The Doobie Brothers have been entertaining audiences across the world for more than 40 years. In 2010 the band released World Gone Crazy, their first album in a decade. They continue to be an inspiration with their recordings and their rigorous tour schedule.
CityBeat caught up with guitarist and vocalist Tom Johnston by phone this week. Johnston discussed the changes the band has seen through 40 years of Rock n Roll and what guides the creative process of the band. They will be performing at Riverbend at the PNC Pavilion this Sunday alongside Chicago.
CityBeat: You guys have been touring on the road for over 30 years. Do you ever get tired of just being on the road?
Tom Johnston: You get tired of travelling. You don’t ever get tired of playing. The playing part is what makes you come out here in the first place. I think Keith put it the best, Keith Knudsen, “You get paid for all the time it takes to get to the town and then you play for nothing.”
CB: You have seen music change over the years in recordings from albums to 8-Tracks to tapes to CDs to MP3s and iPods. Do you think it sounds better or worse today, the classic analog vs. digital question?
TJ: If you have hearing like mine, it really doesn’t make any difference. There is basically the school of thought that digital recordings aren’t as warm as analog. I can’t really tell you the difference when I am listening to it. Maybe if I did a mix there would maybe be a difference in analog that I could tell the difference. They have really come a long way with digital recording. They have ways of mixing digital recordings now so it sounds more like analog. Some people still buy albums if you can get them. People are still putting albums out. In fact, this last album we put out, World Gone Crazy, there was over 14,000 actual albums put out with the CDs, and by that I mean actual vinyl records for the people that want to hear it in analog.
CB: How many guitars do you have and what is your favorite to play?
TJ: Oh boy. I’ve got a lot of guitars. Basically, everything I use on the road is PRS and that is what I play live. I use two basic guitars live that I trade off and I have a Martin acoustic that I play as well live. It is pretty much all about Paul Reed Smith right now. At home I have a Stratocaster and I have some older guitars I have had for a long time, an old Les Paul, an old 335, a couple Strats and a Telecaster. But live and when I am out on the road, it is strictly Paul Reed Smith.
CB: When you began and wrote the early hits and songs for the band like “Rockin’ Down the Highway”, what were your early inspirations?
TJ: My inspirations at the time of writing a song like that had pretty much been put in place from playing since I was 12 on the guitar and picking up singing when I was 15. Most of my early stuff came from Blues and R&B and Rock & Roll by the guy I consider the King of Rock & Roll, that was Little Richard and people like Jerry Lee Lewis. Later on, that changed, I got into Hendrix and Cream and quite a few other people I am not going to be able to think of right now. David Mason albums, old Fleetwood Mac albums, you know from the ’70s, just a lot of stuff going on then. As far as players, Albert, Freddie and B.B. King were huge in my guitar playing. I call them the Three Kings, that’s basically how a lot of people refer to them. There are a lot of singers that influenced me. James Brown was definitely one of them.
CB: Have you had a single issue or incident that has ever changed the way you approach music?
TJ: If I ever did, I am not really sure when it was. I know the first time I ever watched, one of the few times I actually got to watch, James Brown live was 1962 in Fresno and that was pretty much a life altering event, musically. I had never seen anything like that. It just blew me out of the water. I couldn’t believe someone could work that hard that consistently and put on just an incredible show. That was a big event in my life.
CB: Over the years, you have had some health ailments with your voice and other things. How do you stay healthy on the road now?
TJ: I take care of myself. Back in the old days it was the Rock & Roll lifestyle, that wasn’t really healthy. But the biggest sideline I ever had was stomach ulcers which I developed in high school but it fully bloomed when I was out on the road in 1975 when I actually had to leave the tour. That is really the only health issue I ever had, but it was a bad one.
CB: Do you consider yourself or does the band consider themselves spiritual in any way and did it ever play a factor in your music or writing?
TJ: To be honest with you, no — at least not in the secular way of any specific religion. It’s not that we are not a religious band, it is just everybody has their beliefs about the world and mankind and how we got here I suppose but it is certainly nothing we would talk about.
CB: After all these years, I assumed you guys would talk about everything.
TJ: We talk about a lot of stuff but that isn’t one that pops up. Actually it popped up this morning. I was just giving my views on Buddhism and thinking it was a little more realistic since it is based on mankind’s shallow man as opposed to strictly about a specific deity and things having to be done a certain way. But those are just opinions and I don’t really follow it that closely; I don’t think anybody in the band does, to be honest with you.
