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by Steven Rosen 07.20.2015 46 days ago
at 07:00 AM | Permalink | Comments (0)
 
 
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DEVO's Mark Mothersbaugh to Perform at Cincinnati Concert (Update)

Roughly one month in advance of the Contemporary Arts Center opening Myopia, its highly anticipated retrospective of Mark Mothersbaugh’s artwork, he will come to Woodward Theater for a special concert.

The Aug. 28 performance will be what the CAC is calling a “three-headed evening.” It will start with a small orchestral group playing DEVO covers and Wes Anderson scores — Mothersbaugh co-founded the ground-breaking New Wave/Post-punk band and then moved into film-score composition, working often with Anderson. He also has long been active as a visual artist, having studied art at Kent State University.

Next, there will be a short “onstage dialogue” with Mothersbaugh. Then he will conduct an ensemble in “Music for Six Sided Keyboard.” He did a similar performance in Denver in connection to Myopia’s opening there.

Tickets will be $60 seated and $30 standing, and more information should be available next week on the Contemporary Art Center’s website, www.contemportaryartcenter.org. Myopia opens at the CAC on Sept. 25 and runs through Jan. 9. The exhibit is curated by Adam Lerner of Denver’s Museum of Contemporary Art.

UPDATE: A pricing change has been added.

 
 
by Rick Pender 07.17.2015 49 days ago
Posted In: Theater at 08:25 AM | Permalink | Comments (0)
 
 
complete tom - queen city flash - photo provided

Stage Door

A weekend for summer theater, indoors and outside

Every year, Ensemble Theatre Cincinnati brings together a group of young professionals who spend a season at the Over-the-Rhine theater understudying roles, working backstage, helping build sets and run lights and sound — learning the ins and outs of professional theater. Many of them stick around town continuing their lives in the theater. Several of them will come together at Washington Park on Sunday evening at 6 p.m. for a free performance of Still Life with Iris, a play by Steven Dietz. The 1996 script is an adventure about a little girl’s search for the simplest of things: home. She lives with her mom on a magical island where by night workers make things seen in the world by day. The rulers are determined to have the best of everything on their island, so they kidnap Iris and bring her to be their daughter, leaving her with no memory of her home or family. She joins with friends she meets on her journey as she embarks on a quest to return home. The family-friendly play, written in 1998, was the first to receive the Kennedy Center’s Fund for New American Plays Award. The cast is comprised entirely of former ETC interns, including: Jared D. Doren (1996), Sara Mackie and Burgess Byrd (2000), Daniel Winters (2005), Lisa DeRoberts (2011), Ben Raanan and Jared Earland (2014), and Molly Israel and Patrick Phillips (2015).

The summer theater company, Stone on a Rock, is back for the second production of its second season with a new version of Aristophanes’ ancient comedy Lysistrata. The company focuses on productions that are “short, sweet and cheap.” This one is a time-tested farce about the women of Greece giving their husbands an ultimatum: Stop waging war or no more sex. Maybe they can next bring their strategy to bear on Greece’s current financial crisis? Performances are at Simple Space, 16 E. 13th St., Over-the-Rhine. Tickets ($10) can be purchased at the door.

Another summer company is presenting the 1998 Tony Award-winning musical Ragtime at Highlands High School’s Performing Arts Center (2400 Memorial Parkway in Ft. Thomas). The Commonwealth Artists Summer Theatre (C.A.S.T.) is led by theatre instructor Jason Burgess; his cast includes students from Anderson, Walnut Hills, Newport Central Catholic, Cincinnati Country Day, Seven Hills, Highlands, Scott High Schools and more. Ragtime is a remarkable show with great music (composed by Stephen Flaherty, a graduate of the University of Cincinnati’s College-Conservatory of Music). Set at the dawn of the 20th century, it’s a time of change and possibility in the volatile melting pot New York City. The show tells three interwoven stories — a stifled upper-class wife, a determined Jewish immigrant and a daring young Harlem musician — united by courage, compassion and belief in the promise of the future. It’s being presented for two weekends, opening tonight and continuing through a matinee on July 26. Tickets ($10) can be reserved at http://www.showtix4u.com. (Remaining unreserved seats may be purchased at the door one hour prior to each performance.)

