Friday's usually kind of a slow news day, but lots of important or just plain weird stuff has already happened. Get ready for it.
In what must be one of the most biblical mass transit emergencies in recent Cincinnati memory, a Metro bus was partially sucked down a 20-foot-deep sinkhole near the zoo at about 9:30 last night. Then the ground opened up, and the stink did begin to emerge from the angry earth, and woah, those on the bus were sore afraid. Or something like that. City officials say some failed sewer lines caused the hole. As if being nearly swallowed by the earth isn’t unpleasant enough, there was also the smell of raw sewage to contend with. In an ironic note, yesterday was also “Dump the Pump Day,” a day designed to get commuters out of their cars and onto public transit. Workers from Cincinnati’s Metropolitan Sewer District are out to fix the hole and sewer lines.
• Former Over-the-Rhine social service agency City Gospel Mission is clear to move to Queensgate. Wrangling over some compliance issues with the Department of Housing and Urban Development had stalled the agency's plans for a men's shelter there, which has been on the drawing board for months. HUD said City Gospel's mens-only approach might violate certain non-discrimination clauses on deeds to the land the agency wanted to use for its new shelter. But after some pushing by Sens. Sherrod Brown, D-Ohio, and Rob Portman, R-Ohio, HUD has given the agency the go ahead. City Gospel will host some women’s programming at the shelter and is part of Cincinnati’s Homeless to Homes program, which helps both men and women transition from homelessness.
• Ohio’s newest jobs report came out today. It shows the state is at 5.5 percent unemployment, its lowest level since the recession and well under the national rate of 6.3 percent. Republicans, of course, are touting this as a win for Gov. John Kasich, while Democrats are pointing out that the low number has a lot to do with how many Ohioans have left the workforce altogether. Unemployment stats only measure those who are looking for work, not those who have given up on the job hunt. The state added 2,900 total jobs in May but lost 14,000 people who dropped out of the workforce. Many of these are the long-term unemployed, who studies show have an especially hard time finding work.
• Speaker of the House John Boehner has slammed the Obama administration over the looming situation in Iraq, where a new insurgency group calling itself ISIS is overtaking cities and the Iraqi military. Boehner used the situation, as Republicans are wont to do, to talk about how bad Obama is at everything, saying that “terrorism has increased exponentially under this president.” That's of course not a view everyone with knowledge about the situation in the Middle East shares, and it's clear the current problem has at least some major roots in Bush-era decisions. Political posturing aside, Boehner also showed his softer side Wednesday when he gave a smooch to former Rep. Gabby Giffords at the Congressional Women’s Softball Game. Giffords, who has made a long, emotional recovery from near-fatal injuries she received during a mass shooting in 2011, threw out the first pitch. After having a moment with Giffords, Boehner then promptly… you guessed it… got all teary-eyed, though not teary-eyed enough to do anything about gun control efforts in Congress, it would seem.
• So a 63-year-old woman on oxygen in Marion, Indiana fought off a burglar with a back scratcher. I couldn’t write anything more awesome than her account of the incident, so here are a couple little bits:
“Guy had a hockey mask on and I almost started laughing,” the woman told a reporter. “If he hadn't have got out that back door, I'd have beat him to death.”
On June 4, two Cincinnati-born bands were featured on two different late-night network television shows. Rock foursome Buffalo Killers, promoting their excellent new album, Heavy Reverie, appeared on NBC’s Last Call with Carson Daly in a pre-recorded interview package sprinkled with some cool performance footage. It was the band’s network television debut.
Earlier that same night, one of Cincinnati’s most renowned musical exports, The Afghan Whigs, played on The Late Show with David Letterman. The band — which is coming home to headline this year’s MidPoint Music Festival — played a great version of their tune “Matamoros” from the recent Do to the Beast album, their first new LP in 16 years.
After 96 consecutive hours of baking in the Tennessee heat and humidity, walking from stage to stage to take in as much music as possible and drinking and dancing sometimes from noon until dawn, even your third and fourth shower after returning home from Bonnaroo can be like a religious experience. Though the festival itself gets under your skin in a way that one does not necessarily wish to ever wash away. Indeed, coming down after the festival, returning to the mundane realities of everyday life, can be a difficult proposition for hardcore Bonnaroovians struggling to simply settle back into their daily routine on planet earth.
