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by Mike Breen 08.30.2013
 
 
daap molly music video poster fire

WATCH: DAAP Girls' "Molly" Music Video

Cincinnati rockers host a video release party tonight at Japp's

The winners of the "Best New Artist" trophy at the most recent Cincinnati Entertainment Awards, DAAP Girls, will celebrate the debut of their new music video tonight at Japp's Annex on Main Street in Over-the-Rhine.

The spooky, visually arresting clip is for "Molly," one of the many great tracks off of the band's debut album, Tape Songs (every song has a girl's name). Shot at the Kenneweg Compound in Alexandria, Ky., "Molly" was directed by local visual artist Philip LaVelle, alongside graphic designer Josh Jacob and videographer Sean Steininger. The video is mesmerizing and matches up with the lurching, dreamy swagger of the song perfectly. It's fairly low-budget, but doesn't look it, with it's creatively captivating effects and overall vibe.

DAAP Girls guitarist/singer Stuart MacKenzie provided this synopsis of the video:

"The video tells a story of five young people on the cusp of adulthood enjoying a last weekend together. (Unbeknown) to them, they are being viewed by the ghosts of their future's past. The video incorporates aspects of romance, nostalgia and magical realism to tell an alternate, complimentary story to the song."

Tonight's new video celebration at Japp's kicks off at 9 p.m. with a DAAP Girls performance, followed by the screening of the clip at 10 p.m. The band will perform after the screening as well.

Here's a sneak peek of "Molly," followed by the video's creative credits:



Directed by Philip LaVelle
Filmed by Sean Steinger and Josh Jacob
Edited by Sean Steinger, Josh Jacob and Philip LaVelle
Special effects by Josh Jacob
Casting by Erica Turer
Catering by Joe Diedenhofer
Filmmed on location at Kenneweg Compound, Alexandria, KY
Special thanks to Josh and Stephanie Kenneweg

Cast: Cody Reinhard Amir Gamble, Zachary Müller, Sarah Davenport, Rosie Carpenter, Emma Roberts, and Allison Gathof

DAAP Girls is: Jay Duckworth, Stuart MacKenzie, Daniel Peterson, Alex Duckworth, Michael Felger, Collin Thompson, Brian Gilronan.

 
 
by Mike Breen 08.27.2013
 
 
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Seeds Keep Growing

Members of The Seedy Seeds get busy after band announces "break"

On June 4, one of the more beloved bands in Cincinnati (and, increasingly, the rest of the country), Indie Pop greats The Seedy Seeds, announced that they were going on "break" on their Facebook page. The post was worded to suggest this is an "indefinite hiatus" — the words "break up" were not used, but there's no sign of activity from the band on the horizon (fans are also leaving "R.I.P." messages on their Facebook page).

In the "break" announcement that sounds like a "goodbye" one, the trio writes, "While we each have new projects to which we must now turn our energies, it's very hard to imagine how to live any moments from this point on as anything but Seedy Seeds."

Some of those new projects have been making themselves known recently. Seed Margaret Darling has been performing her solo material regularly on the local club front and, yesterday, it was announced she has some touring in her immediate future.

The band Distant Correspondent, described as Indie Dream Pop and featuring members located in different cities around the world, announced that Darling will be joining them on their upcoming fall tour. The supergroup made itself known to the public earlier this year and received a lot of press right off the bat. The band features David Obuchowski from Brooklyn's Goes Cube, the U.K.'s Emily Gray (from British Post Rock crew and John Peel faves Meanwhile, Back in Communist Russia), multi-instrumentalist Michael Lengel on drums (whom Obuchowski met when he moved to Colorado) and Seattle bassist Tyler Wilcox, as well as fantastic Indie singer/songwriter Edith Frost (who is not touring with the band this fall).

Here's what Obuchowski had to say about bringing Darling into the fold:

Being in a band with members in different cities and even countries is pretty liberating. Sure, it's not always the easiest thing in the world from a practical standpoint. But the flip-side is that it affords us the opportunity work with musicians we love, even if they don't live close.

With that in mind, we're thrilled to announce that we'll be bringing along Cincinnati-based solo artist, MARGARET DARLING as our featured vocalist for our upcoming record release tour. We're big fans of Margaret's solo work, and her work in the now-defunct Cincinnati indie-pop powerhouse THE SEEDY SEEDS. In fact, when it came time to put together a show in Cincinnati for our record release tour, we asked Margaret Darling to share the bill with us before we tapped any other artist. Margaret's music (as a solo artist and with her former band, The Seedy Seeds) has been described as "dizzying, perplexing and wonderfully fun" (NPR), and "no less than impressive - intimate and addictive" (CincyMusic.com).

