All right. Let’s talk about this news stuff, shall we?
In just 12 days, voters will decide whether or not to back a plan put forward by Republican Hamilton County Commissioners Greg Hartmann and Chris Monzel for fixing Union Terminal. But the details still haven’t been worked out completely, as this Business Courier article discusses. The tax increase proposal, an alternative to another scheme drawn up over a number of months by a cadre of the city’s business leaders that also included Music Hall, has been a kind of plan-as-you-go effort by the commissioners. The 5-year, .25-percent sales tax increase won’t provide all the money needed for the project, and it’s still a bit up in the air where the rest will come from. The structure of the deal will hold Cincinnati Museum Center, which occupies the building, accountable for cost overruns or revenue shortfalls, which they’ll need to make up with private financing or donations. A new nonprofit entity might also need to be created to officially lease the building from the city in order to qualify for state and federal tax credits, a possible stumbling block that will require city-county coordination. All of which is to say there’s a long way to go before the landmark is on its way to renovation.
• The NAACP is ready to tap Cincinnati for its 2016 national convention pending a site visit in November. That’s a bit of a surprise, as many assumed Baltimore, where the organization is headquartered, would get the nod for its presidential election year convention. Cincinnati also hosted the NAACP convention in 2008. Big political players, including presidential candidates, often speak at the convention during election years. The 2016 election is shaping up to be huge for Ohio, with Cleveland hosting the GOP national convention and Columbus in the running for the Democrat’s big national event.
• A talk by award-winning conservative Washington Post columnist George Will at Miami University last night drew a number of protesters unhappy that the school invited him to speak. Will has caused controversy over remarks he made in a column in June criticizing new sexual assault rules on many college campuses. Will has blasted the “progressivism” of the rules, saying they place men accused of assault in a “guilty until proven innocent” situation. Specifically, Will criticized measures that stipulate a person who is considerably inebriated is unable to give sexual consent. Students and faculty who opposed Will’s talk say they collected more than 1,000 signatures from members of the Miami University community asking the school to cancel the event.
Will has gained a reputation for his controversial, sometimes outlandish remarks. He has dismissed climate change science, for instance. Most recently, he claimed on Fox News that Ebola could be spread through the air via coughs and sneezes, an assertion contradicted by nearly all scientists who study the disease.
• Former Juvenile Court Judge Tracie Hunter’s attorney Clyde Bennett has filed a motion for a retrial, saying that two of the 12 jurors on the case did not vote to find Hunter guilty on a felony charge earlier this month. Hunter was on trial for nine felony counts. The jury hung on the other eight but allegedly agreed that she was guilty of improperly intervening in a case involving her brother, a court employee who allegedly punched a juvenile inmate. Hunter’s sentencing is scheduled for Dec. 8, though a Nov. 13 hearing on Bennett’s retrial motion could change that.
• If you live in Kentucky and are hoping Yuengling comes to your neck of the woods soon, you may be disappointed. There’s a battle brewing (haha) over beer distribution in the state as giant Anheuser-Busch seeks to buy a distributor in the Kentucky that could give the company a quarter of the beer market there. That has mid-sized independent companies like Yuengling and some wholesalers saying there may not be room for them. Generally, beer brewers aren’t allowed to own distributors or stores under anti-trust laws, but Anheuser-Busch won the right to own one in Louisville after suing the state in 1978.
• In international news, four former employees of Blackwater, the private security firm that the U.S. contracted during the Iraq war, have been convicted for the 2007 shooting deaths of 17 Iraqis. The incident, which happened at a public square in Baghdad, became notorious as an example of U.S. contractors’ misconduct during the Iraq war. A judge in the case ruled that the killings were not an act of war, but a crime. One defendant, sniper Nicholas Slatten, faces life in prison for murder. Three others face 30 year minimum sentences for charges including committing a using a machine gun to carry out a violent crime and voluntary manslaughter.
