The Doobie Brothers have been entertaining audiences across the world for more than 40 years. In 2010 the band released World Gone Crazy, their first album in a decade. They continue to be an inspiration with their recordings and their rigorous tour schedule.
CityBeat caught up with guitarist and vocalist Tom Johnston by phone this week. Johnston discussed the changes the band has seen through 40 years of Rock n Roll and what guides the creative process of the band. They will be performing at Riverbend at the PNC Pavilion this Sunday alongside Chicago.
CityBeat: You guys have been touring on the road for over 30 years. Do you ever get tired of just being on the road?
Tom Johnston: You get tired of travelling. You don’t ever get tired of playing. The playing part is what makes you come out here in the first place. I think Keith put it the best, Keith Knudsen, “You get paid for all the time it takes to get to the town and then you play for nothing.”
CB: You have seen music change over the years in recordings from albums to 8-Tracks to tapes to CDs to MP3s and iPods. Do you think it sounds better or worse today, the classic analog vs. digital question?
TJ: If you have hearing like mine, it really doesn’t make any difference. There is basically the school of thought that digital recordings aren’t as warm as analog. I can’t really tell you the difference when I am listening to it. Maybe if I did a mix there would maybe be a difference in analog that I could tell the difference. They have really come a long way with digital recording. They have ways of mixing digital recordings now so it sounds more like analog. Some people still buy albums if you can get them. People are still putting albums out. In fact, this last album we put out, World Gone Crazy, there was over 14,000 actual albums put out with the CDs, and by that I mean actual vinyl records for the people that want to hear it in analog.
CB: How many guitars do you have and what is your favorite to play?
TJ: Oh boy. I’ve got a lot of guitars. Basically, everything I use on the road is PRS and that is what I play live. I use two basic guitars live that I trade off and I have a Martin acoustic that I play as well live. It is pretty much all about Paul Reed Smith right now. At home I have a Stratocaster and I have some older guitars I have had for a long time, an old Les Paul, an old 335, a couple Strats and a Telecaster. But live and when I am out on the road, it is strictly Paul Reed Smith.
CB: When you began and wrote the early hits and songs for the band like “Rockin’ Down the Highway”, what were your early inspirations?
TJ: My inspirations at the time of writing a song like that had pretty much been put in place from playing since I was 12 on the guitar and picking up singing when I was 15. Most of my early stuff came from Blues and R&B and Rock & Roll by the guy I consider the King of Rock & Roll, that was Little Richard and people like Jerry Lee Lewis. Later on, that changed, I got into Hendrix and Cream and quite a few other people I am not going to be able to think of right now. David Mason albums, old Fleetwood Mac albums, you know from the ’70s, just a lot of stuff going on then. As far as players, Albert, Freddie and B.B. King were huge in my guitar playing. I call them the Three Kings, that’s basically how a lot of people refer to them. There are a lot of singers that influenced me. James Brown was definitely one of them.
CB: Have you had a single issue or incident that has ever changed the way you approach music?
TJ: If I ever did, I am not really sure when it was. I know the first time I ever watched, one of the few times I actually got to watch, James Brown live was 1962 in Fresno and that was pretty much a life altering event, musically. I had never seen anything like that. It just blew me out of the water. I couldn’t believe someone could work that hard that consistently and put on just an incredible show. That was a big event in my life.
CB: Over the years, you have had some health ailments with your voice and other things. How do you stay healthy on the road now?
TJ: I take care of myself. Back in the old days it was the Rock & Roll lifestyle, that wasn’t really healthy. But the biggest sideline I ever had was stomach ulcers which I developed in high school but it fully bloomed when I was out on the road in 1975 when I actually had to leave the tour. That is really the only health issue I ever had, but it was a bad one.
CB: Do you consider yourself or does the band consider themselves spiritual in any way and did it ever play a factor in your music or writing?
TJ: To be honest with you, no — at least not in the secular way of any specific religion. It’s not that we are not a religious band, it is just everybody has their beliefs about the world and mankind and how we got here I suppose but it is certainly nothing we would talk about.
