Know Theatre opens Andy’s House of [BLANK] tonight at 8 p.m. The show is the spawn of the second round of Know’s Serials, a happily creative two-month program of five 15-minute episodes. This one, a musical about a shop full of oddities and a story of love, regret and time travel, was a crowd favorite early in 2015. It struck Know’s artistic team as warranting further development, so they invited creators/storytellers Trey Tatum and Paul Strickland to turn it into a full-fledged work. As in Serials, it’s staged by director Bridget Leak. It’s being produced in Know’s Underground Bar, cleverly transmuted into the interior of Andy’s oddity shop with a set drawn on cardboard. Strickland (who’s also a singer and songwriter) has created a bunch of musical numbers; he and playwright Tatum are in the show, as if they were teens working at Andy’s back in the day and now retelling what went on. Read my Curtain Call column here to learn more. It’s happening through Nov. 14. Tickets: 513-300-5669.
Rodgers and Hammerstein’s Carousel, with a short run at UC’s College-Conservatory of music this weekend, is a classic from the Golden Age of Broadway musicals. It’s a darker story than you might expect from Rodgers and Hammerstein: Billy Bigelow, a good-looking bad boy who runs the merry-go-round at the carnival is love-’em-and-leave-’em kind of guy until he meets Julie Jordan. He tries to live a better life once they’re married and she’s pregnant, but it’s not really his thing. He dies after a bungled robbery and then has a chance to come back and make things right with his teenage daughter. There’ a lot of great music in this show — “If I Loved You” is one of several classic numbers — and with faculty member Diane Lala staging it (and choreographing it, too), it’s sure to be extremely watchable. Final performance is the Sunday matinee. Tickets: 513-556-4183.
Floodwaters are threatening life and limb in the past and the present at the Cincinnati Playhouse in the Park where Dana Yeaton’s Mad River Rising is on the big stage. Set in an abandoned barn, it’s the story of Angus Stewart (played with dry humor and stubborn attitudes by 82-year-old actor Robert Hogan) who witnessed a devastating flood in 1937 that all but destroyed his family’s farm. In old age he’s trying to stave off waves of newfangled innovation and life choices that have abandoned the traditional values of farming and owning land. Hogan is a fine performer, and the story has intriguing moments as he tangles with family members trying to accommodate him, help him or navigate around him. It’s a fine portrait of the challenges of aging. Here’s a to my CityBeat review. It’s onstage through Nov. 14. Tickets: 513-421-3888.
Elsewhere: Ensemble Theatre Cincinnati finishes its run of the very funny one-man show Buyer and Cellar, about an actor hired to manage a faux shopping mall in the basement of Barbra Streisand’s Malibu estate. (CityBeat review here.) Actor Nick Cearley turns in winning performances as the actor, as Streisand and a handful of others as he retells the ups-and-downs of “selling” to one tough customer. The run ends on Sunday. Tickets: 513-421-3555. … Cincinnati Shakespeare’s fine production of the prize-winning American drama Death of a Salesman by Arthur Miller continues through Nov. 7. (CityBeat review here.) One of our region’s great professional actors, Bruce Cromer, turns in a heart-rending performance as Willy Loman, whose aspirations have come to a grinding halt; Annie Fitzpatrick’s powerful portrait of Willy’s devoted, weary wife Linda makes the sad story all the more compelling. Tickets: 513-381-2273. … Covedale Center is presenting a frothy farce by Ken Ludwig in the tradition of Marx Brothers’ comedies. Fox on the Fairway is a madcap story set at a private country club. Onstage through Nov. 15. Tickets: 513-241-6550.
One more thing: Ensemble Theatre Cincinnati is presenting a series of behind-the-scenes events that will enhance your appreciation of how theater productions are put together. This month’s Caffeinated Conversation on Saturday morning at 11 a.m. explores how ETC’s season is put together, how local actors are found and what it’s like to direct plays and musicals that deal with mental illness, economic disparity and racial tension. One of Cincinnati’s most admired directors, D. Lynn Meyers, will speak and answer questions. Tickets ($15): 513-421-3555.
