• Instrumental Avant Metal veterans Earth bring their adventurous, spontaneous Dronecore to downtown tonight for a hypnosis session at the Ballroom at the Taft Theatre. Showtime is 8:30 pm. Stebmo, Earth collaborator and progressive Jazz pianist/multi-instrumentalist/composer Steve Moore, and psychedelic, noisy Doom duo Eagle Twin open the show. Tickets are $15.
Guitarist Dylan Carlson gave birth to Earth in Olympia, Wash., circa 1990, and remains the only original member in a band that has seen numerous lineup and stylistic shifts. The group put a pair of albums out on Sub Pop during the "Grunge Revolution" (which they had little in common with), got booted from the label briefly and then welcomed back for three more albums. While Earth's aggressively experimental sound didn't quite fit the Grunge buzz, the group actually used the genre's concept of "slowed down Hard Rock and Metal" and took it to the extreme, decelerating even more and replacing Grunge's Punk and Garage influence with inspiration from avant grade composers and musicians and Carlson's singular vision.
Earth didn't survive the ’90s but returned in the early ’00s to start a run that has included several releases for Southern Lord Records, a haven for "Metal" artists on the more experimental side of the music. Earth's latest release is the improvised Angels of Darkness, Demons of Light II, the follow-up to part I (and actually recorded at the same time) which has been praised for its gradual, natural exploration of different tones and approaches. Earth's trippy, glacial sound on Demons of Light II is infused with evocative cello and smoky atmospherics and often sounds like a new slant on modern Jazz, something Mingus might have come up with had he been into Black Sabbath.
Here's Demons II track "The Corascene Dog":
• Acclaimed by both fellow artists, critics and her dedicated fan base, Iris Dement has been one of the more compelling singers in the Americana movement since she put out her first album in 1992; her mesmerizing voice has a timeless soul that recalls the best early Country female vocalists. Dement's sound has evolved and taken detours over time. After two straight-forward Country/Folk Pop LPs, the 1996 album The Way I Should showcased a Rock vibe and some serious political commentary. She followed that up by collaborating with John Prine on his In Spite of Ourselves album, which scored her a Grammy nomination, but Dement took a break from music after that.
In 2004, Dement returned with her first album in eight years, Lifeline, released on her own label after her Warner Brothers contract expired. But Lifeline was primarily a collection of centuries'-old Gospel covers. This year, Dement released Sing the Delta, her first album of new material in 16 years. The songs harken back to that purity of her first couple of albums, but also shows how Dement has matured as a composer and performing. She writes with more confidence and has become an even better lyricist, creating an album that is mournful, poignant and poetic.
Dement performs tonight at the 20th Century Theatre in Oakley with The Tillers, one of Cincy's finest Folk acts who are coming off of a successful release party for their recent live album. Showtime is 8 p.m. and tickets are $25-$30. Here's DeMent's "Go On Ahead and Go Home" from Delta.
• Milwaukee-based Psych rockers Moss Folk perform a free show tonight at MOTR Pub in Over-the-Rhine with like-minded locals Children of the Emerald Fire. Showtime is 10 p.m.
Formed in Michigan in the mid-’00s by founder Andrew James Shelp, Moss Folk entrancingly collages influences into a sound that draws from a wide range of music that could fall into the "Psychedelic" category. You'll hear elements of Kraut Rock, Pink Floyd, World music, Tangerine Dream and Spacemen 3 mingling in Moss Folk's ambient, hypnotic melange and the band has been known to match the lysergic sonics with fitting visuals (from video projections to cameos by various non-musical performing artists).
Here's a live clip of Moss Folk:
I’m not going to pretend I knew what synesthesia meant before listening to former Cincinnati/current Columbus-based Hip Hop artist Ill Poetic’s latest release, Synesthesia: The Yellow Movement. But after diving into the seven-song EP (and looking up the title on dictionary.com), I discovered that synesthesia is something like a music-induced hallucination where the afflicted see music as colors, which is the perfect description the album has on its listeners.
In the short amount of time it takes to get through this EP (just under 24 minutes), Ill Po takes the listener on a funky, soulful trip through his creative process. On the first track, “Be Cool,” Po is kind of like Samuel L. Jackson in the diner scene of Pulp Fiction (without the Jheri curl), urging everyone from politicians to status rappers to just chill the fuck out and re-birth the cool like Miles Davis.