CB: After all these years, I assumed you guys would talk about everything.
TJ: We talk about a lot of stuff but that isn’t one that pops up. Actually it popped up this morning. I was just giving my views on Buddhism and thinking it was a little more realistic since it is based on mankind’s shallow man as opposed to strictly about a specific deity and things having to be done a certain way. But those are just opinions and I don’t really follow it that closely; I don’t think anybody in the band does, to be honest with you.
CB: Do you guys take on different leadership roles within the band?
TJ: Yeah, to a point. It is basically when we are recording. When we are playing, it kind of happens naturally. Recording it is pretty much whoever writes the tune will be leading if you will, but other people come up with ideas for the tune so it is pretty much always a group effort.
CB: Are there any current Rock bands or new Rock bands on the scene right now you would like to collaborate with or work with?
TJ: I think John Mayer is an incredible guitar player. I really enjoy his work. Another one is Bruno Mars — I think he is extremely prolific as a song writer and pretty amazing. There is a band called Mannish Boy, which is a Blues group. I really like those guys. They are new. Most people aren’t going to know them. They aren’t Pop or anything like that. They are simply a Blues band but they are really, really good. There are more, I just can’t think of them right now. There are more people I think are really good out there that would be fun to get in the studio with. It would be fun to work with Christina Aguilera or Cee Lo Green. It would be fun to work with anyone from Maroon 5. We recently worked with Luke Bryan for that TV show on CMT called Crossroads and we had a ball doing that.
CB: I love Luke Bryan and his music. He has kind of blown up recently.
TJ: He is a good guy. He is a really good guy. We had a lot of fun doing that show. Everybody was just having a lot of fun.
CB: Do you have any creative outlets or hobbies outside of playing music?
TJ: It’s outside of the band in a sense but I write music for a hobby. I love writing. I do it all the time. I have a little studio at home. A lot of the stuff I write would never be used by this band. I am starting to branch out and write with other people now too, which is something I haven’t done as much. I have always kind of just written my own songs. I have started taking the steps to go out and write with some other writers who are very prolific and very much involved with the Pop scene or the Country scene or whatever else. I just really started doing that before we came out on this tour. When we finish this tour this year, I will go back to doing that some more. It was fun. It was a new place to go. It is exciting to get in and work with someone else because they help you find a lot of stuff you don’t know you have and I think you do the same for that person. You come up with songs that you would never come up with if you were just sitting there by yourself.
CB: Do you use social media outlets like Facebook and Twitter to stay connected to your fans?
TJ: There is Facebook and Twitter and all that stuff on our website. I don’t do any of that stuff. For whatever reason it hasn’t called me. I don’t have any need to be in touch with people or stay in the limelight or find out what is going on. I am kind of a private guy and I would like to keep it that way rather than blast it all over the universe. I don’t belong to Facebook. I know tons of people who do it and that’s great. From a business point of view, it is a really smart way to go. From a website point of view, it is a really good tool for getting your music out there, events out there, where you are going to be, maybe even staying in touch with other musicians, things like that but mostly I do that on the phone. Twitter, I have never even used Twitter. I know people do it all the time but I have never gotten involved with it.
CB: I still use a telephone because I prefer to talk to people.
TJ: It is alive and well in the younger generation. That’s how they communicate.
CB: My last question is do you have any fond Cincinnati memories over the years?
TJ: Yeah, playing at Riverfront Stadium, playing at where we are going to be playing this Sunday which is right on the river, Riverbend. We have played there lots of times. I was just talking to a gentleman a little bit ago about playing in Blue Ash the last time and a tornado came through and shut the show down and we never got a chance to go out and finish it. We have been playing Cincinnati since we started so we are talking 40 years of playing Cincinnati.
CB: We look forward to seeing you on Sunday.