You’ll find a lot of good theater choices this weekend — Death of a Salesman at Cincinnati Shakespeare Company is fine, moving production of a classic drama, while Ensemble Theatre has a hit with its one-man comedy, Buyer and Cellar, about a guy managing a shopping mall in Barbra Streisand’s basement. Here’s a review that provides my comments on both. If you enjoy Nick Cearley’s performance at ETC, you might want to come back for a late-night performance (Friday and Saturday at 11 p.m.) by The Skivvies, his musical duet in underwear with another New Yorker, Lauren Molina. They’ll feature special guests — Drew Lachey tonight and Beth Harris of The Hiders on Saturday. (No info on what they’ll wear … or not wear.) He’s doing B&C through Nov. 1, but the Skivvies happen only this weekend.
This weekend is your last chance to see the romantic comedy Sex with Strangers at the Cincinnati Playhouse (it closes Sunday). It’s a very entertaining and contemporary piece about two very different writers who are strongly attracted to one another. Last evening I attended the opening of the Playhouse’s production of Mad River Rising. Set in an abandoned barn that’s seen better days, it’s the story of Angus Stewart, a man who’s seen better — and worse — days. As a 7-year-old in 1937, he witnessed a tragic flood that washed away most his family’s farm. He was part of rebuilding it, but in 2015 Angus, now 85, is seeing a flood of modernity threatening his world. Stubborn, cantankerous and sharper than he appears at first glance, he escapes from a nursing home and hides out in the barn, where family members — past and present — swirl around him. And in the hands of actor Robert Hogan, the portrait of Angus is memorable. It’s onstage through Nov. 14.
New Edgecliff Theatre offers an imaginative fundraiser every year around Halloween. They call it “Sweet Suspense,” and it’s a production in the form of a radio drama, often of a familiar noir thriller. It happens on Sunday at 7:30 p.m. at The Hoffner Lodge (4120 Hamilton Ave. in Northside). Alfred Hitchcock’s Strangers on a Train, a psychological crime thriller from 1951, is the material this year, a classic mystery about two people who meet on a train and conjure a twisted plot for a perfect murder. The evening’s “sweetness” is a complimentary dessert buffet at intermission with desserts from local restaurants and bakeries. Tickets are $35 (888-428-7311).
I dropped by Clifton Performance Theatre last week to see The Norwegians. C. Denby Swanson’s bitter comedy is about women scorned in Minnesota and a pair of nice hit men they hire to whack their former boyfriends. The production has a cast of excellent local actors — Miranda McGee, Carol Brammer, Michael Bath and Sean Dillon — but it’s an odd piece of writing. Director Cathy Springfield has done her best to make this distant cousin of Fargo both entertaining and coherent; but she’s only partially succeeded. There are moments of sardonic humor, but I never really got the point.
Opening this week: Ken Ludwig’s tribute to the comic farces of the 1930s and 1940s, The Fox on the Fairway is up and running at the Covedale Center for the Performing Arts. Tickets: 513-241-6550. … Two university productions to check out this weekend: The 25th Annual Putnam County Spelling Bee at Xavier (7:30 p.m., plus a Saturday matinee at 2 p.m.) Tickets: 513-745-3939. … Shakespeare’s seldom-produced The Winter’s Tale opened this week at Northern Kentucky University; it’s onstage through Sunday. Tickets: 859-572-5464.
Closing: WIT – Women in Theatre is offering the second and final weekend of David Ives’ sexy and provocative Venus in Fur, which was well received at the Playhouse when it was staged there in April 2014. WIT presents its shows as the St. John United Church of Christ in Bellevue, Ky. Tickets can be purchased at the door for performances at 8 p.m. tonight or Saturday. … The Hunchback of Seville, an irreverent comedy co-produced by CCM drama at Know Theatre has its final performance on Saturday. You should be able to buy tickets at the door.
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
Photographers Laurie Simmons and Matthew Rolston have both previously done series based on its collection of dummies, and Simmons even used them in a 40-minute film, The Music of Regret, that also starred Meryl Streep.