Darling is joining the tour as "guest vocalist," beginning on the opening date in Denver on Oct. 23, the day after the band's self-titled album is released through Hot Congress/Old Flame Records. Click here to check out the music video for the Distant Correspondent track "Summit."

Meanwhile, Darling's Seedy Seeds co-founder Mike Ingram has been busy as a road sound technician, but he has found time to work with a new collaborator, great local singer/songwriter/guitarist Jasmine Poole, who works under the name Wonky Tonk.

Ingram (who harmonizes and plays guitar) and Poole have been working on new Wonky Tonk material and, given their hectic schedules, they even created a cyber-concert for fans to check out while they wait for it.
 

Wonky Tonk Live Aug 2013 from Wonky Tonk on Vimeo.

As luck would have it, both musicians are currently in town and tonight will be performing at the Nothside Tavern. The free show (in the club's "front room") features Wonky Tonk, Mr. Pointy and Kyrst and starts at 9 p.m.

Also in Seedy Seedsland, the group's drummer, Joe Frankl, has poured all of his focus back into his great Pop Rock trio of the past 10 years, The Frankl Project, alongside bandmates Jake Trippey and Paul Schroder. The band has been doing regular tour dates in support of its excellent new album, Standards. The band is hosting the album's local release party this Saturday at the Northside Tavern. The show is free and features special guests The Pinstripes, The Happy Maladies and 46 Long.

Here's a teaser The Frankl Project posted on YouTube. Click here for more on Frankl Project.

 
 
by Amy Harris 06.28.2013
Posted In: Live Music, Interview, Music Video, New Releases at 11:54 AM | Permalink | Comments (0)
 
 
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Q&A with The Eli Young Band's Chris Thompson

Band in Cincinnati to open tonight's sold-out Kenny Chesney concert at Riverbend

The Eli Young Band brings a taste of Red Dirt music to the forefront of Country music. The band has an upbeat and distinct sound that has caught on quickly on a national scale. EYB saw mild success through the years touring on Jet Black and Jealous and hit a major stride with its most recent album, Life At Best, featuring the hits “Even If It Breaks Your Heart” and ACM "Song of the Year," “Crazy Girl.” 

The Eli Young Band has now reached a new height, opening Kenny Chesney’s current tour (which is hitting mostly stadiums). CityBeat was able to catch up with band drummer Chris Thompson to get the band’s feeling on its new found success and life on tour with Kenny. The tour comes to Cincy tonight at Riverbend Music Center for a sold-out stop (the tour moves to Crew Stadium in Columbus on Saturday night). It is truly the most impressive tour in Country music.

CityBeat: How did the tour come about with Kenny Chesney?

Chris Thompson: A lot of people don’t know this but Kenny is really involved in who he picks to go on tour with him. In a lot of other tours, a record label will put someone on the bill or management will partner up with other management to find a tour that works with that kind of artist, but Kenny is super hands-on.

Two years ago at the Academy of Country Music Awards, we were nominated for "Song of the Year" and so was Kenny, and we actually beat him, we won the category. I guess shortly after, there was a text going around from Kenny to his management, “Who are these guys that beat me?” and “I want to find out more about them.” He started getting into our music and shortly after we got the phone call that we were invited to go out on tour with him.

It’s just a huge honor. Like I was saying, he hand picks the folks that are out here on the road with him. It’s the biggest tour in Country music and we are just happy to be here.

CB: I was there the night you guys won the "Song of the Year" award. I was so happy for you guys. I know you have worked very hard over the years. What was the highlight of CMA for the band this year in Nashville?

CT: We were only there for a couple hours really. We flew in that morning and did a signing for two or three hours and then had a couple meetings. Then, we were out of town.

We have been going to CMA Music Fest for seven or eight years now. Back in the day we would stay for three or four days and play a show or two and be able to hang and meet as many people as we could. It seems like more and more nowadays, especially with the tours we have been on and our headlining tours, we are only able to get in for a day and get out.

It is always fun to do the signings because you meet people from all over the country and from all over the world really who love Country music. They are so excited to meet you. They are die hard fans. They bring pictures from five years ago when we met. It’s just cool that Country music does that. We are the only genre of music that has anything like that where fans can go and interact directly with the artists and have one-on-one face time with them.

CB: Tell me a little bit about “Drunk Last Night,” the new single.


