Mandatory Fun, Al’s final album
on his 32-year contract, features riffs on Pharrell’s “Happy” (“Tacky”), Lorde’s “Royals” (“Foil”)
and Iggy Azalea’s “Fancy” (“Handy”)
along with general style spoofs like “Sports Song” and “First World Problems,”
which resembles like a Pixies tune.
The Queen’s Guard performed
the Game of Thrones theme song outside Buckingham Palace, which is kind of
strange when you remember Thrones is
a show where royals are slaughtered, babies are fed to scary ice zombies and
the queen is an incestuous bitch. Happy Birthday, Prince George!
Maroon 5’s Adam Levine and Glee’s Naya Rivera both got secret-married this weekend – just not to each other. Levine and Victoria’s Secret model Behati Prinsloo were wed in a ceremony officiated by Jonah Hill (seriously) while Rivera tied the knot with Ryan Dorsey, a guy who is definitely not rapper Big Sean (whom Rivera was engaged to just three months ago). All together now: “We want prenup, we want prenup!”
In non-news related news, Kanye West continues his Delusions of Grandeur tour, spouting nonsensical bullshit in his latest interview with GQ. In the cover story, West talks Kim K., calls himself a blowfish and quotes Step Brothers. What is interesting, however, is this video of a 19-year-old West, Baby 'Ye, freestyling in New York record shop Fat Beats in 1996.
noticed that Joaquin Phoenix has a very expressive forehead that, when viewed
upside down, looks like a second face.
movie trailers to hit the
Interwebz: Dear White People, a satirical look at race relations from millennials' perspectives; Alan Turing biopic The Imitation Game, starring Benedict Cumberbatch as the British genius/computer science pioneer; and creepy "cabin in the woods" thriller Honeymoon starring Ygritte from Game of Thrones and Dr. Frankenstein from Penny Dreadful.
Three years ago on summer vacation, I heard about Pitchfork Music Festival from my older sister. She went to the festival with friends from her college radio station, and told me about spending the weekend in Chicago, crashing on a friend’s apartment floor and navigating the train system. It didn’t sound particularly comfortable, but I wanted to see for myself.
The next year, I bought my ticket and found my way to the festival grounds, an ordinary public park with baseball diamonds and a conveniently located CTA train stop. During last year’s festival, which was filled with uninvited weather, I stood in the rain to watch Bjork, who was dressed like an extraterrestrial porcupine, and witnessed Lil B, “The BasedGod,” inspire thousands of his devoted supporters. I left exhausted, but figured I would come back next year.
Heading into the festival this year, I was excited for the headliners and many smaller artists I’ve never seen. But as I walked into the park on Friday, there were two major surprises: a clear sky and free Twinkies.
I arrived at the festival in the early afternoon and headed over to the Blue Stage in the corner of the park. I listened to the Haxan Cloak for a short time, before leaving to see Sharon Van Etten on the Red stage. As I waited, my anticipation grew waiting to hear her perform songs from her outstanding new album, Are We There. Once Neneh Cherry ended on the adjacent stage, Van Etten began with “Afraid of Nothing,” the album’s first song.
She wasn’t afraid of anything, jumping right into the performance by displaying her honest songwriting, singing “You told me the day/That you show me your face/We’d be in trouble for a long time.” Near the end of her set, she humbly thanked her band and began the melancholy “Your Love is Killing Me."
After focusing on Van Etten’s lyrics that revolved around the difficulties of love, I was ready for Avey Tare’s Slasher Flicks to take the stage. The newly formed trio is led by Animal Collective member Dave Porter, who joined forces with former Dirty Projector member Angel Deradoorian and ex-Ponytail drummer Jeremy Hyman to create their first record, Enter the Slasher House.
There’s more to Slasher Flicks besides Avey Tare as Deradoorian controlled the woozy synths and driving basslines behind a stack of keyboards and contributed another layer with echoing vocals.The second “Little Fang” began, the crowd bobbed their heads, moving to the beat of the punctuated bassline. The crowd later joined Avey Tare in singing the song’s chorus, “You’re something special/You’ve got to shout it out/If there are doubts then we will groove it out.” Nearly the entire crowd agreed with Avey’s lyrics and kept a high level of energy until the finale, “Strange Colores”.
After getting back late from seeing Deafheaven at the Bottom Lounge, I would have loved to sleep in before starting Day 2, but after seeing Twin Peaks at the Northside Rock n’ Roll Carnival, I couldn’t miss seeing the band play in their hometown. Frontman Cadien James certainly wasn’t going to let his broken leg stop him as he rolled out on stage in a wheelchair.
The young band played a mix of old songs, like “Baby Blue,” and tore through crowd favorites “Flavor” and “I Found a New Way” off their upcoming album Wild Onion. The entire band was elated to be kicking off the festival’s second day in front of many of their friends.
Cloud Nothings performed later in the day on the red stage, following a great performance by British quartet Wild Beasts. I watched from afar as I grabbed a spot up front for Cloud Nothings. After seeing them at Midpoint Music Festival in 2012, they’ve become one of my favorite bands, and one I most anticipated seeing at Pitchfork.
Lead singer Dylan Baldi walked on stage and counted off “Now Here In”, the first track on their sophomore album Here and Nowhere Else. The moshpit broke open during “Separation”, while the security guards constantly motioned towards each other every time they spotted a crowd surfer. Like most shows, Baldi ended with “Wasted Days,” but this time, he brought out two friends to add more power to the grueling, eight-minute track.
Leading up to the festival, Sunday sold out the fastest, partly due to the Kendrick Lamar’s headlining spot, but most likely because the entire day was filled with exciting acts. I also wanted to check out some of this year’s upcoming Midpoint Music Festival performers (Speedy Ortiz, Mutual Benefit and Real Estate).
After eating a much-needed breakfast in Logan Square Sunday morning, I was ready for the final day. But, without thinking, I boarded the wrong train on my way to the park, forcing me to backtrack to the loop. I got to the festival just in time to head over to the Blue Stage to see Speedy Ortiz, a band from Massachusetts who played a handful of songs from their awesome record Major Arcana. Then I went to the Green Stage to see Mutual Benefit, a Folk project created by Columbus native Jordan Lee. His stunning music was a great fit for the crowd that was spread out across the festival grounds.
