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by Danny Cross 11.07.2012
Posted In: Media, Republicans, Barack Obama, Mitt Romney, Poverty at 12:42 PM | Permalink | Comments (4)
 
 
sorry2

Dear Lebanon Tea Party: We Are Sorry

We didn’t mean to help re-elect a socialist

During the past year CityBeat has spent a lot of energy reporting on countless Republican screw-ups, from typical shortsighted policies to legislation that is straight-up offensive to women, minorities, gay people and the poor and working class. But we didn’t realize that by pointing out how offensive and irrelevant the country’s GOP leaders were acting, that we were inadvertently killing America.

That's why we would like to formally apologize to the Lebanon tea party in Warren County. The email you sent to The Enquirer today hit us pretty hard — the fact that you’re literally wearing black and mourning America because “socialists, welfare and unions took over this country” is super sad. In our haste to ask questions of elected leaders, fact check their statements and put their beliefs and policies into perspective over the past few months, we forgot how badly people in Warren County wish America could be like the 1950s again, when women knew their place and black people had to operate the elevators and never say anything whites didn’t want to hear. Mad Men is a great show. 

We didn’t mean to be tricked by President Obama’s stimulus bill — we (stupidly) believed the economists who said it staved off a depression caused by under-regulation of the housing and financial industries (we tried to believe Mitt Romney’s concept of further reducing regulations so the job-creators can stimulate the economy in the private sector thus giving our wealth back to us, but it was maybe too complicated for us to understand?). 

Some people we know kept their jobs when the president didn’t allow the American car companies to go broke even though they’re the ones that decided to max out profits on SUVs with truck beds on the back. Other people we know spent time last year without health care, and this country’s health care costs are somewhere around twice as much as any other country’s so we were like, “Yea, reforming that system sounds about right.” But we admit that we don’t know what it’s going to be like for the 15 percent of this country living in poverty to all of the sudden have access to preventative care. Someone in Cincinnati died of a tooth problem last year, and we don’t even know if that’s covered. 

We realize that it wasn’t Mitt Romney who used the term “legitimate rape,” but it made us want to throw up, which slowed down productivity that might have allowed us to figure out that Don’t Ask Don’t Tell was the only thing keeping our country’s military from turning Afghanistan into a European-style gay disco. 

We thought it was kind of gross when the president killed Osama bin Laden, but everyone was really happy about it so we focused our attention on the results of the president’s home buying and refinancing programs that helped stimulate the economy and saved people’s houses, even though we’re all a bunch of renters who don’t even know how to use a level. 

So we’re clearly at fault for your expectation of the downfall of this country, and we realize that you’re upset and probably right about America becoming a socialist nation within months. We messed up bad this time, but we want you to know that we’re not blind to it — your press release has put our actions into a perspective that we wish we had yesterday or, even better, several years ago before we learned how to do our jobs the right way. 

At least you have the local daily newspaper to publish your emotional reactions to historical election results and to continue endorsing GOP candidates no matter how ill qualified and misguided they are. Please don’t mourn long — there’s still hope for the type of social regression you’re looking for, especially in Warren County. 

 
 
by Mike Breen 01.27.2012
Posted In: Local Music, Music News at 12:23 PM | Permalink | Comments (24)
 
 
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Longtime Music Booster Johnny Schott Dies

Last night, Fox 19's website reported that veteran local musician, talent booker and event promoter Johnny Schott passed away unexpectedly on Wednesday morning in his home in Tennessee.

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by Rick Pender 10.02.2009
Posted In: Theater at 11:38 AM | Permalink | Comments (0)
 
 
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Stage Door: Equus Shines

I'm reviewing another show for next week's issue of CityBeat, but on a few nights ago I saw the final rehearsal of New Edgecliff Theatre's staging of Peter Shaffer's Equus. This is one you'll want to catch, and since this is the opening weekend, now's the time to do so — once this is reviewed by others and the buzz gets going, it will be hard to get tickets for the tiny Columbia Performance Center (3900 Eastern Ave., Columbia-Tusculum).

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by German Lopez 10.01.2013
Posted In: News, Health care at 01:35 PM | Permalink | Comments (4)
 
 
obamacarefail

First Day of Obamacare Snared by Website Errors

Marketplace website produces waiting periods, errors

Ohioans who tried to obtain health insurance through HealthCare.gov, the online portal for Obamacare’s marketplaces, on its opening day likely ran into a few problems, ranging from delays to problems logging in.

Before logging in, participants typically go through a waiting period that can last up to a few minutes. During this time, a large message pops up that says, “Health Insurance Marketplace: Please wait. We have a lot of visitors on our site right now and we're working to make your experience here better. Please wait here until we send you to the login page. Thanks for your patience!”

