Visual Arts Exhibition Season:
Memory Palace (Sept. 12, 2014-Feb.16,
Curated by Steven Matijcio
On the occasion of the CAC's 75th anniversary, this exhibition will present memory as soft, malleable clay. Rather than renewing the supposed fixity of facts, Memory Palace will revel in remembering as a creative act: highlighting the way our recollections shift actual histories into imperfect, obstructed, quintessentially human legacies.
Confirmed artists for this landmark exhibition include Louise Bourgeois, Spencer Finch, Mike Kelley, William Kentridge, Guillermo Kuitca, Jun Nguyen- Hatsushiba, Hans Op de Beeck, Dennis Oppenheim, Katrin Sigurdardottir and others to be announced. The CAC's extended community will also contribute to this project as we gather your stories in a variety of formats, from video interviews to forensic sketches. In turn, the CAC is commissioning reconfigurations of the organization's unofficial archives by artists like MK Guth, Nina Katchadourian and Kerry Tribe. This effort culminates in the CAC Lobby, where artist Pam Kravetz will orchestrate community-centric projects including a television show, carnivalesque games and a monumental memory quilt.
Taiyo Onorato and
Nico Krebs: Blockbuster (Sept. 12,
Curated by Kevin Moore
The Swiss-born, Berlin-based duo Taiyo Onorato and Nico Krebs respond with humor and wit to various traditions of modernist architecture, documentary photography and the heroic travelogue. By pecking at such constructions, the artists reveal a more whimsical, ironic and subjective vision of the structures and technologies that shape the ways we see and live. And while much of their practice is photographic, the artists' engagement with other media — film, sculpture, sound — sheds the artifice of objectivity to celebrate eccentric reconstructions of the world around us. This is the first major museum exhibition for Onorato and Krebs in the United States, presented by FotoFocus.
Duke Riley and
Frohawk Two Feathers: Based on a True
Story (Oct. 10, 2014-March 22, 2015)
Curated by Steven Matijcio
History's once unquestionable integrity has eroded over time, with as much fiction, interpretation and imagination revealed in the pages of our esteemed libraries as actual facts and events. Twisting fact, fantasy and fabrication into an outsider's view of western civilization, this exhibition brings together two artists who have turned historical fiction into a habitual calling. Boston-born Duke Riley marries what he calls "populist myth" and "reinvented historical obscurities" with field research, participatory craft and museological display. Chicago-born, Los Angeles-based Frohawk Two Feathers is an artist, historian, and self-described "myth-maker" who re-imagines 18th century colonial history through a fictive cast of slaves, revolutionaries, militiamen and aristocrats.
Anne Lindberg and
Saskia Olde Wolbers: Unmade (Oct. 10,
2014-March 22, 2015)
Curated by Steven Matijcio
Artists Anne Lindberg and Saskia Olde Wolbers dissolve the familiarity that accumulates with time, habit and space. Lindberg pushes drawing on and off the page, obsessively inscribing lines that evade both resolution and definition. Dutch-born, London-based Wolbers orchestrates a cinematic fantasy with equal enigma. By submerging handmade sets into water and coaxing narratives to masquerade as reality, she melts the seemingly digital polish of her films with painterly contingency. The ensuing dialogue between the artist's works softens the geometry of the gallery space, obscuring hard lines and sharp corners to float towards a mysterious horizon.
Daniel Arsham: Erasing The Present (March 20-Aug. 16,
Curated by Steven Matijcio
The work of prodigious Cleveland-born artist Daniel Arsham is said to "make architecture do all the things it shouldn't." Blurring the lines between theatre and hallucination, some of his best-known works appear to melt the solidity of gallery walls, such that they appear to be dripping, folding, oozing or absorbing furniture. In more recent years he has begun to cast aging media devices — including cameras, film projectors and microphones — from granulated materials like volcanic ash, sand, crystal and crushed glass. This is the first large-scale Ohio exhibition for Arsham, who became widely known (at the age of 25) when asked to design a stage set for the legendary Merce Cunningham.
Albano Afonso: Self-Portrait As Light (March 20-Aug.