“Be Cool” then melts into a laid-back Soul cut, the highlight track “On My Way,” which features crooner CJ the Cynic. It’s probably just the producer in him, but Ill Poetic lets CJ take the reins of “On My Way” for almost the first two minutes before he brings his spoken-word lyrical styling to the production, which is reminiscent of early Kanye or Eryka Badu with, dare I say, an added dose of creativity.
The wait for Po's words is well worth it, however, when he spits that “Ghostface is my real estate agent." Again, I really don’t know what this means, but the sheer image of calling Sibcy Cline or Century 21 and getting Ghostface Killah on the other end of the receiver is pure imagery gold.
On the sixth track and first single off the EP, “Gone,” the song cleverly describes Po’s struggle to leave Cincinnati and pursue his dreams (his every body part attempting to convince his brain to dip-out), while the Jazz-style production makes the listener want to roll-up and take a road trip with this song on repeat.
The best part about this album, though, is when Ill says “You don’t have to be cool to listen to this; you don’t have to listen to this to be cool.” So for all the nerds, dorks, dweebs and losers out there looking for new music, have no fear. You don’t have to be cool to listen to this and listening to Ill Poetic won’t make you cool. But it surely couldn’t hurt.
Click below to preview and purchase Synesthesia: The Yellow Movement. For more on Ill Poetic, visit his official site here.
• Baltimore Noise Punk foursome Dope Body introduced itself to the Indie Rock world with the donkey punch that was last year’s Nupping, the band’s first full-length. The group returned this year with the Natural History album on Drag City, on which a chaotic barrage of guitar harmonics, muscular drum/bass pummeling and howling vocals combine for something that sounds like The Jesus Lizard jacked up on speed (or Gang of Four jacked up on The Jesus Lizard). There is an artfulness to the noise, but it’s the group’s hectic energy level — which sometimes makes it seem like they’re going to fall apart at any second — that first draws the listener in, as if sucked up by the tornadic swirl, Dorothy-and-Toto-syle. The herky-jerky rhythms are also alluring, occasionally falling into a seemingly impossible groove that feels like some sort of alien Funk. You can dance to Dope Body — you just might look a little convulsive.
After an appearance at The Comet earlier this spring, Dope Body returns to Cincy tonight for a free, 10 p.m. show at MOTR Pub in Over-the-Rhine. Brooklyn trio Call of the Wild opens the show. Check videos from both acts below.
• Singer/songwriter James McMurtry (son of successful author Larry) performs tonight at the Southgate House Revival in Newport. The Americana song stylist kicked his career off in 1989 with his debut Too Long in the Wasteland and has continued to make album after album of modern Roots songs, which often showcase his deft lyrical ability (something perhaps in his blood). McMurtry has been celebrated for the short story style of writing, though in recent years he's addressed political issues for frequently and directly. His 2005 song "We Can't Make It Here" fit the Occupy movement's message so perfectly, he gave it away as a free download when the movement began, then re-recorded it with Steve Earle and Joan Baez for inclusion on the Occupy Wall Street benefit compilation, Occupy This Album. You can hear that version below. (Read more about McMurtry in Brian Baker's preview from this week's CityBeat here.)
McMurtry performs tonight at the new Southgate with his band, which at one time was dubbed "The Heartless Bastards," until some bratty kids from Cincinnati stole it for their own and have been using it quite successfully. Locals Monkeytonk open at 8 p.m. Tickets are $25.
• Canadian ElectroPop star Valerie Anne Poxleitner — who legally changed her name to Lights when she turned 18 and has performed under the moniker ever since — comes to the 20th Century Theatre in Oakley tonight for an 8 p.m. show. Tickets are $18. Canadian AltRock group Arkells opens the show. Similar to Robyn's approach, Lights' sound is a mix of more vintage Synth Pop, modern Electronic styles (yes, including Dubstep) and straight-up, ready-for-Top-40-radio Pop. Lights is a bonafide Pop star in Canada, with her albums, EPs and singles selling chart-worthy numbers, and though she has a faithful following in the U.S., she hasn't matched the same level of airplay, exposure and sales. Yet. Lights' sound has an ear-grabbing quality that could make her a chart and radio fixture in the States in an instant.
Here's Lights' latest single from 2011's Siberia, "Timing Is Everything."
Click here for even more live music events in Greater Cincinnati tonight.
Singer/guitarist Glen Campbell is truly Country music’s “Rhinestone Cowboy.” Starting out as a masterful, much-used session musician, in the ’60s and ’70s, Campbell represented the genre as one of its premier stars and was also embraced on the pop charts, scoring huge crossover hits with singles like "Wichita Lineman," "Galveston," "Southern Nights" and "Rhinestone Cowboy."