The fourth and final day of Bonnaroo 2014 found (photographer) Chuck (Madden) and I sun-dazed but smiling, still eager to soak up and savor every bit of music we could. Among the few campers stirring that murky morning, I woke early and wandered the eerily empty festival grounds well before noon. I’ve attended the festival six times since 2006, but Sunday morning was the first time I rode the Bonnaroo ferris wheel. After an hour or so of tapping away on my trusty laptop in an empty press tent, the ferris wheel ride gave me an opportunity to chill and be still for a few minutes, surveying the scene from a bird’s eye view. A crowded cornucopia of bright lights and loud music after dark, it was both surreal and serene to view the Bonnaroo festival grounds silent in the morning.
The silence wouldn’t last. Even before I disembarked from the ferris wheel I could hear Lucero doing their soundcheck on a stage that I could barely see in the distance.
Chuck’s day began with a pair of bands he would be raving about for the rest of the afternoon: Kansas Bible Company on the tiny On Tap Lounge stage and much-talked-about new arrivals Lake Street Dive in That Tent, where a surprisingly large crowd had already gathered for the band’s 1 p.m. start.
Cloudy skies and occasional drizzle kept temperatures tolerable for the first three days of the festival. But Sunday was all clear skies and blazing sun, sending temperatures into the 90s for most of the day. Always an endurance test, Sunday at Bonnaroo 2014 was a brutal trial for the thousands on site who were forced to either hydrate, hunker in the shade, or both, until the sun relented in the early evening. But shade is not easy to come by at Bonnaroo, and sitting in a hot tent is no kind of relief whatsoever. Sunscreen, long sleeves and floppy hats ruled the day. Experienced Bonnaroovians are well-familiar with the physical demands of the festival. It just so happens that after three days of relative ease and comfort, Sunday’s weather conditions upped the ante on a panting throng already sunburned and exhausted.
Arguably some of the finest acts on the Bonnaroo lineup were featured on the festival’s final day, as Bonnaroo attendees were treated to phenomenal sets by Broken Bells, The Avett Brothers, Fitz and the Tantrums, Carolina Chocolate Drops, Arctic Monkeys, Shovels & Rope, Washed Out, Wiz Khalifa, The Lone Bellow, Okkervil River and an afternoon performance by Yonder Mountain String Band on the main stage that featured Bluegrass legend Sam Bush on violin.
This writer tumbled into the Other Tent just in time to catch a rousing set by Those Darlins. Like Nashville’s Wild Feathers before them on the weekend itinerary, this was sort of a hometown gig for Those Darlins, a band whose founding members met at a Rock & Roll camp in Murfreesboro, Tenn. A sparse but dedicated crowd happily held lead singer Jesse Zazu aloft as she tumbled over the barricade and into the audience. Laying back on a sea of fans’ hands, her guitar squall raged unabated at full steam as her eyes rolled back in her head. (Those Darlins play a free show in Cincinnati this Friday, headlining Fountain Square’s MidPoint Indie Summer concert.)
After a ridiculous amount of pre-gig hype, the controversial Kanye West’s Friday night performance delivered nothing but disappointment to a Bonnaroo audience that should have known better to have expected anything more. Saturday headliner Jack White and Sunday’s top dog Elton John showed that good material and passionate, substantive performances will always trump shallow arrogance, hype and bullshit. To Mr. West, who once claimed himself to be “Shakespeare in the flesh,” I submit this famous quote from Macbeth:
“Life’s but a walking shadow,
A poor player,
That struts and frets his hour upon the stage,
And then is heard no more.
It is a tale
Told by an idiot,
full of sound and fury,
Of far greater significance than this writer expected was a stellar Sunday night performance by Elton John, who reeled off one classic after another to close out Bonnaroo 2014. I knew Elton’s set would be great, but I was not prepared for just how truly amazing it was. With a band featuring guitarist Davey Johnstone and drummer Nigel Olsson, who have been with him for 45 years (you read that right), Bonnaroo 2014 was Sir Elton’s first-ever appearance at a U.S. festival. Opening the show with Side One of his classic Goodbye Yellow Brick Road album from 1973, Elton proceeded with a version of “Levon” that concluded with a virtual clinic on Rock & Roll piano playing in the extended outro. Though I was dubious at first about Elton closing out the festival, this two-hour performance instead turned out to be such a stunner that I know I will forever count it among my all-time favorite Bonnaroo memories.
