Edwin G. Fischer, M.D., President of the Board of Directors of the Redwood Library & Athenæum, announced the appointment of Benedict Leca, Ph.D., as its new Executive Director, effective January 15, 2015, following a competitive national search.
“This is tremendous news for the Redwood,” stated Dr. Fischer, “An expert in 18th-century art, history, and material culture, Benedict is uniquely qualified to move the Library into the national spotlight as a center of thought and culture. He has a wealth of experience and is extremely well-suited to lead this 268-year old cultural institution.”
As Executive Director, Leca will articulate and advance the Redwood’s historic mission as a hybrid cultural institution with “nothing in view but the good of mankind.” Building on the Redwood’s unique position as a catalyst for dialogues about education across periods and disciplines, Leca’s work will focus on fully realizing the opportunities inherent to the athenæum model through an expanded array of public programs, forums, and exhibitions—both on-site and on-line—that will foster networks of intellectual exchange locally, regionally, and around the world.
Prior to his current tenure at the Art Gallery of Hamilton, Ontario, as Chief Curator and Director of Curatorial Affairs (2012-14), Leca was Curator of European Painting, Sculpture and Drawings at the Cincinnati Art Museum.
He was the first Andrew Mellon Post-Doctoral Fellow in the French Paintings department at the National Gallery of Art in Washington (2003-2007), and served on the staff of the Fogg Art Museum, Harvard University (1999-2000). Mr. Leca also currently holds the position of Adjunct Assistant Professor of Art History in the School of the Arts, McMaster University in Hamilton, Ontario.
Mr. Leca has curated many important exhibitions: Charles-Nicolas Cochin: Draftsman of the Enlightenment (2003); Rembrandt: Three Faces of the Master (2008); Thomas Gainsborough and the Modern Woman (2010—2011); Monet in Giverny: Landscapes of Reflection (2012); The Painter Pictured: French Nineteenth-Century Paintings and Portrait Photographs (2013); the current The World is an Apple: The Still Lifes of Paul Cézanne, executed in partnership with the Barnes Foundation, Philadelphia (2014-15), and the forthcoming Illuminations: Italian Baroque Masterworks in Canadian Collections to be held at the Art Gallery of Hamilton and the Art Gallery of Alberta, Edmonton, in 2015.
(Thanks to Judith H. Dobrzynski's Real Clear Arts blog at http://www.artsjournal.com/
Tomorrow (Dec. 3) marks the 35th anniversary of the concert tragedy at Riverfront Coliseum (now US Bank Arena) where 11 music fans were crushed and killed after fans pushed their way into the arena to see British Rock legends The Who perform. Tomorrow at 7 p.m., a vigil will be held on the plaza between U.S. Bank Arena and Great American Ballpark, where 11 lanterns will be lit in the memory of the victims.
There have been ongoing efforts to erect a memorial marker at the site of the tragedy. The Cincinnati Music Heritage Foundation got involved in 2009 to work with family members, survivors and city officials to establish the marker, help organize vigils and assist in spreading awareness of the cause.
The organization, with help from local journalist Rick Bird (who was covering The Who concert in 1979) and input from family members, survivors and others, have drafted text to be placed on the marker, which still needs final approval before it is put in place at the site of the tragedy.
The Music Heritage Foundation says Cincinnati Mayor John Cranley is “putting his full support behind this effort,” so the marker may be closer to becoming a reality.
From the Music Heritage Foundation’s press release, here is the proposed text for the marker:
Walter Adams Jr. 22 Trotwood OH
Peter Bowes 18 Wyoming OH
Connie Sue Burns 21 Miamisburg OH
Jacqueline Eckerle 15 Finneytown OH
David Heck 19 Highland Heights KY
Teva Rae Ladd 27 Newtown OH
Karen Morrison 15 Finneytown OH
Stephan Preston 19 Finneytown OH
Phillip Snyder 20 Franklin OH
Bryan Wagner 17 Fort Thomas KY
James Warmoth 21 Franklin OH
Deepest respects to the families,
friends and many survivors.
Eleven concertgoers, trapped
in a crush of people, died
at the southwest plaza
entrance to Riverfront Coliseum
waiting to see The Who.
Many others were injured in
what was the deadliest concert
tragedy in United States history.
