The lineup for this year's MidPoint Indie Summer was announced this morning. Along with a slew of solid local acts, this year's free Friday night concerts on Fountain Square will feature more well known national acts than ever before.
Shows run 7-11 p.m. from May 29-Sept. 4.
May 29: Surfer Blood; The Yugos; Automagik; Harbour
Jun 5: The Mowgli's; One Day Steady; Nevele; Beloved Youth
Jun 12: Kopecky; Broncho; Coconut Milk; Near Earth Objects
Jun 19: Buffalo Killers; Ohio Knife; Mad Anthony; Go Go Buffalo
Jun 26: Sloan; Mother Mother; Old City
Jul 3: Red Wanting Blue; Young Heirlooms; Motherfolk; Chris Salyer
Jul 10: Saint Motel
Jul 17: The Ting Tings; Brick + Mortar; Black Signal
Jul 24: Givers; Prim; Even Titles
Jul 31: The Whigs; Multimagic; Pop Goes the Evil; Never Setting Suns
Aug 7: Tweens; Leggy; Smut; Shark Week
Aug 14: Judah & The Lion; Seabird; Matt Hires; Along the Shore
Aug 21: San Fermin; Lemon Sky
Aug 28: Wussy; Pike 27; The Perfect Children; JetLab
Sep 4:The World is a Beautiful Place and I am No Longer Afraid to Die; Injecting Strangers; Moonbeau: Edison
The shows are sponsored by CityBeat's MidPoint Music Festival (MPMF does not book artists for the Fountain Square events). MidPoint returns this year Sept. 24-26. The festival is currently accepting applications from artists interested in playing MPMF 2015. Click here for details.
I spent months conjuring a path towards a holiday in the sun. The clutching grasp of the highly irregular Midwest winter had me experiencing the full manifestation of the seasonal doldrums. A cross-country road trip turned out to be my conduit towards metaphorical enlightenment. I found solace in a distant two-day music festival nested in Santa Ana, Calif. But in fear of sounding like a silver-tongued bastard, lets talk turkey.
This past weekend’s Burgerama was a compact, genre-bending two-day music festival with three separate stages (indoor and outdoor). Burger Records presented a lineup of 80-plus bands that included SoCal favorites Bleached, Ty Segall and FIDLAR but also offered Psych Rock pioneer Roky Erikson, Alternative legends Weezer and the Hip Hop collective Bone Thugs N Harmony.
While in its fourth year of existence, Burgerama has a well-defined identity. Festival-goers all looked extremely similar as a parallel style and angst ran rampant at The Observatory venue in Santa Ana. Trendy weekend bohemians with eccentric personalities donning ripped denim were not in short supply. The only true individual was the lonesome dad with a disapproving glare and earplugs.
Burgerama definitely has a common, overwhelming and obvious demographic. A sea of teenagers flooded the venue at the all-ages, weekend festival. My only safe haven from the painful, reminiscent sights of my adolescence was the beer garden, or beer prison (as I affectionately coined it), since you couldn’t freely roam the venue with your $6 beer. But it was the least populated area offering plenty of shade and a great view of the stage. Who would’ve thunk?
Festivals have a stigma of being over-priced and overrated but Burgerama did music fans a solid because for $90 you got two days of music and a better way to spend the weekend than binge watching Netflix and adding on to your to-do list.
Most of the bands I was looking forward to seeing were scheduled later in the evening, so I had time to check out the handful of bands I was unfamiliar with before Burgerama. I was definitely impressed with my results of aimlessly wandering from stage to stage finding new artists to add to my music collection. It was hard to pick a favorite performance, but here are a few that stood out that I highly recommend checking out if you haven’t already:
This all-female quartet is based out of Seattle. La Luz has an intrinsically noticeable spacey 1950s Surf Rock, Doo Wop influence packed with a healthy amount of reverb, slight pressure on the tremolo bar and a well-mannered slice of four-part vocal harmony. The addition of extremely cohesive instrumentation makes this group captivating. Four extremely talented, women playing beautiful music.
