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by Mike Breen 11.20.2012
Posted In: Music History, Music News, New Releases at 12:46 PM | Permalink | Comments (0)
 
 
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Shake It Issues Historic Cincy Blues Compilation

Cincinnati label/record shop to issue anthology of Cincinnati Blues for Black Friday

Shake It Records is getting in on Record Store Day's national "Black Friday" promotion, which, like regular ol' Record Store Day in April, means hundreds of brick-and-mortar record shops will be stocking hundreds of unique new releases by artists and labels big and small. As both a shop and a label, Northside's Shake It will be issuing its own release, a special double-album compilation of Blues from the Cincinnati area circa 1927-1936.

Play It Like You Did Back To George Street: An Anthology of Cincinnati Blues 1927-1936 contains 29 tracks of "pre-war" Cincinnati Blues, featuring unearthed gems by the likes of Sam Jones, Cincinnati Jug Band, Kid Cole, Jesse James, Bob Coleman and Sweet Papa Tadpole. The album — a limited-run, double-vinyl release with a card to digitally download the tracks — will be available Friday at Shake It's Northside store. Author Steve Tracy, who now lives in Germany, literally wrote the book on Cincinnati Blues with 1998's
Going to Cincinnati: A History of Blues in the Queen City, so it makes sense that he'd pen the extensive and insightful liner notes for the compilation.

In the liners, Tracy explains the local Blues scene of the era and makes the case that, while Cincinnati might rightfully be ignored by Blues scholars and historians, it was a scene that was "more representative of what a local Blues scene was like in most of America" at the time. In Cincinnati, he writes, "one could especially find a community of musicians whose concerns were the concerns of the anonymous black populace that shred the apartment stoops, bustling streets, fried food cafes and restaurants, earthy brothels, and storefront churches …"


The compilation is branded with a "Music From Ohio" emblem on the cover and a promising "Volume One" tag. Shake It's Darren Blase says that "Music From Ohio" will be an ongoing excavation of Cincinnati's music history.

"(Music From Ohio) will be a reissue series of Ohio Blues, Rockabilly, Garage, R&B and Soul, County Bop, Gospel and more," Blase says via email from Cambridge, Mass. (where he currently lives). "We have quite a few things in the pike. We have more stuff from Cincy, as well as Hamilton, Youngstown, Columbus and more."

Here are a few sample tracks from the compilation.

Cincinnati Jug Band - "George Street Stomp"



Sweet Papa Tadpole - "Keep Your Yes Ma'am Clean"



Walter Coleman- "I'm Going To Cincinnati"



For a look at more Record Store Day "Black Friday" exclusives, click here.
 
 
by Brian Baker 01.13.2012
Posted In: New Releases, Reviews at 01:22 PM | Permalink | Comments (0)
 
 
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I Shall Be Released: Timing Is (Not Always) Everything

New and recent reviews of releases by The Little Willies, Snow Patrol, Trent Reznor, Red Wanting Blue and others

 I’m still getting used to my new digs here at The Daily Beat as everyone rushes about, delivering their stories with right-this-minute immediacy and what not. Of course, with my continuing effort to bring you up to date on the reviews from last summer and fall that were missed for a variety of reasons, my breaking news has all the timeliness of “Bin Laden is dead!” and “I’m so happy for Kim Kardashian and Kris Humphries — it’s nice to see a celebrity couple in it for the long haul.”

Luckily, the early weeks of this new year, with a couple of well-stocked exceptions, are pretty light on titles, allowing me the time and space to revisit some deserving highlights from bygone months while checking out the latest and greatest from the new calendar. Wait, there’s something coming across the teletype in the Bunker — apparently, the war is over! The Falkland Islands are free at last!

Celebrate with new reviews, then some old reviews. Then a drink and possibly a nap.

Read More

 
 
by Brian Baker 03.30.2012
Posted In: Reviews, New Releases at 12:52 PM | Permalink | Comments (0)
 
 
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Review: Margot and the Nuclear So & So's - 'Rot Gut, Domestic'

Margot and the Nuclear So and So’s frontman Richard Edwards may be the most tenacious man in rock. In 2009, the band’s Indianapolis home base was heavily damaged by fire, they were dropped by Epic after the controversy over Animal/Not Animal and the majority of the band quit.