CB: Do you guys take on different leadership roles within the band?
TJ: Yeah, to a point. It is basically when we are recording. When we are playing, it kind of happens naturally. Recording it is pretty much whoever writes the tune will be leading if you will, but other people come up with ideas for the tune so it is pretty much always a group effort.
CB: Are there any current Rock bands or new Rock bands on the scene right now you would like to collaborate with or work with?
TJ: I think John Mayer is an incredible guitar player. I really enjoy his work. Another one is Bruno Mars — I think he is extremely prolific as a song writer and pretty amazing. There is a band called Mannish Boy, which is a Blues group. I really like those guys. They are new. Most people aren’t going to know them. They aren’t Pop or anything like that. They are simply a Blues band but they are really, really good. There are more, I just can’t think of them right now. There are more people I think are really good out there that would be fun to get in the studio with. It would be fun to work with Christina Aguilera or Cee Lo Green. It would be fun to work with anyone from Maroon 5. We recently worked with Luke Bryan for that TV show on CMT called Crossroads and we had a ball doing that.
CB: I love Luke Bryan and his music. He has kind of blown up recently.
TJ: He is a good guy. He is a really good guy. We had a lot of fun doing that show. Everybody was just having a lot of fun.
CB: Do you have any creative outlets or hobbies outside of playing music?
TJ: It’s outside of the band in a sense but I write music for a hobby. I love writing. I do it all the time. I have a little studio at home. A lot of the stuff I write would never be used by this band. I am starting to branch out and write with other people now too, which is something I haven’t done as much. I have always kind of just written my own songs. I have started taking the steps to go out and write with some other writers who are very prolific and very much involved with the Pop scene or the Country scene or whatever else. I just really started doing that before we came out on this tour. When we finish this tour this year, I will go back to doing that some more. It was fun. It was a new place to go. It is exciting to get in and work with someone else because they help you find a lot of stuff you don’t know you have and I think you do the same for that person. You come up with songs that you would never come up with if you were just sitting there by yourself.
CB: Do you use social media outlets like Facebook and Twitter to stay connected to your fans?
TJ: There is Facebook and Twitter and all that stuff on our website. I don’t do any of that stuff. For whatever reason it hasn’t called me. I don’t have any need to be in touch with people or stay in the limelight or find out what is going on. I am kind of a private guy and I would like to keep it that way rather than blast it all over the universe. I don’t belong to Facebook. I know tons of people who do it and that’s great. From a business point of view, it is a really smart way to go. From a website point of view, it is a really good tool for getting your music out there, events out there, where you are going to be, maybe even staying in touch with other musicians, things like that but mostly I do that on the phone. Twitter, I have never even used Twitter. I know people do it all the time but I have never gotten involved with it.
CB: I still use a telephone because I prefer to talk to people.
TJ: It is alive and well in the younger generation. That’s how they communicate.
CB: My last question is do you have any fond Cincinnati memories over the years?
TJ: Yeah, playing at Riverfront Stadium, playing at where we are going to be playing this Sunday which is right on the river, Riverbend. We have played there lots of times. I was just talking to a gentleman a little bit ago about playing in Blue Ash the last time and a tornado came through and shut the show down and we never got a chance to go out and finish it. We have been playing Cincinnati since we started so we are talking 40 years of playing Cincinnati.
CB: We look forward to seeing you on Sunday.
TJ: Thank you very much. We are looking forward to being there and it will be a gas as always. This show with Chicago has pretty much been sold out everywhere we have gone. The crowds have been great and it is a good combination. The two bands, we get together at the end and do an encore of everybody in both bands playing at the same time and it is pretty powerful.
Rockers Papa Roach hit the scene in 2000 with their most successful studio album, Infest. Six albums later, they are still headlining tours and festivals across the country including this weekend’s Rock on the Range in Columbus.
I was able to catch up with the man behind the music, Jacoby Shaddix, the lead vocalist. The two discussed the hard times and redemption that led to Papa Roach's most recent album, The Connection, released late last year.
Papa Roach plays Rock on the Range's Main Stage Saturday
afternoon, getting the night ready for Three Days Grace, Stone Sour and
The Smashing Pumpkins. Find full Rock on the Range details here.
CityBeat: What is your favorite Rock on the Range memory?
Jacoby Shaddix: Shit man, coming in headlining the second stage and utterly fucking demolishing it and being the only band asked back the next year to play the Main Stage and crushing it again.
CB: If you could trade places with anybody for one month who would it be?
