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by Rick Pender 11.08.2013
Posted In: Arts community, Theater, Visual Art at 11:22 AM | Permalink | Comments (0)
 
 
stage door blog 11-8 - drew pulver as tevye human race - photo scott j. kimmins

Stage Door: Choices Galore

I had occasion to be in downtown Dayton on business earlier this week and thought I'd stay for the evening to catch the Human Race Theatre Company's production of Fiddler on the Roof at the Loft Theatre. It's not a space you'd immediately think of for this often large-scale show, but director Kevin Moore has put of lot of action and choreography (by Chris Crowthers) on the stage, centering on Drew Pulver as the philosophical Jewish milkman, Tevye. He's the show's charismatic core, but he's surrounded by a strong cast who really embody their roles. Wandering on and off the stage, a four-musician band, including George Abud as the expressive fiddler, ably accompanies the cast, several of whom play multiple roles. The intimacy of the Loft amplifies the heartfelt nature of the show, and the actors pour heart and soul into the joyous storytelling. This production runs through Nov. 30, so you have time to plan a trip to Dayton yourself. If you're a fan of musicals, you won't be disappointed. Tickets: 937-228-3630

If you're looking for a good musical closer to home, I can certainly recommend the Cincinnati Playhouse production of Cabaret, which gets my Critic's Pick in the current issue (see review here). Director Marcia Milgrom Dodge has taken it back to 1929 with costumes and choreography very true to the period in a seedy, sexy Berlin nightclub. The Playhouse doesn't often do musicals, but this one is done right. Tickets: 513-421-3888

Know Theatre is staging another work by Mike Bartlett. Last spring it was Cock; this time it's Bull (review here). It's a story of two people bullying a third as they compete for jobs. A nasty tale, not for the faint-hearted, but some fine writing and acting. You'll feel ashamed of yourself for enjoying it, I suspect. Tickets: 513-300-5669

A fine production of John Steinbeck's Depression era tale of migrant workers and a guy who just doesn't fit in, Of Mice and Men (review here), finishes its run this weekend at Cincinnati Shakespeare. Jeremy Dubin's performance as cranky George and Jim Hopkins as simpleminded Lenny are examples of the kind of fine acting that's a regular commodity at Cincy Shakes. Tickets: 513-381-2273

Finally, if you're in the mood for a hilarious farce, your destination should be the Carnegie in Covington. CCM Drama has transported some of its actors from the UC Campus to Covington, Ky., for a production of a deliriously funny tale of one man in Paris juggling three fiancees, Boeing Boeing. They're all flight attendants, but advances in aviation screw up his neat schedule to keep them discreet from one another. Comedy ensues. Tickets: 859-957-1940

 
 
by Rick Pender 06.21.2013
Posted In: Arts community, COMMUNITY, Theater, Visual Art at 09:13 AM | Permalink | Comments (0)
 
 
stage door image for human races avenue q - katie pees & andrew ian adams - photo scott j. kimmins

Stage Door: The Droll Days of Summer

Most of our local theaters are cooling their jets for the summer months, but you still have two more weekends to catch the hilarious, three-actor Sherlock Holmes spoof of Hound of the Baskervilles at Cincinnati Shakespeare Company. This one is definitely fine-tuned, featuring a trio of Cincy Shakes best actors — Jeremy Dubin, Nick Rose and Brent Vimtrup — directed by Michael Evan Haney from the Cincinnati Playhouse. It's a revival of a hit from last summer, so they have the comic timing of quick costume changes and fast-paced tomfoolery down pat. I understand that this weekend is almost sold out, but don't let that keep you from trying. Final performance is June 30. I hope you've deduced that you need to get for it this time around, even if you saw it before. (If you did, you know how funny it is.) It's elementary! Tickets: 513-381-2273, x1

The Showboat Majestic is a venue that floats along every summer with solid entertainment. Right now you can come on board for a classic piece of comedy by Neil Simon, The Odd Couple. It's a hit from 1965 in a production featuring a couple of great local actors: Joshua Steele as the prissy Felix and Mike Hall as the messy Oscar. They're a pair who know their way around a funny script, so it's a fine show for a summer's laugh. Tickets: 513-241-6550

