Mayor John Cranley today announced the creation of a 78-person task force that will work toward making Cincinnati "the most immigrant-friendly city in the country."
The effort will work to bring more investment from highly-educated and well-to-do immigrants to the area. Few specifics were offered about how the initiative would address the hot topic of undocumented immigration.
“This is a country of immigrants, and this is a place where immigration is rewarded and thanked,” Cranley said during a news conference at Music Hall. “We’re all going to be richer and better by being a friendly city for immigrants.”
The task force, which is all-volunteer and uses no city money at this point, will research ways to attract and retain immigrants in the city. The group will be split into five committees focused on economic development, community resources, education/talent retention, international attractions and rights and safety. The task force will be led by co-chairs Raj Chundur and Tom Fernandez.
Cranley cited economic studies suggesting that immigration is good for economic growth. Economic experts and politicians are split on the wider point of whether welcoming more immigrants overall aids the economy, though some researchers believe even undocumented immigrants are a net positive. Either way, there is much evidence to suggest well-thought-out programs to attract documented immigrants can help cities. Dayton began working to attract immigrants in 2009, and has received national attention for its program. Since the start of the program, more than 3,000 immigrants, mostly from Turkey, have moved to Dayton, helping to revitalize the city's blighted North Dayton neighborhood.
He specifically discussed the EB5 visa program, which rewards immigrants who invest between $500,000 to $1 million in their communities with a special long-term visa and the opportunity for citizenship. He said that program has helped spur development in the city, especially along the Short Vine area in Corryville.
“I can tell you this means a lot to me personally, because I and my family are immigrants to this country,” said University of Cincinnati President Santa Ono, who will lead the task force’s education committee. Ono said his time at UC has shown him just how important attracting and retaining immigrants is for the city.
Cranley hedged some on revealing how undocumented immigrants would fit into the plan, saying that was work the task force will need to do as it prepares its recommendations.
“The whole point of the task force is to look at these issues in depth and come back with specific recommendations,” he said.
The mayor did share one effort to help children refugees in the country’s ongoing border crisis, though it is unrelated to the task force. Catholic Charities Southwest Ohio CEO Ted Bergh is a co-chair on the task force’s community resources committee. That nonprofit group and the Catholic Archdiocese in Cincinnati are working to help house in dormitories and hopefully find temporary foster homes (called "sponsors") for about 50 kids who have crossed the border into the United States due to turmoil in Mexico and Central America.The groups have applied for federal grants through the Department of Health and Human Services to fund the effort.
Tons going on today in Cincinnati. Check it out.
Vice President Joe Biden spoke this morning at the National Urban League Conference, which is here in town this year. Biden’s speech touched on the challenges the black community has historically faced and the progress the country has made toward economic and social equality. But there are a lot of challenges ahead, the VP said.
“Both civil and economic rights are under siege in the aftermath of the great recession. We can’t be satisfied with where we are now in either civil rights or economic opportunities for African Americans,” he said. Biden called out new voting laws designed to “prevent fraud where no fraud exists” in states like Wisconsin and Pennsylvania. Ohio has attempted to enact new voting laws as well, limiting early voting times during which many black voters go to the ballot.
“We need to call this what it is,” Biden said. “This is an attempt to suppress minority voting masquerading as an attempt to end fraud.”
Biden also outlined the deep economic disparities facing African Americans, including lack of access to high-quality education and good paying jobs. But there's hope, he said, highlighting new jobs in technology and the medical industry. "If I made this presentation to you seven years ago, I wouldn't be so optimistic. But I'm telling you, this is a new era, not just because of this administration. We're better positioned than anyone in the world." But the United States needs to invest in education and infrastructure to capitalize on that opportunity, Biden said.
True to form, he sprinkled some scatter-brained levity into his talk, opening with wall to wall jokes. Biden’s daughter Ashley is on the board of the Urban League, he noted. “I should have had at least one Republican kid who makes money,” he joked. “That way, when they put me in a home, I get a room with a view.”
• Hundreds of folks from all over the city crowded into the Sharonville Convention Center last night to talk about the plan to hike sales taxes to pay for renovations at Union Terminal and Music Hall. Many supporters of the plan showed up, but there were some skeptics in the audience as well. One suggestion that popped up a couple times, and that Commissioners say they may consider, is splitting renovations of the two buildings. Some have suggested raising taxes by a smaller amount so that people across the county can help pay for the badly-needed renovations to Union Terminal, while saving less-urgent Music Hall for the city to fund. Other attendees at the meeting didn’t like the proposed tax plan at all, saying they felt it put too much burden on the county. Many of the plan’s supporters came sporting the yellow signs that are part of the Save Our Icons campaign, a local effort to raise awareness about the buildings and advocate for a renovation plan sponsored by the Cincinnati Museum Center and Music Hall Revitalization Company. The next and final public meeting on the plan before Commissioners decide whether it will go on the ballot will be at the Commissioners’ regular meeting at 11 a.m. on Monday, July 30.