TJ: Thank you very much. We are looking forward to being there and it will be a gas as always. This show with Chicago has pretty much been sold out everywhere we have gone. The crowds have been great and it is a good combination. The two bands, we get together at the end and do an encore of everybody in both bands playing at the same time and it is pretty powerful.
Rise Against is the epitome of Punk Rock in this era. They are as far from the status quo from society as bands get, yet record for a major label. Part of the group's mission is to promote progressive issues, both socially and politically. Rise Against recently released its sixth album, Endgame, which features the hit single “Make It Stop” (the video for which was nominated for a MTV Video Music Award last year).
CityBeat spoke with bassist and original member Joe Prinicipe in anticipation for their upcoming show in Cincinnati. They discussed the bands writing process and how they incorporated their socially active direction in their music. Rise Against will be opening Riverbend's PNC Pavilion for the summer this Saturday. A Day to Remember and Title Fight also perform.
CityBeat: Thanks for taking the time to talk to us. I know you are one of the original band members. You guys have been out on it for about 13 years from when you started. Where do you see yourself in 13 more years?
Joe Prinicipe: It’s hard to say with this business but I would say definitely still involved with writing music and performing. Rise Against has no intentions of breaking up. We would like to follow the same career paths as bands like Bad Religion and Social D that are going on 25 or 30 years and are still making relevant music. I hope that’s where I end up.
CB: I saw you last year with the Foo Fighters when you opened up in Columbus. I was wondering if there were any fun and crazy Foo Fighter stories on tour.
JP: It was pretty awesome when there were a group of protesters, I think we were in St. Louis, maybe it was Kansas City, and they were protesting the Foo Fighter show because they did that funny promo video where they were showering together. So this group came out, this very homophobic religious group. They were protesting and the Foo Fighters came out (before the show) dressed provocatively and they were out on a flat bed truck and performed and tried to play as loud as they could to overshadow, overpower the protestors. It totally worked and it was awesome.
CB: They seem fun to be around in general and don’t take it too seriously.
JP: Totally and they are all about enjoying what they have because being on the road and being away from your family is hard enough so you might as well make the most of it.
CB: Your music has been called protest music in the past by the Chicago Tribune and I just wanted to ask about your process to write lyrics around a cause. How do you choose a cause to support and then develop a song around it?
JP: (Singer/guitarist) Tim (McIlrath) writes all the lyrics and the process is very simple. He is just writing what he feels for that day. He writes from a personal perspective on life in general. That’s why our records are not just political, there are socially aware topics, there are environmental issues, there are songs about relationships and how hard it is to be away from our families when we are traveling. We always write music first and he will hear the tone that the music sets and he has a journal, and he will flip through the journal and see if something fits and if not he will write what he thinks will fit the music and that is how it has always been the last 12 years.
CB: Were you guys influenced at an early age or did something happen to you that kind of made you take your music toward this activism tone or did you have a kind of defining moment?
JP: No, it’s just seeing punk rock music. It’s just the nature of punk rock that seems formed as a reaction to the glam era of the 70’s. It’s just a reaction to that so it’s always been about that. It’s all we know. It was something that we didn’t even discuss. It was just kind of a given the direction of Rise Against was going to be that and we are kind of carrying that torch. Bands like Minor Threat and the Bad Brains were definitely singing for change whether it was singing against homophobia or social issues, but that’s kind of what the unspoken goal that the band has always had.
CB: What is the biggest way your music has been able to make a difference or make a change?
JP: I would say the effect that “Make it Stop” has had on young kids. Kids in high school trying to get through it all. We have gotten so many e-mails that the song is helping them through the hardest time of their life and that is incredibly rewarding. I would say “Make it Stop” stands out as that.
CB: Your new album came out last year in the spring. Do you have any new music in the works?
JP: No, we still have a whole year of touring on Endgame. I think I always have song ideas in the back of my head and so does Tim. It’s kind of an ongoing thing anyway. We won’t actually have anything, officially new until the end of 2013.
CB: Do you have any crazy Cincinnati stories from the past or any fond memories?