Before Anne Rice and Stephen King, Edgar Allen Poe set the standard for gothic creepiness. He's the inspiration for Gothic Halloween, a terrific program of music and Poe's classic stories guaranteed to chill the blood temperatures to appropriate Halloween levels, performed with wicked glee by the adventurous ensemble concert:nova. It's an evening of music from the dark side seamlessly interwoven with equally scary stories and songs.
Performed on the stage of Cincinnati Shakespeare Company's production of The Birds, it's the perfect setting for an evening of macabre and mayhem. Many of the musicians sported black capes but harpist Gillian Sella takes the prize —more on her later.
Bach's "Toccata" from the "Toccata and Fugue in D minor" is a horror standard and that's what starts the evening, performed with gusto by local treasure, keyboardist Julie Spangler. It's so familiar that the opening three-note sequence evoked laughter, which was quickly silenced by Spangler's artistry. She makes the small electric keyboard resonate with the power of a cathedral instrument.
The "Psycho Suite" features three pieces from the classic film score by Bernard Herrmann, performed by a string sextet — Eric Bates (no relation to Norman), Gerald Itzkoff, Mari Thomas, Rebe Barnes, Margaret Dyer and Theodore Nelson. There were also a few chuckles which quickly subsided. Those screeching string swipes don't need film to convey the murder in the shower scene or the ominous mood at the Bates Motel.
Baritone Edward Nelson gave a powerful performance of Schubert's setting of German poet Heinrich Heine's "Die Doppelganger," a song about a frightening encounter with one's alter-ego. Spangler accompanied and segued into Part II of Gyorgy Ligeti's "Musica ricercata," ("Researched music"). Entitled "Mesto, rigido e cerimoniale," (Sad, rigid and ceremonial), the music is a series of repeated notes, restless and menacing.
Sections of Ligeti's String Quartet No. 1 accompany a reading of Poe's "The Cask of the Amontillado," performed by Jason Podplesky and Edward Nelson. Podplesky seemed uneasy at first, stumbling over mispronunciations, but he recovered to bring the story to its macabre finale. Nelson did a fine job as the hapless victim. He remained onstage, joined by a string quartet for a performance of Samuel Barber's setting of Matthew Arnold's poem "Dover Beach." Nelson conveyed the longing, passion and terror with elegant tone and flawless diction. The string quartet delivered an appropriately moody reading.
The second half opened with violists Barnes and Dyer slinking out on stage to perform "Viola Zombie," Michael Daugherty's duet that's a mashup of horror themes and plucked strings. You gotta love a piece with movements entitled "Jerks of Rigor Mortis" and "Zombie revivus." Barnes and Dyer clearly do.
The evening closed with Poe's ultimate horror classic, "The Masque of the Red Death," read by Podplesky, accompanied by French composer Andre Caplet's "Conte Fantastique: Masque of the Red Death" for string quartet and harp. In spite of a few mispronunciations here and there, Podplesky rendered the story with ghoulish delight. Caplet's score meshes fantasy and foreboding, and the harp glissandos add to the eerie atmosphere. Willowy harpist Gillian Sella nearly stole the show when she entered, garbed in a white satin cape and pointed hat.
c:n Artistic Director and clarinetist Ixi Chen doesn't perform in this concert but her creative mark is all over this terrific program.
You have one more opportunity to up your scare quotient on Monday evening, Oct. 27, at 7:30 p.m. A party follows the performance. You go, ghouls. Tickets and more info here.
It’s a double bill of Scottish Indie Rock at Bogart’s tonight as We Were Promised Jetpacks and The Twilight Sad pull into town for a free, all-ages 8 p.m. show. The concert was originally scheduled for Over-the-Rhine’s Woodward Theater, but was moved due to the new venue not quite being ready yet to host events yet (the legendary Ian McLagan’s Oct. 29 show slated for the Woodward has been moved to Southgate House Revival in Newport for the same reasons). The Woodward’s selling tickets to shows beginning Nov. 10, so hopefully it will be all set by then.