Following the waiting period, logging in can become its own challenge. After entering a username and password, the screen often flashes a “Downstream Error,” occasionally joined with the incomprehensible code “E501.”

Even if someone manages to get through the issues and log in, another error message can pop up that makes browsing insurance plans impossible.

The problems aren’t necessarily unexpected — new software often launches with glitches that are later patched up — and the U.S. Department of Health and Human Services (HHS) is asking participants to be patient.

“We’re building a complicated piece of technology, and hopefully you’ll give us the same slack you give Apple,” HHS Secretary Kathleen Sebelius told reporters at a Sept. 30 briefing.

Federal officials also caution that Oct. 1 is just one day of the six-month enrollment period, which will last through March. And even if someone did manage to sign up on the first day, none of the insurance plans begin coverage until Jan. 1.

Once the marketplaces do work correctly, officials promise that they will allow Cincinnatians to browse, compare and select from 46 different private insurance plans that range from a “bronze” plan that costs and covers the least to a “platinum” plan that costs and covers the most.

The plans’ raw premiums are also 16 percent lower than the federal government previously projected, according to the latest Congressional Budget Office numbers. An Ohio 27-year-old making $25,000 a year will be able to buy a “silver,” or middle-of-the-pack, plan for as low as $145 a month after tax credits, while an Ohio family of four making $50,000 a year will be able to pay $282 a month for a similar plan. Without the tax credits, the individual will pay $212 a month and the family of four will pay $768 a month.

Participants must make between 100 percent and 400 percent of the federal poverty level a year, or $11,490 to $45,960 in annual income for an individual, to be eligible for tax credits. Higher income levels will get smaller subsidies; lower income levels will get larger subsidies.

Anyone interested in the marketplaces can browse options and sign up online at HealthCare.gov, by phone at 800-318-2596 or in person at various locations, including community health centers and the Freestore Foodbank.

Updated: Added more details about tax subsidies in Ohio’s marketplaces.

 
 
by dannycross 11.20.2008
Posted In: football at 02:00 PM | Permalink | Comments (0)
 
 

Ocho Cinco Breaks Team Rule: Being Cool

The Bengals will be on national TV tonight taking on their big brother the Pittsburgh Steelers, and they’ll be without Chad Ocho Cinco because he done broke a team rule. What kind of rules to the Bengals have anyway? No winning? HAHAHA.

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by Jason Gargano 05.12.2011
Posted In: Local Music, Live Music at 02:40 PM | Permalink | Comments (0)
 
 
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A Chat with Twilight Singers' Greg Dulli

Greg Dulli needs little introduction in these parts, but for those who are somehow not familiar, the now-46-year-old Hamilton native came up as frontman for The Afghan Whigs in late 1980s and exploded out of the local scene via a string of visceral, dark-hued albums (the best of which, 1993's Gentlemen, continues to grow in stature) that were equally influenced by Husker Du, Prince and moody, noir-infested crime movies. Dulli's post-Whigs output has been just as compelling, including releases by The Twilight Singers, his main project. The band performs Monday at Newport’s Southgate House.

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by Mike Breen 10.26.2012
Posted In: Live Music, Reviews at 01:09 PM | Permalink | Comments (2)
 
 
the_afghan_whigs

Review: The Afghan Whigs & Wussy at Bogart's

Two of Cincinnati's finest play much aniticpated homecoming show and exceed expectations

“I’ve been waiting for this for six months,” Afghan Whigs frontman Greg Dulli said to start off the Cincinnati-spawned Rock crew’s first concert in the Queen City since a Sept. 25, 1999, appearance at the same venue. That ’99 show turned out to be the Whigs’ last public concert anywhere before the group’s recent return on a global reunion tour earlier this year.

As the extended band built upon the swarming buzz of opener “Crime Scene (Part One),” a lot of fans in the audience could relate to Dulli’s excitement for a hometown show, something most for years thought would never happen. They’ve been waiting a lot longer than six months (when the show was announced), though. More like 13 years.

The show kicked off a little after 9 p.m. with Cincy favorites Wussy. The foursome is opening several of the shows on the Whigs’ current U.S. run. Though the group had some sound issues (they clanged away to get levels a little before starting, apologizing and telling the audience they hadn’t gotten a soundcheck), many in the crowd got swept away by the rockers’ ragged, emotive and infectious sound. Though the Cincinnati stop on the tour is obviously the show where the audience would be most familiar with Wussy (many fans around me were dancing and shouting every lyric back as co-frontpeople/singers/guitarists Lisa Walker and Chuck Cleaver switched off vocals), it was fascinating to see that moment on people’s faces when you can tell they’ve been lured in — “Hey, these guys are really good.” It bodes well for the band, which will join Heartless Bastards on tour as soon as the Whigs dates end.

