There are several good productions onstage around town — check out CityBeat coverage of Hands on a Hardbody (a musical at ETC), The Great Gatsby (a classic American novel adapted for the stage at Cincy Shakes), Sherlock Holmes and the Adventure of the Suicide Club (a new adventure for the great detective at the Cincinnati Playhouse) and Tennessee Williams' prize-winning A Streetcar Named Desire (at the Covedale) — but if you've seen those, you have other choices for onstage entertainment. Here are three suggestions for shows a little more off the beaten path:
Sherlock Holmes and the Adventure of
the Suicide Club opened last night at the Cincinnati
Playhouse in the Park. It's a new adventure for the Victorian sleuth. How can
that be, you might ask, if you're a Sherlock fan — this isn't a familiar title.
That's because playwright Jeffrey Hatcher picked up Sir Arthur Conan Doyle's
memorable detective, a master of deductive observation, and plugged him into a
tale of mystery and intrigue conceived by Robert Louis Stevenson back in 1878.
No spoilers here, but I will tell you that the plot of this show requires
closely following a complex tale of both personal and political intrigue.
Hatcher has set the story in 1914, on the brink of the first World War, and the
state of international relations in Europe is woven into the tale. But there's
nothing dry about this story, and Steven Hauck's performance as Sherlock is
very satisfying: He brings a quirky physicality as well as a sharp wit to the
character that makes him very engaging. Fans of Sherlock will not be disappointed
by this show. Through Oct. 4. Tickets ($30-$85): 513-421-3888.
I attended the opening of The Great Gatsby at Cincinnati Shakespeare Company last week. In my review, I said, "the production gets the story and the era right," and I added that CSC's Justin McCombs "perfectly embodies" Nick Carraway, the honest narrator of this Jazz Age tale of nouveau riche Jay Gatsby and Daisy Buchanan, the one-time debutante who obsesses him. There's lots to like about this production, which captures the essence of lavish parties and the fast life of the Roaring Twenties. Cincy Shakes is committed to bringing classic literary works to the stage, and this production is a good example of how they get it done. Simon Levy's script hews close to F. Scott Fitzgerald's 1924 novel, and the company's actors bring life to the characters. Through Oct. 4. Tickets ($22-$36): 513-381-2273.
Everyone I've talked to about Hands on a Hardbody at Ensemble Theatre has been enthusiastic about the show that brings to life a contest to win a Nissan pickup truck by keeping one hand on it the longest. It's a true story (it was a 1997 documentary) and these feel like real people, down on their luck but dreaming what a difference that winning could make. The music is by Trey Anastasio (of Phish) and Amanda Green, and the script was written by Pulitzer Prize winner Doug Wright. ETC has staged memorable productions of his play I Am My Own Wife and his musical, Grey Gardens. But the real attraction is an excellent cast who make you believe in these people, struggling to stay away and outlast one another under the brutal sun beating down on the Texas parking lot of a Nissan dealership. It's a fine entertainment. Through Sept. 21. Tickets ($28-$44): 513-421-3555.
Just opened at the Covedale Center for the Performing Arts is a production of Tennessee Williams's great American play, A Streetcar Named Desire. It's about a woman who's down on her luck but unwilling to admit it. When genteel Blanche DuBois moves with her pragmatic sister and her brutal, blue-collar husband, Stanley Kowalski, is a rude awakening that goes downhill fast. Through Oct. 5. Tickets ($-$): 513-241-6550.
If you've become a fan of shows in the intimate Clifton
Performance Theatre, you might want to check out The Riverside, a
play written and directed by local theater artist Kevin Crowley. It's a story
set in a Cincinnati bar in 1989 as locals follow the saga of Pete Rose's demise
in baseball, the fall of the Berlin Wall and Tiananmen Square. But the bar
itself is changing, too, impacting the lives of the family that owns it as well
as its patrons.
Through Sept. 27. Tickets ($25): https://cpt.tixato.com/buy/.
