Survivor-type Bear Grylls may drink his own pee and propose to his wife with an ass diamond, but naturalist filmmaker Paul Rosolie is upping the ante in the weird wilderness game by allowing himself to be “eaten alive” — for real, apparently — by an anaconda on TV.
Judging by the trailer, viewers will witness Rosolie and his crew travel to the Amazon, hunt down an anaconda, suit up in a custom death-proof ensemble, douse himself with pig blood and wait for said anaconda to get hungry. The Eaten Alive special airs on Discovery on Sunday, Dec. 7 as part of something called “Mega Week.” Apparently both Rosolie and the anaconda survived the incident, which was filmed in advance. Cue the music!
In other “Oh my god, Becky” news, Kim Kardashian’s greasy butt on the cover of Paper magazine has everyone all in a tizzy. I think we should be offended by the headline/goal of the spread to “Break the Internet,” because haven’t we all seen Kim’s dump truck plenty of times before? More noteworthy is the fact that she’s popping out of a trash bag, which is actually quite fitting.
Look at these cute illustrations of movies with one letter removed from the title. And yes, I would totally see a Ron Swanson superhero movie called Ron Man.
Some of your favorite lady-shows are coming back in January!
Girls returns Jan. 11:
Broad City is back Jan. 14:
Your BFF Jennifer Lawrence will never get a Twitter, and it’s all because
you pervs who looked at her hacked pics she’s “not very good on phone or
TIL Jennifer Lawrence is all of our moms.
Entertainment Weekly’s annual reunion issue is on stands now, which means apparently it’s already time to reminisce about Mean Girls and Napoleon Dynamite.
Fox News’ Megyn Kelly accidentally cursed on air when introducing Mike Huckabee this week. She said Fuckabee.
Watch these 1980s aerobic workout stars get down to Taylor Swift earworm “Shake It Off”
New movie trailers to hit the Interwebz: Neill Blomkamp (District 9, Elysium) teams up with the incomparable Sharlto Copley again with Chappie, about a robot raised by a group of humans (Dev Patel, Yolandi and Ninja of Die Antwoord), proving once again that Copley is the go-to actor to play robot men; World War I drama Testament of Youth, starring Kit Harington (aka a beardless Jon Snow) and Hayley Atwell; and a fucking Minions movie.
In honor of CityBeat’s 20th anniversary, music editor Mike Breen and music section contributor Brian Baker (both of whom have been with the paper since the first issue) did an e-chat to discuss their experiences writing about music for the past two decades, from interview horror stories to the joys of covering Cincinnati musicians.
Mike Breen: So 20 years. We were both working (or, rather, volunteering) at Everybody’s News when we found out EN’s editor John Fox was leaving to start a new paper. I remember when he first told me, when it was still hush hush, and asked me to come aboard as the music editor while I was still in college. He pulled me aside as we were leaving the EN building after a day of work, told me (in hushed tones) about his plans and said he’d like me to be the music editor. I was excited because I believed in John’s broader vision — providing a liberal/progressive voice for the city, celebrating the arts and striving to create quality journalism — but also because I was going to finally be paid for my work. Do you remember when you first heard word about CityBeat's formation?
Brian Baker: Vividly. After John left EN, no one paid the slightest attention to me. I don't think they ran a single review of mine after his departure. At some point that following summer, John James, who'd been doing the Positively Yeah Yeah Yeah column, called me at my design day job and said John Fox wanted to have lunch to talk about something he's got planned. So the three of us met at this little seafood place on Reading Road and John (Fox) laid out the blueprint he had in mind for CityBeat. It sounded like a great idea, and my reaction was the same as yours. A byline and a check? Pinch me, I'm dreaming.
But John offered a single caveat, and it would have rather lasting implications. He said, "I can't use you as a reviewer, I need you as a feature writer. Can you do that?" I said yes, and that really changed everything regarding my writing career. In a very tangible sense, everything that's happened to me over the past 20 years is due to John's insistence that I write features, and I owe him a great debt because of that one simple clause in our contract.