Co-Curated by Steven Matijcio and Alice Grey Stites
For Brazilian artist Albano Afonso light is the elusive, but no less essential element that makes painting, photography, film and vision itself possible. Through photographs, installations, projections and luminous objects he gives light a sculptural presence, and measures its ability to both elucidate and obscure. Such affect is spoken through the language of art history, as Afonso reformulates time-honored traditions of portraiture, still life, vanitas and landscape. This will be Afonso's first major exhibition in the United States, and it will extend across the CAC and 21c Museum Hotel.
James Lee Byars and
Matt Morris: the perfect kiss (QQ)* (April
17-Sept. 13, 2015)
Curated by Matt Morris
Throughout his life, American artist James Lee Byars (1932-97) framed his work with elusive notions of questioning and perfection. Both his enduring marriage and his flirtatiousness with German artist Josef Beuys (whom he sent lyrical letters and objects) serve as fodder for an exhibition that is both art and exchange. the perfect kiss (QQ)* is both a curatorial and creative undertaking for Morris, who will develop an installation of works by Byars in conjunction with a number of his own artistic interventions. The exhibition's title references a 1974 artwork by Byars, while also speaking to the 25th anniversary of Robert Mapplethorpe's exhibition The Perfect Moment.
Titus Kaphar: The Vesper Project (April 17 – Sept.
Co-Curated by Titus Kaphar and Steven Matijcio
Marrying appropriation, archaeology and iconoclasm, Kaphar's work sifts through the racial politics of art history. The Vesper Project is a massive sculptural statement in which his paintings are woven into the walls of a 19th century American house. It is the culmination of a five-year engagement with the lost storylines of the Vespers, a 19th century family who "passed" as a white family in New England even as their mixed heritage made them "Negro" in the eyes of the law. In this project, the members of this family and their histories are intertwined with Kaphar's autobiographical details, posing broader cultural questions of identity and truth.
Taylor Mac: An Abridged Concert of The History of
Political Popular Music (1939 – now) (September 2014)
Taylor Mac (who prefers the pronoun ‘judy’) is a “ragingly original and bracingly radical [and] best cabaret performer” from New York (TimeOut). The Obie Award-winning playwright, actor, and singer-songwriter transforms into a bedazzled creature who leads us into a decidedly personal history of music, ideas, and ways of being — in a hilarious and healing performance ritual. Mac delves deep into the history of political music for this performance, the latest in judy’s series of concerts exploring the last 240 years of popular songs in America. Funny and moving with a sweet, powerful voice, judy has the bantering skills of a veteran drag artist.
Ben Frost: A U R O R A live (October, 2014)
Ben Frost’s music is about contrast, influenced as much by classical minimalism as by punk rock and metal. It has a visceral presence, felt as much as heard. Muscular yet cerebral, ambient yet urgent, Frost’s compositions merge guitar-based textures, musique concrète samples, and building-shaking amplified electronics into sweeping digital soundscapes. A U R O R A is the Australian producer’s fifth album. The music leads the audience towards a bleak place filled with synthetic forms, decaying objects and metals devoid of emotion, exploring blinding luminescent alchemy; not with benign heavenly beauty but through decimating magnetic force. In 2010 he was awarded the music protégé in The Rolex Mentor and Protégé Arts Initiative and spent two years learning from and working with music producer, theorist, and composer, Brian Eno. Last year Frost debuted his first opera, The Wasp Factory, based on the Iain Banks novel and produced “The Enclave,” a multi-channel video and sound installation that premiered at the Venice Biennale.
Nils Frahm with Dawn of Midi (November 17, 2014)
Since his early childhood, Nils Frahm has been immersed in music, particularly in the styles of classical pianists before him as well as contemporary composers. Today Frahm works as an accomplished composer and producer from his Berlin-based Durton Studio. His unconventional approach to an age-old instrument, played contemplatively and intimately, has won him many fans around the world. Frahm displays an incredibly developed sense of control and restraint in his work, catching the ear of many fans. The recognition of his immense talent has been steadily growing thanks to his previous solo piano works, include Wintermusik (2009) and The Bells (2009), and Felt (2011). Last year, he returned with the celebrated new album Spaces, a collection of pieces that perfectly expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts.