If you'd like to go to the theater every evening for the next four days, there are plenty of options for you to consider as the 2014-2015 season is getting underway on stages all over town. Here are some good choices to consider:
Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review, giving it a Critic's Pick. I was there, too, and couldn't agree more about the infectious, heartfelt joy coming from the big cast of 15. The show is based on a true story (the subject of a 1997 documentary) about people in a downtrodden Texas town who enter a contest to win a Nissan pickup truck by outlasting others who vow to keep one hand on the vehicle. The cherry-red truck is as much a character as any of the contestants, the physical embodiment of their hopes and dreams — which take the form of songs by Trey Anastasio (of Phish) and Amanda Green. The script by Pulitzer Prize winner Doug Wright treats these diverse, down-on-their-luck folks with dignity, and the performers (who often perform with the truck as their dance partner) bring every one of them to life in vivid ways. This one is a must-see, a great way to kick-off ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555The Great Gatsby kicks off Cincinnati Shakespeare Company's season tonight. You didn't know Shakespeare wrote it? Well, he didn't. This theater company focuses on the Bard, to be sure, but it frequently branches out to present stage versions of other classics, in this case an adaptation of F. Scott Fitzgerald's 1925 classic about a mysterious nouveau-riche millionaire who's obsessed with a one-time debutante. Set in the Jazz Age and inspired by lavish parties the high-flying Fitzgerald attended on the prosperous North Shore of Long Island, Gatsby is a story about the ups and downs of the American Dream. Simon Levy's script is the only one authorized by Fitzgerald's estate, and Cincy Shakes is presenting its regional premiere. (And here's a tip: on opening nights at 6 p.m., the theater offers ticket holders a complimentary catered meal, beer and wine.) Through Oct. 4. Tickets ($22-$36): 513-381-2273
Sherlock Holmes and the Adventure of the Suicide Club opens next Thursday at the Cincinnati Playhouse, but previews begin for the season opener this Saturday (through Wednesday). Tickets for these performances are discounted, and you'll be seeing a show that's pretty much ready to go. Jeffrey Hatcher's script should be lots of fun for fans of the Victorian sleuth. He's taken the character created by Sir Arthur Conan Doyle and dropped him into a tale conceived by another inventive writer, Robert Louis Stevenson, for a mash-up that will keep even Baker Street regulars guessing. Tickets: 513-421-3888
Serials! at Know Theatre, which has presented episodes of six Fringe-like shows at two-week intervals all summer long, culminates on Monday evening at 8 p.m. with finales of each tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom? These questions and more will be answered on Monday. Even if you've missed a few episodes, don't worry: Each 15-minute performance begins with a brief recap of the story so far. Zany and fun for anyone who's enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669
Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five plays are scheduled to be presented, as well as panel discussions, seven hours of programming in all. The day begins at 12:30 p.m. and is set to conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org
Eight finalists in ArtWorks' Big Pitch competition will each get a five-minute business-pitch session before a panel of judges and a live audience tomorrow night, starting at 6 p.m. at the American Sign Museum, 1330 Monmouth St. in Camp Washington. The judges will decide the $15,000 grand prize winner; the audience will pick a $5,000 winner. Two runners-up will receive professional services from Dinsmore & Shohl; Clark, Schaeffer, Hackett and Co.; and/or LPK. Seated tickets for this event are sold-out but standing-room tickets are still available at artworkscincinnati.org.
Check out the finalists:
The Canopy Crew, owner Django Kroner
Chocolats Latour, owner Shalini Latour
Golden Hour Moving Pictures, owner C. Jacqueline Wood
Heather Britt Dance Collective, owner Heather Britt
Madisono’s Gelato and Sorbet, owner Matt Madison
Modern Misfit Classic Genius, co-owner Cordario Collier
Noble Denim, owner Chris Sutton
Steam Whistle Letterpress and Design, owner Brian Stuparyk
Filmmaker/provocateur, humorist, art collector and all-around pop-cultural icon John Waters is coming to Cincinnati on Oct. 11 as part of the opening-week programming of the FotoFocus Biennial 2014. He will be at Memorial Hall, performing This Filthy World about his long, rewarding career. Additionally, Waters' photograph "Inga #3 (1994)" is part of a FotoFocus exhibition, Stills. The theme of FotoFocus is "Photography in Dialogue."