• Former P&G CEO Bob McDonald is another step closer to becoming the head of the Department of Veterans Affairs after the Senate Committee on Veterans Affairs voted unanimously yesterday to endorse his nomination. The VA has been plagued by mismanagement, with serious questions arising about patient wait times and record keeping at the agency. Sen. Sherrod Brown is on the committee, and voiced strong confidence in McDonald.
“The VA is faced with many hurdles that it must overcome,” Brown said. “These hurdles are not insurmountable, and I am confident Bob McDonald will meet these challenges head-on.”
McDonald is a veteran himself, graduating from West Point and serving in the Army Rangers before his time at P&G.
“…I desperately want this job because I think I can make a difference,” McDonald told the committee yesterday.
• Cincinnati is the top city in the country for recreation, a new ranking says. A study done by finance website WalletHub.com puts our fair city on top of the nation’s 100 largest cities when it comes to having a good time. The study measured availability and affordability of various recreation—from parks to bowling to beer and wine—and then ranked cities accordingly. In all, 24 factors were considered. Most notably, the city is 2nd in the country when it comes to low prices for pizza and burgers. That’s the kind of metric I like to see. I may need to verify this during lunch hour today.
• A local non-profit called People’s Liberty has announced it will give out two $100,000 grants to Cincinnatians looking to make a difference in their community. Smaller grants will also be available for one-off projects and efforts. The group, which will be based in the Globe Building across from Findlay Market in northern Over-the-Rhine, is looking for “civic rock stars” who will use the money to try new, adventurous ways of getting people civically engaged. The grants will come with access to work space, support from staff, and connections with Cincinnati’s business and non-profit communities.
The coolest thing about this idea, I think, is the promise to make it inclusive and diverse.
"This is not going to be a playhouse for the hip," CEO Eric Avner told the Enquirer. "We will talk to everybody. We will listen to everybody. We will do it with intention."
• Finally, from the "weird crimes" file—the press secretary for a Pennsylvania Republican congressman was arrested late last week for trying to bring a loaded 9mm pistol into the Cannon congressional office building. Ryan Shucard, the press secretary for Rep. Tom Marino, tried to walk right through a security checkpoint at the building, which is just a block from the Capitol. Security found the weapon and magazine, and how Shucard is charged with carrying a weapon without a license, which is a felony.
Strangely enough, all of the regular content eye-catching words start with the letter “P.”
paucity: smallness of quantity, n.
reporters note that rockets fired from Gaza are aimed at Israeli civilians,
although they note the comparative paucity of Israeli victims,” in Ben L.
Kaufman’s Curmudgeon Notes. Yet again, another week of worthy comments on the
shortcomings of journalistic coverage. His comments on the reporting of the
Israeli-Palestinian conflict are important albeit hard to understand.
portend: to foreshadow, v. (used with an object)
“What does this all portend for the live presence of Clap Your Hands Say Yeah?” in Brian Baker’s Sound Advice for the CYHSY show. Actually, that’s a great question, considering the band used to have four members and at least three of them have left the group since 2011. I’m curious how this resolves itself on Fountain Square this Friday night.
prescient: to have knowledge of something before it exists, adj.
example of how prescient the Alvins believe Broonzy to have been …” in Steven
Rosen’s Bond of Brothers, describing the relationship two really old guys have
with a record done by an even older guy that they listened to in their
Worst Politicians Vocabulary
apprised: to inform or tell someone, v.
“Dayton explained he had been credibly, confidently apprised that the Capitol itself would be shortly laid waste by terrorists,” in Neal Karlen’s description of Minnesota Governor Mark Dayton. Who apprised him of that?
Also, who knew that someone who gave his own tenure in the Senate an “F” could be elected governor on a pity vote? I didn’t know it was so easy but then again, I don’t have $4 million to finance my own campaign.
moribund: in a dying state, near death, adj.
“A defrocked demagogue, she still pretends her Tea Party is a reactionary revolution, not a moribund refuge for the Republicans’ traditional bloc of bat-shit crazy far-right-wingers,” in Karlen’s bit on Minnesota U.S. Representative Michele Bachmann.
I hope Karlen’s use of moribund in relation to the Tea Party is accurate, but considering Bachmann’s talk of another presidential run in 2016, it may be wishful thinking. Karlen (if you ever read this), brace yourself because I’m sure you’ll have to cover that.
Shout-out to Karlen, by the way, for using one of my personal favorite phrases, “bat-shit crazy.” I keep trying to convince my mother it’s a thing because obviously, it’s a thing.
opprobrium: harsh criticism or censure, n.
