Last Friday at Bogart's, CityBeat and the Cincinnati Entertainment Awards presented a showcase featuring some of the best new local bands of 2012. (Check out some pics from the event here.) This coming week, four brand-new acts (featuring musicians from other established groups) will be playing their first shows ever. Here's a round-up of the new bands (possible nominees for next year's CEAs?) debuting.
• Joey Cook of Indie Pop greats Pomegranates has a new solo project called Danny and His Fantasy. Cook — who also headed up the side project Firs and has done a few solo shows with friends and bandmates — leaked the great track below via YouTube a couple of weeks ago. The piano-laden track "Too Out of Touch" is a great slice of dancey and wonderfully melodic Pop, highlighted by Cook's soulful falsetto, that wouldn't be out of place on an of Montreal record.
Danny and His Fantasy's debut show is this Friday at Mayday in Northside. Cook will be joined at the free show by Phil Cogley, the Indie Pop maestro from Columbus who performs under the name The Saturday Giant. Cogley's been making waves from our state's capitol, recently earning a slot on Columbus Alive's annual list of "Bands to Watch" for 2013. Locals Speaking Suns also perform.
• Also Friday, Pop Goes the Evil plays its first live show. The new crew debuts at MOTR Pub, playing a free show with Indiana rockers Left Lane Cruiser. Pop Goes the Evil is fronted by singer/guitarist Lucas Frazier, formerly of the popular, kick-ass local Rock outfit The Dukes Are Dead. The new group — rounded out by drummer Jordin Goff (also of The Yugos) and bassist Evan Roberts (organist for heavy local band Grey Host) — has issued a couple of great music videos, showcasing a swaggering, energized Pop/Rock sound that's not chasing any trends, opting instead for a more timeless appeal.
Here's the second single from Pop Goes the Evil, "Golden Apple."
The polls have closed on voting for the 16th annual Cincinnati Entertainment Awards, the ceremony/party for which returns to Covington's Madison Theater on Jan. 27. Indie Pop greats Culture Queer were added to the CEA performance lineup today, joining Bad Veins, Ricky Nye, Gold Shoes, The Dopamines, Jess Lamb and a special collaboration put together by the Cincinnati USA Music Heritage Foundation.
While you can no longer vote online for your favorite local musicians, you can still have a say in one last category. The CEA New Music Showcase takes place Friday at Bogart's and, if you attend, you'll be able to vote for the "New Artist of the Year" CEA. The show will feature sets by New Artist nominees Jeremy Pinnell and the 55’s, DAAP Girls, Ohio Knife, The Natives, Public and Heavy Hinges (nominee R. Ring was unable to perform). Audience members will be asked to vote for who they thought did best and those total tallies will be weighted by votes from the CEA nominating committee to determine the ultimate winner.
You can do some pre-show prep and pick up this week's CityBeat to read our special cover story package about this year's "New Artist of the Year" CEA nominees, with profiles on each artist. Click here to read the intro and you can click on the band names below to check out each artists' feature article.
Below are a few audio tracks and videos from each nominee, so you can be even further prepared to vote wisely Friday night.
• Heavy Hinges is one of several New Artist of the Year nominees that contains several familiar faces. The Rock/Soul/Funk/Jazz/Gospel/Roots hybrid the band pimps was crafted after popular band Buckra called it quits following a dozen years of local music service. Buckra's guitarist/singer Dylan Speeg and bassist Andrew Laudeman formed Heavy Hinges in early 2012 with guitarist Jeremy Singer (also currently in Jimmelegs) and drummer Brian Williamson, both also experienced local players. Rounding the band out is relative newcomer, singer/ukulele player Maya Banatwala.
As expected in a field of New Artists, there isn't a ton of recorded material available from most of the groups. Heavy Hinges may have the least amount, but here's a cool promo video for an October show that includes a lo-fi Heavy Hinges recording as its soundtrack.
• Ohio Knife is the Indie Rock duo featuring drummer Joe Suer and singer/guitarist Jason Snell, who first teamed up in the late ’90s in the six-piece band Readymaid. After that group split up, Snell launched The Chocolate Horse, a project intended to be more compact, with fewer members in order to keep things more manageable creatively and logistically. The Horse eventually became complicated, as well, so Snell and Suer (along with mostly studio-only keyboardist/multi-instrumentalist Andrew Higley, another former Readymaid and Chocolate Horse member who now works recording sessions in Nashville) stripped down even more and formed Ohio Knife. The size of the project wasn't the only thing that was different for Snell this time around; he and Suer (who's played in Cincy bands like Caterpillar Tracks and others since the Readymaid split) play a hard-charging brand of melodic Rock, partially inspired by the Grunge bands Snell grew up listening to. The EP Ohio Knife is OK! was released by Detroit's Fountain Records right as the duo launched and Ohio Knife's second show ever was on the streets of Austin, Tex., where they were participating in a art/branding project with local company Landor at SXSW (footage from the trip formed the basis for an expansive, artsy window display in the downtown Shillito's building). Ohio Knife is looking to put out a full-length in the new year.
