Good morning y’all! Here’s a quicker than usual rundown of the day’s news before I jet for an interview.
There is yet another version of the Union Terminal restoration deal being passed around. The deal, which Hamilton County Commissioners are expected to vote on soon, doesn’t make many changes to the sales tax hike on the November ballot, but would hold the Cincinnati Museum Center responsible for any cost overruns the project might incur while allowing its leaders to seek financing for the project. Voters will still have to approve the .25 percent sales tax increase before that deal would go into effect.
• VLT Academy might be gone, but there’s at least one more bit of turbulence related to the troubled former charter school. VLT closed in August after losing its sponsoring organization, required by Ohio law, and falling behind on its rent. It seems computers sold at an auction to pay off the school’s debts may not have been scrubbed of private personal information. The Ohio Department of Education says it has launched an investigation to make sure that information was erased properly and didn’t fall into the wrong hands.
• The push for a high-speed rail route between Chicago and Cincinnati has gained more supporters. The mayor and city manager of Hamilton recently sent a letter to OKI, the region’s planning office asking for the office to fund a feasibility study for the potential project. They join Hamilton County Commissioners, who voted in September to request that study. The rail line could have big economic benefits, but would also be a huge, long-term undertaking.
• Speaking of transit, you can tell the Ohio Department of Transportation what you’d like to see in the future at a public discussion from 10 a.m. to 12 p.m. on Oct. 31. Yes, that’s in the middle of a workday. It’s also in Lebanon for some reason, which you can’t really get to by public transit. That has some people kind of miffed. The meeting is for the entire Southwestern Ohio region, ODOT says, and that’s why it has to be held in a central location. Come on, guys, you couldn’t have two meetings in Dayton and Cincinnati on a couple Saturdays? I’ll bring the donuts and coffee. Anyway, the event is part of a statewide outreach effort by ODOT to get input about transit options in the state. Meetings have also been conducted in Columbus, Cleveland, Athens and Findlay.
• An Ohio man arrested in North Korea in May finally returned home today. Officials in the isolated country detained Jeffery Fowle after leaving a bible in a nightclub there. He was held until recently on charges of Christian evangelism, a crime in North Korea. His release might have been hastened by repeated appeals by President Obama to North Korean leader Kim Jong Un.
• We’ve reported a bit about Common Core in the past. Controversy continues over the new federal academic standards, and the fight is coming to the state board of education elections. Seven candidates are running for election to the 19 member board, and several of them have made repealing the standards a key point in their campaigns. Mary Prichard, who is running to represent Butler, Preble, Montgomery and Miami Counties on the board, has made the issue the centerpiece of her candidacy. She calls the standards “a government takeover.” Zac Haines, running to represent Hamilton and Warren Counties, has promised to work to repeal them in the state. His opponent, Pat Bruns of Price Hill, supports the standards. Ohio is one of 40 states to implement Common Core.
• Wait. Did Gov. John Kasich really say that? He did, and he didn’t. The Associated Press reports that in a speech Monday, Kasich said a repeal of President Obama’s Affordable Care Act is “not gonna happen.” Then Kasich, either backtracking or clarifying, ran them down and asked the AP to make a correction. He was only referring to the Medicaid expansion of the ACA, he said. That’s been a controversial issue all its own, with many conservative governors refusing to take the federal dollars to increase eligibility for residents of their states. Kasich did take the money, though, which has helped hundreds of thousands of Ohioans get medical coverage.
Kasich’s correction is a bit of a small distinction, since most conservatives roll the ACA up in one big, evil ball. Rejecting the Medicaid expansion has been something of a litmus test for conservative governors. But Kasich has not only taken it, he’s praised the program. Opposition to expanding Medicaid, which governors like Texas’ Rick Perry have worn like a badge of honor, “was really either political or ideological," Kasich said in the same speech. "I don't think that holds water against real flesh and blood and real improvements in people's lives.”
That alone is a noteworthy thing for a conservative governor to say. But have no fear, Kasich still hates the program, saying in his clarification that it “can and should be repealed.” Wait, even the part you said helps people?
Before I left, I had a lot of people ask me just what I’d be doing while on tour. The best answer I could give them was, “I don’t know, sell shirts I guess.”
So, in an effort to give you a better picture of what a day in the life of Valley of the Sun’s illustrious merch guy/tour bitch, I give you a minute-by-minute breakdown of what will most likely be our busiest day on the tour. What transpires is a day with two shows and 10 combined hours on the road and yes, it’s as tiring as it sounds.
6:30 a.m.: Wake up before dawn in Frankfurt and get ready for a five hour drive to Munich. Take a shower in a hotel shower that has no door or curtain while using a shower head has no holder on the wall. Listen to Black Dahlia Murder to wake up.
7:30 a.m.: Make a to-go sandwich at the hotel’s breakfast bar.
7:35 a.m.: Help navigate the van out of a hotel parking garage that it shouldn’t have logically fit in.
7:47 a.m.: Begin a five-hour drive to Munich. Naps are taken by most. Breaking the speed limit is performed by others. Who knew a van could go triple digits?
8:50 a.m.: Pit stop number one: water, coffee and baked good acquired. Knifes and soccer hooligans are ogled.
10:43 a.m.: Pit stop number two: water and coffee are released, drivers are switched.
12:00 p.m.: Arrive at venue, take tour of stage and see backstage area. Find WiFi password and begin to use and abuse venue’s internet connection.
12:45 p.m.: Dig merch out of van for festival’s merchandise display. Freak out when an entire box of shirts cannot be found.
12:47 p.m.: Rejoice when the box of shirts are unearthed.
1:20 p.m.: Begin gear load in.
1:30 p.m.: Realize you’ve learned more gear terminology on this tour than in a decade of attending concerts and hanging out with bands.
1:40 p.m.: Rip an expensive tour banner.
1:52 p.m.: Sit around and surf through Facebook and Instagram while band sound checks.
2:45 p.m.: Check to see if ears are bleeding from sound check volume.
3:00 p.m.: Walk around the venue and people-watch to waste time before show starts.
3:25 p.m.: Set up Nick’s Go Pro cameras around the venue to capture the forthcoming insanity.