JP: Not really. Cincinnati is Bogart's, right?
CB: It’s Bogart's and this time you are at Riverbend which is outside.
JP: That’s right. The only thing I recall is from Zach our guitar player. His old band played Bogart's and someone was shot like 20 feet away from him. That’s really it.
CB: I think you are in a little safer place by the river this time. I have this new game and it’s a table game with quirky questions and people just give their first thoughts around it, so I have been experimenting with this a little and I have three questions from this game for you. The first question is what skill do you possess that most people don’t know about?
JP: Let’s see, nothing hidden, although I am a complete coffee snob and I have an espresso machine at my house and I take that very seriously. It has to be perfect. I have to time all my espresso shots as they come out of the machine. So I guess that.
CB: So you make the perfect espresso, that’s your hidden talent.
CB: What is under your bed?
JP: Actually nothing because my wife is a neat freak so nothing can be on the floor.
CB: If you are on the bus it is somebody else sleeping under the bed in the bunk.
JP: As far as the bus goes, our tour manager is usually in the bunk below me so I have him snoring …
CB: What song would you pick to sing karaoke?
JP: I’m really bad at karaoke, oddly enough.
CB: You don’t have to be good. I don’t think that’s the purpose of karaoke.
JP: That’s true. I don’t know maybe something from ’80s Pop like the Go-Gos or Duran Duran.
CB: What can the fans expect from the show in Cincinnati?
JP: Just high energy, just come and sing with us and have a good time. It is all about interacting with our fans and just everyone singing along. We are all there for the same reason. It is a good way to let off some steam from the week prior. Just come out and have a good time.
Rockers Papa Roach hit the scene in 2000 with their most successful studio album, Infest. Six albums later, they are still headlining tours and festivals across the country including this weekend’s Rock on the Range in Columbus.
I was able to catch up with the man behind the music, Jacoby Shaddix, the lead vocalist. The two discussed the hard times and redemption that led to Papa Roach's most recent album, The Connection, released late last year.
Papa Roach plays Rock on the Range's Main Stage Saturday
afternoon, getting the night ready for Three Days Grace, Stone Sour and
The Smashing Pumpkins. Find full Rock on the Range details here.
CityBeat: What is your favorite Rock on the Range memory?
Jacoby Shaddix: Shit man, coming in headlining the second stage and utterly fucking demolishing it and being the only band asked back the next year to play the Main Stage and crushing it again.
CB: If you could trade places with anybody for one month who would it be?
JS: My wife.
JS: I just want both of us to live our lives in each other’s shoes for a month. I think we both would learn a lot. I know that it is not the super mega-kick ass Rock star answer, but that is some real shit.
CB: I know you wrote the last album through some of the toughest times of your life. Are any of the songs hard to play for you personally?
JS: No, they are just really good reminders. It is like I had to re-calibrate my life and re-focus myself on what my priorities were in my life and what was important to me and where I wanted to put myself five years from now and 10 years from now. All the decisions I made in the process of making this record I believe are some of the most important decisions that I’ll make in my lifetime. I think the songs are real good reminders of that desperate place that I once was.
CB: Well my favorite song on the album when it came out was “Where Did the Angels Go”…
JS: We had a No. 1 Rock track with that song, which was fucking awesome.
CB: Can you tell me the story behind the song?
JS: As we were making the record, me and my wife had split up at that time and I was strung out again. It is no secret that I have substance abuse issues and I was caught up again and I finally decided that enough is enough. I had to stop and that just utter desperation of hanging on to life by a thread and just feeling completely alone and so broken and not really knowing if I was going to be OK. I just finally realized how much my demons ate me alive and it was time to get myself back and that is where that song came from, utter desperation.
CB: Is it hard to be on the road and stay sober?
JS: Not this time around. It used to be really hard. I have a network of sober musicians I stay really close with and I have a support group through that.