CT: I think “Drunk Last Night” is a lyric we can all relate to. When we all first heard the song, we were like, “Yes, this is a song for us."

A lot of people hear a title and automatically think it’s a drinking song. We went through some of that with “Crazy Girl.” A lot of people saw the title and went “Oh, I know what this song is about,” and I think they were wrong.

I think people will find this is not the standard drinking song. It is all about, I hate to sum it up as drunk dialing, but it is kind of like the thought of doing that and alcohol feeding that desire a little bit more than in daily life.
It is also a song that we went in the studio and recorded (and) as soon as we finished the session, we could go out and play (it) live right now because it’s a great track, it’s rocking, it’s in our wheelhouse and we actually did. We started playing it at the very beginning of the Chesney tour before it was even picked as a single. The crowd really seemed to dig it and now here it is, going to be a single. Good stuff.

CB: Do you guys know or do you have a feeling when you have a hit or when you hear a hit presented to you?

CT: Yeah. I think sometimes you hear a song, sometimes people say the song gives them chills and they know that’s the one. Sometimes you get that feeling in your gut. When you hear a song sometimes, you write a lyric and you feel that, it is almost like that feeling of falling in love. Your chest kind of swells.

When multiple people feel that way at the same spot or for the same song, then I don’t know if anybody can guarantee a hit, but you know that it is at least a lyric or a song that people can relate to and I think typically good songs are universal in that sort of way.

CB: I loved your “The Cuss Jar” video — I could buy a house if I implemented that process. I wanted to know if you had bought anything fun with the money?


CT: No, actually I think that era ended. The jar got too full and I think we used that jar for laundry money one day when we stopped somewhere on the road and had a few days off and emptied the whole thing for band and crew’s laundry. Then we got too lazy to keep up with it.

CB: What has been your craziest tour story recently?

CT: I think playing Cowboys Stadium in Dallas on the Chesney tour was probably the craziest thing because we are from Dallas and we have played every tiny bar around the stadium. To just get up on stage at the biggest stadium in America was totally wild. All of our families were there; it was craziness.

CB: That’s such a special moment, I am sure you have plenty of those all the time. Do you do anything special yourself to keep the tour memories? Do you take photos or journals? Some bands blog or journal and do things to keep it fresh.

CT: Yeah, we have been fortunate on this tour, since the beginning of this year, we have had a guy out on the road with us that has started doing social media. Mainly he is taking pictures. Since January, this whole thing has been documented and we really appreciate that.

It is definitely hard for us to get good photos when we are on stage playing, when we are really in the moment, because we are playing, so he is out there doing that. This is the biggest tour we have ever done and just the momentum that this year is building, we are just happy about that.

CB: What does a typical day look like for you?

CT: On the Chesney tour when we are doing stadiums like we are doing today, we will go out and do a tailgating event, at 1 or so in the afternoon, we will all get into some golf carts and we will go out to where all the fans are tailgating and they will bombard us with jello shots and beer bongs and the local foods they have.

We hang out with them for an hour or two then we will start doing radio events where we will play a couple songs acoustic, sitting on our bus or backstage for various winners. Then we will do a meet and greet for about 60-100 people. Then, we will grab a bite to eat around then. Then we hit the stage and rock out for about an hour.

After that, we will go hang out with some radio folks or some friend that are in town and wind down about the time Kenny hits the stage so we can watch him. It’s pretty cool. It’s pretty unreal.

CB: If you could trade places for anyone for about a month, who would it be?

CT: Right now it feels like we are living the dream. I think the four of us are really happy with what is going on in our careers right now. We have had some national success. It feels like we have broken out of being a regional band and it feels like we are on the cusp of something more than that. It’s a great time for Eli Young Band and it is important for us to enjoy this. I probably wouldn’t want to trade places with anyone right now.

CB: What can the fans look for from you guys tonight in Cincinnati?

CT: We try to always bring a high-energy show. We were playing a show last night and there was this older gentleman almost in front row sitting in his chair arms crossed and it looked like he wasn’t really enjoying himself. About halfway through our set he leaned over to his wife and he points at us and he goes, “Those guys are workin’ up there.” Then he smiled real big.

We want to bring that energy. We want to get on stage and have a good time and fire up the crowd. We go on right after Kacey Musgraves. Kacey is real cool and laidback and all that when she does her thing and it’s great. Then we get to come in and kick the audience in the butt a little bit.