The tragedy spurred passage of a
crowd safety ordinance, which
became a model for the world.
So my morning donut routine took a dramatic turn today when a box truck plowed into Servatii downtown right before I got there. The whole building was filled with smoke. It looked crazy, and I hope everyone is OK. I’m going to try not to take this as a sign from the universe that I should cut back on Servatii's double chocolate cake donuts.
Anyway, here’s your news.
The NAACP made it official this morning: The civil rights group is coming to Cincinnati for its 2016 national convention. The convention will put the city in the political spotlight and bring millions of dollars from visitors. Cincinnati last hosted the gathering in 2008 when both Sens. John McCain and Barack Obama came to town as part of their campaigns for president. This time around should be equally auspicious. Two-thousand-sixteen promises a heated presidential race, Cleveland is getting the GOP National Convention and Columbus is in the running for the Democrats’ big get together that year. The NAACP indicated in October it was leaning toward Cincinnati pending a site visit, an announcement that surprised Baltimore, which had presumed it had the convention.
• 3CDC Executive Vice President Chad Munitz is leaving the organization to get back into real estate development. He currently works on asset and capital management for the group. Munitz, who previously served as economic development director with the city of Cincinnati, joined 3CDC in 2006. The development company has not indicated plans for replacing him.
• Local grant-making organization Peoples Liberty, funded by the Haile Foundation, launched over the summer with a pledge to fund plans from everyday citizens in a diverse, inclusive manner.
"This is not going to be a playhouse for the hip," the group’s CEO Eric Avner said over the summer. "We will talk to everybody. We will listen to everybody. We will do it with intention."
The group just announced its first two big winners: two guys named Brad. Both will receive $100,000 and a year to work on their projects. One Brad, last name Cooper, will use his money to pay himself a small salary and make two tiny houses in Over-the-Rhine, which he's hoping to sell for $85,000 each. The 200-square-foot homes will be affordable, provided someone can secure financing and the thousands of dollars needed for a down payment. Affordable is a relative term here and seems not to be the main goal of the project. Cooper stressed in an Enquirer article that the idea is about promoting the small-living movement, which has been getting increasing attention over the past few years.
"This is not for poor people," Cooper said. "This is for a wide variety of people who choose this as a lifestyle."
Just don’t call them playhouses for the hip.
The other winner is Brad Schnittger, who will be using his $100,000 to create a music licensing library for area musicians so they can sell their songs to movies, TV and advertising groups. Musicians will pay a small initial fee and then keep all the money they make selling music. Schnittger plays with local vets the Sundresses, so he knows a thing or two about the music industry. He says he thinks this will help Cincinnati’s music scene take things up a notch.
• Former Juvenile Court Judge Tracie Hunter will be in court again today as a county judge hears the last of her motions for a new trial. Hunter was convicted last month on one felony count after she allegedly intervened in the firing of her brother, a juvenile court guard who allegedly hit an inmate. Hunter has filed three motions for retrial, saying there were procedural errors and juror misconduct during the trial. Three jurors have said they’ve changed their minds about their guilty verdicts, though it appears too late for those to be overturned. If Hunter’s last motion for a new trial is denied today, she has said she will appeal her conviction.
• Let’s jump right to national news for the finale. President Obama yesterday proposed a $263 million, three-year package that would increase training for police officers, work on needed reforms in law enforcement and spend $75 million on small cameras worn by police on their lapels. Obama made the announcement in the wake of ongoing protests over a Missouri grand jury’s decision not to indict Ferguson Police Officer Darren Wilson, who shot unarmed 18-year-old Michael Brown in August.
Pennsylvanian Folk/Americana trio The Stray Birds perform tonight at Newport’s Southgate House Revival. Australian Indie Folk singer/songwriter Jordie Lane opens the show at 8 p.m. Tickets are $10.
After self-releasing their debut album in 2012, The Stray Birds scored wide-spread acclaim (NPR put it in its Top 10 of Folk/Americana albums released that year) and began to build a following on the road. The hard work (and engaging music) paid off in the form of contract with the esteemed Yep Roc label (home to artists from Nick Lowe, Robyn Hitchcock and Paul Weller to Fountains of Wayne, The Rev. Horton Heat and The Apples in Stereo), which released the band’s Best Medicine album in October.
