Let’s take a moment to talk about Rock venues in the States, shall we? In my mind, there are two distinct types: you either have the nice, well-kept venues that often lack a certain spark that make them truly special or the dives that feel like a Punk Rock haven but smell like a dirty sock filled with cheese. You have to choose between fantastic atmosphere or a bathroom that’s actually been cleaned since The Sex Pistols were the next big thing.
Well, my friends, it seems that you can get the best out of both worlds; you just have to hop the pond and check out European venues. On this trip, I’ve been in an underground hall converted into a bar, a warehouse covered in graffiti and stickers, a youth center filled with murals slapped in the middle of a small town (and next to a church) and a venue in Berlin filled with so many weird and wonderful knick-knacks, I can’t wait to get home and start redecorating a little bit. I wanted to share some pictures and highlights of what we’ve seen so far.
The venue in Freiburg was called The White Rabbit and it was located underground, down several flights of stairs. The entrance was narrow but opened up to a large, cylindrical structure. We guessed that it was used as a bomb shelter or wine storage but the real origin was even more intriguing. It was originally the town’s coal chamber; the building above it had been leveled during the war and had been rebuilt.
Hamburg’s venue was the most surprising so far. As a Metal kid through and through, the graffiti and sticker-laden walls of Hafenklang instantly appealed to me. It had an industrial air about it and it felt just dirty enough. The wall adornments actually gave the place an artistic element. Somehow, hundreds — if not thousands — of taggers managed to create a cohesive composition worthy of any modern art museum.
Berlin has the honor of housing my favorite club yet. The Bassy Club was full of odd and awesome artifacts. I’m a big fan of weird decorations and this place was absolutely chock full of them. When we walked in, we all went into full tourist mode and started snapping pictures left and right. I now fully intend on finding a cow skull and making him a new light fixture when I make it back to the states.
Special kudos goes to Berlin for being an awesome city. We got a few hours to roam around and we ran into some sort of festival and found an awesome “Horror Rock Bar” called Last Cathedral. Sadly, it wasn’t open when we were walking around, so Nick and I had to resort to pulling an Immortal pose in front.
CityBeat contributor Nick Grever is currently traveling Europe on tour with Cincinnati Rock band Valley of the Sun. He will be blogging for citybeat.com regularly about the experience.
It’s probably safe to call 80,000 tons of rotting meat and vegetables a big mess. In fact, I don’t want to live in a world where such a thing doesn’t qualify for “big mess” status. The deeper issue is what can be learned from such a mess and who will be held responsible.
Council voted Oct. 15 to spend $300,000 to clean up Compost Cincy, a former composting company created in Winton Hills in 2012 with the help of the city’s Office of Environment and Sustainability (OES).
Neighbors of the site have complained for the past year of unbearable odors. The company closed its doors in October 2013, but the smell remained. Now, the city is left with the bill for cleaning it up.
Composting takes food waste, and by rotating it and controlling its decomposition, converts it into soil. San Francisco was the first city to institute a municipal program when it started collecting compostable waste in 1996. Today, the city collects more than 600 tons of waste a day for composting. A number of other cities, including Portland, Ore., Seattle, Boulder, Colo., and other generally progressive places also have programs. If composting isn’t done correctly, though, allowing for the correct mixture of air to reach the refuse, you just end up with a progressively worse smell.
That seems to be what happened with Compost Cincy. Since 2012, the company accumulated 45 code violations from the city and two EPA citations. The city refused to renew its lease last year due to complaints about odor. One factor at play may have been the fact the company was doing outdoor composting. Many compost facilities are located indoors as a way to mitigate odor creation.
The OES will cover $220,000 of the cost of clean up with its budget, with another $80,000 coming from city contingency account. Mayor John Cranley pinned a good deal of the blame for the project’s failure on the city office.
“The origin of this entire organization is to combat odor,” Cranley said during an Oct. 15 City Council meeting. “So it’s pretty embarrassing that it was this office that came up with this compost mess in the first place. It’s a nightmare for the people who have had to go through this for a year."
Council voted 9-0 to fund the clean up effort. But Cranley’s remarks created a good deal of controversy around the role of the organization and the city’s efforts to establish sustainability programs.