Short on its trademark hilarious banner (a theme for the night, though in Wussy’s case, it was difficult to hear much of anything the members said between songs), Wussy busted through a great set that touched on all four of their studio album releases to date. Like the albums, that created a great “calling card” of a set for potential new fans, as Wussy moved from more emotionally moving, slow swaying songs (like opener “Waiting Room” from last year’s excellent Strawberry and the transcendent “Muscle Cars” from 2009’s self-titled effort) to its often humorous (though still often just as passionate) and punkish upbeat tunes like the uber-catchy “Happiness Bleeds” and the relentless, wired “Pulverized” (another Strawberry track).

The core quartet was rounded out by John Erhardt, a former bandmate of Cleaver’s in The Ass Ponys who added some tasty shading with his pedal steel guitar (unfortunately, his contributions were probably effected most by the weak sound, which often made him inaudible in the mix). Whigs bassist John Curley sat in on a song, putting a jolt into the crowd and leading bassist/multi-instrumentalist Mark Messerly to joke that, while everyone should be excited about the Whigs reuniting, they were now going to be treated to a “Staggering Statistics reunion” (Curley played in that local band with Wussy drummer Joe Klug; SS singer/guitarist Austin Brown was not present, so it was really a 2/3 reunion-ish).

Between sets, the anticipation of Whigs’ fans that could be seen on social media sites since the show was first announced six months ago was becoming palpable. The lights went down, the crowd erupted and The Afghan Whigs took the stage (adorned with a simple red backdrop, reminiscent of the one at the old Southgate House, and a shimmering disco ball) to kick off an hour-and-a-half-plus show that showed that this was far from the same band that performed at Bogart’s 13 years ago.

The Whigs have always been an amazing live band, but the current incarnation was a different kind of amazing — tight, focused and seemingly thrilled to be playing with each other again. Exemplifying the band’s decision to return for a full tour and do things smarter were the mere physiques of Curley and Dulli, who seemed to have recognized the unhealthy trappings of touring and preemptively hit the gym hard so they were ready for them. The always rail-thin original guitarist Rick McCollum was his usual enigmatic self, knocking out his brilliant, snaking leads while practically hidden on the far left of the stage. Though fairly subdued, occasionally McCollum stepped out of the shadows, doing his Jimmy Page-influenced stutter-step stage moves.

The Afghan Whigs were literally a different band than 13 years ago as well. Longtime associate Doug Falsetti was back on percussion and back-up vocals, but there were plenty of new faces — guitarist Dave Rosser and drummer Cully Symington (members of Dulli’s Twilight Singers) plus Rick Nelson, who played cello, violin and keys.

Perhaps the biggest difference between the Whigs that broke up in 1999 and the one that played last night was focus. I personally missed the funny, sometimes baiting banter for which Dulli’s infamous, but it made the show more powerful and fluid just sticking to the songs. The Afghan Whigs proved themselves one of the best live Rock & Roll bands on the planet right now with a no-BS set that hit upon songs from their entire career.

That was another “new thing” — the band’s last Bogart’s show featured no material from the Whigs’ first two SubPop albums (save standard finale “Miles Iz Dead” from Congregation). Last night, the band did “Miles” as the finale again, but also did ferocious versions of Congregation’s “I’m Her Slave” and “Conjure Me” and even “Retarded,” the fiery lead-off track from the 1990 SubPop debut, Up In It.

Instead of the swaggering “gentleman” teasing the crowd and making jokingly arrogant statements between songs, Dulli came off like a master frontman, taking off his guitar for the old R&B cover of “See and Don’t See” and roaming through the crowd, dancing frequently and, most importantly, hitting every note. Dulli has reportedly quit smoking and it has done wonders for his voice. In the past, he’d sometimes gasp for air doing a song like “Conjure Me” or nearly choke on some of the more throatier howls; last night, all cylinders were clicking and he hit all the right notes, including the “Yeah!” yells of “Retarded” (one of the best screams in Rock & Roll), which he's now nailing probably better than he has since the group recorded the song.

The more upbeat material from the Whigs’ swan song, 1965, got the crowd moving even more intensely as the Whigs grooved hard on their distinctive funkiness. And tracks from Gentlemen and Black Love were received like the classics they are, from the ominous “Fountain and Fairfax” and the whip-snap of “Gentleman” to the woozy teetering of “When We Two Parted” (which was given a bigger, sharper reworking), a hard and heavy “My Enemy” and a soaring “Faded,” one of the best “ballads” of the ’90s during which the group paid tribute to one of the best ballads of the ’80s, “Purple Rain.”