MB: I remember months before the first issue of CityBeat I spent days putting together request letters to mail out to hundreds of record labels asking to be added to their mailing lists. Which is funny to think of now — we weren’t using email and, as opposed to receiving most review copies these days as downloads, we started getting dozens of CDs (and even cassettes at that point) a week. It’s crazy to me to think about doing research for reviews and stories in the very earliest days of CityBeat; I had a handful of “encyclopedias of music” books, but mostly we had to just rely on those press kit folders, which usually had a press release, a bio and then a stack of stapled-together photocopied reviews and interviews from other outlets. Now you can literally press a button and see every review and feature story ever written about an artist. It’s certainly easier now to be lazy.
What do you think has changed the most about writing about music over the past 20 years?
BB: No question that the internet has made the research part of our jobs a whole lot easier. And today's connectivity makes it almost (although not quite entirely) impossible for publicists to duck our requests for material and interviews. But remember tearsheets? Sending physical proof of my features and reviews to labels and publicists used to be enormously time-consuming, especially after I started picking up outlets other than CityBeat. Now it's like everything else: email a link.
Here's the thing about the new research paradigm. Back when my daughter was in 4th grade, her class and one other were doing a project on newspapers, where they split into groups, had editors and writers and each made their own version of a newspaper. Isabelle's teacher asked if I would be interested in talking to both classes about working on a real newspaper, which I happily agreed to do. The one point that I really tried to hammer home to the young journalistic minds in the group is that the internet has no editor, and you have to be incredibly careful with pulling what you think are facts from websites that may actually be offering little more than glorified opinions. In some ways, the internet has made everything incredibly easy, and in other ways, it has added in almost arcane levels of complexity that never existed before.
As I am often fond of pointing out, computers didn't make everything better, they made everything different.
MB: We’ll move on from computer-related stuff after this, but I want to vent about internet trolls so just humor me for a sec (haha). As I’m often fond of pointing out, the best thing about the internet is that everyone has a voice. And the worst thing about the internet is that everyone has a voice.
In the earliest days, we had one computer in CityBeat’s office that had web access, so people had to share time. My earliest memory of interacting with a “reader” online was when some asshole kid sent me this scathing note about something I’d written about Goth or Industrial music. He was a dick to me, so I was a dick right back (some things never change!). He threatened to “tell my boss” the mean things I said to him, which may have been the first time I did a computer-related “LOL.” It’s weird to think of now, in a time when online trolls are just par for the course. It’s probably the thing I hate most about the job, and it was evident in my very first experience communicating with someone online about something I’d written. (I should give credit to my first “troll,” singer/songwriter/funnyman David Enright, who, since the internet was still developing and Facebook was many years away from giving voice to everyone’s vitriol, made hand-written fliers eviscerating me, CityBeat and CityBeat’s music section for being lame. He stapled them onto telephone poles all over the Clifton area. I wish I’d saved one.)
We’d always talk about how we sort of wrote in a vacuum — we’d write stuff, throw it out there and assume people were reading it, but, outside of the rare “letter to the editor” or meeting people in the flesh, we had no idea how people were reacting to the content. Now we can kind of see in real time what people are reading (online) and get instant feedback if it hits the wrong or right chord. But people seem to mostly respond only when something pisses them off, which is fine, but it’s almost always rude and insulting, which is maddening.
Anyway, you (wisely) stay off of social media, and I imagine you are spared a lot of this more annoying feedback. But over the years, what have your communications with both subjects and readers been like? Are they only mean to me or do you get some of that too? (For the record, most artists are very cool, even if a review isn’t especially glowing, and very few are anything but kind and polite when I meet them in person.)
Also, and this is mostly for my own curiosity really, why do you avoid social media?
BB: I think I've had maybe one or two weird trollish kind of events, and in both cases I tried to reframe my case for the sake of clarification and when that went nowhere, I just surrendered, which I'm guessing is probably the money shot for most of these boners, so you're welcome. The anonymity of the internet has made self-imagined giantkillers out of intellectual/emotional pipsqueaks, and it has become an occupational hazard for those of us who would dare offer an opinion to a great unwashed mass that now has the means to respond from the bliss of their ignorance at the click of a mouse. On the other hand, it has also given us an opportunity to have fascinating conversations with people who actually relish the thrill of debating divergent opinions without having to declare a winner. A fair trade, I suppose.
