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by Anne Arenstein 07.05.2012
Posted In: World Choir Games at 09:12 AM | Permalink | Comments (2)
 
 
world-choir-games

World Choir Games Underway

Opening Ceremony involves welcoming by U.S. officials and lots of singing

It was quite the spectacle and in a good way. As I, along with other members of MUSE, approached Great American Ballpark around 4 p.m., there were already hundreds of World Choir Games participants thronging the entrance, and despite the stifling temperature, the excitement was palpable. All the hype about this being an international event was no hype at all. For the first time I can remember, Cincinnati looked like an international city. 

Choirs from West Chester, Loveland and Pleasant Ridge chatted with groups from Japan, Colombia, Canada and Australia. Cheers erupted from all parts of the plaza, spontaneous singing and dancing were everywhere. The plaza was a riot of color: the Colombians in vivid red, orange, and yellow; Japanese women in blue and pink kimonos; the Nigerian choir in bright green dashikis and caps; and the Costa Rican women's choir in flowing white dresses embroidered in bright red.

With no signage but a multitude of helpful volunteers, 5,000 of us were mustered into holding areas before marching over to U.S. Bank Arena. Bottled water and mist sprayers relieved the heat, and when the water ran out, there plenty of ice cubes — putting them down my back never felt better.

We found ourselves in a shaded area along with a youth choir from Erie, Pa. Suddenly they started chanting, "Sing! Sing! Sing!"  As we launched in the South African Xhosa song "Bambelela," their eyes lit up in recognition and suddenly we were one big chorus. They answered us with "The Storm is Passing Over," and this time, our eyes lit up. Same arrangement we do. They sang a beautiful arrangement of "As I Went Down to the River to Pray." When we sang Bernice Johnson Reagon's "I'm Gon' Stand," with Lois Shegog belting out the solo, they were riveted. 

Once inside the arena, more cheering as groups saw themselves on the JumboTrons. The soundtrack took in The Temptations, The Jackson 5, Gloria Estafan, The Monkees, and I think Neil Diamond was in there somewhere. The Aussies sitting below us started a beach ball toss that would have gone on longer if an arena-wide wave hadn't taken over. I didn't see many empty seats.

WCPO's Clyde Gray and Carol Williams were affable emcees and the opening remarks by Mayor Mallory and Interkultur head Gunther Titsch were mercifully brief (Titsch spoke in heavily accented English and then reverted to his native German. That was fine — I'd rather look at his translator any day. Williams read greetings from President Obama — the letter was projected on the video screens to the accompaniment of hundreds of camera flashes. Rob Portman didn't applaud. But he recovered to declare the games open.

Cincinnati Pops conductor John Morris Russell paid tribute to the late Erich Kunzel, who was the driving force behind bringing the WCG to Cincinnati. And it was his vision to include the traditional July 4th concert as part of the opening ceremony. I think he would have been delighted and not at all surprised at the power of singing to bring people together. Choruses rose with pride as their nation's flag was announced, but they also cheered on their peers. I'll never forget the group from Namibia turning to cheer South Africa.

As we left, I couldn't help singing India Arie's "There's Hope." MUSE sang that, too.

 
 
by Rick Pender 08.28.2009
Posted In: Theater, Theater at 10:25 AM | Permalink | Comments (0)
 
 
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Stage Door: Fringe Festival (Slight Return)

This is a weekend to catch up on local theater — or perhaps to be reminded of the many riches we have available to us.

Read More

 
 
by Rick Pender 07.12.2012
Posted In: World Choir Games at 12:50 PM | Permalink | Comments (1)
 
 
world-choir-games

World Choir Games: "Music of the World" + Parade

The beginning of this week was a slower pace for the World Choir Games in Cincinnati. At the halfway point, choirs visiting for the first week departed and new ones arrived, so there was very little activity on Monday. A festive, rambunctious parade from the Convention Center to Fountain Square too place 6 p.m. Tuesday, with dozens of choirs, many in traditional dress from their home countries and others in matching T-shirts that designated their team, nation and so on. Each choir was preceded by a WCG volunteer bearing their national flag, and the crowd — lined up five-to-six people deep along both sides of Fifth Street — cheered for each choir as strolled by. There were as many cameras in the parade as well among those watching: Everyone wanted to capture the fun to share later.

