On this date in 1979, 11 music fans died when trying to see The Who perform at Riverfront Coliseum. Check out this video for "Feel The Holes" about the tragic event, by Toronto Hard Rock duo The Shanks.
The video was made in Cincinnati and directed by David Markey. The Shanks (who released the Feel the Holes EP just a couple of weeks ago on German label Broken Silence) work with local music promotions org The Counter Rhythm Group and are set to appear in Cincinnati on Saturday, Dec. 15, at Northside's Comet as part of the free release party concert in honor of a new "split LP" release (on area label, Phratry Records) by local acts Knife the Symphony and Swear Jar.
R.I.P. Peter Bowes, Teva Ladd, David Heck, Connie Burns, James Warmoth, Bryan Wagner, Karen Morrison, Jacqueline Eckerle, Walter Adams, Jr., Stephen Preston and Phillip Snyder.
Those Guys have emerged as one of the more impressive up-and-comers in Cincinnati Hip Hop, both via their digital/CD releases (a handful of singles and a trio of excellent mixtapes) and their live show, which incorporates a three-piece live band. Those Guys features MC's J.Al and Jova, who met as high school freshmen and started the group upon graduation in 2008. Citing influences like Kanye, The Clipse and Kid Cudi, the duo issued Greater Than the Mixtape Volume 1 in 2009.
The most recent in their Greater Than the Mixtape series (Volume 3) was released late last year, kicking off with the monster track "You Ain't Know," which showcases the duo's telepathic back-and-forth, superb lyricism and a fat and funky musical approach.
The duo has been garnering extra attention with their just-released video (Those Guys' first) for "You Ain't Know," which was filmed in Monroe just prior to Halloween and features some spectacular scenes of the crew blowing up a car. Who says you need a big budget for action-movie-like special effects? (The group thanks the City of Monroe's parks, fire and police department as well as the Butler County Bomb Squad in the video description on YouTube, so the fiery shoot was on the up-and-up.)
The video has been creating major buzz on social media, even drawing praise from Hip Hop legend Redman, who tweeted "Dope ass video … thats wut Im talkn bout … sumtn different … hard shit."
Check the clip below, then visit the duo's Bandcamp site to download the latest mixtape and other Those Guys material for free. You can find more about Those Guys at their official site, Facebook page and on Twitter here.
Right around Thanksgiving time, CityBeat began to receive several queries via email, Twitter and Facebook, all essentially asking, "What the hell happened to the Cincinnati Entertainment Awards?"
CityBeat's annual celebration of Greater Cincinnati's best original music had been held for 15 years on the Sunday before Thanksgiving. The reasoning was that musicians who tour a lot would hopefully be home for the ceremony and regular weekly giggers might be less likely to have an every-Sunday residency. Also, we thought, perhaps the holiday timing would allow us to nab a few of the city's favorite sons and daughters (Jerry Springer? SJP? Any Lachey we could get our hands on?) as presenters.
In the end, the timing of the ceremony never really had much effect. We did have Jerry Springer — via video tape from Chicago — at the very first CEAs (held at the old Sycamore Gardens in Over-the-Rhine), but the video malfunctioned. Maybe it was an omen. We also spent many years attempting to lure the Isley Brothers to perform and be inducted into the CEA Hall of Fame, but the Isleys haven't been "local" in almost half a century, so the Thanksgiving timing was irrelevant (and the Isleys would have cost a fortune to bring to town).
We also discovered those hard-touring musicians tour so hard, having an off day the Sunday before Thanksgiving is hardly a given. Last year, for example, Artist of the Year winners Walk the Moon were on the road and unable to attend (though they still created one of the show's better moments by having their mothers accept on their behalf).
Having the ceremony in November was also a hassle once CityBeat acquired the MidPoint Music Festival, which occurs annually in late September. The CEAs bumped up a little too close to MPMF, making the organization of the awards a hectic endeavor.
So, starting with the 2012 Cincinnati Entertainment Awards, the ceremony will now be held in January. This change allows our staff to fully focus on the CEAs without battling MPMF fatigue. And it creates an easier-to-track window for nomination consideration. In the future, the Album of the Year category's eligibility timeframe will be anything released that year. Previously, the timeframe was approximately October of the previous year to October of the current year. (This year, eligibility will be extended to anything released in 2012, but also includes releases that came out October-December 2011.)
The 16th annual Cincinnati Entertainment Awards ceremony will be held at Covington's Madison Theater on Jan. 27. This year's host will be the very funny Ted Clark, who is also making plans to do his popular "live talk show" at the after-party (read more about Ted here). And there will be more live performances at the CEA ceremony than ever before. Ticket info, the lineup of performers and more details will be released soon.
