Selena Reder, a former contributor to CityBeat's visual arts coverage, has curated the current Figurative Folklore exhibition at the City of Covington's gallery at 2 W. Pike St. It's devoted to six artists whose figural work tells a strong narrative. Particularly noteworthy at the show is the work of two artists who do three-dimensional work.
Ken Page brings a sense of fun an visual playfulness to his "Hole in the Wall," a sculpture that is like a small wall shelf. On that shelf a boy — carved and painted — has apparently cut a circle out of the painted "brick" wall behind him and is attempting to "roll" it away. It is not a kinetic piece, thus the necessity for those air quotes as the sense of movement is illusory. It's quite well done.
The absolute standout of this show is Stephanie Cooper — who has six pieces, some quite large. These are wood sculptures with added elements. I hate to call them carvings, as that implies folk art and these use folk art as a reference point to build from.
Her "He Who Sups With the Devil Needs a Long Spoon" features a dapper, well-dressed man at a dining table (he looks a bit like Ronald Reagan) holding a spoon. You can hand-crank the spoon to get some movement. And "Hermes" — a large piece with a height of 76 inches — is a scary wooden figure from whose head sprouts a tangle of twigs and roots, like a bird's nest.
Her other contributions, too, are good.
This show is on display through March 27. Gallery hours are 9 a.m.-5 p.m. Monday-Friday. You may find a note on the door to call a city employee to come and unlock the place (a number is provided), but it's worth it. And the employee's office is just a short distance away — I waited at most five minutes for her arrival.
The Contemporary Arts Center will open its renovated lobby to the public Saturday after a members preview Friday night. The $1.1 million upgrade includes a new lounge area, a much-needed cafe and overall artsy facelift.
Local architecture and design firm firm FRCH Design Worldwide reimagined the interior space, which was under construction since Jan. 6.
The CAC's updated lobby features more seating and gathering spaces, a relocated welcome desk and, yes, more art. Previously exhibited mostly upstairs, artworks will now be displayed around the ground-level. Of course, the museum's excellent gift shop is still a part of the lobby, just more centrally located now.
Collective CAC, the museum's new cafe, comes courtesy Dustin Miller and Dave Hart of local favorite Collective Espresso. Located where the gift shop used to be in the corner of the lobby, Collective CAC will serve signature coffees along with breakfast, lunch and dessert items, plus beer and wine. Visitors can sit at communal tables or grab a drink at the bar.
The new CAC gallery hours are 10 a.m.-4 p.m. Saturday-Monday, closed Tuesday and 10 a.m.-9 p.m. Wednesday-Friday. Collective CAC will be open 10 a.m.-4 p.m. Saturday-Sunday, 7 a.m.-4 p.m. Monday-Tuesday and 7 a.m.-9 p.m. Wednesday-Friday.
The CAC celebrated its 75th anniversary in May 2014.
I seldom laugh out loud when I'm watching a comedy, but I found myself doing just that more than once at last night's opening of Peter and the Starcatcher at the Cincinnati Playhouse. You can read about this show and the appeal of Peter Pan here, but let me simply say this is a deliriously silly but wholly heartfelt prequel about the origins of the boy who "won't grow up." This award-winning play uses simple theatrics, not special effects, to work its magic, and the Playhouse cast of a dozen quick-change performers dive into the wacky storytelling with zest and zeal. Everyone is having a good time, perhaps Tom Story most of all, playing "Black Stache" (the pirate who will become Captain Hook) who spews malapropisms and extravagant posturing: "There's a poet in these pirate veins," he announces. The laugh-inducing moment that sets up his subsequent need for a hook is both ghastly and breathlessly funny, not to mention milked for all it's worth. Everyone in the cast has moments of fun. This is imaginative storytelling and extravagant theatricality at its best. You'll have fun if you bring a kid or two; but even if you don't, go by yourself and feel like a kid again. Through April 4. Tickets: 513-421-3888.