On Wednesday evening at the Aronoff Center, I went to the "Music of the World" Celebration Concert. Since two of the four performing groups were from the U.S., I guess this title referred more to the music than their origins, but each had something to offer. The opening set was by the Collegiate Honor Choir from regional universities near or in Cincinnati: CCM at UC, Xavier, Capital University (Columbus), Wright State (Dayton), Miami and NKU. They sang as a large ensemble at first, conducted by Earl Rivers from CCM (also one of the WCG's artistic directors) and then several groups were broken out for specific numbers, led by their own director. The most interesting number was "The Storm is Passing Over" by the singers from NKU: Amid some angsty singing, several performers spoke out lines of dismay about contemporary life or laughed maniacally. After several minutes of that, once a few singers collapsed from exhaustion, a spiritually inspired passage resolved the piece on an air of hope for the future. This segment also included a brief film tribute to esteemed American composer Morten Lauridsen (the full film is on view at various times at the Downtown Public Library during the WCG) and then a performance of two of his pieces, "Dirait-on" and "Sure on this Shining Morning," with Lauridsen accompanying the singers on the piano.


Up next was the University of Newcastle (Australia) Chamber Choir with 40 singers, male and female. I especially enjoyed their second number, "Birds," based on three traditional Australian Bush songs. It was full of whistles and shrieks, as well as choreographed hand motions that simulated the movements of various kinds of birds. It was an unusually delightful piece. More delight came from the Gema Sangkakala Choir from Manado, Indonesia. Another mixed group of approximately 40, its men were attired in black jackets with symmetrical yellow patterns (eight leaves about the size of a human hand is my best guess since my seat was far back from the stage) and the women wearing beautiful sparkling traditional dresses accented with scarves of primary colors tied around their waists. The group sang four numbers with lots of dance motion; in fact, each number concluded with a held pose — arms upraised, for instance — that became the initial pose of the following song. Their very coherent program was full of humor: One song appeared to be a flirtatious exchange between the men and the women, while another was a tongue-twisting piece full of what were probably nonsense works (my notes say "packa-packa-dum-dee-dum," a phrase and others like it were repeated at high speed). Neither the program, the emcees nor the directors offer any insights about the songs, so audiences are left to figure them out — I wish I'd known more about the substance of this Indonesian group's performance, but it was delightful from start to finish.


The final group was the Indianapolis Children's Choir, about 100 young adolescent girls and boys. They were wonderfully trained, and their program was a perfect selection of material for young performers, not too challenging but very appropriate for youngsters full of energy and expression. "Tell My Ma" (accompanied by an adult playing the spoons!) was a clever song about competition between groups of boys and girls; "Happy Together" (a Pop tune from the 1960s by the Turtles) was a great number for the kids to cut loose with their own swaying body and hand motions, not synchronized but each doing something that expressed their joy at young love. That approach typified this group's performance — carefully chosen numbers that fit the youthful nature of the performers. Everyone left the Aronoff smiling!

I have a "day pass" for Thursday, so I'll be wandering in and out of activities all over downtown. I'll report on that on Friday morning. There's only a few days left — WCG ends on Saturday evening. If you haven't attended anything yet, there's still time.

 
 
by Rick Pender 06.18.2012
Posted In: Theater at 09:00 AM | Permalink | Comments (0)
 
 
covedale center

Another Cincinnati Landmark?

Operator of Showboat Majestic and Covedale Center to open new facility in East Price Hill

Cincinnati Landmark Productions (CLP), operator of the Showboat Majestic and owner and operator of the Covedale Center for the Performing Arts, is looking to expand its entertainment empire with a new facility in East Price Hill, not far from the Primivista Restaurant. At a meeting today with the East Price Hill Improvement Association, representatives from CLP will present a proposal to build a new performing arts center in the Incline District.