That would have been the end of Margot for most guys, but Edwards resurrected his outfit with bassist Tyler Watkins and multi-instrumentalist Erik Kang and, with an impressive guest list, assembled and self-released 2010’s spectacular Buzzard, a clattering bit of Indie Rock brilliance that diverged from Margot’s early Chamber Pop explorations.

Last year, Edwards and a completely reconstituted MATNSAS generated their recording budget through the Pledge Music website and began tracking their fourth album, the noisily majestic Rot Gut, Domestic.

Much like Buzzard, Rot Gut seems more shambolic and scattered than it really is; like a pointilist painting, it pays to stand back in order to appreciate the work. On Rot Gut, Edwards and MATNSAS have crafted an amazing amalgam of Wilco’s artful squall (“Disease and Tobacco Free,” “Fisher of Men”) and Ryan Adams’ buzzy indie evocation of ’70s Rock (“Books About Trains,” “Arvydas Sabonis,” “Ludlow Junk Hustle”) while simultaneously managing to reference the atmospheric Pop that marked their first two albums. After 10 tracks of that, MATNSAS finish up with an amazing one-two punch; the dissonant and fuzzed out “The Devil” is followed, logically enough, by the exquisite balladry of “Christ,” a Randy Newman-meets-Paul Westerberg piano-and-ethereal-frippery hymn (“Jesus breaks your heart every night when He doesn’t come”).

The scariest thing about Rot Gut, Domestic is that Richard Edwards and Margot and the Nuclear So and So’s might have an even better album than this minor masterpiece in them.


 
 
by Mike Breen 01.09.2013
Posted In: Live Music, Music News, Music Video, New Releases at 02:48 PM | Permalink | Comments (0)
 
 
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Music Tonight: Jamaican Queens, Elia Goat and More

Detroit producers/Electro musicians Ryan Spencer and Adam Pressley formed its new project Jamaican Queens last year, following the demise of their previous band, Prussia. The pair bonded over a mutual love for Hip Hop production, something that would find itself central to Jamaican Queens winding sound. Together less than a year, the twosome's single "Kids Get Away" introduced the newcomers with a sound that blends EDM, Hip Hop sounds and rhythms and a somewhat psychedelic brand of Indie Pop.

The band calls its music "Trap Pop," a reference to the Trap style of Hip Hop that is something of a successor to the old Southern Crunk style. Still, you won't mistake Jamaican Queens' music for T.I.'s — JQ's unpredictable, fluttering style recalls MGMT's last two albums had the Electronic aspects of their music been more prominent.

Jamaican Queens' first full-length, Wormfood, is due in February and was mixed by Christopher Lazlo Koltay, a former Cincinnati musician who has been enjoying a successful engineering/production career in Detroit the past several years, working with artists like The Dirtbombs and Akron/Family. Here's the song that has garnered the band the most attention so far, "Kids Get Away."


Jamaican Queens is joined by thrillingly creative and dynamic rockers Automagik out of Covington for tonight's free, 10 p.m. show at MOTR Pub in Over-the-Rhine. The band's elastic, left-field Rock, which at times sounds like a crazier, New Wavy Foxy Shazam (pals of the Automagik dudes), is on glorious display on the trio's just released new album, Black Sundae. Give the album a sample listen below.


• Indie Folk Pop Rock troupe Swear and Shake are starting out their 2013 with a bang, hitting the road for the band's first North American tour. It helps when the headliner is the perpetually young, still quite popular G. Love and Special Sauce. The tour kicks off tonight here in Cincinnati at Oakley's 20th Century Theatre. Tickets for the 8:30 p.m. concert are $25 at the door.

Formed in 2010, the group spread its first release, the EP Extended Play, around widely for free online, notching nearly a quarter million downloads for the release. The band asked for a return favor when it went into make its first full-length; the Maple Ridge LP was funded entirely through fans via Kickstarter and released to wide acclaim last spring.

Here's the official video for the latest album's track "These White Walls."



• The January edition of Mayday's "Unsung" showcase, which features a new local band each month, takes place tonight at the Northside club at 9 p.m. This week's Unsung artist is Elia Goat.