“… Jan Brewer affixed her signature to the infamous, immigrant-bashing Senate Bill 1070 and rode a wave of xenophobia to electoral triumph… and liberal opprobrium,” in Stephen Lemons description of Arizona Governor Jan Brewer. It wasn’t just “liberal opprobrium,” considering the U.S. Supreme Court threw out a lot of the law as unconstitutional. Take that, Jan Brewer.
When I was learning how to insert the photos, our design editor specifically said, “Use the photo where she’s laughing like the devil.”
troglodyte: a prehistoric cave-dweller, a person of degraded character or a person unacquainted with affairs of the world, n.
“DeMint backed Todd ‘Legitimate Rape’ Akin, Richard ‘God Wants Rape Babies’ Mourdock and a host of other troglodyte true-believers,” in Chris Haire’s bit on South Carolina former U.S. Senator Jim DeMint. Troglodyte is the word of the week, hands down. Pick whatever definition you want, they all apply. Props to Haire for his ability to find the perfect word for such people. DeMint was one of my personal favorites on the list, for his views that gays and unwed heterosexual women having sex shouldn’t be allowed to teach in public schools. I’d love to hear his plans for unwed heterosexual men and how he would like to enforce these ideas.
state schools in Indiana (or at least Ball State) start school really early
(like August 18) so I’m heading back to Muncie and you lovely people only have
one more week until you probably won’t notice the fabulous words in CityBeat
anymore. Please return next week for my going away Fiesta Edition. I just made
Mandatory Fun, Al’s final album
on his 32-year contract, features riffs on Pharrell’s “Happy” (“Tacky”), Lorde’s “Royals” (“Foil”)
and Iggy Azalea’s “Fancy” (“Handy”)
along with general style spoofs like “Sports Song” and “First World Problems,”
which resembles like a Pixies tune.
The Queen’s Guard performed
the Game of Thrones theme song outside Buckingham Palace, which is kind of
strange when you remember Thrones is
a show where royals are slaughtered, babies are fed to scary ice zombies and
the queen is an incestuous bitch. Happy Birthday, Prince George!
Maroon 5’s Adam Levine and Glee’s Naya Rivera both got secret-married this weekend – just not to each other. Levine and Victoria’s Secret model Behati Prinsloo were wed in a ceremony officiated by Jonah Hill (seriously) while Rivera tied the knot with Ryan Dorsey, a guy who is definitely not rapper Big Sean (whom Rivera was engaged to just three months ago). All together now: “We want prenup, we want prenup!”
In non-news related news, Kanye West continues his Delusions of Grandeur tour, spouting nonsensical bullshit in his latest interview with GQ. In the cover story, West talks Kim K., calls himself a blowfish and quotes Step Brothers. What is interesting, however, is this video of a 19-year-old West, Baby 'Ye, freestyling in New York record shop Fat Beats in 1996.
noticed that Joaquin Phoenix has a very expressive forehead that, when viewed
upside down, looks like a second face.
movie trailers to hit the
Interwebz: Dear White People, a satirical look at race relations from millennials' perspectives; Alan Turing biopic The Imitation Game, starring Benedict Cumberbatch as the British genius/computer science pioneer; and creepy "cabin in the woods" thriller Honeymoon starring Ygritte from Game of Thrones and Dr. Frankenstein from Penny Dreadful.
Three years ago on summer vacation, I heard about Pitchfork Music Festival from my older sister. She went to the festival with friends from her college radio station, and told me about spending the weekend in Chicago, crashing on a friend’s apartment floor and navigating the train system. It didn’t sound particularly comfortable, but I wanted to see for myself.
The next year, I bought my ticket and found my way to the festival grounds, an ordinary public park with baseball diamonds and a conveniently located CTA train stop. During last year’s festival, which was filled with uninvited weather, I stood in the rain to watch Bjork, who was dressed like an extraterrestrial porcupine, and witnessed Lil B, “The BasedGod,” inspire thousands of his devoted supporters. I left exhausted, but figured I would come back next year.
Heading into the festival this year, I was excited for the headliners and many smaller artists I’ve never seen. But as I walked into the park on Friday, there were two major surprises: a clear sky and free Twinkies.
I arrived at the festival in the early afternoon and headed over to the Blue Stage in the corner of the park. I listened to the Haxan Cloak for a short time, before leaving to see Sharon Van Etten on the Red stage. As I waited, my anticipation grew waiting to hear her perform songs from her outstanding new album, Are We There. Once Neneh Cherry ended on the adjacent stage, Van Etten began with “Afraid of Nothing,” the album’s first song.
She wasn’t afraid of anything, jumping right into the performance by displaying her honest songwriting, singing “You told me the day/That you show me your face/We’d be in trouble for a long time.” Near the end of her set, she humbly thanked her band and began the melancholy “Your Love is Killing Me."
After focusing on Van Etten’s lyrics that revolved around the difficulties of love, I was ready for Avey Tare’s Slasher Flicks to take the stage. The newly formed trio is led by Animal Collective member Dave Porter, who joined forces with former Dirty Projector member Angel Deradoorian and ex-Ponytail drummer Jeremy Hyman to create their first record, Enter the Slasher House.