Throughout the entire day, the Red Stage was filled with amazing shows by the likes of DIIV, Earl Sweatshirt and Grimes. DIIV played a cover of Bob Dylan’s “Like A Rolling Stone,” along with a handful of new songs. Real Estate started its set in the early evening with a cover of the Nerves’ “Paper Dolls” and worked in a few songs from previous records. The crowed responded the most to “Horizon” and “Crime” from the new album Atlas. Once Real Estate ended, I took a break to sit down with friends and eat some pizza. After resting up, I was ready to see Kendrick perform for the first time after missing him multiple times in Cincinnati.
While Kendrick Lamar was still on his ascension to the top when he played Pitchfork two years ago, there’s no question he deserves the headlining spot. He’s considered the king of the West Coast after releasing his major label debut that detailed his life in Compton.
Finally, the lights were lowered and the screen lit up, showing the beginning of the short film that accompanied Kendrick throughout his set. The large video screen later projected scenes of empty liquor bottles rattling on the floor during “Swimming Pools (Drank)” and Kendrick driving his mom’s purple Dodge Caravan down Compton’s Rosecrans Avenue in the late hours of the night.
As his backing band began playing “Money Trees”, Kendrick came out to a roaring crowd. The energy continued as Kendrick began “Backseat Freestyle” and later performed “m.A.A.d city.” Every minute of the show Kendrick had the audience’s full attention, whether they were rapping along or listening to him speak. After performing every song fromgood kid, m.A.A.d. city, Kendrick left the stage, only to come back to perform “A.D.H.D” from Section .80. The 27-year-old rapper proved that with his skillful vocal delivery and interactive showmanship, he possesses the ability to connect with his fans and capture the attention of a crowd any size.
After finding my way out of the park, I realized that the Pitchfork Music Festival might be the only time where Shoegaze pioneers Slowdive, the widely recognizable Earl Sweatshirt and Disco legend Giorgio Moroder all played on the same stages in one weekend.
Pitchfork, the website, may be criticized for their decimal rating scale, or removing poor reviews of albums (i.e. deleting their 0.8 rating/review of Belle & Sebastian’s mid 2000’s comeback album The Boy with the Arab Strap), but each summer music-fans leave its festival satisfied. The bottom line is that Pitchfork creates a music festival featuring an eccentric lineup, consistent ticket prices and much smaller grounds than most major music festivals.
If you go to Pitchfork next year, expect a balanced dose of Indie Rock, Hip Hop, Folk and much more for $140 in Union Park with 18,000 people standing in the outfield of a baseball diamond.
It’s a pretty good morning for news, so let’s get to it.
Cincinnati City Council's epic struggle this spring over the Central Parkway bike lane is barely a memory and the city is well on its way to a protected bike route from uptown to downtown. Crews are painting the new lanes right now, like, probably as I type, sectioning off a whole portion of the road meant only for cyclists. No more frantically looking over your shoulder every three seconds, bikers. No more getting caught behind a cyclist when you’re late to work, drivers. Everyone wins. After the lanes are painted and signage about new parking patterns is installed, crews will put up the plastic poles between the road and the bike lane, and we’ll all be ready to ride.
• A non-profit development group for the city’s uptown neighborhoods is looking for land to purchase in order to make a new federal research center a reality. The Uptown Consortium is trying to find the 14 acres in Avondale and Corryville near Reading Road and Martin Luther King Blvd. for the National Institute of Occupational Health and Safety to build its multimillion dollar headquarters. NIOSH already runs two facilities in the region—one in the East End and another in Pleasant Ridge. This facility would consolidate the two and bring hundreds of jobs to the uptown area. Both the current facilities are 60 years old. The area is already home to a number of health facilities, including UC Health and Children’s Hospital. Representatives for the consortium said the land hunt is an ongoing project with no set timeline just yet. NIOSH researches issues around workplace safety.
• The Hamilton County Coroner yesterday released the autopsy report for Brogan Dulle, the 21-year-old UC student who went missing in the early hours of May 18 and was later found hanged in the building next to his apartment. The report confirms what authorities believed—that Dulle’s death was suicide. No signs of trauma or struggle were found on Dulle’s body other than the hanging-related injuries that caused his death.
There are still puzzling elements about Dulle’s death, mostly around why he would want to commit suicide.
“It's an investigation that's raised a lot of questions and we still have a lot of questions we may never know the answers to," said Assistant Police Chief Dave Bailey.
• Food stamp usage is down in Ohio, Kentucky, and Indiana, following a national trend, says a report from the non-partisan Center for Budget and Policy Priorities. The report found that usage dropped more than 4 percent in Ohio from Feb. 2013 to Feb. 2014. Some of this news is good–a portion of those spending reductions came from a decrease in demand due to the economy’s slight but steady improvement. But some of the reductions come from last year’s cuts to the Supplemental Nutrition Assistance Program, the government’s main nutrition aid effort. SNAP spending by the federal government increased following the great recession as more individuals and families navigated tough economic situations and found themselves needing aid. That increase became a talking point for Republicans looking to slash government spending. At its peak in 2010 spending from the SNAP program accounted for .5 percent of the nation’s gross domestic product, nearly double what it had been earlier in the decade. Conservatives in Congress used the fact spending had gone up to attempt deep cuts to the program, passing several new stipulations. As the economy gets better, and as these cuts have taken effect, spending on SNAP has dropped to .25 percent of the nation’s economy, according to research by the Congressional Budget Office.
• Do you like alcohol, but hate that it’s in that hard-to-transport liquid form? Science has you covered. Turns out there’s a product called Palcohol that is, you guessed it, powdered, freeze-dried alcohol. Kind of like astronaut ice cream, only it’ll get ya drunk. This definitely reminds me of a certain Parks and Recreation bit. While Ron Swanson says there’s no wrong way to consume alcohol, the Ohio General Assembly wouldn’t say that. Lawmakers are working on a bill to ban the product. Palcohol received approval from the U.S. Alcohol and Tobacco Tax and Trade Bureau, though the department quickly reversed its decision. It’s also been banned or will soon be banned in a number of other states including Alaska and New York. Turns out, things that aren’t that great for you anyway are even worse for you in powdered form. In May, an 18-year-old Ohio man died from consuming a heaping helping of powdered caffeine. The FDA now warns consumers to, you know, not do that kind of thing. Palcohol's inventor released a video addressing some concerns about the product, which you can check out right here.