Maybe you thought Sesame Street was funny when you were a kid. How'd you like to see some raunchy puppet behavior? Avenue Q is onstage in Dayton at the Human Race Theatre. The 2004 Tony Award-winning musical offers laugh-out-loud musical mayhem. But leave the kids at home: This one is aimed at those who are twentysomething and up, offering answers to a simple question: What happens to the kids who were raised on Sesame Street when they grow up? You'll find the answers — in songs like "It Sucks to Be Me" and "The Internet Is for Porn" — at the Loft Theatre, 126 North Main St. in downtown Dayton. Tickets: 937-228-3630

 
 
by Rick Pender 05.31.2013
Posted In: Arts community, COMMUNITY, Visual Art, Theater at 10:05 AM | Permalink | Comments (0)
 
 
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Stage Door: Fringe Your Weekend

The 2013 Cincinnati Fringe is at its first weekend with almost two dozen shows available for you to attend over the weekend. Pick a few and take a chance — read the commentaries by CityBeat reviewers posted here, if you want the inside scoop on various productions.

This is the 10th annual event, and it's become a big-time part of our local theater scene. You owe it to yourself to see some of these creative, odd, amusing, thoughtful pieces. And stop by Know Theatre's Underground Bar after 10 p.m. any evening to meet performers and talk with others who are enjoying the Fringe. It's a great way to get more perspectives.

More 2013 Fringe coverage:

• May 22 cover story: “Navigating the Novelties

• April 18 Curtain Call column: “Fringe Has Sprung

Complete festival schedule 

Official Fringe Festival guide



 
 
by Rick Pender 05.23.2013
Posted In: Theater, Visual Art, Arts community at 09:07 AM | Permalink | Comments (0)
 
 
todo_onstage_parade@carnegie_mattsteffen

Rising Stars

LCT singles out great theater productions and performers for 2012-2013

I wrote my Curtain Call column before the League of Cincinnati Theatres held its Monday night awards gala at The Know Theatre. So I thought you might want to learn the results. I'm glad to report that the LCT voters and I agreed about the season's best shows: I thought that Know Theatre's When the Rain Stops Falling was the best theatrical production, and that CCM Musical Theatre's production of Parade at the Carnegie was the most satisfying musical — and those are the productions that LCT cited, too.

LCT employed social media to identify audience favorites: Untethered Theatre's Red Light Winter won as the favored play, NKU's production of the musical Legally Blonde got the nod. I'm sure these were both fine productions, and it's nice to see Untethered, a new company, receive this recognition. But it's also apparent that some theaters lobbied supporters to vote for their productions, which is part of this game. So take such results with a grain of salt. Nevertheless, recognition is recognition, and that's what the awards are ultimately about — bringing good theater to the attention of the theater-going public.

There were some nice touches to LCT's program this year, including an "audience service award" that singled out people who serve audience members — box office managers and bartenders, for instance. Sue Bolger, who runs the ticket operation at NKU was named the winner, but all of these folks make going to the theater a pleasure — Brenda Berger at the Carnegie, Cal Harris at Cincy Shakes, Barb Marino with New Edgecliff and John Simpson, who runs the bar at the Playhouse.

LCT annually recognizes outstanding theater educators: This year's honorees, Mike Sherman from Colerain High School and Chad Weddle from Anderson High School, both gave grateful speeches thanking parents and hard-working kids for making it possible. These guys (and everyone who puts together high school productions) are heroes in my book: They instill a love of theater in kids, some of whom go on to careers, but many more who just come to love theater and enjoy a lifetime of happy audience membership.

Speaking of heroes, Cincinnati Playhouse Associate Artistic Director Michael Evan Haney received a standing ovation from the crowd of 200 or so when he was presented with the Rick Steiner Award for Excellence. Haney is marking his 40th year in professional theater, having spent more than 20 years staging shows for the Playhouse (including 20+ iterations of A Christmas Carol, a show he first appeared in as Bob Cratchit), as well as work at other local theaters including Ensemble Theatre and Cincinnati Shakespeare.