The plan is for a theater with approximately 250 seats that will be programmed throughout the year. CLP estimates 112 evenings of performances, including theatrical productions, a summer season, concerts, comedy events and cabarets.
CLP recently marked the tenth anniversary of the Covedale Center, a onetime movie theater that the group acquired and renovated. The West Side fixture has seen stead growth in attendance over the decade since opening in 2002. In its first year, there were 804 subscribers; 3,600 are anticipated for the coming season. Season attendance in 2002-2003 was 13, 990; for 2011-2012 it grew to 35,300.

Representatives from CLP have already met with developers and leaders of the East Price Hill Development Association for exploratory purposes. CLP’s executive artistic director Tim Perrino says that both his organization and the developers view the partnership as a win-win. The vacant parcel on Matson Place has nearby parking and dining — as well as the spectacular view that’s familiar to generations of diners at Primavista.

“The people we’ve talked to,” Perrino explains, “see the true value an arts center can bring to a neighborhood. The arts create neighborhood vibrancy, more pedestrians, good news stories, visitors from outside the neighborhood, more bar and restaurant patrons and improved neighborhood perception.

The project is still a concept without a budget or plans, but it’s an exciting prospect coming from an organization that clearly knows how to connect with audiences.

 
 
by Steven Rosen 10.13.2008
at 09:37 AM | Permalink | Comments (0)
 
 

Drive-By Art

In what sounds like an innovative way to bring its art to the people, a mobile printmaking studio known as Drive By Press will be parked at the plaza outside the student union at Northern Kentucky University on Thursday to show the contemporary graphic art its creators have collected driving across the country.

Actually, the exhibition will be in the Fine Arts Building for that day; Drive By's Gregory Nanney and Joseph Velasquez will be making and selling (for about $20) fine-art T-shirts derived from their woodcuts. They'll also be doing a lecture in the Fine Arts Building at noon. Nanney and Velasquez, in their travels, have collected 1,200 contemporary prints from around the country. Their journey is self-funded through T-shirt sales and honoraria from universities and museums.

You can learn more about them at www.Drivebypress.org.

 
 
by Rick Pender 12.07.2012
Posted In: Theater at 10:38 AM | Permalink | Comments (0)
 
 
naughty list

Stage Door: More Holiday Cheer

As I wrote in my column in the current issue of CityBeat, there's a lot of good holiday theater available on Cincinnati stages right now. The Playhouse's production of A Christmas Carol, now in its 22nd year, is best in class — a well-told traditional tale with some of the best professional actors in town onstage, from Bruce Cromer as Scrooge and Dale Hodges as the Ghost of Christmas past. There are a few new faces, too, playing the Cratchits. And speaking of new faces, I feel comfortable recommending New Edgecliff Theatre's one-woman show, The 12 Dates of Christmas, which is being engagingly performed by Annie Kalahurka. It's paired with David Sedaris's The Santaland Diaries, which feels a little shopworn to me, but you can catch the double-bill downtown at the Arnonff's Fifth Third Bank Theater — and maybe go for drinks at Arnold's before or after the show.

If you're looking for something kind of different, try The Naughty List (review here), a holiday-themed improv show (presented in Arnold's courtyard on Sunday, Monday and Tuesday evenings) by Know Theatre. Five quick-witted comics who constitute OTR Improv are doing routines that use audience suggestions (and occasional audience participants) for nearly two hours of entertainment. It's a different show every night.

Have kids you want to take to the theater and give them a taste of what fun it can be? Two good bets are Ensemble Theatre Cincinnati for one of its musical fairytales with a moral (this year the show is a colorful, cartoonish rendition of Alice in Wonderland) and Covedale Center, where Rodgers and Hammerstein's Cinderella is singing and dancing its way through another familiar story the kids will know. The prince is handsome, Cinderella is sweet and the nasty Stepmother is played by a guy.

