimpse of the future, check out my blog postings here and here from earlier this week with 2015-2016 season announcements for the Cincinnati Playhouse in the Park, Cincinnati Landmark Productions (at the Covedale Center and the new Incline Theatre) and Cincinnati Shakespeare.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.20.2015 10 days ago
Posted In: Theater at 09:46 AM | Permalink | Comments (0)
 
 
little women_cincy shakes-photo cal harris

Stage Door: Fatherless Families on Cincinnati Stages

Just how can Tracy Letts' sprawling play August: Osage County be wedged into the tiny Clifton Performance Theatre on Ludlow? Director Buz Davis knows that this show is more about characters and great dialogue than the set; he told me so. (Read more in my Curtain Call column here.) He's made it possible for you to sit in the midst of the home of the cantankerous Westons as they fuss and fight when their father goes missing and their mother's addiction to pain killers spills over into everyone else's lives. The show won both the Pulitzer Prize and the Tony Award in 2008, so it's one you should have on your list to see if you're a serious theatergoer. (Through March 13). Tickets: 513-861-7469.

Although it's about another family struggling to get along while husband and father is absent, there's a whole different dynamic in Louisa May Alcott's Little Women, presented by Cincinnati Shakespeare Company. This adaptation by Emma Reeves should offer an excellent opportunity to see some of Cincy Shakes' best actresses onstage; it's being directed by Sara Clark (who would likely be in the show, but she's pregnant right now, wich doesn't quite fit this story). It opens tonight and runs through March 21. Tickets: 513-381-2273, x1.

The short run of a touring production of Cole Porter's jaunty Anything Goes is over on Sunday. Need a mid-winter getaway? Take a madcap cruise on the S.S. American and watch as love affairs go overboard and confusion reigns. This show from 1934 has been reinvented numerous times, most recently in a 2011 Broadway revival that won a boatload of Tony Awards. Tickets: 513-621-2787.

It's always worth paying attention to productions on our local university stages, where fine renditions of classic theatrical works are the norm. Northern Kentucky University just opened a production of the great musical Les Misérables, onstage through March 1. I'm told most performances are sold out, but if you show up in person (no calls) you can be put on a wait list and fill seats available just before curtain time. At Xavier University this weekend (through a 2 p.m. Sunday matinee) you'll find a production of Shakespeare's most beloved comedy, A Midsummer Night's Dream, staged by Jeremy Dubin, veteran member of Cincinnati Shakespeare Company. Tickets: 513-745-3939.

Continuing productions this weekend include the Cincinnati Playhouse's staging of the charming romance between dog and cat lovers, Chapatti (through March 8; CityBeat review here) and Falcon Theater's production of the tense drama about race relations in 1960s Alabama, In the Heat of the Night (through Feb. 28). Falcon performs in a small theater space on Monmouth Street in Newport. … It's also the final weekend for Know Theatre's production of the one-woman version of The Handmaid's Tale, Margaret Atwood's dystopian novel adapted for the stage. Cincy Shakes veteran Corinne Mohlenhoff is doing a bravura job with this thoughtful and frightening piece. Tickets: 513-300-5669

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.13.2015 17 days ago
Posted In: Theater at 09:37 AM | Permalink | Comments (0)
 
 
heidi chronicles_ ccm- photo mark lyons

Stage Door: One Weekend Run for Heidi Chronicles at CCM

I hope my Curtain Call column (found here) in a recent issue moves you to head to UC's College Conservatory of Music for Richard Hess's staging of Wendy Wasserstein's Pulitzer Prize winner, The Heidi Chronicles, onstage through Sunday. If you remember the 1970s and ’80s, this production will transport you back in time as you watch young feminist Heidi Holland grow up, grow weary and grow wise. Tickets: 513-556-4183.