This past year, Campbell's 50 years in the music business was celebrated at the Grammys, where he was given the Grammy Lifetime Achievement Award and honored with a musical tribute by The Band Perry and Blake Shelton that was capped off by Campbell joining the musicians for a version of "Rhinestone Cowboy."
After his Alzheimer’s diagnosis in the summer of 2011, Campbell decided to hit the road one last time while he still could. After releasing the collaborative album Ghost on the Canvas (featuring covers of songs by modern artists like Jakob Dylan, Teddy Thompson, Paul Westerberg and Guided By Voices' Robert Pollard), Campbell kicked off his extensive “Goodbye Tour," which comes to the Taft Theatre in downtown Cincinnati this Sunday. For ticket info, click here.
CityBeat was privileged to have the opportunity to speak with Campbell about changes in music from when he started to today and how close he stays with his family on tour.
CityBeat: How did you choose songs and artists to collaborate with on Ghost on the Canvas?
Glen Campbell: Julian Raymond is my producer. He found the majority of the material. However, he kept notes of things I said or did and some of this material makes its way into the album. (Closing track) “There’s No Me…Without You” is an example of this.
CB: What has it been like to see the changes in music technology from vinyl to 8-track to cassette to CD to IPod? Do you think music sounds better or worse with the new technology, analog vs. digital?
GC: It has been wonderful to see all of the technological advances with recorded music. I think the music sounds better with the new technology.
CB: You are often highly autobiographical in your own songs. Do you regret ever sharing any of your stories through your music or songs?
GC: I have no regrets about the autobiographical songs I recorded.
CB: Are your children still on tour with you? What is the best part of having them on the road with you?
GC: My son plays drums for me. Shannon is on guitar and Ashley plays keyboards and bass. It’s wonderful sharing the stage with them. I love it. They are terrific musicians in their own right. The best part of having them with me is that our whole family and my wife Kim are all together and doing great shows which people have warmly embraced.
CB: What is your favorite guitar solo on any recording that you have done?
GC: One of my favorite guitar solos I recorded was for Frank Sinatra on his “Strangers in the Night.” I also like my guitar solo on “Wichita Lineman.” Jimmy Webb never finished the song so I just filled the hole with the guitar solo.
CB: What is your favorite guitar to play?
CB: What is the longest time you have gone without playing guitar?
GC: I play every day.
CB: Would you ever consider playing with a Beach Boys reunion? (Campbell filled in for Brian Wilson on tour in the mid-’60s and recorded on Pet Sounds and other records.)
GC: I would not want to do a Beach Boys reunion at this point. They just celebrated their 50 years together with a big tour. I think that more than covered it.
CB: How has music helped you cope or deal with your Alzheimer's diagnosis?
GC: The music has brought me much joy and comfort.
The Heights Music Festival returns this weekend for its fall event and another wide-ranging sampling of Cincinnati’s original music scene. Music will run Friday and Saturday night from 7 p.m. until about closing time at four venues in Clifton Heights near the University of Cincinnati campus — Baba Budan’s, Mac’s Pizza Pub, Christy’s Biergarten and Rohs Street Café (the only location open to music lovers of all ages).
Here's the full lineup/schedule for this year.