My experience with the artists that I review and interview has always been, as you noted, very positive. And when I get introduced to people at shows, events, county fairs, beauty pageants and hog calling contests, and they realize I'm "that guy," they're always overwhelmingly nice, typically working up to a comment that goes, in general, "I've always loved your writing," and it's always nice to hear. A woman recently wrote in with some rather lavish praise about my online coverage of MidPoint, and her compliments were were well received by my always conflicted ego, although I was slightly bemused by this admission: "I've not read any previous articles by Mr. Baker..." So thanks for your kind words on my MidPoint reviewage, and if you're so inclined, there's 20 years of this stuff in the archive. Knock yourself out.
As for my social media blackout, I'm neither Amish nor am I a crotchety old duffer who doesn't understand the platforms and just wants these damn kids to stay out of my internet yard. My avoidance of Facebook has become something of a cause celebre; I didn't join because I couldn't see the benefit weighed against the time involved in posting/monitoring/responding, and now I'm one of a dozen people connected to the modern world who is not on Facebook.
At least part of the reason for the rest of it is the electronic array in the Bunker is just a couple of steps above the radio that the Professor made out of two palm fronds and a coconut shell on Gilligan's Island, and my phone is the Flintstones to everyone else's Jetsons. I have, in fact, grown rather weary of swearing at my 10-year-old Motorola flip phone (I know, I know), and I will soon be upgrading to something more befitting the second decade of the new millennium. And when that happens, I will probably be tweeting and whatnot with the rest of humanity. Until then, you kids stay the hell out of my internet yard.
Avi Buffalo plays a free show tonight at MOTR Pub at 10 p.m. Cincinnati’s Founding Fathers open.
Avi Buffalo began when Californian teenager Avigdor Zahner-Isenberg began home-recording songs in high school. After completing high school, he had a full band and an offer from esteemed indie label SubPop Records quickly followed. Avi Buffalo’s sublime, ethereal Indie Pop wowed critics and fans alike upon the release of the band’s self-titled SubPop debut in 2010. There’s a sense of wonder, romance and mystery in Zahner-Isenberg songs, something even more evident on the group’s highly anticipated sophomore full-length, At Best Cuckold, which was released in early September and drew even higher praise from critics. Fans of The Shins and Grandaddy will appreciate the wispy, beautifully melodic genius of Avi Buffalo’s songs, which caress the eardrums as they burrow into the listener’s cranium.
• Ellis Ludwig-Leone’s Indie Chamber Pop project San Fermin returns to Cincinnati tonight for a show at the new Woodward Theater in Over-the-Rhine. The ensemble performed one of its first shows ever at last year’s MidPoint Music Festival in Cincinnati; despite their debut album not being out yet, the concert still sold out.
Check out Jason Gargano’s interview with Ludwig-Leone from last week's CityBeat here.
Tonight’s show at the Woodward kicks off at 8:30 p.m. with a performance by Mikhael Paskalev. Tickets are $17.
• AltPop singer/songwriter Ingrid Michaelson plays the Taft Theatre tonight. Chris Koza opens the show at 8 p.m. Tickets are $25-$30.
Michelson has built a large fan base and experienced chart success since her self-released debut album, Slow the Rain, came out in the middle of the last decade; her next album, Girls and Boys, was her breakthrough, garnering mainstream attention after various tracks were used on TV shows (most notably, Grey’s Anatomy). Despite offers from big corporate labels, Michaelson has remained largely a DIY artist, putting albums out through her own Cabin 24 label (though she now has distribution through the notoriously artist-friendly Mom + Pop Music imprint).
Here is the recently unveiled video for “Afterlife,” the second single from this year’s Lights Out album. The new LP was her most collaborative yet; written and recorded after bouts with illnesses and other issues that left her in a dark place, Michelson collaborated with a range of producers and fellow songwriters.
I wish the “sunroom installation” that is part of Michael Keating’s current Shadow & Light exhibition at Kennedy Heights Arts Center (through Saturday) could move straight into a museum afterward.
It could serve to anchor a fuller, larger look at the noble project this veteran Cincinnati photojournalist (formerly with Cincinnati Enquirer) undertook to chronicle the final year in the life of an elderly neighbor, Clyde N. Day. Day, of Lakeside Park, Ky., died in 2011 at age 104. It deserves the widest possible audience.
