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by Alex L. Weber 06.18.2009
Posted In: Live Music, Reviews, Music Commentary at 04:15 PM | Permalink | Comments (2)
 
 
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Live Review: Hank III at Bogart's

The Hank Williams family Country music legacy is fairly remarkable when you consider how three generations of men have built up audiences that would likely stand aghast at one another. Hank Williams, Sr., is a founding father of Country and Honky Tonk Music as we know it and, rightfully so, a certified historical figure, institutionally and critically bestowed with all the respect due our revered cultural heroes by the Time-Life crowd.

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by mbreen 08.03.2011
Posted In: Live Music, Music Commentary at 05:33 PM | Permalink | Comments (1)
 
 
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10 Songs Paul McCartney WON’T Play Thursday

If you wanted to, you could poke around online for about two minutes and come up with a fairly accurate list of songs Paul McCartney and his band will be playing in Cincinnati Thursday for the first major concert event at the Reds’ young Great American Ballpark. Actually, even the most casual fan could probably come up with 3/4 of the setlist off the top of their head. Despite the massive amount of classics in his catalog, there are some songs even Sir Paul knows (or thinks) he has to play.

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by Mike Breen 12.20.2012
Posted In: Local Music, Music News, Music Commentary at 11:41 AM | Permalink | Comments (2)
 
 
otr

Over the Rhine Band Co-Founder Issues Open Letter to NRA

Linford Detweiler of Over the Rhine pleads with gun-rights group to change its ways

In the aftermath of last week's once unfathomable tragedy at Sandy Hook Elementary, discussion about mental health services and gun control — thanks largely to social media — has grown to become the major topic of national discourse.

During campaign cycles, certain music fans complain loudly about artists expressing their opinions about candidates and causes, using the old "shut up and sing" line to insinuate that, as entertainers, one somehow loses the right to speak their mind.

Yet many other serious music fans understand that music and art are a reflection of our society — an artist can offer different perspectives that might help people understand some serious issue better or maybe even help them evolve their own views on particular subjects. I'm not saying we should follow artists blindly like some kind of cult. To quote Oasis, "Please don't put your life in the hands/Of a Rock & Roll band." But I for one am always eager to hear what musicians and other artists and writers I respect have to say about current affairs.

Whether within their own art or speaking out in public, artists have the same right as non-artists to express opinions. It seems that the ones with particularly large followings are the musicians attacked most often for expressing views on politics or other controversial world affairs. They fear the power an artist can have if they express an opinion divergent from their own (in much the way liberals and conservatives fear the power Fox News and MSNBC might wield).


Linford Detweiler and Karin Bergquist have never been afraid to speak up. The married braintrust behind longtime Cincinnati-based band Over the Rhine — which has a dedicated and loving international fanbase — has seen some backlash from fans for expressing "polarizing" viewpoints. Merely supporting Democratic presidential candidate John Kerry 12 years ago was enough to trigger anger amongst a few fans. The group isn't known for delving into political issues in their lyrics too often, but they have said that the song "How Long Have You Been Stoned" (
"Takin' out Daddy's trash now ain't it a drag/Trippin' on Papa's brand new body bag") from 2003's double-album Ohio was inspired by the Bush administration's rush to war in Iraq.

OTR never seemed to experience "Dixie Chicks-level" backlash (which nearly destroyed three musicians' careers); it's more similar to the recent hatred and disapproval aimed at Cincinnati natives The National, a globally successful Indie Rock band that angered some fans by campaigning for Barack Obama during the past two presidential elections. The worst (hopefully) that will ever happen in a case like that is the band might sell two or three less records and suffer insults on social media. For these artists and most like them, it's well worth the price.

Following the recent shootings in Connecticut, Detweiler took to the internet to post an open letter to the National Rifle Association. Detweiler begins the post by writing, "
I’m a songwriter, and my first calling is to process the world in the context of my songs. But I felt compelled to write the following, because it’s been on my mind. If you find it useful, please share."

What follows is the open letter from Facebook which has been shared almost 400 times and "liked" nearly 1,000 times. The 200-plus comments are actually fairly civil even when there's disagreement (OTR has a smarter-than-your-average-bear following), though they're not without a few angry and rude missives (it IS the internet after all). In the end, Detweiler has added to the dialogue about a topic that for too long has seemingly been "off the table" due to the power of the NRA and some citizens' particular interpretations of the constitution. (The NRA, at least for now, seems to be self-aware enough this time around to not come out with an insensitive statement, instead echoing the President's call for "meaningful" discussion to help avoid future tragedies like the one last Friday.)