Northside Community Council voted July 21 to allow a needle exchange program in the neighborhood. The effort, run by the Cincinnati Exchange Program, will start sometime in August and operate from a van one day a week for three hours at a time. Planned Parenthood will also participate, providing testing services for diseases like HIV and hepatitis.
Exchanges, which aim to cut down the transmission of those diseases among intravenous drug users, have been controversial in the city. A similar effort in Springdale earlier this year was shut down after just a few weeks due to outcry from some in the community. But the community council in Northside thinks the program is worth it.
“The community has been doing its due diligence as to how the program would work and what the repercussions are, and decided the health benefits definitely outweigh any consequences,” said Northside Community Council President Ollie Kroner. “Northside wants to be part of the solution to the heroin epidemic.”
A 2012 study by the U.S. National Library of Medicine found that needle exchange programs can greatly reduce the number used syringes found littering streets. And a 2004 study by the World Health Organization found that exchanges do not increase the rate of heroin use in areas where they are undertaken.
Heroin addiction has been rising steadily in Ohio in the past five years. 2012 Ohio Department of Health data shows that 159 people in Hamilton County died from heroin overdoses, a 6 percent increase over the year before. Experts trace the epidemic to an increase in the availability of prescription opiates in the last decade. As Ohio has cracked down on those drugs, addicts turn to other, similar drugs to experience the same high. The most popular by far is heroin.
Local organizations, including Northside-based Caracole work hard to fight heroin addiction and prevent overdoses. But as heroin use increases, needles infected with various blood-borne diseases including HIV and hepatitis are a serious concern. Hepatitis C in particular has been increasing among intravenous drug users in the area. Needle exchanges allow a person to exchange a used needle for a new, sterile one, so they at least won’t catch deadly diseases associated with intravenous drug use. The exchanges also cut down on the level of needle litter, meaning less risk of exposure for community members who aren’t using.
Opponents say exchanges encourage heroin use, but supporters of the programs say the availability of clean needles alone won’t sway a person to take or not take the incredibly addictive drug.
Kroner said the effort is a six-month pilot program to demonstrate the benefits of needle exchanges. Though some in the community have expressed concerns that the exchange will create a perception that Northside has a heroin issue, Kroner emphasized that the program isn’t a response to any specific drug problem in the community.
“What we’re really hoping is that Northside can show that this kind of program can work in other communities,” Kroner said.
It's morning! I have news! Morning news! Wow, sorry, that's a lot of exclamation points. I sprung for the large iced coffee this morning and probably need to settle down a little. Anyway, here we go:
Cincinnati is playing host to the annual National Urban League Conference this week. The event, held by one of America’s oldest and largest civil rights organizations, is expected to draw 8,000 people to the city for events Wednesday through Saturday.
The conference is a big deal for Cincinnati. Last time the city tried to host the event in 2003, it was recovering from the 2001 civil unrest that gave Cincinnati a national reputation for race problems. Notable black entertainers boycotted downtown and the Urban League took its conference elsewhere. Since then, some reconciliation and a lot of revitalization has happened, but many old problems remain. In a report called “The State of Black America,” the Urban League ranked the city 74th out of 77 peer cities in terms of economic equity between blacks and whites. Blacks in the Greater Cincinnati area make an average of $24,272 a year compared to $57,481 for whites, the greatest disparity of any city in the region.
Here’s a quote worth thinking about in a Cincinnati Enquirer piece on the event:
"The riots ... were also about economic frustration," said Donna Jones Baker, president and chief executive of the Urban League of Greater Southwest Ohio. "These economic gaps continue. And while we have a vibrancy in the city because of wonderful things happening, we have a group of people who can't access them. We can’t expect people to suffer in silence forever.”
Among those attending the event are Vice President Joe Biden and Kentucky Senator Rand Paul. Biden will make opening remarks Wednesday and Paul will deliver a town hall speech Friday. This seems like a good opportunity for both to keep their speaking short and their listening long, but yeah.
• The cost of renovating Union Terminal and Music Hall may be more than initially estimated, a group of consultants say. International real estate company Hines looked over engineers’ $331 million cost estimates and found places where more money may be needed for both projects. The possible overrun could amount to $10 million more added to the project.
The revelation comes during a continuing disagreement about where renovation money should come from. Hamilton County Commissioner Greg Hartmann suggests the city chip in to help shore up the landmarks. Hartmann argues that the county can’t “go it alone” in efforts to fix the buildings. A further city contribution would be in addition to the $10 million the city has already pledged for the renovations. Mayor John Cranley shot back at Hartmann yesterday with an editorial detailing the city’s ongoing commitment to the buildings.
• A group of parachutists landed on a parking garage at Fourth and Elm yesterday, according to police. Annnd…. that’s about all anyone knows about it. The group may have been BASE jumpers parachuting from Carew Tower, or may have jumped from an airplane, though air traffic controllers at Lunken Airport didn’t report anything out of the ordinary. Maybe they were protesting something, but none were wearing tiger suits or waving banners shaming Procter & Gamble, so it's hard to tell.
• Horseshoe Casino, which has been open just over a year, is undertaking a half-million dollar, 8,700-square-foot expansion. The new addition sounds like it will be a patio for people to take smoke breaks when they need to cool off from all the fun they’re having fighting battles against the one-armed bandit (that’s a slot machine for those not hip to casino lingo). The patio will be enclosed, have a bar and will only be accessible from inside the casino, Horseshoe representatives say, though they’re tight-lipped so far about further details.
• Cincinnati and Mayor Cranley are featured prominently in a Governing magazine article about changes in the way cities view their outlying suburbs. The article discusses how some cities are shifting away from the view that suburbs are valuable prizes to be annexed or wrapped up in Indianapolis/Louisville-style city and county combined governments. A renewed interest in cities among the young and well-to-do and an increase in suburban poverty are cited as reasons for the shift in thinking from some city leaders.
Cranley’s view that Cincinnati is just fine without taking over surrounding suburbs challenges conventional accepted wisdom.
“You had a sentiment that urban cores need the wealth of the suburbs to have a better budget picture,” he says in the article. “People in the suburbs escaped the city to flee the problems. But that’s changing. You’re going to see cities in a better financial situation than a lot of the suburbs.”
• Finally, a story that could (hopefully) only happen in New York City, where a developer has won permission from the city to have two separate entrances in a new apartment building — one for well-to-do residents of its luxury units and another for the tenants of its required-by-law affordable units. So, basically, a poor door.