A dog might be man's best friend, but sometimes that's not quite enough. That's one of the lessons of Christian O'Reilly's
Chapatti, which opened last night at the Cincinnati Playhouse. Set in contemporary Ireland, it's about two lonely hearts, both in their 60s, who love animals — he's a dog guy ("Chapatti" is his dog's name) and she's a cat lady (she has 19 of them). That brings them together, but what they need is human companionship. That might sound predictable, but there's more to it than that. (Through March 8.) Tickets: 513-421-3888.

Falcon Theatre in Newport is opening its stage adaptation of In the Heat of the Night this evening for a two-weekend run. It's the story of a black homicide detective from L.A. who gets caught up in an Alabama homicide investigation in the early 1960s. It's a powerful drama that reminds us of how messy race relations were a half-century ago. With Ed Cohen as director and Derek Snow as Virgil Tibbs, this is likely to be a solid production. Tickets: 513-479-6783.

Get a kid started on going to theater: Take her or him to see School House Rock Live! JR., presented by the Children's Theatre of Cincinnati this weekend at the Taft. It's an adaptation of the educational cartoon from the '70s and '80s. And grown-ups are likely to have fun, too, since the local rock band The Rusty Griswolds is performing tunes like "Conjunction Junction" and "Three Is a Magic Number." Public performances tonight (7:30 p.m.), Saturday (2 and 5 p.m.) and Sunday (2 p.m.) Tickets: 800-745-3000.

Three well-received productions have their final performances this weekend on Sunday: Ensemble Theatre's riveting mystery/psychological drama, The Other Place (CityBeat review here), with a fine cast led by Regina Pugh; the Cincinnati Playhouse's assemblage of Johnny Cash numbers, Ring of Fire (CityBeat interview here), featuring four singers and six excellent supporting musicians; and the funny two-man, 20+ character show Greater Tuna at the Covedale Center (CityBeat review here). And The Handmaid's Tale at Know Theatre, a one-woman adaptation of Margaret Atwood's dystopian novel, has just one more week in its run.

The energizer bunnies at Know keep things going with Serials 2: Thunderdome on Monday evening, 15-minute episodes of five new scripts. The concept had a big following over the summer, and one of those works has its parts reassembled as a "full-length" piece: Saturday the 14th, a dark romantic comedy. Playing two lonely losers who meet as they mutually contemplate suicide are Miranda McGee from Cincinnati Shakespeare and Nic Pajic. Tickets: 513-300-5669.

The Broadway Series offers a quick stop (they call it a "season extra") of the musical Anything Goes next week, openingTuesday and running through Sunday. If you can't get away for a mid-February cruise, this Cole Porter classic on an ocean liner might be just the ticket for an evening's escape. Tickets: 513-621-2786.
 
 
by Rick Pender 02.06.2015 24 days ago
Posted In: Theater at 09:44 AM | Permalink | Comments (0)
 
 
twilight lo 1992 - photo daniel l winters photography

Stage Door: Two One-Woman Shows Worth Seeing This Weekend

A special treat onstage at the Aronoff Center's Fifth Third Bank Theater through a Sunday 2 p.m. matinee: Twilight: Los Angeles, 1992, featuring Torie Wiggins giving voice to people making pronouncements about race, justice and violence in America. The script by Anna Deavere Smith, drawn verbatim from numerous interviews, was created in the mid-1990s in the following the Los Angeles riots after the Rodney King verdict more than two decades ago. But it feels incredibly timely in light of recent tragic events in Ferguson, Mo., New York City and elsewhere — leading to questions about whether America has made any progress since then. Wiggins brings to life dozens of people — black, white, Hispanic and Asian — offering a myriad of opinions about events and outcomes. "No Justice/No Peace," words heard recently, echo through this script, punctuated with videos and quick audio introductions as Wiggins flips from role to role. It's an impressive performance and a reminder how theater can be more than entertainment — Twilight is a provocative presentation about American culture. Staged by Cincinnati Shakespeare's artistic director Brian Isaac Phillips. Tickets: 513-621-2787.

