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by Staff 05.14.2015 8 days ago
at 02:47 PM | Permalink | Comments (0)
 
 
todo_thecityflea

Weekenders: What We're Doing This Weekend

The Pixies at Horseshoe, a trip to Chicago, City Flea and more things we can't afford

Each week CityBeat staffers share their weekend plans: from dinner and drinks or special events to out-of-town concerts and stories we're working on. And some of us just watch TV.

Mike Breen: I’m planning on going to see Pixies at Horseshoe Casino Saturday night. I was actually fortunate enough to see them “back in the day,” before their breakup in the early ’90s. It was 1989, so their classic Doolittle album had been recently released, and they were touring with Love and Rockets, who had just had their first real “hit” with the song “So Alive.” The bands played at Riverfront Coliseum (now U.S. Bank Arena) when the arena was doing concerts in what they called a “theatre” setting (basically putting the stage in the middle of the venue facing one side, selling tickets only for half the arena, so it was slightly more “intimate” than the bigger shows there). My memories of the show are foggy, but I remember being a big fan of both bands at the time and being satisfied with the concert overall. My most vivid memory is of Kim Deal — when she sang, her mouth formed what looked like a big Cheshire Cat grin that beamed all the way up to our nose-bleed seats. (And I think Love and Rockets’ Daniel Ash came out in drag for their “So Alive” encore.)

I also saw Pixies towards the beginning of their lengthy reunion run, in 2005 at Lollapalooza in Chicago, and it was a great set. It was cool to see them reap some of the rewards of their vast influence on the music that led to the creation of Lollapalooza in the first place. And it was amazing to see the over-the-top response from the wide-age-ranging audience. 

The Pixies seemed to be solely doing these reunion tours for the money for a few years too long — they’d been a reunion band longer than they were an actual band, before they finally started making new music again (which is actually pretty good). This will be my first time seeing them without Deal, which will be odd. Add the fact that this is a casino concert (which doesn’t have the stigma it once did, especially at Horseshoe, but still …) and I’m mostly just really curious to see how it all goes down. It should be appropriately surreal.

Nick Swartsell: I'm heading to Chicago to catch a few friends' art show Friday and then, on Saturday, to watch Dan Deacon at Thalia Hall. The venue is super-rad. It's a 122-year-old hall in the Pilsen neighborhood modeled after the Prague Opera House. The building contains a punch house, a crazy-ornate performance space, a restaurant and a lot of history. Interesting fact: In the early 20th century, Pilsen had more people from Bohemia than anywhere else besides Prague. In 1915, a group of Bohemian activists drafted documents in Thalia Hall that would prove to be the beginnings of an independent Czechoslovakian state. Crazy stuff. I'll just be dancing my face off to the weirdness that is Dan Deacon, though, not helping helping to create any nations or anything.

Jesse Fox: This weekend is one I've been looking forward to for awhile. On Saturday my band [The Slippery Lips] is playing a show with a band I really like from LA called FIDLAR. I have friends coming down from Chicago and up from Florida to see it, which makes it even more exciting/flattering. Anticipating we will have a pretty fun-filled and wild Saturday, I haven't made any plans for Sunday yet … except perhaps continuing my binge watching of ​Community now that I have a Hulu Plus account and will likely be useless to the world otherwise.

Editorial Intern Sarah Urmston: My weekend begins getting dragged by my buddy Andrew to see Pitch Perfect 2 at Newport on the Levee, where luckily they serve alcoholic beverages to get me through it. I will also be checking out a house to lease for the upcoming year, saying bye-bye to good old Clifton Heights. Woo-hoo! I am especially anxious to spend Saturday afternoon in OTR, where they will be kicking off the 2015 City Flea in Washington Park. I can't wait to spend money I don't have on vintage/handmade items sold by local vendors and check out the grand opening of style boutique Idlewild Woman! Sunday I'll check out Crossroad's weekly message at Bogarts in Clifton. Church in a bar? Coolest way to end a weekend. 

Editorial Intern Zack Hatfield: I’m heading over to City Flea on Saturday after inhaling brunch at a to-be-determined OTR restaurant I probably can’t afford (a weekend ritual). The flea always has interesting wares — Fern frequently has a snazzy selection of succulents and cacti worth browsing — so good that my apartment has of late turned into a sort of mini-terrarium/cactus shrine. At the risk of sounding nostalgic, I’ll probably check out the Butterflies of the Philippines at Krohn Conservatory on Sunday — I haven’t seen that since I was a kid, and there’s something badass about being surrounded by thousands of butterflies that span the colors of the rainbow. I guess my inner lepidopterist just can’t resist.
 
 
by Nick Swartsell 05.14.2015 8 days ago
Posted In: News at 12:08 PM | Permalink | Comments (0)
 
 
pg sittenfeld

Councilman Sittenfeld Backs Marijuana Legalization Amendment

ResponsibleOhio ballot initiative would legalize sale of weed, create 10 grow sites owned by investors

Cincinnati City Councilman and U.S. Senate Candidate P.G. Sittenfeld has come out in support of a ballot initiative that would legalize marijuana in Ohio.

The proposed amendment to the Ohio constitution by ResponsibleOhio would allow anyone in the state over 21 to buy marijuana but would restrict commercial growth to 10 sites around the state owned by the group's investors.

[See also: "Going for the Green," CityBeat Feb. 4 2015]

Sittenfeld told reporters in Columbus today that Ohio's marijuana laws are "broken" and that he favors legalization and regulation of the drug. Sittenfeld cited the disproportionate number of people of color jailed over marijuana violations in the U.S. and the dangerous black market for the drug as reasons he supports legalization. 

"We have a binary choice between do we want to take this opportunity to move forward from the broken laws of the past, and I would vote yes on this opportunity," Sittenfeld said.

Sittenfeld is the first city councilman to come out in support for the ballot initiative, which needs to collect more than 300,000 signatures by July in order to make it onto the November ballot. The group says it is well on its way to that goal. But some controversy has erupted, both from conservative lawmakers and other legalization groups. Conservatives like Gov. John Kasich and Ohio Attorney General Mike DeWine say that legalization will increase drug usage and crime. Other legalization advocates, on the other hand, decry ResponsibleOhio's proposal as a state-sanctioned monopoly on marijuana.

The group's initial proposal did not allow private growers to cultivate marijuana, but after an outcry from legalization supporters, the group amended its proposal to allow for small amounts of the crop to be grown for personal use.

The group's proposal has garnered an interesting mix of supporters and investors, from basketball Hall of Famer Oscar Robertson, who has pitched in money for the effort, to conservative-leaning business leaders and officials. Hamilton County Prosecutor Joe Deters recently said he supports at least looking into  legalization of marijuana, calling Ohio's drug laws "archaic." Deters stopped short of endorsing ResponsibleOhio's plan. He is heading up a task force studying the implications of legalizing the drug here.

Recreational marijuana use is legal in four states, and 19 others allow medicinal use.

Sittenfeld made the comments as he is campaigning for big promotion. The 30-year-old city councilman is currently locked in a tough Democratic primary race against former Ohio Governor Ted Strickland for the chance to run against GOP incumbent Sen. Rob Portman in 2016.

 
 
by Jac Kern 05.14.2015 8 days ago
at 11:30 AM | Permalink | Comments (0)
 
 
web-blog-ijustcantgetenough-1

I Just Can't Get Enough

Jac's roundup of pop culture news and Internet findings

Nick Offerman and Megan Mullally were in town this weekend for a performance on their Summer of 69: No Apostrophe tour. You may know them as Ron Swanson and Tammy Two from Parks and Recreation, and Megan will be forever immortalized as Karen from Will & Grace, and the two are actually married in real life. The show could best be described as part-comedy, part musical sextacular.

The two went back and forth between talking about how they each lost their virginity, how they met and when they got married and singing raunchy songs about stuff like 69ing and gang-banging Jesus. Nick played guitar and Megan played ukulele.

They also got the audience involved. A couple came onstage for a Newlyweds Game-style bit that was predictable but funny. After Nick and Megan shared a longtime argument with the crowd and we picked sides (Megan won!), she decided it was time to see what else was out there and picked a single guy from the audience to go on a date with her onstage. I have no idea who this dude was — Was he planted there? A rising local comic? Just a random guy with impeccable comedic timing? — but he was probably the most hilarious guest to be brought on stage in all of standup comedy. He played along with Megan’s advances and threw shade at Nick (sadly providing music on their date). He may have gone solo to the show but there is no doubt in my mind he found a ladyfriend that night.

All in all, it was a gut-busting, nasty but also super sweet 90-minute show. THEY’RE SO IN LOVE!

Of note: Nick looked just as expected, dressed in a flannel shirt and jeans, but he was sans mustache (just some overall stubble) and had a cool, new undercut hairstyle going on (that one that every dude has now); I don’t know how I expected Megan to be dressed but I was surprised to see her in JNCO-style wide leg jeans and a casual T-shirt (reason No. 564 why she’s my hero); they ended the performance with a dance number to Carly Simon’s “Nobody Does it Better,” which ended with Nick apparently hurting himself, as evidenced by a facial expression of pain followed by limping offstage. Hope you’re OK, Nick!

Check out our interview with Nick Offerman here.

Ever notice the way Owen Wilson says, “Wo-oow” in movies? Here are all of those times.

A new American Idol was crowned last night and I don’t care who the winner was (it’s this guy) because it’s not Jess Lamb. But it is worth noting that next season of Idol — its 16th — will be the last. I wish it was because everyone realized that televised music competitions are complete bullshit (case in point: JESS LAMB), but it’s probably just because everyone likes The Voice better.

Also in the cancellation club: The Mindy Project, which is a goddamn crime. Mindy Kaling is a goddess and the show was really hitting a great stride (despite Adam Pally leaving — love that guy) and the last season ended with Mindy (the character) very pregnant and baby daddy Danny traveling to India to meet her parents. Thankfully, there’s chatter about the show moving to Hulu. Other shows hat bit the bust this year include Backstrom, CSI (after 15 years!), The Following, Marry Me, Mulaney, Revenge, Selfie and Weird Loners.

Feminist icon Supreme Court Justice Ruth Bader Ginsburg is getting a biopic and Natalie Portman will star as a young Notorious RBG.

Miley Cyrus’ brother Trace (known best for dating Disney person Brenda Song and being in Metro Station, the band responsible for this song that played on repeat in every Journeys across America in 2008) was supposedly denied entrance to an area bar over the weekend. Trace posted a video on Instagram claiming Brothers Bar & Grill at Newport on the Levee — in his home state — would not let him in due to his excessive tattoos. I don’t know what’s more hilariously pathetic: people complaining about businesses on social media; a celeb sibling partying in freaking Newport; said person being denied access to a bar in Newport; the fact that Brothers has any sort of limits on the types of people that can enter; or the last sentence of this story

 
 
by Nick Swartsell 05.14.2015 8 days ago
Posted In: News at 10:37 AM | Permalink | Comments (0)
 
 
sherrod brown

Noon News and Stuff

Head editor out at Enquirer; budget boosts and cuts; Sherrod Brown in tiff with White House

Hey all! I’m going to do a long news blog today. I won’t be doing the blog tomorrow or next week, as I need to burn up the vacation time I have before it expires and my boss says I’m not allowed to work while I’m not working. Tyranny, I say. Anyway, let's get all caught up before I jet.

The big news today is that the Cincinnati Enquirer is looking for a new top editor. Executive Editor Carolyn Washburn’s last day was yesterday, the Enquirer announced today. Washburn’s departure follows former publisher Margaret Buchanan, who left her post in March and was replaced by one-time Enquirer editor Rick Green. Washburn’s tenure saw the Enquirer shed a number of its long-time reporters and copy editors as part of parent company Gannett’s efforts to move toward the so-called “newsroom of the future.” That sounds like some cool, gee-wiz place where reporters fly around on hover boards and drive DeLoreans at 88 mph to break news two days before it happens, but don’t be fooled. It’s actually similar to a regular corporate newsroom, just with no copy editors and more typos. The Enquirer says Washburn will stay in town but has not revealed the circumstances behind her departure or what she’ll be doing next.

• Yesterday City Manager Harry Black unveiled his proposed $2.1 billion budget for 2016-2017. We’re still combing through that 769-page document, but we can give you the highlights. Disappointingly, there are very few pictures in the budget, though there are a lot of graphs. Facial hair growth for certain elected city officials, for example, is on the uptrend. Speaking of Mayor John Cranley, he's backed the budget, suggesting council pass it without amendment. Chances of that happening are on a sharp downtrend, however.

Human services will see $3.7 million in funding under the budget. Some of that will go toward Cranley’s Hand Up initiative and the city-county joint initiative Strategies to End Homelessness. Meanwhile, the $250,000 the city allocated in the last budget to Cradle Cincinnati to fight infant mortality disappears in this budget, and mega-charity funder United Way will get only about half of the $3 million council wanted.

Police and fire are prioritized in the spending plan, with increases that will bring 23 more officers and to Cincinnati’s streets. The budget also proposes big fixes for Cincinnati’s roads over the next five years and the city’s vehicle fleet over the next 12, spending $172 million on the paving alone over that time and another $35 million on vehicles. The plan is to get 85 percent of the city’s roads in good condition. Right now, about half are in poor shape. The city will take on nearly $91 million in debt in the process, though Black says the ratio of debt to cash used in this part of the capital budget is still prudent and that the investments will save the city millions over time. 

This is just the first step in the long, sometimes grinding, budget process. We'll keep you up to date as council wrangles with the spending plan and also go in-depth ourselves.

• What else? Things are happening on the state’s voting rights front. We’ll be going in depth on that soon, but here’s some stuff to know: Hot on the heals of a settlement between Ohio and the NAACP on early voting last month, another lawsuit has been filed against the state alleging that its rules disadvantage voters who mostly skew Democrat, low-income and minority. That suit has been filed by Hillary Clinton's top campaign attorney. Meanwhile, there’s a bill in the General Assembly that would require voters to have a voter identification card. Ohioans who make above the federal poverty level (about $12,000 for a single person) would have to pay $8.50 under the proposed law for the card. Critics say that amounts to a poll tax and is unconstitutional. The fight is a big deal, as Ohio is a vital swing state in the 2016 presidential election.

Other politics tidbits:

• Republican Hamilton County Commissioner Chris Monzel wanted to fire County Administrator Christian Sigman over Sigman’s recent comments about The Banks, even drafting a press release announcing the administrator’s departure. Sigman’s job was spared at the last minute, however; Republican Commissioner Greg Hartmann didn’t want to see Sigman dismissed, and Democrat Todd Portune began crafting a compromise. Sigman was taken off economic development duties instead of losing his job, according to the commissioners.

• Real quick, but noteworthy: U.S. Sen. Rand Paul, a GOP presidential hopeful, is polling neck and neck with Democratic prez frontrunner Hillary Clinton in Kentucky, at least according to one new poll.

• Meanwhile, Ohio Gov. John Kasich is down one endorsement for his presidential bid: Ohio Treasurer and fellow Republican Josh Mandel has announced he’s endorsing U.S. Sen. Marco Rubio of Florida. Awkward.

