If someone told you that two of the biggest musical icons of the 20th century had collaborated on an album that was never released and has never been mentioned in the big history book of popular music, what would you think? Sketchy, right? What if you read the same thing on the Internet? Needless to say, the skepticism increases manifold. So is the case with some recent murmurings on the Web about a “long lost” collaboration between Marvin Gaye and Pink Floyd.
During the past year CityBeat has spent a lot of
energy reporting on countless Republican screw-ups, from typical
shortsighted policies to legislation that is straight-up offensive to women,
minorities, gay people and the poor and working class. But we didn’t
realize that by pointing out how offensive and irrelevant the country’s
GOP leaders were acting, that we were inadvertently killing America.
That's why we would like to formally apologize to the Lebanon tea party in Warren County. The email you sent to The Enquirer today hit us pretty hard — the fact that you’re literally wearing black and mourning America because “socialists, welfare and unions took over this country” is super sad. In our haste to ask questions of elected leaders, fact check their statements and put their beliefs and policies into perspective over the past few months, we forgot how badly people in Warren County wish America could be like the 1950s again, when women knew their place and black people had to operate the elevators and never say anything whites didn’t want to hear. Mad Men is a great show.
We didn’t mean to be tricked by President Obama’s stimulus bill — we (stupidly) believed the economists who said it staved off a depression caused by under-regulation of the housing and financial industries (we tried to believe Mitt Romney’s concept of further reducing regulations so the job-creators can stimulate the economy in the private sector thus giving our wealth back to us, but it was maybe too complicated for us to understand?).
Some people we know kept their jobs when the president didn’t allow the American car companies to go broke even though they’re the ones that decided to max out profits on SUVs with truck beds on the back. Other people we know spent time last year without health care, and this country’s health care costs are somewhere around twice as much as any other country’s so we were like, “Yea, reforming that system sounds about right.” But we admit that we don’t know what it’s going to be like for the 15 percent of this country living in poverty to all of the sudden have access to preventative care. Someone in Cincinnati died of a tooth problem last year, and we don’t even know if that’s covered.
We realize that it wasn’t Mitt Romney who used the term “legitimate rape,” but it made us want to throw up, which slowed down productivity that might have allowed us to figure out that Don’t Ask Don’t Tell was the only thing keeping our country’s military from turning Afghanistan into a European-style gay disco.
We thought it was kind of gross when the president killed Osama bin Laden, but everyone was really happy about it so we focused our attention on the results of the president’s home buying and refinancing programs that helped stimulate the economy and saved people’s houses, even though we’re all a bunch of renters who don’t even know how to use a level.
So we’re clearly at fault for your expectation of the downfall of this country, and we realize that you’re upset and probably right about America becoming a socialist nation within months. We messed up bad this time, but we want you to know that we’re not blind to it — your press release has put our actions into a perspective that we wish we had yesterday or, even better, several years ago before we learned how to do our jobs the right way.
At least you have the local daily newspaper to publish your emotional reactions to historical election results and to continue endorsing GOP candidates no matter how ill qualified and misguided they are. Please don’t mourn long — there’s still hope for the type of social regression you’re looking for, especially in Warren County.
Greg Dulli needs little introduction in these parts, but for those who are somehow not familiar, the now-46-year-old Hamilton native came up as frontman for The Afghan Whigs in late 1980s and exploded out of the local scene via a string of visceral, dark-hued albums (the best of which, 1993's Gentlemen, continues to grow in stature) that were equally influenced by Husker Du, Prince and moody, noir-infested crime movies. Dulli's post-Whigs output has been just as compelling, including releases by The Twilight Singers, his main project. The band performs Monday at Newport’s Southgate House.
In our local music column Spill It from the CityBeat issue out today, we announced the lineup for this year’s much anticipated MusicNOW festival, which includes a closing-night headlining appearance by Cincinnati-bred Indie music stars The National on May 15.
National guitarist Bryce Dessner is the brains behind MusicNOW, which began in 2006 and has featured unique performances by some of Indie music’s biggest names, as well as up-and-comers and those on the edgier fringe of modern Classical/Chamber music. Dessner’s Avant Chamber group Clogs has played the fest in the past, but this is The National’s first time at MusicNOW.
Treece is searching for that “magical spot.” He doesn’t risk the charge of vandalism
like graffiti artists, but he still risks a trespassing charge with every foray
into the night.
Light painting is a photography technique that involves moving a camera or adding a light source while operating with a slow shutter speed. The resultant images include colorful, swirly lines and other creative effects. Like graffiti artists, “both of us trespass illegally. Both of us are night owls. Both of us have explored tunnels, creeks, bridges and abandoned buildings and have gained such a good understanding about the layout of the city,” Treece says.
Suffice it to say, Treece’s understanding of all the nooks and crannies of the city is far more in-depth than the average daylight city dweller.
Before his nightly jaunt into the darkness, Treece packs his equipment bag. At first glance, you wouldn’t think anything is out of the ordinary. Treece stuffs a Nikon D90 camera, remote shutter release, Nikon SB-600 Flash and two tripods into the main compartment of the bag. But the smaller compartments receive the stranger tools of the trade.
He reveals children’s toys, ones that light up. Treece begins to stuff light swords, mini color changing glow sticks, six different kinds of flashlights, laser pointers, finger LEDs, glow sticks and his custom nine LED light orb tool into every remaining compartment of his equipment bag.
All that’s missing is the party favors. At this point, it’s almost unclear if he’s going to a rave or going out to light paint.
Treece almost forgets the most important tool: batteries — lots of them.
Light painting hasn’t always been Treece’s passion, however. “I’ve always been interested in art, but my interest in light painting started sometime around May or June of last year,” he says. “I was browsing the Internet randomly and saw a picture of what looked like a spinning waterfall of sparks. I had seen light painting prior to this photo, but it really didn’t click that these [light painters] were using super long exposures and crazy light sources to create works of art.”
That night, Treece spent hours reading up tutorials on the website lightpaintingphotography.com and a particular online community that called itself “the light junkies.” There he learned that it was plausible to make his own contribution to the light painting community.
Not all places are created equal in the light painting community. Living in Cincinnati is both wonderful and a pain. Clifton Heights, Treece’s main stomping ground, provides him with an incredible amount of light pollution, which can be attributed to the area’s attempt to curb crime activity.
Cincinnati still provides an ample amount of opportunity to create. “[Cincinnati] has some of the most bad-ass tunnels built in the early 1900s. … Cincinnati also has a creek system, which over time had to be cemented because of industrial waste,” Treece says. “These tunnels and channels have created some of the best spaces for light painting.”