Last year, another developer explained just such a plan for another building thusly:
“No one ever said that the goal was full integration of these populations,” said David Von Spreckelsen, a senior VP at Toll Brothers, a New York development company. “So now you have politicians talking about that, saying how horrible those back doors are. I think it’s unfair to expect very high-income homeowners who paid a fortune to live in their building to have to be in the same boat as low-income renters, who are very fortunate to live in a new building in a great neighborhood.”
Translation: Being rich is hard when you have to rub elbows with not-rich folks, who should just shut up and enjoy the crumbs we’re throwing them.
Don't walk. Run to the School for Creative and Performing Arts (SCPA) to catch the remaining performances of La Calisto, an opera composed in 1653 that's equal parts romance and raunch, performed by a superb cast of singers, instrumentalists and dancers who are all clearly having a wonderful time.
Composer Franceso Cavalli was savvy enough to take opera out of palaces and into public theaters, where he made a fortune. He used the story of virgin Calisto, a follower of the goddess Diana, who is seduced by Jove and transformed into a bear by the vengeful Juno. Diana has her own problems with hormones and so does another of her followers. There's not much sacred and a lot of profane, not to mention profanity.
There's a lot of transformation going on: Jove disguises himself as Diana to get it on with Calisto, meaning that bass baritone Daniel Okulitch puts on a long white robe, dons a wig and sings in convincing falsetto. A horny follower of Diana is sung by a male, a high soprano takes on the role of a frustrated satyr — and just what gender are the rest of Pan's satyrs and Diana's huntresses? Ted Huffman's staging is witty and occasionally wild; the battle between Pan's and Diana's tribes seems to involve more than the six or seven dancers onstage, thanks to the acrobatic choreography of Zack Winokur.
Okulitch sings Jove with the requisite authority and gravitas, which also renders him ridiculous when lust for Calisto overtakes him. Okulitch is equally adept singing in falsetto, which is no easy task when it involves vocal ornamentation. Andrew Garland, a great recitalist with innate comic instincts, is a natural as Jove's gofer Mercury.
Aaron Blake may be diminutive in stature but he has a huge, ringing tenor, and he was a hilarious Pan. Michael Maniaci sang Diana's lover Endymion, his pure male soprano giving the role genuine tenderness. Lyric tenor Thomas Michael Allen sang the role of libidinous nymph Linfea.
The women are all excellent, especially soprano Nathalie Paulin, a convincingly innocent Calisto. Mezzo Jennifer Johnson Cano was a formidable Diana, singing with authority and melting emotion. Alisa Jordheim's agile soprano easily handled the demands of the frustrated Satirino, and Alexandra Deshorties embodies vengeance and fury as Juno.
The chamber orchestra is joined by the phenomenal Catacoustic Consort and during intermission, a lot of the audience stopped by the orchestra pit to check out the theorbos, Baroque harp, lirone and viola da gamba. Conductor David Bates led a lively, nuanced reading of the score.
The action plays out on a unit set used for last year's Galileo Galilei, with a wonderful star curtain that descends as Calisto ascends to the heavens to become Ursa Major, or the Big Dipper.
La Calisto is Cincinnati Opera's first Baroque opera and they couldn't have made a better choice. It's heavenly.
The third and final day of Forecastle finally arrived. The fest’s weekend felt much longer than, well, a weekend, though each day seemingly flew by. By this point, the festival started to feel like home.
I entered the media tent expecting familiar faces, waited like a patient puppy in front of its food bowl for happy hour, snagged a band interview or two and wandered from stage to stage. Despite my tired eyes, I knew that I could get used to this. Like all good things, though, Forecastle had to come to an end. But not before one last day of fun.
I got to the fest just in time for The Weeks at the Boom Stage. After interviewing the band the previous day, I was looking forward to seeing what they would present live, and I wasn’t disappointed. A Southern-rooted band (Mississippi-rooted, to be exact), the Rock vibe was heavy with lead vocalist Cyle Barnes belting out his husky, Caleb Followill-esque lyrics. These young and rowdy dudes proved to be the perfect start to a sunny afternoon of music.
I scooted away from the stage to browse through the artist tents behind me. As I’ve said, I’m a total sucker for band posters, so off to shop I went. Thankfully my new friend Coltin found me before I could spend too much and we made our way to happy hour in the media tent.
It is quite possible that this is the most pizza I have ever consumed in a three-day period, but when free food calls, one must answer. After taking advantage of the day’s free amenities, Coltin and I attempted (and failed) to get into the Bourbon Lounge, so found our way to the Mast Stage for Brett Dennen. The songs that Dennen write are simple — They aren’t trying too hard, but they’re pleasant, and Dennen’s vocals tie everything together quite nicely. After several songs, though, it was time to wander again, so to the Boom Stage I returned.
Trampled By Turtles was next on my list, as I was scheduled to interview them that evening. Day 3 was much hotter than the others — the cool breeze that carried us through Days 1 and 2 had left us, and bodies glimmered in the summer sun. If you’re getting the idea that this stopped anyone from basking in the heat for their favorite bands, you’re wrong. I realized this as TBT began their set, the audience dancing without hesitation. Perhaps this proves to be true for most shows, particularly at a festival such as this — our bodies ache, our feet hurt, we are “hangry,” but once the music begins we forget it all. We are taken to a different place. TBT did this for their audience as the incredibly fast-fingered Erik Berry on the mandolin drove the crowd wild. It was a sight to see.
Day 3 required much more wandering on my part and floating between bands, so, knowing that I needed to at least catch a few songs from Jenny Lewis’ set, I made my way to the Mast Stage. Wishing my beagle Rilo (named after Rilo Kiley) was with me, I swayed to Lewis’ songs from her latest album, The Voyager, and was quickly reminded of why I fell in love with her old band some years back. Lewis is a little sassy and a lot of fun, rocking out on stage with her band dressed in white and rainbow suits. After a few songs it was time for my last interview of the fest.
I met with a few guys from Trampled By Turtles in the media tent for a quick chat, though I was admittedly distracted by the sounds of Nickel Creek in the distance. I wrapped up our interview and bolted to the stage like I’ve never brisk-walked before. With a smile on my face and happy tear in my eye, I was thrilled to watch a band that I’ve adored since middle school.