There’s more to Slasher Flicks besides Avey Tare as Deradoorian controlled the woozy synths and driving basslines behind a stack of keyboards and contributed another layer with echoing vocals.The second “Little Fang” began, the crowd bobbed their heads, moving to the beat of the punctuated bassline. The crowd later joined Avey Tare in singing the song’s chorus, “You’re something special/You’ve got to shout it out/If there are doubts then we will groove it out.” Nearly the entire crowd agreed with Avey’s lyrics and kept a high level of energy until the finale, “Strange Colores”.
After getting back late from seeing Deafheaven at the Bottom Lounge, I would have loved to sleep in before starting Day 2, but after seeing Twin Peaks at the Northside Rock n’ Roll Carnival, I couldn’t miss seeing the band play in their hometown. Frontman Cadien James certainly wasn’t going to let his broken leg stop him as he rolled out on stage in a wheelchair.
The young band played a mix of old songs, like “Baby Blue,” and tore through crowd favorites “Flavor” and “I Found a New Way” off their upcoming album Wild Onion. The entire band was elated to be kicking off the festival’s second day in front of many of their friends.
Cloud Nothings performed later in the day on the red stage, following a great performance by British quartet Wild Beasts. I watched from afar as I grabbed a spot up front for Cloud Nothings. After seeing them at Midpoint Music Festival in 2012, they’ve become one of my favorite bands, and one I most anticipated seeing at Pitchfork.
Lead singer Dylan Baldi walked on stage and counted off “Now Here In”, the first track on their sophomore album Here and Nowhere Else. The moshpit broke open during “Separation”, while the security guards constantly motioned towards each other every time they spotted a crowd surfer. Like most shows, Baldi ended with “Wasted Days,” but this time, he brought out two friends to add more power to the grueling, eight-minute track.
Leading up to the festival, Sunday sold out the fastest, partly due to the Kendrick Lamar’s headlining spot, but most likely because the entire day was filled with exciting acts. I also wanted to check out some of this year’s upcoming Midpoint Music Festival performers (Speedy Ortiz, Mutual Benefit and Real Estate).
After eating a much-needed breakfast in Logan Square Sunday morning, I was ready for the final day. But, without thinking, I boarded the wrong train on my way to the park, forcing me to backtrack to the loop. I got to the festival just in time to head over to the Blue Stage to see Speedy Ortiz, a band from Massachusetts who played a handful of songs from their awesome record Major Arcana. Then I went to the Green Stage to see Mutual Benefit, a Folk project created by Columbus native Jordan Lee. His stunning music was a great fit for the crowd that was spread out across the festival grounds.
Throughout the entire day, the Red Stage was filled with amazing shows by the likes of DIIV, Earl Sweatshirt and Grimes. DIIV played a cover of Bob Dylan’s “Like A Rolling Stone,” along with a handful of new songs. Real Estate started its set in the early evening with a cover of the Nerves’ “Paper Dolls” and worked in a few songs from previous records. The crowed responded the most to “Horizon” and “Crime” from the new album Atlas. Once Real Estate ended, I took a break to sit down with friends and eat some pizza. After resting up, I was ready to see Kendrick perform for the first time after missing him multiple times in Cincinnati.
While Kendrick Lamar was still on his ascension to the top when he played Pitchfork two years ago, there’s no question he deserves the headlining spot. He’s considered the king of the West Coast after releasing his major label debut that detailed his life in Compton.
Finally, the lights were lowered and the screen lit up, showing the beginning of the short film that accompanied Kendrick throughout his set. The large video screen later projected scenes of empty liquor bottles rattling on the floor during “Swimming Pools (Drank)” and Kendrick driving his mom’s purple Dodge Caravan down Compton’s Rosecrans Avenue in the late hours of the night.
As his backing band began playing “Money Trees”, Kendrick came out to a roaring crowd. The energy continued as Kendrick began “Backseat Freestyle” and later performed “m.A.A.d city.” Every minute of the show Kendrick had the audience’s full attention, whether they were rapping along or listening to him speak. After performing every song fromgood kid, m.A.A.d. city, Kendrick left the stage, only to come back to perform “A.D.H.D” from Section .80. The 27-year-old rapper proved that with his skillful vocal delivery and interactive showmanship, he possesses the ability to connect with his fans and capture the attention of a crowd any size.
After finding my way out of the park, I realized that the Pitchfork Music Festival might be the only time where Shoegaze pioneers Slowdive, the widely recognizable Earl Sweatshirt and Disco legend Giorgio Moroder all played on the same stages in one weekend.
