Greg Dulli needs little introduction in these parts, but for those who are somehow not familiar, the now-46-year-old Hamilton native came up as frontman for The Afghan Whigs in late 1980s and exploded out of the local scene via a string of visceral, dark-hued albums (the best of which, 1993's Gentlemen, continues to grow in stature) that were equally influenced by Husker Du, Prince and moody, noir-infested crime movies. Dulli's post-Whigs output has been just as compelling, including releases by The Twilight Singers, his main project. The band performs Monday at Newport’s Southgate House.
Update (June 5, 11:20 p.m.): Libertarian mayoral candidate Jim Berns didn't hand out marijuana plants at a campaign event Wednesday, instead admitting to multiple media outlets that he was misleading the public to raise awareness of his campaign and marijuana legalization platform. Berns handed out tomato plants instead, which look similar to marijuana plants.
In perhaps an act of civil disobedience, Libertarian mayoral candidate Jim Berns is planning to hand out marijuana plants at a campaign event Wednesday.
But the event could run foul of state law for both Berns and attendees. Ohio law prohibits obtaining, possessing or using a controlled substance — a category that includes marijuana.
The event will take place at the intersection of Martin Luther King Drive and Clifton Avenue on Wednesday at 5 p.m.
"If you want one of the plants I suggest you get there early," Berns said in a statement.
In this year's mayoral race, Democratic candidates John Cranley and Roxanne Qualls are generally considered the top contenders, although neither candidate has received an official endorsement from the local Democratic Party.
Berns has differentiated himself from the frontrunners by pushing marijuana legalization in his platform.
Drug prohibition laws are generally dictated at state and federal levels, but city governments can legalize or decriminalize certain drugs and force police departments to give the issue lower priority.
Marijuana is already decriminalized in Ohio. Cincinnati re-criminalized the drug in 2006, but the drug was decriminalized through a city budget passed in 2010.
Some groups are attempting to legalize medical marijuana in Ohio. CityBeat covered those efforts in further detail here.
Get your glue guns ready, ya'll, because the Crafty Supermarket's about to take over the Northside Tavern. That's right. Your local watering hole (generally full of tight-pantsed drunks at night) will be hosting an indie craft show on Saturday afternoon (noon-6 p.m.) with handmade fine art, recycled goods, home decor, jewelry, children's items, stationery and more.
The masterminds behind this DIY dream are local writer/editor/crafter Grace Dobush and recent DAAP grad/sustainable shoemaker Alisha Budkie. The duo will be bringing together over 20 craft vendors from Cincinnati and the Midwest for a fair inspired by the likes of Renegade Chicago. Along with shopping opportunities there will be "swag bags" for the first 50 shoppers, music from PROJECTMILL, food from Dojo Gelato and others, and a Make It! table where attendees can get crafty with the BYOProjectors (read about them here).
CityBeat recently had a little e-mail exchange with Dobush, whose book, Crafty Superstar: Make Crafts on the Side, Earn Extra Cash and Basically Have It All, is about to be released, about the Crafty Supermarket.
CityBeat: What is the Crafty Supermarket?
Grace Dobush: Crafty Supermarket is an indie craft show, or a Rock & Roll craft show, which is more appropriate since it's in Northside. This is not your standard high-school auditorium, church-basement craft show: We're having music by PROJECTMILL, rad food from local vendors and 20 hip crafters who will be selling the stuff they make. No packaged stuff, no commercial stuff, no lame stuff—just arts and crafts!
CB: Why are you having a craft show? What's the goal?
GD: My goal is to solidify the craft scene in Cincinnati a bit. There are a ton of really talented crafters and artists here, but none of us seem to know each other! My co-organizer, Alisha, and I had never met until we were in Washington D.C. at the Summit of Awesome (a craft summit organized by the ladies who put on Crafty Bastards, a humongous indie craft show). We really wished there was an indie craft event in Cincinnati, and eventually we realized that we should step up and do it ourselves! It's either the DIY mentality kicking in or a pretty solid sense of masochism, I'm not sure which.
CB: You seem to be an indie craft guru. What is your crafting experience? What inspires you to craft? What crafts do you make/specialize in?