3:30 p.m.: Showtime. Festival attendees begin to filter into Valley’s show (Valley is the first band of the day).
4:00 p.m.: A circle pit breaks out for the first time in the band’s history. Horns are thrown liberally.
4:10 p.m.: Remember why Valley of the Sun is my favorite Cincinnati band.
4:15 p.m.: Raid the catering table for a sandwich, pretzel, banana and water. Plan to eat pretzel on the road as a snack.
4:30 p.m.: Settle merch sales with organizers, collect money, pile up CDs, LPs and shirts to load into the van.
4:35 p.m.: Eat pretzel before ever reaching the van.
4:40 p.m.: Call dibs on a festival attendee.
4:50 p.m.: Wait for Ryan to settle up event pay with festival organizers.
5:00 p.m.: On the road again for another five-hour ride to Seigen.
5:05 p.m.: Begin typing hourly breakdown in van to save some time on off day tomorrow and to give my phone a chance to regain some charge.
5:50 p.m.: Pit stop one. Beer from festival is released.
8:25 p.m.: Pit stop two. Water is released and drivers are switched.
10:30 p.m.: Arrive at second venue where bands have already started playing.
10:37 p.m.: Order a pizza at stand outside of venue while we wait for support bands to finish.
11:15 p.m.: Continue eating; this time it is chicken curry in the band apartment.
11:30 p.m.: Final support act has finished. Start mad dash to load gear in from the van to the venue.
11:40 p.m.: Set up last minute merch area in a now desolate bar.
11:43 p.m.: Wait for the band to take the stage.
11:55 p.m.: Sell first bits of merch to those still at the venue. Try to explain that pins are one Euro a piece, not one Euro per handful.
12:30 a.m.: Show starts.
12:50 a.m.: Play Tetris while band is performing and, therefore, no one is looking at merch.
12:55 a.m.: Earn new high score in Tetris.
1:10 a.m.: Band finishes after three encores. A fourth is requested but the band has literally no other songs left to play.
1:15 a.m.: Sell 132 Euro worth of merch in 10 minutes.
1:45 a.m.: Pack up merch once sales dry up.
1:55 a.m.: Pack up van and grab overnight bags.
2:20 a.m.: Prepare for bed after a 20-hour day.
2:25 a.m.: Sleep for 10 hours straight.
If there’s anything that I’ve learned about touring it’s that it’s defined by tons of dead time, punctuated by moments of massive amounts of activity. “Hurry up and wait” is the perfect way to describe it. We rush in the morning to squeeze everyone’s morning routine into a short period of time. Then we spend hours in the van to reach a venue, only to rush to get the van unloaded, merch set out and sound check completed, along with other pre-show rituals. Then we wait for the show to start, followed by the post-show rush to sell merch, load up the van and get to our lodging for the night.
It makes for long days and long nights, with little to no rest. It’s tiring, hectic and stressful and I’m having the time of my life. I could really use an actual shower though, that’s for sure.
So it’s not Monday anymore, which is a plus, but still. This week is the first week in my mission to give up caffeine and donuts. It’s going to be a long, long haul. Anyway, on with the news.
The city administration yesterday described in more detail a parking plan for Over-the-Rhine that’s been floating around for a bit now. The plan would charge $300 a year, or $25 a month, for residents to park in the neighborhood as a way to raise funds for the streetcar. Increased rates and hours for parking meters are also part of the plan. Currently, you have to feed the meters from 8 a.m. to 5 p.m. every day but Sunday. The new hours would stretch from 9 a.m. to 9 p.m. Monday thru Saturday and from 1 p.m. to 9 p.m. on Sunday. Mayor John Cranley has championed the plan. Council would need to vote on the residential permit part of the plan, which would be the highest parking fee in the country if enacted. City officials stressed at the Monday Neighborhood Committee meeting that they were still in the planning phases of the proposal, that a final proposal was contingent on continued feedback from residents, and that they weren’t asking for any decisions to be made yet.
• It’s not very often labor unions and conservative anti-tax groups get together on an issue. But it seems like proposed tolls to fund the replacement of the Brent Spence Bridge may just be the one issue that… uh oh… bridges the usually wide ideological divide (see what I did there?) Advocacy group Northern Kentucky United, which has campaigned against tolls for the Brent Spence with its “No BS Tolls” initiative, announced that both Teamsters Local 100 and the Coalition Opposed to Additional Spending and Taxes have hopped on board the effort. You may remember COAST as the folks who stamped their feet and threw a temper tantrum over Cincinnati’s streetcar project. The two groups are the first Ohio organizations to support the anti-toll group, which claims to have 2,000 members. The group is totally against those BS tolls, that much we know. Less certain is what alternate proposals the group does back for the crumbling 51-year-old bridge’s replacement. It will cost something like $2.5 billion to replace, and federal and state officials have said government dollars are not in the cards for the project.
• Embattled Juvenile Court Judge Tracie Hunter today was suspended from practicing law by the Ohio Supreme Court, meaning she cannot practice law anywhere or represent anyone in a courtroom. Hunter was convicted on one felony count in a high-profile trial last week. Hunter was accused of forging documents, misusing a court credit card, improperly intervening for her brother, a court employee accused of punching a juvenile inmate and other charges. She was convicted on the charge she illegally gained documents for her brother, though the jury was hung on the other eight felony counts she faced. Hunter faces up to a year and a half in prison. Sentencing in the case will begin Dec. 2.
• Oh man, this is terrifying. What would you do if a county prosecutor’s office mistakenly put your picture in a newsletter as someone who had a recent heroin conviction? That happened to Dana J. Davis of Covington. Davis was temporarily put out of work, mistrusted by neighbors, and even shunned by family after an electronic newsletter contained his picture and a blurb that he’d pleaded guilty to a heroin charge and had been sentenced to prison time. But it was a different Dana Davis, and the Kenton County Prosecutor’s office grabbed the wrong photo. Oops. Now Davis is suing over the mistake, looking to be compensated for lost wages and damage to his reputation. The prosecutor’s office is arguing they shouldn’t have to pay because the newsletter does a public good, and because the prosecutor’s office is immune from that kind of lawsuit. The case is headed to court.