Pitchfork, the website, may be criticized for their decimal rating scale, or removing poor reviews of albums (i.e. deleting their 0.8 rating/review of Belle & Sebastian’s mid 2000’s comeback album The Boy with the Arab Strap), but each summer music-fans leave its festival satisfied. The bottom line is that Pitchfork creates a music festival featuring an eccentric lineup, consistent ticket prices and much smaller grounds than most major music festivals.
If you go to Pitchfork next year, expect a balanced dose of Indie Rock, Hip Hop, Folk and much more for $140 in Union Park with 18,000 people standing in the outfield of a baseball diamond.
It’s a pretty good morning for news, so let’s get to it.
Cincinnati City Council's epic struggle this spring over the Central Parkway bike lane is barely a memory and the city is well on its way to a protected bike route from uptown to downtown. Crews are painting the new lanes right now, like, probably as I type, sectioning off a whole portion of the road meant only for cyclists. No more frantically looking over your shoulder every three seconds, bikers. No more getting caught behind a cyclist when you’re late to work, drivers. Everyone wins. After the lanes are painted and signage about new parking patterns is installed, crews will put up the plastic poles between the road and the bike lane, and we’ll all be ready to ride.
• A non-profit development group for the city’s uptown neighborhoods is looking for land to purchase in order to make a new federal research center a reality. The Uptown Consortium is trying to find the 14 acres in Avondale and Corryville near Reading Road and Martin Luther King Blvd. for the National Institute of Occupational Health and Safety to build its multimillion dollar headquarters. NIOSH already runs two facilities in the region—one in the East End and another in Pleasant Ridge. This facility would consolidate the two and bring hundreds of jobs to the uptown area. Both the current facilities are 60 years old. The area is already home to a number of health facilities, including UC Health and Children’s Hospital. Representatives for the consortium said the land hunt is an ongoing project with no set timeline just yet. NIOSH researches issues around workplace safety.
• The Hamilton County Coroner yesterday released the autopsy report for Brogan Dulle, the 21-year-old UC student who went missing in the early hours of May 18 and was later found hanged in the building next to his apartment. The report confirms what authorities believed—that Dulle’s death was suicide. No signs of trauma or struggle were found on Dulle’s body other than the hanging-related injuries that caused his death.
There are still puzzling elements about Dulle’s death, mostly around why he would want to commit suicide.
“It's an investigation that's raised a lot of questions and we still have a lot of questions we may never know the answers to," said Assistant Police Chief Dave Bailey.
• Food stamp usage is down in Ohio, Kentucky, and Indiana, following a national trend, says a report from the non-partisan Center for Budget and Policy Priorities. The report found that usage dropped more than 4 percent in Ohio from Feb. 2013 to Feb. 2014. Some of this news is good–a portion of those spending reductions came from a decrease in demand due to the economy’s slight but steady improvement. But some of the reductions come from last year’s cuts to the Supplemental Nutrition Assistance Program, the government’s main nutrition aid effort. SNAP spending by the federal government increased following the great recession as more individuals and families navigated tough economic situations and found themselves needing aid. That increase became a talking point for Republicans looking to slash government spending. At its peak in 2010 spending from the SNAP program accounted for .5 percent of the nation’s gross domestic product, nearly double what it had been earlier in the decade. Conservatives in Congress used the fact spending had gone up to attempt deep cuts to the program, passing several new stipulations. As the economy gets better, and as these cuts have taken effect, spending on SNAP has dropped to .25 percent of the nation’s economy, according to research by the Congressional Budget Office.
• Do you like alcohol, but hate that it’s in that hard-to-transport liquid form? Science has you covered. Turns out there’s a product called Palcohol that is, you guessed it, powdered, freeze-dried alcohol. Kind of like astronaut ice cream, only it’ll get ya drunk. This definitely reminds me of a certain Parks and Recreation bit. While Ron Swanson says there’s no wrong way to consume alcohol, the Ohio General Assembly wouldn’t say that. Lawmakers are working on a bill to ban the product. Palcohol received approval from the U.S. Alcohol and Tobacco Tax and Trade Bureau, though the department quickly reversed its decision. It’s also been banned or will soon be banned in a number of other states including Alaska and New York. Turns out, things that aren’t that great for you anyway are even worse for you in powdered form. In May, an 18-year-old Ohio man died from consuming a heaping helping of powdered caffeine. The FDA now warns consumers to, you know, not do that kind of thing. Palcohol's inventor released a video addressing some concerns about the product, which you can check out right here.
Northside Community Council voted July 21 to allow a needle exchange program in the neighborhood. The effort, run by the Cincinnati Exchange Program, will start sometime in August and operate from a van one day a week for three hours at a time. Planned Parenthood will also participate, providing testing services for diseases like HIV and hepatitis.
Exchanges, which aim to cut down the transmission of those diseases among intravenous drug users, have been controversial in the city. A similar effort in Springdale earlier this year was shut down after just a few weeks due to outcry from some in the community. But the community council in Northside thinks the program is worth it.