During our set we have some new music in there and some cover songs I think gets the crowd up and clapping. After that Eric (Church) comes up and burns it down. Then Kenny Chesney comes out and the place goes nuts.

 
 
by Blake Hammond 06.13.2013
Posted In: Music Commentary, New Releases, Music Video at 09:39 AM | Permalink | Comments (0)
 
 
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14 Songs That Absolve Kanye West of His Social Sins

Kanye's public persona has overshadowed his music. It shouldn't

“Has anyone seen Kanye lately? I haven’t heard him piss off the world in like a week so I’m starting to worry.” – Tweeted by me on May 16 at 3:59 p.m. 

Not 30 minutes later, at 4:28 p.m., this tweet from Rap-Up.com popped onto my Twitter feed, “‘I ain’t kissing nobody’s motherfuckin’ babies. I drop your baby and you sue me’ – Kanye West”

Like many other Kanye West fans, this is what I’ve had to deal with for the last 10 or so years of his solo career. Whether this soon-to-be father is ranting about not being a celebrity and holding random people’s children, drunkenly yelling at pretty white girls at award shows, freaking out Mike Myers on live television or impregnating the bumper sticker on the Bentley of pop-culture, Kim Kardashian, it’s been hard for Yeezy fans to deal with how “cray” Kanye has been since he was thrust into the public eye. 

But with his near-brilliant performances of “Black Skinhead” and “New Slaves” on SNL recently (songs from his forthcoming album, Yeezus, due this coming Tuesday), all of Kanye's followers were reminded that Kanye is a lot like your drunken uncle at Christmas. 

Sure, it was embarrassing when he threw up on your sister’s gifts halfway through his tirade about “Obama phones” and how the commie teachers at the university you recently graduated from are ruining America’s youth. But after a long clean up session and your mom stops crying, you open up the card that he gave you before his seventh Scotch and the contents inside contain a joint, $300 and a note stating, “Don’t spend it on drugs,” then you’re immediately reminded of why you loved him in the first place. 

So no matter what outlandish behavior Kanye comes up with next, I think we all need to be reminded that the “cray” that has inspired Kanye’s less attractive moments is the same “cray” that has been the driving force in creating some of the most genius and interesting songs in Hip Hop of the last decade. 

14. “Drive Slow (feat. GLC & Paul Wall)”; Late Registration – As the laidback beat puts the listener in a trance, Kanye paints a vivid picture of a summer spent driving around with his friend/mentor Mali; blasting his demo tape, looking for girls and desperately trying to grow up too quickly. Even though Kanye displays his great storytelling ability on this song, the real accomplishment here is that West found a way to make Paul Wall’s feature not sound ridiculously out of place, which is a feat in and of itself.

13. “Say You Will”; 808’s & Heartbreak – 2008 was a weird year for Kanye. Hell, 2008 was a weird year for all of us. But his unabashed openness (as you’ll see with the rest of this list) about his lady troubles is what makes this a song stick out. The only downside of this track? It gave Drake the green light to be all open and overly emotional on all his records, so thanks a lot, Kanye!

12. “Drunk and Hot Girls”; Graduation – A lot of people don’t care for this song, which is understandable because it’s not one of Ye’s deeper cuts. What this song does do, however, is give a perfectly, comical description of how one-night stands go. Plus, the song ends in him getting this girl pregnant, which brings to mind that slap-in-the-face reality check that every man and woman has the morning after a random sexual encounter (“Oh my god, not only did I overdraw my account at White Castles last night but is this the person that’s going to ruin my life for the next 18 years and nine months?!?”).

11. “Bittersweet”; Graduation This is the first time Kanye blatantly admits he is in the wrong on a track. Sure, the first half of the cut makes him seem like a total asshole (wanting to drunkenly “shake the shit out of” his girl), but it makes his soul-spilling at the end all the sweeter. 

10. “Addiction”; Late Registration – What’s your addiction? Is it money, girls, weed? Kanye has been afflicted by not one, but all three. But hey, that’s what makes this cut great. There is no catharsis or happy ending about how he found his will power and conquered his many ailments. But instead, we get a track about how, no matter what happens, no matter how hard he tries, his will power will always lose to the bad parts of his life, because they are just too damn good to resist – which is something everyone can relate to.

9. “Everything I Am”; Graduation – He’ll never be picture perfect like Beyonce (no one will, ever) or rock some mink boots in the summer time like Will.I.Am (no one should, not even Will.I.Am), but what Kanye can do is spit some harsh truths about public criticism and Chicago violence over a soothing beat. So please, keep talking shit about him at barber shops if this is going to be the outcome.  