Thanks again to CityBeat for this amazing opportunity and to Chuck Madden whose concert photography is simply the best and whose friendship and company are a big part of what makes the Bonnaroo experience so meaningful to me.
The best news today is that this week is almost over. But there’s a lot more to talk about, so let’s go.
As we reported yesterday, Over-the-Rhine’s Community Council is asking the city to hold off on a deal with 3CDC over vacant properties north of Liberty Street near Findlay Market. The council says 3CDC has slowed the development process by banking a large number of properties, and the group believes small, independent developers could do the job faster and better meet the community's needs.
• Meanwhile, on the other side of the basin, everyone at The Banks is about to get a new neighbor. General Electric is moving more than 1,400 employees to the retail and entertainment development on the Ohio River by 2017, the Business Courier reports. City and county officials will vote Monday on the tax incentives that GE gets for heading south, and after that, it will be a done deal. These are pretty much no-nonsense administrative, IT and finance offices for one of the region’s biggest businesses we’re talking about, but all I can picture is some crazy Real World scenario. Only with jet engines. Which sounds awesome.
Before we get all excited about Real World GE 2017, though, I should note that both the company and Mayor Cranley have refused to comment on the reported decision. The deal is expected to go public Monday.
• Democratic candidate for Governor Ed FitzGerald unveiled his plan for affordable higher education yesterday. FitzGerald’s proposal includes finding ways to lower administrative costs at the state’s colleges, increasing the availability of financial aide, expanding a college savings plan, getting more students into early college enrollment while they’re still in high school, and boosting community colleges and trade schools. Fitzgerald cited the nearly $4 billion in student loan debt Ohioans carry as a reason to lower college costs. He also took the opportunity to hit incumbent John Kasich for tuition hikes FitzGerald says resulted from Kasich’s cuts to state funding for higher ed.
FitzGerald also suggested voters start calling him “Higher Ed FitzGerald,” though at press time, no one had addressed the gubernatorial hopeful by this self-conferred nickname. (That last part didn’t really happen, at least not while the cameras were rolling.)
• In certainly the most important news of the day, Facebook was down briefly this morning. But don’t worry, CNN was on it. No wonder my 4 a.m. tirade about Game of Thrones didn't get the likes it obviously deserved.
• Finally, a record-low 7 percent of Americans really like Congress, and the rest prefer being bitten by dogs or having poison ivy all over their bodies or something. But I’m willing to bet more Americans are fans of Guided By Voices, one of the greatest bands to emerge from our area (OK, Dayton, but The Southgate House used to be their home base of sorts). One of those Americans is outgoing White House Press Secretary Jay Carney, who is leaving his post to take some time off. Carney gave his final press briefing at the White House yesterday with one of GBV’s best songs as a send-off sound track. Carney’s been a vocal fan of the band for years, and has taken multiple opportunities to mention them from the White House podium. He even hung out with the guys on stage at their most recent DC show. Speed on, Jay, speed on.
In a letter authored by OTR Community Council President Ryan Messer, the group praised 3CDC’s work over the last 10 years but said the developer’s large cache of properties is slowing down the neighborhood’s continued recovery, and suggested that more transparent process for choosing developers is needed. The letter also said that more voices from the community need to be heard in the development process.
“We believe it's time for a new era in our neighborhood,” Messer wrote in the letter, dated June 18. “A common thread in the neighborhood is the expressed desire to protect and expand our cultural diversity and this, in part, can be done by paying close attention to providing affordable housing options in both the rental and the purchase markets.”
Messer asked that more small, independent developers be brought into the fold in OTR and highlighted the council’s partnerships with nonprofit Over the Rhine Community Housing and the Over the Rhine Foundation. The letter stressed the need for both more market rate and affordable housing in the neighborhood, where demand for housing has outstripped supply. Prices have ballooned in the past five years, and the neighborhood is now one of the most expensive in the city.
3CDC has spent nearly $400 million on redevelopment in Over-the-Rhine, much of it south of Liberty Street in the so-called Gateway Quarter near Central Parkway and Vine Street. Now the group is looking north. 3CDC has asked for the rights to develop 20 vacant properties around Findlay Market, and the city may grant its request by designating the group “preferred developer” of the sites. The group could then recommend redevelopment plans that it or another developer would carry out.