As I wrote on Monday, season announcements from Cincinnati theaters are a sure sign that warmer days are ahead. The temperature cranked up a few more notches tonight when Cincinnati Shakespeare Company announced its 2015-2016 season. It’s no secret that CSC’s history and stock-in-trade are plays by William Shakespeare, of which they’ll offer four in the coming months. But their broadened scope includes definitive works of drama and stage adaptations of literary classics by great writers. Here’s what will be onstage at 719 Race St. from August 2015 through June 2016:
THE COMPLETE HISTORY OF AMERICA (ABRIDGED) by Adam Long, Reed Martin and Austin Tichenor. Cincy Shakes has had tons of fun with The Complete Works of William Shakespeare (Abridged). But Long, Martin and Tichenor have been generating laughs with numerous other subjects, and this is one of their best works. (It was staged at the Cincinnati Playhouse 10 years ago.) This one is a wild ride through our nation’s past featuring three actors, who probably did not pass high school history, who set off on a whirlwind historical tour that’s finds laughs in many of our nation’s greatest hits and misses. This production is a “season extra,” not included in subscription packages. July 24-Aug. 15, 2015.
CYRANO DE BERGERAC (based on Anthony Burgess’s translation of Edmond Rostand’s 1897 French play). Cincy Shakes will kick off the fall theater season with this classic romantic tale of the valiant and clever Cyrano de Bergerac, with long-time ensemble member Jeremy Dubin in the title role. Cyrano epitomized panache: In fact, that French word a feather or a plume was the hallmark of this dazzling swordsman and brilliant 16th-century poet. But he has a flaw, a gargantuan nose. He loves the beautiful and brilliant Roxane but is convinced his clownish appearance means he has no chance with her. Unaware of his feelings, Roxane tells him she loves Christian, a handsome but dull solider; Cyrano intercedes by writing letters and verses to her as if they were from Christian. The play has wit, swashbuckling adventure and profound romance. Sept. 1-Oct. 3, 2015.
Jeremy Dubin as Cyrano in Cyrano de
Bergerac. Photo: Mikki Schaffner.
DEATH OF A SALESMAN by Arthur Miller, written in 1949, won multiple Tony Awards as well as the Pulitzer Prize for drama. The story of the waning days of an aging salesman who still yearns to make it big is one of the great plays of the 20th century. Cincinnati stage veteran Bruce Cromer will play Willy Loman, the show’s memorable loser. This poignant tale of an average man trying to achieve the American Dream, surrounded by his strident sons and his loving wife is an exploration of failure and success that still resonates today. Oct. 16-Nov. 7, 2015.
AS YOU LIKE IT by William Shakespeare is the first of Shakespeare’s plays for the season and one of the Bard’s most popular, a predictable bestseller for Cincy Shakes. This time it will be the company’s offering around the holidays, featuring ensemble member Sara Clark playing the spirited Rosalind, banished to the Forest of Arden with only her cousin and a fool for company. She dresses as a man for protection and comedy ensues in the woods where love poems to her are posted on the trees. The lovelorn poet is handsome Orlando, whom she tests while hiding behind her boyish disguise. This show is great fun because it features numerous comic characters, delightful music and warm-hearted romance. Nov. 20-Dec. 12, 2015.
Sara Clark as Rosalind in As You Like It. Photo: Mikki Schaffner.
EVERY CHRISTMAS STORY EVER TOLD (AND THEN SOME!) by Michael Carlton, James Fitzgerald and John K Alvarez. Cincy Shakes finishes up As You Like It just in time to celebrate the 10th anniversary of its annual holiday hit, an irreverent look at umpteen BHCs — the show’s acronym for “Beloved Holiday Classics.” The evening starts out innocently enough as one character endeavors to perform a solemn reading of A Christmas Carol. But before long audiences are entangled in the stories of Frosty, Rudolph, Charlie Brown and George Bailey. Four of Cincy Shakes’ veteran actors (one as a highly inebriated Santa) send up everything from Dickens to Dr. Seuss. It’s another “season extra” (outside regular subscriptions) and definitely not for anyone who still believes in Santa. Dec. 16-27, 2015.
HENRY VI , PART I by William Shakespeare. The company has committed parts of several seasons to work its way through Shakespeare’s cycle of history plays. This year it’s the first of three parts that tell the story of Henry VI. Actors continue to reprise roles they’ve played for several seasons in two parts of Henry IV and Henry V. In this installment, the untimely death of Henry V puts his infant son on the throne, and the War of the Roses, pitting the houses of York and Lancaster against one another, is off and running. Jan. 22-Feb. 13, 2016.