Click here to read Brian Baker’s full preview of the show from this week’s CityBeat.
Here is the title track from The Stray Birds most recent LP:
Masterful Cincinnati Funk musician Freekbass and his band The Bump Assembly debuted their new music video for the track “Never Enough” this past weekend during a show at Newport’s Southgate House Revival (which also featured a reunion of Freekbass’ old crew, SHAG). This morning, the clip made its public debut.
The groovy video is the third one released from the most recent Freekbass album, Everybody’s Feelin’ Real (which you can stream/purchase here). The video was directed by Gary Templeton and features a cameo from Jennifer Hartswick, the singer/trumpeter for the Trey Anastasio Band, who provided vocals on “Never Enough.”
The hard-touring Freekbass and The Bump Assembly (who play Brooklyn tomorrow night and a special unplugged session for Relix Magazine in New York City tomorrow afternoon) don’t currently have any local shows scheduled (though they will be in Louisville and Lexington right after Christmas), but keep an eye here for the latest show announcements.
Welcome back to the post-holiday real world, where we all must once again perform tasks even more arduous than eating three pounds of turkey and falling asleep in a chair while grownups talk about football. But hey, it’s Cyber Monday, so you can still spend brain-melting amounts of time staring at a screen shopping for the perfect deal on those special-edition Ruth Bader Ginsburg signature Nike Dunks you’ve been wanting until you fall asleep in your chair while grownups talk about work. Or maybe that’s just me. Anyway, on to news.
If you weren’t following CityBeat over the holiday, you probably didn’t hear about this. A group of protesters arrested at a solidarity march for Ferguson, Mo. last week were jailed over Thanksgiving, despite having paid bail. Seven of the eight protesters arrested during the march’s shutdown of I-75 paid their $3,000 bond, but were kept in jail because they were deemed flight risks by Hamilton County Judge Melissa Powers. That meant that despite being charged with only misdemeanors, they had to wear electronic monitoring devices provided by an office that closed Wednesday around noon and wasn’t slated to reopen until today. The protesters were released Friday after Hamilton County Judge Ted Berry overturned the monitoring requirement, however.
• Over-the-Rhine continues to change at a rapid pace. Another huge development project is in the works for the neighborhood, this one around the historic Grammer’s bar and restaurant. Rookwood Pottery Co. owner Martin Wade is looking to spend $75 million on a project that will redevelop 100 apartments, create 40,000 square feet of office and retail space and build four single-family homes. No word yet on whether any of that living space will be affordable housing aimed at low-income residents, but the plans tend to sound more toward the upscale, with details like Rookwood pottery accents in the works. The final phase of the project will be a 68-unit apartment building aimed at families looking to move into the neighborhood in a space behind the OTR Kroger store that is currently a garden.
• Here’s some good news: Greater Cincinnati’s unemployment rate is down to 4.3 percent, according to the Ohio Department of Job and Family Services. That’s the lowest it’s been in a decade. Last October, the rate was almost 7 percent.
• No, the Zoo hasn’t hired your one weird clickbait-sharing uncle as its new social media manager. Hackers have taken over the Cincinnati Zoo’s Facebook page and are posting all sorts of non-wildlife related content. The posts began about midnight Sunday and are the kind of thing that one annoying Facebook friend you have always posts: top five embarrassing photos lists, top 10 embarrassing holiday foods you shouldn’t eat lists, top 30 places to visit before your 40th birthday lists; that kind of thing. The Zoo has reached out to the social media company, which so far hasn’t taken any action to stop the posts. Officials with the Zoo are asking users to report the page as hacked.
• In what has to be one of the best examples of terrible journalism seen
in Ohio in years, Cleveland.com, the Cleveland Plain Dealers’ website,
published an article outlining the legal history of the father of the
unarmed12-year-old boy shot by Cleveland police last month. “Tamir
Rice’s Father Has History of Domestic Violence,” the headline screams,
apropos of absolutely nothing at all. The paper published the story Nov.
26, the same day a video showing Rice’s shooting was released. In the
video, an officer jumps out of a patrol car and shoots Rice, a bored-looking kid playing with a toy pistol, within
seconds of arriving at the scene. The shooting has caused a good deal of
anger in Cleveland, prompting demonstrations and calls for the involved
officers’ resignations. An investigation into the shooting is ongoing.