• On the national stage, U.S. Sherrod Brown of Ohio is fighting with the White House over comments President Barack Obama made about U.S. Senator Elizabeth Warren. Warren has been criticizing Obama on what she says is a NAFTA-esque foreign trade deal. She alleges that the Trans Pacific Partnership deal will cost Americans jobs and shouldn’t give so-called “fast track” status to trade deals with other countries. The White House slammed Warren on that assertion, and Brown says their comments about her were disrespectful. Brown has also been fighting the trade legislation package, lobbying other Democrats in the Senate to block it from passage without amendments he says are designed to protect American workers. That’s led to some tension between the White House and Brown. The White House has asked the senator to apologize for his remarks about Obama’s remarks about Warren. Uh, got that? It’s starting to get to GOP levels of in-fighting over there.

That's it for me. See you in a week or so. Tweet at me or email me while I'm gone. Fair warning: I won't check the email but I might see the tweet.

 
 
by Steven Rosen 05.13.2015 9 days ago
at 02:17 PM | Permalink | Comments (0)
 
 
cr

Cincinnati Art Museum's James Crump Re-Emerges with a New Film

James Crump, the Cincinnati Art Museum's chief curator/photography curator who was a key figure in the planning and programming of the first FotoFocus festival in 2012 and then resigned from the museum in early 2013, has re-emerged as the director of a new documentary, Troublemakers: The Story of Land Art.

It tells the story, with plenty of archival footage, of three restless New York artists in the who — as part of the 1960s/1970s rebellion against materialistic values sweeping American culture — sought to create epic art that was one with the outdoor environment, especially in the open and hard-to-access spaces of the west. That, they thought, would make it hard to buy and own.

Robert Smithson created "Spiral Jetty" in Utah, Walter De Maria made New Mexico's "Lightning Field," and Michael Heizer did "Double Negative" in Utah and is still working on "City." (The other two are deceased.)

Other artists featured in the film are Nancy Holt (who has an environmental artwork at Miami University), Dennis Oppenheim, Carl Andre and Vito Acconci.

In an exchange of emails with CityBeat, Crump said he is hoping for the film to show at festivals and then get a limited theatrical release in fall, followed by availability on other distribution platforms. He also said his sales agent, Submarine Entertainment, represented Citizenfour and Finding Vivien Maier.

Before coming to Cincinnati, Crump made a documentary about Robert Mapplethorpe's relationship to Sam Wagstaff, Black White + Gray.

He has provided CityBeat with a link to Troublemakers' trailer:


Trailer courtesy Summitridge Pictures. © RSJC LLC, 2015.

 
 
by Staff 05.13.2015 9 days ago
Posted In: local restaurant, Events, classes at 10:41 AM | Permalink | Comments (0)
 
 
todo_cincitalia

This Week's Dining Events

This week's dining events and cooking classes — beer dinners, German dance parties, crawfish boils, wine tastings and more.

WEDNESDAY 13

Wine Tasting and Food Pairing — 20 Brix pairs food and wine in a winemaker dinner with Matt Flick and La Crema. 6:30 p.m. $55-$75. 20 Brix, 100 Main St., Milford, 20brix.com.

Taste of the World Food Tour — Take a guided foodie tour of Ohio’s oldest public market, Findlay Market. Includes stops and tastings at six merchants. 11 a.m.-12:30 p.m. Wednesdays; 3-4:30 p.m. Saturdays. $20. Meets at Daisy Mae’s Market at Findlay Market, 1801 Race St., Over-the-Rhine, cincinnatifoodtours.com.

Burger and Beer Wednesdays — A burger and a pint for $10. 9:30 p.m.-midnight. Fifty West Brewing Company, 7668 Wooster Pike, Mariemont, fiftywestbrew.com.


THURSDAY 14
Midwest Culinary Institute Wine Dinner — A five-course paired wine dinner from the students of the Midwest Culinary Institute and Seifried Estate Winery. 6:30 p.m. $60. Summit Restaurant at the Midwest Culinary Institute, 3520 Central Parkway, Clifton, culinary.cincinnatistate.edu.

Chicken: Season, Sear & Sauce — On the menu: ginger lemongrass chicken, chicken paillard with white wine cream sauce, and curry chicken with jasmine rice. 6-8 p.m. $75. The Learning Kitchen, 7659 Cox Lane, West Chester, thelearningkitchen.com.

FRIDAY 15
CincItalia Festival — The CincItalia festival celebrates all things Italy. You’ll find main dishes with lots of authentic Italian flavor like stromboli, lasagna, grilled spiedini and more, complete with a wide selection of wine and beer and cooking demonstrations. Visit the ladies of La Societa Fuscaldese Femminile to try their famous cannoli or enjoy lively music and a glass of vino in the mini piazza, with fountain and Tivoli lights. 6 p.m.-midnight Friday; 3 p.m.-midnight Saturday; 1-9 p.m. Sunday. Free. Harvest Home Park Fairgrounds, 3961 North Bend Road, Cheviot, cincitalia.org.

Modern Makers Arts & Crafts — Organized by a handful of sophomore graphic design students at the University of Cincinnati’s DAAP (and with sponsorship from Modern Makers, a multidisciplinary arts collaborative), Arts & Crafts involves the consumption of local craft beer and the exhibition of up-and-coming artists — with accompanying food trucks and live music. With the expressed intent of supporting local breweries and artists in an effort to nurture the arts in the Clifton community, organizers enlisted UC students to participate as well as breweries MadTree, Rhinegeist and more. 7-9 p.m. Friday. Free. Niehoff Urban Studio, 2728 Vine St., Corryville, artsandcrafts.beer

Date Night in the Kitchen — Celebrate the bounty of spring through romantic culinary creations with your loved one. After cooking, enjoy a candle-lit dinner with wine. 6:30-8:30 p.m. $60/couple. The Baker Hunt Art & Cultural Center, 620 Greenup St., Covington, Ky., 859-431-0020, bakerhunt.org.

Nacht Der Tracht — The third Friday of the month the Christian Moerlein Taproom hosts a German dance party. Dress in dirndls and lederhosen and dance to Electro DJs. 8 p.m.-midnight. No cover. 1621 Moore St., Over-the-Rhine, facebook.com/christianmoerlein.

SATURDAY 16
Mt. Carmel Firkin Festival — Mt. Carmel celebrates a decade with a Firkin Festival. Features food booths, food trucks, live music and special small-batch beer. Noon-9 p.m. Free. Mt. Carmel Taproom, 4362 Mt. Carmel-Tobasco Road, Mount Carmel, mtcarmelbrewingcompany.com.

East Price Hill Jazz Fest Crawfish Boil — This crawfish boil — crawfish, potatoes, corn boiled up in a pot and served — is a fundraiser for the Jazz festival. 6 p.m. $20 donation. Warsaw Project Space, 3116 Warsaw Ave., East Price Hill, facebook.com/eastpricehilljazzfest.

Simple Health-Smart Cooking Class — An informal and interactive class to learn how to prepare and cook healthy and tasty meals. 11:30 a.m.-1 p.m. $139. Cincinnati Nutrition Counseling Center, 7400 Montgomery Road, uc.edu/ce/commu.html.

Cincy Wine Wagon — Hop on the wagon and take a tour of Cincinnati area wineries: Valley Vineyards, Meier's Wine Cellars, Vinoklet Winery and Henke Winery. Ride includes wine trivia, tours and tastings on a four hour trip. Meets at 11:40 a.m. at Maggiano's Little Italy at the Kenwood Towne Centre. Starts at $75. Private tours available. cincywinewagon.com.

SUNDAY 17
Dewey's Pizza School — Learn to toss a pizza from Dewey's pizza experts. Proceeds benefit Make-A-Wish. 11 a.m.-2 p.m. $25. 3014 Madison Road, Oakley, deweyspizza.com.

MONDAY 18

Cincinnati Food + Wine Classic Good Spirits — Get a sneak peak of September’s second annual Cincinnati Food + Wine Classic at Good Spirits, a paired cocktail dinner party featuring mixology and bites from the crew at Metropole. The party will be held at New Riff Distillery’s bar and outdoor patio, and will celebrate the recent release of the distillery’s Kentucky Wild Gin. Cincinnati Food + Wine Classic will also release the names of local, regional and national chefs, beverage experts, winemakers and storytellers booked for their 2015 event. 6-8 p.m. Monday. $25. 24 Distillery Way, Newport, Ky., cincinnatifoodandwineclassic.com.


TUESDAY 19

Crawfish Boil — BrewRiver GastroPub flies crawfish in from Louisiana for a weekly Tuesday night crawfish boil. Buy them by the pound; includes potato, mushroom and sausage. $15 per pound. 2062 Riverside Drive, East End, brewrivergastropub.com.


How to Make a Steak — Precinct sous chef John Ruppel teaches this class. 6:30-9 p.m. $65. Cooks’Wares, 11344 Montgomery Road, Harper’s Point, cookswaresonline.com.


Homemade Pasta Workshop — Chef Bridget Lieb will teach you to make your own linguini using an Italian manual countertop pasta machine, and then finish it with a delicious Sauce. Noon-2 p.m. $70. The Learning Kitchen, 7659 Cox lane, West Chester, 513-847-4474, thelearningkitchen.com.


Lebanese Favorites — Learn some family-recipe Lebanese cuisine from Rita Heikenfeld, and learn some tips for growing the best produce, flower and herbs in containers or in the ground from Ron Wilson. 11 a.m.-1:30 p.m. $50. Jungle Jim’s, 5440 Dixie Highway, Fairfield, junglejims.com.


WEDNESDAY 20

Clean Eating & Label Reading — Chef Bridget Lieb will discuss what clean eating actually is and how to spot processed ingredients. In class you will prepare a soul-warming chicken soup with avocado, egg-fried quinoa with chicken, and snap peas with shallots. Noon-2 p.m. $65. The Learning Kitchen, 7659 Cox lane, West Chester, 513-847-4474, thelearningkitchen.com.


Lebanese Favorites — Learn some family-recipe Lebanese cuisine from Rita Heikenfeld. 6-8:30 p.m. $65. Jungle Jim’s, 5440 Dixie Highway, Fairfield, junglejims.com.


Taste of the World Food Tour — Take a guided foodie tour of Ohio’s oldest public market, Findlay Market. Includes stops and tastings at six merchants. 11 a.m.-12:30 p.m. Wednesdays; 3-4:30 p.m. Saturdays. $20. Meets at Daisy Mae’s Market at Findlay Market, 1801 Race St., Over-the-Rhine, cincinnatifoodtours.com.


May Beer Dinner at Christian Moerlein — A paired beer dinner featuring brews from Revolution Brewing. 6 p.m. $55. Moerlein Lager House, 115 Joe Nuxhall Way, The Banks, Downtown, facebook.com/moerleinlagerhouse.


Burger and Beer Wednesdays — A burger and a pint for $10. 9:30 p.m.-midnight. Fifty West Brewing Company, 7668 Wooster Pike, Mariemont, fiftywestbrew.com.


THURSDAY 21

Pints for Paint — #PintsforPaint is a fundraising effort to benefit Memorial Hall's renovations; buy a drink, the money goes to Memorial Hall. 6 p.m. Free; buy alcohol. Memorial Hall, 1225 Elm St., Over-the-Rhine, facebook.com/events/425141254331782.

 
 
by Nick Grever 05.13.2015 9 days ago
at 09:51 AM | Permalink | Comments (0)
 
 
jess lamb_by_ annette navarro

Beyond Idol Chatter: On to the Next Chapter

Cincinnati singer Jess Lamb prepares for the release of her new reworked single, “Memories”

Since Jess Lamb’s time on American Idol, she has been busy getting her name and brand out in the public eye. She has played constantly at venues old and new, teamed up with other local musicians for projects and made many TV and radio appearances around Cincinnati. Up until this point, her output has been largely live performances and outreach. But now that her contract with American Idol is in its final month, she is taking the next step to continue growing in her career, starting with the release of her first single to radio on March 30.

The single, “Memories,” should be familiar to most of Lamb’s fans already. 

“This is a song that I’ve released through iTunes and performed as an indie artist, with just a simple, master mix in 2010,” Lamb says. However, the song has been updated and revitalized by superstar producer David Sisko.

Sisko has worked with artists like Justin Timberlake, Destiny’s Child and Kelly Clarkson, just to name a few. What sets his version of the track apart from the original is twofold. First, Sisko has an obvious ear for what makes a Pop song successful. The new version is fuller, with layered vocals (all recorded by Lamb) and thicker instrumentation. Sisko also worked in hooks that loop into the listener’s ear and don’t let go. When the guitar and bass drop out for a chorus, leaving only a tribal drum beat and Lamb’s vocals, it becomes obvious that the song could easily find a home on any Pop radio station across the country.

The second change that Sisko brought to the table was his eagerness and ability to produce Lamb’s vocals, which she has never experienced before. 

“I’ve never had someone say, ‘I want to produce your vocals.’ I’ve been putting music out since 2010 and no one has ever said, ‘Why don’t you try this Jess,’ ” Lamb says. 

What results is a track wherein Lamb’s already powerful vocals are tuned to a fine edge. Sisko put great care into keeping the heart of the track intact to craft a song that maintains the original’s sultry ambience, but dials up the energy to more Pop-friendly levels.

While Lamb is excited at the proposition of turning her originals into more Pop-friendly versions, she is taking great care to insure that the end results stay in her control.

“I own that master and I plan to own each master. It’s kind of hard with the money to keep up,” Lamb says.

This isn’t a normal practice for most musicians, especially for acts like Lamb who aren’t rolling around in platinum record-levels of money. But she is adamant on maintaining a handle on what is released under her name. 

“I’m really starting to buy into the really independent artist. I’m going to own my master, which is a big deal. I could have done this with Sisko and signed a production deal, which is what most everyone does. They don’t have the money so they sign a production deal and he owns that master,” she says.

Lamb plans on releasing remixed versions of her songs throughout the summer, with “Dig Deep” following shortly after the release of “Memories.” She is set on putting out each track the same way, utilizing the contacts she has made over the past months to release each track without any sort of major label or other interference. She is ascribing to the indie artist mentality from beginning to end and insuring that the music that is put out under her name is something she truly believes in and cares about.

Ultimately, this is just the beginning of what Lamb hopes to do once she is released from American Idol’s contract (which limits certain industry/career moves). The groundwork that she has laid in the preceding months will finally have more building blocks laid upon them at the end of May and “Memories” is just the first stone of many. Ultimately, she wants to stay stationed in Cincinnati and grow her career from the city she calls home. Whether she performs her works herself or passes them to other artists is up in the air at this point, but one outcome could easily feed into the other. 

“I have songs that I’m sitting on that could be reproduced for other artists, because I really do want to make a living writing and performing. That’s where my heart is. That’s where I feel that I shine the most and I feel like I’m being backed in those ways,” Lamb says.

In many ways, “Memories” is simultaneously a finish line and a starting point for Lamb. It shows just how far she has come since the Kansas City tryouts on American Idol, but it is also her springboard into a much larger and more demanding pool. But with a world-class producer working with her, a city full of supporters behind her and her own raw talent, she’s determined to make a big splash.

Nick Grever’s Beyond Idol Chatter blogs follow the post-American Idol activities, career moves and achievements of Cincinnati vocalist Jess Lamb. 

 
 
by Nick Swartsell 05.12.2015 10 days ago
Posted In: News at 09:54 AM | Permalink | Comments (0)
 
 
joe deters

Morning News and Stuff

Smitherman pushes executive mayor proposal; prepare for some Bill Murray sightings in Cincy; prosecutor Joe Deters slams weed laws

Hey hey. Let’s do this news thing real quick.