Now Chicago’s Museum of Contemporary Art is hosting a new theater work, The Ventriloquists Convention, that is based on the annual event here that Vent Haven sponsors. According to the MCA, “the piece imagines meetings among the convention delegates and their dummies, who each maintain distinct voices and identities.”
European director/choreographer Gisèle Vienne is working with American novelist Dennis Cooper on this project, joined by German puppet-theater company Puppentheater Halle.
The MCA also says that Vienne and Cooper “developed their approach for this show from documentary and fictional sources, building it into a group of quirky portraits of ventriloquists celebrating their shared interests and friendship. The show explores why ventriloquists do what they do, and what lies behind the relationships that they have with their dummies.
“Performed by nine ventriloquists-puppeteers, the piece hinges on the use of multiple layered dialogues, including the ghostly, non-physical ventriloquists' voices. These portraits enable Gisèle Vienne to continue her ongoing research into the interplay between physical presence and dissociation that she had developed in prior projects.”
If you want to attend (no word yet on Cincinnati performances), The Ventriloquists Convention takes place Nov. 12-14 at 7:30 pm. Tickets are $30 and available at the MCA Box Office at 312-397-4010 or mcachicago.org.
The Ventriloquists Convention is supported by the French-American Fund for Contemporary Theater, an initiative of the Cultural Services of the French Embassy in the U.S. and the Institut Français, It is also funded by the Florence Gould Foundation and the Catherine Popesco Foundation for the Arts. Additional support comes from the Goethe-Institut and the Foreign Office of the Federal Republic of Germany.
There are almost too many good shows for you to enjoy this weekend, but depending on what you like, you’ll probably find it somewhere.
Cincy Shakes production of Death of a Salesman doesn’t open until tonight, but all sings point to a strong production, headlined by one of our region’s best actors, Bruce Cromer, as beaten-down Willie Loman, who I interviewed for my CityBeat column this week. He’s matched with another fine local stage performer Annie Fitzpatrick as Willie’s faithful but worried wife; two of the Shakespeare team’s excellent company of actors, Jared Joplin and Justin McCombs, play Willie’s sons who can’t quite bear up to the weight of his expectations. Arthur Miller’s play is one of the greatest, a winner of the Pulitzer Prize and Tony Award. So if it’s serious drama, get tickets for this one, onstage through Nov. 7: 513-381-2273.
Want something more frivolous and entertaining, but still a great performance? Show up at Ensemble Theatre for Buyer and Cellar, a one-man show about a guy pretending to be a shopkeeper in a vast basement treasure trove of acquisitions on Barbra Streisand’s Malibu estate. It’s 90 minutes of non-stop storytelling, rooted in a real place — but with a fantasized chain of events. Actor Nick Cearley is a comic gem, performing in a smartly written script that requires him to conjure up not just Alex, the actor hired to wait on Barbra, “the customer” (one and only), but the singer herself and a handful of others. Great fun to watch. Here’s my review. Through Nov. 1. Tickets: 513-421-3555.
If you love a good Broadway musical, you need to show up at the Aronoff and score a seat for the touring production of Pippin. (CityBeat review here.) It’s a show from 40 years ago (by Stephen Schwartz, the creator of Wicked more recently), but this version of an award-winning Broadway revival from two years ago is full of Cirque du Soleil-styled acrobatics, as well as some great songs and performers. It’s a sort of fairytale embroidered from a real historical character from the 9th century, the son of the monarch who launched the Holy Roman Empire. It’s about the young Pippin’s arduous search for a meaningful life. The “Leading Player,” a kind of emcee/storyteller, is Gabrielle McClinton, who handled the role on Broadway for part of its two-year run there, and Charlemagne, Pippin’s father, is played by veteran actor John Rubinstein — who originated the title role back in 1972. (He’s 68 now, but still an energetic, animated performer.) Tickets: 513-621-2787.
Shows previous opened that are also worth seeing include the very serious drama Extremities at the Incline Theater in E. Price Hill (tickets: 513-241-6550), onstage through Sunday; and Sex with Strangers, a very modern romance about writers who envy one another’s careers and lust after one another’s bodies, has another week and a half at the Cincinnati Playhouse (tickets: 513-421-3888).