(Let's get this out of the way right up front, since the Northern Ky. locale always gets mocked every year — yes, the "2012" "Cincinnati" Entertainment Awards will be held in Covington in 2013. How odd!)
Another new wrinkle for the CEAs this year will be a live showcase of the "New Artist of the Year" nominees; the winner of the category (normally decided by the nominating committee) will be largely determined by audience vote at the showcase, which is scheduled for Friday, Jan. 18 at Bogart's. More details to come.
The 2012 CEA nominees — determined by a large pool of local music experts, including writers, bloggers, club owners, radio show hosts and others (this year's committee is the largest yet) — will be announced Dec. 12. The ballot will go live at citybeat.com and then it's up to you. Fan voting determines all categories except for the "Critical Achievement" ones — Artist of the Year, Album of the Year — which are voted on by the committee.
Stay tuned for many more CEA announcements to come. And visit citybeat.com's CEA page here for a look at past nominees, winners and more.
Deft local MC Buggs Tha Rocka, who balances his excellent solo work with performances and recordings with the group Gold Shoes, has become the first Hip Hop artist to participate in the ongoing "Emery Sessions," a series of excellent music videos, filmed in one-shot by world-class photographer Michael Wilson at the restored classic Cincinnati venue, The Emery Theatre. Audio was handled once again by local musicians Cameron Cochran and Henry Wilson.
The series not only celebrates local music but also showcases the grand old theatre, a century-old Cincinnati treasure that fell into disrepair but has recently returned to "active venue" status thanks to the work of The Requiem Project.
Buggs and DJ Ghost performed "Stephanie's Song" for their Session. Unlike previous clips (which have spotlighted a host of local artists, from Over the Rhine to Jeremy Pinnell and the 55s, as well as Bluegrass legend Ralph Stanley and many others), Buggs and DJ Ghost don't perform on the theatre's stage, but in another nook and cranny elsewhere in the building.
"Stephanie's Song" is from Buggs Tha Rocka's fantastic The Wrath of Zeus mixtape, which is available for free download here.
Take a look at some of the other Emery Sessions here.
There is no mystery in music anymore.
I‘ve been trying to find a scapegoat to blame for this. Most notably, I’d like to blame KISS for taking off their make-up in ’83, unveiling the Demon and Star Child as just a couple of goofy-looking New Yorkers dressed up like extras from a Dokken video.
But as much as I’d love to blame KISS for taking the mystery out of music (Gene Simmons ruins most things so it was a good guess), the problem really lies with the internet and the digital age we are consumed by. (Thanks, Al Gore!) When was the last time you went on Google and couldn’t find what you were looking for? With a few easy clicks, you can find answers to some of life’s most important questions like, "Who was the second guy from Wham?" (Andrew Ridgeley) and was Liam Neeson actually on an episode of Miami Vice (yes, he was).
But even with the constant flow of status updates, tweets and information that has caught Americans in this perpetual technology loop, over the last five months there has been one artist that has captured some sense of anonymity in the music industry. That artist is Captain Murphy.
For those of you who don’t know who Captain Murphy is, don’t worry. No one does.
When Captain Murphy burst onto the scene with his impressive verse on Flying Lotus’ Adult Swim single, “Between Friends," the music media and Hip Hop heads alike immediately got a raging hard-on for the guy. His use of voice modulation and his style, which carries the complexities of MF DOOM’s flow with just a hint of the silly attitude of Tyler, The Creator, caused a sea of speculation about his identity and spawned more gossip than when Honey Boo Boo Child gets pregnant before her My Super Sweet 16 special.
After the release of “Between Friends,” Murphy has intermittently dropped singles over the last couple months, turning the internet into his own personal Gotham City (Murphy playing the part of the Dark Knight) and leaving every music journalist and tons of Hip Hop fans trying to figure out who the hell is playing Bruce Wayne.
Now, Captain Murphy has dropped his mix tape, Duality, which takes the listener on a 35-minute Psychedelic Hip Hop excursion into the mind of a cult leader and has only heightened the anxiety attacks over his true identity.
But what’s the point?
Can we, journalist and fans, just relish in the secrecy of this up and coming artist without freaking the fuck out about it? I know that our job as journalists is to report information that people want/need to know, but I didn’t think obsessing over people who just want to make music and making their lives more difficult was in the job description.
The perfect example is last year’s music industry enigma, Earl Sweatshirt.
When the music media received news that Earl Sweatshirt, the most mysterious figure of the then-exploding Odd Future gang, was nowhere to be found, they began foaming at the mouth. The “Free Earl” campaign and the lack of knowledge of his whereabouts were covered by everyone from bottom feeder music blogs to The New York Times. But while Earl wasn’t even in the country (he was allegedly located at a troubled boy’s camp in Samoa), America was getting their rocks off on glorifying him as Hip Hop’s second coming and propelling him into stardom and fame before he was even old enough to vote.