The official mission of the office goes beyond odor control. The OES is charged with leading sustainability efforts in the city. That includes redeveloping brownfield sites around the city, helping run Cincinnati’s recycling program and protecting the city’s air quality. Council members P.G. Sittenfeld, Yvette Simpson and Chris Seelbach all chimed in to support the office.
“I want to stick up for the Office of Environment because I don’t think it’s their fault, or that they were in any way trying to emit odors on purpose in our city,” Seelbach said at the meeting. “Composting is something that there is a large demand for. The business, Compost Cincy, was actually doing really well because lots of people wanted to bring their compost there and buy the soil that it produces.”
Seelbach said zoning was the big issue, something the OES doesn’t control. Simpson said that the Office of Trade and Development, not the OES, selected the site. She said the office needs more support.
“We need more resources to the offices of sustainability to so we can get at least 10 years behind,” Simpson said, noting that Cincinnati is falling short of sustainability efforts made in other, comparable cities. She acknowledged that Compost Cincy was "poorly executed" but said that wasn't the fault of OES.
She praised the city’s recycling program and said the city should support more sustainability efforts, not mock failures. She pointed out that council and the mayor have been willing to support other endeavors that don’t guarantee success.
“We’re going to continue to have conversations about whether the city should support small businesses, and we just invested $5 million in Cintrifuse, which runs start ups,” she said. “Some may work, some may not, some stay in the city and some may leave, but there’s no question we should spend money on that.”
Cranley also faulted other OES initiatives, including the city’s infamously unpopular one garbage can policy.
“This came out of the same organization that said we should have meatless Monday and all kinds of bad ideas,” he said. “It seems like we should not be funding organizations who then end up creating multi-hundred-thousand-dollar cleanups.”
Councilman Kevin Flynn also had pointed questions about the project, but from a different angle.
“If this was a good business, then why is the city having to pay $300,000 to clean up this mess?” he asked. “We need to be able to go after the money that resulted from these people paying for dropping off their waste and the money from the people who were buying the dirt created by that waste. Under our current policy, we don’t have that ability to do it.”
Flynn said the structure of the business and the city’s agreement with it mean that owner Grant Gibson may not be liable for cleanup costs. Gibson told The Cincinnati Enquirer he had sunk about $500,000 into the business.
Meanwhile, Compost Cincy’s website is still live, though it states that the company is shuttered. In a somewhat passive aggressive farewell message, the owners also put some blame on the zoning process for the company's problems, though they say, in the end, location doesn’t matter as much as the attitudes of a composting project's neighbors. The site’s farewell missive seems to claim it was sunk by unfounded fears about composting.
“If our society doesn't move faster towards actually being green and not talking about it, our planet will be 100 percent wrecked of natural resources in the very near future,” the site says. “With that said, make the changes necessary to your life.”
Comic musical duo Igudesman & Joo performs at the School for Creative and Performing Arts’ Mayerson Theater tonight, presented by the Constella Festival. Korean-British pianist Richard Hyung-ki Joo and Russian violinist Aleksey Igudesman mix Classical music with other popular genres and humor for a wholly entertaining performance. Check out this popular performance (which has more than 7 million YouTube views):
CityBeat writer Anne Arenstein spoke to Joo about the duo's unique spin on performing the classics.
It was hate at first sight when Igudesman and Joo met. There’s a hilarious account of what brought them together on their website, but according to Joo, the moment of truth came a couple of months later.
“We shared the notion that the Classical music world which we loved so much was taking itself way too seriously,” Joo says. “Going to concerts was like going to a funeral.”
“We were young and we didn’t know much but we knew Classical music was full of life,” he continues. “Through our own projects and the music we wrote, we could at least create events that we would want to go to.”
Go here to read the full interview.
"An Evening with Igudesman and Joo" takes place at 8 p.m. tonight at SCPA’s Mayerson Theater, 108 W. Central Parkway, Over-the-Rhine. More information and tickets: 513-549-7175 or constellafestival.org.
Though the traditional 10th anniversary gift is tin or aluminum (WTF?), a more fitting present for the Cincinnati label Phratry Records to congratulate it on its 10th year of service is your attendance at this weekend’s two-night Phratry showcase at Newport’s Southgate House Revival.