A second one-woman show worth seeing is The Year of Magical Thinking, an effective, bare-bones production at the College Hill Town Hall (1805 Larch Ave., Cincinnati 45205) by the Cincy One Act Festival. It's based on Joan Didion's painful confrontation with grief following her husband's unexpected death and their daughter's serious and ultimately mortal illness. Cate White performs as Didion, the narrator of this deeply personal story; Lyle Benjamin is the director. The show is being presented on Fridays and Saturdays through Feb. 28 (no performances on Feb. 20-21). Tickets: 888-428-7311.

It's a great month for women onstage month on local stages, what with Corinne Mohlenhoff in another solo show The Handmaid's Tale at Know Theatre (CityBeat review here; box office: 513-300-5669), which also happens to be directed by Brian Phillips; and Regina Pugh as a beleaguered scientist whose world is coming unraveled in The Other Place at Ensemble Theatre (CityBeat review here; box office: 513-421-3555).

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.30.2015 31 days ago
Posted In: Theater at 09:33 AM | Permalink | Comments (0)
 
 
etc the other place - photo ryan kurtz

Stage Door: Women in Distress on Local Stages This Weekend

Ensemble Theatre Cincinnati continues its hot streak of well-cast and engaging scripts with Sharr White's The Other Place, the story of a brilliant but abrasive woman who is losing her grip. Regina Pugh is excellent in this moving and sometimes funny production, ably supported by Michael G. Bath as her perplexed husband, and with two performers usually seen at Cincinnati Shakespeare, Kelly Mengelkoch and Billy Chace, in an array of supporting roles. This is a drama that keeps you guessing as to what's the truth behind the story that's unfolding. When it all comes together, the revelation is devastating. Definitely worth seeing. Box office: 513-421-3555.

Another powerful piece of theater is onstage at Know Theatre, where another Cincy Shakes regular is featured in the one-woman adaptation of Margaret Atwood's The Handmaid's Tale. The script feels a tad long, but it's such a pleasure to watch Corinne Mohlenhoff as Offred — and a half-dozen other distinct characters — that all you can do is marvel at her skill in presenting them, not to mention in memorizing more than two hours of text. This frightening dystopian tale of America's possible future staged by Brian Phillips (Cincy Shakes artistic director and Mohlenhoff's husband) on a very effective set designed designed by Andrew Hungerford (Know's artistic director) is definitely worth seeing. Box office: 513-300-5669.

Other productions worth seeing on local stages: A collection of Johnny Cash tunes in Ring of Fire at the Cincinnati Playhouse (CityBeat interview here), the humorous Greater Tuna at Covedale (CityBeat review here) and a compelling staging of Samuel Beckett's breathtaking piece of absurdity, Waiting for Godot, at Cincy Shakes (CityBeat review here).

Get ready for more fun at Know Theatre with the kick-off of the second season of Serials!, this one subtitled "Thunderdome." Starting Monday evening at 7:30 p.m. (and continuing at two-week intervals through the end of March) will be five 15-minute pieces intended to be episodically developed. But this time, two will be voted off each week by the audience, to be replaced by two new works the next time around. Sounds like fun, and if this repeats the success of last summer's inaugural event, it's a chance to see local actors and writers at work. Box office: 513-300-5669.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.23.2015 38 days ago
Posted In: Theater at 09:33 AM | Permalink | Comments (0)
 