3CDC could choose to farm out development to smaller groups. It applied for the preferred developer status months ago, and officials with the developer say they haven’t heard concerns from the community about the properties before now.
Mayor Cranley has voiced support for 3CDC’s request, citing the developer’s long history in the neighborhood. But the OTR Community Council and other stakeholders in the neighborhood say the city needs to find ways to encourage more equitable and transparent ways to choose developers.
Adroit: skillful, adj.
OK, congratulations if you already knew this one, I felt the need to double-check. Turns out I’m not so adroit at vocab, ha.
In the paper: “the sisters are adroit in doing makeup for film production,” in “Style Sisters” about makeup maven duo Andrea and Ashley Lauren. Sounds like the pair is adroit in business savvy as well, they were the first in the Midwest to open up a blowout bar.
Cognoscenti: someone with an informed appreciation, n.
*Pick of the week* Maybe I just like it because of its Italian origin; cognoscenti rolls off the tongue. I’d never heard it before, but now I’ll be sure to tell everyone what a shopping cognoscenti I am.
In the paper: “the soccer cognoscenti” in this week's cover story, “Ballin’ in Brazil.” You can pretty much get the definition from context clues, but using the French version of the word, synonym "connoisseur," wouldn’t have been the same because, to me, it evokes food. Bonus tidbit: Both cognoscenti and connoisseur are derivatives of the Latin cognōscere, which means, “to know.”
Diaspora: the dispersion of a group from the same culture, n.
I think diaspora may be experiencing a moment lately. I’ve run into it a few times lately, once in reference to the relationship between Russia and the Ukraine.
In the paper: “my family’s diaspora” in Kathy Wilson’s “A Day in the Life.” Wilson uses it to describe the splintering of her immediate family over the years in a piece about randomly running into her brother and a thoughtful longtime reader.
Eponymous: work named after its creator or central character, adj.
I’m surprised this word isn’t used more often, considering all the situations in which it could be applied. I’m thinking, Spongebob, Forrest Gump and *NSYNC’s self-titled album, all eponymous.
In the issue: “Those Darlins eponymous debut album,” in Sound Advice. Spoiler alert, the album is called “Those Darlins.”
Incisive: keen, acute, adj.
From seeing incisive in the subhead, I assumed metal band Agalloch's music could also be described as “biting.” From reading about the band’s woodsmoke, wrought iron and moss-informed music sensibility, however, I had to check and see if there was another definition. Turns out incisive also means “keen,” which more closely describes the band’s discipline and vision.
the issue: “incisive metal outfit” in the subhead for music lead story on
Agalloch, “The Devil is in the Details.”
Bonus… my favorite word from last week: Amalgam
I don’t remember the story it was used in a week ago, but it’s just a noun for
a blend or combination. Like, “I
enjoy an amalgam of iced decaf from Lookout Joe, Coffemate creamer and
Check back next week, too. I’ll be documenting the growing body of words known to me here on the blog until August.
Cincinnati Pop Rock quartet Mixtapes formed about four years ago and immediately hit the road with a relentless dedication. The band’s hard work paid off and it has experienced great success, building a dedicated fan base across the country with great live shows and hook-drenched, nationally-released albums and singles.
As anyone who has seen Mixtapes live knows, the band’s shows are adrenalized, sweaty fun and their music, while growing more mature and diverse with each release, is sheer fist-pumping, singalong joyfulness.
Frontman Ryan Rockwell was living the dream. But somewhere along the way, his life became more like a nightmare. The fact that Mixtapes’ launch coincided with the death of his father certainly played a part in Rockwell’s difficulties. Though details are vague, according to a press release, Rockwell “started to watch himself deteriorate and become the type of person he hated the most. He tried things he never thought he would and got dangerously close to not making it out.”
"I had never felt more alone," Rockwell says in the release. "Friends that I have had for years literally just stopped talking to me, stopped responding, a large number of them. I turned to the only thing I knew, and I started writing about it. I don't know who was wrong or who was right, but I know how much it hurt and people that I have helped and would do anything for left me when I needed help the most. Other people stepped up and saved me. I don't place blame though … I became a different person for awhile.