JS: My wife.
JS: I just want both of us to live our lives in each other’s shoes for a month. I think we both would learn a lot. I know that it is not the super mega-kick ass Rock star answer, but that is some real shit.
CB: I know you wrote the last album through some of the toughest times of your life. Are any of the songs hard to play for you personally?
JS: No, they are just really good reminders. It is like I had to re-calibrate my life and re-focus myself on what my priorities were in my life and what was important to me and where I wanted to put myself five years from now and 10 years from now. All the decisions I made in the process of making this record I believe are some of the most important decisions that I’ll make in my lifetime. I think the songs are real good reminders of that desperate place that I once was.
CB: Well my favorite song on the album when it came out was “Where Did the Angels Go”…
JS: We had a No. 1 Rock track with that song, which was fucking awesome.
CB: Can you tell me the story behind the song?
JS: As we were making the record, me and my wife had split up at that time and I was strung out again. It is no secret that I have substance abuse issues and I was caught up again and I finally decided that enough is enough. I had to stop and that just utter desperation of hanging on to life by a thread and just feeling completely alone and so broken and not really knowing if I was going to be OK. I just finally realized how much my demons ate me alive and it was time to get myself back and that is where that song came from, utter desperation.
CB: Is it hard to be on the road and stay sober?
JS: Not this time around. It used to be really hard. I have a network of sober musicians I stay really close with and I have a support group through that.
It is finally clear to me in my life I can’t fucking drink, I can’t do drugs, because it eats me alive. I am finally on the road enjoying my life. I faced a lot of demons in the process of getting sober again and I finally put a lot of stuff to rest. I am trying to work on being in the moment, like some of that Buddhist-type culture philosophy — if I am not here now then what is the point? If I am not feeling the moment, then what is the point of my life. Just focusing on that, my spirituality makes all this other stuff that goes on out here on the road way more tolerable and way more fun.
CB: Have you ever had an experience that led you to believe in angels?
JS: I don’t necessarily have a grasp on the idea of angels. I have an understanding of people that have come like saviors in a sense, people that have been sent to me by my higher power to show me and guide me out of the darkness. I had to be broken down to realize I needed help.
CB: People have shown up at the right time?
CB: If you could ask one question to a psychic about your future what would you ask?
JS: I wouldn’t ask anything. I wouldn’t want to know. What do you want to know? Are you going to live different or some shit? I’d rather let it be. Let the future be what it is going to be.
CB: What does your perfect day look like?
JS: Perfect day — wake up next to my wife, sex right off the bat. Then go downstairs and cook breakfast for my kids, take them to school, go for a run, dance with my wife, go fishing with my brother-in-law in the bayou swamp, stretch out and warm up, play a Rock & Roll show, then fall asleep next to my wife. That sounds pretty fucking kick ass.
CB: I know your songs that you write are very autobiographical. Have you considered writing a book or a memoir in the future?
JS: Oh definitely, that is something I am going to definitely do in my life. 100 percent.
CB: No immediate plans?
JS: No immediate plans, but I have put pen to paper. It is something that I can craft as I go along.
CB: What can the fans expect this weekend at Rock on the Range?
JS: A fan that is on fucking fire. We have been doing these festivals, May is a big festival month, and we have been fucking annihilating audiences. We just devastated Carolina Rebellion, just ripped that shit up, we had a great show. Fort Rock in Florida, Rockville down in Florida. Memphis in May was awesome at the Beale Street Festival. That was rippin’. I just feel like we are tuned up and primed for these big festivals. I have to say, all these other bands, bring your fucking A-game because P Roach is coming to town and we have come to rip it.
CB: Memphis was awesome. I saw most of the set. It was awesome. It was great as always. I look forward to shooting you guys again. Smile for the camera on Saturday.
JS: Fuck yeah. Cool. We will see you Saturday.
Rise Against is the epitome of Punk Rock in this era. They are as far from the status quo from society as bands get, yet record for a major label. Part of the group's mission is to promote progressive issues, both socially and politically. Rise Against recently released its sixth album, Endgame, which features the hit single “Make It Stop” (the video for which was nominated for a MTV Video Music Award last year).
CityBeat spoke with bassist and original member Joe Prinicipe in anticipation for their upcoming show in Cincinnati. They discussed the bands writing process and how they incorporated their socially active direction in their music. Rise Against will be opening Riverbend's PNC Pavilion for the summer this Saturday. A Day to Remember and Title Fight also perform.