JANE AUSTEN’S EMMA (adapted by Jon Jory). Cincy Shakes has struck gold with stage productions of Pride and Prejudice and Sense and Sensibility, Jane Austen’s novels of early 19th-century manners as adapted by Jon Jory, the longtime artistic director of Actors Theatre of Louisville. These shows appealed to audiences in part because the company has a corps of talented female actors (presently showcased in Little Women) who will find great opportunities in Austen’s tale about amateur matchmaker Emma Wodehouse who lives to meddle in others’ love lives. When she tries to set up her less than promising friend Harriet, the plan goes awry, and Emma must try to undo the damage. It’s another classic story of wit, whimsy and anxious romance. Feb. 26-March 26, 2016.
JULIUS CAESAR by William Shakespeare. Part one of a season-ending epic pairing of two of the Bard’s great plays begins with this tragedy about the brilliant general, a cunning politician and beloved leader of ancient Rome. Jealous Roman patriots decide his ambition is a threat to the Republic and assassinate him on the senate floor. The result is a civil war that tests friendships and loyalties; it also determines the fate of the Roman Empire. April 8-May 7, 2016.
ANTONY AND CLEOPATRA by William Shakespeare. The second part of the company’s special event offers this rarely staged epic sequel to Julius Caesar. The civil war has ended and the empire has been divided. Marc Antony heads to Egypt to rule his corner of the globe, but his plans are sidetracked by Egypt’s Cleopatra. Their love affair pits Rome and Egypt against each other and changes the ancient world forever. May 13- June 4, 2016.
Subscriptions ($143-$233) are sold in flexible sets of seven that can be used one per production or in other combinations. Subscriptions and single tickets are now for sale via cincyshakes.com or by calling 513-381-2273, x1.
Shinji Turner-Yamamoto's 2012 Global Tree Project: Hanging Garden — two trees suspended by wire inside Mt. Adams' deconsecrated (and crumbling) Holy Cross Church — is now generally recognized as one of the high points of public art in Cincinnati in recent years.
In addition to proving inspirational for us in terms of what large-scale, site-specific art can be and what local artists can accomplish, it also has attracted ongoing international attention for him.
The latest development is his inclusion in an exhibition, About Trees, opening this fall at the Zentrum Paul Klee museum in Bern, Switzerland. For his site-specific work in the museum's main hall, he will work with a dying linden tree on the museum grounds.
The exhibit — part of a trilogy of related shows that continues into 2017 — is dedicated to the tree as a motif in international contemporary art. Turner-Yamamoto finds himself in some very impressive company. Others with work in the show include Paul Klee, Carlos Amorales, Louise Bourgeois, Paul McCarthy, Ana Mendieta and Shirin Neshat.
Meanwhile, a large-scale photograph of the Hanging Garden installation was commissioned by Caroline Kennedy, U.S. Ambassador to Japan, for the ambassadorial residence in Tokyo as part of the Art in Embassies Program.
Also, he will have a show at the Weston Gallery here next year.
The FotoFocus Lecture and Visiting Artist Series at Cincinnati Art Museum will feature photographer Roe Ethridge on March 25 at 7 p.m.
According to FotoFocus, Ethridge — who works in both commercial and fine art photography — draws upon the descriptive power of photography and the ease with which it can be accessed, duplicated and recombined. He is considered a post-Modernist.
His work has been shown in such venues as MOMA/PS1, London's Barbican Center, Carnegie Museum of Art Boston's Institute of Contemporary Art, the 2008 Whitney Biennial (2008); and the Museum of Modern Art. In 2011 he was a finalist for the Deutsche Börse Photography Prize.
presentation at the museum is free and reservations are not required, though
parking for non-museum members is $4. More info here.
I don’t pay much attention to Groundhog Day for signs of spring, and Reds Opening Day is way too late to celebrate the promise of warmer weather. My key indicator for when spring is just around the corner is when Cincinnati-area theaters start announcing their upcoming seasons. (In fact, Cincinnati Landmark Productions was the first out of the gate a few weeks back; more about that in a moment.) But this evening’s big news is rundown of shows to be presented on the Cincinnati Playhouse in the Park’s two stages, the Robert S. Marx Theater and the Shelterhouse.
As Blake Robison enters his fourth season as the Playhouse’s artistic director, he says he does not approach a season in a thematic way. “Our priorities continue to be new works, culturally diverse works and family-friendly works.” He’s include several of each in the Playhouse’s 2015-2016 season, the Tony Award-winning regional theater’s 56th.