Keating had long known Day, and the project was both a way to honor Day’s life and also show just how difficult life can be for the elderly. After Day’s first wife died, he remarried. His second wife preceded him in death by several months.
In the installation, which is in the former sunroom of the building at 6546 Montgomery Road that houses the arts center, Keating has placed Day’s dresser with memorabilia from his long life. And on the walls are photographs from the project.
Two black-and-white images really capture Day’s final months, in their quiet way. One, reproduced as a wall-sized, mural-like adhesive print (in two sections), shows Day painstakingly making his bed. Light seeps through the windows’ curtains, spotlighting the stand-up crutch he has left in the room to have hands free for this task.
It’s a mundane task, but the photograph conveys the sense of heroism, a sense of determination, with which he does it. And our perspective — we seem to be in the distance, looking slightly downward — makes us feel we’re watching something profound.
Other, smaller photographs are on another wall, ink-jet prints mounted on thick gator board. In one, a companion to the mural, we see Day in this same bedroom, sleeping on a small hospital bed with railings. The headboard of his other bed is propped against a wall — the mattress gone.
It’s a melancholy image when compared with the other, since you can see how one’s choices shrink as old age moves to its inevitable conclusion. Still, the room itself is comforting with its floral-print wallpaper. It’s a touch of the familiar and the secure.
Since Day’s death, Keating has helped start the Clyde N. Day Foundation to contribute to causes related to child safety, education and the arts. You can learn more about it, and also find more of his photos, at clydendayfoundation.org. This work is important.
It might seem impossible to celebrate both No Shave November and the sesquicentennial of the Civil War, but Cincinnati natives Julia and Anna Hider have just the solution.
Their blog-turned-book Badass Civil War Beards showcases the best facial hair the war had to offer, from the most recognized politicians to unidentified soldiers. There are many aspects of 1860s America that have thankfully vanished over the last century-and-a-half, but today’s modern man can learn plenty from the epic facial styles of Union and Confederate soldiers.
CityBeat recently sat down with Julia and Anna Hider to discuss their new book and all things beard related.
CityBeat: Where did you get the idea for the blog?
Julia Hider: I was watching a History Channel documentary about the Lincoln assassination, and I just noticed that everybody had crazy facial hair, and so I texted Anna and I said, ‘Hey, we’re gonna write a blog about this, will you go set one up?’ and she did. And she picked out the name and…here we are!
CB: Did it take off pretty quickly?
Anna Hider: I just have a personal Tumblr for stupid pictures, like dogs and stuff. We started getting followers pretty quickly, I was kind of surprised — there are obviously lots of people on Tumblr that have more followers than us, but I was surprised by the history fandom — I guess you would say — of Tumblr, and how many history nerds there are on there.
CB: Even though you were at different schools [Ohio State and Syracuse], did you collaborate on it the whole time?
AH: We each did one post a day.
CB: And how did it get on BuzzFeed?
AH: I did that! But the thing is, it was a community post, but it made it on the front page of buzzfeed.com
JH: So Anna just wrote it.
AH: And I just sent it out on the Internet.
JH: And the community editors liked it, so they promoted it to the front of the community page, then I guess more editors saw it and liked it and so they put it on the front page of Buzzfeed, which is impressive for a community post.
AH: It was like the first time they had done anything like that, so I’m like, ‘This is easy.’ It was actually my second Buzzfeed [post]; my first one was called, “9 Giant Rocks That Look Like Willies.”
JH: I really think Buzzfeed helped us get the [book] deal.
CB: And what made you want to turn it into a book?
JH: I first thought of it as a coffee table book, but I switched to the blog because it’s easier to do. But I was on Tumblr one day and saw that Chronicle...
AH: It’s like the biggest indie book publisher.
JH: ...out of San Francisco, I saw that they were having a contest and they were looking for the next Tumblr blog to turn into a book, and they wanted to have this contest so we entered it. And we didn’t win, but we got shortlisted, and that’s how we got it out there that we were interested in publishing a book, but we didn’t get the book deal for another year.
AH: It hasn’t even been a year, it was like mid-November of last year.
CB: Was it hard turning it into a book?
