Bricks Along the Journey is holding the 10th annual Breast Cancer Brick Auction at the Cintas Center at Xavier University this Sunday from 2-5 p.m., featuring bricks painted by artists that can be purchased through silent auction. Funds raised benefit breast cancer research, education, advocacy and patient support in the Greater Cincinnati area.
Broadway musicals aren't always about song and dance. One of the best proponents of material that's quirky and idiosyncratic is composer and lyricist William Finn, whose earliest shows — eventually combined into the award-winning Falsettos — were about being gay in New York City. He's also created pieces like A New Brain (about a man contemplating surgery for a brain tumor) and the commercially successful show, The 25th Annual Putnam County Spelling Bee.
Mea culpa. In a recent post, I
suggested I was disheartened by the lack of attendance at the “Meet the
Artistic Directors” event at Joseph-Beth Booksellers on Oct. 2 — six artistic
directors, moderated by the Enquirer’s
Jackie Demaline, with three people in the audience, each with some connection
to the speakers. Pretty sad. I mistakenly assumed that Demaline organized this
event as she has for several years; given her parting of ways with the
League of Cincinnati Theatres, I had offered to step in if needed, but was
never contacted. So I drew the conclusion that she had returned to her past
I was wrong.
A representative of LCT wrote this
to me today: “The
‘Meet the Artistic Directors’ was entirely an LCT event. Jackie had nothing to
do with it, other than to be asked to moderate. The fault lies with LCT, not
Jackie or the Enquirer. Cathy
Springfield led the LCT board to think it was all taken care of, when it
actually was not.” I apologize to Demaline for jumping to this conclusion. It’s
evident that she was not the organizer. In fact, it appears the event had no
The larger point of my blog post that LCT appears to be in disarray is underscored by this confusion. But let’s point the blame in the right direction. It was LCT’s fault, not Demaline or the Enquirer.
The League of Cincinnati Theatres LCT) continues its program of recognition for 2011-2012 theater productions with recently announced awards for productions of As You Like It at the Cincinnati Playhouse in the Park and Gruesome Playground Injuries at Know Theatre of Cincinnati. Nine shows have now been handed awards by panels of informed theatergoers.
The Emery Theatre is finally on its way back. After years of dormancy, the 100-year-old Over-the-Rhine venue is in the midst of a restoration that will allow artistic endeavors of varying stripes to grace its stage.
The Emery Center Corporation Board and The Requiem Project — the nonprofit brainchild of Tara Lindsey Gordon and Cincinnati native Tina Manchise, a duo intent on restoring the Emery's historic legacy — announced over the weekend that the Emery has secured two architects to take on the renovation: locally based John Senhauser Architects, and Cleveland-based Westlake Reed Leskosky, a firm that specializes in opening closed arts venues.
My Curtain Call column about Know Theatre of Cincinnati from Wednesday’s edition of CityBeat was incomplete, since Artistic Director Eric Vosmeier was still wrestling for the rights to several shows. The picture is more sharply in focus today with the big announcement that Know will present the regional premiere of Bloody Bloody Andrew Jackson, which will wrap up the 2011-12 season between March 31 and May 12.
This weekend one of the finest actors in our area, Bruce Cromer, will conclude a run in A Man for All Seasons at Cincinnati Shakespeare Company. He's handling the heady, demanding role of Sir Thomas More in Robert Bolt's 1962 Tony Award winning play. Cromer makes him witty, caring, sharp and cantankerous, an admirable verbal combatant — ultimately more fearful of being unfaithful to his conscience than to his king. It's a tour-de-force performance, worthy of praise wherever it might be presented. (Read my full review here.)
The League of Cincinnati Theatres still has some kinks to work out in terms of sending out timely announcements of what they’re calling awards (last year they were nominations) for current productions. Despite the fact that the Cincinnati Playhouse’s God of Carnage opened on Sept. 7 and Cincinnati Shakespeare Company’s A Man for All Seasons got rolling on Sept. 9, information regarding what’s being recognized has only been distributed on Sept. 20. (Awards for Clifton Performance Theatre’s production of Superior Donuts, which opened on Sept. 9 and closed Sept. 18, were announced on Sept. 13.)
A lot more than actors go into making a play come to life onstage — lights, sound, scenery, props, dressers and so on. These are part of the rehearsal process, of course, but they get their final tweaks during technical rehearsals, an aspect of production that audiences seldom get to see. Sure, it might take away a bit of the magic, but in truth, it takes a special kind of magic to make these things happen — and you have a chance to do see how its done on Sunday afternoon at the Cincinnati Playhouse in the Park during a free “open tech rehearsal” of the upcoming Shelterhouse production of Shakespeare’s As You Like It.
If your aspirations include playwriting, New Edgecliff Theatre is offering a weekend intensive playwriting workshop for anyone age 16-22 — from beginners who have never dabbled in playwriting, to professionals wanting to get back to the basics. Catie O’Keefe, a professional playwright who is NET’s playwright-in-residence, will lead the workshops.