 
cast of ring of fire_ photo sandy underwood 2

Stage Door: Theater Abounds This Weekend

I attended the opening of Ring of Fire: The Johnny Cash Musical at the Cincinnati Playhouse last evening. The show offers some sense of the great Country music singer's life, but it's not detailed in the way Rosemary Clooney was portrayed in the Playhouse's recent production. Instead, it's Cash's music that's front and center, performed by a half-dozen veteran musicians and four singer/actors, two men and two women, all of whom convey the sincerity and strength that were his calling card. Jason Edwards and Derek Keeling have voices reminiscent of the"Man in Black," the former in maturity and the latter as brash young man. Trenna Barnes and Allison Briner round out the quartet, sometimes conjuring the persona of June Carter, Cash's talented wife. Both are great singers, but Barnes is especially powerful and entertaining as a young spitfire in numbers like "Cry, Cry, Cry." The show features more than 30 numbers, some familiar, several sung amusingly by the musicians, and all engaging. Especially fun is "I've Been Everywhere," the second act opener that has all 10 performers singing, playing guitars and accelerating through a list of cities where Cash toured. Read more about the show in my interview (CityBeat interview here) with Edwards, who is also the show's director. Box office: 513-421-3888.

Speaking of the Playhouse, I should also mention that this weekend kicks off performances of Theory of Mind, the story of a teenager on the autism spectrum. It's about his first date with a young woman unsure of her own reasons for romance. Ken LaZebnik's play, created for young people who are 11 or older, premiered at the Playhouse in 2009 and was successful with kids and adults. This weekend it will show up at Prospect House in Price Hill on Friday at 7 p.m., at the Hyde Park Health Center on Saturday at 2 p.m. and at the Dunham Recreation Center in Price Hill on Saturday at 7 p.m. Some performances are free. For more details and a schedule of locations and dates (through Feb. 22), go to www.cincyplay.com.

You shouldn't miss Waiting for Godot at Cincinnati Shakespeare Company (through Feb. 7). The production features excellent acting by Bruce Cromer (if you've seen A Christmas Carol at the Playhouse, you know him as Ebenezer Scrooge) and Cincy Shakes stalwart Nick Rose. Playing a pair of sad-sack hobos waiting for someone who never shows up, they capture the desperation of human existence in Samuel Beckett's masterpiece of theater of the absurd. I gave the show a Critic's Pick. (CityBeat review here.) Tickets: 513-381-2273. 

Two other productions kick off this weekend — the very funny Greater Tuna at the Covedale Center, through Feb. 15 (513-241-6550) in which two actors play many of the people in the "third smallest town in Texas," and the very serious Handmaid's Tale at Know Theatre, through Feb. 21 (513-300-5669). The latter, a one-woman adaptation of Margaret Atwood's dystopian novel, features Cincy Shakes regular Corinne Mohlenhoff. I interviewed playwright Joe Stollenwerk in my Curtain Call (review here) column in CityBeat. 

At Clifton Performance Theatre on Ludlow Avenue Friday through Sunday only, you'll find a free show about coping with mental illness, She's Crazy, Mental Health and Other Myths features two local actresses, Sherry McCamley and Cathy Springfield, who developed this cabaret show that uses original songs and personal stories to reduce the stigma of mental health. Space is limited, so you are urged to call for reservations: 513-861-7469.

Not for this weekend, but coming soon, you can get some bargains on tickets at Ensemble Theatre (where The Other Place opens next Wednesday). If you've never purchased tickets to ETC, you can score two $10 tickets during the first two weeks of each of its next three productions. A few restrictions apply, but it's a perfect opportunity to check out this excellent theater company if you've not been there. ETC is quick to point out that it's located in the Over-the-Rhine, where there are restaurants and events galore and easy parking in nearby garages. Box office: 513-421-3555.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 01.16.2015 45 days ago
Posted In: Theater at 09:36 AM | Permalink | Comments (0)
 
 
cinderella_photo_carol-rosegg-

Stage Door: A Weekend of Classic Musicals and Plays, Plus a Party and Some Lies

Things are off to a good start for 2015: The touring production of Cinderella at the Aronoff is a very entertaining retooling of music by Rodgers and Hammerstein into a more contemporary version of the classic fairy tale. It's the same story, but the attitudes are of the 21st century, with a "power to the people" thread running through it and Cinderella conveying a populist message, convincing her prince that democracy is the way to go. The music is charming and there's some magical things done with quick changes in and out of ball gowns that will keep audiences guessing as to how it's done. I gave this one a Critic's Pick with my CityBeat review. Tickets: 513-621-2787.