JH: Not really because we had a lot of stuff to draw on. When I write an everyday post, I normally find [photos] on Wikipedia because it’s easier to click through and you find one person, and that links to another person, and that links to another person…But we went through the Library of Congress to write the book, so all the pictures are from the Library and you can have the rights to those because they’re over 150 years old.
AH: And they’re in the public domain. There are tons that we had never seen before, like unidentified soldiers, doing weird stuff. There were two guys holding pipes up to each other, and we’re like, ‘We had never seen this before. This is incredible.’
JH: There’s a good mix of stuff that was popular on the blog or stuff that we really liked, and there’s also a good amount of new stuff, too.
CB: If you had to pick a side, who had better beards? The North or the South?
AH: This one constantly torments me, because I know people are going to ask this. I want to say the Confederates, but it’s probably the Union.
JH: I feel like it has to be the Union because they were more urban and cosmopolitan.
AH: And they had Ambrose Burnside, they had Abe Lincoln, they had tons of really creative stuff.
JH: The North just had way more people in general. I think that’s part of it.
CB: Do you think crazy beards like that will ever make a comeback?
JH: I think they kind of are.
CB: It’s kind of like the hipster look. Is it a bad thing, though?
AH: Of course not!
JH: You can express yourself through your facial hair.
AH: Everyone looks good in a beard.
CB: I’ve tried. Last year I did No Shave November and it was terrible.
CB: So do you have a most badass Civil War beard?
JH: I mean I really like Ambrose Burnside, but I also like when people tried to copy him. Sometimes it didn’t go so well. This one guy in the book, Gabriel Rains, it just doesn’t look good on him. It just looks bad.
AH: I really like Joe Revere, because he had a normal beard then he waxed it into like three points. I don’t know why you would do that, but he did and it looks really cool. Or Roswell Ripley, who just had the biggest mustache ever, and it’s kind of gross looking.
CB: Is there any other period of time where you think beards would rival [the Civil War]?
AH: Maybe caveman times.
JH: I think that’s really the only other time.
CB: But they couldn’t shave, so that’s really sort of unfair.
JH: You could sharpen a rock so it’s sharp enough to shave, right?
CB: So do you still post on the blog?
JH: Yea, I think it was important to keep posting because I didn’t want to make our followers feel like we had abandoned them because we were trying to write a book.
AH: It wouldn’t make sense to stop. We want more people to find out about it, and start growing beards of their own.
CB: Do you have any next steps, plans after this?
JH: We don’t have anything solid.
AH: But if we could write another book, it might be about ladies, like Badass Civil War Babes.
JH: Because we’ve been looking at guys’ faces every single day for almost three years, and I kind of get sick of it. I try to bring in ladies whenever I can, but it’s not that often. We’d like to give them some attention.
Julia and Anna Hider launch the release of Badass Civil War Beards tonight at 7 p.m. at Joseph-Beth Booksellers. For some inspiration on growing your own badass beard, check out their blog at badasscivilwarbeards.tumblr.com.
Morning y’all. Here’s a brief news rundown before I head off to a day full of meetings and news conferences. Hope you’re having as much fun on your Wednesday as I will be.
Cincinnati is set to receive a score of 100 on the Human Rights Campaign’s Municipal Equality Index, the group's highest possible rating. HRC will announce the score today at 10 a.m. at Memorial Hall. It’s a huge turnaround from just a decade ago, when the city finally overturned one of the most restrictive anti-LGBT rights ordinances in the country.
• Cincinnati’s last remaining facility providing abortions, a Planned Parenthood clinic in Mount Auburn, is suing the state in federal court over a law prohibiting state-funded hospitals from entering into emergency patient transfer agreements with clinics. The Planned Parenthood clinic had an agreement with nearby UC Hospital before the law went into effect, but the hospital was forced to end the agreement. Attorneys for the clinic say recent citations from the Ohio Department of Health for not having that agreement could shut it down, which would leave southwestern Ohio without access to an abortion provider. That, they say, violates a Supreme Court decision that ruled that states can’t put an undue burden on women seeking abortions. Cincinnati could become the largest metro area in the country without access to a clinic if the Planned Parenthood facility closes.