GD: That's the first time I've heard that one! I've just been crafting a long-ass time. I've been printmaking since I was a teenager and then took a course on bookbinding my freshman year of college. It just kind of snowballed after that, and I sought out like-minds on the internet. Right around 2000 was a turning point for indie craft... it got a name, the indie craft shows started coming out, and all the movers and shakers were on these craft message boards and got to know each other. Some of the folks I know from those boards back in the day I ended up interviewing for my book, Crafty Superstar.
I'm not a full-time crafter (I'm a magazine editor and writer by trade) but I love connecting with people and talking to people. There are plenty of crafters who are much more successful than me at being a business, but I saw a lot of word-of-mouth information that hadn't been collected anywhere else. And my book was born!
CB: What role does crafting play in our modern world, so to speak? Why is it important?
GD: I think the popularity of craft is a direct backlash to the super-industrialized big-box shopping culture. People are starting to see the value in knowing exactly where the things they buy come from, and there's nothing better than finding an object you absolutely love and getting to talk to the person who made it. Of course, big-box stores recognize that this aesthetic is totally hot, so you see crafty-ish knockoffs for sale that are probably handmade... but by child laborers who may or may not be working against their will.
There are also a pretty big number of crafters who focus on using sustainable, local and/or recycled materials. And of course, when you support an indie artist, you are directly supporting your local economy. I can almost guarantee the $10 you spend at Crafty Supermarket will turn around and get spent on bus fare for the Metro, dinner at Melt or drinks at the Tavern later.
CB: What vendors will be on hand at the market?
GD: We've got a really wide range of crafters—selected from almost 70 applications, which just blew us away. The crafters make jewelry, paper goods, housewares, kid's stuff, clothing, art, knit things—all sorts of stuff. We also tried to get a balance of crafters in terms of wanting this to represent Cincinnati crafters—about three-quarters of the vendors are from the Cincinnati region. And although we have a lot of vendors who are old hands at the indie craft sale thing, we also wanted to make sure to bring in some folks who are doing a show for the first time, because once upon a time, we were the newbies.
CB: What sort of crafts will attendees be able to make at the Make It! Table?
GD: We've got a really random assortment of supplies and guest curation by the crafty people from BYOProject, which is a crafty collective that meets at Happen Inc. in Northside once a month. It's an anything-goes kind of craft situation, but specifically we've got paper to make your own album cover (12-inch, of course), and little paperboard albums that you can decorate to make your own storybook or draw a demented family album. Whatev!
CB: Will this become an annual event? Do you have any other events planned for the future?
GD: From the very beginning Alisha and I have kept saying stuff like "Next year, we are so doing X and Y," or "Next year, we are never doing Z again." It's just felt kind of natural that this would roll into being an annual event. Plus, since the response has been so huge (our Facebook event has 130 guests at this point) that it would be a shame to never do it again!
We don't have any more events planned immediately—we need some recovery time!—but at this point we're totally planning to do something even bigger for next fall. The late fall is primo craft sale time because people are much more willing to spend money to buy gifts for other people. It's pretty safe to say you'll see Crafty Supermarket again next fall.
The Cincinnati pugilist (23-0, 19 knockouts), who lives in Westwood, faces Vicente Escobedo (26-3, 15 knockouts). The fight will be broadcast on HBO's Boxing After Dark and represents the next step in a career that may propel Broner into the highest levels of the sport. This will be Broner's fifth appearance on HBO.
Broner is the youngest current U.S. title holder after winning the WBO Junior Lightweight belt with a third-round knockout of Vicente Rodriguez last November. His first title defense came in February of this year, also in Cincinnati. He easily defeated Eloy Perez, prompting additional fan, cable and promoter attention. His second title defense this Saturday may be a turning point, leading to the next tier of exposure and reward — and perhaps much tougher fights.
Escobedo is a 2004 US Olympian, though he did not medal. He's fighting at 130 pounds, having tasted defeat as a pro at 135 pounds in a split-decision title fight loss versus Michael Katsidis in 2009. After four victories in the new weight class, the 30-year-old Escobedo now faces one of the most highly touted prospects in boxing today in Broner.