Meanwhile, in what is clearly some alternate reality…
• Members of the Cleveland Police Department are suing the department, saying it racially discriminates against white officers involved in shootings of blacks. Eight white officers and one Hispanic officer are suing over their treatment in wake of a 2012 high-speed chase that resulted in two suspects without guns being shot in their car more than 20 times. The City of Cleveland settled with the families of the two for $3 million. Thirteen officers fired 137 shots during the chase. The nine officers involved in the lawsuit complain that they were unfairly assigned desk duty, meaning they could only perform what the suit calls “boring, menial tasks.” The group says they should not be held accountable for the incident, since the Ohio Attorney General found that it was part of big systemic problems in the department. Huh. That’s interesting logic.
• Finally, I dunno how many of you remember Richard Scarry's Busy Town kids books. If you do, this is hilarious in a "it's really kind of dark because it's true" sort of way. If you don't remember the books, well, I think it's probably still hilarious.
Veteran Cincinnati band Wussy saw a huge boost of its national profile (and sales) over the weekend when the band was featured on CBS This Morning on Nov. 29. The band’s network TV debut included an entertaining and funny interview segment, spliced with live footage (including shots filmed at this year’s MidPoint Music Festival, where the band opened for The Afghan Whigs in Washington Park). The featurette also showed band members Chuck Cleaver, Mark Messerly and Lisa Walker at their day jobs in Cincinnati and Shake It Records (the Northside record shop whose label branch releases Wussy’s albums) also makes an appearance.
The band’s appearance also included a performance of “Teenage Wasteland” from Wussy’s latest album, Attica! A bonus performance of another song from the album, “Beautiful,” was also filmed. Watch everything below.
The appearance had an immediate impact on Wussy’s sales. CBS’s Anthony Mason (who conducted the interview) tweeted that Attica! entered the iTunes album chart at No. 89 after the airing. Amazon sold out of its stock of Attica! CDs.
Wussy’s next local show in on New Year’s Eve at the Woodward Theater in Over-the-Rhine. Find out more about Wussy here. And check out CityBeat's most recent profile of the band here (and our very first feature on the band, in 2002, here).
UPDATED Nov. 28, 12:45 PM: Judge Ted Berry waived
the tracking device requirement for the protesters today, and those who posted bail (all but one) should be released in the next few hours.
Original Post: Some of the 15 protesters arrested during Tuesday’s march through downtown Cincinnati in solidarity with Ferguson, Mo. paid bail the next day. But while most folks were at home enjoying Thanksgiving Thursday, they were still in the Hamilton County Justice Center because some county offices are closed.
The march drew as many as 300 people during its nearly three-hour duration. During that time, at least 100 protesters streamed onto I-75, bringing traffic to a halt for a few minutes. Police, who had blocked traffic in the northbound lane of the highway, ordered protesters off under threat of arrest.
Those who didn’t leave fast enough ended up in jail.
The protesters were held without bond overnight and arraigned at 12:30 p.m. Wednesday. Bond for the eight charged with shutting down I-75 was set at $3,000. According to Hamilton County Criminal Court documents, two of those arrested, Liz Cambron and Aalap Bommaraju, paid bail early that afternoon. But they’ll be in jail over Thanksgiving, and maybe until Monday, their attorney Joe Russell says.
Judge Melissa Powers, the presiding judge, deemed the arrested protesters flight risks and ordered they be fitted with electronic monitoring devices. But the office that provides the devices closed at noon today and won’t reopen until next week.
“I don’t undersand how my clients are flight risks,” Russell said of Cambron and Bommaraju. “They aren’t the kind of people who want to get anyone run over.” Cambron is a graduate student at University of Illinois Chicago, and Bommaraju is a health worker pursuing his PhD at UC.
He says the two weren’t acting recklessly and were merely exercising their first amendment rights.
The rest of the group arrested on I-75 look to be in a similar situation. Brandon Geary, Robert Fairbanks, Hilliard Herring, Zachary Lucas, Cerissa Newbill and Rhonda Shaw were also arrested on the highway and have been ordered to wear the tracking devices after release on bond.
Representatives with the Hamilton County Clerk of Courts said they
could not provide any information on the cases during phone calls
“The reason they’re still in jail is because the county doesn’t have the electronic monitoring devices available,” Russel said. He was in court Friday morning working to get the two released.