Here's the Ohio Knife video for the song "Going Down."
• Jeremy Pinnell and the 55s bring a Honky Tonk flavor to the CEA's New Artist category this year. Singer/acoustic guitarist Pinnell proved himself to be one of the area's best songwriters in previous projects like The Light Wires and The Brothers and The Sisters, roots-tinged outfits that suited Pinnell's penetratingly melancholic tunes perfectly. For the 55s, Pinnell reteamed with old high school pal Cameron Cochran, who also plays in Pop Empire and previously was in the excellent Folk duo The Sheds, to form a group that performed in the style of raw, vintage Country, like George Jones or Waylon Jennings. Rounded out by drummer Chris Alley and bassist Ben Franks, the 55s were a steady presence in the clubs in 2012, growing a loyal following in a relatively short period of time.
The 55s have no releases out (there are plans for an LP soon, though), but there is some great live footage of the band shot for the one-shot video project, The Emery Sessions (which Cochran helped organize and record). Here is Jeremy Pinnell and the 55s performing "Back Home" at Over-the-Rhine's historic Emery Theatre.
• If The Natives — a gifted local Hip Hop "band," that performs with live instrumentation — would have come out in the early ’90s, it would have taken them five years to accumulate the amount of music videos and audio releases they managed to released in 2012. Ah, technology. Even better, The Natives are creative and adventurous, so all of the work released is of extremely high quality. Oh and it's all available online for free. The band released two LPs in 2012 — the mixtape-styled Coup d'etat and the more artist- and song-oriented Native America. The Natives also collaborated on numerous pro videos for tracks from the albums, kicking off 2013 with the below clip for "So Much." The Natives will be working on members' solo projects to start 2013, so catch the group in action Friday, while you still can.
• DAAP Girls played it coy when first hitting the local club circuit, leaving an air of mystery surrounding just who was in the band before they played their first show. Fans would soon discover that DAAP Girls were really dudes! And familiar ones to local music followers. Featuring members of The Lions Rampant and Newport Secret Six, DAAP Girls play a groovy, dance-friendly brand of Indie Rock that manages to sound both contemporary and vintage. The lack of much information about the DAAP Girls online has fed the mystery, but it's also partially because the perfectionist members wanted to take their time releasing recorded material. There's a light on the horizon, though, for those who've been craving a take-home version of DAAP Girls — the band's Tape Songs will be released a little later this year. Below is the public's first taste of the album in a great music video for "Kate."
• The trio Public is the newest of the "New Artist of the Year" nominees. Though not far removed from high school graduation, the band already has a tight, masterful AltRock sound that should take them far. The three high school pals are talented musicians inspired by the likes of Muse, Led Zeppelin and The Killers. Public has released just one EP, Red, but it's a wildly impressive start. The songwriting and performance skills exhibited on Red (on which you can also hear touches of The Strokes and Modest Mouse) give one an indication that Public's just getting started and future work might be scarily good. Just last month, Public debuted the music video for the EP's "Castle in the Sky."
• Though not eligible for your vote Friday because they had to decline the invitation to play the New Music Showcase due to scheduling conflicts, be sure to read up on R. Ring. The duo teams local guitarist/singer/songwriter/engineer Mike Montgomery with Dayton, Ohio music hero Kelley Deal. After meeting during a recording session, R. Ring was formed to help Montgomery get over some stage fright about playing a solo show. Though they didn't do the usual "let's get signed!" hustle and bustle, intending to keep the project casual, their unique style quickly began to gain attention. R. Ring played South By Southwest last year and have a European tour on the schedule for this March, though activity will largely have to be routed around Deal's other big 2013 adventure — a world tour with sister Kim to celebrate the 20th anniversary of their band The Breeders' seminal Last Splash album. There isn't a lot of recorded material available yet, since R. Ring has officially only released one 7-inch single, but you can check out their Daytrotter session here. Below is the A-side of R. Ring's single, "Fallout & Fire," which showcases the twosome's sparse, hypnotic approach.
Friday's New Music Showcase at Bogart's starts at 8 p.m. and tickets are $7.