8. “Can’t Tell Me Nothing”; Graduation – Kanye addresses a few of his crazy outbursts on the first verse of this track (including the whole “President Bush doesn’t care about black people, right Mike Myers?” incident) and handles it with a precision and poise. He admits that the scrutiny and pressure of fame has changed his behavior, but he doesn’t know how to be himself (slightly crazy) without being criticized by the media. Can any of us understand that feeling? No. Does it sound like a bullshit excuse? Yeah. But hey, at least he knows he has a behavioral problem. Admitting it is the first step. 

7. “Spaceship (feat. GLC & Consequence)”; The College Dropout – Anyone who has had a shitty job (service industry, retail) would be lying if they hadn’t felt violent urges towards overzealous mangers who take their jobs too seriously. Lucky for us, we can live vicariously through Kanye on this joint instead of becoming the next viral sensation on worldstarhiphop.com. 

6. “Jesus Walks”; The College Dropout – This song came out right when I got confirmed, which, as any of you were raised Catholic will know, is also the same time you stop going to church. It made me feel good to listen to Kanye, like his brand of socially conscious, Christ-loving jams were the sole key to my salvation and the only thing that could outweigh my deeply engrained Catholic guilt. Plus, who else could make a club banger about Jesus? Nobody but Yeezus. 

5. “All Falls Down”; The College Dropout – Does anyone else remember when Kanye was the self-conscious outsider of the Rap game? You probably don’t, hell, I don’t even know if Kanye remembers. You’d think Kanye’s egotisical façade he has concocted in place of his old persona would force him to listen to his own music more. But, alas, I fear that this Kanye is dead and gone, much like the career of that cute girl from Clueless that was in the music video.  

4. “Roses”; Late Registration “You know the best medicine go to people that’s paid/If Magic Johnson got a cure for A.I.D.S./And all the broke muthafuckers past away/You tellin’ me if my grandma was in the N.B.A./Right now she'd be ok?/But since she was just a secretary/Working for the church/For thirty five years/Things s’posed to stop right here?” 

Kanye makes you feel the pain, anger and confusion of his family as they sit at the bedside of his dying grandmother on this track. I cry literally every time I hear this song come on, but I’m emotionally unstable. Then again, I’m pretty sure if you don’t at least slightly tear up; you don’t know what love is or your mom didn’t hug you enough as a child.

3. “Blame Game (feat. John Legend & Chris Rock); My Beautiful Dark Twisted Fantasy – This track is almost “Bittersweet” in reverse because it’s West whose emotions are constantly toyed with by his love interest as she lies about seeing another man. Although this song is mostly serious (especially heavy during the beautiful done Chloe Mitchell poem) it ends hilariously as Chris Rock is revealed as the “mister” (male version of mistress?), reaping the benefits her apparent education at “Kanye West School of How to Wear Some Fucking Jimmy Chu’s” 

2. “Through The Wire”; The College Dropout – If you ever question Kanye’s dedication to the craft, go back and listen his first single, “Through the Wire”. Done only two weeks after a car crash that almost took his life, Kanye hit the studio and rapped with his jaw wired-shut. Nowadays, Nicki Minaj can’t even show up to her set at Summer Jam 2012 because radio personality, Peter Rosenberg, dissed her Katy Perry rip-off, “Starships.” So next time you want to diss Kanye, just remember, despite his flaws, he’s one of the only popular artist’s keeping the spirit of hip-hop alive. 

1.“Runaway (feat. Pusha T)”; My Beautiful Dark Twisted Fantasy – He pleads without being pathetic. He’s unflinchingly honest without being cliché. But most of all, he’s artistically progressive without losing his knack for pop sensibility. The beat is one of the most simplistic of his career, but never once feels repetitive or overdone by the end of this 7-minute-and-49-second journey. From top to bottom this has to be considered Kanye’s masterpiece, but who knows, he’s outdone himself before. 

Other Notables: “Heard ‘Em Say”, “The Glory”, “We Don’t Care”

 
 
by Mike Breen 05.09.2013
Posted In: Local Music, Music News, New Releases at 11:34 AM | Permalink | Comments (0)
 
 
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Kenny Peck & the Smoky Jack Band Go Country

Veteran singer/songwriter Kenny Peck celebrates new Roots album tonight in Newport

Tonight, dynamic Northern Kentucky group Kenny Peck & the Smoky Jack Band will celebrate the release of their new album, Country Jack, at the Thompson House in Newport.