I cannot begin to describe how happy I was to see Nickel Creek, especially considering they played so much of their early material. Songs like “The Lighthouse’s Tale”, “Reasons Why” and “When You Come Back Down” from their 2000 self-titled album and “This Side,” along with the instrumental tunes from 2002’s This Side, were all featured, and each song sounded as perfect as the recordings. After so many years, Nickel Creek sounds as beautiful as ever and the band even has a new record out, A Dotted Line. I think I could have died a happy gal after seeing them.
After Nickel Creek, until Beck’s Forecastle-ending performance, I travelled from stage to stage (mostly in search of food) and ran into Adam, a fellow photojournalism pal from school. It was nice to see a friend after only briefly seeing familiar faces throughout the day, so together we went to dance to Flume. It was quite literally a party under the freeway as the Australian DJ blasted his beats from the stage, hands in the air and a sea of bodies moving in sync. Once that set ended it was time for Beck, and Adam and I ran to the stage.
Over the course of Beck’s first few songs we managed to weasel our way toward the front, getting closer to the main stage than I had been the entire weekend. There couldn’t have been a more perfect end to Forecastle.
Beck sang the beautifully airy and springtime-sounding songs from his latest release Morning Phase, but didn’t fail to bring the party with old favorites like “Loser”, “Girl” and more, eventually ending the night with “Sexx Laws” for the encore. One would never realize that Beck has been at this for as long as he has. His energy was amazing; bouncing across the stage between band members, the party atmosphere was what we needed to wrap up the night (and fest).
The audience was immense but was perhaps one of the friendliest crowd I encountered over the weekend — not sure if that’s due to the realization that our tired feet would soon get the rest they needed or perhaps it was just the booze. Either way, Forecastle ended with one of the best shows of the weekend, and we left on the perfect note to wrap up the fest.
Things to know for Forecastle if you plan to go next year: Wear comfortable shoes. Know that if you come in sandals, you will leave with very dirty feet.
Stay hydrated. Keep water with you, especially if the weather is as hot as Day 3 this year. Music festivals require long days, so don’t forget to take care of yourself.
Come with a schedule. You can create a custom schedule on the Forecastle website and print it out, something that helped me immensely this year in keeping track of things. Don’t be afraid to go outside your comfort zone, though. Discovering new music is what festivals are all about!
Heavy stuff in the news today, but there’s a bright spot at the end of this rundown, something so inspiring it will probably change your life. Well, maybe just your week. Err, I don’t want to oversell it. I promise you’ll be amused for at least a couple minutes if you make it to the end of this. Read on.
The next chapter in the saga of nine Greenpeace activists who hung banners from P&G buildings happens today. A pretrial hearing will determine whether lawyers for the activists will be able to access P&G e-mails about the event to use in their case. Lawyers are also requesting records about maintenance of the building, more than likely related to the alleged $18,000 in damage done to windows in the building. That damage is part of prosecutors’ case that the group should face felony charges. Meanwhile, the Greenpeace activists are considering a plea deal that would keep them out of jail but saddle them with probation and felonies on their records. A date for the trial is expected to be set today.
Update: One of the nine protesters will take the plea deal, WLWT reports. The other eight will go to trial to face burglary and vandalism charges.
• Hundreds rallied downtown Sunday to show support for Palestinians living in the Gaza Strip, where more than 400 civilians have been killed over the past few weeks in clashes between Israel and Palestinian militant group Hamas. Local protesters said their rally was about highlighting Palestinian civilians’ human rights.
“We have to be the voice for the voiceless," said Zeinab Schwen, a Symmes Township resident with family in Gaza. "For the children and parents, we have to speak up. It is not OK. It is not OK what Israel is doing.”
Israel launched a ground offensive Sunday in Gaza in response to rocket attacks from Hamas. Israeli leaders say they’re not trying to hurt civilians, and that Palestinian militants are putting them in harm’s way. But some witnesses claim that the Israeli army is targeting ambulances and other civilian vehicles as it carries out its offensive. In addition to the hundreds killed in Gaza, more than 3,000 Palestinians have been wounded by the fighting. 20 Israeli soldiers, including two with American citizenship, have also been killed.
• Macy’s, the Cincinnati-based department store behemoth, is nearing a settlement in a civil rights suit brought by actor Rob Brown. Brown, the star of TV series “Treme,” says the chain’s New York City store profiled him and others due to his race. He is black. According to his suit, Brown was handcuffed and detained by security at the store for more than an hour when attempting to buy a watch for his mother. Other shoppers have filed similar complaints alleging they were held by security and accused of stealing because of their race. Details of the upcoming settlement have not been released.
• More questions are arising about ethics in the Ohio Attorney General’s office. The Dayton Daily News had an investigative piece Saturday about the AG’s office and the way it hands out contracts to outside firms. It’s a subject that has been reported on in the past–a number of media outlets have investigated law contracts the AG has awarded to legal firms who donate to the DeWine campaign and the Ohio GOP. Today’s piece finds similar connections with contracts awarded to firms to collect on debts owed to the state. The piece finds a high correlation between firms that donate to DeWine’s campaign and ones that get those collections contracts. Especially noteworthy are instances where firms run by those close to DeWine win contracts over more experienced vendors.
• Death and destruction. Racial Profiling. Allegations of cronyism. To give you a break from all the doom and gloom in this morning news, I found someone who has attained an amazing, completely laudable achievement, someone who can restore our faith in humanity and expand our understanding of what is possible in this world. It’s this guy, who just set the world record for number of tattoos of the same cartoon character on a person’s body. He has 41 Homer Simpson tats, all on his arm. He’s reached this pinnacle of human achievement despite having been forbidden from watching the show by his father, who he calls “a real life Ned Flanders” when he was growing up. Next time you think you can’t do something, that your goal is too hard, that the world is too harsh, remember this man.
