Last night, Fox 19's website reported that veteran local musician, talent booker and event promoter Johnny Schott passed away unexpectedly on Wednesday morning in his home in Tennessee.
In our local music column Spill It from the CityBeat issue out today, we announced the lineup for this year’s much anticipated MusicNOW festival, which includes a closing-night headlining appearance by Cincinnati-bred Indie music stars The National on May 15.
National guitarist Bryce Dessner is the brains behind MusicNOW, which began in 2006 and has featured unique performances by some of Indie music’s biggest names, as well as up-and-comers and those on the edgier fringe of modern Classical/Chamber music. Dessner’s Avant Chamber group Clogs has played the fest in the past, but this is The National’s first time at MusicNOW.
Greg Dulli needs little introduction in these parts, but for those who are somehow not familiar, the now-46-year-old Hamilton native came up as frontman for The Afghan Whigs in late 1980s and exploded out of the local scene via a string of visceral, dark-hued albums (the best of which, 1993's Gentlemen, continues to grow in stature) that were equally influenced by Husker Du, Prince and moody, noir-infested crime movies. Dulli's post-Whigs output has been just as compelling, including releases by The Twilight Singers, his main project. The band performs Monday at Newport’s Southgate House.
I'm reviewing another show for next week's issue of CityBeat, but on a few nights ago I saw the final rehearsal of New Edgecliff Theatre's staging of Peter Shaffer's Equus. This is one you'll want to catch, and since this is the opening weekend, now's the time to do so — once this is reviewed by others and the buzz gets going, it will be hard to get tickets for the tiny Columbia Performance Center (3900 Eastern Ave., Columbia-Tusculum).
Ohioans who tried to obtain health insurance through HealthCare.gov, the online portal for Obamacare’s marketplaces, on its opening day likely ran into a few problems, ranging from delays to problems logging in.
Before logging in, participants typically go through a waiting period that can last up to a few minutes. During this time, a large message pops up that says, “Health Insurance Marketplace: Please wait. We have a lot of visitors on our site right now and we're working to make your experience here better. Please wait here until we send you to the login page. Thanks for your patience!”
Following the waiting period, logging in can become its own challenge. After entering a username and password, the screen often flashes a “Downstream Error,” occasionally joined with the incomprehensible code “E501.”
Even if someone manages to get through the issues and log in,
another error message can pop up that makes browsing insurance plans impossible.
The problems aren’t necessarily unexpected — new software often launches with glitches that are later patched up — and the U.S. Department of Health and Human Services (HHS) is asking participants to be patient.
“We’re building a complicated piece of technology, and hopefully you’ll give us the same slack you give Apple,” HHS Secretary Kathleen Sebelius told reporters at a Sept. 30 briefing.
Federal officials also caution that Oct. 1 is just one day of the six-month enrollment period, which will last through March. And even if someone did manage to sign up on the first day, none of the insurance plans begin coverage until Jan. 1.
Once the marketplaces do work correctly, officials promise that they will allow Cincinnatians to browse, compare and select from 46 different private insurance plans that range from a “bronze” plan that costs and covers the least to a “platinum” plan that costs and covers the most.
The plans’ raw premiums are also 16 percent lower than the federal government previously projected, according to the latest Congressional Budget Office numbers. An Ohio 27-year-old making $25,000 a year will be able to buy a “silver,” or middle-of-the-pack, plan for as low as $145 a month after tax credits, while an Ohio family of four making $50,000 a year will be able to pay $282 a month for a similar plan. Without the tax credits, the individual will pay $212 a month and the family of four will pay $768 a month.
Participants must make between 100 percent and 400 percent of the federal poverty level a year, or $11,490 to $45,960 in annual income for an individual, to be eligible for tax credits. Higher income levels will get smaller subsidies; lower income levels will get larger subsidies.
Anyone interested in the marketplaces can browse options and sign up online at HealthCare.gov, by phone at 800-318-2596 or in person at various locations, including community health centers and the Freestore Foodbank.
Updated: Added more details about tax subsidies in Ohio’s marketplaces.
If someone told you that two of the biggest musical icons of the 20th century had collaborated on an album that was never released and has never been mentioned in the big history book of popular music, what would you think? Sketchy, right? What if you read the same thing on the Internet? Needless to say, the skepticism increases manifold. So is the case with some recent murmurings on the Web about a “long lost” collaboration between Marvin Gaye and Pink Floyd.
Treece is searching for that “magical spot.” He doesn’t risk the charge of vandalism
like graffiti artists, but he still risks a trespassing charge with every foray
into the night.
Light painting is a photography technique that involves moving a camera or adding a light source while operating with a slow shutter speed. The resultant images include colorful, swirly lines and other creative effects. Like graffiti artists, “both of us trespass illegally. Both of us are night owls. Both of us have explored tunnels, creeks, bridges and abandoned buildings and have gained such a good understanding about the layout of the city,” Treece says.
Suffice it to say, Treece’s understanding of all the nooks and crannies of the city is far more in-depth than the average daylight city dweller.
Before his nightly jaunt into the darkness, Treece packs his equipment bag. At first glance, you wouldn’t think anything is out of the ordinary. Treece stuffs a Nikon D90 camera, remote shutter release, Nikon SB-600 Flash and two tripods into the main compartment of the bag. But the smaller compartments receive the stranger tools of the trade.
He reveals children’s toys, ones that light up. Treece begins to stuff light swords, mini color changing glow sticks, six different kinds of flashlights, laser pointers, finger LEDs, glow sticks and his custom nine LED light orb tool into every remaining compartment of his equipment bag.
All that’s missing is the party favors. At this point, it’s almost unclear if he’s going to a rave or going out to light paint.
Treece almost forgets the most important tool: batteries — lots of them.
Light painting hasn’t always been Treece’s passion, however. “I’ve always been interested in art, but my interest in light painting started sometime around May or June of last year,” he says. “I was browsing the Internet randomly and saw a picture of what looked like a spinning waterfall of sparks. I had seen light painting prior to this photo, but it really didn’t click that these [light painters] were using super long exposures and crazy light sources to create works of art.”
That night, Treece spent hours reading up tutorials on the website lightpaintingphotography.com and a particular online community that called itself “the light junkies.” There he learned that it was plausible to make his own contribution to the light painting community.
Not all places are created equal in the light painting community. Living in Cincinnati is both wonderful and a pain. Clifton Heights, Treece’s main stomping ground, provides him with an incredible amount of light pollution, which can be attributed to the area’s attempt to curb crime activity.
Cincinnati still provides an ample amount of opportunity to create. “[Cincinnati] has some of the most bad-ass tunnels built in the early 1900s. … Cincinnati also has a creek system, which over time had to be cemented because of industrial waste,” Treece says. “These tunnels and channels have created some of the best spaces for light painting.”