Sweatshirt tackles this invasion of privacy on his latest single “Chum,” when he spits, “Tolerance for boundaries, I know you happy now/Craven and these Complex fuck niggas done track me down/Just to be the guys that did it, like I like attention/Not the type where niggas trying to get a raise at my expense/Supposed to be grateful, right, like thanks so much you made my life/Harder and the ties between my mom and I strained and tightened/Even more than they were before all of this shit/Been back a week and I already feel like calling it quits.”
It’s a shame that our insatiable infatuation with artists has been pushed to the point where we force young creators like Sweatshirt (and, to an extent, the seemingly fragile mainstream crossover star Frank Ocean) to want to give up on their budding careers, but what if the consequences were more severe? Sure, this constant media intrusion could push Earl to quit rapping and that would be a terrible loss of potential in the Rap game. But what if instead of quitting, this media malpractice pushed him to the bottle and drugs like Amy Winehouse or even a shotgun like Kurt Cobain?
On a smaller scale, it’s the same kind of information-driven OCD that makes people sign off of Facebook only to almost simultaneously check the Facebook app on their phones. Many of us now have an endless need to be in the know.
But in more serious cases, it’s the kind of obsessive behavior that caused fans like Michael Abram to break into George Harrison’s house and stab him in ’99, caused Mark Chapman to shoot John Lennon in Manhattan in ’80 or Nathan Gale to shoot “Dimebag” Darrell Abbott in that Columbus nightclub in ’04.
We have an opportunity to change this "gotta know now!" behavior with Captain Murphy. Here’s my proposal — every copy of Captain Murphy’s first album should include a prescription for Xanax and Prozac (maybe even a spliff or two for our friends out in Colorado). Maybe that would allow everyone to enjoy the music without having a mental breakdown about who is making it.
In the end, if Murphy doesn’t want us to know his identity, then we don’t need to know his identity. So unless the Captain is 2Pac revitalizing his career under this new alias, let’s all just keep calm and enjoy the mystery. While it lasts.
UPDATE: Aaaaand that didn't last too long. No more mysteries! Captain Murphy was revealed to be Flying Lotus (details here).
Well before social media made it easier to connect directly to fans, veteran Cincinnati music legends Over the Rhine were already whispering in their fans’ ears via regular notes on the band website, written intimately and poetically by OTR’s Linford Detweiler (mostly). The direct, worded contact fit well with Detweiler and wife Karin Bergquist’s mystical, emotionally resonant music, which has earned the group a dedicated fan base that spans the globe.
Along with a series of excellent albums and mesmerizing live shows across the country and beyond, the couple’s fan-friendliness and fairly consistent engagement no doubt helped not only build that fan base, but also maintain it.
The tight bond between OTR (which has put out albums on its well distributed Great Speckled Dog label since 2007) and its fans was tested in 2010 when Detweiler and Bergquist came to them with a proposition.
Before sites like Kickstarter or PledgeMusic became the hugely popular resources for artists to “crowd-fund” projects that they are today, Over the Rhine (as well as a few others) was a step ahead of the trend, allowing fans to pre-order the album and kick in additional funds for bonus perks. The experiment worked incredibly well and the band ended up with a nice budget to record (with Grammy-winning producer Joe Henry, no less) the exquisite full-length, The Long Surrender, one of the group’s best (and best reviewed) albums to date, which ended up on many “Best of 2011” lists late last year.
The Long Surrender campaign was so successful — at least partially due to the members’ way of making fans feel like they are a part of the resultant records — OTR has returned to its fans for assistance, this time so they can record and release two new albums by the end of 2013.
In a letter on OTR’s website, Detweiler explains the two albums, the material for which has been crafted over the past few years. One of the albums is tentatively titled The Farm and will feature songs written about the couple’s past several years living in an old farmhouse in Highland County, Ohio. The duo even plans on hosting a live performance of the songs on their inspirational property to celebrate the release.
The other project is a new holiday album, Blood Oranges in the Snow. The album will be OTR’s third holiday release, following 1996’s The Darkest Night of the Year and 2006’s Snow Angels. Not your typical Christmas-classics toss-off LP, OTR’s holiday releases, as Detweiler writes, “(hopefully) capture some of the reality of a beautiful — but often conflicted and even heartbreaking — time of year.”
For more on how to donate, click here. There you’ll also find the different tiers and perks, which include everything from digital bonus tracks, a “thank you” in the album artwork and signed posters to a private house concert, admission to any OTR concert through 2014 and … a tree, to be planted on the twosome’s farm and dedicated to the contributor.