If you’re looking for a way to honor Cincinnati-native Pop artist Tom Wesselmann in your front yard or in your home or office, you might be interested in one of these 30-by-89-inch museum street banners from the popular Wesselmann retrospective, Beyond Pop Art, that came to Cincinnati Art Museum last year. They have just been offered for sale at betterwall.com for $499 each; there are 74 available.
Alas, the banners are not actually from the Cincinnati stop on the traveling show. They are from the previous one at the Denver Art Museum. Our art museum did not use street banners to promote the show.
The banner features a reproduction of a very lovely large painting — oil on shaped canvas — that Wesselmann created in 1967, “Seascape #22.” It is based on his observations of women sunbathing in Cape Cod. He concentrated on the foot kicking up from the beach.
Wesselmann, who died in 2004 at age 73, studied at both University of Cincinnati and the Art Academy of Cincinnati before going to the Cooper Union in New York City. He began showing his work in New York in the early 1960s and became most famous for his Great American Nude series.
Better Wall specializes in selling surplus street banners from art institutions, such as Denver, Art Institute of Chicago, Los Angeles County Museum of Art, the Seattle Art Museum and more.
I must confess, driving by a library and seeing a silhouette of a rhino
through a window is pretty cool. But that was nothing compared to the large
giraffe that nodded its head at me just a few feet inside the entrance of the main
branch of the Boone County Public Library, in Burlington, Kentucky. Both are part
of the 18-station Robot Zoo that moved into the library just six weeks ago, and
will be staying for the next five months.
The Robot Zoo, a 5,000-square-foot traveling exhibit, displays a variety of huge
robot animals including a giant squid, bat, platypus, rhino, chameleon,
grasshopper and giraffe. Finding all the stations takes a bit of exploring
since they’re scattered around the library, but after watching the large
creatures move, I have to say it’s pretty cool. As I walked around I marveled
at how each exhibit showed the unique traits of the animal, highlighting fun
facts about their anatomy. “You kind of watch and see everything going on and
then read how that ties in,” says Shawn Fry, assistant director of the Boone
County Public Library. “That’s where the kind of learning is snuck in.”
Becky Kempf, Public Relations Coordinator, says the exhibit provides a lot of
fun for kids. “It’s not going to be quiet here for the next few months,” she
jokes after handing me the list of stations. Fry says the library is always
trying new ways to engage the community. “[We’re] always looking for new ways
to use our space, to bring people in, to excite people,” he says. “Right now
STEM programming — the science, technologies, engineering [and math] — is the
thing, a very exciting thing. This is a way to incorporate that.”
According to Kempf, the Robot Zoo exceeds the library’s wish list for a new
program. “Our mission is to provide life-long learning opportunities for all
ages,” she says, “so whether it’s through books or the research help that we
provide or bringing something like this in…it’s right down our alley. It fits
perfectly with what we’re trying to do.” Fry says the branch is lucky it’s big
enough to house the exhibit, and describes the challenges of moving the parts
inside. “The giraffe, I think, was the hardest,” he laughs, “and it’s kind of
the entrance for the whole thing.”
“It’s been really interesting… seeing, in all kinds of ages, the enthusiasm in
watching them build it,” adds Fry. “There were kids that came in today [Monday]
that were all excited; they’d been waiting…and they were excited.” I don’t
blame them; it was almost like walking through a quiet, indoor zoo, without
having to dodge wayward geese or worry about sunburn. I observed the
grasshopper twitching its antennae and peeked in its open side at the glowing
innards, revealing the 10 sections of the abdomen. The rhino, a declared
work-in-progress, pursed its large lips, emphasized to show how their texture
helps trim its grassy food while the bat creaks from its upside-down perch in
Fry may say the exhibit is geared toward kids, but he and I both saw adults
exploring too. “We kind of didn’t know it would be this cool,” Fry says,
laughing. “Regardless of age, we’ve gotten lots of positive feedback.”
