I said almost because there are still a few weeks left (the season traditionally runs Memorial Day to Labor Day) and, more importantly, there are still a handful of movies I've yet to catch — from high-profile studio stuff (like Cars 2, Rise of the Planet of the Apes and the latest Harry Potter) to smaller indie offerings (like Buck and Project Nim, not to mention a host of titles that have yet to open here — most notably Miranda July's The Future, Michael Winterbottom's The Trip, Azazel Jacobs' Terri and Raúl Ruiz's Mysteries of Lisbon).
As if rising with the temperature, the second quarter of the movie season is shaping up pretty nicely.
After months of stagnation, the Esquire and Mariemont theaters have finally mixed up their bookings in recent weeks, bringing in such worthwhile (if often little-seen) fare as Anvil! The Story of Anvil, The Class, Examined Life, Is Anybody There?, Paris 36, Sin Nombre, Sunshine Cleaning, Sugar, 12 and Tyson.
Just a heads up that Cincinnati World Cinema tonight continues its screenings of The British Arrow Awards, a collection of British television commercials (or, as they're called across the pond, adverts) that put their American counterparts to shame.
In fact, as I wrote the other day, there is often more creative energy in one of these 90-second British adverts than in a two-hour Hollywood effort.
Cincinnati World Cinema's final screening of The Red Chapel occurs tonight at 7:30 p.m. For the uninitiated, Chapel is an odd documentary about a Danish filmmaker and a pair of young Danish-Korean “comedians” who travel to North Korea to get back in touch with their homeland and to perform for an audience that includes various dignitaries.
While we here at CityBeat World Headquarters are putting the final touches on our annual Year in Film in Music issue, I thought I’d check in to let you know that IndieWIRE’s annual Critic’s Poll has now been posted to the interwebs.
No surprise here: David Fincher’s The Social Network was the dominating winner, adding yet another piece of critical hardware to its already robust trophy case. The question now becomes: Can anything stop the Facebook origin story from stomping the competition come Oscar time?
A friend recently asked my opinion about what films the Academy might nominate for Best Picture this year.
“Uh, I have no idea,” I responded.
It's pretty late in the year to be saying that, but, of course, I rarely think about the Oscars until I absolutely have to. Then there's the fact that few of the films released so far this year seem to possess what typically piques the Academy's interest (note that anywhere from five to 10 films can now be nominated).
With the rollout of fall's higher-profile “prestige” pictures still a week away (including Clint Eastwood's J. Edgar Hoover biopic with Leonardo DiCaprio as the notorious FBI director), a pair of lesser-known films open here this week that are worthy of your attention.