“The community has been doing its due diligence as to how the program would work and what the repercussions are, and decided the health benefits definitely outweigh any consequences,” said Northside Community Council President Ollie Kroner. “Northside wants to be part of the solution to the heroin epidemic.”
A 2012 study by the U.S. National Library of Medicine found that needle exchange programs can greatly reduce the number used syringes found littering streets. And a 2004 study by the World Health Organization found that exchanges do not increase the rate of heroin use in areas where they are undertaken.
Heroin addiction has been rising steadily in Ohio in the past five years. 2012 Ohio Department of Health data shows that 159 people in Hamilton County died from heroin overdoses, a 6 percent increase over the year before. Experts trace the epidemic to an increase in the availability of prescription opiates in the last decade. As Ohio has cracked down on those drugs, addicts turn to other, similar drugs to experience the same high. The most popular by far is heroin.
Local organizations, including Northside-based Caracole work hard to fight heroin addiction and prevent overdoses. But as heroin use increases, needles infected with various blood-borne diseases including HIV and hepatitis are a serious concern. Hepatitis C in particular has been increasing among intravenous drug users in the area. Needle exchanges allow a person to exchange a used needle for a new, sterile one, so they at least won’t catch deadly diseases associated with intravenous drug use. The exchanges also cut down on the level of needle litter, meaning less risk of exposure for community members who aren’t using.
Opponents say exchanges encourage heroin use, but supporters of the programs say the availability of clean needles alone won’t sway a person to take or not take the incredibly addictive drug.
Kroner said the effort is a six-month pilot program to demonstrate the benefits of needle exchanges. Though some in the community have expressed concerns that the exchange will create a perception that Northside has a heroin issue, Kroner emphasized that the program isn’t a response to any specific drug problem in the community.
“What we’re really hoping is that Northside can show that this kind of program can work in other communities,” Kroner said.
It's morning! I have news! Morning news! Wow, sorry, that's a lot of exclamation points. I sprung for the large iced coffee this morning and probably need to settle down a little. Anyway, here we go:
Cincinnati is playing host to the annual National Urban League Conference this week. The event, held by one of America’s oldest and largest civil rights organizations, is expected to draw 8,000 people to the city for events Wednesday through Saturday.
The conference is a big deal for Cincinnati. Last time the city tried to host the event in 2003, it was recovering from the 2001 civil unrest that gave Cincinnati a national reputation for race problems. Notable black entertainers boycotted downtown and the Urban League took its conference elsewhere. Since then, some reconciliation and a lot of revitalization has happened, but many old problems remain. In a report called “The State of Black America,” the Urban League ranked the city 74th out of 77 peer cities in terms of economic equity between blacks and whites. Blacks in the Greater Cincinnati area make an average of $24,272 a year compared to $57,481 for whites, the greatest disparity of any city in the region.
Here’s a quote worth thinking about in a Cincinnati Enquirer piece on the event:
"The riots ... were also about economic frustration," said Donna Jones Baker, president and chief executive of the Urban League of Greater Southwest Ohio. "These economic gaps continue. And while we have a vibrancy in the city because of wonderful things happening, we have a group of people who can't access them. We can’t expect people to suffer in silence forever.”
Among those attending the event are Vice President Joe Biden and Kentucky Senator Rand Paul. Biden will make opening remarks Wednesday and Paul will deliver a town hall speech Friday. This seems like a good opportunity for both to keep their speaking short and their listening long, but yeah.
• The cost of renovating Union Terminal and Music Hall may be more than initially estimated, a group of consultants say. International real estate company Hines looked over engineers’ $331 million cost estimates and found places where more money may be needed for both projects. The possible overrun could amount to $10 million more added to the project.
The revelation comes during a continuing disagreement about where renovation money should come from. Hamilton County Commissioner Greg Hartmann suggests the city chip in to help shore up the landmarks. Hartmann argues that the county can’t “go it alone” in efforts to fix the buildings. A further city contribution would be in addition to the $10 million the city has already pledged for the renovations. Mayor John Cranley shot back at Hartmann yesterday with an editorial detailing the city’s ongoing commitment to the buildings.
• A group of parachutists landed on a parking garage at Fourth and Elm yesterday, according to police. Annnd…. that’s about all anyone knows about it. The group may have been BASE jumpers parachuting from Carew Tower, or may have jumped from an airplane, though air traffic controllers at Lunken Airport didn’t report anything out of the ordinary. Maybe they were protesting something, but none were wearing tiger suits or waving banners shaming Procter & Gamble, so it's hard to tell.
• Horseshoe Casino, which has been open just over a year, is undertaking a half-million dollar, 8,700-square-foot expansion. The new addition sounds like it will be a patio for people to take smoke breaks when they need to cool off from all the fun they’re having fighting battles against the one-armed bandit (that’s a slot machine for those not hip to casino lingo). The patio will be enclosed, have a bar and will only be accessible from inside the casino, Horseshoe representatives say, though they’re tight-lipped so far about further details.