Queen City Flash, Cincinnati’s flash-mob theater company, is up to the third installment of its four-part play cycle of Mark Twain’s tales of Tom Sawyer. This part, The Complete Tom: 3. Abroad, is performed by three actors and an array of puppets. For this episode, the characters of Tom, Huck Finn and Jim the runaway slave are on a trans-Atlantic voyage in a Jules Verne-like airship. Free performances begin at 8 p.m. but the outdoor locations remain secret until 4 p.m. when an email is sent to ticket holders with a map and parking instructions. (The fourth installment is set to happen in August.) Tickets — no charge — can be reserved at http://www.QueenCityFlash.com

You can stay at home on Saturday evening, if you prefer, and enjoy a radio theater production of Edmond Rostand’s Cyrano de Bergerac by LA Theatre Works, broadcast on WVXU-FM 91.7 at 8 p.m. The story of the brash 17th-century soldier-poet with an oversized nose is also a tale of love and longing. The audio production features Hamish Linklater, Jason Ritter, Devon Sovari and Gregory Itzin. This is your chance to get prepared for Cincinnati Shakespeare Company’s season opening production (Sept. 11-Oct. 13).

Continuing productions of 1776 at the Incline Theater (513-241-6550) and The 25th Annual Putnam County Spelling Bee (859-572-5464) are both worth seeing.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.


 
 
by Rick Pender 07.10.2015 55 days ago
Posted In: Theater at 11:38 AM | Permalink | Comments (0)
 
 
jefferson, franklin & adams - 1776 @ the incline - photo mikki schaffner

Stage Door

History, Spelling and One-Minute Plays

Of course, everyone is focused on baseball this weekend, leading up to Tuesday’s All-Star Game right in our own backyard — and that’s great for Cincinnati. But if you’re looking for theatrical entertainment, it’s here, too. 

I had a chance to see the musical 1776 at Cincinnati Landmark’s new Warsaw Federal Incline Theater on Wednesday. It’s just the second show to be staged there, but it’s a fine one from just about every angle. The 1969 show — as much a play about American history as a musical (it has a stretch of 30 minutes in which no music happens) — is seldom produced in part because it requires nearly two-dozen strong singing male actors. This production found them, and they do a fine job: Especially noteworthy is Rodger Pille as the feisty John Adams, as well as his colleagues Ben Franklin (played by Bob Brunner )and Thomas Jefferson (taken on by Matt Krieg). But numerous others have their “historical” moments, as do Allison Muennich as Adams’ understanding wife Abigail and Lindsey Franxman as Jefferson’s lovely wife Martha. The show is both entertaining and inspiring, even if it takes a lot of liberties with real events. It won the 1969 Tony Award for best musical, and it’s a delight to see. It’s onstage at the Incline through July 26. Tickets: 513-241-6550

After 10 years, the musical about adolescents vying for honors in the 25th Annual Putnam County Spelling Bee has become pretty familiar. But it’s still a lot of fun to watch, and I suspect anyone who goes to the Commonwealth Theatre Company’s dinner theater production on campus at Northern Kentucky University will be having a good time — maybe even becoming a volunteer speller to join the contest. For 8 p.m. shows in the Stauss Theatre, there’s dinner at 6:30 p.m. in the Corbett Lobby. Through July 26. Tickets: 859-572-5464

If you want something a little more off the beaten path, you’ll find it at Know Theatre on Saturday and Sunday when the One-Minute Play Festival has three performances. Part community-convening, part social action and part play festival, the program investigates who we are and how we relate to our community through a series of 60 moments of storytelling by local writers and actors. If you’ve enjoyed the annual Fringe Festival, you should show up for this one. Tickets: 513-300-5669.