The Whigs have always quoted from other songs during their sets (kind of like how a Jazz saxophonist will sneak in various melodies while playing) and last night was no exception. Dulli inserted a touch of Prince’s “Little Red Corvette” into “66” (a holdover from their final touring days) and also worked up a snippet of The Emotions’ Disco classic “Best of My Love” as an intro. And during their most recent new song, a great cover of Frank Ocean’s “Lovecrimes,” Dulli (playing keys) segued into “Wicked Games” by Canadian R&B newcomer The Weeknd.

Early on in the set, Dulli thanked Wussy for opening up and remarked on how Cincinnati has always produced a ton of great bands. “Always has, always will,” he added. Those words carry a lot of weight coming from a Cincinnati music icon.

I came away from the show with one thought — “This can’t be it.” Yes, the group is returning for another Bogart’s show on New Year’s Eve, but The Afghan Whigs are better than they’ve ever been right now and, judging from various interviews, all three members are enjoying the experience immensely — why stop now? If they can get through this tour with those good vibes still peaking, why wouldn’t they make a new album and keep it going?

UPDATE: Here's is the full setlist from the Bogart's show Oct. 25 (from setlist.fm):

    1.    Crime Scene, Part One 

    2.    I'm Her Slave 

    3.    Uptown Again 

    4.    What Jail is Like 

    5.    Conjure Me 

    6.    When We Two Parted/Over My Dead Body 
(Drake cover)
    7.    Gentlemen 

    8.    Crazy 

    9.    Best of My Love /66 
(The Emotions cover)
    10.    My Enemy 

    11.    Retarded 

    12.    See and Don't See 
(Marie "Queenie" Lyons cover)
    13.    Lovecrimes /Wicked Games 
(Frank Ocean cover)
    14.    Going to Town 

    15.    Who Do You Love?/Fountain and Fairfax 
(Bo Diddley cover)
    16.    Faded
Encore:
    17.    Miles Iz Ded 

    18.    Into the Floor

 
 
by Nolan Shea 04.16.2012
Posted In: Arts community, Visual Art, Street Art at 09:04 AM | Permalink | Comments (3)
 
 
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Light Painting: Matt Treece's Story

“Light painting and graffiti are very similar,” says Matt Treece, 23-year-old local photographer and light painter. “I realized this when I found myself hopping through a shattered first story window on the backside of an abandoned factory on the East Side at 2:30 a.m., alone, with my backpack on, creeping around in the darkness looking for a good spot.”

Treece is searching for that “magical spot.” He doesn’t risk the charge of vandalism like graffiti artists, but he still risks a trespassing charge with every foray into the night.

Light painting is a photography technique that involves moving a camera or adding a light source while operating with a slow shutter speed. The resultant images include colorful, swirly lines and other creative effects. Like graffiti artists, “both of us trespass illegally. Both of us are night owls. Both of us have explored tunnels, creeks, bridges and abandoned buildings and have gained such a good understanding about the layout of the city,” Treece says.

Suffice it to say, Treece’s understanding of all the nooks and crannies of the city is far more in-depth than the average daylight city dweller.

Before his nightly jaunt into the darkness, Treece packs his equipment bag. At first glance, you wouldn’t think anything is out of the ordinary. Treece stuffs a Nikon D90 camera, remote shutter release, Nikon SB-600 Flash and two tripods into the main compartment of the bag. But the smaller compartments receive the stranger tools of the trade.

He reveals children’s toys, ones that light up. Treece begins to stuff light swords, mini color changing glow sticks, six different kinds of flashlights, laser pointers, finger LEDs, glow sticks and his custom nine LED light orb tool into every remaining compartment of his equipment bag.

All that’s missing is the party favors. At this point, it’s almost unclear if he’s going to a rave or going out to light paint.

Treece almost forgets the most important tool: batteries — lots of them.

Light painting hasn’t always been Treece’s passion, however. “I’ve always been interested in art, but my interest in light painting started sometime around May or June of last year,” he says. “I was browsing the Internet randomly and saw a picture of what looked like a spinning waterfall of sparks. I had seen light painting prior to this photo, but it really didn’t click that these [light painters] were using super long exposures and crazy light sources to create works of art.”

That night, Treece spent hours reading up tutorials on the website lightpaintingphotography.com and a particular online community that called itself “the light junkies.” There he learned that it was plausible to make his own contribution to the light painting community.

Not all places are created equal in the light painting community. Living in Cincinnati is both wonderful and a pain. Clifton Heights, Treece’s main stomping ground, provides him with an incredible amount of light pollution, which can be attributed to the area’s attempt to curb crime activity.

Cincinnati still provides an ample amount of opportunity to create. “[Cincinnati] has some of the most bad-ass tunnels built in the early 1900s. … Cincinnati also has a creek system, which over time had to be cemented because of industrial waste,” Treece says. “These tunnels and channels have created some of the best spaces for light painting.”