It is with sadness that we report the death of one of Cincinnati's great art patrons, Lois Rosenthal, at age 75. This notice was in today's issue of The New York Times:
ROSENTHAL--Lois, 75, on July 20, 2014, died peacefully. She is survived by her husband Richard, their children Jennie (Allan) Berliant and David, her grandchildren Elizabeth and Andrew Berliant and Eva and Mae Rosenthal, and her brother Harvey (Mary) Reis. An activist, environmentalist, supporter and participant in organizations that defended the oppressed, the hungry, and the disadvantaged, she initiated many programs and activities. From the Ohio Innocence Project which has exonerated 17 wrongfully convicted people, to the Fresh Produce initiative at the Freestore Foodbank, and the Rosey Reader Program which has provided books to over 30,000 Cincinnati Public School children, grades K-3, to foster a love of reading, to her creation of Uptown Arts which provides free classes in art, music, acting and dance to five-ten year old city kids. During Lois' 28-year tenure on the board of the Cincinnati Playhouse in the Park, she and her husband established the Rosenthal New Play Prize which produced 15 world premier productions, several nominated both for the Pulitzer Prize and produced in New York. As a member of the Board of the Cincinnati Art Museum, Lois and Dick endowed the museum to allow free admission in perpetuity. Lois was also a member of the Board of The National Underground Railroad Freedom Center. There, once again drawing on her compassion for those with little or no voice, she envisioned, championed and funded Invisible: Slavery Today, the world's first museum-quality, permanent exhibition on the subjects of modern-day slavery and human trafficking. Along the way, Lois wrote a weekly consumer column for the Cincinnati Enquirer for 10 years, had a call-in radio show, and wrote features for several national magazines. Among her seven books, Living Better was a Book of the Month Club selection. Lois relaunched Story magazine in 1989 with her husband. In five of the 10 years she edited Story, it was nominated for the National Magazine Award for short fiction. In two of those years Story won the prestigious award. Like the founders of Story-- Whit Burnet and Martha Foley-- who first published the works of today's marquis writers, Lois first published stories by Juno Diaz, Elizabeth Graver and Nathan Englander among others. Mother, wife, friend to many, Lois Rosenthal transformed organizations, intellectually and with creative determination. We're all better for her high standards, her dynamic personality, the impact she made on so many lives, and her contagious enthusiasm for doing good.There will be a memorial service in the Marx Theater at Cincinnati Playhouse in the Park at 4:30 p.m. on Sept. 15.
What I love about Day 2 of a fest is that I usually have my bearings — I understand the layout of the festival and know how to find what I need. What I love more about Day 2 of a fest is that, while things seem the same, there is still much to be discovered, like new music, food and more. When Day 2 of Forecastle arrived, I went into the morning with expectations that would end up being far exceeded.
I got to the press tent early Saturday to meet with my first interview of the day, with Australian band Boy & Bear. I saw these guys perform at CMJ Music Marathon several years back and it was good to catch up with them again. I suggest listening to their latest record, Harlequin Dream, just released last year, if you‘ve never heard Boy & Bear before. The band will also be making their way across the United States in October, so look out for them! (LIYL The Avett Brothers, Trampled By Turtles).
After talking to Dave and Dave of Boy & Bear (listen below), it was still early in the day, and I forgot that music didn’t start for another couple of hours. Thank goodness it wasn’t too early for Heine Brothers’ Coffee, so to my iced coffee sanctuary I went. The morning felt nice and calm before the craziness that is Forecastle arrived, so I took a moment to walk the grounds and soak everything in. I could feel great things coming for that day, and great things indeed did come.
When the music finally began, I went to find my way to the Boom Stage (my unofficial favorite stage of the fest this year, I’ve decided), but not before meeting a fellow college radio DJ. We talked for a few about radio things and the bands we were excited to see that day, and when we finally split ways I found myself in front of Hurray for the Riff Raff. Funny enough, as my college radio station’s Music Director, I had passed on Alynda Lee Segarra‘s latest record, but as I stood watching her live set I couldn’t figure out why. She was amazing. With the full band, the sound was soulful and remnant of New Orleans Y’at, as if the group of musicians had just been resurrected from a Louisiana swamp (in the best way possible). I stuck around the stage for Boy & Bear and Lord Huron, who together gave me my Americana fix for the day, before traveling to the other side of the fest.
At the Ocean Stage, I waited for Avey Tare’s Slasher Flicks to begin. As a longtime fan of both Animal Collective and Dirty Projectors, I’ve been enjoying the recent collaboration between Dave “Avey Tare” Portner and Angel Deradoorian known as Slasher Flicks, and it was nice to see that happen live. It was clear that the audience was full of Animal Collective fans — where I was standing, Portner nearly started a riot when he came on to the stage. Slasher Flicks began full of high energy and noise, which one might expect from the howling (sometimes screeching) vocalist, who was backed by Ponytail drummer Jeremy Hyman. The audience bobbed along to each of the playfully spooky yet jazzy songs and the band, who had just come from the Pitchfork festival in Chicago, danced along with us from the stage. As the set ended, I quickly made my way back to the media tent to begin my next scheduled interviews.
First I talked to a few dudes from The Weeks, a band that is from Mississippi but now based in Nashville, about touring and new tunes. These guys recently toured with Kentucky’s own Buffalo Rodeo and noted that they prefer to tour with friends when given the chance. This was perhaps the most fun interview that I’ve done so far — these guys were super laidback, giving me the perfect opportunity to get out any nervous giggles before speaking with Dave “Avey Tare” Portner.
A long time fan of Animal Collective, I was both excited and incredibly nervous to talk to the man who fronted the band, even if he was with a different project. We met in a trailer behind the Ocean Stage (which was, at the time, accompanied by a very loud DJ) and began to chat. Portner was incredibly kind and open to conversation, something I always appreciate about an artist. He opened up about the formation of Slasher Flicks, the new record and how it served as a means for “moving on.” He even dropped a hint about new Animal Collective material coming out within the next year. It is definitely worth noting that Portner complimented my bright green and electric blue nails, which I had been referring to earlier in the week as “boy repellent” on account of their somewhat crazy nature. Leave it up to a member of Animal Collective to like them, of course. (Listen to the interview below.)
After talking to Portner about my favorite Animal Collective songs and such off the record, I finally left him alone and floated across the fest to the Mast Stage. My head still buzzing and heart still racing from the conversation I just had, I stood swaying along to my favorites as Band of Horses belted from the stage. “No One’s Gonna Love You” and “Is There A Ghost” soared across the lawn for a moment that took me back to high school. I fell in love with the band all over again.