FotoFocus has released this (edited) list of other Memorial Hall events for its first week of programming:
Wednesday, October 8
Performance by Berlin-based filmmaker Martha Colburn, with a Cincinnati ensemble led by Tatiana Berman and the Constella Ensemble
Thursday, October 9: Photography in Dialogue
Film: Gerhard Richter Painting (2011)
Featured speakers: Gallerist Deborah Bell, New York; Gallerist Howard Greenberg, New York; Director and Chief Curator Raphaela Platow, Contemporary Arts Center, Cincinnati; Art Critic Richard B. Woodward, New York; and FotoFocus Artistic Director and Curator Kevin Moore.
Friday, October 10: Landscapes
Film: Somewhere to Disappear, with Alec Soth (2010)
Featured speakers: Curator and Art Dealer Damon Brandt, New York; Artist Elena Dorfman, Los Angeles; Artist Matthew Porter, New York; Artist David Benjamin Sherry, Los Angeles; Associate Curator Elizabeth Siegel, Art Institute of Chicago; Museum Director Alice Stites, 21c Museum Hotel; and FotoFocus Artistic Director and Curator Kevin Moore.
Keynote Speaker: Jeff L. Rosenheim, Curator in Charge, Department of Photographs, The Metropolitan Museum of Art, New York, on photography and the Civil War.
Saturday, October 11: Urbanscapes
Film: Bill Cunningham
Featured speakers: Architect José Garcia, Cincinnati; Curator Steven Matijcio, Contemporary Arts Center, Cincinnati; Photography Director Ivan Shaw, Vogue, New York; Associate Curator of Photography Brian Sholis, Cincinnati Art Museum; and FotoFocus Artistic Director and Curator Kevin Moore.
Sunday, October 12: Forum
Featuring presentations and panel discussions by local participants, such as Artists Jordan Tate and Aaron Cowan.
For complete details about the FotoFocus 2014 Biennial visit here.
As Downtown and Over-the-Rhine continue to see a growth of walking tours related to the revived inner city's heritage (especially its brewing heritage) and architecture, a new one will soon be offered dedicated to its ever-growing collection of public murals.
ArtWorks, which is responsible for many of those murals (including a just-finished one at Eighth and Main streets dedicated to Cincinnati-born Pop artist Tom Wesselmann), will launch the tours in October as part of its Mural (Celebration) Month. They will continue into November, and then take a break. Beginning in 2015, they'll run April through November. Reservations will be needed for the tours, which will run 90 minutes and cost $20 for adults.
Artworks also is looking for volunteers to guide those tours. If you're interested in either, visit artworkscincinnati.org where information will be available soon. Bus tours are being discussed, too, once streetcar construction is completed.
Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.
Baskett owns it, but it had been on display (and inflated for an extended period) at the museum's 2007 exhibition Where would you wear that? The Mary Baskett Collection. There have been discussions but no formal commitment about donating this dress to the museum. If that happens, it's doubtful it would be worn again.
Obie's discussion was sponsored by the museum's popular and rewarding Art 360 program, which gives a group a chance to learn more about specific pieces of art. The next Art 360 program is Aug. 23 at 2 p.m., when the museum's Mary Claire Angle — assistant director of school-based learning — will discuss Donald Judd's "Untititled" minimalist sculpture. Event is free; reservations required at 513-721-2787.
The big show this weekend will be Lumenocity in Washington Park. If you were lucky enough to get a ticket, you'll be seeing some great images on Music Hall's facade with accompaniment by the Cincinnati Symphony. If you weren't so lucky, you can still enjoy the show via radio (WGUC), television, big screens (at Fountain Square and Riverbend, for free) or via live streaming at lumenocity2014.com.
The Cincinnati Art Museum on Tuesday announced in this press release its new director, who is replacing Aaron Betsky. The latter announced his resignation late last year and left his post in May.
CINCINNATI - JULY 29, 2014 – The Board of Trustees of the Cincinnati Art Museum today unanimously voted to name Cameron Kitchin as the museum’s director. Kitchin, a nationally recognized innovator and leader in the museum field, comes to Cincinnati from the Memphis Brooks Museum of Art in Memphis, Tenn., where he served as director. Kitchin will begin in his new position on Oct. 1. He will report to the museum’s Board of Trustees.