All right. It's morning, it's nasty out, and it's only Wednesday. Let's do this news thing because we've all already uploaded five pics of those ominous clouds to Instagram and doing actual work is hard.
A bill the Ohio House took up yesterday would make it illegal for insurance to cover abortions. House Bill 351, sponsored by State Rep. John Becker, a Republican representing Cincinnati’s suburbs, would ban any insurance coverage for abortion procedures, even in cases of rape or incest. The bill would also keep public employees or those receiving Medicaid from using their insurance to purchase certain kinds of birth control that keep fertilized eggs from maturing, which Becker says is tantamount to abortion.
“This is just my personal view,” Becker said of that scientifically dubious claim. “I’m not a medical doctor.” Just going to leave that quote right there for you to chew on.
• More questions are popping up about Cincinnati’s 2015 operating budget, which City Council is set to pass today. Concerns have emerged about $350,000 in blight removal funds directed last-minute Monday to Bond Hill’s Community Urban Redevelopment Corporation, The Enquirer reports. That’s a third of the money budgeted by the city for such work.
One possible way the corporation might use that money is by purchasing Integrity Hall, a banquet hall currently owned by Steve Reece. Reece has strong ties to Cranley, having done work for his mayoral campaign. His nonprofit, Operation Step-Up, also received a $3,700 donation from the campaign. In addition, Reece’s daughter, State Rep. Alicia Reece, endorsed Cranley’s campaign.
The connections between Reece and Cranley have raised questions from some council members. Councilman Chris Seelbach wondered Monday whether the money represents a “pet project.” Cranley says he has nothing to do with the allocation to Bond Hill and denies discussing the sale of Integrity Hall with Reece. Vice Mayor David Mann says there have been no decisions about what the money would be spent on. Reece hopes to sell his building to Bond Hill’s redevelopment corporation for around $335,000.
• Streetcar advocacy group Believe in Cincinnati met last night in Clifton to talk about expanding the streetcar into neighborhoods beyond OTR. About 80 people showed up at the meeting, which focused on uptown, other neighborhoods like Hyde Park and even interest in the streetcar across the river in Northern Kentucky. Ryan Messer, an organizer of the group, said Believe in Cincinnati wants to advocate for all kinds of transit and hopes to expand awareness and get people talking about the issue throughout the region.
Pete Witte, an advocate for transit going to the West Side, spoke about his efforts “in the lion’s den,” as Messer called the city’s western suburbs. Though transit expansion hasn’t been a popular there, Witte says there are a growing number of people there who want something like light rail or the streetcar as an option in the future.
Councilman Kevin Flynn also spoke, reminding the crowd about the realities of funding for streetcar expansion — that basically, the city has no money to pay for it now and that it will take a great amount of political will and support for the current phase of the project to make future expansions a reality.
• A University of Cincinnati professor is leading a group of students in drone research and development. So far, the group has made five of the hovering, eye-in-the-sky devices, including one with eight arms called Octorotor. The university is hooking up with the West Virginia Division of Forestry this fall to offer a co-op for students looking to push the boundaries of what drones can do while fighting forest fires. Next up, I hope: a drone that delivers pizza to my window at the CityBeat offices when it's storming and I don't want to leave the building.
• Archeologists in China have found the world’s oldest pants, because, you know, that’s what science does. The pants look suspiciously like something you might grab from an Urban Outfitters, with straight legs and a wide crotch that seem to make them direct ancestor of those dreadful drop-crotch skinny jeans Justin Bieber has taken to wearing. On the plus side, these things lasted 3,000 years. Meanwhile I can’t find a pair of jeans that doesn’t start fading and fraying after six months. They just don't make em like they used to, etc.
City council continued to tinker with the budget yesterday, shifting around a few items in an edge of your seat, five-plus hour thrill ride that was as riveting for me to watch as it would be for you to read about. Instead of giving you the play by play, though, because it’s probably too early for that much excitement, I’ll just hit you with the high points.