Following up last year’s Naked Jack, which explored various forms of Pop/Rock, Country Jack focuses on the Country and Folk sides of Peck's schizo musical personality. Steeped in a vintage Roots style (and peppered with engaging lyrics that range from bittersweet to comedic), the new album includes some top-shelf local players, including Harold Kennedy, Bob Nyswonger, Lisa Biales, Marcos Sastre and Jeff Roberts, as well as a few musicians from Nashville, Tenn.

Peck grew up in Dixie Heights, Ky., and was drawn to the regional sounds of Bluegrass and Folk. Peck started writing and publishing songs in high school and college, before heading off to serve in Vietnam. Peck moved to San Diego after he was discharged and kicked off his music career with the original Smoky Jack Band in the early ’70s. From there, Peck played in various duos, including a comedy/musical act with his wife called The Special K. Peck settled in Greater Cincinnati in 1989 and continued writing and recording music. Naked Jack was his first album release in a dozen years.

Tonight's release party starts at 7 p.m. The $15 cover charge also includes a copy of the new album on CD.
Read more about Peck and find details on his releases at smokyjackband.com.

 
 
by Mike Breen 04.18.2013
Posted In: Live Music, Local Music, New Releases, Music News at 01:30 PM | Permalink | Comments (0)
 
 
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LISTEN: "Pyro Hippies" by Vacation

Spiky Cincinnati Noise Pop band has track from forthcoming album world premiered by Spin

Cincinnati Noise Pop trio Vacation had the first sampling of its forthcoming sophomore LP debuted by Spin.com today. The messy but blissfully melodic track "Pyro Hippies" is set for the band's Candy Waves album, scheduled for release on June 18 through New Jersey-based label, Don Giovanni Records.



Vacation features singer/drummer Jerome Westerkamp (former singer/guitarist for The Read), guitarist/singer Peyton Copes and bassist/singer Evan Wolff (both formerly of Till Plains).

The road-tested trio will play a couple of shows in July and then do three weeks on the road starting in early September.

"Vacation" is starting to sound downright ironic given the busy bees Westerkamp and Copes have been lately. Besides Vacation, the pair is also 2/3 of the much-buzzed about trio Tweens, self-described as a "Nasty Doo Woppy band." The group — which mines a vein similar to Vacation, but with a female vocalist — has been garnering big attention from both music fans and the industry. Tweens recently opened for The Breeders when the "Alt" legends played a tour warm-up show at Southgate House Revival in Newport in advance of their global jaunt celebrating the 20th anniversary of the seminal Last Splash record. It must've gone well — Tweens were chosen to open for The Breeders in Washington D.C., Philly and New York City in early May.

Look for a profile of Tweens in the May 1 edition of CityBeat. In the meantime, check out "Rattle&Rollin," which the esteemed U.K. label Fat Cat showcased on its website a couple of weeks ago.

 
 
by Mike Breen 04.10.2013
Posted In: Local Music, Live Stream, New Releases, Music News at 11:54 AM | Permalink | Comments (0)
 
 
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Cincy's Mixtapes Debut New Song on The A.V. Club

Rock crew slates new LP, Ordinary Silence, for June 25 release

Local Pop Rock crew Mixtapes' first track from their forthcoming full-length Ordinary Silence premiered today on The A.V. Club, The Onion's non-parody (yet still often funny) arts and entertainment website.

The little hyper-catchy slice of melodic heaven "Elevator Days" will be featured on Mixtapes new album, Ordinary Silence, which is scheduled for release on June 25 through California-based independent label, No Sleep Records. If radio had a brain, this tune would be a radio smash. But, well, you know …

Singer/guitarist/songwriter Ryan Rockwell says "Elevator Days" is "a song about being so stuck that short of running away or crying you feel hopeless,” says Rockwell.  “It's a song about realizing that every day I judge everyone around me and never realizing I'm the one that needs to change. 90 percent of our problems with other people i think are actually ourselves, it can be an awful realization, and also a necessary one.”

Click here to listen to the track or check out the YouTube version below.
If you pre-order the new album, you'll receive an automatic download of "Elevator Days."


The 14-track album was recorded with Eric Tuffendsam at Moonlight Studios in Fairfield, just like Mixtapes' debut release, Even on the Worst Nights, which came out just last year. The band is gearing up for a massive cross-country tour starting in May, which will culminate with a couple of weeks on the Vans Warped Tour. Mixtapes is slated to appear at the Warped Tour stop at Riverbend in Cincinnati on July 30.