• Hamilton County’s prospective 2015 budget looks to have a lot of departments tightening their belts. County commissioners have indicated they're leaning toward something closer to a $200 million budget instead the more robust one put forth by county administrator Christian Sigman. Republicans Chris Monzel and Greg Hartmann are both proposing plans closer to the alternate path mainly because it doesn’t rely on a recommended quarter-cent sales tax increase, which would have needed voter approval next year. Democrat Todd Portune supports a 5-year tax bump, but he looks to be outvoted. If the commissioners forgo offering the tax increase to voters, it could leave a number of services, including the county coroner office and crime lab, without badly needed upgrades for another year. The budget would cut three positions from the office and could risk its accreditation, according to a budget impact report authored by Hamilton County Budget Director John Bruggen. It might eliminate 41 positions at the sheriff’s office, cause cuts to the county’s juvenile justice court, public defender’s office and many other county services. Commissioners hope to have the budget finalized by Nov. 24. A public hearing on the various options will be held Nov. 19.
• A fight is brewing over a proposal being considered by the Ohio Board of Education that could eliminate art, music and phys-ed instructors at some schools. Currently, Ohio has requirements that every public school in the state have at least five of eight specialized positions for each 1,000 students. Opponents of the standards change say it would allow schools to get rid of instructors for art, music, physical education and other subjects as well as librarians and other employees. These cuts, they say, would come most often at schools in low-income areas. Supporters say the change would give more power to local districts, allowing them to make staffing choices themselves. The standards have been in place since 1983. The 19-member board met yesterday in a public meeting to consider the idea, which a board committee has recommended for adoption. The meeting got testy when a 75-minute presentation about the standards was set before public comment could be heard. Four board members walked out of the meeting in protest, though they returned later.
• Authorities are gearing up for another round of civil unrest in Ferguson, Mo. A grand jury's decision on whether to indict officer Darren Wilson for the shooting death of Mike Brown is expected sometime this month, possibly very soon. Indications seem to suggest the grand jury will choose not to indict Wilson, leaving officials in the St. Louis area on edge.
• Finally, this is what we’ve come to as a society — meta drones. This small unmanned aircraft just took off from another drone. The bigger one, shaped like an aircraft carrier that is, err, also an aircraft, is called the Helidrone. It can lift another, smaller drone into the air, where the smaller drone also takes off. This is useful because… well, it’s cool at least. Thanks science!
Hello all. Hope you’re ready for some news, because I’ve got a bunch for ya.
First, happy Veterans Day! Here’s a timely bit of news: Cincinnati City Council members Chris Seelbach and Wendell Young announced an initiative yesterday to track the number of veterans employed by the city in an effort make Cincinnati the most welcoming city in the country for veterans. The initiative will require contractors working on city projects to report how many veterans are employed on those projects, as well as keeping track of how many the city itself employs.
“This data will show how your tax dollars help grow opportunities for our veterans and keep their families employed and growing in our region,” Seelbach said in a statement. After the data is collected, the city will work with contractors and veterans service agencies in the city to improve veteran employment opportunities. In the years after 9/11, unemployment for vets has remained stubbornly high, even as unemployment for the general population starts to fall.
• The Human Rights Campaign, one of the biggest LGBT rights advocacy groups in the country, has chosen Cincinnati as the place it will unveil its 2014 Municipal Equality Index, which measures how welcoming cities are to members of the LGBT community. They’ll release the results tomorrow at Memorial Hall. Check out our brief piece here for more details.
• Mayor John Cranley and Hamilton County Commissioner Todd Portune want to explore the possibility of the city and county sharing certain services in an effort to boost efficiency for both. You can read more in our blog post from yesterday, but here’s the short take: It’s not a new idea, and there are a lot of political hoops to jump through that have kept shared services from happening in the past. But there’s also a lot of interest in the idea, and Cranley and Portune say their proposal will work. They’ll be asking City Council and county commissioners tomorrow to approve the creation of a task force that will meet regularly to oversee city-county cooperation.
• Downtown’s Horseshoe Casino last month had its lowest-grossing month since opening in March 2013, taking in just under $14 million. A crowded field of gambling options in the region, including neighboring Hollywood Casino in Lawrenceburg, Indiana has contributed to the low earnings.