In particular, Robison has slated two world-premiere comedies, Native Gardens, a hilarious tale of clashing neighbors by Karen Zacarías, whose Book Club Play was a big hit for the Mount Adams theater two seasons ago, and The Revolutionists, an irreverent, girl-powered fantasia set during the French Revolution and written by one of America’s best emerging playwrights, Lauren Gunderson. (Know Theatre staged Toil and Trouble in 2013, and her 2014 script I and You won the American Theatre Critics Association’s 2014 Steinberg Prize.) In fact, girl-power has clearly arrived at the Playhouse: Half of the season’s productions are works by women.
In the family-friendly category, Robison has selected two shows based on classic novels: the musical version of Frances Hodgson Burnett’s The Secret Garden and a stage adaptation of Harper Lee’s To Kill a Mockingbird, the 1960 Pulitzer Prize winning novel that’s been much in the news recently with the announcement that a prior version of the story will be published later this year. The creators of the memorable show Fly — about the legendary Tuskegee Airmen — will return with Satchel Paige and the Kansas City Swing, their new Jazz-infused drama focused on African-American sports legend. Robison will also stage a captivating drama, Mad River Rising, set on an Ohio farm at the time of the horrendous floods of 1936.
Here’s a chronological rundown of what’s in store, with dates a few more details.
THE SECRET GARDEN, with book and lyrics by Marsha Norman and music by Lucy Simon. The show features Norman’s Tony Award-winning script, adapted from Frances Hodgson Burnett’s classic novel. It’s the story of Mary Lennox, orphaned at age 10, and sent from India to live with her aloof uncle in his foreboding English manor. There she discovers the locked-away secrets of an abandoned garden. It’s going to be staged by Marcia Millgrom Dodge, a Tony Award winner who staged Cabaret for the Playhouse in 2013. Robison says that this is the kind of musically complex show that is “what the Playhouse does.” Sept. 5-Oct. 3, 2015 on the Robert S. Marx Mainstage.
SEX WITH STRANGERS by Laura Eason. Playwright Eason has been one of the writers behind Netflix’s engaging series, House of Cards, staring Kevin Spacey. Robison tells me he’s wanted to stage this provocative, sexy and funny show since its 2011 debut at Chicago’s Steppenwolf Theatre because of its “intergenerational appeal,” but he had to wait until it had its Broadway debut last year. Associate Artist KJ Sanchez will stage this show that explores what happens when private lives become public domain as a famous blogger finds himself snowbound with a talented but unknown novelist. They’re attracted to each other, but envious, too. Sept. 26-Oct. 25, 2015 in the Thompson Shelterhouse.
MAD RIVER RISING by Dana Yeaton. The playwright is an acquaintance of Robison’s, and this 1998 work debuted in Vermont when Robison worked at a theater there. An 85-year-old man escapes from a nursing home and hides out in his family’s barn. As a boy, he saw his family’s home wash away and now “progress” is threatening to destroy the farm again. The story slips back and forth between past and present, and the production, which Robison will stage features music by a singer/songwriter also from Vermont. Robison calls the drama “poetic, poignant and utterly captivating.” Oct. 17-Nov. 14, 2015 on the Robert S. Marx Mainstage.
LOW DOWN DIRTY BLUES by Randal Myler and Dan Wheetman. For the holiday season on the Thompson Shelterhouse stage, the Playhouse will present a revue with musicians gathered for an after-hours jam session where they swap stories and play nearly two dozen tunes they love by Muddy Waters, Ma Rainey, Sophie Tucker, Howlin’ Wolf, Pearl Bailey and more. Myler was the creative force behind the Playhouse’s popular production of Love, Janis (about Janis Joplin) in 2005 as well as Hank Williams: Lost Highway in 2012, and he’ll be in town to stage this one, too. Nov. 7-Dec. 20, 2015.
For the 25th consecutive season, the Playhouse will present A CHRISTMAS CAROL Nov. 25-Dec. 30, 2015 on the Robert S. Marx Mainstage. I’ve seen it for most all of those years, and I never grow tired of Howard Dallin’s excellent adaptation. It uses 29 actors, many of them local professionals, and features veteran Bruce Cromer as the miserly Scrooge (it’s his 11th year in the role). Michael Evan Haney, who has staged the production every year since 1992 will return, too. The show, by the way is not part of any subscription package, but subscribers are eligible for discounts and early buying opportunities.
