I’ve extolled the virtues of White Christmas at the Covedale Center in my CityBeat review, but I’m not the only one who feels that way. The judging panel from the League of Cincinnati Theatres (LCT) has chimed in with an award for Dan Doerger, playing the role of Phil Davis, originated in the 1954 film by Danny Kaye. I would have also recognized Rick Kramer, playing Doerger’s song-and-dance partner, Bob Wallace (played by Bing Crosby in the movie). The LCT panelists cited the “marvelous chemistry” between the two of them. Doerger, who dances as well as he sings and acts, was seen recently in Covedale productions of Singin’ in the Rain and Annie Get Your Gun. White Christmas continues through Dec. 23.
Don’t go looking for Boris Karloff or any kind of campy make-up if you decide to see the National Theatre of London’s production of Frankenstein on Tuesday or Wednesday evening at The Carnegie in Covington. This version, provided via HD digital transmission, is much more faithful to Mary Godwin’s creepy and profound Gothic novel written in the summer of 1816. When it was finally published two years later (by which time she had married poet Percy Bysshe Shelley and become Mary Shelley), few people believed it could have been written by a young woman not yet 20 years old.
I've been seeing theatrical productions aboard the Showboat Majestic for at least 25 years. Like the Ohio River adjacent to the "Boat" at the Public Landing, they're up and down, sometimes beautiful and sometimes a bit stinky. But I can offer you an unqualified recommendation for the current production, The Musical of Musicals: The Musical. The title itself is entertaining, but the material is even better — and then there's the cast that's been assembled. This is, in fact, a show that anyone who loves musicals needs to see. It's probably the best production I've seen on the Showboat ever. It's being performed through July 26.
Cincinnati Playhouse in the Park Producing Artistic Director Ed Stern has shared some news about his health with the theater’s patrons, using a letter in the program book for Over the Tavern, which opens this Thursday. (It’s had preview performances this weekend.)
Ed Stern, Cincinnati Playhouse in the Park’s producing artistic director, today announced the shows that will make up his 20th and final season for the city’s Tony Award-winning regional theater. It consists of several shows that have proven track records with audiences as well as a smattering of new works. The season is precisely the kind of mix that audiences have come to expect from Stern during his two decades at the Playhouse — that is, unpredictable selections with enough of the tried-and-true and the wait-til-you-see-this-one that will keep everyone eager to see what’s next.
If you care about the issues surrounding his brutal murder in Laramie, Wyo., in 1998, you should make a reservation at Ensemble Theatre of Cincinnati (ETC) for a one-evening of The Laramie Project: Ten Years Later.
I’ve often written in CityBeat about the Humana Festival of New American Plays that happens annually at Actors Theatre of Louisville. I look forward to this annual collection of new works, regarded by many as the premier opportunity in the to see fully staged works by contemporary playwrights. (This year is the Humana Festival’s 33rd iteration, and it opens March 1.)
But Actors Theatre isn't the only place for new work in the United States. I recently spent time at the Colorado New Play Summit, presented in its fourth year by the Denver Center Theatre Company (DCTC), which takes a different approach.
Broadway Across American announced its Cincinnati presentations of six touring broadway shows for 2009-2010 today.
Want to get a big dose of new theater? You’ll want to spend some time in Louisville next March and April, when Actors Theatre of Louisville presents its 33rd consecutive Humana Festival of New American Plays. Productions begin on March 1, 2009, and continue through April 11. The 2009 festival will present six full-length plays, a comic anthology showcasing the Actors Theatre Acting Apprentice Company and three 10-minute plays.