Another classic musical is onstage at Covington's Carnegie: West Side Story. The show requires a lot of dancing and strong orchestral support, and this production offers both.The leads have excellent voices, although I felt (CityBeat review here) they were a tad too operatic for "kids" affected by gang warfare. Nevertheless, this show has some of the finest music ever written for the stage — the score is by Leonard Bernstein and the lyrics by Stephen Sondheim — so it's definitely worth seeing. Tickets: 859-957-1940.

Cincinnati Shakespeare Company opens its production of one of the 20th century's great stage works, Samuel Beckett's Waiting for Godot this weekend. I haven't seen it yet, but with a cast feature stage veteran Bruce Cromer and longtime Cincy Shakes actor Nick Rose, it's sure to be watchable. Here's a fun fact: Cromer has played Scrooge in A Christmas Carol at the Cincinnati Playhouse for eight years; this year Rose understudied the role and actually had to cover several performances when Cromer was out of commission with a twisted ankle. I expect their onstage chemistry to fuel a production that audiences will enjoy. 513-381-2273.

CCM voice professor Pat Linhart presents her annual faculty recital on Sunday afternoon at 4 p.m. It's a free event at Patricia Corbett Theater on the UC Campus. Every year Linhart assembles a program of zany humor and heartfelt singing, accompanied by the inestimable Julie Spangler. There are always a few surprises, and this year should be no exception. The theme is "It's My Party" celebrating Pat's 65th birthday, and I'm envisioning party hats and noisemakers for everyone in the audience.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.09.2015 52 days ago
Posted In: Theater at 09:31 AM | Permalink | Comments (0)
 
 
rebecca kling - photo provided

Stage Door: Alternative Theater & More

The tragic suicide of Leelah Alcorn a week ago has drawn attention to the challenges faced by transgendered individuals. All the more reason that you ought to head to Know Theatre (1120 Jackson St., Over-the-Rhine) on Friday or Saturday evening at 8 p.m. for Rebecca Kling's Fringe Encore performance of Something Something New Vagina. Kling's solo show in the 2014 Fringe fascinated and informed audiences (she was also in town for the 2012 Fringe with a piece about being transgendered, Storms Beneath Her Skin), and we're lucky she's returned coincidentally close to the Kings High School student's death. Kling's show is about loving one's self and one's body; it's a shame Leelah couldn't have seen it. But you have the chance. Be forewarned that Kling, who is a transgender artist and educator is frank and funny; she ends each evening with a "Strip Q&A" answering any questions audience members wish to pose. If you attend one of her performances, I guarantee you'll come away with new insights into the transgender experience. Tickets ($15) can be purchased at the door or online.

Since I'm on the subject of alternative theater, let me point you to the Queen City Queer Theatre Collective which presents a reading at Below Zero Lounge (1122 Walnut St., Over-the-Rhine) of Paula Vogel's And Baby Makes Seven on Monday evening at 7:30 p.m. It's the story of two lesbians who enlist the help of a friend to have a child while they negotiate the imaginary family they have already created. Performing will be Maggie Lou Rader and Justin McCombs from Cincy Shakes and local actress Erin McCamley. QCQTC uses theater to celebrate and encourage dialogue around queer experiences; the group offers these readings on the second Monday of each month. Admission is free, but they'd appreciate a $5 donation at the door. More info: facebook.com/qcqtccincinnati.

If you're looking for more traditional fare you have two choices this weekend: The touring production of Rodgers + Hammerstein's Cinderella retells the traditional fairytale with a few modern twists. It's an entertaining production with lavish costumes (Tony Award-winning, by the way), imaginative sets, lovely choreography and a cast of fresh-faced performers. I gave it a Critic's Pick with my CityBeat review here. Tickets: 513-621-2787.