Four Rising Stars were also named, performers under age 25 who are on the front end of promising careers. Ellie Jamison (CCM Drama), Drew Blakeman (NKU), Jon Kovach (Miami) and Sydney Kuhlman (an Ohio Northern grad who has been a stage management intern at the Playhouse) each received a $1,000 check to get them started.

The full list of LCT winners (as well as other nominees), can be found at leagueofcincytheatres.info.

 
 
by Rick Pender 03.27.2013
Posted In: Arts community, Theater at 12:29 PM | Permalink | Comments (0)
 
 
american idiot photo john daughtry

Look for 'American Idiot: The Musical' in Cincinnati Next Year

Aronoff to host Green Day-inspired Punk Rock opera in spring 2014

Two weeks ago I caught a touring performance of American Idiot: The Musical when it made a three-evening stop at Dayton's Victoria Theatre (see review here). The performance of Green Day's album transformed into a musical theater piece was a noisy blast of defiance, full of energy – although a downer of a story about three guys being overwhelmed by everyday life. But that's what you's probably expect of a "Punk Rock Opera." We'll have it for two nights in Cincinnati, Friday, April 11, and Saturday, April 12, 2014 (that's right, a year from now) as part of the Broadway Across America series at the Aronoff (about twice the size of the Victoria). If you're a fan of Green Day, you'll want to see this one. And if you like shows such as next to normal, a recent big hit for Ensemble Theatre, it's worth noting that Green Day's songs were orchestrated for the stage show by Tom Kitt, who composed N2N's story of a bipolar mom struggling to keep her family together.

 
 
by Rick Pender 02.24.2013
Posted In: Visual Art, Theater, Arts community at 10:48 AM | Permalink | Comments (0)
 
 
onstage_blake robison - photo sarah bradley

Flying High at the Playhouse Next Fall

According to Cincinnati Playhouse's new artistic director, Blake Robison, "I'm thrilled to give everyone a sneak peak at our upcoming 2013-2014 season by announcing our first two Marx productions." Behind this announcement is the fact that the two shows are co-productions with Repertory Theatre of St. Louis, which kind of spilled the beans with an announcement a few weeks back of its two opening shows, which are swapped with the Playhouse. But that's neither here nor there, since they both mean theatrical excitement for audiences here in Cincinnati.

The Playhouse will open the season in September with Trey Ellis and Ricardo Khan's Fly, the powerful story of World War II's famed Tuskegee Airmen. The production, staged by Khan, combines live action and video projections with a tap dancer who offers insights into the hopes, fears, angers and triumphs faced by the airmen as they fight two wars — one in Europe and another back home against a rising tide of racism. Following Fly (which will run Sept. 12-Oct. 5), the Playhouse will present Kander & Ebb's classic musical Cabaret (Oct. 24-Nov. 16), a show with iconic choreography and unforgettable songs. It's set in pre-World War II Berlin, where a rising storm of Nazism swirls outside the decadent Kit Kat Club. This one will be staged by Broadway director and choreographer Marcia Milgrom Dodge, nominated for a Tony and Drama Desk awards in 2010 for her much-praised revival of Ragtime.

Robison says, "Fly is a truly unique play that brings the important and inspirational story of the Tuskegee Airmen alive for adults and young people alike. Cabaret marks the return of the big Broadway musical to the Marx stage. I've always loved Kander and Ebb for their ability to explore characters and stories in depth while entertaining the heck out of you."

 
 
by Steven Rosen 02.12.2013
Posted In: Arts community, Visual Art at 09:07 AM | Permalink | Comments (0)
 
 
crumpcam

James Crump Resigns as Cincinnati Art Museum Chief Curator

On Monday, Cincinnati Art Museum announced the resignation of James Crump, its chief curator and photography curator. He arrived at the museum in 2008. A press release said he would "pursue independent projects." The press release also included high praise for Crump from Aaron Betsky, museum director:

"We are so grateful for the great work James has done here in Cincinnati. His exhibitions and acquisitions have made us a center for photography, and we look forward to building on his extraordinary achievements."