Goat was born in Moscow but moved to Cincinnati with his family when he was a baby. He studied music a bit in high school and started to study Jazz in college when he decided he'd be better served hitchhiking around North America. That period in his life was inspirational, converting Goat from aspiring bass player to eager singer/songwriter and he honed his craft during his travels. In 2011, Goat moved back to Cincinnati with a batch of songs ready to be recorded and performed live with some pals — including a euphonium player and tenor saxophonist (Goat's band, featuring drums, bass guitar, carnet and harmony vocalists, would go on to be dubbed the Natural Horns). With an Americana/Folk sound dusted with traces of Jazz, Pop, Soul, Blues and Rock, Elia Goat fits right in with Cincinnati's varied yet often traditionally rooted music scene.

Check out Elia Goat and the Natural Horns' 2012 release, the half-live/half-studio effort Acorns, below.


 
 
by Mike Breen 08.27.2012
 
 
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CincyMTV: Recent Local Music Videos

New clips from Kentucky Struts, Buggs Tha Rocka, Shiny and the Spoon and Why?

• At this weekend's Whispering Beard Folk Festival in Southeast Indiana, masterful Cold Spring, Ky., Americana group The Kentucky Struts debuted their great new music video for the ominous, creeping and soulful tune, "Country Road," from their The Year of the Horse album. The band made the video with Keith Neltner and Brian Steege, who worked on the documentary Charlie Louvin: Still Rattlin' the Devil's Cage. (Read more about the Struts recent album from CityBeat here.)

The Kentucky Struts "Country Road" from Keith Neltner on Vimeo.

• Gifted local Hip Hop MC Buggs Tha Rocka (who, along with a solo career, also fronts the great live Hip Hop band Gold Shoes; read CityBeat's profile here) recently debuted the video for the third single (the previous two, "Hold Me Back" and "The Warm Up," also got the music vid treatment) off of his Wrath of Zeus album. The album is available for free download here. The latest video (made with Moxy Monster and PRES Productions) is for the track "Chicken Soup for Tha Soul."



• Late last month, local Roots Pop group Shiny and the Spoon released a gorgeous video for their gorgeous cover version of the ’80s hit by Norwegian Pop group a-ha, "Take on Me," taken from the band's LP, Ferris Wheel (download the a-ha cover and a few more songs from the album here for free). It's not the first time the band has made a video for a cover of "Take on Me." A low-budget version featuring only vocals and ukulele was posted in 2009 and became a modest viral sensation (particularly among ukulele fanatics); the video currently has over 300,000 hits on YouTube. (Read more about the group's evolution from CityBeat here.)

Check that version here and the new "Take on Me" (shot on Fountain Square and in Camp Washington this spring and directed by Josh Flowers and e.E. Charlton-Trujillo at Pinata Productions) below.



Pitchfork recently debuted the great video for "Sod in the Seed," the title track off of acclaimed and eclectic Indie/Pop/Hip Hop group Why?'s new EP (a prelude to the full-length, Mumps, etc., which is due in October). Cincy natives, Why? resided for years in the Bay Area and helped found the fantastic underground Hip Hop label Anticon, but returned to the Cincinnati region a couple of years ago. After a European tour, the group comes back to the States for an extensive run of tour dates, including an Oct. 18 show at the Contemporary Arts Center. (Check out our interview with frontman
Yoni Wolf here.)

Here's the fun clip for "Sod in the Seed," made with local video artist and musician (Culture Queer), Scott Fredette.


 
 
by Mike Breen 03.25.2013
 
 
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LISTEN: New Single from The Cliftones Debuts

Exclusive stream of DJ Prophecy-mixed, Scientist-mastered "Hold Steady"

Eclectic Cincinnati Reggae crew The Cliftones — one of the best Reggae outfits in the region — will be celebrating the release of their latest single, "Hold Steady," this Saturday with a show at Northside club Mayday. DJ Mowgli will also perform. Advanced tickets are available now for $7 here. The first 100 people through the door will receive a free download card giving access to the single.

Like the band's previously released single — "Hard Ground," released in January — The Cliftones once again have some legendary ears/mixing fingers involved with "Hold Steady." "Hard Ground" was mixed in D.C. by Jim Fox, who has worked with icons like Black Uhuru, Gregory Isaacs, Barrington Levy and Culture. For "Hold Steady," DJ Prophecy (known for work with Bassnectar and Glitch Mob) handled the mixing, while Dub legend Scientist handled mastering duties.

The Cliftones will be unleashing two more singles in the coming months, leading up to a vinyl EP release this summer. Find out more about The Cliftones here and here.