CityBeat’s Brian Baker spoke with WWPJP’s guitarist/singer Adam Thompson for a feature in this week’s paper. Thompson spoke of mixing things up on the band’s most recent album release, Unravelling.
“It’s still got the same emotional pull as the last two albums, it’s just that the whole sound is a lot more varied,” Thompson notes. “It’s got a bit more groove or something and I think that’s what we were trying to achieve, but it’s still very much a We Were Promised Jetpacks album. If you don’t like the first two, you’re not going to like this one, but I do think it offers something different.”
Click here to read Jason Gargano’s preview of openers The Twilight Sad.
• While it’s true that “Ska Punk” had its mainstream flash-in-the-pan moment in the’90s, it’s a shame that Ska often gets dismissed today as a sort of punchline. (“Ha, remember when Ska and Swing music were popular?”) From its origins in late-’50s Jamaica through today, Ska has endured thanks to new, young bands rediscovering the music and a loyal cult following.
America’s Ska kings are unquestionably The Toasters, who were formed in 1981 (just as the U.K.’s 2 Tone Ska craze was beginning to lose steam) by British ex-pat Robert “Bucket” Hingley. When The Toasters (who eschewed the distorted “Ska Punk” concept for a style more reminiscent of the pioneers and 2 Tone bands) were looking for a label to release their debut EP, Hingley formed Moon Ska Records, which became the top independent Ska label on the planet and was home to practically every America Ska band worth a listen.
• Irish music trio Socks in the Frying Pan, from County Clare in Ireland, is in the midst of its first tour of the U.S. and tonight the group plays Molly Malone’s in Covington. The young band is becoming known for its creative spin on traditional Irish music, which has earned it numerous accolades in its homeland (the Live Ireland Awards and Tradition in Review Awards both have named them New Group of the Year and Irish American News calls them “simply stupendous”).
Tonight’s Covington show starts at 7:30 p.m. Tickets are $12.
• A pair of great, rootsy singer/songwriters perform at Newport’s Southgate Revival tonight — in separate rooms and as part of separate shows.
Tommy Womack, once dubbed “Nashville’s best loved musical eccentric,” headlines the Revival Room at 8:30 p.m. with special guests Wild Ponies. Tickets are $12.
• Meanwhile, the stellar Robbie Fulks plays the club’s Sanctuary room with guests Woody Pines. Showtime is 9 p.m. and tickets are $15.
Fulks has long recorded for the esteemed label Bloodshot Records and his song “I’ll Trade You Money for Wine” is featured on the label’s awesome, recently-released 20th anniversary compilation, While No One Was Looking, which features a variety of artists performing songs from Bloodshot’s back catalog. Fulks’ tune is covered by Andrew Bird and Nora O’Connor.
October is synonymous with Halloween, haunted houses, harvest festivals and more-sexy-than-scary costume balls. Whether you plan on being a slutty nurse, a moody John Snow, your basic zombie or Dracula, the Tristate offers more than enough events for you to get your freaky on all haunting season.BAR EVENTS
If the assault of Mitch McConnell ads has you thinking Kentucky must be the most hopelessly unprogressive state ever, a FotoFocus Biennial-related lecture last Sunday provided another take on the Bluegrass State.
The speaker, who also presented slides, was the veteran Lexington photographer Guy Mendes, who with Carey Gough has the exhibition Blue Roots and Uncommon Wealth: The Kentucky Photographs at Over-the-Rhine’s Iris BookCafe, 1331 Main St., through Jan. 25. His presentation, organized by Iris’ photography curator William Messer, was at Mr. Pitiful’s bar, close to Iris.
Mendes, active in Kentucky arts, public television production and higher education since the late 1960s, has been collected by Ashley Judd, Willie Nelson, Maker’s Mark (he’s very proud of that) and the New Orleans and Cincinnati art museums, among others. At Mr. Pitiful’s, he made a compelling case for Lexington as a center for progressive creative thought — in photography, especially — that has had a broad influence on our times.