Local musician Jerry Dirr (Knife the Symphony) launched the label in 2004 with the release of the debut album by Cincinnati’s Caterpillar Tracks. Since then, the label has put out around 50 releases, which are distributed nationally by Stickfigure Distribution & Mailorder.
Friday and Saturday’s anniversary showcase will feature a mix of Phratry signees (both local and out-of-towners), reunions and special guests. Here’s the lineup info from my Spill It column in this week’s CityBeat:
Friday night, the Phratry showcase will present non-Cincinnati signings Ultrasphinx (Akron, Ohio), Tyranny is Tyranny (Madison, Wisc.) and The Shanks (Toronto), plus currently active local Phratry bands Mad Anthony and Gazer. Friday will also see the return of Covington and thistle, whose own Tiberius Records teamed up with Dirr just as Phratry was getting started to release the compilation album Organelle. It will be thistle’s first show in three years. Friday’s lineup is rounded out by Indie Folk artist A.M. Nice, Reggae/Rock crew New Third Worlds, a reunion of former local Punk favorites Saturday Supercade and Jonathan Lohr & the Angel Shale, an AltCountry project that features former members of Caterpillar Tracks (whose debut album was Phratry’s first release).
Dirr’s own band Knife the Symphony plays the Phratry showcase Saturday, joined by one of the label’s most recent local signees Smoke Signals …, the hard-touring Ampline, progressive Post Punk/Metal band Mala in Se, State Song (which released the spectacular full-length Sleepcrawling earlier this year on the label) and blistering Punk group Swear Jar. Also performing Saturday are Pittsburgh-based Ed fROMOHIO, the former singer/guitarist of Mike Watt’s post-Minutemen band fIREHOSE whose more recent band Food records for Phratry, experimental unit Aperiodic and Heevahava, a former Greater Cincinnati band now based in Roanoke, Va. Saturday also features a pair of reunion shows local Punk fans should be pretty psyched about; both East Arcadia (which included/includes members of Phratry band Arms Exploding) and The Scrubs will reactivate their wonder-twin powers for the event.
In honor of Phratry’s 10th birthday, I’ve selected 10 of my favorite tracks from the label’s output so far. I hesitate to call these Phratry’s “greatest hits,” because everything the label puts out is excellent, but these tracks should give you a good idea of what the imprint is all about. You can peruse the entire catalog of available Phratry releases here.
Caterpillar Tracks - “Slippery Slope” from Scrape the Summer (2007)
thistle - “Ribbons” from The Small Hours (2008)
Humans Bow Down - “The White Sun” from A Mirror (2004)
Mad Anthony - “Sank for Days” from Sank for Days (2014)
Tyranny is Tyranny - “Manufacturing Truth” from Let It Come From Whom It May (2013)
State Song - “Skeleton Key” from Dear Hearts & Gentle People (2010)
Ampline - “Our Carbon Dreams” from You Will Be Buried Here (2010)
Knife the Symphony - “Rusted Satellites” from Dead Tongues (2009)
Arms Exploding - “Race Card Driver” from Ruminari (2008)
Gazer - “A Nurse for a Human” from Fake Bulbs (2014)
Texas Blues artist Ruthie Foster plays Oakley’s 20th Century tonight with local great Kim Taylor opening. Foster’s first album came out in 1997, but her last two (2009’s The Truth According to Ruthie Foster and 2012’s Let It Burn) really helped her make a name for herself; both earned Grammy nominations. Her latest is Promise of a Brand New Day, which mixes her Blues base with a variety of other influences.
From Steven Rosen's CityBeat show preview:
The singer/bassist Meshell Ndegeocello produced Promise of a Brand New Day and her and Foster’s intentions are announced in the very first song, the Foster-penned “Singing the Blues,” on which Foster intones “A little bit of Bobby ‘Blue’ Bland never gets old.” Bland, the great and dramatic singer whose voice could smoothly move from a whisper to a scream, proves a great inspiration for Foster. So, too, does Bonnie Raitt — Foster’s voice has the same level of warmth and generosity on some of the new songs.
Tickets for tonight’s show (a “seats only” affair) are $22-$25.
