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by Jason Gargano 12.09.2010
at 05:42 PM | Permalink | Comments (0)
 
 

NYTimes Presents 'Fourteen Actors Acting'

The New York Times Magazine's annual Hollywood Issue comes out Sunday. In advance of the print edition, the Times Web site yesterday unveiled an inspired take on the issue's typical photo spread that features the "actors who defined cinema in 2010." Dubbed “Fourteen Actors Acting,” the interactive multimedia supplement is a “video gallery of classic screen types” that features 14 separate shorts directed by fashion photographer Solve Sundsbo, each a minute in length with its own musical score by adventurous, classically inclined Indie artist Owen Pallet (formerly known as Final Fantasy).

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by Brandon Barb 05.04.2012
at 03:22 PM | Permalink | Comments (0)
 
 
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Marvel Hulk Smashes the Competition with 'The Avengers'

A quick look at the upcoming movies based on comic books

This week is a busy one for comic book movies. With The Avengers opening up today, all the attention has been on Marvel Comics. But, not to be outdone, DC Comics and Warner Bros. released a new trailer to The Dark Knight Rises. On top of that, it is Free Comic Book Day on Saturday.

The new trailer for the next Batman movie is two minutes of pure excitement for fans of the Christopher Nolan trilogy. The Dark Knight Rises will be the last in the Nolan trilogy, and by judging from how the stakes were continuously raised on Gotham City in his first two films, this one should be a beautiful ending to Bruce Wayne’s Batman. That is, until someone else gets a hold of the cash cow franchise.

[Read tt stern-enzi's take on The Avengers here.]

Despite releasing the trailer, DC is taking a back seat to Marvel. For years Marvel has had better movies than DC, with the exception of Nolan’s Batman, and recently the former has had a string of successful hits. This past year along saw Thor and Captain America: The First Avenger, two widely popular characters that Marvel needed to establish before going ahead with The Avengers.

DC has tried to branch out from Batman and Superman, but most of their efforts have resulted in ridiculed movies. The last Superman movie was terrible, but a new one is still in the works. Last year Green Lantern came out to mixed emotions from fans. Ryan Reynolds was surprisingly good; it was everything else that fell short in the movie. Weak villains and missed opportunities were the downfall of Green Lantern, but that is a whole other story. I will say that it was a decent attempt to start the push toward a Justice League movie.

In a way, Marvel wins the movie race because they are the first to release a movie based on their group of high profile characters. According to MovieTickets.com the pre-sale ticket numbers suggest that this movie is going to be bigger than the two Iron Man movies, Thor and Captain America. With sequels in line for the Captain, Thor and Iron Man, Marvel is going to be sitting pretty for the next few years.

This summer is going to be a great one for comic book fans. Not only is The Avengers opening up the summer blockbuster season, but The Dark Knight Rises releases July 20 and The Amazing Spider-Man on July 3. The third Men in Black movie comes out in a few weeks on May 25.

 
 
by Kelly Tucker 05.02.2011
at 12:14 PM | Permalink | Comments (1)
 
 
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Beyond the Myth: A Look at Dog Breed Discrimination

Hearing the police knock on your door never gives anyone the warm fuzzies. It’s nerve-wracking. But imagine opening your door to a police officer who’s come to take away a member of your family. They’ll be locked in confinement until a) you can permanently relocate him or her, or b) time runs out and your loved one is killed.

That’s been the harsh reality for many pit bull owners in breed-discriminatory cities, as depicted in Beyond the Myth: A Film About Pit Bulls and Breed Discrimination by filmmaker Libby R. Sherrill.

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by Jason Gargano 12.27.2010
at 07:14 PM | Permalink | Comments (0)
 
 
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Actors with Cincinnati Ties to Marry

And now this from the CityBeat entertainment gossip desk: A couple of actors with Cincinnati ties announced marriage engagements today.

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by Jason Gargano 12.02.2011
at 01:27 PM | Permalink | Comments (0)
 
 
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Friday Movie Roundup: Sundance Lineup Edition

I haven't done an exhaustive study, but it seems for the first time since I've been writing the words that appear in this space, there are no new movies opening in theaters this week. Zero.

But that's not to say there aren't plenty of worthwhile options currently residing in local theaters.

As I pointed out last week, there have been an uncommon number of strong movies released of late, including four last week: The Descendants, Hugo, The Muppets and My Week with Marilyn. That quartet follows the recently released Martha Marcy May Marlene and Like Crazy, which means a half-dozen movies in the last three weeks have garnered an A- or better from CityBeat's typically stingy crew of critics.