• Here’s something I can get behind. Cincinnati is the second best city in the country for Halloween, according to a new ranking released by lifestyle site mylife.com. The rankings took into account number of costume shops per capita (we ranked second), vacant houses (we also ranked second), local Twitter mentions of Halloween, as well as interviews with local ghosts camped out in abandoned costume shops tweeting about Halloween (not really). The rankings do give a shout out to the city’s rich history, though, as well as Pete Rose for some reason. If you’re curious, number one was Las Vegas. Florida and Arizona were represented heavily in the top 10, which makes sense. Both are terrifying places.
• A minimum wage job in Ohio won’t pay for a college education, a new story from data reporters at Cleveland.com finds. I guess the shocking news in this is that it ever did. Apparently, in 1983, you could work a minimum wage job full-time during the summers and school breaks, work ten hours a week during school, and make ends meet. That seems so quaint now! It would take a wage of $18 an hour to make that possible today, and working minimum wage will leave you more than $11,000 shy of the average tuition, room and board at a university in the state. In my day, I worked two jobs, crashed at my mom’s house and commuted an hour each way my senior year, sometimes sleeping in my car, and sold blood and the rights for my first-born child to pay for my degree from Miami University. Ok, maybe not all of that, but it was kinda rough. Alls I’m saying is, kids these days should have to do the same.
• A new study finds Ohio has benefited greatly from its expansion of Medicaid. More than 367,000 Ohioans are now enrolled as of August 2014, according to the report by Policy Matters Ohio. The report claims that the expansion has lowered health care costs and improved health outcomes for low-income people. You can read all the details here.
Between Wu-Tang Clan reunion shows and the seminal Hip Hop group’s forthcoming new album, two Wu members/affiliates have hit the road to headline the World Wide Rollers Tour, presented by The Smokers Club, a group of weed/Hip Hop aficionados that have booked five national tours and launched a clothing line and record label (smoking products will reportedly soon be added to the Club’s inventory). Joining the dynamic duo of Method Man and Redman on the tour are B-Real, frontman for cannabis-in-Hip Hop pioneers Cypress Hill, and up-and-coming MCs Mick Jenkins and Berner.
The tour DJ is Cincinnati’s own DJ Clockwork, who’s now going by the name Clockworkdj. Clockwork, DJ for rapper Mac Miller and regular on MTV’s Mac Miller and the Most Dope Family reality show, recently released the solo single, “Clocktwerk,” on which he’s shows off his rhyming skills. Click here for more info on Clockworkdj.
• Madison Theater is Metal central tonight as several genre heavyweights pull into the Covington venue for a 6 p.m., all-ages concert. Tickets are $25.
The show features Unearth, Darkest Hour, Carnifex, I the Breather, Origin, Black Crown Initiate, Requiem and Laid Bare.
Boston’s Metalcore heroes Unearth are gearing up for the Oct. 28 release of their latest album, Watchers of Rule. Here’s the new album track “The Swarm”:
And here’s Carnifex’s video for “Die Without Hope,” the title track off of the Californian Deathcore band’s most recent album.
Transgender advocate and actress Laverne Cox will give a keynote speech at Northern Kentucky University in celebration of LGBT History Month on Tuesday, Oct. 28, at 7 p.m.
Many will recognize Cox for her groundbreaking role as Sophia Burset, an incarcerated transgender woman, in the Netflix com-dram series Orange Is the New Black.
Earlier this year, she made history as the first transgender person to appear on the cover of Time Magazine and the first to produce and appear in her own television show, TRANSForm Me.
Her success in the film and TV industry has made Cox a highly sought after speaker. Her empowering messages about gender expectations and transgender issues have made her an icon in the LGBT community, being named in Out Magazine’s “Out 100” and one of the top 50 transgender icons by Huffington Post.
Tickets for the event have been selling quickly, as less than 10 remain available to the public. They can be purchased for $10 in Student Union Room 320 on the NKU campus.
The event is sponsored by the university's LGBTQ Programs & Services, which provides advocacy and support to NKU students, staff, faculty and the greater Northern Kentucky community. More info here.
Remember in my first blog when I said I was worried that I had over packed?
Guess what? I over packed.
I’ve been on tour for a week now and these are a few things I’ve learned so far, in no particular order. Hopefully they help you the next time a Rock band drags you across Europe. Or on your next trip to Disneyland.
Two of the leading lights from Nashville’s exploding underground Rock scene, JEFF the Brotherhood and Diarrhea Planet, perform tonight at Northside Tavern. Admission is $10 and the show starts at 9 p.m. Locals Gazer and See You in the Funnies open.
JEFF the Brotherhood recently released a covers EP, Dig the Classics, on Warner Brothers Records. Brothers Jake and Jamin Orrall picked six of their favorite tunes to record for the EP: Pixies’ “Gouge Away”; The Wipers’ “Mystery”; My Bloody Valentine’s “Come in Alone”; Colleen Green’s “Cujo”; Teenage Fanclub’s “Mad Dog 20/20”; and Beck’s “Totally Confused.” A new original full-length, the followup to the duo’s fantastic Hypnotic Nights LP, is currently being completed and is slated for release early next year.
• Austin, Texas, Indie Pop trio The Please Please Me returns to town tonight, this time for a free show at Over-the-Rhine’s MOTR Pub. With a mix of cello, guitar and some spectacular melodies and harmonies, The Please Please Me has been working on its first full-length release, the followup to last year’s debut EP, Shake a Little Harder.
Know of other good live music options for tonight in Greater Cincinnati? Share details in the comments.
Hello Cincy! Here’s what’s going on this morning.
Though you won’t find a way to help shore up the building on the ballot in November, efforts to fund renovations of Music Hall may get a big boost soon. Advocates for the Cincinnati landmark have applied for $25 million through the Ohio Historic Preservation Tax Credit Program offered by the state once every two years. Music Hall is competing for the tax credits with The Huntington Building and May Co. Department Store building in Cleveland and the former Goodyear headquarter building in Akron. The award would be in addition to another $25 million in other tax credits and $40 million in private donations, all of which go along way toward the building’s estimated $133 million renovation costs. The winner of the credits will be announced in December.