• Buzzin’ indie rockers Dreamers play a free show tonight at 10 p.m. at MOTR Pub. Great Columbus, Ohio Indie Rock crew Indigo Wild opens. In promo materials, Dreamers’ sound is described as a “unique brand of grunge that is nostalgic for a space somewhere between art-school eccentric and the late 1970s punk scene” and Stereogum says, “They’ve taken little bits and pieces from the past six decades of rock and molded it into something fresh and interesting.”
Dreamers’ self-titled debut EP is set for release Nov. 18. The music video for the EP’s “Waste My Night” recently premiered on Vice/Noisey.
• For the past several years longtime local Pop radio station Q102 has been bringing in hitmakers to perform at its Bosom Ball concert, raising money for various breast cancer research and awareness organizations. The Bosom Ball returns tonight to Covington’s Madison Theater for its 10th annual event.
This year’s concert features popular Pop Rock band O.A.R., British Pop singer Katy Tiz, the duo Alex & Sierra (winners of season three of The X Factor) and Mary Lambert, the Seattle singer/songwriter whose appearance on Macklemore and Ryan Lewis’ hit “Same Love” thrust her into the national spotlight (her debut full-length for Capitol Records, Heart on My Sleeve, was released Oct. 14). Bosom Ball proceeds are being donated to Susan G. Komen and The American Cancer Society’s breast cancer programs.
The show (open to those 21-and-up only) officially sold out earlier this week, but tickets are still available for the all-ages “Q102 Bosom Ball Underage Sound Check Party,” which takes place at 4 p.m. and features a performance from Alex & Sierra. Tickets are $10. http://www.cincyticket.com/eventperformances.asp?evt=2286
• Punk legends Misfits play Newport’s Thompson House tonight. The influential band was formed in 1977 by Glenn Danzig, who dissolved the band in the early ’80s when he formed Samhain (and then Danzig). Band members Doyle Wolfgang von Frankenstein and Jerry Only reactivated Misfits in the mid ’90s and, with various lineup changes, Misfits have continued to release albums and tour ever since. The current lineup of the band includes Only, singer/guitarist Dez Cadena (who spent some time fronting Black Flag in the early ’80s) and Eric "Chupacabra" Arce, former drummer for Murphy’s Law.
Here’s a track off of Misfits’ recent live album, Dead Alive!
Tonight’s show starts at 7 p.m. Tickets are $25.
• Dynamic Roots Rock crew Sons of Bill plays Newport’s Southgate House Revival tonight at 9 p.m. with guests Brave Baby. Tickets are $10.
Sons of Bill recently released its new album, Love and Logic, produced by former Wilco member Ken Coomer. The music video for Sons of Bill’s “Lost in the Cosmos” single (a tribute to Big Star singer/songwriter/guitarist Chris Bell) was recently premiered by Rolling Stone, which calls the new album “a classic roots-rock record for the modern age, filled with B3 organ, acoustic guitar, envelope-pushing arrangements and the sound of three siblings whose voices were born to mesh.”
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
Good morning readers. It was slim pickings in this weeks issue for "Words Nobody Uses or Knows." I only found three, which is OK, because I'm still recovering from last night's Iron Fork event (where I may have had one too many samples of bourbon) and the less thinking I have to do, the better.
The best (or worst) word in this weeks issue is pompatus, which actually appears in the deck of Brian Baker's interview with singer/songwriter Maurice Mattei. Neither Microsoft Word nor the blog platform I'm writing in recognizes this as a real word. Because it's not. Wikipedia says (there's an entire page devoted to this) that pompatus is a nonce word, a word coined for a special occasion and not likely to be heard again, found in Steve Miller's 1973 Rock song "The Joker."
OK. I still don't know what this word means or is intended to mean. New World Dictionary defines pompatus as: one who is pompous (n.) But in the above context, that doesn't make much sense.
I suppose the lesson this morning is: Famous people sometimes coin disposable, meaningless words that confuse regular people who aren't "with it."
Oeuvre: the group consisting of all the works, usually of a lifetime, of a particular writer, artist, or composer (n.)
In this issue: "But a whopping 33 of the aforementioned images in Pursuit are self-portraits, which — due to their abundance in her oeuvre — we might conclude Maier was quite fond of taking."