NATIVE GARDENS by Karen Zacarías. 2016 kicks off with a world premiere by the playwright whose Book Club Play charmed Playhouse audiences in 2013. Her new script is about how friendly neighbors become feuding enemies when their gardens and fences don’t quite align. One couple is Hispanic while the other is Anglo, and their disagreements escalate into an all-out war of taste, class, privilege and entitlement with hilarious results. Robison will stage this one, as he did her previous Playhouse show. Jan. 23-Feb. 21, 2016 on the Roberts S. Marx Mainstage.
THE REVOLUTIONISTS by Lauren Gunderson. As noted, Gunderson is a rising star in the theater world — and Robison has scheduled her new script to overlap for a few weeks with Zacarías’s show, resulting in simultaneous world premieres by women playwrights. In Gunderson’s new script, at the height of the French Revolution, four historic characters — playwright Olympe De Gouges, assassin Charlotte Corday, activist Angelle Ogé and former queen Marie Antoinette — conspire to escape the extremist forces swirling around them. Eleanor Holdridge from Catholic University in Washington, D.C., who has been working closely with Gunderson to develop the script, will stage this fantasy about how we change the world. Feb. 6-March 6, 2016, in the Thompson Shelterhouse.
TO KILL A MOCKINGBIRD by Harper Lee (adapted by Christopher Sergel). Set in Depression-era Alabama, it’s about precocious tomboy Scout and her brother Jem during a life-changing summer when their father, Atticus, a small-town lawyer, defends a black man accused of a crime he didn’t commit. The Playhouse was one of the first theaters to stage Sergel’s adaptation in 1993; it’s a slightly different version (with more roles and a different narrator) than the one, also by Sergel, presented by Cincinnati Shakespeare Company in 2012. The Playhouse’s newest artistic associate, Eric Ting, is slated to direct this one. March 5-April 3, 2016, on the Robert S. Marx Mainstage.
MOTHERS AND SONS by Terrence McNally. Another artistic associate, Timothy Douglas, will stage this show, which was a 2014 Tony nominee the year’s best play on Broadway. McNally, who has written more than 30 plays and musicals (including the Tony Award-winning Love! Valour! Compassion!) has created a drama about change, reconciliation and what it means to be a family. A gay couple have a happy life with their 6-year-old child until the mother of a former lover makes a surprise visit to their Manhattan home, two decades years after her son’s untimely death. No play by McNally has been presented at the Playhouse since 1990, so this exploration of the complexities of life that gay men face is a welcome addition to the Playhouse’s repertoire. March 19-April 17, 2016, in the Thompson Shelterhouse.
SATCHEL PAIGE AND THE KANSAS CITY SWING by Trey Ellis and Ricardo Khan. This new play focuses on the 1947 Negro Leagues when pitcher Satchel Paige was the king of baseball, despite his advancing age. But Jackie Robinson’s meteoric rise to fame overshadowed Paige who found himself hemmed in by many barriers. Ellis and Khan’s story of the Tuskegee Airmen, Fly!, used a tap dancer as part of the storytelling, and this one will use a Jazz musician who interacts with the characters in a similar vein. April 23-May 21, 2016, on the Robert S. Marx Mainstage.
BAD DATES by Theresa Rebeck. In 2005 and 2006 this play by Cincinnati born-and-bred playwright Rebeck was a big hit locally and nationally; the comedy was, in fact, one of the most produced plays in America for two years. A middle-aged woman and single mom who manages a restaurant and loves shoes, decides to start dating again. She talks and we listen while she gets ready for one dreadful date after another. Then a turn of events makes life all the more interesting. Originally presented on the Marx stage, this revival will happen in the Thompson Shelterhouse; Michael Haney, who staged it a decade ago, will return to make Cincinnatians laugh again. April 30-June 12, 2016.
For subscription information: 513-421-3888 or http://www.cincyplay.com.
Cincinnati Landmark Productions has a lot to offer, too
Cincinnati Landmark Productions is growing, complementing its productions at the Covedale Center for the Performing Arts with a new venue, the Warsaw Federal Incline Theater. A month or so ago artistic director Tim Perrino laid out more than a dozen productions that will be happening during 2015-2016.