Here's the exclusive stream of "Hold Steady":



 
 
by Brian Baker 05.02.2012
Posted In: Music Video, New Releases, Reviews at 01:16 PM | Permalink | Comments (1)
 
 
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Review: Loudon Wainwright III's 'Older Than My Old Man Now'

Loudon Wainwright III could very easily have slid into the where-are-they-now realm of celebrity obscurity if he had allowed himself to be swallowed up by the one-hit wonderment of “Dead Skunk” in 1972. Although most people at the time only knew him for that ubiquitous single, Wainwright was confident that he had plenty of other weapons in his songwriting arsenal and set about to define the 40-year Folk/Pop career that has brought him certain measures of acclaim, wealth and notoriety as a songwriter, performer, actor and dysfunctional family man, each role woven inextricably into the fabric of the others (remember when he was Captain Spalding, the singing surgeon on M*A*S*H?). Clearly, the two paths that have intersected most often in Wainwright’s life are music and family; his itinerant singer/songwriter’s existence has been both a positive and a negative in his numerous attempts at familial stability and his parents, wives and children have been an endless source of grist for his songwriting mill.

Chief among Wainwright’s influences has been his often larger-than-life father, whose death at 63 left a gaping hole in his 17-year-old son’s life and psyche. A great deal of Wainwright’s unresolved love and anger issues concerning his father have been worked out in his songs over the past few decades, but his latest uniformly excellent album finds him looking back at his long timeline after reaching the milestone birthday of 65, a momentous and bittersweet benchmark that inspired the album’s title; Older Than My Old Man Now.

Like much of his recent work, Wainwright explores the familiar subjects of family, aging, death and lust on Old Man, which he does with typical candor, humor and reflection. Wainwright opens with the jazzy “The Here & the Now,” an annotated but honest account of his 65 years (“I took a wife, we had some kids/I screwed that up and went on the skids”), a history that he continues tracing on the contemplative and mournful “In C.” In the eloquent spoken word intro to the title track, Wainwright calls his father his “principal ghost” and then launches into a Delta-flavored vamp that addresses the psychic conundrum of having more calendars under his belt than his dad (“Sixty four is awful old, you know what can happen next/Hey, I’m older than my old man ever was, and I’m trying to keep it in context”).

Wainwright’s broad range is best typified by the ridiculously funny “I Remember Sex,” a parlor piano duet with Barry Humphries’ female alter ego Dame Edna Everidge, and the sublimely heartbreaking realizations of “The Days That We Die,” where Wainwright expounds, in prose and rhyme, on the reality of getting closer to life’s finish line without having fully reconciled with his children for his real and imagined sins. Listening to Wainwright and son Rufus trade soul-searching verses about life and change and forgiveness will bring a tear to the most cynical eye.

Over the course of the past few albums, Wainwright has honed his songwriting style to a fine point and narrowed his focus to very personal issues which he has translated into impossibly universal songs. Older Than My Old Man Now finds him in peak form in that regard, and reinforces the idea that he’s probably got plenty more to say on every subject as his finite journey heads inexorably toward the infinite horizon.


 
 
by Mike Breen 11.21.2012
Posted In: Live Music, Local Music, Music Video, New Releases at 01:57 PM | Permalink | Comments (0)
 
 
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Music Tonight: Newbees, Miss May I and Much More

Thanksgiving Eve brings tons of live music to area venues tonight

Tonight's allegedly the "busiest bar night of the year," so if you like to hang out at places that are really packed, this is your jam. If you like to hear live music when you go out, you're also in luck, as a lot of the top acts seek out lucrative Wednesday-before-Turkey-Day gigs because of the aforementioned packed-ness.

If you want that live music to be (primarily) original, here are a few recommendations.

• Troy, Ohio-spawned Miss May I (whose singer, Levi Benton, recently moved to Cincinnati) is headlining the Alternative Press tour, which conveniently brings the increasingly popular "Metalcore" band back to their homeland just in time for Thanksgiving. The band's most recent release, At Heart (on Rise Records), came out this summer and was greeted with the best reviews of MMI's career and a No. 32 debut on the Billboard Top 200 chart.

The thrashy, melodic MMI headlines tonight at Bogart's in Corryville on a bill that also features The Ghost Inside, Like Moths to Flames, The Amity Affliction and Glass Cloud. Doors open at 6 p.m. and tickets to the all-ages show are $20.

Read CityBeat's interview with Benton here then check out Miss May I's most recent music video, for At Heart track "Day By Day."