• Lots of questions have been popping up in City Council and elsewhere recently about the way the city makes development loans, even as past loans to some of the city’s biggest developers continue to linger unpaid. Council members have expressed concerns that there isn’t enough of a process for deciding who gets the loans and on what terms, leaving a patchwork of deals that are of questionable value for the city. The city has a number of old loans it has made to big developers still hanging around, including almost $9 million worth from between 1991 and 2001. Those loans were used on big, now completed projects in and around downtown. The terms are fairly generous, and many of the borrowers have yet to repay much if any of the principles on those loans.
• Err, so I went to school here for a few years. The Principal of Edgewood High School, which is up in Butler County between Hamilton and Middletown, has said he’ll be getting his concealed carry permit so he can start packing a gun on the job. State law allows individual districts to decide if staff should be armed, but Edgewood, based in the rural/exurban town of Trenton, is the only district in the Greater Cincinnati area that has moved to allow it. Principal Russ Fussnecker said he may start carrying the weapon before the school year is out. He says it’s a measure “to make the school safer” in case of a mass shooter. Other schools have taken milder safety measures. Kings High School in Mason has installed new barriers to keep someone from shooting their way through doors into the school. Lakota has added in-school police and training drills.
•Law enforcement officials from Memphis, Tenn., and Detroit are meeting with officials from Ohio in Cleveland this week to discuss rape kit backlogs at a first-of-its-kind summit around the issue. Untested kits, which may contain genetic information that can convict rapists, have piled up here and in other states. The untested kits have become a big issue in this year's race for attorney general, as challenger Democrat David Pepper hits Republican Attorney General Mike DeWine over Ohio's backlog.
• Kentucky Secretary of State Alison Lundergan Grimes is getting more help from Democrats in her much-watched run against Kentucky Senator and Minority Leader Mitch McConnell. Many of the 16 female Democratic senators are rallying around Grimes with campaign plugs, strategy advice, money and other support. Powerful Senators like Debbie Stabenow, D-Mich., Claire McCaskill, D-Mo. and progressive firebrand Elizabeth Warren, D-Mass. have all jumped on board, holding fundraisers, donating cash and giving shout outs to Grimes. Whether all that help will pay off remains to be seen. Various pundits and polls have recently declared Grimes dead in the water, while others say she’s still neck and neck with McConnell.
• One of the big issues in the race is the state’s dependence on coal. Both McConnell and Grimes have promised to keep coal-friendly policies alive in Kentucky, which is dominated by the industry. McConnell has tied Grimes to Obama, who many Kentuckians blame for the industry’s decline. But how much does coal really matter to Kentucky? Turns out, there is as much myth flying around as fact.
• Throw off thy long-sleeved chains of corporate oppression, my barista sisters and brothers, and put on the short-sleeve shirt or necktie of freedom. But please not both at the same time, because that just looks terrible. Starbucks is lifting its ban on visible body art, as well as “colored ties and neck scarves and black denim.” Really? You all couldn’t wear black jeans? If CityBeat outlawed black denim, I would have to go buy like, five new pairs of pants.
The event, which raised money for local nonprofit Gabriel’s Place and its Junior Culinary Institute, took place at the Christian Moerlein brewery in Over-the-Rhine. The restaurants represented (Jimmy G's, Django Western Taco, LaLa's Blissful Bites, Invito Chef, El Rancho Grande, Huit BBQ, Redondo Taqueria, Axis Alley on the Levee, Seasons 52, Silver Ladle, Elephant Walk Injera & Curry House, Washington Platform, Swad, O'Malley's in the Alley, Mazzaro's Place, The Pub, Boswell Alley and Moerlein Lager House) each provided a small sample of their favorite items for attendees to nibble on, from mini-steak sandwiches to shot glass-sized pecan pie. Some of the vendors were parked in the more polished taproom, while the majority of the booths and the competition itself appeared in the “basement chic” room next door. Attendees wandered from booth to booth, balancing small plates and frothy cups of Moerlein beer as they waited for the main event to begin. Everyone looked slightly confused at first, but it didn’t take long for everyone to catch on and figure out where to go — the Four Roses bourbon cider probably helped.
Iron Fork’s version of Kitchen Stadium was a small-ish cooking space set up at one end of the very large room. It was fully stocked with brightly colored produce from SYSCO, plenty of spices, gas burners and shiny stainless steel cookware from Cooks'Wares. Scattered across the room were large TVs (not in HD, our spoiled selves lamented) for those who may not be able to find a spot in the small area in front of the kitchen to watch the action. The three judges were perched to the left of the kitchen, presumably starving.
Frances Kroner of Sleepy Bee, Jose Salazar of Salazar and Joe West of The Palace at The Cincinnatian were the three chefs chosen to appear for the event. Each of them had one hour to create a dish using the elusive secret ingredient: figs. (Most of the crowd had left before the secret was revealed; it had to remain a secret to make the competition fair for everyone.) Each chef also had a Junior Culinary Institute student from Gabriel’s Place on their team; all three of the students, it must be said, were incredibly impressive in their professionalism and skill.
The hour-long cooking time per chef allowed attendees to continue to wander and stuff their faces with local treats. The amount of sweet options seemed high (possibly because it was hard to locate the free water to cleanse your palate). The beer line never seemed to shorten, which was fine. If anything, it allowed for more socializing with the other food enthusiasts. Watching the cooking itself was only really entertaining near the end of the hour-long time limit — Jose Salazar straight up ran to the judges’ table with his dishes at the end, and that’s just good TV.
Once each chef’s segment was complete and the three judges were served, a fourth dish was auctioned off to a lucky audience member. (Frances Kroner’s dish went for a whopping $150.)
"All the chefs did a great job and we had a lot of fun sharing our thoughts and our food with the crowd," says judge and CityBeat food writer Anne Mitchell. "Frannie Kroner's lamb chop entree was wonderful, and (Ilene Ross, CityBeat food writer and judge) had a great idea — she added one of her lamb chops to the auction for Gabriel's Place."
"I ate all three of mine and gnawed the bones clean, so that shows you where my heart resides," she continues, laughing. "Jose's appetizer, lamb tartare, was amazing. Ilene licked her plate. It was the kind of dish that separates ordinary food from art."