One of those achievements, the exhibition James Welling: Monograph, just opened Feb. 2. Crump was also a leader in the organization of last year's multi-venue FotoFocus photography festival, and Cincinnati Art Museum sponsored two of its biggest shows — Herb Ritts: L.A. Style and Doug and Mike Starn's Gravity of Light.

The museum said an interim chief curator will be named soon.

Recently, the Italian art-book publisher Damiani launched a new line of Damiani / Crump books. It begins in March with Empire Falling, photographer Elena Dorfman's study of Midwest rock quarries.

 
 
by Rick Pender 02.08.2013
Posted In: Visual Art, Theater, Arts community at 08:19 AM | Permalink | Comments (0)
 
 
todo_onstage_whentherainstopsfalling_deograciaslerma

Stage Door: Something Old, Something New

A new round of shows comes your way this weekend (while several good ones remain onstage, including Freud's Last Session at Ensemble Theatre and Abigail/1702 at the Cincinnati Playhouse). Here are a few choices that are just opening:

Know Theatre is finally getting around to its first full-fledged production of the season, Andrew Bovell's award-winning drama, When the Rain Stops Falling. (The playwright's Speaking in Tongues was a much admired production at the Cincinnati Playhouse a year ago.) An intricate fabric of overlapping connections, Bovell's 2010 script moves seamlessly through time and across continents between the years of 1959 and 2039. In a world where the rain rarely stops falling, four generations of a family search for truth and hope to mend broken connections. What they discover is the impossibility of escaping the past. The production should be all the more interesting since it's being directed by Cincinnati Shakespeare Company's Brian Isaac Phillips and features a cast of nine excellent actors, four of whom are CSC regulars. It will be onstage through March 16. Box office: 513-300-5669.

To see another award winner, you need to head up I-75 to Dayton where the Human Race Theatre Company is offering the regional premiere of Eric Simonson's bio-play, Lombardi. Set in 1965, it's a portrait of the legendary coach of the Green Bay Packers through the eyes of a young reporter assigned to follow the sports icon, a man full of passion and drive without equal. The show had a recent run on Broadway, and I expect it will attract an audience not normally drawn to the theater. Through Feb. 24. Box office: 937-228-6830

Falcon Theater, which presents its shows in the tiny Monmouth Theatre in Newport, is staging the Tony Award and Pulitzer Prize-winning play Doubt, a success on Broadway, at the Cincinnati Playhouse, and on movie screens. It's the provocative story of a starchy nun who thinks it's possible that a priest has abused one of her students. Although she's not sure, her accusations have dire ramifications. Through Feb. 23. Box office: 513-479-6783

Finally, a blast from the past at UC's College-Conservatory of Music: William Saroyan's The Time of Your Life. Set in October 1939 in a run-down waterfront dive bar on the docks of San Francisco, the script is full of colorful, eccentric characters and portrays the love and follies of human nature. It's being staged by veteran faculty member Diane Kvapil with a cast of 29. This production has a short run (one weekend, wrapping up with a performance in Patricia Corbett Theatre on Sunday at 2 p.m.) Box office: 513-556-4183


 
 
by Rick Pender 01.18.2013
Posted In: Arts community, Visual Art, Theater at 09:11 AM | Permalink | Comments (0)
 
 
a&c1_abigail1702_photo_clintonbphotography

Stage Door: Options Abound

An avalanche of theater heads our way next week — including the touring Broadway musical Memphis (not Million Dollar Quartet, as mistakenly published in last Sunday's Enquirer), the regional premiere of Freud's Last Session at Ensemble Theatre Cincinnati (not "Freud's Last Stand" as the same Enquirer piece labeled it — doesn't our daily paper employ copy editors and fact checkers?), the world premiere of Roberto Aguirre-Sacasa's Abigail/1702 (in previews this weekend; read more here) and a concert staging of Lerner & Loewe's lovely musical Camelot at the Carnegie Center in Covington (with accompaniment by Mischa Santora and members of the Cincinnati Chamber Orchestra). 