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by Brandon Barb 04.24.2012
at 08:59 AM | Permalink | Comments (1)
 
 
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'Jeff, Who Lives at Home' Saved Me from the 'Stooges'

Indie dude comedy feels more real than most in genre

So I recently tried to force myself to buy a ticket to The Three Stooges, but in the end my better judgment prevailed. Standing at the box office trying to convince myself that the Stooges wouldn’t be that bad was a near impossible task. There are just so many things wrong with the Stooges movie — mainly that there is one out there and the fact The Jersey Shore cast fist pumped its way into the plot. In the end I kept myself from the train wreck and saw the Jason Segel film, Jeff, Who Lives at Home.

If you haven’t heard of Jeff, Who Lives at Home that's probably because it wasn’t widely advertised and only saw a limited release in theaters. It was a stroke of luck that the AMC at Newport on the Levee was showing it that night, or, as Jeff would put it, “a sign."

Segel plays Jeff, a thirtysomething man living in his mom’s basement. The film starts like a stoner comedy with Jeff sitting on the couch watching infomercials while smoking weed. We are introduced to his belief that everything is connected somehow like in the 2002 M. Night Shyamalan movie Signs. A simple wrong number phone call leads Jeff into an eventful day.

Ed Helms plays Jeff’s older brother, Pat. Helms is a little out of his wheelhouse here, playing an all-around jerk who is trying too hard to be a successful guy, but he pulls it off nicely. Jeff and Pat don’t get along but through series of synchronistic events end up helping one another.

Susan Sarandon plays Sharon, Jeff and Pat’s mom. There is a subplot involving a secret admirer that gives the audience a break from the two brothers. But every character seems to come together randomly at the climax on a stretch of highway.

Jason Segel tends to play lovable characters that a good number of people can relate to. Jeff isn’t any different. Sporting unkempt hair, a scruffy five o’clock shadow and an old hoodie through the majority of the movie, Jeff is a guy you could find walking down the street right now, although maybe not as big — Pat calls him sasquatch at one point.

The same can said about each of the main characters, really. Mothers are upset with their children for lying around not doing anything, while husbands make stupid decisions like buy expensive sports cars without talking it over with their wives — Pat buys a Porsche in the early going of the movie.

This was the first Indie-type film that I have seen in a theater and I was impressed. This was also the first Duplass brothers movie I’ve seen. Their last film, Cyrus, featured a son way too attached to his mother and had the same charm that Jeff, Who Lives at Home does.

Jeff, Who Lives at Home is a man-boy comedy but it feels more real than others in the category. Maybe it is the close up camera work or down-to-earth characters; either way Jeff, Who Lives at Home is a breath of fresh air amidst the spring time blockbusters.
 
 
by Jason Gargano 10.23.2009
at 12:14 PM | Permalink | Comments (1)
 
 

Friday Movie Roundup: Bite Me, Robert Pattinson

What’s up with the current vampire/zombie craze?

Yes, there’s always been interest in the genre and its preoccupation with the dark side of human nature and sexuality — from the books of Bram Stoker and Anne Rice to the movies of Bela Lugosi and George A. Romero to the television series Buffy the Vampire Slayer. No doubt blood and bare necks and sucking and such will always be alluring, but what is it about this cultural moment in time that has so many geeking out on the idea of the undead?

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by Jen Lee 07.16.2009
at 12:16 PM | Permalink | Comments (0)
 
 

Forgive the Inconsistencies in Latest Potter Film

When the quietly haunting notes of Nicholas Hooper’s score begin to play a little past midnight on July 15, cueing the opening scene of Harry Potter and the Half-Blood Prince, my heart feels like a hot cauldron bubbling with a jumble of emotions: excitement, anxiety, and even a slight trace of fear, in case things — god forbid — go horribly wrong.

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by Jac Kern 10.29.2014
at 09:03 AM | Permalink | Comments (0)
 
 
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Jessica Biel, Patrick Wilson to Star in Cincinnati-Filmed Movie

Andy Goddard's 'The Blunderer' begins filming Nov. 17

The Greater Cincinnati Film Commission continues to bring film shoots to the Queen City — next up is Andy Goddard's The Blunderer, starring Jessica Biel and Patrick Wilson. The film, based on the Patricia Highsmith novel of the same name, begins filming on Nov. 17 and will be shot entirely in Cincinnati.

Director Andy Goddard, who's worked on various TV shows and directed the upcoming Elijah Wood drama Set Fire to the Stars, will take on the 1954 psychological thriller by Highsmith. Another adaptation from the author, Carol, was filmed locally this past spring — it starred Cate Blanchett, Rooney Mara, Sarah Paulson and Kyle Chandler and was directed by Todd Haynes. It will debut sometime in 2015.

Producers from Carol are returning for the second time this year, giving major kudos to the city.