The audience did not hear from the judges until the end, when they named The Palace’s Joe West as the winner for his appetizer and entree dishes.
"Joe West's appetizer and entree blew us away," says Mitchell. "The scallop crudo was another work of art, and it was the perfect starter for Joe's main dish. I wish I could be 100 percent sure of the description but things got a little crazy at the end and we really didn't hear what Joe said, but I think it was halibut in veloute sauce with bacon crumbles for a garnish, flash-fried potato 'chips' from tiny fingerling potatoes and the figs."
"Figs were the 'secret ingredient' that all the chefs had to incorporate into their dishes," she continues. "It would have been fun to see them utilized a little more essentially in the dishes instead of used as a (yummy) garnish, but that seems a little like splitting hairs."
Overall, the event’s first run was a success. Did I want to snag one of Kroner’s scallops or a bite of Salazar's lamb tartare right off the judges’ table? Sure. But I didn’t, and it still turned out to be a nice little Wednesday night.
In early September, Cincinnati major-label act Walk the Moon had its new single, “Shut Up and Dance,” released by RCA Records. The song — which the band performed on Late Night with Seth Myers on Sept. 15 — is slated for inclusion on the band’s next full-length for RCA, the group’s second for the label. The new album is due for release later this year.
Today, the “Shut Up and Dance” video was made public. In the press materials for the new clip, frontman Nicholas Petricca says, “Influenced by the plot-driven music videos of the 80s and nerdy visuals of 90s television, our new video for Shut Up and Dance is a trippy story of dork victory. We are the proud mothers and co-directors of this weird throwbacky fantasy, alongside the brilliantly funny Josh Forbes.” There’s also an awesomely awkward dance break from Petricca in the clip.
Walk the Moon is currently doing a national tour (with fellow Cincinntians Public opening several dates) that has largely sold out; an announcement of a more extensive spring tour in support of the new album is due in the coming weeks.
Check out Mashable’s piece on the new video, in which Petricca picks his favorite ’80s music videos here.
Good late morning, readers. Roughly 13 more work hours until the weekend... we got this. I think.
This week's issue was filled with Words Nobody Uses or Knows, most of which were found in our cover story, Lost in Wilberforce, a piece about how the country's oldest historically black college is dying a slow, sad and dysfunctional death. Nobody is sure if it can be saved. Not what I would call a light read, but wonderfully written and important nonetheless.
Best word of the issue, found in that cover story, is promulgated.
promulgated: to publish or make known officially (a decree, church dogma, etc.); to make widespread, i.e. to promulgate learning and culture (v.)
In this issue: "Dr. Algaenia Warren Freeman, a veteran HBCU
administrator, has taken the reins from interim president Wilma Mishoe
and is painted by the board — and the university’s PR firm
Trevelino-Keller — as emblematic of the 'force of change' promulgated in
the university slogan."
Next best word is fealty (also found in the cover story).
fealty: the duty and loyalty owed by a vassal or tenant to his feudal lord; an oath of such loyalty (n.)
In this issue: "Jarred, a Pittsburgh native, pledges fealty only to the University of North Carolina." I enjoy the comparison of the university to a feudal lord here.
And then there's salvos, a great sounding word that has two completely different meanings and is Italian.
salvos: the release of a load of bombs or the launching of several rockets at the same time; a burst of cheers or applause (n.) I find it amusing that this word can mean something deadly and delightful simultaneously.
In this issue: "'Your cerebral cortex cannot comprehend the complexity
of my complex bars,' says Jarred, with the kind of theatrical cadence
and gesturing that makes me think these might be introductory salvos in
an impromptu face-off right here. 'You can’t fuck with me.' " OK. Does anybody understand the use of that word in the above sentence? Because I've read it three times and I'm still not getting it.
Another terrific sounding word in this issue is coquettish, which for whatever reason reminded me of Cosette in Les Miserables. Or croquet? Coquettish Cosette played croquet. I don't know. It's in Rick Pender's review of An Iliad at Ensemble Theater, which, by the way, is an astounding production. Really. I see a lot of theater, sometimes multiple shows a week, because my husband works in theater, and let me tell you, this was by far one of the best productions I've seen in the city since I've moved here, like, two months ago. But I digress.
Coquettish: As a young, flirting girl. (adj.)
In this issue: "He is called upon to recreate a dozen or so characters from Homer’s sweeping epic — the professional warrior (and demigod) Achilles; the brave Trojan Prince Hector; Achilles’ protégé Patroclus; pretty boy Paris who lit the fuse on the war by stealing another man’s wife; the arrogant Greek King Agamemnon and his aged, disconsolate counterpart from Troy, King Priam; even several women, from the coquettish Helen and Hector’s steadfast wife Andromache; and a god or two, especially and humorously the fleet-footed Hermes, 'a young man with fabulous sandals.' "
Last word in today's vocab lesson is prescience, found in this week's Big Picture column, which is about the late George S. Rosenthal, a Cincinnati photographer who took photos of the city's West End neighborhood before it was destroyed by the construction of I-75 in the 1950s.
prescience: apparent knowledge of things before they happen or come into being; foreknowledge (n.)
In this issue: "I mean them no disrespect to focus this story on Rosenthal, but his work fascinates me for his prescience.
Movoto Real Estate made a video introducing 12 West Coasters to five of Ohio’s favorite dishes. Predictably, the Cincinnati-centric grub gets mass hate by people with extremely sensitive gag reflexes. Here are the best reactions.
Glier’s Goetta: On its appearance: “Quinoa sausage?” On its taste: “[I want] an Egg McMuffin with that.” On its mouth feel: “You can’t choke on it, it just slides right down.”
Grippo’s Bar-B-Q chips: “It almost looks like human skin.” “They probably serve this at, like, games and shit. Like, ‘I’m at the Reds game in Cincinnati. Cincy!” “Have you ever walked into an old warehouse and it has, like, that musty smell? That’s what it tastes like.”
Skyline three-way: “Looks like some jail spaghetti.” “I can see this being like comfort food, but for some reason it’s not comforting me.”