Under the changes approved yesterday, Cincinnati Works will get $250,000 for a jobs program on which Cranley campaigned, Bond Hilll will get $350,000 for blight removal and the Camp Washington pool will stay open.
Council passed the changes 6-3, with members Kevin Flynn, Chris Seelbach, and Yvette Simpson voting against due to some lingering concerns about the city’s pension fund.
Other issues still looming include a water rate hike and questions about $4 million the city owes eight neighborhoods. On that last issue, Councilman Charlie Winburn suggested the sale of the Blue Ash Airport could cover the borrowed money. Council may need to decide quickly, because a lawsuit hits court today over the city’s use of the money.
There is a public hearing tonight on the budget in Westwood, so you can still catch some of the action. Let’s get fiscal! Council is expected to take a final vote on the package tomorrow at its weekly meeting, though it has until June 30 to pass the budget.
The state could throw Cincinnati half a million dollars to help the city with hosting the 2015 Major League Baseball All Star Game. That money from taxpayers could be used for extra police, enhanced transit options and general beautification, according to The Enquirer. Though the money hasn’t been allocated yet, Gov. John Kasich has indicated he’s looking for ways to make it happen.
Elsewhere, Seattle just raised its minimum wage to $15 an hour, among the highest in the country. The city has yet to receive a predicted smiting from the economics gods, though no doubt it will soon turn into a hellish wasteland where fast food workers can actually afford to buy things like food and shelter without government assistance.
When even the National Rifle Association says your preoccupation with guns is “weird,” you know you’re in Texas. Open carry advocacy groups in the Lone Star state have gotten in hot water recently for toting their assault rifles into Chili’s and other fine dining establishments. AR15s and appletinis? What could go wrong?
Got news? Want to talk? Email nswartsell@citybeat or hit me on Twitter-- @nswartsell
Cincinnati is one step closer to joining nine other Ohio cities that have established domestic partner registries, which would open up more possibilities for equal employee benefits for same-sex couples.
A measure introduced by City Councilman Chris Seelbach to have the city set up the registry passed unanimously through the council’s Human Services Committee today. Mayor John Cranley and a majority of council have expressed support for the measure, and it seems likely to come up for a vote and pass during Wednesday's council meeting.
The registry, which would be run through the City Clerk’s office, would verify financial relationships between non-married domestic partners. The list would take a burden off employers, who currently have to independently verify financial relationships if they wish to provide equal benefits for partners of employees.
Couples would be required to show strong financial interdependency to qualify. Applicants to the registry would be eligible if they own joint property, have granted each other power of attorney, are named in each others’ will and meet other requirements.
Many large companies, as well as the city, already offer some form of domestic partner benefits. However, requirements can vary, and it’s expensive and time-consuming to set up criteria and then screen employees’ eligibility, especially for smaller employers.
The registry proposed for Cincinnati is based on one adopted by Columbus in 2012. It requires a $45 fee to register, which Seelbach says will pay for the program. If passed, Seelbach said the plan could be up and running in a few weeks.
Metro on May 29 announced plans to provide health and dental benefits to domestic partners of its employees, becoming the first employer to say it will utilize the registry once it passes.
Experience the flavors and culture of the Mediterranean without having to cross the ocean.
City Council is likely just days away from voting on the city's $358 million operating budget, but some sticking points remain. A deferred repayment of funds meant to improve eight neighborhoods around the city has raised concerns among some council members.
In 2011, the city borrowed $5 million from tax incremental finance districts in Avondale, Bond Hill, East Walnut Hills, Evanston, Madisonville, Oakley, Queensgate, and Walnut Hills. The money went to pay off debts to Cincinnati Public Schools. $2 million of the loan was scheduled to be repaid by next year, but the budget pushes that repayment off until 2017. The money was culled from increases in tax revenues following capital improvement projects in the neighborhoods. Officials in each say they need the funds to carry out necessary improvement projects. So far, only $1 million has been repaid. Council members Kevin Flynn and Yvette Simpson have raised concerns about the delay in repayment, with Simpson calling it "an assault on neighborhoods."
The $5 million borrowed from the neighborhood TIF districts will be the center of a lawsuit brought against the city by a private developer in Oakley.