And finally, there's triptych, which is a great sounding word and it's found in this week's Staff Picks.
triptych: a set of three panels with pictures, designs, or carvings, often hinged
so that the two side panels may be folded over the central one, commonly
used as an altarpiece (n.) Similarly, a diptych is two related panels of art work, while a quadtych is four, you see what Latin does there?
In this issue: "North American New Opera Workshop (NANOWorks) continues to challenge traditional ideas of opera as it kicks off its new season with the first two parts of Daniel Felsenfeld’s triptych, She, After."
Good morning Cincy! I’m a little groggy today after last night’s Iron Fork event, which was awesome. If you were at the Moerlein Taproom for the chef showdown and restaurant sampling festivities, you probably saw me with the group that pretty much monopolized the giant Jenga set all night. Sorry ‘bout that. Anyway, on with the news.
One of the Greenpeace activists on trial for hanging an anti-palm oil banner from P&G headquarters has died, the Associated Press reports. Tyler David Wilkerson, 27, died Oct. 6, according to an obituary in the Fresno Bee newspaper. No cause of death or other details have been released. Wilkerson was one of eight activists facing felony burglary and vandalism charges in connection with the March protest. A ninth activist took a plea bargain.
• Yesterday’s City Council meeting was action packed. Well, maybe not action packed, but interesting and eventful. OK, OK, just eventful, and with more bickering than usual for some reason. Members of council got their feathers all ruffled by the fact that the media knew about Cincinnati’s $18 million budget surplus before they did, perhaps marking the end of new City Manager Harry Black’s honeymoon with the city’s most illustrious deliberative body. Council members found it a bit off-putting that plans were already being made for that money before they even knew it existed. Black promised to make sure every council member is tipped off the next time the city finds unexpected change in the couch cushions.
But look at me over here gossiping. Substantive stuff happened as well.
• The city will pay $300,000 to help clean up a failed compost facility in Winton Hills affectionately nick-named “Big Stanky.” OK, no one but me calls it that. But it does smell very bad, and that’s caused a great deal of controversy. The company, Cincy Compost, went bust earlier this year, but left something like 80,000 tons of rotting meat and other food scraps behind. The city is chipping in on the cleanup because it has to be done, but Mayor Cranley and a few council members weren’t happy about it. Cranley used the issue as an opportunity to jab at the city’s Office of Environmental Quality and Sustainability, which he blamed for the mess. Other council members, including Chris Seelbach, jumped to defend the office, to which Cranley replied that the office’s “Meatfree Monday” initiative was dumb. Seemed like a bit of a low blow, since Seelbach is a vegetarian, but that’s neither here nor there.
• Council also voted to apply for nine HUD grants worth more than $6 million for the city’s Continuum of Care program. The money would be used to provide rental assistance for homeless, low-income people with disabilities. Council also approved a $500,000 loan to Walnut Court Limited Partnership, a Walnut Hills developer. The developer will be rehabbing 30 units in the neighborhood to provide housing for very low income individuals. This deal was a bit more controversial, as Councilman Kevin Flynn questioned how the property, which was overseen by HUD, came to need such extensive renovations and why the city should have to pay for them.
• Moving on to market rate developments, there are some new plans for the former site of the historic house that held Christy’s/Lenhardt’s restaurant and bar in Clifton Heights. The house was demolished last year to make way for an apartment building in the university neighborhood. Gilbane Development Co., which was part of initial plans to put a larger development at the site, has come back with some revised, scaled-down ideas. The building was originally going to be eight stories tall with 245 units of housing. It will now be only six stories with 190 units, as well as some commercial space. The project will be part of a larger development effort for the block that should happen sometime in 2015.
• A little old, but worth noting: The Hamilton County Public Defenders Office has written a letter to Mayor John Cranley
about Cincinnati Prosecutor Charlie Rubenstein, saying he took
inappropriate actions last month by getting a judge to sign a warrant
that would have allowed him to search the entire public defender’s
office over a single robbery case. That just doesn’t happen to private
law firms, the defender’s office says, and shouldn’t be allowed. The
mayor and the city manager have said they want to work with the public
defender’s office to make sure evidence is gathered in the least
invasive way possible in the future.
