Tonight at 6:30 p.m., Cincinnati Art Museum will host a symposium on Moby-Dick: How a 19th Century Novel Speaks to the 21st Century. This free event features Elizabeth Schultz, author of
Unpainted to the Last; Samuel Otter, editor of Leviathan; Matt Kish, author of
Moby-Dick in Pictures, and Emma Rose Thompson of Northern
Kentucky University. The moderator will be Robert K. Wallace, an English
professor at Northern Kentucky University who has taught a course on
Herman Melville's Moby-Dick since 1972. You
can RSVP at moby-dick-symposium.
This is the opening event to a Moby-Dick Arts Festival, co-organized by Thompson and Wallace, that then takes place at
the Covington branch of the Kenton County Public Library and NKU from Saturday through Monday. From 9 a.m.-9 p.m. Saturday and Sunday, there will be a marathon reading of the novel at the library. You can sign up for a 10-minute slot at mobydick.nku.edu. Ther
On Monday, there is an all-day symposium on the book at NKU, beginning at 9 a.m. in the Budig Theater. More information is available at mobydick.nku.edu.
A limited amount of early-bird passes to the 2015 MidPoint Music Festival are on sale now. Tickets good for all three days of the fest are available for $69, while V.I.P. passes are only $149. Once this first batch of passes is gone, weekend passes will be $79 (and $179 for V.I.P.s) through Labor Day, when another $10 price increase kicks in. The tickets are available for purchase at mpmf.cincyticket.com.
MPMF has also announced a new date shift. After 14 years of running Thursday-Saturday, MidPoint 2015 will take place Friday, Sept. 25-Sunday, Sept. 27. Organizers say the move was to make things easier for out-of-town guests (who previously might not have been able to make the Thursday shows) and also allow for more daytime programming opportunities, including in Washington Park, which is expected to see an increase in attractions and music showcases.
Stay tuned here and at MPMF.com (where artists can also submit for showcase consideration through May 17) for the latest MidPoint developments. You can also follow MPMF on Twitter here and Facebook here for more up-to-date info.
We all have that one Disney movie that we love dearly. The one film that, despite whatever age we are, we can watch and enjoy. For me there are several that meet that criteria: The Three Caballeros (1945), Beauty and the Beast (1991), The Great Mouse Detective (1986) and countless others. But the one film that takes the No. 1 spot on my list is Davy Crockett, King of the Wild Frontier, Disney’s take on the adventures of famed frontiersman and one-time congressman. The movie’s plot ranges from his time in the Creek Wars to his congress years to his final stand at the Alamo.
If I may get personal for a moment: I was obsessed with this movie when I was kid. I couldn’t get enough Crockett related stuff. I even dressed up as Crockett for Halloween one year. I was heartbroken when the film’s lead actor, Fess Parker, passed away in 2010. So, yes, this movie meant a lot to me. In a way, it set me on the path to my love of films and shaped me in a lot of ways.
I’m sure to some people the biggest flaw with the movie is that the plot is a rather romanticized telling of Crockett’s adventures. There’s very rarely a moment where he isn’t an upstanding guy, but to me that kind of works for the film. Walt Disney had no pretentions about this film (originally a mini-series) — he wasn’t planning on making this a super deep movie with complex characters and themes. What Disney wanted to do was take an iconic American folk hero and give the intended audience a person to look up to and root for. To me, you couldn’t anyone more perfect than actor and future wine maker Fess Parker.
Now as I stated before, Crockett’s portrayal in the film is a romanticized, but that doesn’t mean there aren’t some powerful moments — outside of the heroic times — with him. For me, one of the best emotional moments in the film is when Crockett receives word about his wife’s death. His sidekick throughout the film Georgie Russell (Buddy Ebsen) reads a letter delivering the unfortunate news and you can see the news slowly sinking into him. Russell consoles him and asks him if there’s something he can do, and all Crockett says is, “Just give me some time to think.” He then slowly and quietly walks into the woods to try and figure out what to do without his other half. Without any dialogue or music playing, we get a true sense how deeply this has affected him.
The film doesn’t shy away from all the historical facts; the most obvious example is that in the end he and his comrades die at the Alamo. Granted, they don’t show Crockett’s death onscreen but, then again, given how nobody knows how Crockett actually died it makes sense that we don’t see it. The movie ends with him swinging his rifle like a club at the overwhelming forces without a hint of fear.
Like a lot of classic Disney films, it features many great qualities: It has a memorable soundtrack that will have you humming its songs for hours on end; a great sense of adventure and excitement; and a terrific cavalcade of characters performed by great character actors. I mentioned earlier Parker and Ebsen who have amazing chemistry together. There’s also stunt-man Nick Cravat as the mute Comanche Indian named Busted Luck who shows that not only does he have bravery but he's also very witty and smart. There’s a great scene where he foils a trickster’s attempt at swindling him out of food. Speaking of which, there’s the dandy riverboat gambler Thimblerig played by Hans Conried who is a delight in every scene. Some of you know him best as the voice of Captain Hook in Disney’s Peter Pan (1953) and as Thorin in Rankin/Bass’ version of The Hobbit (1977).
haven’t seen this Disney gem, do yourself a favor and check it out,
especially if you have youngsters. Then check out the prequel Davy Crockett and the River Pirates
featuring the fun and bombastic character actor Jeff York as Mike Fink, King of
Hello Cincy. You know what time it is. Yep, news time.