As a college town (University of Kentucky), Lexington maybe has been better known for its basketball than its radicalism, but Mendes made it seem like it could hold its own with Berkeley, Calif., Ann Arbor, Mich., or Madison, Wis., in any history of counter-cultural hotspots.
His presentation focused on a group he became part of in the late 1960s, the Lexington Camera Club, active from the 1950s to the early 1970s (and recently revived). While, like other camera clubs it attracted its share of hobbyists, it also had stalwart support from open-minded professionals with an experimentalist bent.
Mendes mentioned and showed slides of work from the Camera Club’s first golden era. The accomplishments of these now-deceased members was impressive — Van Deren Coke (who went on to become director of the George Eastman House); Robert May, who specialized in multiple exposures; James Baker Hall, a poet (and former state Poet Laureate) and photographer whose haunting series of images featuring collaged family photos may have been a way to deal with his mother’s suicide when he was a child.
One Camera Club photographer, Ralph Eugene Meatyard, has become recognized since his 1972 death as one of America’s most memorable — and spookiest. His black-and-white shots of children and adults wearing masks in strange settings are still unsettling.
Lexington was restive in the anti-Vietnam War days, and Mendes published an underground newspaper called Blue-Tail Fly and was involved in protests. And as he became friends with local writers Wendell Berry and Ed McClanahan, his literary and photographic worlds began to merge. (Both still are active today.)
In Mendes’ show at Iris, those two figures are in probably the two most striking photographs. One is a 2012 portrait of Berry, on a farm in Henry County, with his horses Nip and Jed grazing behind him. It’s sheer happenstance, but the horses’ placement is such as to create the illusion is that their heads extend from his shoulders. Messer refers to them as “horse angel wings,” and it’s a great tribute to Berry, an environmentalist as well as a writer. The photo gives the elderly man a heavenly glow.
McClanahan is involved in the weirdest photograph in the show — 1972’s “The Fabulous Little Enis & Go Go Girls of Boots Bar.” This photo (in a tarted-up version) accompanied McClanahan’s article about this colorful musician in Playboy. It depicts the left-handed, backwards-holding guitarist Little Enis and a chorus line of scantily clad women outside the bar.
The late Carlos Toadvine’s stage name “Enis,” Mendes told his audience, was a play on the nickname given to Elvis Presley as “Elvis the Pelvis” — you get the point. Mendes said Enis was a fabulous guitarist but the working-class Boots Bar was a tough place for scruffy, hippy-looking artists like McClanahan and himself in 1972. On their first visit there, McClanahan and Mendes, were greeted by a flying beer bottle. (On the Internet, there is a photo of long-haired college-age young men admiring Little Enis’ act, so maybe the bar got a little safer with time.)
The Iris show also features color photographs of Kentucky music-related sites by Gough, who considers Mendes a mentor.
Lexington’s impact on the arts is fascinating in other ways, too. The writer Bobbie Ann Mason attended UK, as did the great character actor Harry Dean Stanton. (There is now a film festival there in his honor.) Walter Tevis based his novel The Hustler on a pool hall there. Punk icon Richard Hell was born and raised there, as was Cincinnati artist/composer Jay Bolotin.
There must be something in the bluegrass. It’s captured in Mendes’ photographs.
The world’s greatest wrestling-masked instrumental musical ensemble Los Straitjackets return to the Cincinnati area tonight for a show at Southgate House Revival. The band is joined by Roots music fave Deke Dickerson, who collaborated with Los Straitjackets on the recently released LP, Los Straitjackets: Deke Dickerson Sings The Instrumental Hits.
As the cheeky title suggests, the album features some famous instrumental tunes which Dickerson fleshes out with “lost or rewritten” lyrics. The track “You Can Count on Me,” for example, is The Ventures’ Hawaii Five-O theme with lyrics from Sammy Davis Jr.’s version.
Other instrumental-turned-vocalized songs on the album include classics like “Pipeline,” “Walk Don’t Run,” “Misirlou” and “Popcorn.”