If Broadway musicals are your thing, you need to catch West Side Story at the Carnegie between now and Jan. 18. The show was a big hit back in 1957, and its iconic score by Leonard Bernstein with lyrics by Stephen Sondheim is one of the best collections of stage music ever. Abigail Paschke, who played Maria in the Carnegie's staging of The Sound of Music a year ago, is a very different Maria this time, one of the star-crossed lovers in this contemporary version of Romeo and Juliet. Tickets: 859-957-1940.

This is the last weekend for Tenderly: The Rosemary Clooney Musical, which started back in November at the Cincinnati Playhouse and has been extended twice because of audience demand. It's the story of the girl singer from Northern Kentucky and Cincinnati who became an international star in the 1950s, then had to reinvent herself when pop music moved in a new direction and drugs nearly ended her high-flying career. Many of Clooney's best tunes are authentically recreated by actress Susan Haefner. Final performance is 7 p.m. on Sunday. Tickets: 513-421-3888.

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 01.02.2015 59 days ago
Posted In: Theater at 09:37 AM | Permalink | Comments (0)
 
 
michael marotta_susan haefner_rosemary clooney in tenderly_photo sandy underwood

Stage Door: Start the New Year with a Show

With the holidays just behind us, there's a kind of a lull on local stages, but this weekend has a few offerings to consider. At the Cincinnati Playhouse there's a popular production that's been extended twice, so you still have chances to see Tenderly: The Rosemary Clooney Musical through Jan. 11. The show is a great recreation of the career of girl singer Clooney who grew up in Northern Kentucky and Cincinnati and rose to stardom in the 1950s and 1960s, only to find that the music world's fascination with Rock 'n' Roll was putting her in the rear view mirror. But she figured out how to reinvent herself and overcome drug dependency, too. Susan Haefner acts the part and sings a slew of convincing renditions of Clooney's Pop and Jazz hits. Michael Marotta plays her therapist and more: He steps in and out of portraits of all the other people in Clooney's life, from her mother and her sister to big names like Frank Sinatra and Bing Crosby. It's a very entertaining show, guaranteed to warm up an early January night at the theater. Tickets ($30-$85): 513-421-3888.

Ensemble Theatre Cincinnati is offering one final weekend of its "non-denominational" holiday fairytale musical, Sleeping Beauty. With songs by local composer David Kisor and an entertaining script by Cincinnati playwright Joe McDonough, this production is good for kids and adults. Acting intern Deirdre Manning steps out in the title role with a fine singing voice and fellow intern Terrance J. Ganser is her Rock star prince and her soulful savior a century later. But the real zip in the show comes from Deb G. Girdler's evil Wisteria and Michael G. Bath as Falcon, her devious assistant. Final performance is 2 p.m. on Sunday. Tickets ($18-$44): 513-421-3555.

Speaking of ETC, for the next week or so the theater is offering $10 off adult tickets to performances early in the runs of an engaging thriller The Other Place (Jan. 29-Feb. 3), the drama with historical context Detroit '67 (March 18-24) and a romantic comedy Outside Mullingar set in Ireland (May 6-12). Just mention the coupon code NEWYEAR15 when purchasing tickets in those date ranges online (www.ensemblecincinnati.com), in person or by phone (513-421-3555), and you'll save $10. That's a good way to get 2015 off on the right foot!

Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by RICK PENDER, CityBeat staff 12.22.2014 70 days ago
Posted In: Theater, Arts community at 09:24 AM | Permalink | Comments (0)
 