CityBeat: Thanks for taking the time to talk to us. I know you are one of the original band members. You guys have been out on it for about 13 years from when you started. Where do you see yourself in 13 more years?
Joe Prinicipe: It’s hard to say with this business but I would say definitely still involved with writing music and performing. Rise Against has no intentions of breaking up. We would like to follow the same career paths as bands like Bad Religion and Social D that are going on 25 or 30 years and are still making relevant music. I hope that’s where I end up.
CB: I saw you last year with the Foo Fighters when you opened up in Columbus. I was wondering if there were any fun and crazy Foo Fighter stories on tour.
JP: It was pretty awesome when there were a group of protesters, I think we were in St. Louis, maybe it was Kansas City, and they were protesting the Foo Fighter show because they did that funny promo video where they were showering together. So this group came out, this very homophobic religious group. They were protesting and the Foo Fighters came out (before the show) dressed provocatively and they were out on a flat bed truck and performed and tried to play as loud as they could to overshadow, overpower the protestors. It totally worked and it was awesome.
CB: They seem fun to be around in general and don’t take it too seriously.
JP: Totally and they are all about enjoying what they have because being on the road and being away from your family is hard enough so you might as well make the most of it.
CB: Your music has been called protest music in the past by the Chicago Tribune and I just wanted to ask about your process to write lyrics around a cause. How do you choose a cause to support and then develop a song around it?
JP: (Singer/guitarist) Tim (McIlrath) writes all the lyrics and the process is very simple. He is just writing what he feels for that day. He writes from a personal perspective on life in general. That’s why our records are not just political, there are socially aware topics, there are environmental issues, there are songs about relationships and how hard it is to be away from our families when we are traveling. We always write music first and he will hear the tone that the music sets and he has a journal, and he will flip through the journal and see if something fits and if not he will write what he thinks will fit the music and that is how it has always been the last 12 years.
CB: Were you guys influenced at an early age or did something happen to you that kind of made you take your music toward this activism tone or did you have a kind of defining moment?
JP: No, it’s just seeing punk rock music. It’s just the nature of punk rock that seems formed as a reaction to the glam era of the 70’s. It’s just a reaction to that so it’s always been about that. It’s all we know. It was something that we didn’t even discuss. It was just kind of a given the direction of Rise Against was going to be that and we are kind of carrying that torch. Bands like Minor Threat and the Bad Brains were definitely singing for change whether it was singing against homophobia or social issues, but that’s kind of what the unspoken goal that the band has always had.
CB: What is the biggest way your music has been able to make a difference or make a change?
JP: I would say the effect that “Make it Stop” has had on young kids. Kids in high school trying to get through it all. We have gotten so many e-mails that the song is helping them through the hardest time of their life and that is incredibly rewarding. I would say “Make it Stop” stands out as that.
CB: Your new album came out last year in the spring. Do you have any new music in the works?
JP: No, we still have a whole year of touring on Endgame. I think I always have song ideas in the back of my head and so does Tim. It’s kind of an ongoing thing anyway. We won’t actually have anything, officially new until the end of 2013.
CB: Do you have any crazy Cincinnati stories from the past or any fond memories?
JP: Not really. Cincinnati is Bogart's, right?
CB: It’s Bogart's and this time you are at Riverbend which is outside.
JP: That’s right. The only thing I recall is from Zach our guitar player. His old band played Bogart's and someone was shot like 20 feet away from him. That’s really it.
CB: I think you are in a little safer place by the river this time. I have this new game and it’s a table game with quirky questions and people just give their first thoughts around it, so I have been experimenting with this a little and I have three questions from this game for you. The first question is what skill do you possess that most people don’t know about?
JP: Let’s see, nothing hidden, although I am a complete coffee snob and I have an espresso machine at my house and I take that very seriously. It has to be perfect. I have to time all my espresso shots as they come out of the machine. So I guess that.
CB: So you make the perfect espresso, that’s your hidden talent.
CB: What is under your bed?
JP: Actually nothing because my wife is a neat freak so nothing can be on the floor.
CB: If you are on the bus it is somebody else sleeping under the bed in the bunk.
JP: As far as the bus goes, our tour manager is usually in the bunk below me so I have him snoring …
CB: What song would you pick to sing karaoke?
JP: I’m really bad at karaoke, oddly enough.
CB: You don’t have to be good. I don’t think that’s the purpose of karaoke.
JP: That’s true. I don’t know maybe something from ’80s Pop like the Go-Gos or Duran Duran.