• Vintage Rock & Roll stylist Chris Isaak makes his way to downtown Cincinnati tonight for an 8 p.m. show at the Taft Theatre. Tickets range from $29.50-$59.50. Isaak's going to have to play the show then hop on a plane quickly — he's slated to perform in the annual Macy's Thanksgiving Parade in New York City. (Click here to read CityBeat's full preview of the show.)

Isaak recently issued a live DVD based on his 2011 double-disc release Beyond the Sun (his first for the Vanguard label). The album was a collection of cover songs originally recorded by artists on Memphis' seminal Sun Records (from Johnny Cash and Jerry Lee Lewis to Carl Perkins and, of course, Elvis), a fitting tribute given Isaak's similar approach and sound. The new Chris Isaak Live! Beyond the Sun DVD is a concert flick featuring several songs from the Sun album, as well as some of his big hits. Expect to hear a similar set list tonight. Here's an Isaak original from the DVD, "Live It Up."



• The songcraft experts and flawless musicians of veteran Cincy Pop/Rock band The Newbees host an album release party tonight at Newport's Southgate House Revival. The release show was originally intended to be the second show at the new club (brought to you by the owners/operators of the old, beloved Southgate House across from Newport on the Levee) but a late code inspection held the grand opening up for a week. The Newbs are celebrating their LP Modern Vintage, a patchwork of musical styles and mercilessly catchy songs. Click here for a full review of the album.

The Newbees are joined tonight by The Turkeys, Chaselounge, Honey & Houston, Les Whorenettes, Shiny Old Soul, See You in the Funnies, Sundae Drives and Dave Hawkins. Tickets are $12 at the door (or $14 for those ages 18-20). Showtime is 9 p.m. Here's the Beatles-esque new album track "Up All Night":



• There are also plenty of other local original groups performing tonight. Among the highlights: Reggae/Rock crew The Ohms and soulful, rocking power trio Tattered Roots (which is celebrating its one-year anniversary) join together at Stanley's Pub in Columbia Tusculum. … Rootsy rockers Alone at 3 a.m. are playing a freebie at The Comet in Northside with Jacob Tippey and Matt Wood. … Electronic improvisers Skeetones hold down the party at The Mad Frog in Corryville, joined by guests The B.E.A.T. and Bassface. … Two former members of The Greenhornes — Brian Olive and Eric Stein — perform a free show at Northside Tavern with their current bands, The Brian Olive Band and Stein's
Grotesque Brooms. … Rocket-fueled Indie/Blues/Roots/Rock trio The Sundresses headline tonight's free offering at MOTR Pub in Over-the-Rhine, joined by Detroit foursome Jeecy and the Jungle. … And two of the city's best modern rockers — Ohio Knife and State Song — perform a free show at Mayday in Northside (see poster above). 

Click here for even more live music events in Greater Cincinnati tonight.

 
 
by Mike Breen 08.27.2013
 
 
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Seeds Keep Growing

Members of The Seedy Seeds get busy after band announces "break"

On June 4, one of the more beloved bands in Cincinnati (and, increasingly, the rest of the country), Indie Pop greats The Seedy Seeds, announced that they were going on "break" on their Facebook page. The post was worded to suggest this is an "indefinite hiatus" — the words "break up" were not used, but there's no sign of activity from the band on the horizon (fans are also leaving "R.I.P." messages on their Facebook page).

In the "break" announcement that sounds like a "goodbye" one, the trio writes, "While we each have new projects to which we must now turn our energies, it's very hard to imagine how to live any moments from this point on as anything but Seedy Seeds."

Some of those new projects have been making themselves known recently. Seed Margaret Darling has been performing her solo material regularly on the local club front and, yesterday, it was announced she has some touring in her immediate future.

The band Distant Correspondent, described as Indie Dream Pop and featuring members located in different cities around the world, announced that Darling will be joining them on their upcoming fall tour. The supergroup made itself known to the public earlier this year and received a lot of press right off the bat. The band features David Obuchowski from Brooklyn's Goes Cube, the U.K.'s Emily Gray (from British Post Rock crew and John Peel faves Meanwhile, Back in Communist Russia), multi-instrumentalist Michael Lengel on drums (whom Obuchowski met when he moved to Colorado) and Seattle bassist Tyler Wilcox, as well as fantastic Indie singer/songwriter Edith Frost (who is not touring with the band this fall).