• While we’re talking about Indiana: Will the default of a major tollway in that state make financing the Brent Spence Bridge replacement more difficult? It’s a possibility, some investment experts say. A company contracted to manage the $3.85 billion Indiana Toll Road went bankrupt this fall, which could have ripple effects for a similar Brent Spence project, spooking investors who might otherwise be interested in it. Another interesting wrinkle in this story is that the Indiana project fell behind financially because of declining traffic on the Indiana toll road, a result of fewer folks using cars to get from point A to point B.
• Ohio’s charter schools are some of the lowest-performing in the country, a recent study found. The Stanford University research shows that after a year in an average Ohio charter school, students lag behind public school pupils in reading and math. Ohio’s schools were the fourth-lowest out of 26 states studied in terms of performance. An analysis by the Akron Beacon Journal suggests that for-profit charter schools are the reason for much of the performance disparity, with 14 of the state’s 16 lowest-performing charters run by for-profit companies. Eight of the top 12 charter schools, meanwhile, are run by non-profits. The analysis notes there are some exceptions to the rule, however, including three suburban Columbus charters run by New York-based company Mosaica Education. You can read the whole report here.
• Days after the U.S. 6th District Court of Appeals here in Cincinnati upheld the region’s same-sex marriage bans, the Supreme Court has put a temporary delay on removal of a similar ban in Kansas. After a district court there struck down the state’s ban, Kansas requested the Supreme Court put that decision on hold. Supreme Court Justice Sonia Sotomayor asked for response from same-sex marriage advocates to the state’s request, and in the meantime has temporarily delayed the removal of the state’s ban on gay marriage. The district court’s ruling was set to go into effect at 6 p.m. today, allowing same-sex couples in the state to wed. The ruling is just a temporary delay, however, and doesn’t signal whether the Supreme Court will ultimately rule in favor of the state.
• President Obama has made some of the most definitive statements of his presidency lately in regard to his support for net neutrality, saying yesterday that measures to ensure that Internet service providers treat online content equally is "a big priority of mine." The statement seemed like a bit of surprise to FCC Chair Tom Wheeler, a former telecom executive appointed by Obama. He's responded that the FCC is an independent agency and will do what it sees fit. The question, of course, is why Obama nominated a telecom exec to be FCC chair in the first place, but yeah. The battle over net neutrality was already raging well before Obama took office but has intensified in recent years as telecom companies seek to create what opponents describe as "fast lanes" that give faster service to some kinds of content over others. Obama is pushing to reclassify ISPs as utilities instead of communications companies, which would give the federal government more power to regulate them and enforce rules about equal treatment of data flowing through ISPs' networks.
• A Deer Park man claiming he was Jesus has been taken into custody for mental evaluation, police there say. The man apparently made threats to a locally based, national-level politician and authorities are assessing what kind of risk he poses to others. Mental health is a serious issue, of course, but I really have to point out the epic one-liner this guy got off during a 911 call about his condition.
"I'm messed up," the man said to a 911 operator. "Can you tell my father I'm OK?"
"OK, where is your father at?" the operator asked.
"Uh, everywhere," the man claiming to be Jesus responded. Zing.
Mayor John Cranley and Hamilton County Commissioner Todd Portune are proposing a task force that could help the city and county governments share services. The idea has been proposed in the past with little progress, however, due to politics and an unwillingness to cut departments. But Portune and Cranley point to city-county cooperation on The Banks riverfront development project as proof the two governments can coordinate.
Portune acknowledged that the idea has been floated many times in the past. The Democrat commissioner sent a proposal to former Mayor Mark Mallory about the idea in 2011. Republican Hamilton County Commissioner Greg Hartmann also discussed shared services many times with city officials, but again nothing ever came of the talks.
Hamilton County Commissioner Chris Monzel has also expressed interest in shared services, pointing out situations where the city relies on the state, such as hospital inspections, as possible places where the city and county could work together. He says the county could do those inspections.
Hartmann has said coordinating services between the two bodies is a matter of political will, not necessarily further study. He’s on the fence about supporting the effort.
Past failures don’t mean cooperation isn’t possible or necessary, Portune said. He said The Banks project, which is finally seeing fruition after more than a decade of work, is a great example of what the city and county can do together.