As far as familiar stories go, you've probably seen Frank Capra's classic holiday film It's a Wonderful Life a few times during the holidays. But I bet you haven't experienced in the unique way that Falcon Theater offers it up at Newport's Monmouth Theatre: The script frames the story as an old-time radio drama, and you get to watch behind-the-scenes as a handful of actors play all the roles and a few others create  the necessary sound effects. It opens this weekend and runs for a week. I haven't seen this year's edition, but I've enjoyed past incarnations, and I suspect this one will be entertaining as well.

Happy holidays!

 
 
by Rick Pender 07.27.2012
Posted In: Theater at 09:16 AM | Permalink | Comments (0)
 
 
todo_onstage_weddingsinger_hollyyurchison

Stage Door: 'Wedding Singer' and 'Hound of the Baskervilles'

I can't say that a musical based on the Adam Sandler film The Wedding Singer is going to be either edifying or educational for a bunch of teens. But I can assure you that the kids from all over the region involved in Cincinnati Young People's Theatre, which opens its production of the show tonight, will be having a blast at the Covedale Center for the Performing Arts. I bet their good times with this goofy show will mean contagious entertainment for everyone who shows up to see it. Whether they're related to the kids or not! It's onstage through Aug. 5. Box office: 513-241-6550.

It appears that Cincinnati Shakespeare Company has a summertime hit on its hands with its very tongue-in-cheek staging of
The Hound of the Baskervilles using three of its best actors. The show opened a week ago and there is so much demand for tickets that CSC has added matinee performances through the production's three-week run. Several performances have completely sold out. It's directed by Michael Evan Haney, associate artistic director at the Cincinnati Playhouse and one of our area's best at staging witty and complicated pieces — his Cincinnati Playhouse production of Around the World in Eighty Days was a big hit several seasons back (it used four actors) and it moved on to a well-received run in New York City. While Hound retells the well known Sherlock Holmes tale, it does it with actors in multiple roles (Jeremy Dubin, who portrays Holmes, for instance, also plays all the villains) and a lot of visual humor and slapstick physicality. Through Aug. 12. Box office: 513-381-2273. 

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Jac Kern 10.02.2013
Posted In: Street Art, Visual Art at 11:01 AM | Permalink | Comments (0)
 
 
ac_jr_jf4

Cincinnati Street Art Featured on BuzzFeed's Community Blog

Queen City again recognized on popular list-icle site

BuzzFeed — a popular source for news bits, pop culture stories and “list-icles” such as “19 Relics From The ’90s Hologram Epidemic — has published many stories about Cincinnati this year alone. There's “15 Gorgeous Photos Of The Old Cincinnati Library,” which compiles swoon-worthy photographs of our Main Library’s past, as well as “11 Cincinnati Foods That Are Better Than Yours” and “31 Ways To Tell You’re From Cincinnati,” both of which have been shared on social media by countless locals — and mocked/criticized for being outdated and overly-generalizing (some of us actually subsist on a diet of foods that are not covered with runny chili and cheese!).

Chris Breeden, promotions director at Arnold's Bar and Grill, recently added another local list-icle to the site (on BuzzFeed’s Community page), highlighting the city’s bevy of public art created by globally recognized street artists.

Breeden's “9 World Famous Street Artists (You Never Would Have Guessed Are) Up In Cincinnati, OH” features photos of work by Shepard Fairey, Vhils, The London Police and other street artists that have adorned Cincinnati surfaces. Also on the list is French artist JR, who was recently in town for his exhibit at the Contemporary Arts Center (on view through Feb. 2, 2014).

Street art featured in the list can be seen everywhere from Arnold's downtown and Amerasia in Covington, Ky. The story details each artist’s background and home base as well as how to find each mural/painting/poster/graffiti site.