It is finally clear to me in my life I can’t fucking drink, I can’t do drugs, because it eats me alive. I am finally on the road enjoying my life. I faced a lot of demons in the process of getting sober again and I finally put a lot of stuff to rest. I am trying to work on being in the moment, like some of that Buddhist-type culture philosophy — if I am not here now then what is the point? If I am not feeling the moment, then what is the point of my life. Just focusing on that, my spirituality makes all this other stuff that goes on out here on the road way more tolerable and way more fun.
CB: Have you ever had an experience that led you to believe in angels?
JS: I don’t necessarily have a grasp on the idea of angels. I have an understanding of people that have come like saviors in a sense, people that have been sent to me by my higher power to show me and guide me out of the darkness. I had to be broken down to realize I needed help.
CB: People have shown up at the right time?
CB: If you could ask one question to a psychic about your future what would you ask?
JS: I wouldn’t ask anything. I wouldn’t want to know. What do you want to know? Are you going to live different or some shit? I’d rather let it be. Let the future be what it is going to be.
CB: What does your perfect day look like?
JS: Perfect day — wake up next to my wife, sex right off the bat. Then go downstairs and cook breakfast for my kids, take them to school, go for a run, dance with my wife, go fishing with my brother-in-law in the bayou swamp, stretch out and warm up, play a Rock & Roll show, then fall asleep next to my wife. That sounds pretty fucking kick ass.
CB: I know your songs that you write are very autobiographical. Have you considered writing a book or a memoir in the future?
JS: Oh definitely, that is something I am going to definitely do in my life. 100 percent.
CB: No immediate plans?
JS: No immediate plans, but I have put pen to paper. It is something that I can craft as I go along.
CB: What can the fans expect this weekend at Rock on the Range?
JS: A fan that is on fucking fire. We have been doing these festivals, May is a big festival month, and we have been fucking annihilating audiences. We just devastated Carolina Rebellion, just ripped that shit up, we had a great show. Fort Rock in Florida, Rockville down in Florida. Memphis in May was awesome at the Beale Street Festival. That was rippin’. I just feel like we are tuned up and primed for these big festivals. I have to say, all these other bands, bring your fucking A-game because P Roach is coming to town and we have come to rip it.
CB: Memphis was awesome. I saw most of the set. It was awesome. It was great as always. I look forward to shooting you guys again. Smile for the camera on Saturday.
JS: Fuck yeah. Cool. We will see you Saturday.
Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.
Motörhead are Metal gods. They’ve been rocking arenas and stadiums for 37 years and are currently out on the Mayhem Tour with Anthrax and other major acts of Heavy Metal and Hard Rock. They’ve released 21 albums and have played in front of millions across the world with the loyal support of their super-fans, the Motörheadbangers.
CityBeat spoke with guitar player Phil Campbell to preview their set today Riverbend. They spoke about how life in the band continues to thrive on the road after so many years and his impressive collection of guitars. Mayhem Fest will rock Cincinnati Tuesday and will also feature Anthrax, Slayer, Slipknot and The Devil Wears Prada.
CityBeat: What has been the craziest story from Mayhem so far for you guys?
Phil Campbell: We had a good party the other night. It was a costume party. All our band and crew went dressed pretty strange. There were quite a few strange costumes there. I think Lemmy and his assistant went as the Blues Brothers. I dressed as a clown. Mickey dressed as a frog. One of our crew dressed as Larry King. That was pretty good. It was a good party anyway. We are just too busy to get wild at the moment.
CB: You guys are famous for your pranks on the road. Have you played any pranks on any of the other bands yet?
PC: No not yet. We leave that for the end.
CB: What is the best and worst part of being out on the road now? You guys have been touring for 30 years.
PC: You are home for three weeks and then you are ready to come on the road for two months. You are dying get back home. We are not really complainers. One of the worst parts obviously is not having your family there, home comforts and your dogs and things like that. The food can be tough because you really don’t have much choice. That’s not particularly good. The best part is you don’t have to get up early in the morning anymore. We sleep in until really late so that’s very cool.