“If you're a record collector and music geek who’s been around long enough," Dickerson said in an interview with Billboard, "you start to realize that most famous instrumental hits either started out as vocal songs, or — even better — were written as instrumentals."
Sadly, the Star Wars theme didn’t make the cut.
Showtime tonight is 8 p.m. Admission is $20 at the door. The B-Sides open.
Good morning y’all! Here’s a quicker than usual rundown of the day’s news before I jet for an interview.
There is yet another version of the Union Terminal restoration deal being passed around. The deal, which Hamilton County Commissioners are expected to vote on soon, doesn’t make many changes to the sales tax hike on the November ballot, but would hold the Cincinnati Museum Center responsible for any cost overruns the project might incur while allowing its leaders to seek financing for the project. Voters will still have to approve the .25 percent sales tax increase before that deal would go into effect.
• VLT Academy might be gone, but there’s at least one more bit of turbulence related to the troubled former charter school. VLT closed in August after losing its sponsoring organization, required by Ohio law, and falling behind on its rent. It seems computers sold at an auction to pay off the school’s debts may not have been scrubbed of private personal information. The Ohio Department of Education says it has launched an investigation to make sure that information was erased properly and didn’t fall into the wrong hands.
• The push for a high-speed rail route between Chicago and Cincinnati has gained more supporters. The mayor and city manager of Hamilton recently sent a letter to OKI, the region’s planning office asking for the office to fund a feasibility study for the potential project. They join Hamilton County Commissioners, who voted in September to request that study. The rail line could have big economic benefits, but would also be a huge, long-term undertaking.
• Speaking of transit, you can tell the Ohio Department of Transportation what you’d like to see in the future at a public discussion from 10 a.m. to 12 p.m. on Oct. 31. Yes, that’s in the middle of a workday. It’s also in Lebanon for some reason, which you can’t really get to by public transit. That has some people kind of miffed. The meeting is for the entire Southwestern Ohio region, ODOT says, and that’s why it has to be held in a central location. Come on, guys, you couldn’t have two meetings in Dayton and Cincinnati on a couple Saturdays? I’ll bring the donuts and coffee. Anyway, the event is part of a statewide outreach effort by ODOT to get input about transit options in the state. Meetings have also been conducted in Columbus, Cleveland, Athens and Findlay.
• An Ohio man arrested in North Korea in May finally returned home today. Officials in the isolated country detained Jeffery Fowle after leaving a bible in a nightclub there. He was held until recently on charges of Christian evangelism, a crime in North Korea. His release might have been hastened by repeated appeals by President Obama to North Korean leader Kim Jong Un.
• We’ve reported a bit about Common Core in the past. Controversy continues over the new federal academic standards, and the fight is coming to the state board of education elections. Seven candidates are running for election to the 19 member board, and several of them have made repealing the standards a key point in their campaigns. Mary Prichard, who is running to represent Butler, Preble, Montgomery and Miami Counties on the board, has made the issue the centerpiece of her candidacy. She calls the standards “a government takeover.” Zac Haines, running to represent Hamilton and Warren Counties, has promised to work to repeal them in the state. His opponent, Pat Bruns of Price Hill, supports the standards. Ohio is one of 40 states to implement Common Core.
• Wait. Did Gov. John Kasich really say that? He did, and he didn’t. The Associated Press reports that in a speech Monday, Kasich said a repeal of President Obama’s Affordable Care Act is “not gonna happen.” Then Kasich, either backtracking or clarifying, ran them down and asked the AP to make a correction. He was only referring to the Medicaid expansion of the ACA, he said. That’s been a controversial issue all its own, with many conservative governors refusing to take the federal dollars to increase eligibility for residents of their states. Kasich did take the money, though, which has helped hundreds of thousands of Ohioans get medical coverage.