 

After the whole hubbub around Mayor John Cranley’s veto of the OTR parking permit plan last week, it seems like a strange question to ask, but here we go: Does the mayor need more power? According to the Cincinnati Enquirer, Councilman Christopher Smitherman is working to get an initiative on the ballot that would do just that. Sort of. Smitherman’s months-long advocacy for moving Cincinnati to a so-called “executive mayor” system is about accountability, he says, not about giving away more power. Under Smitherman’s proposed changes, the city would eliminate the city manager position and the mayor would assume the responsibilities of that office — hiring and firing department heads, etc. The mayor would also retain veto power and still attend council meetings, but council would select its own president (currently the mayor’s job), who would select committee heads and make council’s agenda, effectively eliminating the mayor’s power to “pocket veto” legislation.  


Other members of council, including Councilman Kevin Flynn, who is helping oversee a review of the city’s charter, are opposed to the executive mayor idea. Flynn’s Charter Review Committee has been meeting for months, kicking around ideas for ways to reorganize Cincinnati’s unusual power structure. The city’s current system creates the strongest mayor of any major city in the country, the committee has said. The committee has its own recommendations for ways to change city government, including requiring the mayor to pass along all legislation to city council committees within 14 days, ending the so-called "pocket veto." The committee would also like to see council given the power to fire the city manager. The Charter Review Committee has been holding public input sessions around the city. The next two are at the Westwood Town Hall May 14 and the Oakley Senior Center May 18. Both sessions start at 6 pm.


• Is Joe Deters cool with legalizing weed? Another sign marijuana legalization in Ohio is moving toward the mainstream: The Hamilton County Prosecutor is leading a taskforce looking into the law enforcement ramifications of legalizing the drug. Marijuana legalization group ResponsibleOhio approached Deters about the study, though Deters says he’s not doing it to simply endorse the group’s legalization proposal. ResponsibleOhio wants to legalize the sale of marijuana to anyone age 21 or over, but the group's ballot initiative would limit growth of the crop to 10 sites around the state.


Deters has expressed frustration with the current legal setup for dealing with marijuana and ambivalence about the drug being illegal.

 

I've seen firsthand how ineffective and inefficient marijuana laws are,” Deters said in a statement about the task force. “I strongly believe we must have an honest and in-depth assessment of the positive and negative impacts that legalization can have, so that Ohioans can make an informed decision."

 

The taskforce includes elected officials, experts on drug policy and academics. The group will develop a white paper outlining policy recommendations on ways to improve laws governing marijuana in the state.

 

• Don’t do lame stuff with your garbage or you may get fined, according to changes in the city of Cincinnati's garbage pickup policy. In the days leading up to June 1, city sanitation workers will be hanging orange tags on garbage that is improperly prepared. Before May 17, they’ll still haul the trash away but leave the tag as a reminder. After that date, you’ll have to correct whatever problem you have with your trash and call 591-6000 to get it picked up, but you won’t have to pay a fine. After June starts, however, residents who don’t have their trash in order can be fined anywhere from $50 to $2,000. The low end of that range is for folks who just used the wrong can or other minor violations. The high end is for improperly disposed construction debris and other heavy stuff. You can read the criteria for improper trash here. The sanitation department says the fines are necessary to keep trash pick up efficient and effective.

 

• Cincinnati Public School District’s Walnut Hills High School is the number one school in Ohio, according to a new ranking from U.S. News and World Report. Overall, Walnut is the 65th best high school in the nation according to the ranking. Four other area schools also landed in the top 10 of the statewide rankings, including Indian Hill High School, which came in at number two.

 

• So Bill Murray might be spending a little less time partying in Austin and more time in Cincinnati. That’s because his son, Luke Murray, has landed a job as an assistant coach for Xavier University’s men’s basketball program. The younger Murray has held several coaching jobs in college basketball and was last at the University of Rhode Island as an assistant coach. Xavier head basketball coach Chris Mack has called Murray “one of the top young assistant coaches in the America.” Sounds good. Word is, his dad comes to a lot of the games the younger Murray coaches. Let’s hope the Coffee and Cigarettes and Groundhog Day star hangs out here on occasion, and maybe brings a Wu-Tang Clan member with him.

 
 
by Staff 05.11.2015 11 days ago
 
 
goodfellas pizza

Leftovers: What We Ate This Weekend

Goodfellas pizza, Indian (always), Jimmy G's, Bronte Bistro and BrewRiver GastroPub

Each week CityBeat staffers, dining writers and the occasional intern tell you what they ate this weekend. We're not always proud — or trendy — but we definitely spend at least some money on food. 

Ilene Ross: On Friday night I was “ordered” by the boy and his friend to pick up pizza from Goodfellas on my way home. Ham and pineapple for the boy, sausage for his friend, and a Taste of Naples for me — tomatoes, basil and fresh mozzarella. Simple yet satisfying. On Sunday night — Mother’s Day — the boy artfully arranged a giant platter of supermarket sushi and presented me with a hand-decorated box in which to store my treasures. The night was divine.

Jac Kern: I took my fiance to the Nick Offerman and Megan Mullally show at the Taft on Saturday as a late birthday present, and we went out to dinner before at Jimmy G's. We split a crab cake to start. I don't think I've ever had a crab cake I didn't like, but this one was particularly good — full of fresh crab meat without breadcrumb fillers. I stuck with seafood for dinner and ordered a rare yellowfin tuna steak. It was so flavorful, I think it was even better than the steak they're known for (which my date ordered). We shared a couple side dishes — 4 fat fries and mac and cheese — but could barely put a dent in the oversized portions. I also pretended to be fancy by ordering lemon basil martinis, which were insanely good.

On Sunday we took our moms and grandma to Bronte Bistro inside Joseph-Beth Booksellers in Rookwood Pavilion. Half of us ordered quiche (Mother's Day brunch staple!) and the others ordered a big breakfast platter, a ham and brie sandwich and tilapia. I worked at Bronte in college, so you'd think by now I'd be sick of the food I'd relied on for shift meals so many times, but nope! I'm a sucker for good ladies-who-lunch fare and a coffee shop with a full bar. We're now thinking of making it a Mother's Day tradition.

Casey Arnold: At the Aronoff on Saturday I saw the Cincinnati Ballet for the first time ever. It proved to be impressive and something I should have done a long time ago. Before the ballet, my friends Corrie, Julie, Katie and I went to Igby's for cocktails and small plates. We nibbled on seafood guacamole and bread and butter while sampling from the cocktail menu. My favorite was the Tito's Austin Blossom, a vodka and citrus cocktail with rosemary. After the ballet we attempted to go to the 21c rooftop but were thwarted by a private party. We ended up at Taqueria Mercado where we sipped Palomas and talked about our favorite parts of the ballet — all between scoops of queso and guacamole on fresh chips. 

Maija Zummo: Sunday, my husband and I had brunch at the bar at BrewRiver GastroPub for our anniversary (note to self: don't go to brunch on Mother's Day without a reservation and expect a table). We got engaged in New Orleans so a New Orleans-style brunch seemed apt. He loved his shrimp and grits and I enjoyed the texture of my eggs-and-biscuit breakfast. I've been super sick and couldn't taste any of it, but I liked how dense and square the biscuit was. I forgot how fun the atmosphere is at BrewRiver — usually I hate live music, but they had a pretty good singer there doing Tom Waits covers, and then we found out they do Louisiana crawfish boils weekly, where they fly in the little things and cook em up with like mushroom or potatoes or corn or whatever you're supposed to do. And if you get there between 5 and 6 p.m., they have super cheap beers (with like 23ish on draft). I won't eat crustaceans but I'm not opposed to beer.
 
 
by Mike Breen 05.11.2015 11 days ago
Posted In: Live Music, Local Music, Music Video at 10:18 AM | Permalink | Comments (0)
 
 
talkingishardbgimage

Walk the Moon to Play ‘The Voice’ Tuesday

As Cincinnati band’s “Shut Up and Dance” continues to climb the charts, the group gets set for primetime TV appearance

If you have access to a radio or television set, then you’re likely well aware that “Shut Up and Dance” by Cincinnati Dance Pop crew Walk the Moon has become a bona fide Pop hit. The single has been certified platinum, meaning it has sold more than one millions copies. The catchy, danceable track is currently at No. 5 on Billboard’s singles chart and has also performed very well on various other charts. “Shut Up” reached No. 2 on iTunes Top Songs chart and Billboard’s digital charts. On Spotify, the song has been streamed more than 78 million times, while “Shut Up”’s video has held a steady presence in the Top 10 of VH1’s Top 20 video countdown. Talking is Hard, Walk the Moon’s second album for RCA Records, continues to benefit from the single’s success, moving as high as No. 14 on Billboard’s overall album chart.

The Cincinnati band has worked hard to push “Shut Up and Dance” to the upper reaches of the Pop charts. Along with the usual late-night talk show circuit, Walk the Moon has also appeared on network morning shows like The Today Show (which used various WtM tunes as bumper music throughout the day the band appeared) and The Ellen DeGeneres Show


When DeGeneres introduced the group on her show, she called “Shut Up” the band’s “No. 1 hit,” which it wasn’t at the time but could end up there as Walk the Moon keeps up its relentless promotional push. WtM’s is also becoming a bigger and bigger concert draw, selling out many of its shows across the country (the band just recently completely another successful U.S. jaunt).


And WtM has also been making it onto prime time TV lately. Last month, Riker Lynch and Allison Holker danced to “Shut Up” for a routine on ABC’s Dancing with the Stars. Tuesday night (May 12), the band will play “Shut Up” as special guests on NBC’s popular singing competition, The Voice. Tune in to catch the performance at 8 p.m. 


Though several Cincinnati-based acts have done well on a national level, crossing over to the top of the Pop charts is pretty rare, particularly for artists who choose to remain in their hometown while pursuing their career. Walk the Moon comes home to play Cincinnati’s Bunbury Music Festival on June 5 along the Ohio’s riverfront. Click here for tickets/details


 
 

 

 

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by Zack Hatfield 05.22.2015 15 hours ago
Posted In: Film at 11:15 AM | Permalink | Comments (0)
 
 
the joke

Foreign Film Friday: The Joke (1969)

This weekly series discusses the cultural and artistic implications of a selected foreign film.

A couple of weeks ago, I noticed a new Milan Kundera short story in The New Yorker. One of my favorite authors, I was intrigued to learn Kundera was releasing his tenth novel — the first in 15 years — later this year (in English; it was previously released in French). Though I enjoy reading Kundera’s work, the Czech author is known for taking umbrage at his books’ English translations. I began to wonder how he felt about his novels that have been translated onscreen, to film. 

Some quick Googling revealed he had served as either screenwriter or consultant on the only adaptations of his works, 1988's Unbearable Lightness of Being and 1969's The Joke, films that bookend the communist regime in the Czech Republic. Disappointed with Unbearable Lightness of Being, an American film starring Daniel Day-Lewis, I turned to The Joke. A film by auteur Jaromil Jireš at the crest of the Czech New Wave movement, its political tides swept the country during the end of the Prague Spring, a brief elision in the Soviet regime where democracy seemed attainable for a fleeting moment. 

I wasn’t disappointed. Not surprisingly, The Joke is inherently political, but its lofty themes of freedom thinly veil a more nuanced, personal narrative of intimacy and revenge. Told in effective jumps from the past and present, the film follows Ludvík, a man who sends a sarcastic jest in the mail to his romantic interest, Markéta, mocking Trotsky. The letter is read by his university comrades in the Party and they sentence him to six years in prison and the army, where he becomes the butt of his own joke. 

Jump to the present: Ludvík attempts to get revenge by seducing Helena, the wife of one of his betrayers from the Party years ago. The film unsnarls with an arid humor as Ludvík’s pessimistic outlook is upended by revelatory moments, often soundtracked by the film’s traditional music. The polyphonic chapters of Kundera’s novel are traded here for colliding tonalities between now and then, as the helixing of the visual tenses instill a sense of upheaval, of never truly being able to escape the past.

Cinematographer Jan Curík frames the imagery with a monochrome staccato to complement the frenetic visual grammar, and Jireš intercuts archival footage with the action to suggest the reality of the atmosphere. Voiceovers are capitalized on frequently, and add a dimension of helplessness that was shown in the book through multiple points of view. As Ludvík narrates his fruitless schemes, there’s a false sense of omniscience, even though it becomes clear that he has no control over his destiny. Jirês captures Kundera’s inimitable brand of existential romance, and Josef Somr plays the protagonist with an understated brilliance and ennui. Trying to convince Helena of his love, the godless Ludvík tells her, “It’s as strong as fate.” 

Kundera has suggested in interviews that all of his novels could have been titled The Joke or Unbearable Lightness of Being, and I found that true in this case, even though there is a clear heaviness to the causes and effects, in and outside the screen. Jireš was exiled after the movie was banned, and was pressured to erase The Joke from his filmography, a film whose weightlessnesses arrive in the form of old Folk songs, a practice that allows the characters to never forget their heritage. Cinema was Jireš’s way to remember, and his second film survives, thankfully, for us. 

It was alleged, in 2009, that Kundera was an informant for the Chezch secret police as a student, and turned over a Western spy who served 14 years after almost facing a death sentence. Whether or not this is true, it intensifies the texture of sin and ambiguity within the film, which Kundera co-wrote. Maybe it was a type of catharsis, a way to cope with his guilt. Or maybe it is the film’s final joke, leaving no one to have the last laugh. 


THE JOKE is currently screening on hulu plus as part of their Criterion Collection. hulu.com.

 
 
by Steven Rosen 05.22.2015 16 hours ago
Posted In: Visual Art at 09:48 AM | Permalink | Comments (0)
 
 
peggy crawford candid with raphaela-2

CAC Announces the Death of Founding Member Peggy Crawford

The Contemporary Art Center today announced that founding member Peggy Crawford died on April 18 in Santa Fe, N.M., where she had been living. She was one of three women who founded the CAC's precursor, the Modern Art Society, in 1939. She was able to come to the CAC last September to celebrate its 75th anniversary — an exhibition of her photography was part of the observance.

Here are excerpts from the CAC press release:

Contemporary Arts Center Director Raphaela Platow fondly recalled the impact that Peggy Crawford made on so many: "Mrs. Crawford’s life is an inspiration to me. As a young woman she was one of the three women founders of the Contemporary Arts Center (called Modern Art Society at the time), an institution she initiated, against all odds, in a moment in time when the Great Depression was still shaking the world and the second World War was about to erupt. It is so easy not to do something, to shy away from a great idea because of the many obstacles and hurdles in the way, a lack of resources, or fear of failure. But Peggy Crawford and her two companion co-founders created the Modern Art Society in 1939 because their lives urged them to do it. Mrs. Crawford applied the same passion, tenacity, and energy to her different life pursuits and I feel lucky that I had the opportunity to meet her and to spend time in her presence."

Born in 1917, Peggy Frank graduated from Smith College. In 1939, along with Betty Rauh and Rita Rentschler, she founded the Modern Art Society in Cincinnati, Ohio, which would become the Contemporary Arts Center.

The three founders had little  or no formal museum experience. For a year, their "office" consisted of a portable typewriter set up in a living room. At the start, the society had staunch backers and hard workers, but they had very little money and had only a borrowed gallery space in the basement of the Cincinnati Art Museum.