CB: What can the fans expect from the show in Cincinnati?
JP: Just high energy, just come and sing with us and have a good time. It is all about interacting with our fans and just everyone singing along. We are all there for the same reason. It is a good way to let off some steam from the week prior. Just come out and have a good time.
In the last year, Alice Cooper could be seen everywhere from special guesting on stage with Vince Gill to rocking out with Rob Zombie. This past weekend he even popped up singing Lady Gaga at Bonnaroo.
Cooper can do anything in music, entertain every audience, and still be cutting edge enough to be a premier name in music after almost 50 years in the business, countless awards and nominations and 36 albums. He shows no signs of slowing down and he is set to continue his monumental career as his band goes on the road with Iron Maiden this summer and fall.
CityBeat was privileged to speak with the legend to preview his upcoming show near Dayton before he hits the road with Iron Maiden. He spoke about longevity and told of the more bizarre stories of being a tenant in the Queen City. Alice Cooper performs at the Fraze Pavilion in Kettering this Wednesday.
CityBeat: Your show in Dayton is coming up.
Alice Cooper: Yes, we start this tour in June with Iron Maiden. We will be out there as their guest star on the show, their guests, so that’s an hour show. The show we are doing there in Dayton is our regular show which will be a full out Alice Cooper show.
CB: I am actually a photographer and I’ve photographed you many times. You are one of my favorite artists to shoot.
AC: Well we give photographers a lot to shoot. If you are going to go all that trouble to do all that theatrics and really coordinate the show like that, then I want to see lots of shots. I love seeing different angles, people will hand me an envelope full of pictures and I will go, “That’s a great shot. That’s a great shot.” And it gives me a different perspective of what the show looks like because we only see it from the stage. We never see it from the audience point of view.
CB: I have interviewed many of your past guitarists, Jason Hook and Al Pitrelli and people that have toured with you and everybody always has spectacular things to say about you as a mentor and just to be around. One of my questions is how do you choose band members on your tours now?
AC: Honestly, I am very instinctive about guitar players. Of course the guitar players are the gunslingers. They are the guys that you can sit and listen to and go, "When I quit singing, I want to hear something take over," and it better be a guitar that can take over what I’m doing when I step back, I want that guitar player to step up. So getting a Damon Johnson, when we first got Damon, every guitar player wants to stand back a little bit and I say, “No, no, no, when it is your solo, you take two steps forward into the light and let it go.”
A lot of times lead singers don’t want their lead guitar player to share the limelight. I want everybody in that band to have their moment on stage where they are the star. So when you get (young Australian guitarist) Orianthi, who is a natural, she is a natural star up there. I mean the girl is such a great player.
CB: Is she going to be with you?
AC: Yes, I mean she is such a great character for a Alice Cooper show. And you get Ryan Roxie on this tour and Ryan is a show unto himself. He has his own production going on over there which I really like because he really brings it every night. And Tommy, who I have in the middle as a rhythm guitar player, has got his own show going on. It’s great to get guys to come out of their shells and just when you get on stage be a rock star. I don’t want you to be a sideman.
CB: Again, it’s always been amazing to talk to all these people who have worked with you over the years and I know they appreciate it as well.
AC: I think it is because I let them play. I want you to play. When it is your turn to play, I want you to be Eric Clapton, I want you to be Jeff Beck, I want you to be the guy and sometimes it takes a little bit of getting used to. These guys are not used to being the center of attention, they are used to being the guys that stand in the background and play.
Sometimes it’s hard for Johnny Depp, when Johnny plays with us, I kind of have to push him forward a little bit because he likes to hang back a little bit.
CB: We are in Cincinnati. Can you tell me what your craziest Cincinnati story is from your past?
AC: I have the best Cincinnati story you have ever heard. This is a true story. We finally left L.A. We decided we had to move some place out of L.A., out of New York, some place in the Midwest. So we go to Cincinnati and we play this show there and we get a standing ovation. We decided the first standing ovation we get, that is where we are going to move.
So we played in Cincinnati and got a standing ovation, I think it may have been after the Cincinnati Pop Festival, the one we did with Iggy (Pop and The Stooges), and we found this area down by the college. It was this big, beautiful house for rent. So we came in and rented this house at the beginning of summer, and we went in and painted it and did everything like that.
For three months we lived there until in September, all of a sudden, there was a knock at the door, we walked outside and there were 10 guys that are football players and they are going “What are you doing at our house?” And I said, “What are you talking about? We rented this house indefinitely.” And the guy goes, “This is our frat house. I don’t know who rented this to you but they didn’t own the house. You are paying rent to someone that doesn’t even own the house.”