“We’ve created distinct seasons of exciting show titles that our audiences will absolutely love,” he said at the time. “The Covedale season will represent the legacy of our company, while the Incline will be an expansion of our programming. Together, they deepen the impact of Cincinnati Landmark Productions in the communities we call home.” Audiences have flocked to the Covedale (4990 Glenway Avenue) in recent years, leading to an expansion of runs from three to four weeks as annual attendance grew from less than 14,000 in 2003 to more than 37,000 in 2014. Perrino hopes for similar success at the Incline Theater (801 Matson Place, East Price Hill).
This summer the Incline will offer three “summer classics” — somewhat in the vein of shows that Cincinnati Landmark once presented on the Showboat Majestic. They are Mel Brooks’ hilarious showbiz spoof, The Producers (June 3-21); 1776 (July 8-26), the story of America’s patriotic heritage by Sherman Edwards and Peter Stone; and Dolly Parton’s 9 to 5 (August 12-30), the story of women in an office who take administration into their own hands.
The Covedale will offer a “Marquee Series,” a half-dozen productions between September and May. On the schedule are classically entertaining musicals and comedies — A Chorus Line (Sept. 3-27), the story of a dance audition process for a Broadway show; Fox on the Fairway, a comedy by Ken Ludwig (author of Lend Me a Tenor); Mary Poppins (Nov. 27-Dec. 20), a perfect storybook musical for the holidays; Neil Simon’s Chapter Two (Jan. 21-Feb. 14, 2016), a laugh-infused tale about getting back into the dating game; She Loves Me (March 10-April 3, 2016), from the creators of Fiddler on the Roof, a Tony Award Winner from 1964 about two shop clerks who don’t see eye to eye but unwittingly become romantic pen pals; and Brigadoon (April 28-May 22, 2016) by Lerner and Loewe (the guys who created My Fair Lady), the story of a town in Scotland that that vanishes only to reappear once every 100 years.
While those shows are happening on Glenway Avenue, the energetic folks at Cincinnati Landmark have mapped out a more mature set of shows for the Incline Theater, starting with William Mastrisimone’s Extremities (Sept. 30-Oct. 18), about a woman who turns the tables on a would-be rapist with complicated results. Subsequent productions will be Jonathan Larson’s groundbreaking, Tony Award-winning musical Rent (Dec. 2-20) about impoverished artists trying to survive in New York City; Avenue Q (Feb. 17-March 6, 2016), the hilarious musical featuring puppets that’s about a neighborhood quite a few blocks from Sesame Street — it deals with adult issues, but it’s funny and heartwarming; and another searing drama, David Mamet’s Glengarry Glen Ross (April 6-24, 2016), about the lives of four desperate real estate agents in Chicago who are willing to do anything to win.
Seasons like these are big undertakings for this ambitious theatrical organization. With a new 220-seat Incline adding to the 385-seat Covedale, we can expect a lot of Cincinnatians will be heading west for these enhanced theater choices.
For subscription information: 513-241-6550 or http://cincinnatilandmarkproductions.com.
Performance and Time Arts (PTA), a project of Contemporary Dance Theater, is the longest-running performance art showcase in the city, but until this weekend it has never been host to a single production. One Way Road on a Two Way Street, an original multi-act examination by an all-female cast of unrequited love and its ramifications, debuts Friday and Saturday at the College Hill Town Hall. Producer, flugelist (yes, someone who plays the flugelhorn), dancer and choreographer Shakira Rae Adams reveals that the theme is derived from personal experience. “A certain woman has sparked this creation — someone very close to my heart,” she says.Acts include spoken word, dance, live and recorded music, visual media and theater. A post-performance reception offers pastry treats from Oliver’s Desserts.
Adams, born in Findlay, Ohio, is an outgoing personality with a contagious smile who describes herself as an “outside-the-box nerd.” Her life so far has included pre-med and nursing studies, work as a doula (a person trained to assist in childbirth) and a trip to West Africa, from which she brought back the African dance techniques she uses to teach her own choreography. Oh, and she also designed and teaches a class on the dissection of the human body for kids 5-14.
“I found dance through jazz dance, and it’s help me keep my sanity,” Adams says. “I think music and science and dance all go together. Anyhow, it’s worked for me. I hope One Way Road on a Two Way Street inspires people to be more honest and open with their emotions, not to be locked down like the society we live in.”ONE WAY ROAD ON A TWO WAY STREET takes place at 8 p.m. Friday and Saturday at Contemporary Dance Theater Studios at College Hill Town Hall. More info: http://cdt-dance.org/1502pta