Kasich’s correction is a bit of a small distinction, since most conservatives roll the ACA up in one big, evil ball. Rejecting the Medicaid expansion has been something of a litmus test for conservative governors. But Kasich has not only taken it, he’s praised the program. Opposition to expanding Medicaid, which governors like Texas’ Rick Perry have worn like a badge of honor, “was really either political or ideological," Kasich said in the same speech. "I don't think that holds water against real flesh and blood and real improvements in people's lives.”
That alone is a noteworthy thing for a conservative governor to say. But have no fear, Kasich still hates the program, saying in his clarification that it “can and should be repealed.” Wait, even the part you said helps people?
Before I left, I had a lot of people ask me just what I’d be doing while on tour. The best answer I could give them was, “I don’t know, sell shirts I guess.”
So, in an effort to give you a better picture of what a day in the life of Valley of the Sun’s illustrious merch guy/tour bitch, I give you a minute-by-minute breakdown of what will most likely be our busiest day on the tour. What transpires is a day with two shows and 10 combined hours on the road and yes, it’s as tiring as it sounds.
6:30 a.m.: Wake up before dawn in Frankfurt and get ready for a five hour drive to Munich. Take a shower in a hotel shower that has no door or curtain while using a shower head has no holder on the wall. Listen to Black Dahlia Murder to wake up.
7:30 a.m.: Make a to-go sandwich at the hotel’s breakfast bar.
7:35 a.m.: Help navigate the van out of a hotel parking garage that it shouldn’t have logically fit in.
7:47 a.m.: Begin a five-hour drive to Munich. Naps are taken by most. Breaking the speed limit is performed by others. Who knew a van could go triple digits?
8:50 a.m.: Pit stop number one: water, coffee and baked good acquired. Knifes and soccer hooligans are ogled.
10:43 a.m.: Pit stop number two: water and coffee are released, drivers are switched.
12:00 p.m.: Arrive at venue, take tour of stage and see backstage area. Find WiFi password and begin to use and abuse venue’s internet connection.
12:45 p.m.: Dig merch out of van for festival’s merchandise display. Freak out when an entire box of shirts cannot be found.
12:47 p.m.: Rejoice when the box of shirts are unearthed.
1:20 p.m.: Begin gear load in.
1:30 p.m.: Realize you’ve learned more gear terminology on this tour than in a decade of attending concerts and hanging out with bands.
1:40 p.m.: Rip an expensive tour banner.
1:52 p.m.: Sit around and surf through Facebook and Instagram while band sound checks.
2:45 p.m.: Check to see if ears are bleeding from sound check volume.
3:00 p.m.: Walk around the venue and people-watch to waste time before show starts.
3:25 p.m.: Set up Nick’s Go Pro cameras around the venue to capture the forthcoming insanity.
3:30 p.m.: Showtime. Festival attendees begin to filter into Valley’s show (Valley is the first band of the day).
4:00 p.m.: A circle pit breaks out for the first time in the band’s history. Horns are thrown liberally.
4:10 p.m.: Remember why Valley of the Sun is my favorite Cincinnati band.
4:15 p.m.: Raid the catering table for a sandwich, pretzel, banana and water. Plan to eat pretzel on the road as a snack.
4:30 p.m.: Settle merch sales with organizers, collect money, pile up CDs, LPs and shirts to load into the van.
4:35 p.m.: Eat pretzel before ever reaching the van.
4:40 p.m.: Call dibs on a festival attendee.
4:50 p.m.: Wait for Ryan to settle up event pay with festival organizers.
5:00 p.m.: On the road again for another five-hour ride to Seigen.
5:05 p.m.: Begin typing hourly breakdown in van to save some time on off day tomorrow and to give my phone a chance to regain some charge.
5:50 p.m.: Pit stop one. Beer from festival is released.
8:25 p.m.: Pit stop two. Water is released and drivers are switched.
10:30 p.m.: Arrive at second venue where bands have already started playing.
10:37 p.m.: Order a pizza at stand outside of venue while we wait for support bands to finish.
11:15 p.m.: Continue eating; this time it is chicken curry in the band apartment.