Click here to read our interview with Rockwell from last summer.

 
 
by Mike Breen 03.25.2013
 
 
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LISTEN: New Single from The Cliftones Debuts

Exclusive stream of DJ Prophecy-mixed, Scientist-mastered "Hold Steady"

Eclectic Cincinnati Reggae crew The Cliftones — one of the best Reggae outfits in the region — will be celebrating the release of their latest single, "Hold Steady," this Saturday with a show at Northside club Mayday. DJ Mowgli will also perform. Advanced tickets are available now for $7 here. The first 100 people through the door will receive a free download card giving access to the single.

Like the band's previously released single — "Hard Ground," released in January — The Cliftones once again have some legendary ears/mixing fingers involved with "Hold Steady." "Hard Ground" was mixed in D.C. by Jim Fox, who has worked with icons like Black Uhuru, Gregory Isaacs, Barrington Levy and Culture. For "Hold Steady," DJ Prophecy (known for work with Bassnectar and Glitch Mob) handled the mixing, while Dub legend Scientist handled mastering duties.

The Cliftones will be unleashing two more singles in the coming months, leading up to a vinyl EP release this summer. Find out more about The Cliftones here and here.

Here's the exclusive stream of "Hold Steady":



 
 
by Mike Breen 01.09.2013
Posted In: Live Music, Music News, Music Video, New Releases at 02:48 PM | Permalink | Comments (0)
 
 
jamaican queens-photo-andi hedrick

Music Tonight: Jamaican Queens, Elia Goat and More

Detroit producers/Electro musicians Ryan Spencer and Adam Pressley formed its new project Jamaican Queens last year, following the demise of their previous band, Prussia. The pair bonded over a mutual love for Hip Hop production, something that would find itself central to Jamaican Queens winding sound. Together less than a year, the twosome's single "Kids Get Away" introduced the newcomers with a sound that blends EDM, Hip Hop sounds and rhythms and a somewhat psychedelic brand of Indie Pop.

The band calls its music "Trap Pop," a reference to the Trap style of Hip Hop that is something of a successor to the old Southern Crunk style. Still, you won't mistake Jamaican Queens' music for T.I.'s — JQ's unpredictable, fluttering style recalls MGMT's last two albums had the Electronic aspects of their music been more prominent.

Jamaican Queens' first full-length, Wormfood, is due in February and was mixed by Christopher Lazlo Koltay, a former Cincinnati musician who has been enjoying a successful engineering/production career in Detroit the past several years, working with artists like The Dirtbombs and Akron/Family. Here's the song that has garnered the band the most attention so far, "Kids Get Away."


Jamaican Queens is joined by thrillingly creative and dynamic rockers Automagik out of Covington for tonight's free, 10 p.m. show at MOTR Pub in Over-the-Rhine. The band's elastic, left-field Rock, which at times sounds like a crazier, New Wavy Foxy Shazam (pals of the Automagik dudes), is on glorious display on the trio's just released new album, Black Sundae. Give the album a sample listen below.


• Indie Folk Pop Rock troupe Swear and Shake are starting out their 2013 with a bang, hitting the road for the band's first North American tour. It helps when the headliner is the perpetually young, still quite popular G. Love and Special Sauce. The tour kicks off tonight here in Cincinnati at Oakley's 20th Century Theatre. Tickets for the 8:30 p.m. concert are $25 at the door.

Formed in 2010, the group spread its first release, the EP Extended Play, around widely for free online, notching nearly a quarter million downloads for the release. The band asked for a return favor when it went into make its first full-length; the Maple Ridge LP was funded entirely through fans via Kickstarter and released to wide acclaim last spring.

Here's the official video for the latest album's track "These White Walls."



• The January edition of Mayday's "Unsung" showcase, which features a new local band each month, takes place tonight at the Northside club at 9 p.m. This week's Unsung artist is Elia Goat.

Goat was born in Moscow but moved to Cincinnati with his family when he was a baby. He studied music a bit in high school and started to study Jazz in college when he decided he'd be better served hitchhiking around North America. That period in his life was inspirational, converting Goat from aspiring bass player to eager singer/songwriter and he honed his craft during his travels. In 2011, Goat moved back to Cincinnati with a batch of songs ready to be recorded and performed live with some pals — including a euphonium player and tenor saxophonist (Goat's band, featuring drums, bass guitar, carnet and harmony vocalists, would go on to be dubbed the Natural Horns). With an Americana/Folk sound dusted with traces of Jazz, Pop, Soul, Blues and Rock, Elia Goat fits right in with Cincinnati's varied yet often traditionally rooted music scene.