“Just go about 12 blocks south of here and you look at the magnificent things that are happening on the city and the county’s central riverfront,” Portune said. “All of the new development at The Banks, all of that was planned and envisioned and decided through a joint city and county effort.”
He said a similar arrangement could work on a more permanent basis, helping both the city and county save valuable resources.
“In this day and age of lower revenues and resources, of squeezed budgets, of the state and federal government giving greater unfunded mandates on local governments,” Portune said, “we have to do more and more with less and less annually.”
Cranley and Portune will introduce matching proposals at Cincinnati City Council and board of commissioners meetings Wednesdays asking both bodies to create a group that would study ways the city and county could share some services for greater efficiency. The group would meet at least quarterly with commissioners and council members.
“We have to try all things,” Cranley said. He said dwindling resources and looming changes in state business taxes could take a bite out of local government funds. Cranley has been a vocal opponent of such changes by the state but said he sees shared services as a good idea either way. “Just because we think it’s fair and right that the state government stop attacking local government doesn’t mean we shouldn’t pursue shared services.”
Under the shared services arrangement, some departments in both governments, such as the county’s permitting departments or the city’s Environmental Services Office, could eventually see reductions as two offices are folded into one.
Cranley said a few areas spring to mind as possible places for sharing services, including the city prosecutor’s office. But he said that doesn’t mean the office will close up shop.
“I think the city is going to maintain a prosecutorial function,” Cranley said, noting that he thinks the city is better suited to pursue some cases, such as negligent property owners. “I think our efforts will be ramped up in some cases, not reduced.”
But Cranley also said that some prosecutions are duplicated by the two courts and that some criminal cases could be better handled by the county.
Portune said the effort could lead to wider cooperation among local governments. There is great interest in pooling resources and sharing services among the area’s 48 municipalities and other jurisdictions, he said.
“This effort should not be limited to just the city and the county,” he said. “It’s going to start out this way. But ... there’s a tremendous appetite with the other 48 local jurisdictions. Some of that has happened, but there’s an awful lot more that could and should.”
National LGBT rights group Human Rights Campaign will make a trip to Cincinnati Wednesday to announce its Municipal Equality Index.
The index scores how welcoming cities are to members of the LGBT community. HRC researched every state capital, the country's 200 biggest cities by population, the four largest cities in every state, the city with every state's largest public university and 75 of the country's mid-sized cities with the highest proportion of same-sex couples.
The scores take into account municipal laws, whether cities offer employees domestic partner benefits and law enforcement and city officials' relationships with the LGBT community. A perfect score is 100, which indicates "an exemplary commitment to full equality for all its residents and workers," HRC said in a news release.
Cincinnati has been in the spotlight recently for LGBT rights issues. The U.S. 6th Circuit Court of Appeals, based in the city, heard cases over the summer seeking to strike down same-sex marriage bans in Ohio, Kentucky, Michigan and Tennessee. Last week the court upheld those bans, likely setting off a Supreme Court challenge to the laws.
HRC will announce Cincinnati's equality index score, a perfect 100, as well as overall national scores at Memorial Hall Wednesday at 10 a.m. Mayor John Cranley, Councilman Chris Seelbach, Councilwoman Yvette Simpson and noted LGBT advocates will also speak at the event.
Last month, several photos featuring the members of Cincinnati’s Wussy hanging out at the CBS studios in New York made their way to the band’s social media accounts. Turns out the band wasn’t just taking a studio tour; they were invited guests!
Wussy filmed an in-studio session and were interviewed for a feature on the band that will appear on CBS This Morning Nov. 29. The date was revealed on this past Saturday’s CBS This Morning. It will be the band’s network television debut, the latest milestone for Wussy, which has seen its national profile continually rise gradually over the past several years.
CBS This Morning’s Saturday edition has been doing weekly musician profiles for a while now on a segment called “Saturday Sessions.” The show has featured artists like The Head and the Heart, Trampled by Turtles, Delta Spirit, Gaslight Anthem and Counting Crows in recent months (British musicians Johnny Marr and James play the next two “Saturday Sessions,” respectively).
Here are the Cincinnati natives of The National performing a session for the show earlier this year.