 
 
by Rick Pender 10.05.2012
Posted In: Theater at 11:21 AM | Permalink | Comments (0)
 
 
stage door - daniel beaty in through the night at the cincinnati playhouse - photo sandy underwood

Stage Door: 'Through the Night,' CCM, NKU and the Carnegie

Your best bet for theater this weekend, based on several enthusiastic recommendations, seems to be Daniel Beaty's one-man performance at the Cincinnati Playhouse in Through the Night. Harper Lee gave it a Critic's Pick in her CityBeat review this week, and the League of Cincinnati Theatres panel described Beaty as a "brilliant showman and interpreter” whose “beautifully and powerfully acted” performance “weaved in, out and through real people — multifaceted people.” The show was praised as “moving and full of hope — an evening of pure joy, celebration and a mournful reminder as well.” Through the Night “shatters the stereotypes of the ‘African American’ plight and shows beautifully that these predicaments and life choices are ‘human’ ones." I caught a performance this week and found Beaty's ability to shift from character to character quite astonishing — he plays six men and boys, as well as numerous other figures in their lives, each well defined and believable. It's a tour de force performance in the Shelterhouse, presented simply with some projected images and nothing more, not even costume changes. Box office: 513-421-3888.

College theater has good choices for you at both UC's College-Conservatory of Music and Northern Kentucky University. Each is presenting a classic, although from very different eras. NKU continues its run of
You Can't Take It With You (through Sunday), a classic comedy by George S. Kaufman and Moss Hart that won a Pulitzer Prize back in 1937. It's about a wacky family that marches to the beat of several different drummers and how their "normal" daughter and her boyfriend (the product of truly straitlaced parents) try to figure out how to make a relationship work in the midst of a lot of craziness. At CCM there's another form of craziness in Michael Burnham's staging of Shakespeare's A Midsummer Night's Dream, a tale of mistaken lovers and magical transformations. In both cases, there's a happy ending and most of the right people end up with suitable partners. Both shows are sure to offer offer a lot of laughs, as well as plenty of opportunities for young actors to take on entertaining roles. Either show should make for a fun outing that doesn't require much serious thought. CCM Box Office: 513-556-4183; NKU Box Office: 859-572-5464.

Finally, on Sunday night at 7:30 p.m. you have a very special opportunity to see a brand-new musical as a work-in-progress at the Carnegie Center in Covington. It's a one-night-only presentation of The Sandman, a creepy musical created by Cincinnati native and Cirque du Soleil maestro Richard Oberacker and his creative partner Robert Taylor. Using a wildly imaginative story by E.T.A. Hoffmann (the guy who wrote the wildly imaginative story of battling mice and toys coming to life that became The Nutcracker), Oberacker and Taylor have crafted a show that's getting a workshop locally with some serious star power. Narrated by Van Ackerman (who turned in a great performance as the Man in the Chair in CMT's recent production of The Drowsy Chaperone), the performance will feature Tony nominee (and early CCM grad) Pamela Myers, always watchable Bruce Cromer (fresh off his powerful turn as Atticus Finch in To Kill a Mockingbird at Cincy Shakes), Charlie Clark and Sara Mackie. While it's a "reading," it will have sound effects and some slide projections to set the eerie scene. You can call 859-957-1940 for tickets, or order them online at www.thecarnegie.com. General admission is $25 (theater professionals and students can get in for $15). Sounds like a don't miss event.

 
 
by Maija Zummo 04.15.2014
at 12:29 PM | Permalink | Comments (0)
 
 
wwe_cincinnati_skyline_jdc

Cincinnati Takes Over New York City

Cincy in NYC Week features Queen City art, music and food in the Big Apple

Cincinnati's arts groups and chefs are road tripping it to New York City for a seven-day showcase highlighting the eats, arts and culture of the Queen City for Cincy in NYC.

The showcase, which runs May 6 through May 12, features events and performances from the Cincinnati Ballet, CCM alumni, the May Festival Chorus and the Cincinnati Symphony Orchestra, the Playhouse in the Park, the Cincinnati Art Museum, the Taft Museum of Art, Queen City chefs (Jean-Robert de Cavel, Julie Francis of Nectar, David Cook of Daveed's NEXT, David Falk of Boca, Jose Salazar of Salazar, chocolatier Jean-Philippe Solnom and Stephen Williams of Bouquet) and more.