• Combining some of the idiosyncrasies of modern Indie Folk with uplifting Pop melodies, Chamber music arrangements and an Americana grab-bag of various other influences, the trio Plume Giant makes a glorious noise that is buoyed by the clever, collaborative songwriting, as well as the trio’s vocal chops, which add a slanted, colorful layer to the group’s sound via frequent and flawless harmonies. The threesome — which formed after meeting each other while attending Yale — makes this glorious noise with fairly spare acoustic instrumentation (Oliver Hill plays guitar guitar and viola, Nolan Green plays guitar and harmonium and Eliza Bagg plays violin, harmonium and various other instruments). But the sound of the group’s recent debut full-length, Callithump, is full-bodied and far from minimalistic. On the dynamic 2012 release, the trio explores traditional Appalachian music, swingin’ Jazz, Tin Pan Alley pomp and breezy Folk Pop, but all of it is filtered through Plume Giant’s distinctive vision, with hints of the avant-garde beneath the inescapable harmonies and lovely aura.
The now Brooklyn-based trio performs a free show tonight in Over-the-Rhine at MOTR Pub with like-minded Cincinnati-based Chamber Folk ensemble The Happy Maladies. Showtime is 9 p.m.
Here is Plume Giant's smile-inducing "We Got It Made" video from their debut LP, followed by The Happy Maladies' "New Again," taken from The Emery Sessions live music video series. The Maladies' song is the title track off their 2012 release, which was nominated for "Album of the Year" at the upcoming Cincinnati Entertainment Awards.
• At the Southgate House Revival in Newport tonight, Indianapolis progressive Bluegrass group Flatland Harmony Experiment performs a free, 10 p.m. show in the venue's "Lounge." Formed just a couple of summers ago, FHE has toured the region regularly, found success on radio outlets and through online Bluegrass/Americana/Folk music channels and are seemingly on their way to becoming an even bigger presence on the national festival circuit (in June, the trio will compete at the 40th Annual Telluride Bluegrass Band Competition). The trio (Scott Nelson on upright bass, Kris Potts on Mandolin and Johnny Plott on banjo) uses the tools of traditional Bluegrass and the members clearly have a firm grasp on the music's rich history (not to mention some delicious chops and textured harmonies that'll send a shiver), but they let the songwriting go wherever their contemporary minds might take it. Fans of groups like Yonder Mountain String Band, Leftover Salmon and The Infamous Stringdusters will love this Experiment.
Last year, the string band released its debut full-length, On Our Way. Here's the album's "Secret in the Seams":
This Friday at Bogart's, the nominees in the "New Artist of the Year" category in this year's Cincinnati Entertainment Awards will perform at Bogart's for CityBeat's first New Music Showcase. Showtime is 8 p.m. and you can get tickets for $7 at the Bogart's box office (or here if you'd like to pay the ticketing fees). Proceeds from the show benefit the Cincinnati USA Music Heritage Foundation.
All seven 'New Artist' nominees will be featured in a special music edition of CityBeat out this Wednesday, with profiles of each nominee, including R. Ring, who are unable to perform Friday's showcase.
The show will feature sets from Jeremy Pinnell and the 55s, DAAP Girls, Ohio Knife, The Natives, Public and Heavy Hinges. The audience will cast ballots for their favorites; that cumulative score will be weighted by the votes of the CEA committee members.
By coincidence, two of the artists performing at Bogart's on Friday — groovy Indie rockers DAAP Girls and tight Hip Hop band The Natives — have brand new music videos out.
DAAP Girls — featuring members of The Lions Rampant and Newport Secret Six — are set to release their new album, Tape Songs, on Feb. 23 with a release party scheduled for Over-the-Rhine's The Drinkery. Each song on the album has a woman's name for the title. The band's first music video is for "Kate," which debuted this morning. Check it below.
Cincinnati Hip Hop band The Natives' new video is for the track "So Much," off of Coup D'etat, one of two releases (and numerous videos) from the group last year. The Natives had a very active 2012 as a group; in 2013, they'll stay just as busy, though they'll be focusing on completing some of the members' solo projects. Here's the clip for "So Much."
Public voting for the Cincinnati Entertainment Awards ends tomorrow at midnight, so have your voice heard and vote right now if you haven't yet. Click here to cast your ballot.
The Cincinnati Entertainment Awards ceremony is Sunday, Jan. 27, at Madison Theater in Covington. The full lineup of performers will be announced soon. Click here to get your CEA show tickets.
Voting for Greater Cincinnati's annual celebration of our amazing local music scene, the Cincinnati Entertainment Awards, is now open. Vote for your faves or, even better, do some research online, check out all of the nominees and THEN pick who you think is most deserving.