In a similar vein — and just a block away from Know Theatre’s Over-the-Rhine location — you’ll find a show by the GoodPeople Theatre Company, Is This Really Happening Right Now? It’s some vignettes by two local writers exploring friendships and relationships — on a blind date, in a coffee shop, in a Laundromat and over Tinder. Tickets ($15) at the door at Simple Space (16 E. 13th St., Over-the-Rhine).

And if you still need more, remember that Monday will be the second round of Serials! at Know Theatre, with five plays started by local writers pick up for another 15-minute episode, but now penned by a different playwright. This time around the theme is “Round House,” and it’s sure to generate some zany stuff. 


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Anne Arenstein 07.10.2015 56 days ago
Posted In: Opera at 11:23 AM | Permalink | Comments (0)
 
 
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Review: Cincinnati Opera's Don Pasquale

The production continues Saturday

Cincinnati Opera's Don Pasquale was a delight and, so far, the season’s best overall production. Burak Bilgili’s Pasquale and Alexey Lavrov’s Malatesta share the honors for outstanding performances and the entire enchilada (as Peter Schickele would say) was directed by Chuck Hudson, with production elements and costumes built by Arizona Opera.

The setting is 1950s Hollywood and Don Pasquale is a silent film star trying to make a comeback by marrying a starlet. We get Don’s backstory through a series of black-and-white film clips of his biggest hits, press notices and his subsequent failures in talkies and as a director. They’re brilliantly effective and the opening segments are in synch with the overture.

Pasquale’s black-and-white environment takes on color as he decides to seek a bride, and by Act II, the only gray spot is Pasquale himself.

Burak Bilgili brought crisp articulation and robust presence to the aging Pasquale. He’s a gifted comic and he handled the physical demands (and there were plenty) moving gracefully across the stage. His foil Malatesta was Polish baritone Alexey Lavrov; the phrase "silky elegance" is the best descriptor of his voice. Since he’s scheduled to sing this role at the Met, it doesn’t look like he has to worry about future gigs, but if he ever does, he’s got a great future as Dracula — he can handle a cape with the best of them.

Tenor Ji-Min Park sang Ernesto with clarity and sweetness, especially “Com’e Gentil” but the stage business covered up a lot of the loveliest passages. Eglise Gutierrez broke her ankle earlier in the week, but she navigated the stage in such a way that unless you saw her wearing a slightly different slipper, you wouldn’t suspect anything was amiss. But something was because she was a restrained Norina and I frequently couldn’t hear her. She might have been in a lot of pain and backstage, she had on a boot, so I’m more than willing to give her a break. One hopes she'll notch it up by Saturday.

Richard Buckley led a lively reading of this delightful score. Hudson’s staging is based on his studies with Marcel Marceau and the best example of that was the staging “Com’e Gentil.” It was hilarious (the long arm reaching for Pasquale’s keys) but it upstaged the aria. Oh well. The audience loved it. The actors proved to be deft comedians, especially Park, whose wonky Ernesto can’t do anything right. Of course the revenge duet got an encore.

Fun, fun, fun. And with a ‘50s setting, there might have been a T Bird lurking backstage.


DON PASQUALE continues Saturday. For info here.

 
 
by Rick Pender 07.02.2015 64 days ago
Posted In: Theater at 09:59 AM | Permalink | Comments (0)
 
 
todo_serials-knowtheatre_photoericvosmeier

Stage Door

'Two Guvs' has a few last laughs; next week look for some brand new work

With the Fourth of July falling on a weekend, most theaters will be dark, and all the hubbub around the All-Star Game means that most of them will wait until the dust settles at Great American Ball Park before they crank things up again. But if you’re jonesing for some good summer theater and you haven’t seen Cincinnati Shakespeare’s hilarious One Man, Two Guvnors, it has performances on Friday at 7:30 p.m. and Sunday at 2 p.m. Be forewarned that both are sold out, but if you want to try your luck with the regional premiere of this excellent situation comedy about a hapless guy with two bosses, show up at the theater 719 Race St., Downtown 30 minutes before the performance and ask to join the waiting list. Box Office: 513-381-2273

