The final episode of At the Movies aired last weekend, marking the end of an era that began more than 30 years ago.
Featuring a pair of geeky Chicago-based film critics — Roger Ebert from The Sun-Times and The Tribune's Gene Siskel — the long-running show debuted as Sneak Previews in 1975 before switching to At the Movies in 1977. The premise was simple: two people talking about that week's releases with passion, intelligence, wit and personality.
I said almost because there are still a few weeks left (the season traditionally runs Memorial Day to Labor Day) and, more importantly, there are still a handful of movies I've yet to catch — from high-profile studio stuff (like Cars 2, Rise of the Planet of the Apes and the latest Harry Potter) to smaller indie offerings (like Buck and Project Nim, not to mention a host of titles that have yet to open here — most notably Miranda July's The Future, Michael Winterbottom's The Trip, Azazel Jacobs' Terri and Raúl Ruiz's Mysteries of Lisbon).
Just a heads up that Cincinnati World Cinema tonight continues its screenings of The British Arrow Awards, a collection of British television commercials (or, as they're called across the pond, adverts) that put their American counterparts to shame.
In fact, as I wrote the other day, there is often more creative energy in one of these 90-second British adverts than in a two-hour Hollywood effort.
Peter Biskind — a former Premiere magazine editor and longtime journalist who wrote the fascinating, endlessly entertaining book about the 1970s American movie scene, Easy Riders, Raging Bulls — recently published a biography called Star: How Warren Beatty Seduced America.
I’ve yet to read the book, which, among other things, apparently tells us that Beatty might have slept with more than 12,775 woman — a number that doesn’t include “daytime quickies, drive-by blowjobs, casual gropings, stolen kisses and so on.”
Ever wonder what happened to the kid who played Chunk in The Goonies?
Wonder no more.
Cincinnati World Cinema's final screening of The Red Chapel occurs tonight at 7:30 p.m. For the uninitiated, Chapel is an odd documentary about a Danish filmmaker and a pair of young Danish-Korean “comedians” who travel to North Korea to get back in touch with their homeland and to perform for an audience that includes various dignitaries.
The movie awards season kicked into overdrive Dec. 15 with the announcement of the 67th annual Golden Globe Awards nominations. I’m typically the first one to criticize the Globes’ often banal, stars-and-studio-influenced nominations, but this year’s crop seems more discerning than usual.