Other possible hotspots in the budget include another $900,000 cut in spending that was meant to improve business districts in neighborhoods around the city and a looming fight over what to do with money for the city's bike program. Mayor John Cranley has indicated he wants to use the money for offroad trails, though the city's plan as originally written focuses on bike lanes on city streets.
Eighth Street downtown was closed this morning and City Hall evacuated after a... thing... was found nearby. The thing, which looked like the kind of bomb a zany Scooby Doo villian would plant, was later determined by fire crews to be "just a piece of junk" that probably fell off a truck.
Debate continues over what to do with the old School for Creative and Performing Arts building on Sycamore. Some would like to see a plan to turn the building into luxury apartments come to fruition, though others in the neighborhood have reservations, especially about a proposed parking garage that would eliminate green space around the building. Plans will be discussed further at a community meeting tonight at 6 p.m. at Rothenberg Academy.
A measure to make sure counties and municipalities across the state make public information available online is gaining momentum. Four bills in the Ohio House to create the DataOhio Initiative have passed through committees and are one step closer to becoming law. The bills would create grants for local governing bodies to digitize their budgets and spending information so they're more accessible to citizens.
The Obama administration today is expected to release its strongest proposals yet for fighting climate change, including EPA regulations aimed at reducing carbon emissions from U.S. power plants by 30 percent before 2030.
Finally, a safety note. Tie down your inflatable summer fun devices, folks, or risk a tragic carpet ride. Tie them down well.
The Contemporary Arts Center has issued a call for proposals for a Summer Performance Series. The deadline is June 13. Here is the announcement:
The CAC is now accepting proposals for original performance works by artists and collectives from or currently living in the Greater Cincinnati area for the 2014 Summer Performance Series. This series is designed to celebrate the diversity of the local artist community, encourage the development of live art in the region, and provide a new opportunity for artists to showcase new projects and/or works nearing the end of their development.
Working in parallel with the CAC’s Black Box Performance Series, we ask artists to take bold risks while surprising themselves and the audience. All performance works will be considered, though a preference towards the multidisciplinary, and those that challenge the artist’s norms, will be of greater interest. Projects will be selected through a proposal process, with an emphasis on new works in development and/or emerging artists. Each artist will work with the CAC performance team to prepare and execute their performance, while be required to create their own work as well as the organization and preparation for the series, the CAC will provide the space, load-in and day-of support, marketing, sound equipment, and projector if needed.
The Summer Performance Series will occur at 7 p.m. each Monday during the month of August 2014 within the CAC Black Box, located in the Lower Level. Each evening, two artists from the series will be given the room to realize their production, at a maximum of 50 minutes in length. A stipend of $350 will be provided for each project for creative and developmental support.
Deadline: All proposals must be submitted via email, and received by 5 p.m. Friday, June 13, 2014. Please send all applications to firstname.lastname@example.org or email@example.com.
It’s Pride Week in Cincinnati, a time to celebrate and support the local LGBTQ community, promote diversity as well as equality and just have a good time as a plethora of events takes over the city.
The Pride party has been going all week and the fun continues tonight with the Skyy Vodka Pub Crawl featuring bars and clubs in Over-the-Rhine, Northside, Downtown, Newport and Covington. Shuttles run three loops with six busses stopping at 20 bars. A $10 wristband gets you on the bus all night and into any bars that have cover charges. Find details here.
Cincinnati Art Museum’s free Art After Dark series also takes a Pride theme this month. Stop by the museum before the crawl for performances by Young Heirlooms and the Cincinnati Men’s Chorus, gallery tours, giveaways and more from 5-9 p.m. Bar crawl wristbands can be purchased at the museum or Millennium Hotel, Below Zero, Rosie's Tavern or Chameleon between 8-10 p.m.
The much-anticipated annual
Pride Parade steps off at 2 p.m. Saturday with a slightly different route due
to streetcar construction: Seventh and Culvert streets to Vine Street to Fifth
at Fountain Square, down Eggleston Avenue. The parade will end at Sawyer Point,
where a family-friendly festival runs 3-9 p.m. There will be two entertainment
stages (be sure to swing by the CityBeat stage!), rides and games for kids,
food and drink. There will also be a public commitment/re-commitment ceremony at 6
p.m., free to all couples interested in participating. The ceremony will cap
off with a couples’ first dance. The festival ends with a fireworks display at
9 p.m. Find a full entertainment lineup here.