While you’re waiting for the fireworks on Saturday, you might consider what theater you’ll see over the next week or so. Of particular interest is The 1st Cincinnati One-Minute Play Festival that will be presented at Know Theater at 8 p.m. on July 11 and 2 p.m. and 8 p.m. on July 12. It’s a collaboration between Know and One-Minute Play Festival (aka #1MPF). In nearly 20 cities #1MPF partners with local companies to present brief works by local writers. They are given a prompt that asks them to consider the world around them, their community and all the ways in which they view and engage with the world, and to write and submit moments that could only happen at this time and in this place. It’s a great chance to check out local talent in the form of brand-new one-minute plays by Linnea Bond, John Bromels, Michael Burnham, Nick Carmine, Kevin Crowley, Bekka Eaton, Kate Fine, Brian Griffin, Mike Hall, Becca Howell, Alan Jozwiak, David Loehr, Robert Macke, Erica MacDonald, Joe McDonough, Eric Pfeffinger, Maggie Lou Rader, Alison Rampa, Brant Russell, Paul Shortt, Stacy Sims, Andy Simpson, Nathan Singer, Jim Stark, Paul Strickland, Trey Tatum, Eileen Tull, Chris Wesselman, Torie Wiggins and Alison Vodnoy Wolf. It’s also a showcase for local directors including Michael Burnham, Ed Cohen, Katie Lupica, Regina Pugh, Brant Russell, Carrington Rowe and Torie Wiggins. Tickets ($20): 513-300-5669. Part of the proceeds will benefit new play development at Know Theatre.

In the mood for more locally generated material? Check out the premiere of Is This Really Happening Right Now? – A Series of Vignettes, developed and presented by Good People Theatre on July 9, 10 and 11 at 8 p.m.. They’re performing at Simple Space, located in Over-the-Rhine at 16 E. 13th St., just a block or so north of Know Theatre. Four original pieces by Mollie J. Amburgey and Will Bonfiglio are about friendships and relationships — one takes place on a blind date, one in a coffee shop, one via Tinder and one in a Laundromat. Tickets $20: http://goodpeopletheatre.ticketleap.com/CincyPremiere


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here
 
 
by Anne Arenstein 07.01.2015 65 days ago
Posted In: Opera at 09:13 AM | Permalink | Comments (0)
 
 
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Review: Morning Star World Premiere

Cincinnati Opera presented debut performance Tuesday night

Morning Star, the new opera by composer Ricky Ian Gordon and librettist William Hoffman, had its world premiere last night before a near-capacity audience in the School for Creative and Performing Arts’ Corbett Theater. Based on a 1940 play by Sylvia Regan, the story follows a Jewish immigrant family in the early decades of the 20th century. Think of it as a follow-up to the Tevye family from Fiddler on the Roof coming to America and having to abandon all that tradition.

Morning Star was originally commissioned by Lyric Opera of Chicago and the Goodman Theater but was dropped when artistic differences killed the collaboration. In 2012, Opera Fusion: New Works offered Gordon and Hoffman the opportunity to rework Morning Star. The final result is light-years from what was heard in workshops, but to paraphrase a line from the opera, the story abides.

Gordon writes beautifully for the voice and his score has moments of dramatic intensity, playfulness and heartbreaking beauty. He’s a favorite among American singers, so it’s not surprising how great the singing is — but that’s also thanks to Ron Daniel’s staging.

Daniels also guided the shaping of the piece, strengthening the drama and developing characters. But there are still problems with the libretto. Many of Hoffman’s images and lines are poetic but much of the rhymed verses are more distracting than descriptive. But when he nails it, the words and music are a gorgeous synthesis.