• LeBron James was in Cincinnati yesterday for a Cavs preseason game at
Xavier University against the Indiana Pacers, and he said he liked the
city, calling it “a great sports town.” Despite being arguably the
state’s biggest name in sports, James had never played in Cincinnati
before. He scored 26 points in the game.
• Let’s take a quick jog south and revisit the Kentucky Senate race, shall we? Recent articles have prognosticated that time is almost up for Democrat Kentucky Secretary of State Alison Lundergan Grimes, who is challenging Senate Minority Leader Mitch McConnell for his seat. The Democratic Senatorial Campaign Committee, the party’s national arm in the race, stopped spending money on ads in the state this week, leading reporters to say the party is pulling out of the race and that Grimes is ready for the fork, cause she’s done. That appears to have been a premature judgment, however. Potential Democrat presidential candidate Hillary Clinton campaigned for Grimes yesterday in Louisville, urging voters in the Bluegrass State to “put another crack in the glass ceiling” by putting Grimes into office. It also turns out that the DSCC is still running polls in Kentucky and may jump back into the race with more ads before all is said and done. Grimes' campaign also has about $4 million in that cash money in the bank, so don't count her out just yet.
Much has been made of Grimes’ refusal to say who she voted for in the last two presidential elections, and some pundits, including conservative commentator Rich Lowry, have said it has sunk Grimes’ chances in the race. Lowry wrote a deeply dumb rant ostensibly about that subject (though it quickly jumps the rails and becomes yet another boring anti-Obama diatribe about four paragraphs in). Clearly Democrats are still hoping Grimes has a chance, though.
The centerpiece of the FotoFocus Biennial’s programming was its five days of events at Memorial Hall — films, panel discussions, lectures and a Saturday-night performance of This Filthy World by John Waters.
As the Wednesday-Sunday events coincided with other key FotoFocus events — the excellent Screenings exhibit of short art films curated by the biennial’s artistic director, Kevin Moore, was at Lightborne Studios during the same period — it was hard to attend everything.
But what I did attend was really rewarding — thought-provoking discussions about photography that centered on ideas and thus were of interest to everyone. In fact, that’s a point I think needs to be made about FotoFocus as it seeks to grow its following: It isn’t a narrow-focused event for photography professionals; it’s for anyone who likes the visual arts. That should be everyone.
Here are some of the highlights of what I was able to attend:
A panel discussion on FotoFocus’ Vivian Maier: A Quiet Pursuit exhibition, about the secretive Chicago street photographer whose work has only recently been discovered since her death. One guest was Howard Greenberg, the New York fine-art photography dealer who represents John Maloof, the Chicago owner of much of Maier’s archives of unpublished work. Regarding a current dispute with another party over who has the right to print and sell her work, Greenberg said he and Maloof were close to an agreement with the city of Chicago-appointed attorney for the Maier estate to let sales of prints resume while the dispute proceeds, since the income would benefit the estate.
A conversation with photographer Elena Dorfman, whose recent Empire Falling project documented old Rust Belt quarries but then manipulated the images into something slightly ethereal, offered stimulating ideas about how post-industrial ruins have become melancholy pilgrimage sites — accidental earthworks to rival “Spiral Jetty” or “Lightning Field.”
Friday night’s keynote lecture on “Shadow and Substance: Photography and the Civil War,” by Jeff L. Rosenheim of the Metropolitan Museum of Art, was fantastically involving. He was an engaged and engaging speaker. For instance, he explained why there are so few actual photographs of battles – with both sides blasting away, sometimes imprecisely, at each other on battlefields, few photographers wanted to set up their cumbersome equipment along the dangerous sides to capture the action. But once a battle was over, it wasn’t so difficult to document the bodies on the ground.
A panel discussion on the growth of Instagram, tied to a FotoFocus-sponsored “Fotogram” project for which Instagram photos were fed into a screen at the temporary ArtHub structure in Washington Park, had food for thought. Jose Garcia, the ArtHub’s architect, somewhat jokingly characterized Instagram selfies as “a cry for help.” And Nion McEvoy, chairman and CEO of San Francisco’s Chronicle Books, observed that new technology — with its emphasis on swiftly delivered virtual transmissions rather than carefully crafted physical objects — has been met with a healthy, growing counter-movement encompassing vinyl records, locavore-oriented slow foods, letterpress printing and more. And, he said, Chronicle Books’ main business is still print.