11:30 p.m.: Final support act has finished. Start mad dash to load gear in from the van to the venue.
11:40 p.m.: Set up last minute merch area in a now desolate bar.
11:43 p.m.: Wait for the band to take the stage.
11:55 p.m.: Sell first bits of merch to those still at the venue. Try to explain that pins are one Euro a piece, not one Euro per handful.
12:30 a.m.: Show starts.
12:50 a.m.: Play Tetris while band is performing and, therefore, no one is looking at merch.
12:55 a.m.: Earn new high score in Tetris.
1:10 a.m.: Band finishes after three encores. A fourth is requested but the band has literally no other songs left to play.
1:15 a.m.: Sell 132 Euro worth of merch in 10 minutes.
1:45 a.m.: Pack up merch once sales dry up.
1:55 a.m.: Pack up van and grab overnight bags.
2:20 a.m.: Prepare for bed after a 20-hour day.
2:25 a.m.: Sleep for 10 hours straight.
If there’s anything that I’ve learned about touring it’s that it’s defined by tons of dead time, punctuated by moments of massive amounts of activity. “Hurry up and wait” is the perfect way to describe it. We rush in the morning to squeeze everyone’s morning routine into a short period of time. Then we spend hours in the van to reach a venue, only to rush to get the van unloaded, merch set out and sound check completed, along with other pre-show rituals. Then we wait for the show to start, followed by the post-show rush to sell merch, load up the van and get to our lodging for the night.
It makes for long days and long nights, with little to no rest. It’s tiring, hectic and stressful and I’m having the time of my life. I could really use an actual shower though, that’s for sure.
So it’s not Monday anymore, which is a plus, but still. This week is the first week in my mission to give up caffeine and donuts. It’s going to be a long, long haul. Anyway, on with the news.
The city administration yesterday described in more detail a parking plan for Over-the-Rhine that’s been floating around for a bit now. The plan would charge $300 a year, or $25 a month, for residents to park in the neighborhood as a way to raise funds for the streetcar. Increased rates and hours for parking meters are also part of the plan. Currently, you have to feed the meters from 8 a.m. to 5 p.m. every day but Sunday. The new hours would stretch from 9 a.m. to 9 p.m. Monday thru Saturday and from 1 p.m. to 9 p.m. on Sunday. Mayor John Cranley has championed the plan. Council would need to vote on the residential permit part of the plan, which would be the highest parking fee in the country if enacted. City officials stressed at the Monday Neighborhood Committee meeting that they were still in the planning phases of the proposal, that a final proposal was contingent on continued feedback from residents, and that they weren’t asking for any decisions to be made yet.
• It’s not very often labor unions and conservative anti-tax groups get together on an issue. But it seems like proposed tolls to fund the replacement of the Brent Spence Bridge may just be the one issue that… uh oh… bridges the usually wide ideological divide (see what I did there?) Advocacy group Northern Kentucky United, which has campaigned against tolls for the Brent Spence with its “No BS Tolls” initiative, announced that both Teamsters Local 100 and the Coalition Opposed to Additional Spending and Taxes have hopped on board the effort. You may remember COAST as the folks who stamped their feet and threw a temper tantrum over Cincinnati’s streetcar project. The two groups are the first Ohio organizations to support the anti-toll group, which claims to have 2,000 members. The group is totally against those BS tolls, that much we know. Less certain is what alternate proposals the group does back for the crumbling 51-year-old bridge’s replacement. It will cost something like $2.5 billion to replace, and federal and state officials have said government dollars are not in the cards for the project.
• Embattled Juvenile Court Judge Tracie Hunter today was suspended from practicing law by the Ohio Supreme Court, meaning she cannot practice law anywhere or represent anyone in a courtroom. Hunter was convicted on one felony count in a high-profile trial last week. Hunter was accused of forging documents, misusing a court credit card, improperly intervening for her brother, a court employee accused of punching a juvenile inmate and other charges. She was convicted on the charge she illegally gained documents for her brother, though the jury was hung on the other eight felony counts she faced. Hunter faces up to a year and a half in prison. Sentencing in the case will begin Dec. 2.