Sauerkraut Balls: “It legitimately looks like a poop.” “Like a white person pot sticker”
Buckeyes: Everyone enjoy
this with little verbal reactions except for a couple assholes that collectively hate chocolate and peanut
butter (as well as puppies and sunshine, I’m guessing). A buckeye made them gag.
In the end, how did our high-brow neighbors to the west feel about Ohioans?
“Turns out they’re just
regular humans like you and me.” There you have it, folks!
It’s unclear whether this video was created to spark interest in Ohio real estate or remind Midwesterners that they’ll die fat and unsophisticated if they don’t move to California. Decide for yourself:
Ohio: Home of regular humans since 1803.
Covington’s collection of high-end street art expands today with the unveiling of a vibrant mural created by Brooklyn-based artists FAILE. The mural will cover the rear walls of the adjacent Republic Bank and Donna Salyer’s Fabulous Bridal buildings on the corners of Sixth Street and Madison Avenue.
Patrick McNeil and Patrick Miller, collectively known as FAILE, create multimedia installations and collage, incorporating an experimental style and popular cultural references. Although FAILE has exhibited art in traditional gallery spaces, their work on city walls across the globe has put them on the innovative edge of the street art community. Amsterdam, New York, London, Bethlehem, Palestine and Vienna are just a few of the cities where FAILE’s work can be found.
The Covington collage-style mural was inspired by the artists’ “rip style painting.” It features classic FAILE motifs along with suggestions of Kentucky culture. The placement of the mural on two adjacent buildings allows the split images to visually converse with each other through space. The mural’s high contrast and dramatic aesthetic references FAILE’s inspiration from screen printing along with urban contemporary art. The humorous overtone of the mural’s imagery makes a strong visual connection to pop art and comic book illustrations.
Covington’s BLDG, a cooperative arts organization working to “foster inspiration, the visionary and the uncommon” will host the unveiling of the mural. BLDG nurtures creativity by providing branding, gallery space, publicity and refuge for artists and innovative thinkers. Their unique team brings internationally celebrated artists to the Covington area, placing the city on the list of artistically progressive areas. BLDG’s projects have included collaborations with the London Police and Prefab77.
will take place from 5-7 p.m. tonight at the mural site. Drinks and food will
be provided by Rhinegeist, Arnolds, Tito’s Vodka and The Gruff (a pizza
shop/deli coming soon to Covington). Go here for more info.
All right. Let’s talk about this news stuff, shall we?
In just 12 days, voters will decide whether or not to back a plan put forward by Republican Hamilton County Commissioners Greg Hartmann and Chris Monzel for fixing Union Terminal. But the details still haven’t been worked out completely, as this Business Courier article discusses. The tax increase proposal, an alternative to another scheme drawn up over a number of months by a cadre of the city’s business leaders that also included Music Hall, has been a kind of plan-as-you-go effort by the commissioners. The 5-year, .25-percent sales tax increase won’t provide all the money needed for the project, and it’s still a bit up in the air where the rest will come from. The structure of the deal will hold Cincinnati Museum Center, which occupies the building, accountable for cost overruns or revenue shortfalls, which they’ll need to make up with private financing or donations. A new nonprofit entity might also need to be created to officially lease the building from the city in order to qualify for state and federal tax credits, a possible stumbling block that will require city-county coordination. All of which is to say there’s a long way to go before the landmark is on its way to renovation.
• The NAACP is ready to tap Cincinnati for its 2016 national convention pending a site visit in November. That’s a bit of a surprise, as many assumed Baltimore, where the organization is headquartered, would get the nod for its presidential election year convention. Cincinnati also hosted the NAACP convention in 2008. Big political players, including presidential candidates, often speak at the convention during election years. The 2016 election is shaping up to be huge for Ohio, with Cleveland hosting the GOP national convention and Columbus in the running for the Democrat’s big national event.
• A talk by award-winning conservative Washington Post columnist George Will at Miami University last night drew a number of protesters unhappy that the school invited him to speak. Will has caused controversy over remarks he made in a column in June criticizing new sexual assault rules on many college campuses. Will has blasted the “progressivism” of the rules, saying they place men accused of assault in a “guilty until proven innocent” situation. Specifically, Will criticized measures that stipulate a person who is considerably inebriated is unable to give sexual consent. Students and faculty who opposed Will’s talk say they collected more than 1,000 signatures from members of the Miami University community asking the school to cancel the event.
Will has gained a reputation for his controversial, sometimes outlandish remarks. He has dismissed climate change science, for instance. Most recently, he claimed on Fox News that Ebola could be spread through the air via coughs and sneezes, an assertion contradicted by nearly all scientists who study the disease.
• Former Juvenile Court Judge Tracie Hunter’s attorney Clyde Bennett has filed a motion for a retrial, saying that two of the 12 jurors on the case did not vote to find Hunter guilty on a felony charge earlier this month. Hunter was on trial for nine felony counts. The jury hung on the other eight but allegedly agreed that she was guilty of improperly intervening in a case involving her brother, a court employee who allegedly punched a juvenile inmate. Hunter’s sentencing is scheduled for Dec. 8, though a Nov. 13 hearing on Bennett’s retrial motion could change that.
• If you live in Kentucky and are hoping Yuengling comes to your neck of the woods soon, you may be disappointed. There’s a battle brewing (haha) over beer distribution in the state as giant Anheuser-Busch seeks to buy a distributor in the Kentucky that could give the company a quarter of the beer market there. That has mid-sized independent companies like Yuengling and some wholesalers saying there may not be room for them. Generally, beer brewers aren’t allowed to own distributors or stores under anti-trust laws, but Anheuser-Busch won the right to own one in Louisville after suing the state in 1978.
• In international news, four former employees of Blackwater, the private security firm that the U.S. contracted during the Iraq war, have been convicted for the 2007 shooting deaths of 17 Iraqis. The incident, which happened at a public square in Baghdad, became notorious as an example of U.S. contractors’ misconduct during the Iraq war. A judge in the case ruled that the killings were not an act of war, but a crime. One defendant, sniper Nicholas Slatten, faces life in prison for murder. Three others face 30 year minimum sentences for charges including committing a using a machine gun to carry out a violent crime and voluntary manslaughter.