Rohs Street Cafe : 7:00 – Music Resource Center showcase; 8:00 – Wendy’s Yellow Poncho; 9:00 – MC Forty and Wonder Brown ; 10:00 – Cowgirl; 11:00 – The Yugos
8:00 – Sulla;
9:00 – Second Chance At Eden;
10:00 – Damn It To Hell
; 11:00 – Buenos Crotches
; 12:00 – Grey Host
Mac’s Pizza Pub:
8:00 – The Celestials;
9:00 – Majestic Man
; 10:00 – The MJ’s Blues
; 11:00 – Hickory Robot;
12:00 – Jeremy Pinnell & The 55′s;
1:00 – The Founding Fathers
8:00 – The Marmalade Brigade;
9:00 – The Heavy Hinges;
10:00 – The Perfect Children;
11:00 – Shrub (Columbus, OH); 12:00 – The Guitars
Rohs Street Cafe : 7:00 – Elementz Hip Hop Youth Center showcase; 8:00 – Alex Evans ; 9:00 – For Algernon ; 10:00 – Young Heirlooms ; 11:00 – Oui Si Yes
8:00 – Pursuing Hounds
; 9:00 – Sweet Ray Laurel
; 10:00 – Jamwave;
11:00 – The Regrettes (Columbus, OH);
12:00 – The Natives
Mac’s Pizza Pub: 8:00 – Tangerine Sound Machine ; 9:00 – Somebody’s Something ; 10:00 – Big Rock Club ; 11:00 – Valley High ; 12:00 – Junya Be & Wazali
: 8:00 – Killer Looks & Noise
; 9:00 – Horsecop;
10:00 – Loudmouth;
11:00 – Black Signal
; 12:00 – DAAP Girls;
1:00 – The Frankl Project
Tickets are $5 per night if purchased in advance through cincyticket.com here. Admission is $8 for one night or $12 for both if purchased at the festival. Visit the fest's official site here for more info. Here's a sampler the organizers compiled featuring some of the performers:
• Dean & Britta (formerly of critically-acclaimed Indie dreamscapers Luna) bring their unique multimedia show, "13 Most Beautiful … Songs for Andy Warhol's Screen Tests," to Over-the-Rhine's revitalized Emery Theatre. The project originated four years again after Dean Wareham received a phone call from a curator (and big Luna fan) at the Andy Warhol Museum in Pittsburgh asking if he'd be interested in writing some music to go with the stockpile of 500 or so "screen tests" Warhol had accumulated in the ’60s. The clips feature Warhol's video of friends and acquaintances, including many familiar faces from the Factory days.
Wareham talked to CityBeat's Brian Baker about the process of writing songs for the 13 "tests" chosen, describing it as being like making a music video in reverse. Read Brian's full feature story here.
Tonight's performance — featuring Dean & Britta's quartet performing in front of large projections of the screen tests — is at 8 p.m. Tickets (if it doesn't sell out) are $25 at the door. Here's some of the soundtracked video to get you in the mood. The event is being co-presented by the Contemporary Arts Center, which is currently exhibiting Image Machine: Andy Warhol and Photography.
• After a tough previous week when she was stuck in New York City during and after “Frankenstorm” Sandy, tonight at 8 p.m., veteran singer/songwriter Aimee Mann performs in Cincinnati at 20th Century Theatre in Oakley.
For 30 years, Mann has built a dedicated core of adoring fans swept away by her smart, clever and emotionally resonate take on Pop music, driven partly by her uniquely inviting vocals (which former CityBeat writer Brad Quinn once brilliantly described as “egg-shaped”). She first came to the attention of the public at large with her group ’Til Tuesday, which received massive support from MTV and radio for the hit “Voices Carry." Mann and some funny pals recently parodied the of-its-era clip in a hilarious video for "Labrador" from her latest album, Charmer.
Mann went solo at the start of ’90s, releasing her debut Whatever in 1993 and then capping off the decade with her brilliant songs written for and prominently featured in the film Magnolia. Departing the major label system at the start of the new millennium, Mann founded SuperEgo Records to release her own material, most recently issuing Charmer, another critically acclaimed gem that provides further evidence that Mann is still one of the great, somewhat under-heralded songwriters of her time.
Another gifted writer deserving of more attention, Ted Leo (of “and the Pharmacists” fame), opens tonight's show solo. Tickets range from $20-$35.
• Blues Rock cult sensation, soulful singer and modern-day geetar hero Joe Bonamassa swings through the Taft Theatre tonight for a 9 p.m. show. Tickets range from $49-$79.
Bonamassa is one of the more celebrated guitarists of our time and he's built a rabid following mostly by word of mouth and without the benefit of a big label corporation behind him. Bonamassa's latest album Driving Towards the Daylight was released this spring, but live and in-concert is where he thrives, as evidenced by his discography since 2000 — he's had nine studio albums but also four live albums and three live DVDs. Check the title track from Driving below and read more about the Blues/Rock star from this week's CityBeat here.
• Acclaimed for its detailed, theatrical recreations of Pink Floyd concerts, Cleveland's Wish You Were Here is bringing its "Classic Floyd Albums Tour 2012" to Bogart's in Corryville tonight for an all-ages, 8 p.m. performance. Tickets are $12. The "tour" (spread over three months) has featured shows across Ohio where the crew has played the albums Wish You Were Here, The Wall and Animals in full. Tonight, the group is doing Dark Side of the Moon at Bogart's.