The Triangle Shirtwaist fire in Manhattan serves as a framing device and a looming presence. On March 25, 1911, the Triangle erupted in flames, killing 146 workers — mostly young immigrant women who were trapped by locked doors, non-functioning elevators and broken fire escapes.

The opera’s prologue is a brilliant evocation of the public viewing of the victims in the factory, which took place during a torrential downpour. Against a background of images from that day, singers clad in raincoats and holding black umbrellas recite accounts of what took place as the music swirls into a collective moan.

The Triangle Shirtwaist fire serves as a framing device and a looming presence. In March 1911, the Triangle erupted in flames, killing 146 workers, mostly young immigrant women, who were trapped by locked doors, non-functioning elevators, and broken fire escapes.

The opera’s prologue is a brilliant evocation of the public viewing of the victims in the factory, which took place during a torrential downpour. Against a background of images from that day, singers clad in raincoats and holding black umbrellas recite accounts of what took place as the music swirls into a collective moan.

Widow Becky Felderman presides over her family of three teenaged daughters and a young son. Like many immigrant families, the Feldermans have a border, Aaron, who happens to come from the same village and is a friend of the family. He also happens to be in love with Becky.

It’s a terrific cast made up of some of the best American voices out there. Jeanine De Bique stole the show as Pearl with a velvety, lyric mezzo that elevated her aria “I See Colors” into a showpiece. Soprano Twyla Robinson’s Becky has a sweetness tempered by determination and she’ll break your heart when she sings “The Family Abides.”  The daughters get powerful performances from Elizabeth Zharoff, Jennifer Zetlan and Elizabeth Pojanowski.

Andrew Bidlack sings the title song with great style. Andrew Lovato is a sensitive and sympathetic Harry Engel, the unhappy husband of Sadie Felderman. Morgan Smith is an amazing baritone and I wish that Aaron’s character had more depth, but Smith makes it his own and it’s worth hearing.

Riccardo Hernandez’s scenic design incorporates the Triangle factory and Wendall K. Harrington’s projections are used to great effect, particularly in the prologue and in the final ensemble in which the fire claims its victims.

Is it perfect? No. But it’s got staying power, a score with a lot of memorable music, and this production features voices you should hear. Bravo to Cincinnati Opera and Opera Fusion: New Works for fostering this project.

And damned if I can’t get that song “Morning Star” out of my head.

MORNING STAR continues through July 19 at SCPA’s Corbett Theater. More info: cincinnatiopera.com.

 
 
by Rick Pender 06.26.2015 70 days ago
Posted In: Theater at 09:30 AM | Permalink | Comments (0)
 
 
sanger - pamela daly - photo flash productions

Stage Door: Too Many Bosses, One Crusader and a Theater Party

Need a good laugh this weekend? Cincinnati Shakespeare has the show you want to see: One Man Two Guvnors, based on an 18th-century comedy, The Servant of Two Masters. It’s a riot of slapstick, fart jokes, pratfalls, lewd innuendo and more. Francis Henshaw (Matthew Lewis Johnson) is the hapless hero, trapped between jealous bosses and a crew of comic types, each one funnier than the last. The show was an award winner London and on Broadway, where James Corden played the manic guy who can barely keep all the plates spinning. I gave this one a Critic’s Pick. Read my full review here. Tickets: 513-381-2273.

In 1916, Margaret Sanger founded the organization that eventually became Planned Parenthood. She was a fearless protester for women’s rights and an ardent crusader for birth control when it was a hush-hush topic. She was often arrested for speaking frankly about sexuality. Cincinnati native Pamela Daly this weekend is presenting a one-woman show that she personally commissioned; it’s onstage at the Aronoff Center’s Jarson-Kaplan Theater. Sanger uses the militant firebrand’s own words to dig into issues that remain inflammatory today: abortion, birth control, sex education and the plight of women. Performances on Saturday at 7 p.m. and Sunday at 2 p.m. Tickets: 513-621-2787.