According to an article in Cincy Magainze, the original idea was that just the Cincinnati Ballet would return to New York City for the first time in 30 years. But it turns out the Cincinnati Symphony Orchestra and the May Festival Chorus were also scheduled to be in NYC, performing around the same time as the ballet's performance week at the Joyce. So, long story short, other Cincinnati-based art groups were recruited to head East and now there's a ton of Cincinnatians trekking to New York to show the city what the Midwest has to offer.

Events kick off on May 6 with a performance from the Cincinnati Ballet at the Joyce and round out with a performance by CCM's quartet-in-residence, the Ariel Quartet, at the 92nd Street Y. 

MAY 6
The Cincinnati Ballet at The Joyce Theater — The ballet celebrates it's 50th anniversary with a week-long tour at the Joyce, where they'll be performing three New York City premieres: Hummingbird in a Box, featuring seven new compositions by Grammy-winner Peter Frampton; Chasing Squirrel, an eccentric work by Trey McIntyre; and Caprice, a new ballet choreographed by Val Caniparoli that features live musicians performing Paganini's Violin Caprices. 7:30 p.m. $19-$49. Joyce Theater, 175 Eighth Avenue at 19th Street, New York, cballet.org/newyorktour.

CCM Jazz Alumni at Jazz at Lincoln Center — Past and present CCM big band alumni perform at Dizzy's Club Coca-Cola. 7:30 and 9:30 p.m. $30-$45. Broadway at 60th Street, New York, jalc.org/dizzys.

MAY 7
Music and Words with Ricky Ian Gordon — The composer will discuss his work with moderator Evans Mirageas, the Harry T. Wilks Artistic Director of the Cincinnati Opera. 7 p.m. Free for members; $20 for non. The National Opera Center, 330 Seventh Ave., New York, operaamerica.org

The Cincinnati Ballet at The Joyce Theater — The ballet celebrates it's 50th anniversary with a week-long tour at the Joyce, where they'll be performing three New York City premieres: Hummingbird in a Box, featuring seven new compositions by Grammy-winner Peter Frampton; Chasing Squirrel, an eccentric work by Trey McIntyre; and Caprice, a new ballet choreographed by Val Caniparoli that features live musicians performing Paganini's Violin Caprices. 7:30 p.m. $19-$49. Joyce Theater, 175 Eighth Avenue at 19th Street, New York, cballet.org/newyorktour.

MAY 8
May Festival/Symphony Party — The May Festival and Cincinnati Symphony Orchestra host a cocktail soiree. 6-8 p.m. $275 (patron); $200 (guest). New York Yacht Club, 37 W. 44th St., New York, cincyinnyc.com.

The Cincinnati Ballet at The Joyce Theater — The ballet celebrates it's 50th anniversary with a week-long tour at the Joyce, where they'll be performing three New York City premieres: Hummingbird in a Box, featuring seven new compositions by Grammy-winner Peter Frampton; Chasing Squirrel, an eccentric work by Trey McIntyre; and Caprice, a new ballet choreographed by Val Caniparoli that features live musicians performing Paganini's Violin Caprices. 8 p.m. $19-$49. Joyce Theater, 175 Eighth Avenue at 19th Street, New York, cballet.org/newyorktour.

MAY 9
Playhouse Staged Reading in Afternoon — Cincinnati Playhouse in the Park presents a reading of Fool, by Cincinnati native Theresa Rebeck, creator of TV's Smash. The reading features an all-star cast of Cincinnati stars. 2 p.m. Free but tickets required. Pearl Studios, 519 Eighth Ave., 12th Floor, Studio D, 513-421-3888.

Cincinnati Night at Carnegie Hall — The May Festival Chorus and the CSO take the Carnegie Hall stage as part of the prestigious Spring for Music Festival with a program including John Adams' iconic "Harmonium" and the New York premiere of R. Nathanial Dett's "The Ordering of Moses." 7:30 p.m. $25. Carnegie Hall, 881 Seventh Ave., New York, mayfestival.com.