As always, Detweiler is eloquent in his words. No matter what side of the issue you come down on, I highly recommend giving it a read. And if you feel the need to weigh in, here is the link to the original post.
AN OPEN LETTER to the four million members of the National Rifle Association:

Dear fellow citizen,


The NRA released a statement yesterday on your behalf expressing that you all are “shocked, saddened and heartbroken” by the news of the massacre at Sandy Hook Elementary. Yes, we all are.


For years you have willingly given your money to an organization that has largely ignored pleas from policemen across our country to limit access to assault weapons and armor piercing ammunition.


You have spent countless millions of dollars silencing and vilifying voices that, while supportive of gun ownership, were calling for moderation in the distribution of weapons that could be used for mass destruction of human life, including the gun used by Friday’s killer that shot one first grader 11 times. And 19 other first grade children. And 6 adults in the space of a few minutes…


When previous heartbroken victims of gun violence who lost children or spouses tried to speak out to hopefully help prevent others from suffering similar unspeakable loss, you rallied for your rights, and gave the suffering no quarter.


For years you have marketed the idea to the citizens of this country that the US government is a potential enemy bent on harming its own citizens, and the only way we could all be safe was if we each purchased a private arsenal of weapons.


While you are reportedly “shocked, saddened and heartbroken,” how many of your members after Friday’s shooting have changed their profile pictures to images of guns, or tweeted messages like “I’m buying a gun the day after Christmas. Join me! #NRAlifelongmember” How many of your members boasted last Friday that they were going to take their kids to a firing range?


You continue to lobby in support of all of us carrying concealed weapons into schools, day care centers, movie theaters, and public squares. You argue that if only we could all walk around packing heat, our society could be safer and more peaceful. You lobby for wider “stand your ground” laws, so we can all load up and take the law into our own hands and play judge and jury (and God?) in the heat of the moment.


The members among you who call themselves Christian often bemoan the fact that
“God has been removed from our schools” and yet those very members ignore the direct teachings of Jesus as recorded in Scripture that call upon all followers of Christ to work to break the cycle of violence and not return evil for evil.

Too many of us have stood by silently while you’ve played the part of the playground bully in our public discourse, and distorted our constitution for profit. While we as a nation have improved upon the vision of our “founding fathers” to end slavery in this country, to allow women the right to vote, and to outlaw hate crimes, you cling rigidly to a few words written when the right to bear arms referred to a single shot muzzle loading rifle.


Your voice has been powerful and strident, and too many of us have remained silent in our disbelief of what we were hearing from you. Our silence has been deadly.


If you are indeed “shocked, saddened and heartbroken” consider the part (if you are able and willing to join the rest of us in searching our souls) your organization has played when it comes to last Friday’s shooting. Consider the fear that your organization markets. Consider the bitter fruit of your labors that we must all taste.


And please consider asking forgiveness, changing your ways, and offering whatever healing you are capable of to the hurting in Newtown, Connecticut, as opposed to condoning responding to violence with still ever more violence, ad nauseum.


Unless you can do your part (along with the rest of us), and change in response to Friday’s tragedy, there will be still worse to come.


I live on a small farm in Ohio, own two guns (and my own business) and have family members who are big game hunters. I am rethinking my responsibility as a citizen of this country. We all are. I invite you to do the same.


You’re holding your big press conference tomorrow. We’ll be listening. But I am confident that many millions of us will no longer be silent.


LJD

 
 
by Alex L. Weber 07.31.2009
Posted In: Local Music, Music Commentary at 04:34 PM | Permalink | Comments (11)
 
 
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Ridiculous Band Names: A Retrospective

As CityBeat’s Assistant Music Editor for the past three months, I’m the person behind most of the music listings—those microscopic items printed in the middle of the newspaper every week. With the assistance of Real Actual Music Editor Mike Breen and a crazy little interface called Zipscene, I make them appear there and on the Web site.

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by mbreen 12.05.2008
Posted In: Music Commentary at 11:35 AM | Permalink | Comments (0)
 
 
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Cheat or Treat?: The Pitch Correction Explosion

This morning I was in the car listening to the radio, growing restless with NPR’s downer economic news. I decided to check in on the Pop music world and surfed between a couple of Top 40 stations. I stopped on “Love Lockdown,” the new single from Kanye West.

It’s a pretty interesting and unique track, with some great beats and killer melodies. But the most noticeable aspect of the recording is the sound of Kanye’s voice. And that sound is anything but unique in today’s mainstream music.

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by Alex L. Weber 06.12.2009
Posted In: Local Music, Music Commentary at 04:16 PM | Permalink | Comments (3)
 
 
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Take Yourself to the Hospital, Punk

Lately, we’ve been ridin’ this down-home Folk/Americana/Indie wave in the Queen City music scene. Jake Speed. Wonky Tonk. Frontier Folk Nebraska. Wussy. Fairmount Girls. Gul'durnit, we love ‘em!