A vigil asking the court to release the protesters on bond drew a crowd of about 35 people Thanksgiving day, including family members of some of the protesters. "He didn't even know he wasn't going home," said Evan Geary, brother of Brandon Geary, who also posted bond. "My parents had to tell him he wasn't going home. I'm surprised my parents didn't come. They were very happy this was happening," he said of the vigil.
Both Bommaraju and Cambron, along with others who were arrested after entering I-75, are charged with disorderly conduct, a minor misdemeanor, and inducing panic. That charge is usually a first-degree misdemeanor, but could be a fifth or fourth degree felony if a prosecutor finds that significant “economic damage” was done in the commission of the offense.
One of the best things about Cincinnati’s current urban renaissance is that older spaces — some unused or even previously unknown — are being reinvented for new purposes. Churches and firehouses become brewpubs and restaurants, office buildings become apartments, underground tunnels become tourist attractions.
Since artists are sensitive to their surroundings, a group called Near*By has lately begun to use such spaces — sometimes — for special-event exhibitions. Happenings, sort of.
In its press release, Near*By describes itself as “an untethered curatorial collective that seeks to bypass the art institution, working as liaison between artists and pluralistic audiences. We aim to create ephemeral and interdisciplinary exhibitions that connect art with location and meld curatorial and artist practices while blurring the boundaries between installation and white cube.”
I’ve missed some of the previous events, although I’ve heard that Andy Marko’s attempt to launch his guerilla campaign to become Cincinnati’s Minister of Performance Art (why not?) was amusing at Fountain Square last October. And High Art, an event held atop the Carew Tower also in October, almost avoided a rainfall. Near*By’s first event, last May’s Moon Show, proved very sagacious — it was based on a premise the Apollo 11 moon landing was a staged event; the movie Interstellar plays with (and upends) that premise, too.
But I did make last week’s Lightgeist at Over-the-Rhine’s Rhinegeist brewpub and it was great. Rhinegeist has the open space of an old-fashioned upper-floor school gym (maybe a couple of them) and looks like one, too, although not too many school gyms would have huge metal brewing tanks for beer.
Actually, the space was part of the old Christian Moerlein brewery’s bottling plant, which was in business from 1853 until Prohibition. The building’s rebirth as a craft-beer business has been one of the Cincinnati revival’s bigger success stories.
For Lightgeist, Near*By invited 17 artists/artist groups to show work for just one night throughout the space. There were familiar names and new ones, many with connections to alternative galleries or the University of Cincinnati’s College of Design, Architecture, Art, and Planning. The theme was “dematerializing” the image, which resulted in some fine video and sound work especially.
Lightgeist started at 7 p.m. and, according to Maria Seda-Reder (a Near*By member as well as a CityBeat arts writer), some 300 people came to witness the work during the next three hours. (Other Near*By members include Jon Auer, Chris Reeves, Loraine Wible, Joe Hedges and Anastasiya Yatsuk.)
It was a party atmosphere with plenty of beer, but the audience was there to see the work. And there were people of all ages, revealing that there is growing curiosity about local contemporary art — a necessity for any city trying to have an urban renaissance.
I didn’t take detailed notes on everything, but Charles Woodman’s debut of his “Wavelength-pure signal, no camera” screen image was involving, and Alice Pixley Young’s projection of bird-like moving images against and past an arrangement of physical objects was deeply moving. Caroline Turner and Ian Anderson’s ghostly pinprick of white light on an eerie background was a work deserving of more time.
Lightgeist was the latest evidence that this has been a great year for presentations of video and film art here — DAAP’s Electronic Art program and screenings at Weston Gallery, Manifest, FotoFocus and Cincinnati Art Museum’s Eyes on the Street.
In the last half-dozen years, we’ve had quite a few ambitious artist coops and collectives start up bricks-and-mortar galleries/performance spaces but fail to keep them going. (Semantics is the most notable exception.) So Near*By’s idea is a good one — use the surplus of fascinating spaces around town for one-off events. It’s not a substitute for having more permanent contemporary spaces, which we need, but it’s an important part of any art scene.
Near*By is planning 2015 events now — some of which may involve collaborations with galleries. There will be more coverage in CityBeat.