CB: What is your favorite guitar to play?
PC: My favorite guitar? I just bought a 1957 Les Paul a couple weeks ago so that is probably my favorite now.
CB: I know you have over 260. Do you rotate them in during the shows or do you pretty much stick with the same ones for the live performances?
PC: No I have about 12 on the road at any given time, so sometimes I rotate a couple. Some of the real amazing ones I don’t really want to take on the road. They are safer in different storage locations, but I have plenty to choose from.
CB: Any regrets through the years?
PC: No, not really, none. It has been pretty good. It has been a privilege to be able to play music for people who enjoy our music. No, no major regrets, no.
CB: Supergroups are very popular right now with bands like Chickenfoot and musicians doing side projects. If you could put together a dream supergroup who would you want to play with from any band?
PC: Elton John, Adam Jones from Tool, David Bato on the drums and Victor Wooten on bass.
CB: That’s pretty good. I know your children are also in bands. Have you thought about recording with them anytime in the future?
PC: Yeah, they are doing really good. I have some children in a band called Straight Lines. They have their second album out and they are doing lots of shows. They have great reviews in all the magazines and everything. Hopefully they will be doing the Warped Tour next summer. Another is in a band called Inside the Trees but they changed their name to The People’s Poet and they are recording their new album now, as we speak. It’s a quite different kind of music. They have their own sound as well. They are all doing really well.
CB: Do you ever play with them?
PC: I used to when they were younger but they won’t let me play anymore. I’m not good enough.
CB: They tell me you are a Lord. How did that process come about to become Lord Axesmith?
PC: I applied. The title goes back 500 years, Lord of Axesmith. It’s on my credit cards now and everything. I am an honorary member of the Knight’s Templar of Brittannia. It is a bit of fun when the crew has to call me “My Lord.”
CB: I was going to ask you what the best part is of being a Lord but that’s probably it, people have to address you as Lord.
PC: When we are at restaurants and they ask for the name of the party, if you say Lord Axesmith then you know they will give you a good table. Even before I became Lord Axesmith, I was told it did the trick.
CB: What can the fans look forward to from the Motörhead show in Cincinnati on Tuesday?
PC: Just another killer Motörhead show. It is only going to be about 50 minutes long because we have to have all the other bands on. So it will be loud and nobody will be disappointed.
Tim Wilson is a comedian and singer/songwriter who represents Southern culture and lifestyle with his songs and stand-up. He is often featured on national telecasts of the syndicated radio shows The Bob and Tom Show and the John Boy and Billy Morning Show and Wilson has also been appeared on many of the late-night talk shows. With a dozen comedy albums featuring his original songs, Wilson has found crossover success on both the comedy and Country music charts.
CityBeat caught up with Wilson by phone to preview his appearance in Cincinnati and discuss southern roots in comedy and the assimilation of music into his comedy. Catch him performing live Saturday night at the Taft Theatre with Patti Vasquez (ticket info here).
Anthrax has shaped the heavy metal movement in America. The band recently released its 10th studio album, Worship Music, which brings back the band’s early sound with the re-emergence of lead vocalist Joey Belladonna. I love heavy metal guitars, so it was a privilege to speak to one of the all time metal guitar greats, Scott Ian, to preview their performance at Mayhem Fest Tuesday at Riverbend Music Center.
CityBeat caught up with Ian to discuss the highlights of Mayhem so far and how being a father has changed his perspective on life and music.
CityBeat: What has been the highlight of Mayhem Fest so far for you?
Scott Ian: For me personally it is just the overall vibe. This is the first time we have done a U.S. festival traveling tour in the summer. We kind of knew what to expect since we are friends with Slayer, Slipknot and Motorhead, but it has been so much fun to hang with our friends. The crew and everyone who works with Mayhem have been great and it really is a big family vibe out here. It is a really great place to show up for work.
CB: What has it been like having Joey back the past few tours with the band?