• Oh man, this is terrifying. What would you do if a county prosecutor’s office mistakenly put your picture in a newsletter as someone who had a recent heroin conviction? That happened to Dana J. Davis of Covington. Davis was temporarily put out of work, mistrusted by neighbors, and even shunned by family after an electronic newsletter contained his picture and a blurb that he’d pleaded guilty to a heroin charge and had been sentenced to prison time. But it was a different Dana Davis, and the Kenton County Prosecutor’s office grabbed the wrong photo. Oops. Now Davis is suing over the mistake, looking to be compensated for lost wages and damage to his reputation. The prosecutor’s office is arguing they shouldn’t have to pay because the newsletter does a public good, and because the prosecutor’s office is immune from that kind of lawsuit. The case is headed to court.
• Here’s something I can get behind. Cincinnati is the second best city in the country for Halloween, according to a new ranking released by lifestyle site mylife.com. The rankings took into account number of costume shops per capita (we ranked second), vacant houses (we also ranked second), local Twitter mentions of Halloween, as well as interviews with local ghosts camped out in abandoned costume shops tweeting about Halloween (not really). The rankings do give a shout out to the city’s rich history, though, as well as Pete Rose for some reason. If you’re curious, number one was Las Vegas. Florida and Arizona were represented heavily in the top 10, which makes sense. Both are terrifying places.
• A minimum wage job in Ohio won’t pay for a college education, a new story from data reporters at Cleveland.com finds. I guess the shocking news in this is that it ever did. Apparently, in 1983, you could work a minimum wage job full-time during the summers and school breaks, work ten hours a week during school, and make ends meet. That seems so quaint now! It would take a wage of $18 an hour to make that possible today, and working minimum wage will leave you more than $11,000 shy of the average tuition, room and board at a university in the state. In my day, I worked two jobs, crashed at my mom’s house and commuted an hour each way my senior year, sometimes sleeping in my car, and sold blood and the rights for my first-born child to pay for my degree from Miami University. Ok, maybe not all of that, but it was kinda rough. Alls I’m saying is, kids these days should have to do the same.
• A new study finds Ohio has benefited greatly from its expansion of Medicaid. More than 367,000 Ohioans are now enrolled as of August 2014, according to the report by Policy Matters Ohio. The report claims that the expansion has lowered health care costs and improved health outcomes for low-income people. You can read all the details here.
Between Wu-Tang Clan reunion shows and the seminal Hip Hop group’s forthcoming new album, two Wu members/affiliates have hit the road to headline the World Wide Rollers Tour, presented by The Smokers Club, a group of weed/Hip Hop aficionados that have booked five national tours and launched a clothing line and record label (smoking products will reportedly soon be added to the Club’s inventory). Joining the dynamic duo of Method Man and Redman on the tour are B-Real, frontman for cannabis-in-Hip Hop pioneers Cypress Hill, and up-and-coming MCs Mick Jenkins and Berner.
The tour DJ is Cincinnati’s own DJ Clockwork, who’s now going by the name Clockworkdj. Clockwork, DJ for rapper Mac Miller and regular on MTV’s Mac Miller and the Most Dope Family reality show, recently released the solo single, “Clocktwerk,” on which he’s shows off his rhyming skills. Click here for more info on Clockworkdj.
• Madison Theater is Metal central tonight as several genre heavyweights pull into the Covington venue for a 6 p.m., all-ages concert. Tickets are $25.
The show features Unearth, Darkest Hour, Carnifex, I the Breather, Origin, Black Crown Initiate, Requiem and Laid Bare.
Boston’s Metalcore heroes Unearth are gearing up for the Oct. 28 release of their latest album, Watchers of Rule. Here’s the new album track “The Swarm”:
And here’s Carnifex’s video for “Die Without Hope,” the title track off of the Californian Deathcore band’s most recent album.