Maybe it’s our hospitable river-town tendency to have a big, open heart for such middle American tunesmithery. Maybe it started with our love for the Ass Ponys and their AltCountry ways back in the ‘90s. Who knows?

Nothin’ wrong with any of this, mind you. But I’d like to take a moment on this here blog to clue you into a small contingent of freaky, confrontational local bands from the past that were the furthest thing imaginable from such comparatively downright friendly musical acts.

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by Mike Breen 12.02.2011
Posted In: Local Music, Music Commentary at 12:33 PM | Permalink | Comments (2)
 
 
southgate_house_(no age, dan deacon and deer hunter, 2009)_photo_keith_klenowski

'Historic' Memories Made at the Southgate House

What are your favorite memories from the Southgate House?
 
On Monday night/Tuesday morning this week, as news that the popular Newport music venue would cease to exist (in its current state, at least) leaked out, I watched a steady stream of comments on Facebook respond to the news with a mix of stunned disbelief and sad nostalgia, as fans of the club shared some of their best stories and memories.

Many people were quite emotional, and I wondered why I wasn't having similar feelings. Since the late ’80s, I had been a frequent visitor to the club, and, over the entire span of my 20 years writing about music in Greater Cincinnati, I have consistently covered events at the venue. I was not totally unmoved by the sudden announcement, but I certainly wasn't as shaken as others appeared to be.

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by Blake Hammond 10.15.2012
Posted In: Music Commentary, Humor at 10:28 AM | Permalink | Comments (2)
 
 
baseball

Rating the Reds' Up-to-Bat Music

What happened to the Cincinnati Reds? We have no idea. But maybe it was the walk-on music?

Besides baseball, there are two things that I associate with GABP and the Reds — beer and music. Well, maybe there are three. Losing in the playoffs has seemingly snuck itself in there in the last week or so.

Whatever, I don’t want to talk about it.

Ever since I was a kid, my favorite baseball players' personalities have always matched their walk-on batting intros. (Adam Dunn’s intro, “For Whom the Bell Tolls” by Metallica, was badass, unless he struck out afterward, which was often the case.)

But as I got older and was able to drink at the games (legally anyway), I began to notice a trend in my beer buying regiment. I was buying more booze in the bottom-half of the innings than in the top-half and I had no idea why. But after some deliberation (a couple more beers), I finally figured it out. It was this team’s batting intros that drove me to the stands to go broke on $9 beers (thanks, guys!)

So, in lieu of thinking about my bank account, or the fact that we made history being the only team ever up 2-0 in a series and still, somehow, some way, found a way to lose three straight at home, here is a list of the Reds' starters walk-on songs, rated on a scale of how many beers it takes for me to enjoy them. Even though no amount of booze will ease the pain of that Game 5 loss, maybe making fun of these guys' music preferences will.

• Zack Cozart: “Too Close” – Alex Clare:

Alex Clare’s DupPop single “Too Close” (best known for soundtracking an Internet Explorer commercial) has risen on the pop charts at the same rate as Zack Cozart’s batting average over the past season. Coincidence? I think not.

But really, Zack? This is your walk-on song? This is what gets you pumped up? I mean, for God’s sake, the lyrics don’t make any sense. “I feel like I am just too close to love you”?  It would make much more sense if the lyrics were, “I feel like I’m too just too drunk to do you.” That would be a song I could connect with.

Rating: 8 beers.

• Drew Stubbs: “Breakin’ a Sweat” – Skrillex and The Doors
    
There is no excuse for this. The whole thing sounds like Netzero fucked Jim Morrison and it’s just not OK. I honestly think this may be half the reason why Stubbs’ hitting had been so atrocious over the last season. Really though, if I had to hear this screeching dial-tone noise ringing throughout GABP every time I went up to bat, I wouldn’t be able to concentrate either.



Rating: 20 beers. Alcohol poisoning sounds better than this song.

• Brandon Phillips:  “Turn Up” – 2 Chainz; “Turn On The Lights” – Future; “Everythang” – Young Jeezy; “Pop That” – French Montana; “Bandz a Make Her Dance” – Juicy J

All right, DatDude, what the hell? I understand wanting to switch it up during the game and maybe having two or even three songs tops. But five? In most games you don’t even get to the plate five times!

It’s OK, though. It’s worth it just to see all the old white people get uncomfortable when there is some Rap music blowing through the speakers at GAB.



Rating: 2 beers.

Joey Votto: “Paint it Black” – The Rolling Stones

I like to picture Joey Votto sitting at home alone, crying, listening to this song and asking, “Why do I have to do everything?!?”