Rockwell was trying to understand what was going on in himself to make him so unhappy, but found it difficult to express. So he did what he does best and channeled his emotions into writing and recording songs. Working with friends Kamal Hiresh and Zach George and using the name Youth Culture, Rockwell hit the basement and created what would become the 10-track album, I Hate How Normal I’ve Become, an accomplished and eclectic collection of songs that, while still instantly catchy, possess much more darkness than Mixtapes’ jubilant Punk Pop.
Rockwell released the Youth Culture album late last month as a “pay-what-you-want” (yes, even if you want to pay nothing) download.
“This is an album for people going through things they don't like to talk about or know how to express,” Rockwell says. “We did it all ourselves and paid for it all ourselves. First and foremost, we want you to hear it — which is why it's free. If you like it enough, we'd very much appreciate a donation to recoup costs and eventually put it out on vinyl. But as always with everything I've done, I just want it to get out there, so thank you so much for taking the time to listen; there's a lot of bands out there, thanks for giving this a spin."
Listen to I Hate How Normal I’ve Become below, then click the player to grab your very own copy.
Fans worried that Youth Culture might signal the end of Mixtapes, fear not. The band is currently crisscrossing the United States on the massive Vans Warped Tour, which it'll be a part of until August. (The band is slated to appear at the Warped Tour’s Cincinnati stop on July 16 at Riverbend Music Center.)
Fresh off its 2014-2015 season announcement, Downtown’s Contemporary Arts Center adds a new promotion to its calendar of exhibits, performances and special events.
Night Museum gives visitors a chance to check out the CAC during evening hours every Thursday. From 5-9 p.m., guests can view the latest exhibit, shop the CAC Store, enjoy a cash bar and mingle with other art appreciators. Admission is $7.50; $5.50 for seniors, students and educators; and free for children under 5 and all members. Paid visitors can park for free Thursdays in July at the Central Parking Garage (36 E. Seventh Street).
This week's Night Museum coincides with a special event from One Night One Craft, the CAC's DIY workshop series. Chef Trinidad Mac-Auliffe of Raw Intervention will demonstrate cool recipes — literally — highlighting dishes prepared without heat. Munch on raw creations, then try making some of your own fro 6-8 p.m. One Night One Craft continues Mondays through July.
The CAC is
typically open until 6 p.m. Wednesday through Sunday. The museum is closed on
Tuesdays and offers free admission from 5-9 p.m. Mondays. Find more info here.
Heavy Hinges is a new-ish band featuring some faces likely familiar to dedicated local music fans. Guitarist Jeremy Singer and drummer Brian Williamson have played in numerous groups over the past two decades, while singer/guitarist Dylan Speeg and bassist Andrew Laudeman were members of long-running, super-diverse Cincinnati crew Buckra. Maya Banatwala is the relative newcomer in the band, but her soul-drenched co-lead vocals in the Hinges serve as the group’s secret weapon.
Heavy Hinges debut album, Mean Old City, shows signs of some of Buckra’s trademark sonic diversity, but it’s channeled in a more focused manner. Ultimately, Heavy Hinges is a great Rock & Roll band, but its sound is touched by influences from Blues, Pop, Funk and Soul to various other forms of American Roots music. Like Alabama Shakes, Heavy Hinges manages to sound remarkably vital and “of the now” — despite the obvious vintage inspirations — thanks to the sincerity and vigor poured into each note. Mean Old City bristles with a timelessness that has less to do with the classic genres flirted with throughout and more to do with the from-the-heart songwriting and playing.
Here’s a music video for Mean Old City track “Booze May Be Your Lover, Not Your Friend”:
Speeg and Banatwala make for great co-frontpeople, crisscrossing their melodies and harmonies sometimes like X’s Exene Cervenka and John Doe and other times like June and Johnny Cash, with each singer possessing a voice quite distinct from each other, yet still sounding like they were made for each other when they come together. Meanwhile, the rest of the band are flawless and perform with a similar soulfulness; Williamson and Laudeman are a jaw-droppingly great rhythm section, while Singer’s guitar leads and solos are as attention-grabbing as the singers’ powerful vocal one-two punch.
Heavy Hinges host a free release party for the new album Saturday at 10 p.m. at Northside Tavern with DAAP Girls. Read CityBeat's profile of Heavy Hinges from early this year when the band was nominated in the "Best New Artist" category at the Cincinnati Entertainment Awards.