When you put a jangly guitar above a fat drum beat with a driving fuzz bass tone, you get the perfect recipe for a wholehearted dance party. Broncho is quirky, fun and its songs are extremely catchy. The Oklahoma based trio was definitely my favorite band of day one. With underlying traces of Punk and timely use of non-lexical melodies, the pop-minded Broncho put on a great set at Burgerama. Definitely looking forward to catching them at Louisvill’es Forecastle Festival in July. (Check out a Q&A with the band’s Ryan Lindsey below.)
FIDLAR, which stands for “Fuck it Dog, Life’s a Risk,” is an L.A. Punk band that was passionately received by a slightly aggressive crowd eager to heed the advice of the above acronym. Before the show started, I saw additional security march towards the front of the stage in preparation for the fallout. Even the side stage, which tends to be a refuge from the pit area, was filled with mini-mosh pits. Seeing the band at Burgerama made me excited to see them perform at a smaller venue. FIDLAR will be at Thompson House in Newport on May 16. I love Rhinegeist as much as the next guy, but I’ll be sticking to cheap beer that night.
Jacco Gardner, a Dutch multi-instrumentalist, was a breath of fresh air from the thematic distortion that could be quickly located throughout the venue. His band was extremely cohesive, offering evident attention to 1960s psychedelia. The intricate and diverse melodies offered comfort to weary eardrums. Gardner is genuinely a great songwriter.
Mr. Elevator & The Brain Hotel
Mr. Elevator & The Brain Hotel was one of the only groups I looked up prior to Burgerama. The band name alone had me interested. This L.A. rooted psychedelic, keyboard-based four piece put on a phenomenal show despite having to play a shorter set due to a bass amp that blew out. Strictly because of instrumentation, this band will be likened to The Doors but this band has a definite sound of their own. The group members mentioned they are working on a new album currently, and I am definitely looking forward to hearing more from them.
Twin Peaks is a Chicago based band that I was really looking forward to seeing after hearing their new album, Wild Onion. The energy these guys exerted left me both inspired and exhausted. Their energy transferred to the fans and the photographers in the pit were asked to leave before the agreed time because the crowd was getting too rowdy. Twin Peaks performed a wildly entertaining set; definitely glad I got to watch them.
Stellar local singer/songwriter Jeremy Pinnell has revealed one of his first new songs since the release of last year’s magnificent album OH/KY in the form of a new music video shot by famed local photographer Michael Wilson. Wilson — who has done promo shots and album covers for artists ranging from Over the Rhine and Joshua Redman to Lyle Lovett and The Replacements — filmed the clip in a Boone County, Ky., horse barn in mid-March, using his “one-shot” (meaning no edits) technique, previously seen in clips from The Emery Sessions a few years back and more recently seen in a pair of clips for local Country band Bulletville's new album.
Pinnell, whose sound has shifted towards a more traditional Country vibe since his days with local bands like The Light Wires and The Great Depression, performs in the clip for the new “Feel This Right” backed by his pals, the Honky Tonk crew The 55s, whose Cameron Cochran produced, recorded, mixed and mastered the video.
"When I walked into the barn and shouted, and listened to the way the sound resonated off the dirt floor and the old wooden siding, I had a feeling something amazing was going to be captured,” Cochran says. “The light was perfect, the day was perfect, the band was in good spirits, the song was great, we had someone with an amazing eye looking through a camera — all we had to do was get out of the way of what was about to happen, and that was exactly what we did."
For some musicians, their 9-to-5 is little more than a means to an end. Pizza and guitar strings don’t pay for themselves, after all. Others take pride in their work, both on stage and in the “real world,” but view them as two parts of a whole.
But for Jess Lamb, her twin identities as a musician and teacher are deeply intertwined. She works hard in both professional avenues and has put a large amount of effort into maintaining them, even during her post-American Idol influx of activities. It’s a balancing act with some unexpected complications that she is still learning to walk gracefully. But for Lamb, there is no other choice.
“I think that the public has seen me as a teacher and I don’t want my name to be tainted by this other persona, this other career, this other life. So I don’t want to be slosh drunk. I don’t want to be like Jim Morrison in my experimenting with life. But at the same time there’s a whole other vibe with playing in venues, playing in bars and it is very different from the teacher thing,” Lamb explains.