Click here to get started on your ballot.
The 16th annual CEA ceremony will be held at Covington’s Madison Theater on Jan. 27, featuring more live performances than ever and first-time host Ted Clark, known for his monthly “live chat show” Ted Clark After Dark. Ted will present a special edition of Ted Clark After Dark at the after-party, this year held at The Loft, just around the corner from the Madison and above Tickets (the former home to the Rock club Radio Down). The after-party will also include the annual “Fashion Trashies,” presented by members of local Indie Pop legends The Fairmount Girls and honoring the best/worst/weirdest-dressed CEA attendees.
Tickets to the Jan. 27 ceremony/party will go on sale this coming Wednesday through CincyTicket.com. Proceeds from ticket sales are being donated the Cincinnati USA Music Heritage Foundation.
Another new aspect of this year’s CEAs involves the “New Artist of the Year” nominees. The acts nominated in that category will perform at the first-ever CEA new music showcase at Bogart’s on Jan. 18 (confirmations pending). Audience votes at the event will help determine the winner of the category, along with votes from the nominating committee (who also choose the Album and Artist of the Year winners).
Tickets for the new music showcase will go sale soon through Ticketmaster.
Now, a few words on "the process." Since the nominees were announced on Wednesday, I've received several queries asking "How do I get nominated for a CEA?" from various artists and/or their representatives.
It's the same answer found in the old joke, "How do you get to Carnegie Hall?"
Practice. And also work hard and keep spreading the word about your awesome music.
As has been the case in the entire the 16-year existence of the CEAs (and as has been noted every year in our coverage of the event, including this year), a nominating committee is assembled each year to determine the CEA nominees. These include writers, promoters, club owners, local-music radio hosts and others whose opinion on local music-makers we trust. This year's committee included approximately 40 such people. We try our best to include those whose expertise is either wide-ranging or specific to a particular genre represented in the CEA categories. (Judges do not have votes counted if they're cast for an artist with whom the judge directly works.)
This year, invitations to participate in the nominating process were sent out to nearly 70 people, so obviously certain experts declined to participate, missed the deadline for nominees or just ignored our request.
The committee is asked to nominate up to three artists per category who caught their eyes and ears this past year. The only guidelines are that the artists should have been active in the past 365 days, the nominees should be largely original (though certainly talented, straight-up "cover bands" are generally not eligible) and the judges are also instructed to give special consideration to any act that has released new recorded material in that same time-frame.
The CEA nominating judges are listed in the CEA "program" annually. I will not release their names here because I've personally received many rude or stupid emails telling me what an idiot I am for not nominating "fill in the blank." The nominating committee was kind enough to participate; I don't want to open any of them up to such haranguing and harassment.
Finally, I'd just like to say that every year there are TONS of really great acts that deserve a nomination but don't get one. It's not personal. It's not "political." It's not "who you know." It's simply a matter of time and space. If every artist who deserved a nomination got one, the CEA show itself would run 16 hours — and that's just to read the nominations for each category.
I agree to some extent that award shows like these are a little frivolous and that the process for nominations isn't perfect. It never is, for any awards show. We have thought about letting the public nominate the artists (a la the long-gone "CAMMY" awards presented by The Enquirer), but ultimately feel that the way the CEA process is set up works best. Because, ultimately, whoever wins their category is going to deserve it.
Though we take the process seriously, we've always thought of the CEAs as more of a celebration than a contest. I invite you to think of it the same way and join us for the show, whether you were nominated or not. The CEAs are for the ENTIRE Greater Cincinnati music scene. The awards are just a good excuse to get everyone together. Instead of being a sore sport about your lack of attention, come out and congratulate and party with your fellow nominees.
Right around Thanksgiving time, CityBeat began to receive several queries via email, Twitter and Facebook, all essentially asking, "What the hell happened to the Cincinnati Entertainment Awards?"
CityBeat's annual celebration of Greater Cincinnati's best original music had been held for 15 years on the Sunday before Thanksgiving. The reasoning was that musicians who tour a lot would hopefully be home for the ceremony and regular weekly giggers might be less likely to have an every-Sunday residency. Also, we thought, perhaps the holiday timing would allow us to nab a few of the city's favorite sons and daughters (Jerry Springer? SJP? Any Lachey we could get our hands on?) as presenters.
In the end, the timing of the ceremony never really had much effect. We did have Jerry Springer — via video tape from Chicago — at the very first CEAs (held at the old Sycamore Gardens in Over-the-Rhine), but the video malfunctioned. Maybe it was an omen. We also spent many years attempting to lure the Isley Brothers to perform and be inducted into the CEA Hall of Fame, but the Isleys haven't been "local" in almost half a century, so the Thanksgiving timing was irrelevant (and the Isleys would have cost a fortune to bring to town).