In the ring, Broner's athleticism, speed, power and preparation, as well as his side-on fighting style and offense-from-defense positioning, have led to comparisons with current pound-for-pound great Floyd Mayweather, Jr. Broner says he doesn't watch tape of opponents but prefers to adapt in the ring.
Outside the ring, he's known for a flamboyant style that also has brought comparisons to Mayweather's flashy persona, but Broner shows adaptability in the arena of life as well. Broner describes strong and apparently nourishing interests, including recording his own music. So far, when it's time to focus — in the ring or answering serious questions about his claims to elite status — the 22-year-old can be frank, direct and thoughtful.
But he's also being called over-the-top. A rare talent. And, of course, undefeated.
Cincinnati sports fans are on notice that maybe, just maybe, they have a new, hometown, world-class athlete worth following on the international stage.
Broner-Escobedo headlines an extensive undercard on Saturday, July 21. U.S. Bank Arena doors open at 5 pm. HBO Boxing After Dark coverage begins at 10 pm. Tickets are available through Ticketmaster.
In our local music column Spill It from the CityBeat issue out today, we announced the lineup for this year’s much anticipated MusicNOW festival, which includes a closing-night headlining appearance by Cincinnati-bred Indie music stars The National on May 15.
National guitarist Bryce Dessner is the brains behind MusicNOW, which began in 2006 and has featured unique performances by some of Indie music’s biggest names, as well as up-and-comers and those on the edgier fringe of modern Classical/Chamber music. Dessner’s Avant Chamber group Clogs has played the fest in the past, but this is The National’s first time at MusicNOW.
Treece is searching for that “magical spot.” He doesn’t risk the charge of vandalism
like graffiti artists, but he still risks a trespassing charge with every foray
into the night.
Light painting is a photography technique that involves moving a camera or adding a light source while operating with a slow shutter speed. The resultant images include colorful, swirly lines and other creative effects. Like graffiti artists, “both of us trespass illegally. Both of us are night owls. Both of us have explored tunnels, creeks, bridges and abandoned buildings and have gained such a good understanding about the layout of the city,” Treece says.
Suffice it to say, Treece’s understanding of all the nooks and crannies of the city is far more in-depth than the average daylight city dweller.
Before his nightly jaunt into the darkness, Treece packs his equipment bag. At first glance, you wouldn’t think anything is out of the ordinary. Treece stuffs a Nikon D90 camera, remote shutter release, Nikon SB-600 Flash and two tripods into the main compartment of the bag. But the smaller compartments receive the stranger tools of the trade.
He reveals children’s toys, ones that light up. Treece begins to stuff light swords, mini color changing glow sticks, six different kinds of flashlights, laser pointers, finger LEDs, glow sticks and his custom nine LED light orb tool into every remaining compartment of his equipment bag.
All that’s missing is the party favors. At this point, it’s almost unclear if he’s going to a rave or going out to light paint.
Treece almost forgets the most important tool: batteries — lots of them.
Light painting hasn’t always been Treece’s passion, however. “I’ve always been interested in art, but my interest in light painting started sometime around May or June of last year,” he says. “I was browsing the Internet randomly and saw a picture of what looked like a spinning waterfall of sparks. I had seen light painting prior to this photo, but it really didn’t click that these [light painters] were using super long exposures and crazy light sources to create works of art.”
That night, Treece spent hours reading up tutorials on the website lightpaintingphotography.com and a particular online community that called itself “the light junkies.” There he learned that it was plausible to make his own contribution to the light painting community.
Not all places are created equal in the light painting community. Living in Cincinnati is both wonderful and a pain. Clifton Heights, Treece’s main stomping ground, provides him with an incredible amount of light pollution, which can be attributed to the area’s attempt to curb crime activity.
Cincinnati still provides an ample amount of opportunity to create. “[Cincinnati] has some of the most bad-ass tunnels built in the early 1900s. … Cincinnati also has a creek system, which over time had to be cemented because of industrial waste,” Treece says. “These tunnels and channels have created some of the best spaces for light painting.”