Before Idol, Lamb’s work as a musician and an ESL teacher were more easily separated. Nowadays, with the added exposure that Idol has brought to her and her late-night performances around town, she has had to go to greater lengths to protect the sanctity of both. A shot of Jameson may not be thrown back with the same careless abandon as a few months prior and photo ops are utterly devoid of the counter-cultural staples of, say, a middle finger or devil horns. This isn’t to say that Lamb was or is a reckless partier at night and a quiet bookworm during the day.
Rather, what happens at night can bleed into the daylight hours and her work in one aspect of life can’t compromise the other. She has to take into account who her new audience members may be and how they learned of Lamb. Being a teacher requires maintaining professionalism at all times. When a teacher is shown on national television, keeping that even-headed mentality all day and all night becomes even more important.
Considering all the time that Lamb has spent on her music after her Idol run, some may wonder why she doesn’t put the teaching on hold for the time being. Between the Idol recaps she does regularly for Fox 19 since leaving the show, the myriad interviews, the residencies at Japps in Over-the-Rhine and Jags in West Chester (as well as other shows), the studio work and all the other opportunities that have arisen, finding time for teaching is pretty much impossible at this point. In fact, Lamb has cut down her teaching work to roughly four hours a week, doing basic lesson planning and similar activities. But she still carves out time for her teaching for a very important purpose.
“I don’t do it for the money, it’s not sustaining me. I do it for my spirit. It’s for something that feels important, I don’t know that what I’m doing all the time feels important,” Lamb says.
She views being a teacher and an entertainer as two professions with two different contributions to society. Music and teaching both give something back to the community at large, but she feels that teaching impacts the public on a much larger scale. While singing in a smoky bar reaches a small amount of people, teaching has a much larger reach.
Ultimately, Lamb is a musician and teacher in equal measure. At this point, the music is taking more of her time, but she is determined to not let it take all of it.
“I don’t want to cancel out one or the other with a teacher persona that’s too square or a Rock star persona that’s too crazy and unstable,” Lamb says.
For Lamb, finding a mix of her two professions and passions is an ever-present struggle. When Idol rocketed her music to the forefront, she has had to constantly work to balance it out with activities that are equally as fulfilling. It hasn’t been an easy process by any means but one that she sees as absolutely necessary.
Just don’t be offended if she turns down a shot of whiskey next time you run into her in the Main St. district.
Nick Grever is checking in periodically with Cincinnati-based American Idol contest Jess Lamb about her post-Idol life. Check out previous "Beyond Idol Chatter" posts here. Visit jesslamb.com for music, show dates and more.
Former Cincinnati-based (now Austin, Texas headquartered) band Heartless Bastards have announced the release of its fifth album, Restless Ones, on the Partisan Records imprint on June 16. It’s the band’s first new full-length since 2012’s acclaimed Arrow, the group’s debut for Partisan. (The band took local group Wussy on tour after Arrow's release.)
The Bastards, who recently opened some arena concert dates for Rock music legend Bob Seger, also announced a string of tour dates beginning in June that will bring them back to Cincinnati for a two-night stand at Woodward Theater. The band plays the newly remodeled/reopened Over-the-Rhine venue June 25-26 with opener Craig Finn (frontman for The Hold Steady).
A limited number of tickets for the Woodward shows are available starting today at noon through a special songkick.com presale. Click here for details.
One of Cincinnati’s best groups from the late ’90s/early ’00s, Ray’s Music Exchange, is returning to the stage this weekend for its fourth annual reunion show. The band, which crafted a wide-ranging sound that incorporated everything from Jazz and Rock to Electronic, World music and beyond, performs at Over-the-Rhine's Woodward Theater this Saturday at 9 p.m. Tickets are $15 in advance here and $18 at the door. Local video artists Big Bang Productions are providing visual backdrops for the concert.