Before Anne Rice and Stephen King, Edgar Allen Poe set the standard for gothic creepiness. He's the inspiration for Gothic Halloween, a terrific program of music and Poe's classic stories guaranteed to chill the blood temperatures to appropriate Halloween levels, performed with wicked glee by the adventurous ensemble concert:nova. It's an evening of music from the dark side seamlessly interwoven with equally scary stories and songs.
Performed on the stage of Cincinnati Shakespeare Company's production of The Birds, it's the perfect setting for an evening of macabre and mayhem. Many of the musicians sported black capes but harpist Gillian Sella takes the prize —more on her later.
Bach's "Toccata" from the "Toccata and Fugue in D minor" is a horror standard and that's what starts the evening, performed with gusto by local treasure, keyboardist Julie Spangler. It's so familiar that the opening three-note sequence evoked laughter, which was quickly silenced by Spangler's artistry. She makes the small electric keyboard resonate with the power of a cathedral instrument.
The "Psycho Suite" features three pieces from the classic film score by Bernard Herrmann, performed by a string sextet — Eric Bates (no relation to Norman), Gerald Itzkoff, Mari Thomas, Rebe Barnes, Margaret Dyer and Theodore Nelson. There were also a few chuckles which quickly subsided. Those screeching string swipes don't need film to convey the murder in the shower scene or the ominous mood at the Bates Motel.
Baritone Edward Nelson gave a powerful performance of Schubert's setting of German poet Heinrich Heine's "Die Doppelganger," a song about a frightening encounter with one's alter-ego. Spangler accompanied and segued into Part II of Gyorgy Ligeti's "Musica ricercata," ("Researched music"). Entitled "Mesto, rigido e cerimoniale," (Sad, rigid and ceremonial), the music is a series of repeated notes, restless and menacing.
Sections of Ligeti's String Quartet No. 1 accompany a reading of Poe's "The Cask of the Amontillado," performed by Jason Podplesky and Edward Nelson. Podplesky seemed uneasy at first, stumbling over mispronunciations, but he recovered to bring the story to its macabre finale. Nelson did a fine job as the hapless victim. He remained onstage, joined by a string quartet for a performance of Samuel Barber's setting of Matthew Arnold's poem "Dover Beach." Nelson conveyed the longing, passion and terror with elegant tone and flawless diction. The string quartet delivered an appropriately moody reading.
The second half opened with violists Barnes and Dyer slinking out on stage to perform "Viola Zombie," Michael Daugherty's duet that's a mashup of horror themes and plucked strings. You gotta love a piece with movements entitled "Jerks of Rigor Mortis" and "Zombie revivus." Barnes and Dyer clearly do.
The evening closed with Poe's ultimate horror classic, "The Masque of the Red Death," read by Podplesky, accompanied by French composer Andre Caplet's "Conte Fantastique: Masque of the Red Death" for string quartet and harp. In spite of a few mispronunciations here and there, Podplesky rendered the story with ghoulish delight. Caplet's score meshes fantasy and foreboding, and the harp glissandos add to the eerie atmosphere. Willowy harpist Gillian Sella nearly stole the show when she entered, garbed in a white satin cape and pointed hat.
c:n Artistic Director and clarinetist Ixi Chen doesn't perform in this concert but her creative mark is all over this terrific program.
You have one more opportunity to up your scare quotient on Monday evening, Oct. 27, at 7:30 p.m. A party follows the performance. You go, ghouls. Tickets and more info here.
It’s a double bill of Scottish Indie Rock at Bogart’s tonight as We Were Promised Jetpacks and The Twilight Sad pull into town for a free, all-ages 8 p.m. show. The concert was originally scheduled for Over-the-Rhine’s Woodward Theater, but was moved due to the new venue not quite being ready yet to host events yet (the legendary Ian McLagan’s Oct. 29 show slated for the Woodward has been moved to Southgate House Revival in Newport for the same reasons). The Woodward’s selling tickets to shows beginning Nov. 10, so hopefully it will be all set by then.
CityBeat’s Brian Baker spoke with WWPJP’s guitarist/singer Adam Thompson for a feature in this week’s paper. Thompson spoke of mixing things up on the band’s most recent album release, Unravelling.
“It’s still got the same emotional pull as the last two albums, it’s just that the whole sound is a lot more varied,” Thompson notes. “It’s got a bit more groove or something and I think that’s what we were trying to achieve, but it’s still very much a We Were Promised Jetpacks album. If you don’t like the first two, you’re not going to like this one, but I do think it offers something different.”
Click here to read Jason Gargano’s preview of openers The Twilight Sad.
• While it’s true that “Ska Punk” had its mainstream flash-in-the-pan moment in the’90s, it’s a shame that Ska often gets dismissed today as a sort of punchline. (“Ha, remember when Ska and Swing music were popular?”) From its origins in late-’50s Jamaica through today, Ska has endured thanks to new, young bands rediscovering the music and a loyal cult following.
America’s Ska kings are unquestionably The Toasters, who were formed in 1981 (just as the U.K.’s 2 Tone Ska craze was beginning to lose steam) by British ex-pat Robert “Bucket” Hingley. When The Toasters (who eschewed the distorted “Ska Punk” concept for a style more reminiscent of the pioneers and 2 Tone bands) were looking for a label to release their debut EP, Hingley formed Moon Ska Records, which became the top independent Ska label on the planet and was home to practically every America Ska band worth a listen.
• Irish music trio Socks in the Frying Pan, from County Clare in Ireland, is in the midst of its first tour of the U.S. and tonight the group plays Molly Malone’s in Covington. The young band is becoming known for its creative spin on traditional Irish music, which has earned it numerous accolades in its homeland (the Live Ireland Awards and Tradition in Review Awards both have named them New Group of the Year and Irish American News calls them “simply stupendous”).
Tonight’s Covington show starts at 7:30 p.m. Tickets are $12.
• A pair of great, rootsy singer/songwriters perform at Newport’s Southgate Revival tonight — in separate rooms and as part of separate shows.