It’s become a dependable, even comforting, routine. On Thursday mornings, I sit down and tell you all about the ways in which City Council bickered over the streetcar in its Wednesday meeting. The tradition continues. A discussion yesterday about proposed Over-the-Rhine parking plans, which have been bandied back and forth for months, quickly devolved into a debate over the streetcar’s operating budget gap. Mayor John Cranley has been using that gap, which could be as high as $600,000 a year because of shortfalls in revenue and advertising receipts, as a reason council should pass his version of the OTR parking plan.
Cranley, who formerly proposed $300-a-year parking passes for residents in the neighborhood, now wants the passes to be valued at a market rate determined by the city manager. Meanwhile, Councilman Chris Seelbach has another idea: Cap the costs of the permits at $108. Seelbach’s plan calls for 450 permits, plus 50 non-metered, non-permitted flex spots for bartenders, waiters and the like who work in the neighborhood. Cranley’s plan calls for more flex spots. Either proposal would likely yield the highest-cost neighborhood parking permit in the country.
At issue is a philosophical debate: Cranley wants OTR residents to shoulder more of the cost of the streetcar. He also says the city has done enough to subsidize residents in OTR, citing tax abatements on many properties in the neighborhood and the fact that metered spots on the public streets around them would bring in more money than the permits do. Streetcar supporters like Seelbach and Councilwoman Yvette Simspon, however, say the streetcar is about economic development and that it will benefit the entire city, not just OTR residents. They say it isn’t fair to place its financial burden so much on those living in the neighborhood. Seelbach also points to residential parking permits in other neighborhoods, which are priced much more affordably than Cranley’s OTR plan.
• There was also a big hubbub about whether or not the streetcar will get in the way of major downtown events on Fifth Street like Oktoberfest and Taste of Cincinnati. Mayor John Cranley yesterday railed against, as he said, “the idea that the city was secretly trying to discourage these events from maintaining their historic location,” and touted measures by city administration to make sure it doesn’t happen.
The backstory: In 2014, then-City Manager Scott Stiles released a memo stating that no special events could disrupt the streetcar’s operation. Depending on what you take “special events” to mean (i.e. is something that has been scheduled every year for at least a decade a special event?) that could mean the streetcar would take precedence over some beloved Cincinnati traditions. However, an agreement between streetcar operators SORTA and the city also signed later in 2014 allows streetcar operations to be disrupted for events up to four times a year. Sooo, yeah. Were those events ever actually in danger of being moved for the streetcar? Unclear.
• Citizens for Community Values President Phil Burress thinks defeat may be at hand, at least in the short term, when it comes to the looming Supreme Court case around same-sex marriage. Springdale-based right-wing CCV has pushed a number of anti-gay rights measures over the years, and Burress was instrumental in engineering Ohio’s 2004 constitutional amendment banning gay marriage. That law is part of the current SCOTUS case. Burress told the Cincinnati Enquirer he’s “not very optimistic” about Ohio’s ban withstanding the court challenge, mostly because he says some of the justices are biased and don’t respect state sovereignty. But Burress also promised that the issue “won’t go away” anytime soon. You can read our story about case, and the local folks who are making history as the plaintiffs, here.
• The Ohio House of Representatives last night passed a record-breaking two-year budget for the state that looks much different than the one Gov. John Kasich suggested. The proposed budget spends more than the state ever has, while taxing top-tier earners less than it has in the past three decades. The proposal would put Ohio’s top income tax rate below 5 percent for the first time since 1982 but forgoes Kasich’s more regressive plan to lower income taxes by 23 percent and use a sales tax hike to pay for the cuts. The $131.6 billion spending package, the largest in state history, also zeroes out much of Kasich’s proposed reform to education spending. Kasich is not exactly stoked by the budget.
“After the fiscal crisis subsides people think it's OK to slip back to old habits,” Kasich’s office said in a statement to press. “The governor will do everything possible to prevent that from happening."
The budget isn’t a done deal. Next it heads to the state Senate, which is cooking up its own budget anyway.
• After those long-winded updates, here's a quickie or two: Is former Florida Governor Jeb Bush really the cuddly moderate he's been made out to be, and, if not, does that open up a window of opportunity for Ohio Gov. Kasich in the GOP 2016 presidential sweepstakes? Despite being a proponent of Common Core and having some less-than-hardline views on immigration, ol' Jeb does have some harder right tendencies as well that make him more complicated to consider. This article gives some good examples.
• Finally, as a person who recently transitioned to Microsoft Office 365 for all my workaholic email needs, I really appreciate this hilarious Washington Post article about the company's new ad campaign. I really do love working while I'm also sleeping face down in my bed.
That is all. Tweet me. Email me. Or don’t. Actually, just go outside and enjoy the sun. But bring your smart phone just in case.
The Cincinnati Art Museum's wonderful current exhibition The Total Look: The Creative Collaboration Between Rudi Gernreich, Peggy Moffitt and William Claxton mentions that one early influence on the visionary fashion designer Gernreich was Bonnie Cashin, who created quietly avant-garde women's sportswear and whose reputation has only grown since her death in 2000.
It turns out that University of Cincinnati's College of Design, Architecture, Art, and Planning has a collection of almost 200 pieces by Cashin, a gift from Ohio State University. The pieces were among a larger donation given to OSU by Phil Sills, whose Sills & Co. produced Cashin-designed fashions from 1952 until the late 1970s.
On Tuesday, DAAP students put together a one-night exhibit of a dozen pieces from its collection in the Total Look gallery, so attendees could see how her tweed with leather and suede fashions look alongside Gernreich's far more radical designs. They hold up well — the earthy colors, the bold use of plaid, the turn-lock brass closures, a jacket with a built-in coin purse in a front pocket.