The band is able to accurately replicate Floyd's intricate sound and concert experience by using a large ensemble of at least nine musicians, plus their own lighting and sound crew. Cincinnati musician Jamie Combs (of 4th Day Echo and various other projects) joined the band in 2006 as guitarist and vocalist. Here's a clip from a 2007 appearance in Cleveland of the band performing "Time/Breath Reprise."
Scott Preston and his excellent local music web mag Cincy Groove are presenting a benefit concert at Southgate House Revival tonight to help keep a spotlight on the Cincinnati area’s outrageously rich musical history and influence. The 9 p.m. show will raise funds for the Cincinnati USA Music Heritage Foundation, a non-profit that has done great work drawing attention to Cincinnati’s impact on popular music by promoting and hosting numerous creative events to honor historical moments like Hank Williams’ Cincy recording sessions and the immeasurable impact of King Records.
To become a member of the CUMHF's supporters group The Funky Drummer Society and read more about their mission to expose and celebrate Cincy's important place in music history, visit the Foundation's official website here or on Facebook here.
Tickets for tonight's benefit show are $10 for those 21-and-up; it's $12 for those 18-20. Music will take place on all three of the recently opened venue's stages. Below is the lineup of performances. Click each artist's name for audio samples and more.
9:15 - 9:55: Bri Love
10:15 - 10:55: Hank Becker (of The Rubber Knife Gang)
11:15 - 11:55: Terminal Union
12:15 - 12:55 : Andyman Hopkins
9 - 9:40: The Young Heirlooms
10:00 - 10:40: Shiny Old Soul
11:00 - 11:40: The Stories
12:00 - 12:40: SOUSE
1:00 - 1:40: Sassy Molasses
9:00 - 9:40: Shoot Out The Lights
10:00 - 10:50: Kelly Thomas with Arlo McKinley & Lonesome Sound
11:10 - 12:10: The Cincy Brass
12:30 - 1:40: The Cliftones
Kelly Thomas, Arlo McKinley and Lonesome Sound will be doing an all-Hank Williams set tonight in honor of Hank's ties to Cincy through his historic recording sessions at Herzog Studios. Thomas and McKinley recorded a version of "Lost Highway" at the old Herzog space earlier this year and filmed the proceedings. The song and footage became the centerpiece of Thomas' first in a series of short films featuring her favorite songs and local musicians called Sacred Harp Sessions. A new video and song will be released monthly for the Sessions; Thomas recently unveiled Episode 2 featuring Ricky Nye and the tune "Come On In My Kitchen." Click here to check it out; below is Episode 1, in honor of Cincinnati's music heritage and tonight's concert.
Tonight at 7 p.m. on Fox Sports Ohio, the new television program 513 Rocks! makes its broadcast debut. The 30-minute program aims to showcase local music — artists and venues — as well as local charitable organizations. The show was developed by Cincinnati Bell Technology Solutions, which is showcasing its charitable text-to-give technology (viewers tonight, for example, with be encouraged to send a donation to St Al's Orphanage by texting KIDS to 80100). Fox Sports regular Jeff Piecoro hosts.
For the pilot episode airing tonight, local AltPopRock band Green Light Morning, featuring former members of Oval Opus and The Big Creak, is featured in an interview segment as well as live footage filmed at Toby Keith's place by the baseball stadium.
The episode will re-air on Fox Sports Ohio Nov. 11 (1 p.m.), Nov. 15 (6:30 p.m.) and Nov. 18 (1:30 p.m.).
Here's a commercial promoting 513 Rocks!
Lo-fi Garage Pop royalty, King Tuff, performs a free show tonight at MOTR Pub with Cleveland's Gap Dream. King Tuff is the pseudonym and band name of Kyle Thomas, a Vermont native now based in L.A. who, after a dozen years working of Tuff material as a side project to bands like Feathers and Witch, released the debut full-length Was Dead in 2008 and started focusing solely on King Tuff. It turned out to be a fruitful decision; Sub Pop Records signed King Tuff and put out its self-titled sophomore album this spring.
Click here to read more about King Tuff, check out the official video for the recent album's "Alone & Stoned" and use the widget below to get a pair of free KT tracks to download.
• Ironfest, the multi-act concert event started by friends of late local music booster “Iron” Mike Davidson to benefit his daughter, is set for its third annual event tonight and Saturday at the new Southgate House Revival in Newport. Each night features a staggering amount of solid local bands from a variety of genres.