Tommy Womack, once dubbed “Nashville’s best loved musical eccentric,” headlines the Revival Room at 8:30 p.m. with special guests Wild Ponies. Tickets are $12.
• Meanwhile, the stellar Robbie Fulks plays the club’s Sanctuary room with guests Woody Pines. Showtime is 9 p.m. and tickets are $15.
Fulks has long recorded for the esteemed label Bloodshot Records and his song “I’ll Trade You Money for Wine” is featured on the label’s awesome, recently-released 20th anniversary compilation, While No One Was Looking, which features a variety of artists performing songs from Bloodshot’s back catalog. Fulks’ tune is covered by Andrew Bird and Nora O’Connor.
October is synonymous with Halloween, haunted houses, harvest festivals and more-sexy-than-scary costume balls. Whether you plan on being a slutty nurse, a moody John Snow, your basic zombie or Dracula, the Tristate offers more than enough events for you to get your freaky on all haunting season.BAR EVENTS
If the assault of Mitch McConnell ads has you thinking Kentucky must be the most hopelessly unprogressive state ever, a FotoFocus Biennial-related lecture last Sunday provided another take on the Bluegrass State.
The speaker, who also presented slides, was the veteran Lexington photographer Guy Mendes, who with Carey Gough has the exhibition Blue Roots and Uncommon Wealth: The Kentucky Photographs at Over-the-Rhine’s Iris BookCafe, 1331 Main St., through Jan. 25. His presentation, organized by Iris’ photography curator William Messer, was at Mr. Pitiful’s bar, close to Iris.
Mendes, active in Kentucky arts, public television production and higher education since the late 1960s, has been collected by Ashley Judd, Willie Nelson, Maker’s Mark (he’s very proud of that) and the New Orleans and Cincinnati art museums, among others. At Mr. Pitiful’s, he made a compelling case for Lexington as a center for progressive creative thought — in photography, especially — that has had a broad influence on our times.
As a college town (University of Kentucky), Lexington maybe has been better known for its basketball than its radicalism, but Mendes made it seem like it could hold its own with Berkeley, Calif., Ann Arbor, Mich., or Madison, Wis., in any history of counter-cultural hotspots.
His presentation focused on a group he became part of in the late 1960s, the Lexington Camera Club, active from the 1950s to the early 1970s (and recently revived). While, like other camera clubs it attracted its share of hobbyists, it also had stalwart support from open-minded professionals with an experimentalist bent.
Mendes mentioned and showed slides of work from the Camera Club’s first golden era. The accomplishments of these now-deceased members was impressive — Van Deren Coke (who went on to become director of the George Eastman House); Robert May, who specialized in multiple exposures; James Baker Hall, a poet (and former state Poet Laureate) and photographer whose haunting series of images featuring collaged family photos may have been a way to deal with his mother’s suicide when he was a child.
One Camera Club photographer, Ralph Eugene Meatyard, has become recognized since his 1972 death as one of America’s most memorable — and spookiest. His black-and-white shots of children and adults wearing masks in strange settings are still unsettling.
Lexington was restive in the anti-Vietnam War days, and Mendes published an underground newspaper called Blue-Tail Fly and was involved in protests. And as he became friends with local writers Wendell Berry and Ed McClanahan, his literary and photographic worlds began to merge. (Both still are active today.)
In Mendes’ show at Iris, those two figures are in probably the two most striking photographs. One is a 2012 portrait of Berry, on a farm in Henry County, with his horses Nip and Jed grazing behind him. It’s sheer happenstance, but the horses’ placement is such as to create the illusion is that their heads extend from his shoulders. Messer refers to them as “horse angel wings,” and it’s a great tribute to Berry, an environmentalist as well as a writer. The photo gives the elderly man a heavenly glow.
McClanahan is involved in the weirdest photograph in the show — 1972’s “The Fabulous Little Enis & Go Go Girls of Boots Bar.” This photo (in a tarted-up version) accompanied McClanahan’s article about this colorful musician in Playboy. It depicts the left-handed, backwards-holding guitarist Little Enis and a chorus line of scantily clad women outside the bar.
The late Carlos Toadvine’s stage name “Enis,” Mendes told his audience, was a play on the nickname given to Elvis Presley as “Elvis the Pelvis” — you get the point. Mendes said Enis was a fabulous guitarist but the working-class Boots Bar was a tough place for scruffy, hippy-looking artists like McClanahan and himself in 1972. On their first visit there, McClanahan and Mendes, were greeted by a flying beer bottle. (On the Internet, there is a photo of long-haired college-age young men admiring Little Enis’ act, so maybe the bar got a little safer with time.)
The Iris show also features color photographs of Kentucky music-related sites by Gough, who considers Mendes a mentor.
Lexington’s impact on the arts is fascinating in other ways, too. The writer Bobbie Ann Mason attended UK, as did the great character actor Harry Dean Stanton. (There is now a film festival there in his honor.) Walter Tevis based his novel The Hustler on a pool hall there. Punk icon Richard Hell was born and raised there, as was Cincinnati artist/composer Jay Bolotin.
There must be something in the bluegrass. It’s captured in Mendes’ photographs.
The world’s greatest wrestling-masked instrumental musical ensemble Los Straitjackets return to the Cincinnati area tonight for a show at Southgate House Revival. The band is joined by Roots music fave Deke Dickerson, who collaborated with Los Straitjackets on the recently released LP, Los Straitjackets: Deke Dickerson Sings The Instrumental Hits.
As the cheeky title suggests, the album features some famous instrumental tunes which Dickerson fleshes out with “lost or rewritten” lyrics. The track “You Can Count on Me,” for example, is The Ventures’ Hawaii Five-O theme with lyrics from Sammy Davis Jr.’s version.
Other instrumental-turned-vocalized songs on the album include classics like “Pipeline,” “Walk Don’t Run,” “Misirlou” and “Popcorn.”
“If you're a record collector and music geek who’s been around long enough," Dickerson said in an interview with Billboard, "you start to realize that most famous instrumental hits either started out as vocal songs, or — even better — were written as instrumentals."
Sadly, the Star Wars theme didn’t make the cut.
Showtime tonight is 8 p.m. Admission is $20 at the door. The B-Sides open.