Some guy rented us a frat house and he didn’t even own it. He just walked in and put up a "For Rent" sign because nobody was there and we just assumed he just owned the house. So for these guys, it was kind of cool to them that Alice Cooper was living in their house, but we had to leave because it was their frat house.
CB: So did you pick another city or did you hang around town?
AC: We moved to Detroit then but it was really funny because we really thought Cincinnati was where we were going to live and then we got ejected by the frat house.
CB: I guess it could have worked out a lot different. You could still be in our hometown. You have spoken openly the last few years that you have become a Christian and about your Christian beliefs. Did that change how you put your show together?
AC: I think what it is, you do a certain amount of your own, not censoring, but you start shaping the show whereas there may be a couple of songs that I used to do that, now when I sing those songs, I don’t believe that anymore. So, it is hard for me to sing that.
It hasn’t been any big hits, “School’s Out”, “18”, “Billion Dollar Babies”, all those songs have nothing to do with Christianity or nothing to do with something that I couldn’t sing as a Christian. Most of it is social satire anyway, but there are a few songs that I looked at and I went, “You know what, I don’t believe that anymore,” so I am going to stay away from that show.
I am just being true to myself to be honest with you. It really hasn’t affected how I do my stage show because I don’t believe Alice was promoting anything that was anti-Christian. We were like a musical horror movie and I think if people took Alice Copper as entertainment, as pure entertainment, there is certainly a dark side to my sense of humor but I don’t think there has ever been anything in there that was, that any Christian couldn’t see and have fun with.
CB: It’s all in good fun. It’s all perspective.
AC: Yeah, and I think if you look at it as a social satire, I am fine with it. I don’t really have a problem with that. I am still very involved, I read twice a day, I have two different times of devotional for myself. I hope and I try not to just be a Christian in “Oh, I’m a Christian.” I try to live that life. It is a one-on-one relationship with Christ so I really try to keep that as my lifestyle. In other words, you aren’t ever going to see me at the strip club after a show.
CB: I know you gave up drugs and alcohol a long time ago for good reasons. Is there still ever a struggle on the road to stay sober?
AC: No, never has been. I was literally healed from that. People say you are cured, I say no, it was much different. I never went to AA. I never had to do any of that. I came out of a hospital and it was gone. It was gone as if I had cancer and cancer was gone the next day. It was totally taken away from me. I never had a struggle with alcohol. When I came out of the hospital, I was absolutely straight as an arrow. I never had a desire or a craving for alcohol which even the doctors say is weird. I know because I have a lot of friends that are in AA and they struggle with it all the time. They say, “How do you do it?” and I say “I am not an alcoholic anymore. I was one but I am not anymore.” I wouldn’t challenge myself. In other words, I wouldn’t sit around and say, “Well I think I will take a drink of beer.” Because I know that could be a trigger that takes me back to where I was. So I won’t even approach that, but at the same time I don’t have any desire to do that.
CB: Well, my Mom saw you in 1974 and she still talks about it today as I go shoot your shows. It was one of her memorable experiences with you and some chickens in Nashville at Memorial Coliseum…
AC: Well the music hasn’t changed much since the ‘70s to now, if you look at the bands that are still out there — Aerosmith, Ozzy, Alice, Thin Lizzy — we are all still playing the same kind of music. I think it is funny that 16, 17, 18 year old kids are more into Classic Rock than they are into modern Rock so I think there is a large audience for us that has never seen us. One of the reasons we are playing the Iron Maiden tour is because I don’t think the Iron Maiden audience has ever seen Alice Cooper so I want to expose them to Alice Cooper.
CB: Has touring for you changed from now to then?
AC: It’s a lot easier now. When you are physically in better shape and you are mentally and spiritually in better shape, (my wife) Sheryl and I have been together for 36 years, and I never been happier in my life. My kids are great. All my ducks are in a row. Physically, I am healthy. Touring is easy then. Physically, it is a workout and you have to get used to traveling and you have to get used to being away from your family a lot even though now my family can travel with me any time they want to. My wife will go out for three weeks then go home for a week and come back out for two or three weeks. So, touring to me is easy.
CB: You spoke about music now and what people are listening to. Are there any current bands you listen to these days?