The Robot Zoo will be at the Burlington branch through Feb. 28, 2016. Admission
is free, thanks to community sponsors, and the exhibit is open during library
Other Boone County Public Library Events:
Ghosts of Rabbit Hash: Oct. 10 – Get a tour through the tiny town and hear about its haunts.
Herbs and Supplements: What’s right for you?: Oct. 13 – Learn about what natural healers and supplements are healthy or harmful.
Concert at the Library: Oct. 23 – Whiskeybent Valley performs at the Main branch.
It was a dim and smallish room I entered for my third library event, and at first I thought I was lost. I was in the main branch of the Public Library of Cincinnati and Hamilton County, and after searching unsuccessfully decided to follow someone, who mercifully led me to the right room. “Headlines and Dead Lines”, the title of the class, promised to teach me about a library database that would research local history, and as the program began, I contentedly settled in for a good history lesson.
The class, taught by Reference Librarian Cindy Hill, mostly focused on Newsdex,
a database that holds listings for local Cincinnati history. As I listened, Hill
rattled off various fun facts about the system. “It’s the longest-running
publicly available database for the Cincinnati area,” she announced proudly. “It’s
a really great place to start.”
According to Hill, Newsdex is often used for genealogies, but also provides
information on companies, neighborhoods, historical sites and local events. You
can find death notices, obituaries, wedding announcements, murders, addresses,
local events and advertisements. The database includes articles from multiple
Cincinnati publications, both current and discontinued, like the Cincinnati Post, Times-Star, Gazette, Commercial and the Western Spy. “[Newsdex] has a totally wide-range of newspapers, but
it’s not complete,” Hill said. “It’s being updated all the time.”
As I listened to her, I began to see why Hill sounded so excited about the
database. “As far as we know, there’s
not another library that’s done this,” she said. “Many of our databases require
a library card, but Newsdex is used all over the world…it’s used across this
country and beyond.” She added that people from as far away as Japan have
requested information from the index, and that local companies and news
organizations have also used the site.
Later I talked to Steve Headley, president of the Genealogy and Local History
department of the public library, who told me that the database has been around
in one form or another for a long time. According to Headley, Cincinnati
librarians began to index newspapers into the library’s card catalog in 1927.
In 1940 a concentrated effort began to index obituaries, as well as death
notices, and in 1990 the system was digitized and named Newsdex. “There is no
other real source [like] it, especially for the number of newspapers that it
covers,” Headley said.
However, as great as Newsdex is, it doesn’t contain everything. Hill explained
one reason is that some people wanted to live private lives, so nothing was
printed about them in the paper. “Not everyone can be traced,” she warned.
“There were people back then that didn’t want to be out there.” According to
Headley, the information might not be indexed yet, since information is added
as librarians have time. “The further back you go, the less complete it gets,”
he said, “simply because when the librarians were doing the indexing they were
using the individual cards, and it was pretty time consuming.”
One thing I appreciated about Newsdex is that it’s easy to use. Instead of
having to weed through newspapers pages, Newsdex tells you what paper the
article is in, what day it printed and what page it’s on. Then you simply work
with the genealogy librarians to get that paper. At the end of the hour, I
found myself wishing I had something to research, because I wanted to use my
newfound knowledge. Instead of being intimidated by the wealth of information
in Newsdex, it amazed me how much local history one city could hold. Cincinnati
has so many facts to be discovered, and while I know I could never dig through
them all, Headlines and Dead Lines made me want to try.
Did this event sound interesting? Check out similar workshops at the Public Library of Cincinnati and Hamilton County:
Book a Librarian: Get help with job searches, research or resume writing.
Date with an iPad: Learn the tricks to using this Apple device.
Technology Appointment: Schedule a one-on-one workshop to learn basic computer skills.
Sex is pretty much a constant presence in life as we know
it, and it’s often a driving force in plays, taking on many shapes and
outcomes. That’s particularly the case with two shows that just opened
locally, Laura Eason’s new play, Sex with Strangers, at the Cincinnati Playhouse on its Shelterhouse stage through Oct. 25, and William Mastrisimone’s 1982 script, Extremities, at Cincinnati Landmark Productions’ Incline Theatre, through Oct. 18.