Potential donors will have a chance to be swayed by Over the Rhine’s sublime sounds this Saturday, as the group returns to the Taft Theatre to perform many of their holiday tunes (and other songs). This year's event is being billed as “An Acoustic Christmas Concert.” The concert begins at 8 p.m. with opener Lucy Wainwright Roche. Tickets are $37.50 (via ticketmaster.com) or $42.50 at the door.
For those hardcore fans who just can’t get enough, OTR presents its annual “Holiday Sunday Soiree,” a casual, intimate gathering at St. Elizabeth’s (1757 Mills Ave, Norwood). Tickets are not issued for Sunday’s 3 p.m. get-together; sign up and pay for admission to the event ($20) here and your name will be added to the guest list.
Tonight's allegedly the "busiest bar night of the year," so if you like to hang out at places that are really packed, this is your jam. If you like to hear live music when you go out, you're also in luck, as a lot of the top acts seek out lucrative Wednesday-before-Turkey-Day gigs because of the aforementioned packed-ness.
If you want that live music to be (primarily) original, here are a few recommendations.
• Troy, Ohio-spawned Miss May I (whose singer, Levi Benton, recently moved to Cincinnati) is headlining the Alternative Press tour, which conveniently brings the increasingly popular "Metalcore" band back to their homeland just in time for Thanksgiving. The band's most recent release, At Heart (on Rise Records), came out this summer and was greeted with the best reviews of MMI's career and a No. 32 debut on the Billboard Top 200 chart.
The thrashy, melodic MMI headlines tonight at Bogart's in Corryville on a bill that also features The Ghost Inside, Like Moths to Flames, The Amity Affliction and Glass Cloud. Doors open at 6 p.m. and tickets to the all-ages show are $20.
Read CityBeat's interview with Benton here then check out Miss May I's most recent music video, for At Heart track "Day By Day."
• Vintage Rock & Roll stylist Chris Isaak makes his way to downtown Cincinnati tonight for an 8 p.m. show at the Taft Theatre. Tickets range from $29.50-$59.50. Isaak's going to have to play the show then hop on a plane quickly — he's slated to perform in the annual Macy's Thanksgiving Parade in New York City. (Click here to read CityBeat's full preview of the show.)
Isaak recently issued a live DVD based on his 2011 double-disc release Beyond the Sun (his first for the Vanguard label). The album was a collection of cover songs originally recorded by artists on Memphis' seminal Sun Records (from Johnny Cash and Jerry Lee Lewis to Carl Perkins and, of course, Elvis), a fitting tribute given Isaak's similar approach and sound. The new Chris Isaak Live! Beyond the Sun DVD is a concert flick featuring several songs from the Sun album, as well as some of his big hits. Expect to hear a similar set list tonight. Here's an Isaak original from the DVD, "Live It Up."
• The songcraft experts and flawless musicians of veteran Cincy Pop/Rock band The Newbees host an album release party tonight at Newport's Southgate House Revival. The release show was originally intended to be the second show at the new club (brought to you by the owners/operators of the old, beloved Southgate House across from Newport on the Levee) but a late code inspection held the grand opening up for a week. The Newbs are celebrating their LP Modern Vintage, a patchwork of musical styles and mercilessly catchy songs. Click here for a full review of the album.
The Newbees are joined tonight by The Turkeys, Chaselounge, Honey & Houston, Les Whorenettes, Shiny Old Soul, See You in the Funnies, Sundae Drives and Dave Hawkins. Tickets are $12 at the door (or $14 for those ages 18-20). Showtime is 9 p.m. Here's the Beatles-esque new album track "Up All Night":
• There are also plenty of other local original groups performing tonight. Among the highlights: Reggae/Rock crew The Ohms and soulful, rocking power trio Tattered Roots (which is celebrating its one-year anniversary) join together at Stanley's Pub in Columbia Tusculum. … Rootsy rockers Alone at 3 a.m. are playing a freebie at The Comet in Northside with Jacob Tippey and Matt Wood. … Electronic improvisers Skeetones hold down the party at The Mad Frog in Corryville, joined by guests The B.E.A.T. and Bassface. … Two former members of The Greenhornes — Brian Olive and Eric Stein — perform a free show at Northside Tavern with their current bands, The Brian Olive Band and Stein's Grotesque Brooms. … Rocket-fueled Indie/Blues/Roots/Rock trio The Sundresses headline tonight's free offering at MOTR Pub in Over-the-Rhine, joined by Detroit foursome Jeecy and the Jungle. … And two of the city's best modern rockers — Ohio Knife and State Song — perform a free show at Mayday in Northside (see poster above).