We also discovered those hard-touring musicians tour so hard, having an off day the Sunday before Thanksgiving is hardly a given. Last year, for example, Artist of the Year winners Walk the Moon were on the road and unable to attend (though they still created one of the show's better moments by having their mothers accept on their behalf).
Having the ceremony in November was also a hassle once CityBeat acquired the MidPoint Music Festival, which occurs annually in late September. The CEAs bumped up a little too close to MPMF, making the organization of the awards a hectic endeavor.
So, starting with the 2012 Cincinnati Entertainment Awards, the ceremony will now be held in January. This change allows our staff to fully focus on the CEAs without battling MPMF fatigue. And it creates an easier-to-track window for nomination consideration. In the future, the Album of the Year category's eligibility timeframe will be anything released that year. Previously, the timeframe was approximately October of the previous year to October of the current year. (This year, eligibility will be extended to anything released in 2012, but also includes releases that came out October-December 2011.)
The 16th annual Cincinnati Entertainment Awards ceremony will be held at Covington's Madison Theater on Jan. 27. This year's host will be the very funny Ted Clark, who is also making plans to do his popular "live talk show" at the after-party (read more about Ted here). And there will be more live performances at the CEA ceremony than ever before. Ticket info, the lineup of performers and more details will be released soon.
(Let's get this out of the way right up front, since the Northern Ky. locale always gets mocked every year — yes, the "2012" "Cincinnati" Entertainment Awards will be held in Covington in 2013. How odd!)
Another new wrinkle for the CEAs this year will be a live showcase of the "New Artist of the Year" nominees; the winner of the category (normally decided by the nominating committee) will be largely determined by audience vote at the showcase, which is scheduled for Friday, Jan. 18 at Bogart's. More details to come.
The 2012 CEA nominees — determined by a large pool of local music experts, including writers, bloggers, club owners, radio show hosts and others (this year's committee is the largest yet) — will be announced Dec. 12. The ballot will go live at citybeat.com and then it's up to you. Fan voting determines all categories except for the "Critical Achievement" ones — Artist of the Year, Album of the Year — which are voted on by the committee.
Stay tuned for many more CEA announcements to come. And visit citybeat.com's CEA page here for a look at past nominees, winners and more.
Last night at Covington's Madison Theater, the 15th annual Cincinnati Entertainment Awards ceremony once again brought together people from all facets of the Greater Cincinnati music scene and gave them one hell of a party. Along with offering one of the best people-watching experiences of the year, the packed crowd in attendance was treated to great "mini-sets" (usualy about three tunes) from local bands Pomegranates (who also played the event's after-party at the nearby Mad Hatter), Young Heirlooms, Los Honchos, Two Headed Dog and Wussy, who closed the night out with songs from their recently released fourth album, Strawberry.
"Thanks for voting for us," Wussy's guitarist/vocalist Chuck Cleaver deadpanned as they began.
While Strawberry is among the (if not the) best albums released in 2011 so far, it missed the cut-off to be nominated for a 2011 CEA. (To be in the running, albums had to have been released between early Oct. 2010 and Oct. 2011.) Maybe (probably) next year, Wussy!
The proceeds from the Cincinnati Entertainment Awards (coming up this Sunday at Covington's Madison Theater) have been donated to various music-affiliated charities over the years. For the 2011 edition, money from the show will again be given to the Cincinnati USA Music Heritage Foundation. The non-profit organization has spent the past few years shining the spotlight on Cincinnati’s rich, often-overlooked musical past, reiterating the Queen City’s vital role in the development of so much popular music. CUSAMHF launches its inaugural membership drive with this year’s CEAs. VIP tickets for the CEA ceremony this year are $50 (click here to purchase) and include membership in the CUSAMHF’s Funky Drummer Society, named for the beat of James Brown’s “The Funky Drummer,” one of the most used drum samples in music history.
A good party needs good music and the Cincinnati Entertainment Awards ceremony has annually featured some of the best music being made in Greater Cincinnati. This year's show at the Madison Theater on Nov. 20 will be no exception. Performers for this year's CEAs will include Wussy, Pomegranates and New Artist of the Year nominees Two Headed Dog (pictured), with more to be added (we'll keep you posted). Click below for more details on the show. And if you haven't voted for your favorite local musical acts yet, what are you waiting for? Deadline for votes is this Friday at noon. Click here to cast your ballot. And go here to get your tickets to the show.