Here's what Obuchowski had to say about bringing Darling into the fold:

Being in a band with members in different cities and even countries is pretty liberating. Sure, it's not always the easiest thing in the world from a practical standpoint. But the flip-side is that it affords us the opportunity work with musicians we love, even if they don't live close.

With that in mind, we're thrilled to announce that we'll be bringing along Cincinnati-based solo artist, MARGARET DARLING as our featured vocalist for our upcoming record release tour. We're big fans of Margaret's solo work, and her work in the now-defunct Cincinnati indie-pop powerhouse THE SEEDY SEEDS. In fact, when it came time to put together a show in Cincinnati for our record release tour, we asked Margaret Darling to share the bill with us before we tapped any other artist. Margaret's music (as a solo artist and with her former band, The Seedy Seeds) has been described as "dizzying, perplexing and wonderfully fun" (NPR), and "no less than impressive - intimate and addictive" (CincyMusic.com).

Darling is joining the tour as "guest vocalist," beginning on the opening date in Denver on Oct. 23, the day after the band's self-titled album is released through Hot Congress/Old Flame Records. Click here to check out the music video for the Distant Correspondent track "Summit."

Meanwhile, Darling's Seedy Seeds co-founder Mike Ingram has been busy as a road sound technician, but he has found time to work with a new collaborator, great local singer/songwriter/guitarist Jasmine Poole, who works under the name Wonky Tonk.

Ingram (who harmonizes and plays guitar) and Poole have been working on new Wonky Tonk material and, given their hectic schedules, they even created a cyber-concert for fans to check out while they wait for it.
 

Wonky Tonk Live Aug 2013 from Wonky Tonk on Vimeo.

As luck would have it, both musicians are currently in town and tonight will be performing at the Nothside Tavern. The free show (in the club's "front room") features Wonky Tonk, Mr. Pointy and Kyrst and starts at 9 p.m.

Also in Seedy Seedsland, the group's drummer, Joe Frankl, has poured all of his focus back into his great Pop Rock trio of the past 10 years, The Frankl Project, alongside bandmates Jake Trippey and Paul Schroder. The band has been doing regular tour dates in support of its excellent new album, Standards. The band is hosting the album's local release party this Saturday at the Northside Tavern. The show is free and features special guests The Pinstripes, The Happy Maladies and 46 Long.

Here's a teaser The Frankl Project posted on YouTube. Click here for more on Frankl Project.

 
 
by Brian Baker 04.06.2012
Posted In: New Releases, Reviews at 02:02 PM | Permalink | Comments (0)
 
 
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Review: Joan Osborne - 'Bring It On Home'

When Joan Osborne vaulted into the public consciousness with Relish, her 1995 major label debut, she had already established a loyal fan base that was well aware of her estimable Jazz and Soul skills. With Soul Show in 1991 and the Blue Million Miles EP in 1993, Osborne displayed her smoldering vocal chops and her unerring ability to write to her own strengths as well as inhabit another writer’s song (her take on Captain Beefheart’s “Her Eyes Are a Blue Million Miles” was a marvel). Largely a collaboration with producer Rick Chertoff, Hooters frontmen Eric Bazilian and Rob Hyman and Beefheart guitarist Gary Lucas, Relish rightly pushed Osborne into Rock/Pop territory and the well-deserved spotlight, but it was only marginally indicative of her loves and influences.

For the past decade and a half, Osborne has made no secret of her musical passions as she’s fleshed out her catalog with a string of soulful original albums, covers albums (2002’s How Sweet It Is) and blends of the two (2007’s excellent Breakfast in Bed).

With her latest, Bring It On Home, Osborne heads directly into the Blues/R&B camp with predictably great results, from the opening swing of Ray Charles’ version of “I Don’t Need No Doctor” and a blistering spin through “Roll Like a Big Wheel” from obscure Blues shaker Olive Brown to a down and dirty take on James Moore’s iconic “Shake Your Hips” (nailed by the Stones on Exile on Main Street) and a shivering R&B tailfeather shake of Clarence Carter’s “I’m Qualified.”

As usual, Osborne’s gift in covering other songwriters’ works lies in her innate talent in melding the spirit and intent of the original song with her own singular approach to come up with a version that is both tribute and appropriate reinvention, and Bring It On Home finds Osborne at the peak of her abilities.


 
 

 

 

 
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