During the first year, the founders raised $5,000 to produce six exhibitions, each with a catalogue. Their first exhibition, Modern Paintings from Cincinnati (Nov.-Dec. 1939) showed their early commitment to showcasing up-and-coming local artists. 

The fledgling Modern Art Society mounted new and often controversial exhibitions, published catalogues, encouraged local artists and helped promote contemporary art collections and education. Between 1940 and 1951, the Modern Art Society exhibited such artists as Pablo Picasso (1940), George Grosz, Paul Klee and Alexander Calder (1942), Fernand Leger (1944), Rufino Tamayo (1947), Jean Arp (1949) and other new artists in abstraction, Surrealism, modern architecture and contemporary design. One of the highlights of this time was the Cincinnati showing of Picasso’s "Guernica" in 1940 because it represented the first and only time the important work was shown in the Midwest.

Peggy Frank married Ralston Crawford, a painter and photographer, who preceded her in death.

She is survived by two sons, Neelon (Susan Hill), and John, along with a stepson, Robert (Eldrid Crawford).

A memorial service was held at Kingston Retirement Center in Santa Fe, New Mexico. April 30, 2015.

 
 
by Staff 05.22.2015 17 hours ago
Posted In: Drinking, Events, Fun, Comedy, Culture, Concerts, Holidays, Life, Movies, Music at 09:24 AM | Permalink | Comments (0)
 
 
todo_cincinnatimayfestival700x615

Your Weekend To Do List (5/22-5/25)

Taste of Cincinnati. The May Festival. Memorial Day Weekend.

The big party this weekend is Taste of Cincinnati, but there are plenty of other options if you don't want to spend your entire weekend gorging. Check out the May Festival, Memorial Day Weekend at Spring Grove cemetery, plenty of live music, live theater and more.

FRIDAY
Celebrate the power of the voice with THE MAY FESTIVAL
The May Festival, one of the oldest and most prestigious choral festivals in the Western Hemisphere, kicks off its 2015 showcase at Music Hall with Haydn’s “The Creation” on Friday and works by Handel and Vaughn Williams on Saturday. A special May Festival Youth Chorus/May Festival Chorus performance takes place Sunday at Covington, Ky.’s Cathedral Basilica of the Assumption. Renowned guest vocalists will be joining each performance, with pre-concert festivities before Music Hall performances, including al fresco food trucks, lobby recitals, drink specials and more. The May Festival continues through May 30. $12-$125; subscriptions available. More details at mayfestival.com.


Mamma Mia!
Photo: Universal Pictures
Bring a blanket for MOVIES IN THE VINEYARD
You can pop corks or corn at Vinoklet Winery’s vineyard, which is hosting three outdoor movie nights this summer. On Friday, get your Streep on when they show Mamma Mia! on the silver screen amid the sprawling acres of the award-winning vineyard. And hey, if ABBA isn’t your thing, you can catch later flicks in June and July with Under the Tuscan Sun and Phantom of the Opera, respectively. Bring a blanket or a lawn chair, but no outside coolers, drinks or food; picnic snacks, beer and wine will be for sale. 7 p.m. Friday; film starts at dusk. Free. 11069 Colerain Ave., Colerain, vinokletwines.com.

The Cavalcaders
Photo: Pat Conley
Erin go Bragh with the ACTING IRISH INTERNATIONAL THEATRE FESTIVAL
Irish theater is top of mind locally, what with the warm-hearted Outside Mullingar continuing at Ensemble Theatre and this week an international festival of Irish acting. Catch daily performances of full-length Irish plays produced by companies from the U.S., Canada and Ireland — including our own Irish American Theater Company of Cincinnati, which is hosting the 22nd annual festival at its 200-seat theater. George Heslin, founder and artistic director of New York City’s Origin Theatre Company, critiques each day’s production and presents awards for directing, acting and production during a brunch on Sunday morning at downtown’s Millennium Hotel. Through May 23. $17-$22. Irish Heritage Center of Greater Cincinnati, 3905 Eastern Ave., East End, 513-533-0100, irishcenterofcincinnati.com.

Circle Mirror Transformation
Photo: Sandy Underwood
Learn and laugh with CIRCLE MIRROR TRANSFORMATION 
Annie Baker’s Circle Mirror Transformation is a deceptively simple play — on the surface, it’s a comedy about five people enrolled in a community center class about learning how to act. They work their way through six weeks of exercises intended to reduce their inhibitions and open them to being more expressive and comfortable onstage. None seem bound for onstage careers, although one says she’s worked as an actress and another, a high school student, aspires to be one. But they do learn a lot — about themselves and each other. In fact, they learn how to act on the broader stage of life in this award-winning play that’s closing the Cincinnati Playhouse in the Park’s current season. Circle Mirror Transformation, presented by the Cincinnati Playhouse in the Park, is onstage through June 7. cincyplay.com

Steve Katz
Rock with Blood, Sweat & Tears' STEVE KATZ at the Southgate House Revival
According to Publishers Weekly, Steve Katz’s new memoir Blood, Sweat, and My Rock ’n’ Roll Years: Is Steve Katz a Rock Star? has maybe the most spectacular revelation yet of any Rock memoir. Katz was a guitarist with two successful Rock bands in the 1960s, The Blues Project and Blood, Sweat & Tears, and he went on in the 1970s to produce Lou Reed’s classic live album, Rock n Roll Animal. Katz says one of the stereo feeds of the audience track for Reed’s Animal concert at New York’s Academy of Music was lost, so there was only mono sound. That wouldn’t work, so the engineer went through his archives and found an audience track from a concert by the ultra-square John Denver. (Both were RCA recording artists at the time.) Steve Katz plays Newport's Southgate House Revival on Friday. Tickets/more info here.

SATURDAY
Taste of Cincinnati
Photo: Provided
Gorge yourself at TASTE OF CINCINNATI
It’s no secret the food scene in the Queen City rivals that of major U.S. metropolises — a few OpenTable award winners, some James Beard Award semifinalists and even a AAA Five-Diamond restaurant call Cincinnati home. And from Saturday to Monday, your favorite Cincy foodstuffs will be in one location at the Taste of Cincinnati, the nation’s longest running culinary arts fest in the heart of downtown. Want to chase LaRosa’s with a donut grilled cheese from Tom+Chee? And then follow that up with a Thai basil/lime ice pop from streetpops? At Taste, you can, and you should. This year there will even be a Food Truck Alley on North Broadway off of Sixth. I recommend fasting until then. 11 a.m.-midnight Saturday and Sunday; 11 a.m.-9 p.m. Monday. Free. Fifth Street, between Vine and Sentinel streets, Downtown, tasteofcincinnati.com.

Outside Mullingar at Playhouse in the Park
Photo: Mikki Schaffner
Catch the extended OUTSIDE MULLINGAR at the Ensemble Theatre 
Count on John Patrick Shanley for compelling storytelling: His Pulitzer Prize-winning drama Doubt explored the power of innuendo; his Academy Award-winning movie Moonstruck was a romantic comedy. His play Outside Mullingar lands squarely between those extremes, connecting with his family’s roots in rural Ireland for a tale of identity, heritage and love. It’s sure to be a winning production with a cast featuring Dale Hodges, Joneal and Jen Joplin (yes, they’re father and daughter) and Brian Isaac Phillips, directed by former Playhouse artistic director Ed Stern. This show is likely to be a hot ticket: It’s already been extended by a week. Through May 30. $40-$44 adult; $25 student; $18 senior/children. Ensemble Theatre Cincinnati, 1127 Vine St., Over-the-Rhine, 513-421-3555, ensemblecincinnati.org.

Ian Bagg
Photo: Provided
Laugh with IAN BAGG
Ian Bagg had dreams of playing pro hockey, but switched to comedy because he grew tired of getting knocked around the ice by players he describes as decidedly more talented than him. Fortunately, he had a knack for humor. “It’s so much fun being on a [hockey] team and hanging out,” he says. “I think that’s where I got my comedy chops: chirping at everyone from the bench and in the locker room and having a great time.” Fellow hockey fan Dave Coulier told CityBeat a very similar story a few months back. Oddly, Bagg and Coulier have never met. “You’d think if there’s anyone I would know, it’s a guy that does comedy and plays hockey,” he says. Thursday-Sunday. $10-$20. Funny Bone on the Levee, Newport, Ky., funnyboneonthelevee.com.

The Cincinnati Boxing Story
Watch the premiere THE CINCINNATI BOXING STORY
The world premiere of The Cincinnati Boxing Story screens at Taft Information Technology High School on Ezzard Charles Drive in the West End on Saturday. Mark Sweeney’s film explores how Cincinnati is a boxing town that has long produced great fighters — most notably Ezzard Charles himself — and examines our boxing history with past and present champions and their supporters. 6 p.m. Saturday. $15. 420 Ezzard Charles Drive, West End, facebook.com/sweeneynowvideo.

Celebrate art all day with the ART SPACE IS YOUR SPACE artist in residence at Wave Pool gallery
Wave Pool gallery’s first artist in residence, Georgia-based artist and filmmaker Erin Colleen Johnson, organized several events Saturday that seek to investigate the intersection of race, class, migration, agriculture and environmental justice, all through the lens of soil. A groundbreaking ceremony for Camp Washington’s Urban Farm (3220 Colerain Ave.) involves setting personal intentions with a ceremonial shovel. Later at the gallery, David Singleton, executive director of the Ohio Justice and Policy Center, will talk about his work to eliminate racism within the criminal justice system, and Johnson herself will give a live performative video lecture called Providence Canyon. Groundbreaking 11 a.m.; Gallery events start at 6 p.m. Saturday. Free. 2940 Colerain Ave., Camp Washington, wavepoolgallery.org.

SUNDAY
Unlocking the Gates of Auschwitz 70 Years Later
Photo: CHHE Collection
Remember history with UNLOCKING THE GATES OF AUSCHWITZ
The Freedom Center’s current Unlocking the Gates of Auschwitz 70 Years Later exhibit weaves together rare artifacts, photographs and the personal stories of Holocaust survivors Werner Coppel and Bella Ouziel to explore their journey and how life and the power of the human spirit continued in the face of the horrors of Auschwitz. Also on view are artifacts on loan from the United States Holocaust Memorial Museum, Hebrew Union College and more. A closing reception May 27 features a conversation with Coppel and Ouziel, as well as special recognition of area liberators and veterans to commemorate the end of World War II. Through May 27. $14 adults; $12 seniors; $10 children. The National Underground Railroad Freedom Center, 50 E. Freedom Way, The Banks, Downtown, freedomcenter.org.

Ohhh and ahhh over ZOO BABIES
Celebrate the newest arrivals at the Cincinnati Zoo & Botanical Garden during the entire month of May, where you'll find the cutest baby faces from all over the globe. Follow the six-foot-tall pink and blue stork statues displayed throughout the zoo to lead you to baby African lions, penguin chicks, bonobo monkeys, a whole litter of African painted dogs and more, as their big eyes, miniature sizes and playful personalities melt your heart. Through May. Park admission $18 adults; $12 children and seniors. 3400 Vine St., Avondale, 513-281-4700, cincinnatizoo.org.

MONDAY
Memorial Day Weekend at Spring Grove
Photo: Provided
Celebrate MEMORIAL DAY AT SPRING GROVE
Between kicking off Memorial Day weekend with the Ohio Military band performing in the Rose Garden Gazebo, a veterans tribute and a historical Patriots and Pioneers walking tour of the cemetery, Spring Grove has the entire weekend jam-packed with activities. On Monday, the Sons of Union Veterans of the Civil War and the 6th Ohio Volunteer Infantry will perform an 1860s Grand Army of the Republic ritual and shower flower petals on the graves of union soldiers interred in Spring Grove, followed by a living history presentation by President Abraham Lincoln (or a man dressed like him) and a Civil War walking tour. Thursday-Monday. Free. 4521 Spring Grove Ave., Spring Grove Village, 513-681-7526, springgrove.org.

Over the Rhine
Photo: Provided
Raise a barn with OVER THE RHINE
Barns and farms have played an important role in the history of Over the Rhine, married couple Linford Detweiler and Karin Bergquist’s internationally acclaimed, 25-year-old Cincinnati band. The couple met in a restored barn while in college in Canton, Ohio. For the past decade, the twosome has lived in and worked out of a brick farmhouse in Highland County on land they’ve dubbed “Nowhere Farm.” And now Detweiler and Bergquist are restoring a 140-year-old barn in Clinton County (in the village of Martinsville) and transforming it into a performing arts center with a recording studio called Nowhere Else.  As with Over the Rhine’s past two albums, Detweiler and Bergquist are turning to their loyal fanbase to help fund the new facility. The band is offering a variety of perks for donations. Among the perks (starting at the $100 level) are tickets to special preview concerts at Nowhere Else this weekend (the couple is hoping to have the facility fully ready to open by early October). The full six-piece band is performing special “Barn Raising Concerts” on Saturday (which is sold out), Sunday (7 p.m.) and Monday (3 p.m.). Over the Rhine will be debuting new songs at the concerts, which will be filmed and recorded for a forthcoming live album and DVD project. The release can be pre-ordered as part of the fundraising campaign. Visit at overtherhine.com/barnraising for full details.

Veterans and military get in free at BUTTERFLIES OF THE PHILIPPINES
As Cincinnati welcomes spring, the Krohn Conservatory welcomes the colorful and exotic butterflies of the Philippines. For 12 weeks, Krohn will transform into a majestic tribute to the Southeast Asian island country, capturing its stunning natural beauty and Filipino culture. The showroom will be a tropical paradise of free-flying butterflies soaring among waterfalls and bold volcanic murals. A rainforest under glass, the conservatory will be filled with more than 3,500 beautiful plant species, such as ornate orchids, brilliant bromeliads, delicate anthuriums and dramatic dracaenas, providing a backdrop close to home for the native butterflies to flutter. Free for active military and veterans on Memorial Day. Through June 21. $7 adult; $4 children; free ages 4 and younger. 1501 Eden Park Drive, Mount Adams, cincinnatiparks.com.



 
 
by Rick Pender 05.22.2015 17 hours ago
Posted In: Theater at 08:55 AM | Permalink | Comments (0)
 
 
cappies recipients

Stage Door: Theater Critics of the Future?

There’s lots happening on Cincinnati stages this weekend — including excellent productions of Circle Mirror Transformation at the Cincinnati Playhouse and Outside Mullingar at Ensemble Theatre. The Cincinnati Fringe Festival is right around the corner. But I want to use this week’s Stage Door to highlight a glimpse of the future. Tonight the CAPPIE AWARDS will celebrate productions and performers from area high schools with a festive event at the Aronoff Center’s Procter & Gamble Hall.

Among the students being recognized are critics. That’s right: As part of the Cappies, teens from high schools visit other schools to critique performances. I have the privilege of handing out awards to the outstanding team of students from one particular high school. Starting last year, another recognition was added, sponsored by CityBeat, identifying the outstanding single critique written over the course of the year.

I received a half-dozen essays deemed by Cappies organizers to be the best pieces written during the 2014-2015 school year. (I did not know the names of the critics or their high schools when I was picking the winner.) At tonight’s ceremony, I’ll announce one I believe to be the best. You can read all of the reviews I considered in today’s blog, below. In addition to taking home a dandy trophy, the winner is invited to review a FringeNext show, one of three high school productions presented at the Cincy Fringe next week.

I urge you to read what these insightful young people have written about productions at other schools. It’s possible that someday one of these promising writers will be writing about shows and helping theater fans decide what to see onstage in Greater Cincinnati.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.