AC: I wish there was — my pet peeve right now is that 80-90% of the modern Rock bands are just testosterone-free. I am listening to these bands and going, "Where is the spark? Where is the fire?" These bands are whining like crazy. I hear these bands and go, "What is wrong with these guys?" And then I look at a picture of the band and I could go into a mall and pick any five guys, it’s like they are trying not to be rock stars. They just want to be normal guys that play in a band with no image and no fire just we are in a band. “What is wrong with that?” That’s crazy. If you are in a Rock band, you get in a Rock band to be something different. I guess modern Rock bands really just want to blend in and I think it is the most boring time in Rock right now that I have ever seen.
CB: Well you have your Lady Gagas…
AC: There are exceptions. Jack White is amazing. The Foo Fighters are amazing. I don’t know the Black Veil Brides music very much but I love the image. At least they are going out of their way to be something that when you see them on stage you say, “That’s the Black Veil Brides.” But when I see 99% of the other bands up there I say those bands can be anybody. I just don’t get the fact that everybody is so against having image.
CB: Are you working on any new music, maybe another album?
AC: The Welcome to My Nightmare album has been out for about a year now and that was our highest charting album for quite a long time. So after this tour, we will go back in the studio again, Bob Ezrin and I will, but we were very, very happy with Welcome to my Nightmare.
CB: I briefly spoke to you at the Rock and Roll Hall of Fame Induction this year in Cleveland. I know you weren’t performing but what your favorite part of the night?
AC: You mean the last one. I thought Guns N Roses were amazing. I thought Slash and the boys were the best band there. They just rocked that place.
CB: We are heading into a critical election year, are you planning on backing any candidates this time?
AC: Boy, I’ll tell you at this point right now I almost want to go independent. I am not political in the least bit. I am not in the least bit political. So when somebody says, “Who are you voting for?” I’m going, “Wow!” It’s like saying, do you want a poke in the eye or a poke in the ear. Nobody is making me smile now.
CB: And it is very narrow now.
AC: Yeah, as far as I’m concerned, I wish there was somebody out there that had some spark that would make a difference but I don’t think either one of these guys are.
CB: Do you have any plans to slow down or stop touring?
AC: No. For me, physically everything is fine right now. Until I physically can’t tour, I think I will be touring every year.
Five Finger Death Punch has one of the biggest and most exciting shows you'll find in Metal music right now. The band just released its third studio album, American Capitalist, which features the popular single “Under and Over It” and the song “Back For More,” featured in the latest game in the Madden franchise. FFDP are about to go out on its headlining “Share the Welt” tour with All That Remains, Hatebreed and Rev Theory (the tour comes to Indianapolis' Murat Egyptian Room on Nov. 6). CityBeat recently spoke with lead guitarist Zoltan Bathory and band newcomer and bassist Chris Kael at X-Fest in Dayton, Ohio, about the new album and why the band’s music moves a more aggressive crowd.
Tim Wilson is a comedian and singer/songwriter who represents Southern culture and lifestyle with his songs and stand-up. He is often featured on national telecasts of the syndicated radio shows The Bob and Tom Show and the John Boy and Billy Morning Show and Wilson has also been appeared on many of the late-night talk shows. With a dozen comedy albums featuring his original songs, Wilson has found crossover success on both the comedy and Country music charts.
CityBeat caught up with Wilson by phone to preview his appearance in Cincinnati and discuss southern roots in comedy and the assimilation of music into his comedy. Catch him performing live Saturday night at the Taft Theatre with Patti Vasquez (ticket info here).
Five Finger Death Punch is one of the most popular Metal bands in the world. The band has a catchy, melodic sound that resonates with its crowds and the band's songs have become arena anthems across the country. Five Finger continues to tour on its third studio album American Capitalist. Currently, the group is out headlining the Trespass America Festival with the bands Trivium, Pop Evil and Killswitch Engage.
CityBeat was able to spend some time with the band’s lead guitarist Jason Hook to discuss, among other things, the band’s feverish tour schedule and the effect it has on the band members' relationships, as well as what makes the music so addictive. The Trespass America Festival comes to the PNC Pavilion at Riverbend tomorrow (Wednesday) night.
CityBeat: What has been the highlight of Trespass Festival so far?
Jason Hook: Well, the first show was awesome. We opened the show on Friday the 13th just outside of Denver. The place was almost sold out, packed. We had all of our friends, family, record label, managers and agents with us. It was a massive party (and) it was day one. It was awesome, really awesome.
CB: Who leaves the biggest mess backstage at Trespass?
JH: The biggest mess? As far as what, a hot mess or just messy?
CB: It could be either.