And be sure to check out this week’s Pride Issue. We’ve got interviews with local LGBTQ advocates, a calendar of events and more.
The 2014 Cincinnati Fringe Festival is in full swing this weekend (continuing through June 7). We’ve previewed each of the 30-plus performances and will be posting reviews of every show as well — check them out here.
Eccentric painter, sculptor, printmaker and collector of fancy antique oddities Hunt Slonem graces Cincinnati with his colorful, fabulous presence this week. The American artist has work showcased in more than 100 museums across the world — and now, Miller Gallery in Hyde Park. Perhaps best known for his neo-expressionist paintings of tropical birds and other animals, Slonem will be at the gallery for the opening Friday night. Meet the artist and peruse his works from 6-8 p.m.; The Exotic World of Hunt Slonem will be on display at Miller through June 29.
Jane’s Saddlebag in Union, Ky., is a unique attraction sprawling over 35 acres of land that features a general store, restaurant, wine shop, petting zoo, historic spaces and recreations. Located near Big Bone Lick State Park, Jane’s is great for a weekend getaway close to home. Visit this weekend as they host their second annual wine festival noon-6 p.m. Saturday and Sunday. Sample wines from 20 local and regional wineries and shop handmade items from more than 40 craft vendors. Tickets are $12 and include four tasting tickets, a wine glass and live music. Go here for more info.
And it might’ve been Jean Renoir’s doing. The filmmaker’s honest, sideways smirk that’s good at whispering you in to laugh at life at or with him.
For me, he was the one whose 77-year-old face, through the gap of a narrow doorway, led me in to look upon his ruthlessness magnified, given new life by Richard Avedon and brought to light by Brian Sholis, the museum’s new curator of photography.
“It wasn’t until the 1970s when museums started taking photography seriously,” Sholis says. “The art world stopped writing it off as so mechanical and lacking real talent, so museums like this one began acquiring a lot of it.”
Which explains the 4,000-field, photographical rundown Sholis was sent before moving from New York to Cincinnati to take his curatorial position in 2013. The database was a list of every museum-owned piece of photography, and while studying it, Sholis noticed a pattern: two recognizable names in one row, repeated. An artist by an artist. Portraits of the Artist. You see where this is going.
“For people who don’t know much about the history of photography, they’re given another chance to connect here, and I wanted my first exhibition to be as welcoming as possible,” Sholis says. “Here, there’s twice the chance of hitting upon someone a visitor could recognize.”
Out of four-dozen artists-by-artists photographs, Sholis narrowed his exhibition selection to 14 of them, presenting Frida Kahlo by Bernard Silberstein, Picasso (with his son Claude) by Robert Capa and Miles Davis by Lee Friedlander, among others.
The dancer in me was especially drawn to modern mover Merce Cunningham by Barbara Morgan, who took Cunningham’s photo like he crafted his dances — with good faith in chance.
She shot the double-exposure by retrogressing her film after an initial shot and snapping Cunningham again in another position, not realizing the two bodies as one image until they’d been developed, much like Cunningham frequently rolled a die to dictate his movements and their sequences.
And while, like the individual pieces themselves, the idea of the exhibition is stimulating and timely (I don’t need to tell anyone about the portrait-in-the-form-of-iPhone-selfie phenomenon), the placement of the pieces is also noteworthy, and very thoroughly Sholis-thought-through.
The Mexican artist portraits are grouped together alongside a couple of painted face performers; partners in work and life, John Cage and Merce Cunningham share an intimate space on a portion of the gallery’s west wall; and Miles Davis is situated alone and dominantly, glaring over onlookers while avoiding awkward eye contact with Renoir (after being moved when Sholis saw the staring contest).
“These are more than just casual snapshots even though they look that way,” Sholis says. “These are kind of dialogues between the artists themselves and their creators, the photographers.”
And, of course, you.