Monday evening at 7:30 p.m. is the first installment in the third run of Serials! at Know Theatre. This time the theme is “Roundhouse”: You’ll find the 15-minute episodes of new plays, every two weeks for a total of five evenings. Five playwrights, five stories, five directors, five casts. Each week the playwrights switch, so not even the original writers know where their shows are headed. Here at the titles: Hangin’ with BenFire Down Below#roxybalboaThe Good, The Bad, and the Elderly; and Real Time Strategy. Tickets for this crazy episodic theater party: 513-300-5669  More info here.

Not for this weekend (in fact, this fills in a gap in Ensemble Theatre Cincinnati’s upcoming season next spring, March 22-April 10, 2016), but you might want to know that Sharr White’s Annapurna will be onstage. White wrote The Other Place, a well-received script that ETC presented earlier this year. The award-winning show from 2011 is a simple piece — two people in a room, in fact, a room in a mobile home. It’s about a woman and her husband, a poet, who deserted her. He’s in failing health, living in a low-rent trailer park, and she decides to re-enter his life. More information about ETC’s complete season here.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 

 
 
by Zack Hatfield 06.19.2015 77 days ago
Posted In: Film at 09:58 AM | Permalink | Comments (0)
 
 
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Foreign Film Friday: Chunhyang (2000)

Two cinemas weave — though not seamlessly — together in Chunhyang, South Korean filmmaker Im Kwon-taek’s adaptation of Chunhyangaa, a legendary Korean folktale that follows the journeys of two lovers, one poor and one aristocratic, as they face problems within Korea’s ancient class system. The two cinemas in question are traditional film cinema and pansori, a Korean storytelling custom where a vocalist tells a story accompanied by a percussionist playing a buk, a traditional Korean drum. Its roots come from the Korean for “sound” and “a place where many people gather.” In a way, this makes it a type of cinema that predates film by hundreds of years.

For me, pansori was harsh at first. It felt out of place, the grating transitions back and forth between the live pansori performance in modern day South Korea and the dramatic portrayals in 18th century Korea too cobbled-together to resemble a harmonious story. But then I surrendered to its slow, sometimes arrhythmic tempo, and its strange, lithe magic was an experience I haven’t felt in a movie since. By intertwining traditional storytelling techniques with a (somewhat) contemporary one, we as an audience are able to experience firsthand the tensions that exist in a culture between old and new.

Chunhyang is an ideal gateway film into the cinema of Korea, territory that can often seem daunting to Western moviegoers due to the century-spanning political baggage that stretches from the Joseon Dynasty to the Korean War to current events. But the sweep of the region’s moral tides encompasses a generally universal understanding, and this film is full of simultaneously heart-wrenching and understated pathos as we watch forbidden trysts and suspenseful compromises unfold. It’s a folktale, but the ache of its themes will always be, perhaps unfortunately, timeless. 

 
 
by Rick Pender 06.19.2015 77 days ago
Posted In: Theater at 09:24 AM | Permalink | Comments (0)
 
 
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Stage Door: A Good Chance for Laughs, and the Opportunity to Dance the Night Away

There’s not too much theater going on as summer moves in with full heat. But there are enough laughs at Cincinnati Shakespeare Company for several shows with the production of the great 2011 British farce, One Man Two Guvnors. It’s based on a play from the 18th century called The Servant of Two Masters, but don’t think that because it’s a classic it will be over your head. This show has slapstick, fart jokes, silly antics, sly innuendo and just about anything else that might induce laughter. Matthew Lewis Johnson is a comedy machine as the irrepressibly hungry (and hopelessly confused) Francis Henshaw, and he’s not the only one. At least a half-dozen of Cincy Shakes regulars dive into the hilarity headfirst. There’s also a great band playing tunes that sound like Pop numbers from the early 1960s; the story had been updated to the British seaside town of Brighton, where scandalous behavior was apparently the norm. Signing on to work for two bosses who have cross-purposes and connections that Francis doesn’t know about, he’s in for a raucous 24 hours as he tries to keep a lot of plates spinning — almost literally. Demand for tickets was strong from the opening last week (this show won awards in London’s West End as well as on Broadway in 2012, where James Corden played the manic Henshaw), so you’ll find two added performances to the announced schedule — this Saturday and next at 2 p.m. Tickets: 513-381-2273.