 
eric ting, associate artist - photo_cincinnati playhouse in the park

Call Board: Theater News

More Directing Talent at the Playhouse. Last Wednesday the Cincinnati Playhouse in the Park announced that Obie Award-winning director Eric Ting will join the theater as an Associate Artist for the 2015-2016 season. Playhouse Artistic Director Blake Robison said, "I've known Eric for nearly 15 years, when he began his career as a student at the University of Tennessee. Since then he has created an impressive body of work as one of the country's most gifted young directors. He's in touch with a new generation of American playwrights, and he brings a fresh perspective to the classics. He's distinguished himself off-Broadway with an Obie Award. And his time at Long Wharf Theatre [in Connecticut as associate artistic director] has given him experience in an institutional theatre." Ting's 2012 Obie recognized his direction of Jackie Sibblies Drury's We Are Proud to Present a Presentation on the Herero of Namibia, Formerly South-West Africa from the German Sudwestafrika, Between the Years 1884-1915. The New Yorker called his production at Soho Rep "a thrilling opportunity to see both a serious new talent developing her voice and what an inspiring director can do to encourage it." Ting said he's honored to be named an associate artist at the Playhouse: "I've long admired Blake's work as an artistic leader and have been following the storied work of the Playhouse ever since my sister's family settled in nearby Montgomery. The associate artists program combines two of the things I hold most dear in life: art-making and community building." Ting joins three other associate artists: Timothy Douglas, Michael Evan Haney and KJ Sanchez. According to Robison, these directors "form the backbone of our directing corps and bring diverse backgrounds, experiences and viewpoints to the Playhouse."

Bowled Over. I made my first excursion to Cheviot late last week to see The Drama Workshop's production of a revue of music by Stephen Sondheim, Putting It Together. The community theater's cast of five did a commendable job with Sondheim's challenging tunes, and I was glad to get to see what TDW has done with its new home, The Glenmore Playhouse, a former bowling alley that's become a spacious performance venue thanks to the hard work of the group's many volunteers. TDW recently announced its five-show 2015-2016 season: the musical comedy I Love You, You're Perfect, Now Change (Sept. 11-27); Ira Levin's murder mystery, Death Trap (Oct. 22-Nov. 8); Barbara Robinson's The Best Christmas Pageant Ever (Dec. 4-13); Paul Slade Smith's Unnecessary Farce (Feb. 26-March 13, 2016); and the world's longest-running musical, The Fantasticks (April 22-May 8, 2016). More information: www.thedramaworkshop.org.

Christmas Caroling. For the first time in 24 years, the Cincinnati Playhouse decided to have an understudy for Ebenezer Scrooge in A Christmas Carol, and it's a good thing they did: Bruce Cromer had to miss several performances after he sprained his ankle "making merry" during a rambunctious scene in the show. Another local professional, Nick Rose — a founder and a stalwart performer with Cincinnati Shakespeare Company for two decades — stepped up from a smaller role and handled a number of performances commendably. Cromer has played Scrooge for a decade (following eight years as Bob Cratchit), so it's nice to know that another fine actor might be ready to become the old curmudgeon when it's time. … Speaking of Dickens' classic story, tune in to WVXU (FM 91.7) on Christmas Eve at 7 p.m. for a recording of versatile master comedian Jonathan Winters (an Ohio native who died at age 87 in 2013) presenting his own distinctive reading of the holiday story of redemption. The pioneer of improvisational stand-up comedy, an Ohio native, was a mentor for the late Robin Williams.

Last-Minute Theater Gift? Need just one more gift to finish your Christmas shopping? The creative folks at Cincinnati Landmark Productions have put together three clever packages for dinner and a show at one of their theaters. For $75 there's the "Covedale and Coneys Bundle," offering a pair of tickets to a performance at the Covedale and a $25 gift card for Price Hill Chili. If you're willing to wait until summer is here, you can purchase an "Incline District Complete Night Out" for $100; it includes two tickets to a show at the brand new Warsaw Federal Incline Theater (due to open in June), plus a $50 gift card to either the Incline Public House or Primavista. And if you care to splurge, for $200 you can get "The Incline District Summer of Fun" tickets for all three shows during the summer of 2015 at the Incline Theater plus a $75 gift card for either the Incline Public House or Primavista. For more information or to purchase one of these packages: 513-241-6550.

Happy holidays to one and all!


CityBeat's Rick Pender posts theater notices on CALL BOARD every Monday morning.
 
 
 
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