John Waters drew a big crowd to Memorial Hall — FotoFocus had sold 200 more passes than seats (a pass was good for all Memorial Hall events, not just Waters) and was worried. Fortunately, not every passholder came to his Saturday night show — there were some empty seats on the sides. His show lived up to its This Filthy World title, as he joked about seemingly every sex act known to the human race (and maybe some known only to aliens).
But he also made humorous references to artists — he’s an art connoisseur — and some of his political observations had the kind of shocking in-your-face bite reminiscent of Lenny Bruce. For instance, on abortion, he said (and I paraphrase a little, since I didn’t take notes), “If you’re not going to love your child, don’t have him. I don’t want him to grow up to kill me."
Afterwards, he signed objects for fans and then joined a small group of FotoFocus organizers, supporters and guests for a late dinner on the Memorial Hall stage. As fate would have it, he sat next to me. Charming man.
Who you gonna call? Lady Busters! After years of talk about another Ghostbusters film, Paul Feig (Freaks and Geeks, The Heat, Arrested Development, Bridesmaids, The Office) say he will direct a femme-centric sequel and co-write the script with The Heat’s Katie Dippold. Here’s to them casting Melissa McCarthy, Kristen Wiig and Mindy Kaling with Seth Rogen as a Dana Barrett character!
Katy Perry will be the halftime performer at Super Bowl XLIX. Expect plenty of day-glo, emojis, personified junk food, accessories from Claire’s 1999 collection and just the perfect amount of cultural appropriation. Hopefully Riff Raff will be in tow.
But Katy Perry isn’t just a Pop star with an awesome
gig — she knows her football, too. In fact, she was recently a guest picker on ESPN’s College GameDay for the
recent LSU v. Auburn game. I was...interesting.
Men in Hollywood are facing an epidemic. Too often
Everyman-looking funny dudes disappear for a minute only to reemerge changed.
Thin. Toned. Chiseled. We saw Jonah
Hill shrink, Chris Pratt turn to stone and even Drew Carrey get slim. Now we
have skinny Zach Galifianakis. What has the world come to?
If you haven’t seen or read Gone Girl, go do one or both right now so you can enjoy it before it inevitably gets spoiled for you. If you have experienced the mind-fuck that is Gone Girl, you know about the series of Amazing Amy books Amy Dunne’s parents wrote throughout her life. Soon, you’ll be able to buy actual Amazing Amy books. Meta. Peep a preview here.
As speculated earlier when a Twin Peaks casting call made its rounds on the Internet, the beloved David Lynch series is returning to television! The limited nine-episode series will air on Showtime at some point in 2016 — just don’t expect this to be a direct continuation of events from the last season that aired in 1991.
Who doesn’t like to fire up Sam Smith, dim the lights and have a good cry? Dude has soul. But for a lighter, more humorous take on Smith’s hit "Stay With Me,” check out Daniel “Forever Damien from Mean Girls” Franzese in “Please Go Home.”
All together now: “You can’t stay with us!”
Three years ago, Parks and Recreation introduced the world to “Treat Yo’ Self” Day (typically observed on Oct. 13, when the episode originally aired). So if you’re in need of a little pampering, Buzzfeed has a few ideas about how to celebrate this week.
Bill Hader hosted Saturday Night
Live last weekend — despite him having only left the cast a year ago —
bringing the return of some favorite characters (of course Stefon) as well as
fan favorite Kristen Wiig. Did you miss the episode? Apparently everyone did —
it was the show’s lowest rated episode ever
matched only by Charlize Theron’s episode from just 5 months ago. Woof. And it was actually pretty good!
One the flipside, everyone watched the crazy Walking Dead premiere Sunday. Let's celebrate the show's return with a new Bad Lip Reading, shall we?
New movie trailers to hit the Interwebz: Haley Joel Osmet stars in Sex Ed as a sex-starved dude (…named Eddie…) who lands a gig at a middle school teaching — you guessed it! — human sexuality; Disney mystery-adventure Tomorrowland, starring George Clooney; and holiday comedy A Merry Friggin Christmas — one of Robin Williams’ final films.