• Cincinnati and Mayor Cranley are featured prominently in a Governing magazine article about changes in the way cities view their outlying suburbs. The article discusses how some cities are shifting away from the view that suburbs are valuable prizes to be annexed or wrapped up in Indianapolis/Louisville-style city and county combined governments. A renewed interest in cities among the young and well-to-do and an increase in suburban poverty are cited as reasons for the shift in thinking from some city leaders.
Cranley’s view that Cincinnati is just fine without taking over surrounding suburbs challenges conventional accepted wisdom.
“You had a sentiment that urban cores need the wealth of the suburbs to have a better budget picture,” he says in the article. “People in the suburbs escaped the city to flee the problems. But that’s changing. You’re going to see cities in a better financial situation than a lot of the suburbs.”
• Finally, a story that could (hopefully) only happen in New York City, where a developer has won permission from the city to have two separate entrances in a new apartment building — one for well-to-do residents of its luxury units and another for the tenants of its required-by-law affordable units. So, basically, a poor door.
Last year, another developer explained just such a plan for another building thusly:
“No one ever said that the goal was full integration of these populations,” said David Von Spreckelsen, a senior VP at Toll Brothers, a New York development company. “So now you have politicians talking about that, saying how horrible those back doors are. I think it’s unfair to expect very high-income homeowners who paid a fortune to live in their building to have to be in the same boat as low-income renters, who are very fortunate to live in a new building in a great neighborhood.”
Translation: Being rich is hard when you have to rub elbows with not-rich folks, who should just shut up and enjoy the crumbs we’re throwing them.
Don't walk. Run to the School for Creative and Performing Arts (SCPA) to catch the remaining performances of La Calisto, an opera composed in 1653 that's equal parts romance and raunch, performed by a superb cast of singers, instrumentalists and dancers who are all clearly having a wonderful time.
Composer Franceso Cavalli was savvy enough to take opera out of palaces and into public theaters, where he made a fortune. He used the story of virgin Calisto, a follower of the goddess Diana, who is seduced by Jove and transformed into a bear by the vengeful Juno. Diana has her own problems with hormones and so does another of her followers. There's not much sacred and a lot of profane, not to mention profanity.
There's a lot of transformation going on: Jove disguises himself as Diana to get it on with Calisto, meaning that bass baritone Daniel Okulitch puts on a long white robe, dons a wig and sings in convincing falsetto. A horny follower of Diana is sung by a male, a high soprano takes on the role of a frustrated satyr — and just what gender are the rest of Pan's satyrs and Diana's huntresses? Ted Huffman's staging is witty and occasionally wild; the battle between Pan's and Diana's tribes seems to involve more than the six or seven dancers onstage, thanks to the acrobatic choreography of Zack Winokur.
Okulitch sings Jove with the requisite authority and gravitas, which also renders him ridiculous when lust for Calisto overtakes him. Okulitch is equally adept singing in falsetto, which is no easy task when it involves vocal ornamentation. Andrew Garland, a great recitalist with innate comic instincts, is a natural as Jove's gofer Mercury.
Aaron Blake may be diminutive in stature but he has a huge, ringing tenor, and he was a hilarious Pan. Michael Maniaci sang Diana's lover Endymion, his pure male soprano giving the role genuine tenderness. Lyric tenor Thomas Michael Allen sang the role of libidinous nymph Linfea.
The women are all excellent, especially soprano Nathalie Paulin, a convincingly innocent Calisto. Mezzo Jennifer Johnson Cano was a formidable Diana, singing with authority and melting emotion. Alisa Jordheim's agile soprano easily handled the demands of the frustrated Satirino, and Alexandra Deshorties embodies vengeance and fury as Juno.
The chamber orchestra is joined by the phenomenal Catacoustic Consort and during intermission, a lot of the audience stopped by the orchestra pit to check out the theorbos, Baroque harp, lirone and viola da gamba. Conductor David Bates led a lively, nuanced reading of the score.
The action plays out on a unit set used for last year's Galileo Galilei, with a wonderful star curtain that descends as Calisto ascends to the heavens to become Ursa Major, or the Big Dipper.
La Calisto is Cincinnati Opera's first Baroque opera and they couldn't have made a better choice. It's heavenly.
The third and final day of Forecastle finally arrived. The fest’s weekend felt much longer than, well, a weekend, though each day seemingly flew by. By this point, the festival started to feel like home.
I entered the media tent expecting familiar faces, waited like a patient puppy in front of its food bowl for happy hour, snagged a band interview or two and wandered from stage to stage. Despite my tired eyes, I knew that I could get used to this. Like all good things, though, Forecastle had to come to an end. But not before one last day of fun.