Saturday’s show will feature most of the members that performed with the group throughout its run, many of whom now live out of town. Guitarist Brad Myers (who is set to release his own Jazz album on June 2) says that after the reunion the “local core” of the band — which will debut new material at the show — will continue to perform locally and regionally, carrying on under the name Rays. Joining Myers in Rays are Mike Darrah (keyboards), Michael Mavridoglou (trumpet), Nick Blasky (bass) and Jason Smart (drums).
For those that may have missed out on Ray’s Music Exchange the first time around (or those who might want to complete their Ray’s collection), the group’s entire back catalog — including the live double album A Live Rayunion, which was recorded at the band’s first reunion show (and also filmed and released on DVD) — is available through most major digital music retailers. (Click here to check out the releases on CDBaby.)
For more on Ray’s Music Exchange, visit the group's Facebook page here.
On Saturday, Aug. 8, the Blues Fest welcomes genre heavyweights Tab Benoit and Tommy Casto & the Painkillers (Friday performer Fish toured with Benoit and Castro last year on the Six Strings Down Tour), as well as Shawn Holt and the Teardrops (former backing band for the late, great Magic Slim; Holt is Slim’s son), to the Main Stage.
Tickets are available for just $20 each day or $33 for a two-day pass. Click here to get yours now. And click here to keep an eye on the schedule as the organizers announce more performers. Many of the local acts slated to appear at the festival will be determined at the 2015 Blues Challenge, which takes place June 7 at Germania Park.
Yesterday, Cincinnati Alt Pop foursome Walk the Moon continued its promotional blitz behind its sophomore major label album, Talking is Hard,
with a performance on Ellen DeGeneres' popular daytime talk/variety
show. After being introduced by DeGeneres as a "great Rock & Roll
band from Cincinnati, Ohio," the group played its single "Shut Up and
Dance" and singer Nicholas Petricca ran into the crowd to rock out with
Coincidentally, another Cincinnati-born band, The Afghan Whigs, appeared on national television the night before, performing "The Lottery" from their latest album on late night's Jimmy Kimmel Live. Watch it here and a web-exclusive performance of "I Am Fire," with a dash of Fleetwod Mac's "Tusk," here. WtM also played Kimmel late last year when the new album was released.
Walk the Moon will play a hometown show at Bogart's on
April 1 (like many shows on the band's current tour, it has already sold
out), then returns this summer to play the Bunbury Music Festival in
early June (tickets available here).
Musical acts interested in being considered for a showcase slot at the 14th annual MidPoint Music Festival (scheduled for Sept. 24-26 in various venues around Downtown and Over-the-Rhine) can begin submitting today.
The festival — owned and operated by CityBeat — has announced a new partner for facilitating submissions, switching from Sonicbids to the locally-based CloudPressKit. The move will save artists some money — the submission fee for MPMF 2015 is $15 (through Sonicbids, it was $25, plus a Sonicbids membership) — and CloudPressKit is described as more “artist friendly.”
Click here for MPMF submission details. MPMF.com has a Q&A with the fest's head honcho, Dan McCabe, about the application process that answers a lot of questions submitters may have (other questions can be directed to firstname.lastname@example.org). Applications are being accepted through May 17.
You know you are not in Kansas anymore when you hear a voice on the load speaker of the cruise ship that says, “This is Fred MotherF*ucking Durst, your captain speaking.” Fred claimed to be driving the boat and getting a blow job at the same time. And so it began, the vacation of a lifetime, ShipRocked 2015. It became very obvious that sleep was not going to happen for the next five days.
When you step on the deck of the ShipRocked boat you realize immediately that this is a special place where artists and their biggest fans can rock the nights away with show after show for five days on the high seas aboard the Norwegian Pearl. In the festival at sea’s sixth year, ShipRocked offered a lineup headlined by Limp Bizkit, Buckcherry, Black Label Society and Sevendust. The lineup was rounded out by Metal Allegiance, P.O.D., Tremonti, Andrew WK, Living Colour, Filter, Lacuna Coil, Nonpoint, Otherwise, Zach Myers, Crobot, Icon for Hire, Thousand Foot Crutch, Wilson, Gemini Syndrome and many more.