West Side Story at Cincinnati Hills Christian Academy

REVIEWED BY COLE HANKINS, Loveland High School

Amidst a fearsome gang war, two lovers are forever torn apart by the pull of a pistol’s trigger. And as a girl mourns her horrible loss, she extends two hands, one to each side. In the left hand, a Jet; in the right, a Shark, two groups sworn enemies, now holding hands united under common loss. It is with this heart-wrenching image of solidarity that Cincinnati Hills Christian Academy’s production of West Side Story leaves its audience, and with this image that its excellence finally hits home.

An American theatrical classic, West Side Story takes place in New York City, where two local teenage gangs — the Caucasian “Jets” and Puerto Rican “Sharks” — are amidst a territorial dispute. Jets leader Riff plans to challenge the Sharks and leader Bernardo to a rumble in order to settle the issue. However, the plot thickens when fellow Jet Tony meets Bernardo’s sister Maria, and the two quickly fall in love. The result is ultimately a situation spun far out of control, a vengeful gunshot separating the lovers forever, and grave consequences to a merciless feud.

Fittingly, CHCA’s production started with a bang in “Prologue,” where the Jets’ and Sharks’ choreographic and combat execution splendidly set the tone for the action to come. The Jets were particularly sharp in songs such as “Jet Song” and the lighthearted character number “Gee, Officer Krupke.” Other show highlights included the upbeat, toe-tapping song “America,” and “Tonight,” where both Jets and Sharks alike came together for a powerful prelude to the action-packed “The Rumble.”

As headliner Tony, actor Will Ellis’s performance was defined by pristine tenor vocals and a captivating vibrato, mastering his character’s higher range. In solo songs like “Maria,” Ellis never shied away from the spotlight, boldly owning critical character moments. Opposite of Ellis, Allie Kuroff’s operatic soprano was equally impressive as the lovely Maria, clearly acting her finest in the show’s riveting finale. Both Ellis and Kuroff played their roles with a unique tenderness, providing an interesting presentation of two classic characters.

Likewise, actress Merrie Drees brought a thrilling flair to the flashy, spunky Anita. Drees’s powerfully sassy vocals proved phenomenal, and her ability to balance great comedic timing in earlier scenes with compelling emotion later on was marvelous, a dynamic lacking in other characters. As the charismatic Riff, Gabe Hoyer also crafted an extraordinary performance. Hoyer featured a mesmerizing gravity to his presence that added an unmistakable charm to Riff, making his Act I death one of the musical’s most tragic moments.

Tasked with a very challenging musical score, the CHCA Orchestra played fabulously. Despite drowning out certain vocalists at times, the pit kept accompaniment clean, crisp, and well polished throughout. Equally crisp and well polished was manager Kaitlyn Nickol’s stage crew, making scene changes promptly and effortlessly and contributing to the show’s timely pacing.

Doing justice to one of the most beloved musicals of all time is undoubtedly a daunting task. Yet as the lights faded on that aforementioned scene of unity, the cast of Cincinnati Hills Christian Academy’s recent production of West Side Story had accomplished exactly this. In a wildly successful effort, these talented performers honored not only the endearing charm of this theatrical legend, but also its strikingly poignant message.

 

A Midsummer Night’s Dream at Larry A. Ryle High School

REVIEWED BY ELEANOR CONNIFF, Highlands High School

Although written nearly 400 years ago, the works of William Shakespeare are still revered today as some of the most influential in all of Western literature. The Bard's plays are usually an essential component of any English course. The classic tales are still performed often by actors and theatre companies alike. It is difficult to imagine something as old as the publication of Shakespeare's First Folio in 1623 continuing to remain relevant and entertaining to audiences. In A Midsummer Night's Dream, performed by Larry A. Ryle High School, students brought life to the timeless classic and gave a performance that stayed true to the tradition of Shakespeare with unique and original twists.

The story of A Midsummer Night's Dream centers around a love triangle, or rather, rectangle, between Hermia and Lysander, two star-crossed lovers; Demetrius, who loves Hermia, although unrequited; and Helena, who loves Demetrius. When Puck, a mischievous fairy from the woods, accidentally casts a spell on the two young men, he reverses their affections, causing both to fall in love with Helena. Chaos ensues as Puck attempts to reverse the mistaken spell and keep peace within both the fairy and the lovers' world.

In Larry A. Ryle's production of this classic story, the students met the challenge of Shakespeare with eagerness and understanding of the style, far beyond the years of most high school students. The production also paired the original Shakespearean text with 1950s style costumes, props, and characters in order to portray a commentary on the time period's stratified nature and to modernize the theme of unrequited love.

Under the pressures of a four-way love triangle, Willow Davis's portrayal of Helena stood out among the leading roles of the show as her characterization and poise set her apart. Helena’s nagging but endearing nature allowed the audience to laugh at her melodramatic soliloquies while also sympathizing with her broken heart. Samuel Greenhill stood out in his portrayal of Demetrius as well, creating a character that was both likable and antagonistic and keeping him true to the attitudes of the time period.

Of course, it is impossible to forget Macy Bates’s performance as the mischievous Puck. The youthful energy that she brought to the role was extremely refreshing and played well into her comedic timing, keeping the audience laughing again and again.

From a technical aspect, the show was extremely fine-tuned. Albert Harris's lighting was absolutely stunning, with a purposeful contrast in the lighting of the fairy world versus that of the real world. This choice, while subtle, was extremely impactful, as the set's minimalist style made the setting of the story extremely ambiguous and versatile, with the shift in lighting as the main indicator of shifting worlds.

Love and mischief are the same now as they were in the 1950s, and the same in the 1950s as they were in Shakespeare's time. Larry A. Ryle High School's production of A Midsummer Night's Dream portrayed these themes in a fresh and unique way, while also paying homage to the tradition of William Shakespeare.

 

Beauty and the Beast at McAuley High School

REVIEWED BY SAMANTHA TIMMERS, Scott High School

It’s not every day you see a humanoid clock charging at foes with a silver fork. Nor is it every day that an audience finds themselves yet again floored by a performance they've seen on the screen a hundred times before. Yet in this heartwarming rendition of Beauty and the Beast, McAuley High School charmed both adult and child once again through their humor and talent.

This stage rendition, written by Alan Menken, Howard Ashman, Tim Rice, and Linda Wolverton, is actually an adaptation of an adaptation. The Oscar-winning movie version with which the world is familiar came out in 1991, the inspiration stemming from the 1756 fairy tale by Jeanne-Marie Leprince de Beaumont. In this third version, a beautiful and bookish Belle becomes the only hope for a long-forgotten castle staff and Prince, who are slowly becoming inanimate objects as a result of a spell caused by the Prince’s vanity. But can Belle learn to love a Beast who can barely learn to love anyone else?

Overall, McAuley created a magnificent performance that was filled with magic and surprises. The cast was bouncing with energy from start to finish, and their vocal quality was solid amongst all actors. The technical crew skillfully created a lively atmosphere that resonated with audience members, phenomenally recreating classic scenes. With glittering costumes and whimsical choreography, Beauty and the Beast did not disappoint.

Danielle Mouch was extraordinary in her performance as Belle. Her vocal quality was pristine and clear, effortlessly reaching every note as well as maintaining her character’s spunky yet thoughtful personality. Gregory Miller, a well-established actor in Cincinnati high school theater, outdid expectations in his performance as the Beast. Though he might have had hair and tusks masking his face, his powerful yet perfectly controlled voice said more than facial expressions ever could.

Audience favorites included the actors playing Lumière and Cogsworth. AJ Keith’s (Cogsworth) dry humor was expertly delivered and well received, his deadpans flawless and his mannerisms appropriate for the endearing yet bossy character. Benjamin Burton seemed to be made for the role of Lumière: his French accent was spot-on (and maintained throughout the length of the show), and his eye for comedy was terrific—all it took was a few suggestive hip movements to send the audience into uncontrollable laughter.

The crew provided dazzling effects for the show. The lighting was of almost professional quality, with a highlight being the mystical, Northern Lights-sequel brilliance that occurred during the Beast’s transformation. While the costumes seemed to closely follow the movie adaptation, they were of high quality and were well constructed and designed. The choreography flowed seamlessly, from the Mob’s parade around the auditorium to the Wolves’ deathly yet entrancing dance. Overall, McAuley’s crew was a force to be reckoned with, achieving seemingly magical transitions and mirages.

In this tale as old as time, McAuley High School enchanted youth and elderly alike with its whimsy personality and spellbinding characters, reminding everyone not to be deceived by appearances; there “may be something there that wasn't there before.”


The Mourner’s Bench at the School for Creative and Performing Arts

REVIEWED BY SARAH MORGAN, Mariemont High School

A single gunshot can end a life, create irreversible emotional damage, and shatter even the closest of relationships in an instant. The School for Creative and Performing Arts’ dark, poignant, and haunting performance of The Mourners’ Bench explored the crippling emotional aftermath of a deplorable tragedy.

The first act opened up to an intense argument between siblings Bobby (Bradley Mingo) and Melissa (Nina Walker). Twenty years after they witnessed their father shoot their mother, Evelyn, in a murder-suicide, Bobby and Melissa have still not healed. While Melissa has attempted to move on with her life, marrying a nice man and bearing two children, Bobby is trapped in a state of perpetual dependency, turning to alcohol and eventually buying the childhood house in which the tragedy occurred. Mingo and Walker perfectly captured the essence of a tumultuous sibling relationship, from emotionally depleting shouting matches to interrupting one another mid-sentence. The two were able to adroitly deal with dark themes, including murder, rape, and suicide, by presenting an air of deep gravity and maturity to their lines.

Act Two, set immediately after Evelyn’s funeral, featured her sisters Caroline (Mallory Kraus) and Wilma (Danielle Brockmann) bickering about the future of their niece and nephew. Kraus and Brockmann both give performances rife with emotion, utilizing familiar body language to heighten the intimacy of their conversation. The timing of their dialogue was natural and seemed completely organic, inviting the viewer into their quarrel. Brockmann approached her role as Wilma with a gentle softness, providing a foil for Kraus’s seemingly callous, unemotional Caroline. The scene ended touchingly, with Kraus playing the piano while Brockmann watched, a testament to the boundless power of redemption.

Act Three centered around elderly, married couple Joe (Cameron Baker) and Sarah (Maggie Hoffecker). They moved into Bobby and Melissa’s childhood home immediately after the tragedy and become inextricably tangled in the history of the house they have purchased. The tenderness between Hoffecker and Baker truly reflected that of a couple on the brink of death; while just sitting next to each other on a couch, they seem comfortable and at ease, with no trace of awkwardness. By the end of the scene, sniffling could be heard throughout the theater as the pair gazed out of a window, contemplating life’s transience.

SCPA’s theater was a room with seating on all four sides, providing an intimate view of the stage and connecting the audience to the characters. The set was sparse: a living room furnished with an unadorned couch and a dilapidated piano. The simpleness of the set allowed the raw emotion of the actors to shine through, creating a memorable performance.

All in all, SCPA’s production of The Mourners’ Bench was an evocative and haunting testament to the power of loss, recovery, and redemption.

 

Sweeney Todd at Taylor High School

REVIEWED BY MADISON LUKEN, St. Ursula Academy 

A trip to the barber never seemed so dangerous than in Taylor High School’s production of Sweeney Todd, where deceit leads to a menagerie of questionable pies, ineffective Italian barbers and a tempest of revenge, violence and tragedy.

An ordinary barber, husband and young father, Benjamin Barker has his world turned upside down when he is thrown in jail on a trumped-up charge that costs him his wife and daughter. Escaping prison, Barker renames himself Sweeney Todd and moves back into his shop on Fleet Street when he discovers the suicide of his wife Lucy. Out for blood, he teams up with the pie baker below his flat, Mrs. Lovett, to take revenge on the ones responsible — Judge Turpin and Beadle Bamford. Leaving a trail of deception, misery and gore in his wake, Sweeney Todd becomes the demon barber of Fleet Street in this haunting musical thriller.

From the smoke that billowed from Mrs. Lovett’s pie shop to the synchronization of the company in “Pirelli’s Miracle Elixir,” the unwavering commitment of both the cast and crew of this show did not go unnoticed in both details and central events. Every aspect of the show came together to create a product of suspense, drama, and overall beauty as an elaborate set, apt lighting and emotional vocals blended with the energy of everyone on and off stage.

Despite the incredible amount of music and its difficulty, the leads of the show, Sweeney Todd and Mrs. Lovett, performed by Antonio Ortiz and Annie Gerth respectively, conquered the tumultuous trials of Steven Sondheim almost flawlessly. In addition to this vocal aptitude, Gerth was able to portray the comedic elements of Lovett through her accent and equally strong acting propensity. Reciprocated by Ortiz, the two radiated a brilliant, psychotic chemistry that was always present, especially in songs such as “A Little Priest.”

A buttress to the leading couple, the ensemble floated eerily onto the stage relentlessly, booming out “The Ballad of Sweeney Todd” and “City on Fire” without wavering. Additionally appearing repeatedly, the Beggar Woman, played by Eliana Batsakis, brought further skill to light both vocally and in her physical acting as she drifted across the stage, crawling in the shadows of London, cackling manically and uttering desperate warnings until she met her demise.

Behind the scenes, this show demanded both sets and costumes reflective of the dark, dirty setting of 19th-century London. In both areas, demands were met, as buildings faded into darkness under a smoky pall and windows appeared cracked in places like Fogg’s Asylum while their inhabitants skulked about in ripped clothes with faces scorched with the grime of the streets. The crew was also able to create credible deaths with their use of stage blood.

Altogether, Taylor’s production was consistent and energetic in every scene of the show, creating a thrilling and gripping story through its performers and behind-the-scenes crew. It was ultimately well deserving of the standing ovation it received.


Once Upon a Mattress at Ursuline Academy

REVIEWED BY CARISSA SAFFIRO, Cincinnati Christian Schools

From childhood one is taught that princesses are the immaculately beautiful creatures that epitomize all that is grace and beauty. Who could imagine that the next princess of a medieval land would be an uncouth and unruly woman from the swamps? Ursuline Academy’s recent production of Once Upon a Mattress explores what happens when an ill-mannered yet charming woman steps — or rather swims — into court looking for a prince.

Written in the 1950s, Once Upon a Mattress is a musical comedy adapted from Hans Christian Anderson’s fairy tale “The Princess and the Pea.” The musical was written by Jay Thompson, Marshall Barer, and Dean Fuller with lyrics and music by Marshall Barer and Mary Rodgers, respectively. The show features Princess Winnifred of the swamplands who comes to marry Dauntless the Drab, despite all the women before her who have been turned down by his tyrannical mother. Following the classic tale, the queen puts a pea under twenty mattresses to determine whether Winnifred is a true princess.

With intricate music and challenging characters, the leads of Once Upon a Mattress certainly had their work cut out for them. The ludicrously uncouth yet lovable Princess Winnifred was played by Kennedy Carstens. From the moment she stepped on the stage the audience was in the palm of her hand and her vocal performance was unequalled by any cast member in the show. CJ Allen had the challenge of playing the role of Dauntless the Drab and chose to play this arguably flat character with a charming and comedic twist. The audience’s narrator and another lead actor in the show was the Minstrel, played by Arjun Sheth. Sheth not only brought the audience through the show with a confidence and charisma, but also had the vocal range required for the role.