As the night progressed, so did my exhaustion, so I found myself at a bench near the WFPK Port Stage for Drew Holcomb & the Neighbors. A refreshing break from the hustle and bustle of the day, Drew Holcomb and his band played their tunes as the soundtrack to the river at dusk, the colorful festival lights slowly growing more prominent against the evening sky. I’ll admit it, I closed my eyes for a minute to soak in the beautifully bluesy tunes traveling from the Port Stage, especially when “What Would I Do Without You” began. Holcomb sings pretty songs of love and Jesus, and the Forecastle crowd was definitely into it. I watched across the river as Jack White’s audience began crawling closer and closer to the stage, my cue to make my way over.
I decided to watch White perform from a distance, finding a spot where I could see him and not simply watch the screens on the sides of the stage. He cranked out White Stripes classics like “My Doorbell,” as well as his solo tracks like “Love Interruption” for the huge crowd. His band, in the most classic Rock & Roll way, was quite entertaining to watch. They didn’t need much as far as props and graphics go, just their energy and passion.
It worked. White was the perfect end to Day 2, and, knowing Day 3 would be here soon, I looked forward to the few hours of sleep I would gather before heading out again.
To check out if you’re Forecastling today: Eno hammocks. Give your feet a break, they deserve it!
Sober Sailing. These guys want you to be safe and composed at the fest. They support each other in staying alcohol- and drug-free at Forecastle, so if you need some encouragement in doing the same, just give ‘em a visit.
Heine Brothers’ Coffee. The folks working here have been especially kind and the coffee is great. What could be better than nice folks and good brew?
going back to the land of Muncie, Indiana, where we don’t have cool stuff like
altweeklies or rideshare competition, which you can read about in this week’s cover
story. We have to like, walk home from a night out like the plebeian college
students Nick ran into, because who can pay someone $24 to drive them home?
That’s more money than I’m going to lose if I get jumped while walking.
Anyway, I wish the future copy of CityBeat the best of luck until there’s a new copy editor and from now on, you’ll have to rely on context clues to decipher CityBeat writers' language.
Acrimonious: caustic, stinging or bitter, adj.
If something is acrimonious, I bet it sounds like a really bad song. It’s like harmonious, but acidic. Except, not at all.
In the issue: “Hurricane Katrina forced a lengthy stay in Austin, Texas in 2005 and the following year saw the acrimonious departure of Huston,” in Brian Baker’s Sound Advice on The Iguanas. Maybe Huston just wished they had stayed in Houston instead of Austin and that’s why he left. Sounds sad. Looks like the rest of the band is still doing alright without him, playing shows and selling albums and whatnot.
Mandala: a schematized representation of the cosmos in Oriental art, n.
In my head I pictured this as a mandolin, a menorah and gondola all combined, but that’s just me. This is the first word in today’s blog under the category of Nouns You May Not Have Known and Will Never Use.
In the issue “The first and last paintings in Elvis Suite are more like multi-bordered mandalas or horoscopic charts,” in Steven Rosen’s Art Shook Up (what a clever title) about the Elvis Presley portrait exhibit currently at the Carl Solway gallery. Yes, if you haven’t read the article yet, that’s right. There’s a series of calendar art focusing on Elvis of which the first and last pieces are schematized representations of the cosmos because that has so much to do with Elvis.
Morass: a troublesome situation difficult to get out of, n.; and "maelstrom": a disordered state of affairs, n.
These words go great together. Next time you’re really upset just run around and be like “This is a maelstrom and a morass!”
In the issue: “Maybe, in all the morass and maelstrom of confusion, violence and power play …” in Kathy Y. Wilson’s column, "Elevators," where she talked about domestic violence and briefly mentioned that elevators serve as a catalyst for it before talking about more serious things than elevators.
Tulpa: a being that is created in the imagination through visualization techniques such as in Tibetan mysticism, n.This is the second and final word of the day under Nouns You May Not Have Known and Will Never Use.
In the Issue: Again in "Art Shook Up," Laffoley, the artist, said he wants to “take calendar art and turn it into a meditation series in which the fans attempt to recreate Elvis’ existence as a tulpa.” You read that right. That went from calendar art to mysticism real fast.
take back what I said earlier. You may use this word again. You may in fact use
it if you take Laffoley’s advice and see these images of Elvis, he will become a
choose-your-own-tulpa-Elvis: Will you pick the Christmas Album Elvis or the Aloha
From Hawaii Elvis?
The Senate (America’s most powerful deliberative body, not the hotdog place on Vine Street) voted yesterday
to approve former P&G CEO Bob McDonald as head of the Department of
Veterans Affairs. The vote was 97-0, and while such approvals are
usually kind of a mundane procedural affair, they’ve been pretty
difficult with many Obama nominees due to a pretty rowdy, partisan
Senate. Some expected McDonald to have some trouble during the
process, but the near-unanimous vote signals a vote of confidence in
the former Army Ranger and Cincinnati native. McDonald has pledged to
make reforms to the troubled VA within 90 days of starting his new gig.
• Mayor John Cranley has indicated his pick for the city’s next City Manager — Harry Black, finance director for the city of Baltimore. Cincinnati City Council will choose between Black and current interim City Manager Scott Stiles, who has served since Milton Dohoney stepped down last year after Cranley’s election. Black, 51, grew up in a rough neighborhood in Baltimore and describes himself as “an inner city kid who has been fortunate enough to have some breaks.”
Black says he’ll put an emphasis on data-driven decisions and accountability. He sees a “tremendous” potential in Cincinnati and would like to shore up long-term financial planning here as well as create new ways for innovation to happen in the city.
Though Cincinnati would be his first time as a city manager, Black has served more than a quarter century in city government roles, mostly in finance, and has also worked in the private sector. While many praise his work, he’s also acquired a reputation for toughness. Before his job in Baltimore, Black served as chief financial officer in Richmond, Virginia, where he was involved in a long fight between the mayor and city council that earned him the nickname “Mr. Pitbull.” He says that’s a misleading name and that he’s grown from the turbulent times in Richmond.
• The city has unveiled the design for the streetcar’s power station. It appears the station, which will run power to the streetcar lines, will be a big rectangle on Court Street made out of bricks. It will also be adorned with artwork and some steel pieces, making it only slightly more visually interesting than the proposed GE building at The Banks.
What’s more interesting, to me, at least, is the logic behind the building’s location. It can’t go on Central Parkway, officials say, because of structural issues with the subway tunnels. And it can’t go in the subway tunnels because, according to the Business Courier, the long-term transit plan for Greater Cincinnati calls for the tunnels to be used for rail transit some day. I’m not holding my breath for the subway to start operating (that’s how many of my ancestors passed away), but it would be awesome to see rail travel going through those tunnels someday.