Tonight, catch Mad Anthony, State Song, Switchblade Syndicate, The Shanks, Goddamn Gravity, The New Void, Billy Wallace and the Virginia Blues, Vito Emmanuel, Jeremy Pinnell and the 55’s, Arlo McKinley and the Lonesome Sound, Chiva Knievel, Total Dudes, A Juliet Bender, Smoke Signals, Rising Shotgun, DC Project and Dead August.
Performing for Night 2 tomorrow are The Dopamines, Moonbow, Honeyspiders, Red Soul Rising, Unsinkable Molly Brown, Another Tragedy, The Tammy Whynots, 500 Miles to Memphis, The Sound Museum, SHIVS, Kelly Steward and the Restless Kind, The Mudpies, Martin Luther and the Kings, The Perfect Children, Buenos Crotches, Sticky Honey, The Andyman Hopkins Band and Queen City Radio, a very promising new group featuring Dan Mecher, former frontman for Turnbull ACs and Denial, former 500 Miles to Memphis bassist Jeff Snyder, longtime 500 Miles frontman Ryan Malott and Kevin Finkelmeier of Pete Dressman and the Soul Unified Nation and Denial fame.
Tickets are just $5 each night and music starts at 7 p.m. Click here and here for more info.
• One of Cincinnati’s most popular bands, Rumpke Mountain Boys, celebrate the release of their new album with a series of release parties in the region, kicking off tonight at Inner Circle (the former Annie’s location). Following the Cincinnati date, the Boys will perform for their growing fan bases in Lexington, Ky., Bloomington, Ind., Columbus, Ohio, and Cleveland, Ohio. The group’s new official full-length is titled Trashgrass, the name the members have given their eclectic, jammy, sometime trippy brand of Bluegrass. The band has all the markings of a standard Bluegrass troupe — mandolin, banjo, upright bass, acoustic guitar and vocal harmonies — but the members’ varied influences (they cite Grateful Dead, Ralph Stanley, Tom Waits and Jimmy Cliff among their key inspirations) make the end result its own organic, spontaneous beast. The seven-time Cincinnati Entertainment Award winners for Best Bluegrass act have performed at numerous festivals, shared the stage with artists like Ralph Stanley, Keller Williams, Yonder Mountain String Band and Del McCoury, and Vince Herman — a pioneer of the Rumpkes’ jammy take on Bluegrass with Leftover Salmon — called them “a party waiting to happen.”
Rumpke Mountain Boys perform tonight with the excellent local Reggae crew The Cliftones. The show starts at 9 p.m. and admission is $10 (or $12 for those ages 18-20). Visit rumpke.ning.com for more on the band.
The Rumpkes are probably one of the more documented bands in the area thanks to their allowance/encouragement of fans to record their live shows. Here's a video from this past March of the group performing the Folk/Jazz/Blues standard "Make Me A Pallet on Your Floor" at ekoostik hookah's springtime music fest in central Ohio.
• Strong local Rock/Pop act Majestic Man celebrates the release of its debut full-length, Manatee, this Friday at Mayday in Northside. Local bands The FrontRunners and Plastic Inevitables open the free show at 10 p.m. Manatee is loaded with melodic, well-written songs, but the varied groove the band manipulates throughout the album is just as distinct and magnetic. Be it the Jazz slink of “Someday,” the dubby sway of “Bodysnatcher” or the angled Funk of “Age of No Reason,” the music is rhythmically fascinating. The dazzling guitar playing and superb vocals add cohesion to Manatee, an album that shows Majestic Man to be one of the more gifted newer groups in the Cincinnati area. To preview and/or purchase Manatee, visit majesticman.bandcamp.com. Here's the new album track "Spanish":
• This past spring, prolific artist Jon Langford came to Cincinnati to open an exhibit of his visual artwork and perform a free concert with his group Skull Orchard at Over-the-Rhine club MOTR Pub. At the time, Langford spoke to CityBeat contributor Steve Rosen about his range of artistic endeavors.
Just prior to the springtime Cincy visit, Langford had come off a Midwest tour with perhaps his best known band outside of his first one — British Punk legends, The Mekons — Waco Brothers, the AltCountry outfit he records with for Bloodshot Records. Langford must’ve enjoyed his time in Cincinnati because tonight he's bringing the Wacos to MOTR Pub for a 10 p.m. show, one of only a trio of appearances currently scheduled for the group. The Brothers are bringing with them Paul Burch, the Nashville singer/songwriter with whom the band collaborated on this year’s Great Chicago Fire LP. The Chicago band Cannonball is also on the bill.
Here's a fan-shot video of Burch and the Wacos from earlier this year.