JH: I’ll give both to Ivan (Moody, Five Finger's frontman).
CB: OK, I wouldn’t picture that.
JH: Well you don’t know him as well as I do.
CB: Is it true that he still throws up before he performs?
JH: I haven’t seen that lately but it might be because I tend to steer clear of him a little bit more than usual because of that. But he does do that. That is not an urban legend.
CB: You consistently are having these hits with huge sports and military following. What is really the formula for creating a modern day Rock anthem?
JH: I think that you have to keep things simple. People like a really consistent beat, something that has a good thump to it. Obviously, an easy to follow storyline or a relatable storyline and as many hooks as you can get into each section of the song for example the intro, the verse, the pre-chorus, the chorus, the bridge, the solo — all those are sections — and if they get too long or drawn out or too complicated or the resolution set too high for the listener, they just miss out and it will go over their head. A big part of having an anthem is having something that is simple enough that many people can grab it easily like “Rock & Roll all night and party every day.”
CB: Does the band ever write songs for a specific audience?
JH: Not really. Most of us in the band have a background where we grew up listening to heavy bands but bands that were also on the radio. That reflects in the music we make. None of it is really contrived. We just do what we like. Fortunate for us, it catches with a lot more people. Once you try to do something that is not honest, it is really hard to repeat it. You are always chasing or guessing what to do. It is better to know what you like to do and just do it.
You always have the crazy crowd surfing at the shows, the biggest Rock on the Range crowd surfing in history. Do you ever worry about fan safety?
JH: All the time. All the time. It freaks us out. I see people getting beat up pretty good out there, especially the people in the very front row because people crowd surf up from behind them, they can’t see that these 220 pound guys are being launched forward and the people in the front row are the last people that these heavy people land on their heads on the way into the pit. You get a lot of people getting smashed, and they have no idea it is happening until it happens.
I keep saying, “Is there something we should do to discourage this? Should we say that we want people to be careful and keep your eyes open?” I do see a lot of people getting hammered, and it freaks me out. We are always thinking about it.
CB: How do you stay friends living in such close quarters and being on the road almost all year?
JH: How do we stay friends? We stay away from each other. The only way to control how we all get along is to make sure there is a good amount of separation. You need a little bit of on and a little off.
For example, we get hotel rooms. The band gets hotel rooms. We get them every other day. The hotel rooms are essential and it doesn’t matter what it costs to have everybody be able go and have their own private space to go make phone calls, answer e-mails, relax, watch the TV program they want to watch, whatever. The off is just as important as the on because if you get too much together time all the time, then you are likely to have the engine run a little hot, you know what I am saying?
CB: Who in the band is more likely to get into a fight backstage and who is more likely to get laid?
JH: I don’t really want to focus on the fighting, but as far as the sex part of it, I would say, all the girls like Ivan. The rest of us are just sort of swinging the bat. They all seem to want to get to Ivan. So I would say answer "A"—my final answer — Ivan.
The thing is, to chase girls around, which is also to chase the party or stay up, all these people show up and they want to hang out with the band. This is their big night out. The problem is, if we participated in everybody’s big night out, then we end up having 42 or 55 nights in a row, and it is physically too hard. Imagine having 45 New Years Eves in a row. What kind of shape would you be in after that?
CB: Yeah, bands now are a lot more, I don’t want to say mellow, but you can’t sustain (that type of partying) for long periods of time if this is what you are going to do.
JH: God knows we have tried it. We don’t want to hurt the band. We don’t want to hurt the tour. We have a responsibility to not only talk to people during the day but to play in front of these large audiences, and I don’t want to go up there hung over and feel like crap and be fuzzy and making mistakes. It’s very hard. It’s OK when you are a club band — nobody cares; “Get me another beer.” Everyone is drunk anyway, but now we are talking about playing in front of 15,000 people at 9 o’clock at night and it is a business now. It is for real.
The members of Kentucky's Black Stone Cherry take pride in their closeness. They are still just four guys rocking out and living their dream. BSC's just-released third studio album, Between the Devil and the Deep Blue Sea, reached the Top 30 in the Billboard 200 and the group is currently on the Carnival of Madness tour with Alter Bridge, Theory of a Deadman, and Emphatic. The tour hits Dayton's X-Fest, at the Montgomery County Fairgrounds, this Sunday (click here for concert details). CityBeat recently spoke with Black Stone Cherry lead singer Chris Robertson in depth about the band and the personal issues he has dealt with over the past few years.
Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.