I got to the fest just in time for The Weeks at the Boom Stage. After interviewing the band the previous day, I was looking forward to seeing what they would present live, and I wasn’t disappointed. A Southern-rooted band (Mississippi-rooted, to be exact), the Rock vibe was heavy with lead vocalist Cyle Barnes belting out his husky, Caleb Followill-esque lyrics. These young and rowdy dudes proved to be the perfect start to a sunny afternoon of music.
I scooted away from the stage to browse through the artist tents behind me. As I’ve said, I’m a total sucker for band posters, so off to shop I went. Thankfully my new friend Coltin found me before I could spend too much and we made our way to happy hour in the media tent.
It is quite possible that this is the most pizza I have ever consumed in a three-day period, but when free food calls, one must answer. After taking advantage of the day’s free amenities, Coltin and I attempted (and failed) to get into the Bourbon Lounge, so found our way to the Mast Stage for Brett Dennen. The songs that Dennen write are simple — They aren’t trying too hard, but they’re pleasant, and Dennen’s vocals tie everything together quite nicely. After several songs, though, it was time to wander again, so to the Boom Stage I returned.
Trampled By Turtles was next on my list, as I was scheduled to interview them that evening. Day 3 was much hotter than the others — the cool breeze that carried us through Days 1 and 2 had left us, and bodies glimmered in the summer sun. If you’re getting the idea that this stopped anyone from basking in the heat for their favorite bands, you’re wrong. I realized this as TBT began their set, the audience dancing without hesitation. Perhaps this proves to be true for most shows, particularly at a festival such as this — our bodies ache, our feet hurt, we are “hangry,” but once the music begins we forget it all. We are taken to a different place. TBT did this for their audience as the incredibly fast-fingered Erik Berry on the mandolin drove the crowd wild. It was a sight to see.
Day 3 required much more wandering on my part and floating between bands, so, knowing that I needed to at least catch a few songs from Jenny Lewis’ set, I made my way to the Mast Stage. Wishing my beagle Rilo (named after Rilo Kiley) was with me, I swayed to Lewis’ songs from her latest album, The Voyager, and was quickly reminded of why I fell in love with her old band some years back. Lewis is a little sassy and a lot of fun, rocking out on stage with her band dressed in white and rainbow suits. After a few songs it was time for my last interview of the fest.
I met with a few guys from Trampled By Turtles in the media tent for a quick chat, though I was admittedly distracted by the sounds of Nickel Creek in the distance. I wrapped up our interview and bolted to the stage like I’ve never brisk-walked before. With a smile on my face and happy tear in my eye, I was thrilled to watch a band that I’ve adored since middle school.
I cannot begin to describe how happy I was to see Nickel Creek, especially considering they played so much of their early material. Songs like “The Lighthouse’s Tale”, “Reasons Why” and “When You Come Back Down” from their 2000 self-titled album and “This Side,” along with the instrumental tunes from 2002’s This Side, were all featured, and each song sounded as perfect as the recordings. After so many years, Nickel Creek sounds as beautiful as ever and the band even has a new record out, A Dotted Line. I think I could have died a happy gal after seeing them.
After Nickel Creek, until Beck’s Forecastle-ending performance, I travelled from stage to stage (mostly in search of food) and ran into Adam, a fellow photojournalism pal from school. It was nice to see a friend after only briefly seeing familiar faces throughout the day, so together we went to dance to Flume. It was quite literally a party under the freeway as the Australian DJ blasted his beats from the stage, hands in the air and a sea of bodies moving in sync. Once that set ended it was time for Beck, and Adam and I ran to the stage.
Over the course of Beck’s first few songs we managed to weasel our way toward the front, getting closer to the main stage than I had been the entire weekend. There couldn’t have been a more perfect end to Forecastle.
Beck sang the beautifully airy and springtime-sounding songs from his latest release Morning Phase, but didn’t fail to bring the party with old favorites like “Loser”, “Girl” and more, eventually ending the night with “Sexx Laws” for the encore. One would never realize that Beck has been at this for as long as he has. His energy was amazing; bouncing across the stage between band members, the party atmosphere was what we needed to wrap up the night (and fest).
The audience was immense but was perhaps one of the friendliest crowd I encountered over the weekend — not sure if that’s due to the realization that our tired feet would soon get the rest they needed or perhaps it was just the booze. Either way, Forecastle ended with one of the best shows of the weekend, and we left on the perfect note to wrap up the fest.
Things to know for Forecastle if you plan to go next year: Wear comfortable shoes. Know that if you come in sandals, you will leave with very dirty feet.
Stay hydrated. Keep water with you, especially if the weather is as hot as Day 3 this year. Music festivals require long days, so don’t forget to take care of yourself.
Come with a schedule. You can create a custom schedule on the Forecastle website and print it out, something that helped me immensely this year in keeping track of things. Don’t be afraid to go outside your comfort zone, though. Discovering new music is what festivals are all about!