ShipRocked 2015 kicked off with a mega Super Bowl pre-party on Sunday where fans could sport their favorite jerseys and watch the game on big screens all over the ship. Zakk Wylde started off the cruise with a full Metal version of the star spangled banner and then Chevelle hit the deck stage performing hits like “Hats Off to the Bull” as the sun set over the port of Miami.
The ship pulled back into Miami on Monday to pick up more passengers and head out to the Bahamas for the ultimate Rock & Roll experience at sea. Limp Bizkit took the stage for the official sail-away party on Monday evening and blew away any skeptics as Fred and Co. got the party started dancing in the crowd on deck and closing out their set with “Break Stuff.” Fred seemed genuinely excited to be on his first cruise, saying how much he loved a “good buffet.” Wes Borland, who never disappoints, was ready to rock the cruise with full clown makeup, cowboy boots, and no pants, as he shredded on his bikini girl guitars. That’s right, ladies — no pants.
VIP guests were treated to rum runners and a private acoustic show on Monday with Nonpoint, Zach Myers and Lukas Rossi from The Halo Method. Zach Myers’ band previewed some new acoustic music off their upcoming album that showed off Myer’s vocals and guitar skills with fellow members JR Moore and Zack Mack.
One band that really stole the ShipRocked show this year was Sevendust. The Sevendust crew has been on every ShipRocked cruise and their shows onboard always bring a packed house. This year fans were treated to three Sevendust performances. For the first time the band played their entire first album live on stage, which was a special treat for the ShipRocked family. They also did an electric set on deck and a more intimate acoustic set in the Stardust Theater that featured guest appearances by frontmen Elias Soriano of Nonpoint and Aaron Nordstrom of Gemini Syndrome, who took the stage to help LJ sing “Angel’s Son.”
Another highlight of the trip was Metal Allegiance performing the entire original Van Halen album start to finish with special guest Wolfgang Van Halen. The ShipRocked Metal Allegiance lineup consisted of Joey Belladonna, Frank Bello, Chris Broderick, Rex Brown, Dave Ellefson, Gary Holt, Scott Ian, Mike Portnoy and Troy Sanders
On Tuesday and Wednesday the boat was docked at Grand Stirrup Cay in the Bahamas and a beach stage was erected to host performances in the perfect weather while passengers disembarked for some beach relaxation while listening to their favorite bands. Over the course of the two days, Letters From the Fire, Thousand Foot Crutch, P.O.D. and Nonpoint took over the beach stage to perform.
Tuesday night, Fred Durst hosted a late night DJ party at Bar City, dancing the night away with die hard fans starting at 2 a.m.
Buckcherry played two sets onboard and have never sounded better. They played classic songs like “Crazy Bitch” that every fan can sing along to and highlighted songs off their new EP, Fuck.
One of the coolest things to see on the boat is how all of the band members are true Rock music fans. They all attend each other’s performances while onboard. Every night you could find Anthrax’s Joey Belladonna rocking out in the crowd, singing every word to his favorite songs. Almost every band on the ship turned out for the performance of Rock legends Living Colour with special guests like Anthrax’s Scott Ian and LJ from Sevendust performing on stage with the band during their set.
ShipRocked is all about the fans and the fan experience. Every single band member was out of their room enjoying the ship, meeting fans, taking pictures and signing autographs every day. I saw fans wait patiently to speak to their favorite band members and they were all very respectful of the artists throughout the cruise. This is not my first music cruise but this is the first one where every band on board did a formal meet and greet so that their fans could have a photo with all band members either onboard the ship or on the island. The most dedicated fans waited in line for several hours on Thursday to get photos with all of the headlining bands.
Many of Thursday’s "day at sea" fan festivities were canceled on deck because of inclement weather but the shows were all moved inside and the schedule was re-arranged to accommodate all the performances that were planned. Black Label Society, Tremonti, Crobot and others rocked the boat throughout the day and Limp Bizkit closed out the 2015 ShipRocked cruise with a performance that laid to rest any doubts that the band is back in peak condition. Fred said over and over how much he loved his experience onboard and now he “finally gets it,” referring to why people go out into the middle of nowhere in the ocean to vacation and listen to Rock music.