Check out Elia Goat and the Natural Horns' 2012 release, the half-live/half-studio effort Acorns, below.


 
 
by Brian Baker 11.28.2012
Posted In: New Releases, Reviews at 12:12 PM | Permalink | Comments (0)
 
 
cincyblueslabels

Review: Various - 'Play It Like You Did Back to George Street'

Shake It Records once again shines a light on Cincinnati's musical history with pre-war Blues compilation

Cincinnati enjoys a reputation as a city with a rich and colorful musical history, exemplified by the influential reach of Syd Nathan’s roster at King Records, a label that attracted and embraced every conceivable style of music and musician. And there’s a case to be made that King’s diversity was simply a reflection of the city’s broad creative scope — then, now and perpetually, it’s been difficult to hang a signature genre tag on Cincinnati’s sound.

There aren’t many Cincinnatians who understand the area’s musical timeline much better than Darren Blase, co-owner of the city’s premiere record store, Shake It Records. Blase has long championed the King story; he did his thesis at UC on King Records and ultimately turned that mountain of information into a book and a screenplay, both of which remain undeservedly shelved. But like any curious student of history, Blase has never been content to concentrate on just the King legacy, wanting to connect the dots to see how it all related to his own firsthand Punk Rock experience in the ’80s. Equally important, he has always been eager to look to the city’s musical heritage before King Records, to discover the roots of Cincinnati’s unique musical culture.

Blase and his brother/business partner Jim have long used their Shake It label as a vehicle to spotlight the incredible wealth of talent in the current local and regional scene, but their latest release time travels back to the early part of the 20th century to reveal Cincinnati’s amazing contributions to pre-World War II Blues with the double vinyl gem Play It Like You Did Back to George Street.

As Blues historian Steve Tracy notes in his thorough liner notes for George Street, Cincinnati in the ’20s and ’30s didn’t necessarily exhibit a distinctive Blues identity like Chicago, New York or Memphis, but the artists that comprised the Cincinnati scene were a spirited and talented group that could have successfully infiltrated any Blues community in the country.

Representing a specific period in Cincinnati musical history, from 1924 to 1936, George Street serves as evidence of the assertion that the city’s Blues profile was anything but nondescript. George Street’s ancient recordings (of varying but ultimately listenable quality) are filled with fascinating local references (“Court Street Blues,” “I’m Going to Cincinnati,” “Sixth Street Moan,” “Newport Blues,” “Cincinnati Underworld Woman”) and a host of area artists with a firm grip on the qualities that make for great Folk and Ragtime-tinted Blues.

The collection takes its title from “Mama Let Me Lay On You,” where Walter Coleman exhorts his uncredited guitarist to reach for the passion and fire that typified performances on the long-forgotten street that was once the home to the city’s red light district and its attendant nightclubs; a good many of the lyrics to the songs on the George Street collection live up to that bawdy history.

Coleman is a pervasive presence on George Street, primarily because he assumes so many recorded identities (Kid Cole, Kid Coley, Bob Coleman, Sweet Papa Tadpole, Walter Cole), but the album also shows off the obvious skills of Sam Jones (who also went by the name Stovepipe No. 1) and Jesse James (whose four songs on George Street represent his entire recorded legacy).

George Street also offers a pair of talented jug bands. Coleman leads the Cincinnati Jug Band — “George Street Stomp” is a particular favorite – while Jones takes the helm with the King David Jug Band, typified by the rollicking “What That Tastes Like Gravy.”

Play It Like Did Back at George Street, enticingly subtitled Music From Ohio Volume 1 and beautifully illustrated by renowned local underground cartoonist Justin Green, is clearly aimed at a specific Blues aficionado. If Robert Cray and Stevie Ray Vaughan are your Blues ideals, then this album will hold little interest for you. But if you’re fascinated by the sound of scratchy old 78s and the magic that erupts from the horn when the needle is dropped on a groove that dates to a time when flappers were the rage, George Street is your early Christmas present.

Remaining copies of the initial pressing of Play It Like You Did at George Street (which went on sale for Record Store Day's Black Friday event) are available from Shake It Records (online here and at the store in Northside) only as a double vinyl album (for now), but the release comes with a download card for digital playback. The label is rolling out the record nationally in the next few weeks. To sample a trio of tracks from the release, click here.

 
 

 

 

 
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