King Sextimus the Silent, played by Michael Viox, was another leading force in the show, although because of an old curse he was unable to speak for most of the musical. However, his inability to communicate with words in no way inhibited his connection with the audience or his stage presence. His counterpart and friend, the Jester, played by Claire Westover, played alongside Viox with excellent chemistry but also showed a deeper side of her character as well as impressive tapping ability in her song “Very Soft Shoes.” Carmen Carigan must also be commended for her performance as the Wizard. Although in a smaller part, Carigan has the ability to leave the audience clapping and laughing hysterically every time she stepped off stage.

The most unique thing about Ursuline, however, is the wealth of talent in their dancers. The dancing chorus was always together whether they were doing ballet or tap. With dancers such as Keely Wissel on point and other incredible soloists such as Caroline Nymberg, the dancers stood out as one of the highlights of the show.

The technical aspects of the show seemed to move effortlessly. There were few to no microphone errors, although the cast was working with fifteen wireless mikes, and the lighting was flawless. Arguably the most unique and ingenious part of the show was the costuming. Almost completely student-made, the costumes were imaginative and well put together. In the chorus, each lady’s costume had a corresponding knight’s costume, just one example of the color and brightness of the show.

The costumes, actors, and dancers certainly mirrored the fun, bright, and slightly unconventional style of this production and brought the audience for an enjoyable ride.

 
 
by Josh Elstro 05.21.2015 40 hours ago
Posted In: Live Music, Festivals at 10:20 AM | Permalink | Comments (0)
 
 
shakyknees

Shaky Knees Festival: No Puns Necessary

Despite some limitations, Atlanta's Shaky Knees offered an enjoyable music fest experience

I'm swirling a 24 oz. PBR tall-boy around 2 a.m. at a bar fashioned from an old church in a neighborhood I can't quite figure out. Is it up-and-coming like our own Over-the-Rhine? Or are we "on the wrong side of the tracks"? I don't really care at this point. I've already gotten drunk once today and spent 12 hours in the burning southern sun. I just want a bed.

There are 20-somethings in rompers, board shorts and woven sandals hunting for a festival after-party lined up around the block waiting for over an hour to sit on picnic benches and drink crummy beers together at a 300% markup over buying them at a gas station. We are only inside because someone among some newly found friends has sweet-talked the back door guy. Point is, I'm bored and ready for bed. I engage a fellow Cincinnatian at this bar after awkwardly sitting in silence for the past 30 minutes. Someone points to an open garage door leading to an abandoned courtyard where a bonfire is burning and shadowy figures have been shuffling in and out of all night. Oh man … I've been to these parties back home. They often end in way more cocaine than I'm comfortable being around or racially tense fights. But it’s the path I have to take to find out where I can sleep, so I throw my hood up to go as unnoticed as possible and dive in.

"If you high as fuck and you having a good time say yeah!"


"YEAH!!"


"If you drunk as fuck and you having a good time say yeah!”

"YEAH!!"

A track starts playing a familiar synth line. Everyone in the rundown rock yard throws their hands up in unison and screams, "I DONT FUCK WIT' YOU!!" Big Sean's breakup anthem blares over the PA. Yes! I'm so down with this. The fact that I'm in dirty soccer shorts and an Against Me! hoodie doesn't matter. The fact that I'm not from here doesn't matter. My age doesn't matter. My race doesn't matter. We all dance and sing along together until the cops show up. Forget the kids waiting in line to drink bad beer on park benches hoping to get laid; this is the most live party I've been to in a long while and nothing like it has ever happened back home.

But this isn't home, it's Atlanta. And it's the best part of Shaky Knees festival. I had headed to the unofficial
capital of the South two days
earlier with wildly different expectations. I was nervous, expecting an endlessly
expansive metropolis like
Chicago or New York where you
could get lost for days just
searching for a legal parking spot
and shouldn’t expect to find a place to rest your head for less than $100 per night.

Instead I was greeted by a uniquely diverse, affordable and welcoming city that didn’t feel much more overbearing than Nashville or our own city. A welcoming attitude of southern charm and hospitality was the cherry on top of every restaurant and bar we’d visit.

Before I go on I feel it should be pointed out that while fully qualified to review a music festival, I fall into a not so primary target demo for festival promoters. Yes I’m white and middle class, but, more importantly, I’m 29. Not young enough to save up my graduation money and go on a road trip with my gal pals for the “party of the summer.” Not late enough in my 30s, with kids of my own old enough to either stay home alone or come with as I check out whatever ’80s Alt band has dusted themselves off to play in the twilight hours of each day in the name of collecting a paycheck. Most of my demographic is too busy being spit up on at all hours of the night by their newborns to afford spending three days drinking in the sun and being blasted by unhealthy decibel levels. But, alas, here I am.

That all being said, my only real complaint with Shaky Knees was its lack of diversity. It is in the Hip Hop capital of the south (several jokes were made asking locals if Outkast are the “presidents of Atlanta”), but it failed to feature a single Hip Hop or R&B act. There was a small representation of Delta music with Preservation Hall Jazz Band and Trombone Shorty dotting the schedule early Sunday afternoon (which I unfortunately missed as my attendance was unplanned and last minute, so I had to spend Sunday driving home for work). Every band I saw was just white guys with guitars. Not that there’s anything wrong with some of that, but I didn’t see a single other act that had more than one token female or person of color (the exception being Tennis, which had one extra woman on keys tucked in the back of the stage).

Atlanta’s location provides for an amazing opportunity to unite a wide array of music lovers from all over the country. I met travelers from places as far as New York, Miami, Fla., and Nashville, Tenn. It has a stronger African-American middle class than most of the Midwest, as I experienced amongst its nightlife and food scene, and yet the culture of the festival was still focused primarily on a white, suburban, Indie Rock or Folk crowd, which is a shame. Some minor lineup tweaks could make all the difference for an otherwise amazing festival.

Enough of that. We’re here to talk about performances, so let’s party …

DAY 1
Jukebox the Ghost While assessing the lay of the land we settled into our first full set with the Piano Rock trio. My friend, who knows my taste well enough to know I’d instantly
want to judge
them, insisted I
give it a chance. It took a minute,
but with interlude
banter like, "This
is a party song
about breaking
up," or "This is the
dumbest song
ever written,"
these guys are
just having too
much fun to not
want to join in. I
mean, come on
— they closed with
a cover of
Queen’s "Don’t Stop Me Now" (yeah, they really had the balls to do that!) knowing full well their younger fan base would be totally lost and they didn’t give a single fuck. Kudos guys. You will do just fine in this world so long as your hairlines stay in tact.

Tennis I was merely nodding appreciatively through most of their set. Then lead singer Alaina Moore, whose neckline plunged all the way to the top of her high-waisted jeans with nothing but some hard working gravity protecting her from indecent exposure charges, introduced the song “Marathon.” One of the band’s older songs, it’s a solid straight up Doo Wop tune. (Now we’re talkin’!) I was pulled in for just a moment. But then all I could do is re-Imagine them as the opening band in the dance in Back to the Future with this same look and style. Marty never even gets the chance to rip through “Johnny B Goode.” The scene would already be too wild for Hill Valley circa 1955 to handle. There are riots in the streets! Marty disappears from the family photo and his existence fades into obscurity. Fin.

Wavves “Finally ‘the youths’ are partying!” I spent a good chunk of this set under the bright sun on searing black top thinking, “There’s gonna be some seriously dehydrated kids in sweaty ironic tees later.” Wavves’ first record was the only thing that swayed me to let my guard down and learn to accept the lo-fi revolution. Plus, “King of the Beach” is a total jam. But something just isn’t right about the energy of this young crowd. It’s like the Warped Tour of my youth for a new generation that doesn't have a George Bush to rally against and vent their angst toward. There’s a wave of aggressive indulgence in the pile of sweaty bodies that’s directed at nothing in particular and I’m too old or out of touch to understand it. Mostly I was thinking Hedonismbot from Futurama would fit right in crowd surfing over this pit. “Oh my!” Wavves new song was on point, though, perhaps suggesting a move away from the low-fi fuzz that covered up the simplicity of their previous work to something a little more richly melodic.

Manchester Orchestra I had to give this band a chance as my roommate texted me from back home insisting I check it out. I trust her. So I go. And, yeah, it’s heavy and I like that, but I’m not sure I get it yet. There are these glimmers of sing-along anthem glory, but in my 30-45 minute blind taste test of them I didn’t get enough of that flavor to crave seconds. Maybe some more research before they visit us for Bunbury next month will bring me around.

The Mountain Goats “AND HARD TIMES ARE WHEN A MAN HAS WORKED AT A JOB 30 YEARS AND THEY KICK HIM IN THE BUTT AND SAY: HEY, A COMPUTER HAS TOOK YOUR PLACE, DADDY. THAT’S HARD TIMES!” This is part of the epic, booming three-minute intro that sets the stage for The Mountain Goats’ show, a voiceover shouting a challenge to the Macho Man Randy Savage daring him to a fight in the ring across an empty stage. It gets you properly amped for what’s to follow. You can feel John Darnielle and his gang carry that energy right onto the stage with them as it ends and the crowd erupts. Don’t make the mistake of lumping these guys in with the dusters “just out for a paycheck” I mentioned earlier based on their age. You will rarely see someone look so happy to sing songs he wrote 20 years ago with as much conviction as Darnielle. His stage presence oozes “I’m a professional, but I’m having a blast!” And the crowd responds, “Alright John. Then I am too!” That presence is so strong he still wins over crowds with brand new songs despite already having a discography over 15 full-lengths deep. What's that streaming down my face as they close out with “No Children,” the hauntingly triumphant ode to the end of the ugliest relationship you’ve ever heard? It’s … it’s just a really heavy bead of sweat! It's hot out here damn it! Leave me alone!

Mastodon At this point in the day I just can’t take standing up anymore. Another minor issue with Shaky Knees overall was the food options. The ratio of local food trucks to festivalgoers yielded unbearably long lines for anyone hoping to catch some of the later acts of the day. Beer however was in ample supply, so I grabbed one to sip on while catching the most Metal moment of the weekend from a hill a hundred or so yards out from the main stage. Metalheads I trust recommend Mastodon and, yeah, they were fine with me too. Only problem is they fell just short of what I’m looking
for in their songwriting, a craft often overlooked
by Metal bands in my opinion. And so I spent
most of their set wishing I was watching Ghost
instead and checking my phone for any news of
their next release. We should expect that in
August.

Pixies Kim Deal purists be damned. Her current replacement did just fine and sounded spot-on like the records to me. While expecting those aging rockers coming out to collect a paycheck I’ve been talking about, there was still a dash of magic left. Or maybe it’s just that little flutter I get when a song starts up that I’ve been listening to for 15 or so years, like “Here Comes Your Man,” with no expectation of ever hearing live because, to be honest, it was a little loose at times. Okay. Really loose. Like, Frank Black stopped in the middle of a song and said, “That was my fault. I went to the chorus too soon,” and went on to the next one loose. Makes you feel a little bummed for folks who shelled out full price for a pass just because they’re so stoked to see their favorite band. So yeah, maybe my nostalgia high is wearing off now that I’m reflecting back and realizing Kim’s replacement was honestly the most engaging part of the set.

The Strokes Lead singer Julian Casablancas isn’t exactly the king of charisma. Hell, he’s not even the dunce in the corner of Charisma 101, which makes it really hard to accept this band as a headliner. His attempts at on-stage banter made for some of the most uncomfortable moments of the weekend. Tie that in with his cracking voice straining to push out the words “How long must I wait” before it just gave out during the first song of their encore, “Vision of Division.” Their set became downright unbearable at times. Unfortunately, on top of this, “Reptilia” is the only song I really care for and they opened with it. So I was over it quick. The crowd didn’t seem to care though. They all still went nuts when the song that sounds exactly like “Last Night” but isn’t it came on halfway through their set.

And so, in my constant battle of jaded cynicism vs. the fact that I do genuinely love live music, I’d say day one ended in a draw. On to round two!

Day 2
Kevin Devine We raced back to the festival grounds to catch this set, but I wasn’t quite awake enough yet and needed to finish my coconut water to get things going. But Kevin didn’t care. His high energy set was better than anticipated and got me back in the game. He’s got the Indie/Emo “slow burn, build and release” pattern down and I’m totally ready to go up and down for the ride. Definitely keep an ear out for him.

Mariachi El Bronx Exactly what it sounds like. It’s Los Angeles hardcore band The Bronx … playing mariachi. I honestly resisted them for years as my friends raved and I assumed it was just another silly novelty crossover band. But they’re such great players that they managed to transcend the novelty and throw one hell of a party. Unfortunately, The Bronx gang seemed to draw the short end of the stick for the entire festival as this set was early on the main stage where the bass in the mix was for a much larger headlining crowd and it ruined the whole balance of the band. I had to leave halfway through as my body couldn’t handle the blasting waves of low end. But their bass player sure sounded great!

Speedy Ortiz “I think Squidbillies is here right?” lead singer Sadie Dupuis says between songs with minimal irony or facetiousness in her voice. And it’s this feeling of off beat intimacy the band tries to interject into the mid-afternoon, sun-drenched crowd that draws me in. It helps me understand why others are drawn to them, while my aging ears struggle to get hip to it. Dupuis voice and melodies, along with everyone else’s performances, are great, their style of off-the-beaten-path harmonic and chord structure however have never really set in for me. It kind of killed off my mariachi buzz and I stepped out halfway through to plan the rest of my day in some shade.

Viet Cong I went into this thinking the tough as nails name meant I was about to see a bratty and loud Punk band, which I was kind of stoked about. But the droning bass and synth is all good too! Makes me want to get in the world’s angriest space shuttle and fly to the moon. As they droned the last two chords of their final song back and forth for nearly three minutes I found myself wanting to shout, “Just take off damn it!” These guys would be equally good for when you're drunk alone at 4 a.m. again and your Joy Division records are just too far out of reach, plus you need a little extra edge to encourage you to break a few things!

Metz If you wish The Hives were still a hard touring band, these guys will get you half way there. Plus they’re a lil’ heavier to boot. That being said, the riffs could be a little catchier for my taste, but they still deliver enough to keep me hanging on and start snooping around for their records next time I’m out. Plus, you’ve got to love a band that you know is making somebody in Canada say, "You know that quiet guy in accounting? Yeah he TOTALLY shreds on the weekends!" Probably also worth mentioning here that these guys will be tearing up the Woodward Theater with Viet Cong on July 21st and it’s definitely going to be worth being there.

FIDLAR Plain and simple: This is why I love Punk. Just look at the dumb, unbridled joy on the faces of this sea of kids bouncing up and down in unison. There’s a certain “it” factor that the best live acts have regardless of technical difficulty or skill required to accurately perform their songs which I’ve never been able to put my finger. (FIDLAR said it best during their own set: “That’s right guys, all you need is three chords!”) This band definitely has it. The fact that I’m getting too old and responsible to honestly relate to their lyrics doesn’t matter. I think cocaine is childish and immature and I think drinking cheap beer is a waste of calories … but goddamn. I just can’t help but scream along in unison with these kids and share their same dumb, shit-eating grin. They are rescheduling their recently cancelled show at Thompson House. Keep an eye out for the new date and be prepared to lose your goddamn mind.