"We had a great experience in Cincinnati on our film Carol," said Christine Vachon of Killer Films in a press release. “The Film Commission, the rebate, locations, infrastructure and welcoming people of Cincinnati brought us back a second time within one year."

It also sounds like this will be another production that takes advantage of Cincinnati's historic architecture and temporarily puts the city in a retro time warp — filmmakers are looking for period cars from 1960 or earlier. To get involved with that, email blunderercars@gmail.com.

Additionally, they're looking for extras (send a headshot and email to blundererextrascasting@gmail.com) and qualified crew (send resume to blunderermovie@gmail.com). The Blunderer is set to film here Nov. 17-Dec. 21.

 
 
by John Hamilton 01.15.2015
at 01:39 PM | Permalink | Comments (0)
 
 
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Forgotten Classics: Ed Wood

Reviewing lesser-known films that stand the test of time

Last year, director Tim Burton released a film that many are considering his strongest film in a while — Big Eyes. It follows the story of the artist Margaret Keane (Amy Adams) her husband Walter (Christoph Waltz) and the scandal of Walter taking credit for Margaret’s famous ‘big eyes’ portraits. While the film itself is by no means perfect, I will say it is pretty good and it is awesome to see Burton do this type of film again.

I remember hearing about this film early in 2014 and getting excited about it. For starters, it was a Burton movie that didn’t star Johnny Depp and Helena Bonham Carter, and it wasn’t a reimagining of anything (like Charlie and the Chocolate Factory or Sweeney Todd). But the defining factor that made me excited was the screenwriters, Scott Alexander and Larry Karaszewski. These two were responsible for writing what I think is Tim Burton’s best movie, Ed Wood. Sadly, it seems a lot of people aren’t aware of this film’s existence, which amazes me considering how big Tim Burton’s fan base is.

Shot gloriously in black-and-white, Ed Wood tells the tale of Edward D. Wood, Jr. (Johnny Depp), who has been called by many the worst movie director of all time. And given how his resume consists of movies like Glen or Glenda, Bride of the Monster and the movie that has been labeled as one of the worst movies of all time — Plan 9 from Outer Space — it’s easy to see why he was given that honor. While this film does take jabs at the guy and his movies, it doesn’t beat him up or make him look pathetic; by the end of the film, you’ll be rooting for him and feel slightly motivated.

Like a lot of biopics, this movie does take some liberties with real-life events. The script just focuses on the production of the three aforementioned films and nothing else. It portrays some of the people involved in a unpleasant light, the worst being Woods’ girlfriend and future songwriter Dolores Fuller (Sarah Jessica Parker). But I’m more than willing to ignore that, mainly due to what the story wants to do. This story is of a guy who keeps being told he shouldn’t make movies. People are constantly telling him his movie are terrible — at one point someone literally tells him that Bride of the Monsters is the worst film he’s ever scene. But Eddie keeps going. That’s what makes the film so strong: You cheer for Ed because, at one point or another, we have all felt like him before — especially those in the creative community.

A recurring subject in Tim Burton movies is the social outcast, and Ed Wood features that in more than one front. We of course have Ed who is an outcast not only his bizarre filmmaking but also due to a lifestyle he has. What is it? To quote Ed himself, “I like to dress in women's clothing.” The film doesn’t exploit it to make you laugh at him (granted, seeing Johnny Depp wearing an angora sweater is funny), but the comedy comes more from people’s reaction. The only time Ed is used as the butt of a joke is when his almost infinite optimism shines in on an inappropriate time. The film saying, “Yeah, he’s an odd duck, but there’s nothing wrong with it.”

A highlight of the film is the friendship Ed forms with the aging horror icon Bela Lugosi, portrayed by Martin Landau, who won an Oscar for his brilliant performance. He hopes that his newfound friendship with Ed (or Eddie as he calls him) will revive not only his stardom but the same love and passion he had for the craft back in the old days. Eddie ends up helping him in another way, but I won’t ruin it for you.

One of the best scenes in the movie after the botched premiere of Bride of the Monster is when Lugosi thanks Ed and tells him how great it has been. Ed replies with, “I just wish you could’ve seen the movie.” Lugosi goes on say that he knows it by heart, then the camera tilts up, making the background resemble a theater, and he recites a speech from the movie gaining an applause from some bystanders at the end.

The reason why this is one of my favorites is that it shows that even when go through dark times, we should still pursue our dreams. A quote from Orson Welles (portrayed by Vincent D’Onofrio, voiced by Maurice LaMarche in the movie) sums it up best: “Visions are worth fighting for.”

Ed Wood is an amazing film that more people need to see.

 
 

 

 

 
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