Eason’s script is about two writers who seem as opposite as can be — he’s an arrogant 28-year-old blogger (Nicholas Carrière as the charming and ebullient Ethan) whose writing about sexual conquests has been turned into a best-selling book, while she’s a serious, introspective novelist, 39, (Nancy Lemenager as introverted and self-conscious Olivia) who’s given up because of bad reviews and weak sales of her first book more than a decade earlier. But they end up together in a Michigan B&B due to a snowstorm (and some serious interest on his part in meeting her) and they discover a powerful mutual attraction that’s also driven by aspiration and envy of one another’s careers. Eason writes great contemporary dialogue, and director KJ Sanchez keeps things hurtling along down a road of desire and tentative trust. It seems evident that things could go off the tracks, but when they do there’s some more interesting sparks — and a lot of conversation about the state of writing and literature today. While the show’s title is titillating and they are strangers who steam things up — repeatedly — it’s really the title of his blog, and a past that he might or might not want to move beyond. There’s both humor and real emotion to be appreciated in this finely crafted production. Tickets: 513-421-3888
Mastrisimone’s off-Broadway script from three decades ago (Extremities also became a 1986 movie starring Farrah Fawcett) comes at issues of sex and attraction from a far more serious and brutal angle. It’s a significant a departure for Cincinnati Landmark, best known as a producer of safer, more mainstream fare, musicals and classical comedies. Raul (Will Reed) has been stalking three young women who share a house. He bursts in on Marjorie (Eileen Earnest), who we meet lounging around in a state of undress; he overpowers her, knowing her roommates won’t be back for hours. But she turns the tables on him, and when Terry (Katey Blood) and Patricia (Rachel Mock) return, they find Marjorie menacing and torturing her foul-mouthed attacker, hogtied and imprisoned in a large fireplace. They are shocked by her violent turn, and their perspectives — Terry is shocked and fearful, while Patricia is pragmatic and overly analytical — provide various takes on the situation and its potential resolution. Their four-cornered battle unfolds in harsh, often unhinged arguments about motives, likely outcomes and fears. Some of these feel a tad dated in 2015, but that does not diminish the story’s power. Earnest’s searing performance as Marjorie and Reed’s manipulative portrait of an intelligent, twisted man she insists on calling “The Animal” fuel the pounding pulse of this production of Extremities, staged by Tim Perrino. You’re never sure how the battle will end, and that makes for good theater. Tickets: 513-241-6550
CCM Drama head Richard Hess calls David Edgar’s Pentecost the British equivalent of Tony Kushner’s Angels in America. Both are big-cast plays, stuffed full of language and contending philosophies. The discovery of a 13th-century mural in an Eastern European church threatens to upset the world of art history, but it also lights the match on conflicts that go well beyond — to geopolitics, religion, history and more. It’s a heady script, with 26 roles speaking multiple languages, utterances that audiences have to intuit, just as the characters need to try to grasp one another’s motives. Read more about Pentecost in my recent Curtain Call column. Like most CCM productions, this one (at UC’s Patricia Corbett Theater) has a short weekend run; the final performance is a matinee on Sunday. Pentecost is an important play, an essential experience for serious theatergoers. Tickets: 513-556-4183
One more interesting piece of theater this weekend, inspired by Titus Kaphar’s Vesper Project at the Contemporary Arts Center, a multi-part installation in which paintings are woven into the walls of a 19th-century American house in New England, the home of a mixed-race family. His exhibit there involves a true/false backstory and familiar/unfamiliar environments. The massive exhibit invites conversation, and that’s what writer (and occasional CityBeat contributor) Stacy Sims has created after several discussions with the artist. She invited five local actors to work with her to respond to the piece, and the result, RETRACED: A theatrical conversation with the Vesper Project, will be performed three times this weekend at the CAC on Sixth Street in downtown Cincinnati, at noon and 3 p.m. on Saturday and at 1 p.m. on Sunday. Sims says, “While I have a strong idea of how the actors will move in and out of the space and intersect with each other, each of their individual stories will be deeply informed by their own personal narratives of race, power, privilege and home.” Performances are free with gallery admission.