The Bronx And this is why I love hardcore! This is one of the tightest performances I saw up to this point despite unfortunately having the smallest crowd. No frills, just solid playing and tight execution. I had tried getting into them on record a few years back and something didn't click. Now it does. Time to go back and start working on picking up some change on the dance floor again.

Neutral Milk Hotel Yep. There's still too much ex-girlfriend attachment to this band for me to really enjoy it. Plus, they played at the time of day where no matter how close you want to get, you bottleneck at a point in the crowd that’s too far away to really feel a part of the set. “Maybe I should see if the Bronx is still playing? Why did I leave!? If one more person near me gushes over how cool using a saw as instrument is heads might roll …” Also the flock of blond college-age girls flocking out of the crowd after “In the Aeroplane Over the Sea” was played early in the set was amazing. Am I being too cynical? Whatever. Jeff Mangum’s voice is still on point after all these years. Still worth it.

Wilco At this point that bottleneck was just too far away to really get into what was happening on stage, which bummed me out because I had to miss Wilco’s show in Cincy a few days earlier. The drunk people next to me were almost as loud as the reverberations distantly ringing on the stage. But hey — they’re still cranking out the hits and they're still Wilco, so you gotta love it. But I was a little too buzzed and nervous about not getting a good spot and running into this same situation for the Avetts, so I dipped out a little early.

The Avett Brothers “Effortless.” People challenge me all the time to explain why I believe these guys are objectively one of the best live musical acts in music right now and this is the only word I can ever seem to muster. The level of focus, mastery and attention to
detail that goes into the
performance this crew puts on
night after night should be
obvious to anyone who’s so
much as taken a single guitar or
voice lesson. The love, passion, joy, and energy they
infuse into every song, whether
it’s a sing-along anthem like
“Kick Drum Heart” or a soft
ballad like “The Ballad of Love
and Hate,” makes the whole act
seem more effortless every time
I see them. Whether it’s Seth’s
improvisational riffing on their
already perfect vocal lines or
Scott’s conviction and sincerity
when telling the crowd he needs their help singing along with something, I truly believe they would win over any true music fan who is willing to let go and be taken by the power of one of their sets. No other band refracts as much love for what they’re doing on stage back to an audience quite like the Avetts. Their headlining set at Bunbury will be their first performance in Cincinnati since 2008. Do not miss it.

Whoa. What a ride. The fact that I’m having trouble wrapping this up despite the fact that I missed a whole day of the festival is a testament to just how much Shaky Knees has to offer music lovers. I’m having trouble keeping the two-day experience I had from unraveling into a full novella and am now forcing myself to shut up. Despite its limitations, there is still enough diversity to keep most fans of semi-independent Rock or Alternative on their toes. (No. It was not hard to resist a “shaky knees” pun here.) But when you attend next year, don’t let your time adjusting to the southern sun tap all of your energy for experiencing the city’s culture and nightlife. As much as I love Cincinnati, I think we have much to learn from this gem down South and I look forward to returning soon.

— Josh Elstro

 
 
by Danny Cross 05.20.2015 64 hours ago
at 09:46 AM | Permalink | Comments (0)
 
 
loretta_lynch2

Morning News & Stuff

U.S. AG visits Cincy, city budget still light on human services funding, Reds stadium probably won't catch fire again

U.S. Attorney General Loretta Lynch visited Cincinnati yesterday on a tour of cities implementing innovative police practices. During a roundtable event at the National Underground Railroad Freedom Center, Lynch said Cincinnati’s approach is a model for other cities to follow.

Via The Enquirer:

"This is a place that has been through difficult times," Lynch said, referring to the city's riots 14 years ago, which led to a lawsuit and accusations of racial profiling by police. "Cincinnati exemplifies the fact that a city is a living thing — and it is comprised of all residents of a community."

 Cincinnati has long underfunded human services, at least according to its own goal of using 1.5 percent of the city budget for things like programs to end homelessness, provide job training and offer support for victims of crime. It doesn’t look like the city will get back to that rate any time soon, and City Councilman Chris Seelbach yesterday questioned why City Manager Harry Black’s budget doesn’t include $3 million council unanimously agreed in November to use to reduce homelessness and help boost gainful employment.

Here’s some context via the Business Courier:

It has been longstanding city council practice to direct the city manager what to put in the budget by a motion backed by a majority of council members, so Black's statement appears to permanently alter a standing way of doing business at City Hall. It also increases the tension between Black, Cranley and City Council, particularly majority Democrats, over their governing relationship.

With funding allocated for a mayoral priority but not one supported by all council members, Seelbach said it raised concerns over Black’s independence and whether he reports to Cranley or Cranley and all nine council members.

“It strikes me as very strange,” Seelbach said. “It seems like a symptom of that.”

“So noted,” Black said. 

 City pools are set to open this week, but six out of the city’s 25 might not open on time because they’re facing a shortage of 65 lifeguards. The Enquirer today noted why the pools are important to low-income children, many of whom receive free lunch and take advantage of having something to do other than the bad stuff kids get into when they’re bored (my words). 

 Social justice activists planned to call on Major League Baseball this morning to speak out on racial injustice, specifically police brutality and what the group calls “blatant disrespect of African Americans in Ohio’s justice system.” The press conference scheduled for 11 a.m. today will include Bishop Bobby Hilton of Word of Deliverance, Pastor Damon Lynch III of New Prospect Baptist Church, Pastor Chris Beard of Peoples Church and Rev. Alan Dicken of Carthage Christian Church.

 WCPO Digital’s series on marijuana continued today looks at what Ohio can expect business-wise if and when the state legalizes pot. WCPO sent two reporters who probably can’t pass a drug test anymore to Colorado to report on the industry and a family who moved there from the Cincinnati area so their daughter who suffers from seizures would have access to medical marijuana.

 The Reds say the stadium smoke stack that caught on fire last weekend will be fully operable by the time the team returns from its current road trip. Firefighters climbed two ladders to put out the fire in one of the “PNC Power Stacks” during a game against the San Francisco Giants last weekend. A few sections of fans were evacuated but the game was never delayed. The Reds got whooped all weekend so the fire was actually a pleasant distraction and ended up on Sportscenter and stuff.

 Apparently there are lines out the door at a new chicken finger restaurant in West Chester called Raising Cane’s and its owners are going to open more stores, potentially one downtown.

 The Federal Trade Commission filed a lawsuit yesterday against a collection of cancer charities it says misused millions of dollars in donations. Sounds like someone’s going to be in serious trouble for it. Worth a read from the Los Angeles Times to hear about the various members of the James Reynolds Sr. allegedly involved.  

In reality, officials say, millions of dollars raised by four “sham charities” lined the pockets of the groups’ founders and their family members, paying for cars, luxury cruises, and all-expense paid trips to Disney World for charity board members.

The 148-page fraud lawsuit accuses the charities of ripping off donors nationwide to the tune of $187 million from 2008 to 2012 in a scheme one federal official called “egregious” and “appalling.”

 Twenty-one-thousand gallons of oil is now sitting in the ocean instead of being burned into the air by automobiles. The U.S. Coast Guard says it has formed a four-mile slick along the central California coastline.  

 In good California news, Los Angeles City Council approved raising the city’s minimum wage to a nation-high $15 an hour by 2020.

 Documents recovered during the raid that killed Osama bin Laden? Sure.

 Five global banks to pay $5 billion fine and plead guilty to criminal charges after an investigation into whether traders at the banks “colluded to move foreign currency rates in directions to benefit their own positions.” OK.

 Scientists say a snake ancestor had little toes even though it slithered.

 
 
by Staff 05.18.2015 4 days ago
Posted In: Leftovers, Cocktails, Brunch, Beer, local restaurant at 12:11 PM | Permalink | Comments (0)
 
 
bistro grace ceviche

Leftovers: What We Ate This Weekend

ReUse-apalooza! Brunch at The Palace. Waffles with gelato. Cheese coneys by a flaming smokestack at GABP.

Each week CityBeat staffers, dining writers and the occasional intern tell you what they ate this weekend. We're not always proud — or trendy — but we definitely spend at least some money on food. 

Ilene Ross: Friday night’s ReUse-apalooza! at Building Value in Northside gave me the opportunity to do one of my favorite things for dinner: graze. Northside’s proliferation of tasty restaurants is the perfect place for progressive noshing, and an event like this is the perfect way to sample most of them in a compact setting. Some of my favorites were the ceviche from Bistro Grace, the chiles rellenos from Django Western Taco, the kale and white bean dip from Park + Vine and pierogies from Babushka Pierogies (neither from Northside, but I’m not that picky), and then dessert goodies from Happy Chicks Bakery and Grateful Grahams.

Colleen McCroskey: You either wholeheartedly agree with me or think I’m insane, but I am 110 percent convinced that cheese coneys from Great American Ball Park taste LIGHT YEARS better than coneys from a regular Skyline, so I treated myself to two of them this past Friday night when we played (read: lost to) the Giants. The cheese is lighter and fluffier and the flavors of the chili seem more complex and nuanced somehow. I washed down all that deliciousness with a vodka-spiked slushie. I also happened to be sitting right next to the smoke stack that caught fire so the black billowing smoke added some nice ambience to my own personal coney-fest.

Jesse Fox: I've been on a mission to eat better and minimize my portion size the past couple weeks, but this weekend I took a break from that. This started on Saturday when I went out with my friend Erica to use up a gift card I had from Moerlein Lager House. Knowing that we had a whopping $50 of free money we decided to go wild (for two broke girls) and order a couple margaritas, an appetizer (calamari) and an entree that was more than $7. Erica went with the herb-crusted salmon and I chose their crispy balsamic tofu. After that we went up to Clifton where my band was having a house-show and finished the night out with some Bud Light Razberitas and a few PBRs.  

Katie Holocher: I, no joke, literally ate Dewey's all weekend. A calzone Friday night, those leftovers on Saturday and then another pie on Sunday. Same order every time — banana peppers and pepperoni (or BPPep as we call it in our house), with extra sides of their ranch. Furthermore, I had a delicious lemon cake, that was as equally adorably decorated, at a baby shower, made by a local gal named Sara Kenny. She calls herself the Baking Actor but I was talking to my friend who knows her and it sounds like she's getting more away from the acting side so that she can get more into the baking side. 

Sarah Urmston: This past Saturday, OTR was buzzing with action — a 5k, the City Flea, store grand openings and more; every restaurant seemed to be flooded to their very brim. I gratefully remembered The Taste of Belgium (one of my favorite breakfast places in Cincinnati) had another location off of Short Vine, not too far from the one in OTR. Our scheduled 2-hour wait turned into no wait at all as my buddies and I gathered around a high-top for some their famous waffles. Switching it up from the usual chicken and waffles I get, I ordered the Waffogato: a Belgian waffle topped with vanilla bean gelato alongside a shot of rich espresso to dip, pour or do with whatever your heart desires. It was the perfect blend of cold and hot together, with a sweet-meets-bitter taste. It was the best way to wake up and begin a Saturday.  

Casey Arnold: My boyfriend Brian and I were traveling around the suburbs checking out yard sales on Saturday when we both were hit with some painful hunger. We remembered that there was a Mexican restaurant pretty close to where we were in Maderia called Chuy's. Neither of us had ever been there or heard of it. It seemed a little gimmicky at first: hubcaps hanging from the ceiling, T-shirts for sale and general flair on the walls. When the fresh salsa came (where was our red slime?) we were pleasantly surprised. I had the bean and cheese burrito with creamy jalapeno sauce. It was delicious, but we both swore that the sauce was just ranch dressing. Brian had the stacked enchiladas which were blue corn tortillas sandwiching shredded chicken. Everything was fresh, different and so much better than an average Mexican restaurant. I posted about it on my Facebook and my Austin, Texas-transplant friends started commenting about how surprised they were that the chain made it all the way up to Cincinnati and raving about their favorite dishes. I realize I've been spending too much time downtown. 

Garin Pirnia: On Sunday, my friend and I brunched at The Palace restaurant inside The Cincinnatian Hotel. In March, they introduced Saturday and Sunday brunch (11 a.m.-2 p.m.). The restaurant wasn’t crowded or loud, so you could actually carry on a conversation. Besides their brunch menu, you can also order off their breakfast and lunch menus, so there were a lot of options such as challah bread pudding, and chicken and cornbread waffles. I had their eggs Benedict (arugula, grilled tomato, poached egg on English muffin, avocado mousse, hollandaise sauce). The eggs were a little overcooked but otherwise were good. My friend ordered the steak and eggs flatbread, which came with coffee-cured bacon. We also indulged in home fries, which were the right amount of crispy and pillow-y. The best part of their brunch menu is the inventive collection of bloody marys: a spicy lobster and shrimp gazpacho bloody that came with fresh-shaved horseradish mixed in, and chunks of lobster and shrimp on a skewer. I mean, lobster in a bloody! They also offer a Southwestern bloody (avocado, cumin, cilantro), and a Korean (kimchee, soy, ginger). You can order the bloodys singularly ($8-$11) or by the pitcher, but we refrained from doing that (maybe next time). They also make blueberry mimosas and housemade strawberry sodas. If you like a fancy (and boozy) brunch with affordable prices and food served atop white table cloths, then you need to go.
 
 
by Steven Rosen 05.18.2015 4 days ago
Posted In: Film at 09:34 AM | Permalink | Comments (0)
 
 
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Cincinnati-Filmed 'Carol' Receives Outstanding Reviews

Considered an Oscar contender, film is in competition at Cannes

The Cincinnati-filmed Carol premiered over the weekend at the Cannes Film Festival and received sterling, outstanding reviews that called it an instant Oscar contender and the most important high-profile gay drama to come out of American cinema since 2005's Brokeback Mountain. The film is in competition at Cannes.

Based on Patricia Highsmith's 1952 novel The Price of Salt and directed by Todd Haynes (Far From Heaven, I'm Not There), it features Cate Blanchett as an socialite who falls in love with a younger department-store clerk (Rooney Mara) in Manhattan. The film was shot here last year, using sites in Over-the-Rhine, Cheviot and other locales as stand-ins for a New York of old.


At Variety, the most important publication chronicling the entertainment business, critic Justin Chang said the film "should have little trouble translating critical plaudits, especially for Cate Blanchett's incandescent lead performance, into significant year-end attention.​" Variety also revealed that the distributor, Weinstein Co., has set a Dec. 18 release date for Carol, a prime opening weekend for any film with Academy Award intentions.

Here is a link to the full Variety review.

Meanwhile, at indieWire — the most influential website for the independent-film industry (Carol was produced independent of the big Hollywood studios), Eric Kohn also gave a strong rave to the film.


"Carol funnels (themes) into a nuanced tale of mutual attraction that reflects a filmmaker and cast operating at the height of their powers, rendering complex circumstances in strikingly personal terms," he said.


Besides Haynes, the only other U.S. director with a new film in competition at Cannes is Gus Van Sant, whose The Sea of Trees stars Matthew McConaughey and Ken Watanabe as two men who meet in Japan's "Suicide Forest."​ Its premiere was no so well-received — it was booed by the audience.
 
 
by Staff 05.15.2015 7 days ago
Posted In: Drinking, Fun, Concerts, Culture, Arts, Music, Movies, Life, Performances at 10:55 AM | Permalink | Comments (0)
 
 
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Your Weekend To Do List (5/15-5/17)

Maifest, an Italian festival, The Breakfast Club turns 30, Carol Ann's Carousel opens, The City Flea and more

Lots of things to do this weekend, from festivals and craft beer drinking to arts and film screenings. Plus, The City Flea, Carol Ann's Carousel and new OTR shop Idlewild open.