The Cincinnati Ballet at The Joyce Theater — The ballet celebrates it's 50th anniversary with a week-long tour at the Joyce, where they'll be performing three New York City premieres: Hummingbird in a Box, featuring seven new compositions by Grammy-winner Peter Frampton; Chasing Squirrel, an eccentric work by Trey McIntyre; and Caprice, a new ballet choreographed by Val Caniparoli that features live musicians performing Paganini's Violin Caprices. 8 p.m. $19-$49. Joyce Theater, 175 Eighth Avenue at 19th Street, New York, cballet.org/newyorktour.

Cincinnati Party for Young Professionals — Cincinnati-native YPs are invited to an evening of live music, mingling and an open bar. Dhani Jones will MC. 9-11 p.m. Free. Arlene's Grocery, 95 Stanton St., New York, cincyinnyc.com.

MAY 10
Queen City Chefs Take a Bite Out of the Big Apple — Jean-Robert de Cavel, Julie Francis of Nectar, David Cook of Daveed's NEXT, David Falk of Boca, Jose Salazar of Salazar, chocolatier Jean-Philippe Solnom and Stephen Williams of Bouquet head to the James Beard House in NYC to cook a seven-course dinner. While they planned the menu together, they're each responsible for a different course. 7 p.m. $170; $130 for James Beard members. James Beard House, 167 W. 12th St., New York, jamesbeard.org.

Cincinnati Art Museum's Eyes on the Street Panel — A panel discussion of street photography in the 21st century. 11 a.m.-1 p.m. $5. Aperture Gallery, 547 W. 27th St., Fourth Floor, New York, cincyinnyc.com.

The Cincinnati Ballet at The Joyce Theater — The ballet celebrates it's 50th anniversary with a week-long tour at the Joyce, where they'll be performing three New York City premieres: Hummingbird in a Box, featuring seven new compositions by Grammy-winner Peter Frampton; Chasing Squirrel, an eccentric work by Trey McIntyre; and Caprice, a new ballet choreographed by Val Caniparoli that features live musicians performing Paganini's Violin Caprices. 2 p.m. $19-$49. Joyce Theater, 175 Eighth Avenue at 19th Street, New York, cballet.org/newyorktour.

Metropolitan Museum of Art Tour — Enjoy a special docent-led tour of the Met's Rembrandt galleries, including Portrait of a Man Rising from His Chair, on loan from the Taft Museum of Art. 2 p.m. $29. The Met, 1000 Fifht Ave., New York, taftmuseum.cincyregister.com/rembrandtatmet.

MAY 11
World Piano Competition Gold Medalists at the Carnegie — Performance by gold medalist Alexander Yakovlev, 2012 World Piano Competition winner. 2 p.m. $15. The Carnegie, 881 Seventh Avenue and 57th Street, New York,  carnegiehall.org/events.

The Cincinnati Ballet at The Joyce Theater — The ballet celebrates it's 50th anniversary with a week-long tour at the Joyce, where they'll be performing three New York City premieres: Hummingbird in a Box, featuring seven new compositions by Grammy-winner Peter Frampton; Chasing Squirrel, an eccentric work by Trey McIntyre; and Caprice, a new ballet choreographed by Val Caniparoli that features live musicians performing Paganini's Violin Caprices. 2 p.m. $19-$49. Joyce Theater, 175 Eighth Avenue at 19th Street, New York, cballet.org/newyorktour.

MAY 12
CCM's Ariel Quartet — The internationally acclaimed Ariel Quartet and CCM's quartet-in-residence perform Haydn's String Quartet in G Major, Op. 76, No. 1; Beethoven's String Quartet in B-flat Major, Op. 130 and more. 7:30 p.m. $30. 92nd Street Y, SubCulture, 45 Bleecker St., New York, 92y.org.

For more information on all the events and Cincy in NYC in general, head to cincyinnyc.com.
 
 

 

 

 
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