By the way, there's apparently such anticipation for Freud's Last Session, which features local actor Bruce Cromer, that tickets are selling out for some performances. As a result, even before the show opens on Jan. 23, ETC has extended the show's run by a week, to Feb. 16. Box office: 513-421-3555

If you haven't yet caught Cincinnati Shakespeare Company's staging of Richard II, you really should make a point of doing so. In my review, I pointed to Brent Vimtrup's multi-faceted performance. I'll add here that there are strong supporting performances from Jim Hopkins, Nick Rose and Giles Davies (this longtime CSC favorite is back in town for a few productions). This show isn't often produced (it's the first time for Cincy Shakes in its 19-year history), but this staging will make you wonder why. It's bursting with poetry, and there's lots to look at with beautiful 14th-century-styled costumes. An Acclaim Awards panel cited Vimtrup's performance as well as Andrew Hungerford's lighting design; I gave the production a Critic's Pick. Need any more encouragement? Tickets: 513-381-2273, x1

Elsewhere, you'll find a production of Adam Rapp's Red Light Winter by Untethered Theater at Clifton Performance Theatre. This is a chilly drama about a weird love triangle. It's a great piece for three young actors. Look for a review in the next issue of CityBeat. (Tickets: 513-939-0599) If you want something a little lighter, consider Moonlight and Magnolias at Mariemont Players, a very dependable community theater on Cincinnati's east side. The show is an amusing reconstruction of the behind-the-scenes shenanigans involved in writing the script for Gone with the Wind. It's told with a lot of slapstick that will have audiences laughing out loud. (513-684-1236)

 
 
by Rick Pender 12.14.2012
Posted In: Theater, Arts community at 11:49 AM | Permalink | Comments (1)
 
 
holiday_onstage_achristmascarol

Stage Door: Making Merry Edition

By next weekend you'll be all crazy with gift shopping and baking cookies, so theater might not be such a high priority. So how about catching a great holiday show this weekend to put in in the holiday mood?

Starting Sunday evening you can get caught up on Christmas lore — well, at least a funny, off-kilter version of it — thanks to the jolly folks at Cincinnati Shakespeare Company who are presenting Every Christmas Story Ever Told (and then some)! The mash-up of Rudolph and Frosty and Santa and Ebenezer and George Bailey (and a lot more) opens on Sunday evening. Cincy Shakes used to offer this one in the courtyard at Arnold's Bar & Grill, but they had such demand for tickets that they've moved it to their mainstage, over on Race Street in Downtown Cincinnati. They seem to have been correct in anticipating that people wanted to see the show: Several days before it opened, almost all the tickets had been sold! So they've added four more performances, 2 p.m. on Dec. 22-23 and 29-30. It all wraps up on Dec. 30, so don't waste any time figuring out when you're going fit this in. And to keep up your holiday spirits, Cincy Shakes has scored a temporary liquor permit for the run of this show. Cheers! Tickets: 513-381-2273, x1.

Speaking of Cincy Shakes, you still have a few more chances to see The Importance of Being Earnest (see review here) before it vacates the premises for Every Christmas Story. Oscar Wilde's witty farce is not a holiday show, but it's a great deal of fun, guaranteed to put you in a good mood. Although I haven't seen Falcon Theater's production of It's a Wonderful Life — recreating the story of George Bailey and Bedford Falls as it might have been without him —  it's picked up some solid recognition from a panel of judges for the Acclaim Awards. The story is presented as a production of a 1940s radio play, and it's happening in Newport's intimate Monmouth Theatre. Tickets: 513-479-6783.

Ensemble Theatre's fractured musical retelling of Alice in Wonderland (see review here) offers a colorful, visual feast as well as a take on the story that has a few lessons for kids, but plenty of entertainment for everyone. (Tickets: 513-421-3555) And the most traditional of all the holiday shows, A Christmas Carol at the Cincinnati Playhouse, continues to be a great outing for families. We had out of town guests last weekend who came to Cincinnati to see it, and they loved every minute of it. If you haven't seen it, this is one you'll remember — and probably want to add as a must-see every holiday season. Tickets: 513-421-3888.
 

 
 

 

 

 
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