Seriously though, when you hear that thumping drum beat in the beginning of the song, you know fear strikes the heart of any opposing pitcher having to face Votto-matic.



Rating: Zero beers. No alcohol needed for this one.

• Ryan Ludwick: “Brass Monkey” – The Beastie Boys

While Phillips' newer Rap joints are a little too hood for the white people in the crowd, this is something they can relate, too. I wish Ludwick could bat twice in the order, not only because he’s a great hitter, but so I can see the drunk 40-something in front of me gyrate and giggle some more when this song comes on.



Rating: 2 beers. It’s a fantastic song but it is about drinking, so it only seems right to have a little bit of a buzz.

• Todd Frazier: “Come Fly With Me”/ “Fly Me To The Moon” – Frank Sinatra

Todd Frazier is a class act. His intro songs were chosen because they remind him of his grandparents (seriously dude — is there a bad bone in your body?). But honestly, who better than Old Blue Eyes to bring out the classiest Red since Sean Casey?



Rating: Zero beers. Maybe a “Daniels on ice, two fingers” though, in salute to Sinatra.

• Jay Bruce: “Everything I Do” – Timeflies

I don’t know who these guys are, but based on the 15-30 second judgment made when I heard it every time Bruce came up to bat, I’m not a fan. (Sidenote: I’m going to blame this song on that pop-fly he had in the ninth inning of Game 5. Thanks a lot, Timeflies — you ruined the season!)



Rating: 5 beers.

• Ryan Hannigan: “The Show Goes On” – Lupe Fiasco

I applaud Hannigan for throwing up a Lupe song as his walk-on. It’s cool that he listens to some good Hip Hop. But this song was quite possibly the worst choice he could have made. The sample of Modest Mouse’s “Float On” alone makes me want the “show” to stop and never go on again.



Rating: 5 beers.

• Scott Rolen: “Viva La Vida” – Coldplay

This might be the weirdest choice on the whole list. When you see Scott Rolen up to bat, he just looks pissed off. Like he’s Liam Neeson and the ball he’s about to smash just took his daughter and sold her into the sex trade.

But then you hear his walk-on music and it’s freakin’ Coldplay? I was expecting some AC/DC, even some Motorhead, but Coldplay? I would go on, maybe even make a “You know how I know you’re gay?” joke — but honestly I’m afraid of this guy. Even if he does listen to Coldplay.



Rating: 4 beers. After about four large drafts I’d be singing along. It’s just got that Pop-chant chorus that I can’t resist when intoxicated.

I wasn’t going to do any pitchers but this one was too hard to resist …

• Mike Leake: “Some Nights” – Fun  

You know what would be fun, Mike? If “Some Nights” you’d stop choking and pitch to your full potential.




Rating: 6 beers.

(While we know up-to-bat music is irrelevant in Major League Baseball and cannot actually be blamed for the Reds blowing it in the playoffs, we'll offer our suggestions for new walk-on music this coming spring. Look for it in about six months. Leave your own suggestions in the comments.)

 
 
by Mike Breen 02.08.2012
Posted In: Music Commentary at 01:06 PM | Permalink | Comments (0)
 
 
730389

The Politics of Inappropriate Campaign Songs

Why do conservatives keeping using campaign music by liberal artists?

There have been an increasing number of examples — especially in the past decade — of conservative politicians using songs in their campaigns by artists who do not want their music used in that way. Recently, a member of Survivor who owns the copyright for the Rocky III anthem, "Eye of the Tiger," asked Newt Gingrich to stop using the song at rallies (the problem being that not only is the song being used in public, but it also ends up soundtracking YouTube clips from the same rally and lives on eternally on the web). Likewise, British Funk/Rock band The Heavy freaked when Newt's people blared their "How You Like Me Now?" hit to rile up supporters.

It almost seems like these occurrences happen on a weekly basis now. Usually, when asked to cease use, the politicians' campaigns comply immediately. But, with it happening so frequently, wouldn't a campaign manager be a little more aware of the music they're deciding to co-opt? And if a campaign refuses, are there really any legal ramifications?

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by Hannah McCartney 06.04.2009
Posted In: Music Commentary at 01:27 PM | Permalink | Comments (6)
 
 
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The Day the Music Died … Again?!

"AAAANND welcome to 97.3 The Wolf!”

Um, what? I wouldn’t preset a Country station on my car stereo if my life depended on it. I flipped around frantically, trying to find The Sound instead of the bumpkin bonanza that was currently wreaking havoc on my speakers. Zilch. Gone. I later found out that The Sound, which enjoyed popularity in its early broadcasting stages but was forced last fall to move from 94.9 FM to 97.3 FM after its rankings plummeted, is now available only on HD radio due to continued low ratings.

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