Tickets are even scarcer, apparently for The Producers at Cincinnati Landmark Productions new Incline Theater. That zany musical about trying to make money on a Broadway flop has been a big success, heavily subscribed from start to finish. You might try for the waiting list (513-241-6550), but don’t get your hopes up. Same goes for Commonwealth Theater Company’s production of Neil Simon’s The Sunshine Boys at Northern Kentucky University, (859-572-5464) also in its final weekend. It’s a dinner theater production, and it looks like most of the seats at that table are taken, too.

Since you can’t get into either of those, how about a free interpretation of the movie Footloose on Saturday evening? The dance troupe Pones Inc. and Gorilla Cinema have joined up to present the film in a parking lot in Covington (at West Seventh and Washington streets) starting at 8 p.m. All the inspired dance scenes from the 1984 film about teens in a town where dancing is discouraged will be performed live, and you’re welcome to join in! No charge for admission; snacks and suds available for purchase. Check out the trailer:


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.

 
 
by Rick Pender 06.12.2015 84 days ago
Posted In: Theater at 07:33 AM | Permalink | Comments (0)
 
 
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Stage Door: Laughs, a New World and Some Bad Guys

Several productions onstage at the moment have been so successful that tickets are scarce, if available at all: The opening show at Cincinnati Landmark Productions’ Warsaw Federal Incline Theater, The Producers — and in fact, the Inclines three-show summer season — is heavily subscribed, so the chance of finding seats at the last minute is slim. The same goes for the Commonwealth Theatre Company’s dinner-theater production of Neil Simon’s The Sunshine Boys at Northern Kentucky University. So let’s consider some other options.

I suspect your best bet for hilarity this weekend will be Cincinnati Shakespeare Company’s production of One Man, Two Guvnors, which opens tonight. Playwright Richard Bean struck Gold with his adaptation of a 17th-century comedy, The Servant of Two Masters: He shifted it to the 1960s in Brighton, England, and put a fast-talking chap seeking a quick buck and a bite to eat. His greed puts him in a sticky predicament when he ends up working for two rival masters. It’s full of physical humor, improvisation, audience interaction — and a skiffle band with live musicians. The show was a smash hit in London in 2011 (one reviewer called it “the funniest show in the Western World”). When it moved to Broadway in 2012 it was nominated for seven Tony Awards. Need an evening of laughter? This is the show for you. It’s onstage through July 5. Tickets: 513-381-2273

If you want something a tad more serious, you might want to check out The Tramp’s New World, presented by Diogenes Theatre Company at the Aronoff’s Fifth Third Bank Theater. It turns Charlie Chaplin’s “Tramp” character into the sole survivor of an atomic blast. It’s a multidisciplinary piece that uses projections, physical comedy, music and silent-film technique to tell the story of the Little Tramp trying to create a new world from the ruins of the old. The show is performed by its creator, actor Rob Jansen, a Cincinnati native who spent six years in Cincy Shakes’ acting company; he performed with several companies and turned in memorable performances in Know Theatre’s productions of Corpus Christi and Angels in America. The Tramp’s New World had a well-received run in Washington, D.C., at Cultural DC’s Mead Theatre Lab, and it’s onstage here through Saturday evening. Tickets: 513-621-2787 

At Falcon Theater in Newport, you can see Stephen Sondheim’s Assassins, an unusual work imagining interactions between the real historical individuals who succeeded in shooting American presidents. It features fascinating music and a story line about the American Dream and what happens when people see it slipping beyond their grasp. It’s at Newport’s Monmouth Theatre, which Falcon now owns and is renovating. Assassins is onstage through Saturday evening. Tickets: 513-479-6783


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 

 

 

 
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