This weekend is your last chance to see the Cincinnati Playhouse’s beautiful production of The Secret Garden, NKU’s rendition of the comedy Moon Over Buffalo and New Edgecliff Theatre’s well-acted staging of Frankie and Johnnie in the Clair de Lune.
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
New Edgecliff Theatre’s Frankie and Johnny in the Clair de Lune is under way a week later than initially announced following some issues with its not-quite-ready new home in Northside. So it’s been moved to the Essex Studio (2511 Essex Place, Walnut Hills), in a performance space routinely used by Cincinnati Actors Studio & Academy, a training group for teens. It was bit of hustle and strain to move a half-built set from Northside to Walnut Hills, but it fits nicely into CASA’s black box. Rather than rattling around in a big old church sanctuary (Northside’s work-in-progress Urban Artifact), NET’s staging of Terrence McNally’s 1987 romantic dramedy works beautifully in this more intimate space. But I suspect no matter where it was staged, the two-character show would be well received thanks to actors Sara Mackie and Dylan Shelton, smartly put through their paces by director Jared Doren. As lonely co-workers in a New York greasy spoon diner, they’ve finally connected — at least for a night. They’re both kind of needy although in very different ways. Frankie, a sweet waitress, has been bruised by bad relationships and seems happy with her own insular existence; Johnny, the motor-mouthed short-order cook who can quote Shakespeare, is driven by angst and passion — filled with desperation that he doesn’t have any more chances for romances. This naturally frightens Frankie, and their navigation through this minefield, full of passion and snark, makes audiences laugh and love them both. It’s definitely worth seeing. Because of the move, it’s a short run, just through Oct. 3. Tickets: 888-528-7311
The folks who run Falcon Theater, performing in Newport at the Monmouth Theatre (636 Monmouth St.) have staked a claim on comic musical satires — they’ve produced Debbie Does Dallas: The Musical, Poseidon: The Upside-Down Musical, Evil Dead: The Musical and several more. So they worked really hard to get the rights to Silence: The Musical, based on The Silence of the Lambs, the creepy 1991 movie about “Hannibal the Cannibal” starring Anthony Hopkins as a manipulative serial killer and Jodie Foster as the young FBI cadet who needs him to solve another serial murder. The musical version was a big hit at the 2005 New York International Fringe Festival and over the past decade it's become a cult favorite. It opens tonight and continues on weekends through Oct. 10. Tickets: 513-479-6783
The first production of the season at Northern Kentucky University, Ken Ludwig’s Moon Over Buffalo, is a comedy about a pair of fading actors from the 1950s on tour in Buffalo. Their marriage is coming apart, but a famous movie director is coming to see their matinee and just might cast them in an upcoming feature. But everything goes wrong when they start confusing the two shows they’re performing — Noël Coward’s Private Lives and Edmond Rostand’s Cyrano de Bergerac. Tickets: 859-572-5464
Speaking of Cyrano, there’s a fine production of it (not to be confused with anything else …) at Cincinnati Shakespeare Company, with an excellent performance by company veteran Jeremy Dubin in the title role. It’s onstage through Oct. 3. 513-381-2273. • Also closing on Oct. 3 is the Cincinnati Playhouse in the Park’s beautiful production of The Secret Garden, a musical based on a cherished novel from a century ago. This is one of the Playhouse’s “family-friendly” productions — like A Christmas Carol — suitable for multiple generations. It looks great, and the talent onstage — much of it from Broadway — is top-notch. Tickets: 513-421-3888
If you haven’t seen Rebecca Gilman’s Luna Gale at Ensemble Theatre Cincinnati, you really should try to get there this weekend for one of its final showings. This new play hat will make you uncomfortable because it’s about a tough conflict with no obvious right or wrong — a custody fight over a baby between her irresponsible parents and her religiously conservative grandmother, refereed by an over-burdened social worker. The cast (including three former ETC apprentices who do a great job) is led by Annie Fitzpatrick as the weary social worker. She’s especially good in this role, a woman trying to do the right thing who’s thwarted at every turn. Final performance is 2 p.m. Sunday. Tickets: 513-421-3555
Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.