FRIDAY
Head to Bogart's for INTERPOL
Interpol’s 2002 debut Turn on the Bright Lights seemed to arrive out of nowhere, a visceral, uncommonly mature effort that channeled not only a host of Post Punk staples but also a distinct post-9/11 desolation. It was, in fact, the product of the band’s founder, guitarist and driving force Daniel Kessler’s long-simmering vision, one he formed through years of writing and playing live around New York City with frontman Paul Banks, bassist Carlos Dengler and drummer Sam Fogarino, who was the last (essential ingredient) to join the band in 2000. Thirteen years after that stirring debut, Interpol is still kicking — minus Dengler, who left after recording the band’s self-titled fourth album in 2010; Banks now serves as the group’s bassist — and still delivering its melancholic, angular brand of Indie Rock. Interpol performs at Bogart's Friday. Tickets/more info here

Maifest
Photo: Matthew Andrews Photography
Get your drink on at MAIFEST in MainStrasse
Based on the German tradition of welcoming the first spring wines, the 36th annual Maifest fills six city blocks of historic MainStrasse with food, beer and wine, and works by more than 75 artisans and craftsmen. There will also be entertainment by top local bands — 500 Miles to Memphis, Young Heirlooms, Ricky Nye and more — in the craft beer garden, with a special Kinderplatz area with rides for children and a Braxton Brewery light display at the Clock Tower Friday and Saturday night. Don’t miss the popular street chalk-drawing contest Saturday. 5-11:30 p.m. Friday; Noon-11:30 p.m. Saturday; Noon-9 p.m. Sunday. Free. MainStrasse, Sixth Street, Covington, Ky., mainstrasse.org.

The Breakfast Club
Photo: Universal Pictures
Break out the acid wash and pleated pants for a screening of THE BREAKFAST CLUB
Revisit your favorite brain, athlete, basket case, princess and criminal Friday when The Breakfast Club’s Brat Pack returns to the silver screen at the Esquire Theatre in honor of its 30th birthday. John Hughes’ high school bildungsroman might not be completely timeless, but it’s the movie’s cliché moments that make it so enduring. Forgo popcorn for Pixy Stix and don’t forget to bring your acid wash jeans and “Members Only” jackets — prizes will be given for the best ’80s costume. 10:30 p.m. Friday. $9.75. Esquire Theatre, 320 Ludlow Ave., Clifton, esquiretheatre.com.

CincItalia Festival
Binge on lasagna in a mini piazza the CINCITALIA FESTIVAL
The CincItalia festival celebrates all things Italy. You’ll find main dishes with lots of authentic Italian flavor like stromboli, lasagna, grilled spiedini and more, complete with a wide selection of wine and beer and cooking demonstrations. Visit the ladies of La Societa Fuscaldese Femminile to try their famous cannoli or enjoy lively music and a glass of vino in the mini piazza, with fountain and Tivoli lights. 6 p.m.-midnight Friday; 3 p.m.-midnight Saturday; 1-9 p.m. Sunday. Free. Harvest Home Park Fairgrounds, 3961 North Bend Road, Cheviot, cincitalia.org.

MadTree Brewing Company
Photo: Jillian Tellep
Have some beer on a paint palette at ARTS & CRAFTS
Organized by a handful of sophomore graphic design students at the University of Cincinnati’s DAAP (and with sponsorship from Modern Makers, a multidisciplinary arts collaborative), Arts & Crafts involves the consumption of local craft beer and the exhibition of up-and-coming artists — with accompanying food trucks and live music. With the expressed intent of supporting local breweries and artists in an effort to nurture the arts in the Clifton community, organizers enlisted UC students to participate as well as breweries MadTree, Rhinegeist and more. 7-9 p.m. Friday. Free. Niehoff Urban Studio, 2728 Vine St., Corryville, artsandcrafts.beer.

Put in your pin curls for CINCY SWING FEST
Put in your pin curls and break out the saddle shoes for the second annual Cincy Swing Fest. Can’t Lindy Hop? No problem. Cincy LX/Swingallery will be on hand to provide complementary dance instruction to live music from Swing Band The Makeshifts. Classic cocktails available, plus pin-up makeovers from Retrocentric. 6-10 p.m. Friday. Free. Fountain Square, Fifth and Vine streets, Downtown, myfountainsquare.com.

SATURDAY
Run the OTR 5K and then head to THE CITY FLEA for an after party
The ninth annual OTR 5k run/walk kicks off summer in the city a little early. The race begins and ends in Washington Park, with a course that takes you through historic Over-the-Rhine. Dogs and strollers welcome. Register online or in person. 10 a.m.; afterparty celebration until 4 p.m. Saturday. $30. Washington Park, 1230 Elm St., Over-the-Rhine, otrchamber.com

Curated monthly urban flea market The City Flea launches a new season Saturday at Washington Park. Keep your dollars local and support small business by shopping from hundreds of area vendors, selling everything from handmade goods and vintage finds to artisan eats and organic beauty products. Food trucks flank the park and drinks will be available from the concession stand. This month’s flea is also home to the OTR 5k afterparty. 10 a.m.-4 p.m. Saturday. Free. 1230 Elm St., Over-the-Rhine, thecityflea.com.

Ride for free at the CAROL ANN CAROUSEL opening celebration
The public is invited to a ribbon-cutting ceremony for Carol Ann's Carousel at Smale Park on the Riverfront. Following the ceremony, the carousel will open with free rides from 1-7 p.m. Tickets will be handed out on a first come, first serve basis. Other festivities include face painters, jugglers, magicians, food carts, music and more. Ride one of 44 adorable characters — horses, frogs, elephants and more. $2 a ride after Saturday. 11 a.m. Free. North of Mehring Way at the Pichler Fountains, Downtown, cincinnatiparks.com.

Pixies
Photo: Jay Blakesberg
PIXIES play the Horseshoe Casino
History will always chiefly remember Kurt Cobain as a creator of music, not a consumer. But the Nirvana leader was also an avid advocate for his favorite groups and most cherished influences. In the posthumously released Journals, he documented his 50 favorite records. Most telling of all was his inclusion of Pixies’ Surfer Rosa in spot No. 2. That’s significant because Nirvana’s biggest hit owes a great debt to the group. Since reuniting in 2004 to tour and occasionally record (last year’s Indie Cindy was Pixies’ first album since 1991’s Trompe le Monde), the band has evolved into more of an elder statesman outfit (minus original bassist/singer Kim Deal, replaced on the group’s current tour by Paz Lenchantin, who’s worked with acts like A Perfect Circle and Zwan), showing only rare glimpses of the brilliant provocateurs of their youth. But it’s not as if the band has much more to prove; its unimpeachable impact was cemented long ago. Pixies play The Shoe at Horseshoe Casino Saturday. Tickets/more info here.

Dress as a stormtrooper at the LIBRARY COMIC CON
Move over, San Diego. The Public Library of Cincinnati and Hamilton County’s third annual Comic Con proves you can immerse yourself in countless comic book universes locally. The five-hour festival has expanded to offer a host of events, including trivia, guest panels from local cartoonists, drawing contests and a superhero training camp for kids. Have a Wonder Woman ensemble, an Iron Man outfit or suit of armor for which you haven’t yet found a socially acceptable occasion? All ages can dress up as their favorite characters to win prizes. Noon-5 p.m. Saturday. Free. Main Library, 800 Vine St., Downtown, cincinnatilibrary.org/news/2015/comiccon.

Shop at IDLEWILD, Article's new women's boutique in OTR
Over-the-Rhine men's shop Article's sister store, Idlewild, opens Saturday. Brands sold at the store include Imogene and Willie, a Nashville, Tenn.-based denim company, and Free People. The shop will also feature garments from New York designers Steven Alan and Emerson Fry, as well as accessories from a pair of Portland, Ore.-based designers Another Feather and Mazama. 11 a.m. Free. 1232 Vine St., Over-the-Rhine, facebook.com/articlemenswear.

Three Days of Rain
Photo: Untethered Theater Company
Get immersed in THREE DAYS OF RAIN at the Clifton Performance Theatre
Richard Greenberg’s Three Days of Rain is a mystery that unfolds in reverse. In Act I it’s 1995 as three adult children of two iconic New York City architects ponder the current state of their lives and what motivated their parents three decades earlier. Their conclusions, based on memory and a recently found laconic journal, make sense, but when Act II pushes back to 1960, almost everything they have hypothesized proves to be wrong. As is often the case, life was much more complicated. Continues through May 23. $25. Clifton Performance Theatre, 404 Ludlow Ave., Clifton, cliftonperformancetheatre.com.

Waite’s painting “Old School Boys Pool” is based on a swimming pool at the old School for Creative and Performing Arts. 
Check out paintings of abandoned sites in THE CINCINNATI SERIES
In his The Cincinnati Series of 29 paintings depicting depopulated city sites, Peter Waite — a Connecticut-based artist — neither celebrates nor dismisses what he sees. Rather, he just tells it like it is. His artwork is at Carl Solway Gallery in the West End through Aug. 1. If he finds something architecturally interesting to him that is also conventionally beautiful, like the suspension bridge or Union Terminal or downtown’s Isaac M. Wise Temple, he acknowledges and presents it. But if it’s something that interests him because it’s abandoned and decrepit, or it no longer serves its original use, he presents that, too. The Cincinnati Series continues at Carl Solway Gallery through Aug. 1. More info: solwaygallery.com.

SUNDAY
Price Hill Thrill
Photo: Steven Rosen
Tour the arts in Price Hill with PRICE HILL THRILL
Sunday there will be a tour of art studios and galleries in Price Hill, sponsored by the Weston Gallery. The event begins and ends at the Dunham Arts Center in the Dunham Recreation Complex and includes food, drink and entertainment by Comet Bluegrass All-Stars at a 5-7 p.m. closing reception. 2-7 p.m. Sunday. $35. 1945 Dunham Way, West Price Hill, westonartgallery.com.

Tommy Davidson
Photo: Provided
Laugh at SHAQ'S ALL STAR COMEDY JAM
Shaquille O’Neal’s All Star Comedy Jam is coming to town — get excited. Now lower the bar two notches because Shaq will not actually be there. … But raise the bar up again because comedian and actor DeRay Davis is hosting and he was on an episode of Empire. Other featured comedians include Tommy Davidson (pictured), Tony Roberts, Michael Blackson and Red Grant. Research some of their stuff on YouTube and check out the gig. The comedy franchise has featured some of the top urban comedians in the country and has been televised annually since 2009. 7:30 p.m. Sunday. $45.25-$92.25. Aronoff Center, 650 Walnut St., Downtown, cincinnatiarts.org.

Henry V
Photo: J. Sheldon Photo
Catch a matinee of a different Game of Thrones with HENRY V at Cincy Shakes
If you’re a fan of Game of Thrones, you might want to tune in to Cincinnati Shakespeare Company, which is working its way through the real thing presenting Shakespeare’s eight history plays in chronological order over the span of five years. Up next is Henry V, in which the profligate Prince Hal has succeeded his bellicose father and sobered up to the bad state of affairs in England. He rallies the troops and his loyal partisans by declaring war on France. Against great resistance, using powerful speeches he pulls the kingdom together. Justin McCombs continues in this fascinating role. Through May 30. $14-$36. 719 Race St., Downtown, 513-381-2273, cincyshakes.com.

Quiet Company
Photo: Leah Muse
Austin, Texas' QUIET COMPANY play the Southgate House
With an instantly, insistently catchy Indie Pop/Rock sound that has drawn comparisons to the likes of Weezer and Death Cab for Cutie, Austin, Texas’ Quiet Company has seen its national profile rise considerably with the release of each new album, including this year’s excellent Transgressor. The group (which features former Cincinnatian and CityBeat employee Matt Parmenter on bass) is already a dominant force in its hometown scene. In its nearly decade-long history, Quiet Company has scored 12 Austin Music Awards, including Best Rock Band at the 2015 ceremony. But the acclaim isn’t limited to Austin — Time, Paste, The New York Times and numerous other national outlets have heaped praise on Quiet Company, and the group’s fanbase continues to grow thanks to regular touring and an explosive live show. 8 p.m. Sunday. $10; $12 day of. Southgate House Revival, 111 E. Sixth St., Newport, Ky., southgatehouse.com.


 
 
by Rick Pender 05.15.2015 7 days ago
Posted In: Theater at 08:17 AM | Permalink | Comments (0)
 
 
tage

Stage Door: Take a Trip to Ireland?

If you debating which show you might go see this weekend, my strong recommendation is Ensemble Theatre's Outside Mullingar (ETC, 5/6-24). It's a great script by John Patrick Shanley (who wrote the award-winning play Doubt and the award-winning screenplay Moonstruck). It's set in Ireland, so the characters are overflowing with dry wit. And the actors playing them are a quartet of the performers who Cincinnati audiences love: Joneal Joplin (Scrooge for many years at the Playhouse) is a crusty old man who might not pass the family farm on to his more sensitive son, played by Cincinnati Shakespeare's artistic director Brian Phillips. Dale Hodges, a respected local stage veteran, plays Aiofe, the owner of an adjacent farm; Jenn Joplin (Joneal's daughter) is Aoife's grumpy, opinionated daughter. This is a tale of parents and children, but there's a lovely, stumbling love story at the heart of the play, and it's that's emotionally satisfying. The production was staged by Ed Stern, now retired as the Cincinnati Playhouse's artistic director. It's onstage through May 24. Tickets: 513-421-3555.


Brian Phillips did double-duty recently rehearsing to perform inOutside Mullingar while staging  Henry V at Cincy Shakes. As the title suggests, this is one of the Bard's history plays, and it's a chest-thumping one about warfare and England's claim to power. The company is midway through a multi-year project to stage all of Shakespeare's tales of the kings of England in chronological order. That might sound a tad stodgy, but this one is full of fighting and bluster, and there's a thread of comic relief, too. Let's call it the Shakespearean equivalent of an action movie. It's onstage throughMay 30. Tickets: 513-381-2273.


You'll find two plays worth seeing at the Cincinnati Playhouse this weekend. One just opened last night (I haven't seen it yet): It's Annie Baker's award-winner, Circle Mirror Transformation, about some folks taking an acting class at a community center. Their lessons about performing expand to be come life lessons. It's a warm, thoughtful play in the Shelterhouse. On the Marx mainstage, you'll find the very funny Vanya and Sonia and Masha and Spike, inspired by Chekhov but from the zany perspective of Christopher Durang, you don't need any theater history to be laughing out loud as three adult siblings from a dysfunctional family try to keep their balance. Tickets: 513-421-3888.


If you're eagerly awaiting the start of the Cincinnati Fringe (it kicks off on May 26), you should stop by Know Theatre for the American premiere of the Bane Trilogy with performances this weekend and next. It's three monologues about a guy who shoots first and doesn't ask questions in a one-musician film noir comic trilogy. You can experience them sequentially or out of order. Performer Joe Bone is the Guinness world record holder for the most characters portrayed by one actor in a performance; he's accompanied musically by Ben Roe. This show has a heavy-duty buzz: People were telling me about it weeks ago, so I'm sharing the news with you — although I haven't fit it into my schedule yet. It's running for two more weeks. Tickets: 513-300-5669.


Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.



 
 
 
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