SI: It’s been like two and a half years already. Hopefully that answers the question. It is obviously been going great. We couldn’t be happier with the record we made. We couldn’t be happier with the way shows have been going. I think this is by far the best version of Anthrax that we have ever had.
CB: You became a father last year for the first time. Has this changed your perspective on writing music or life in general?
SI: I haven’t really written yet since he was born because we have been in touring mode. One way that my perspective overall has changed is now having this person in my life that I love beyond anything I can comprehend. It makes me hate the human race even more because of all the pressure that comes with raising a child and wanting to protect him. People ask what do you have to be angry about and there is plenty to be pissed off about now. Look at what happened in Colorado last night with the guy shooting people in a movie theater. It sickens me to the pit of my stomach for a million reasons. What if that was my child in the movie theater?
CB: It is terrible and it is beyond my comprehension how that can happen.
SI: Up until he was born, I had my wife and close family but they are adults and are responsible for themselves. Now we have this person that is 100 percent helpless and relies on us to take care of him, so there is this protective instinct that showed up as soon as he was born. I think that will have a big impact on my writing in the future when the time comes.
CB: Do they come visit you on the road?
SI: Yes they are here right now and have been with me for 10 days.
CB: What is the longest you have gone without playing guitar?
SI: Probably way back in 1977 when I broke my wrist at a skateboard park and I couldn’t play guitar for two months because I had a cast on. I was so bummed that I couldn’t play guitar that I pretty much gave up any type of fancy skateboarding on ramps or pools. The guitar was definitely more of a priority.
CB: What is the biggest difference for you touring versus in the 1980s?
SI: Sometimes we sit around and talk about how did we ever get anything done before we had cell phones and laptops? In the ’80s no one even knew what a cell phone was. I remember the first time a tour manager had that big briefcase thing with a phone in it and it was something like $18 a minute to use it. The idea that we were able to do stuff back then and everything got done is amazing. I try to think about how it got done and I have no idea how we made it through one day let alone a whole tour without the technology.
CB: What habit would you like to break?
SI: I don’t know. I don’t smoke. I don’t drink excessively. My wife is saying talking with my mouth full so I guess I will go with that as a born and bred New Yorker.
CB: What adjectives do you hope describe you at 75?
SI: I hope when I am 75 no one has anything to say about me. I hope the only thing they say is “What ever happened to that guy?” because I am so far off the grid by that point.
CB: I doubt that will happen.
SI: No, we will probably still be playing music and people will say “I can’t believe he is still banging his head.”
CB: What has been your craziest fan story over the past few years?
SI: The craziest audiences in the world are in South America in Chile with the craziest fans overall. We do a signing every day at the Rockstar Energy Drink tent and we get to meet a lot of fans every day on this tour. Anyone who would get anything Anthrax related tattooed on their body is amazing to me. I can’t really call it too crazy because I have Gene Simmons and Angus from AC/DC tattooed on me. I understand that point of view of being such a fan that you would be willing to make that commitment but being the guy in Anthrax and seeing an Anthrax-related tattoo makes you feel great because I know the commitment and I know how much Anthrax must mean to them.
CB: What is the best guitar solo of all time?
SI: Eddie Van Halen “Eruption.”
Anthrax performs July 24 at Mayhem Fest at Riverbend Music Center. More information: rockstarmayhemfest.com.
Stevie Nicks has truly enhanced and defined the role of women in Rock & Roll. She is the gold standard by which female lead singers in Rock bands will forever be measured against. The defining voice behind Fleetwood Mac since the mid ’70s, she has also been able to separate and create a wonderful solo career, recently releasing her seventh album, In Your Dreams, which launched with great success, debuting in the Top 10 of the Billboard album chart. Nicks is currently on the road to promote her latest record and she comes through Cincinnati on Saturday night for a show at Riverbend's PNC Pavilion. We caught up with Stevie via email this week to discuss her upcoming tour stop in Cincinnati, the inspirations for her new album and what a typical day looks like for an iconic Rock star.