“On behalf of the Board of Directors of the Cincinnati Art Museum, I am excited to announce the appointment of Cameron Kitchin as our new director,” said Marty Ragland, president of the Board of Trustees and co-leader of the search committee. “From Day 1, our members and patrons, as well as members of our search committee, board and staff, agreed that, in addition to being an accomplished museum leader, our new director must have a passion for art, be a strategic thinker and embrace our city with the goal of bringing people to the enjoyment of art. We found these qualities and many more in Cameron.”
Kitchin will oversee the entire institution, including collections, staff, facilities, exhibitions, research resources, education and outreach programs, external relations, fundraising and administrative activities. As an arts and cultural leader, Kitchin will initiate, maintain and develop new partnerships and collaborations in Cincinnati, the state and the region to enhance and support the Cincinnati Art Museum’s mission to bring people and art together in ways that transform everyday lives and the community.
Kitchin’s appointment comes at the end of a nearly seven-month search by the committee led by Ragland and board chairman Dave Dougherty. The Board of Trustees also hired professional search firm, Russell Reynolds Associates, to help guide the process. Kitchin won the unanimous vote of the search committee prior to going to the board vote.
"I am greatly honored to be appointed to serve as director of the Cincinnati Art Museum,” Kitchin shared. “I look forward to joining with the Cincinnati community to grow the museum's role in the life of our new city. I have long admired the Art Museum’s exhibitions, programs, collections and transformative educational initiatives. I am excited now to lead a team of talented professionals and supporters, with our dedicated trustees, to expand the impact and to broaden the reach of the museum to serve all Cincinnatians."
Kitchin led the Memphis Brooks Museum of Art, one of the South’s leading art museums, for six years. He oversaw the growth of the museum as a community-based institution, leveraging the museum’s significant collections and history to forge new partnerships with a wide network of cultural institutions, educational entities, universities and social service agencies. Under his leadership, the Brooks engaged in rigorous new educational initiatives, pursued exciting original scholarship and successfully achieved broad appeal in exhibitions and programs. Kitchin led the museum through two comprehensive strategic plans, a capital plan and a groundbreaking program in early childhood education in partnership with the Smithsonian Institution. Other significant new achievements included art therapy, Alzheimer’s services, teen art programs and overhauls of critical museum systems, collections databases and security infrastructure. Kitchin’s innovations and effectiveness in reaching new audiences across the entire community, building bridges through public service and leading a diverse and talented professional museum team drew the attention of the Cincinnati Art Museum’s search committee. In addition, Kitchin’s use of technology as a tool for exploring art and his creative public programming impressed the museum’s board.
Prior to joining the Memphis Brooks Museum of Art, Kitchin served as executive director of the Virginia Museum of Contemporary Art, the statewide contemporary art museum in Virginia. During his six years there, he led the museum through a comprehensive institutional revitalization, increased visitation and achieved a balanced budget every year. He also mounted numerous acclaimed exhibitions of national and international note while simultaneously opening the doors to new audiences through creative programming. His successful completion of a major capital campaign and commitment to social discourse at the museum raised the museum to new heights during his tenure.
Previously, Kitchin managed Economics Research Associates’ national consulting practice for museums and cultural attractions for three years in Washington, D.C., and led the economics component of Washington’s Museums and Memorials Master Plan, as well as studies for the Newseum and National Law Enforcement Museum in Washington, D.C. In previous engagements, he directed the American Alliance of Museums’ strategic planning process, headed AAM’s national political campaign in support of museums and led a complex digital copyright initiative for museums.
Kitchin is an active member of the Association of Art Museum Directors and has served on numerous task forces, including one on AAMD’s national standards on deaccessioning and broadened and diversified the membership of the association as an appointee to the AAMD membership committee. He received a bachelor’s degree in fine arts from Harvard University in 1993 and an MBA with a concentration in not-for-profit and museum management from the Mason Graduate School of Business, William & Mary in 1999. Kitchin was also selected from among top international museum professionals to participate as a residential program fellow in the Getty Leadership Institute’s Museum Leadership Institute, the most rigorous and longest-established academic program for interdisciplinary museum leadership, in 2008. He is also an AAM accreditation peer reviewer, an IMLS national grant panelist and an active leader in numerous professional associations and societies.
Kitchin will relocate to Cincinnati this fall. He will be joined by his wife Katie - a national public policy expert in homelessness and child and family wellbeing - and his three young children, ages 10, 7 and 3.