The city also revealed it will replace the 14 parking spaces the building would eliminate, answering concerns about parking loss due to the new structure.
• If you have plans this weekend that involve traversing
I-71, beware. The southbound side of the highway will be closed at the
Dana Avenue exit from Friday, Aug. 1 at 10 p.m. until Monday, Aug. 4 at 5
a.m. If you try to go that way, you’ll be routed along the Norwood
Lateral to I-75. Just a heads up.
• A recent piece on urban planning and development blog UrbanCincy.com asks some good questions about a large proposed 3CDC development at 15th and Race streets in Over-the-Rhine. The development, which is currently on hold, would look a lot like Mercer Commons just to the south, span most of a block, contain 300 parking spaces, 22,000 square feet of retail, and just 57 residential units. The piece questions whether the development as planned is really in the spirit of what residents want and what’s best for one of the city’s most promising pedestrian neighborhoods. It’s worth a read.
• Finally, a new Quinnipiac poll shows incumbent Gov. John Kasich, a Republican, up 12 points over his challenger, Democrat Ed FitzGerald. That’s a huge gap, with FitzGerald trailing badly in terms of the number of Ohio voters who recognize his name. Sixty-five percent of respondents said they had no opinion of FitzGerald. That’s bad news, but it’s better than the 15-point deficit FitzGerald had in May, the last time the poll was done. Still, he has serious ground to cover in the three months before the November election. The challenger has been campaigning for more than a year and a half on promises to make higher education more affordable and reform the state’s charter school system, among a number of other talking points. FitzGerald’s campaign is heavily outgunned financially, with just under $2 million to Kasich’s $9 million. The challenger’s campaign recently launched its first TV ad, though Kasich has been running them for months.
The Cincinnati Art Museum on Tuesday announced in this press release its new director, who is replacing Aaron Betsky. The latter announced his resignation late last year and left his post in May.
CINCINNATI - JULY 29, 2014 – The Board of Trustees of the Cincinnati Art Museum today unanimously voted to name Cameron Kitchin as the museum’s director. Kitchin, a nationally recognized innovator and leader in the museum field, comes to Cincinnati from the Memphis Brooks Museum of Art in Memphis, Tenn., where he served as director. Kitchin will begin in his new position on Oct. 1. He will report to the museum’s Board of Trustees.
“On behalf of the Board of Directors of the Cincinnati Art Museum, I am excited to announce the appointment of Cameron Kitchin as our new director,” said Marty Ragland, president of the Board of Trustees and co-leader of the search committee. “From Day 1, our members and patrons, as well as members of our search committee, board and staff, agreed that, in addition to being an accomplished museum leader, our new director must have a passion for art, be a strategic thinker and embrace our city with the goal of bringing people to the enjoyment of art. We found these qualities and many more in Cameron.”
Kitchin will oversee the entire institution, including collections, staff, facilities, exhibitions, research resources, education and outreach programs, external relations, fundraising and administrative activities. As an arts and cultural leader, Kitchin will initiate, maintain and develop new partnerships and collaborations in Cincinnati, the state and the region to enhance and support the Cincinnati Art Museum’s mission to bring people and art together in ways that transform everyday lives and the community.
Kitchin’s appointment comes at the end of a nearly seven-month search by the committee led by Ragland and board chairman Dave Dougherty. The Board of Trustees also hired professional search firm, Russell Reynolds Associates, to help guide the process. Kitchin won the unanimous vote of the search committee prior to going to the board vote.
"I am greatly honored to be appointed to serve as director of the Cincinnati Art Museum,” Kitchin shared. “I look forward to joining with the Cincinnati community to grow the museum's role in the life of our new city. I have long admired the Art Museum’s exhibitions, programs, collections and transformative educational initiatives. I am excited now to lead a team of talented professionals and supporters, with our dedicated trustees, to expand the impact and to broaden the reach of the museum to serve all Cincinnatians."
Kitchin led the Memphis Brooks Museum of Art, one of the South’s leading art museums, for six years. He oversaw the growth of the museum as a community-based institution, leveraging the museum’s significant collections and history to forge new partnerships with a wide network of cultural institutions, educational entities, universities and social service agencies. Under his leadership, the Brooks engaged in rigorous new educational initiatives, pursued exciting original scholarship and successfully achieved broad appeal in exhibitions and programs. Kitchin led the museum through two comprehensive strategic plans, a capital plan and a groundbreaking program in early childhood education in partnership with the Smithsonian Institution. Other significant new achievements included art therapy, Alzheimer’s services, teen art programs and overhauls of critical museum systems, collections databases and security infrastructure. Kitchin’s innovations and effectiveness in reaching new audiences across the entire community, building bridges through public service and leading a diverse and talented professional museum team drew the attention of the Cincinnati Art Museum’s search committee. In addition, Kitchin’s use of technology as a tool for exploring art and his creative public programming impressed the museum’s board.
Prior to joining the Memphis Brooks Museum of Art, Kitchin served as executive director of the Virginia Museum of Contemporary Art, the statewide contemporary art museum in Virginia. During his six years there, he led the museum through a comprehensive institutional revitalization, increased visitation and achieved a balanced budget every year. He also mounted numerous acclaimed exhibitions of national and international note while simultaneously opening the doors to new audiences through creative programming. His successful completion of a major capital campaign and commitment to social discourse at the museum raised the museum to new heights during his tenure.
Previously, Kitchin managed Economics Research Associates’ national consulting practice for museums and cultural attractions for three years in Washington, D.C., and led the economics component of Washington’s Museums and Memorials Master Plan, as well as studies for the Newseum and National Law Enforcement Museum in Washington, D.C. In previous engagements, he directed the American Alliance of Museums’ strategic planning process, headed AAM’s national political campaign in support of museums and led a complex digital copyright initiative for museums.
Kitchin is an active member of the Association of Art Museum Directors and has served on numerous task forces, including one on AAMD’s national standards on deaccessioning and broadened and diversified the membership of the association as an appointee to the AAMD membership committee. He received a bachelor’s degree in fine arts from Harvard University in 1993 and an MBA with a concentration in not-for-profit and museum management from the Mason Graduate School of Business, William & Mary in 1999. Kitchin was also selected from among top international museum professionals to participate as a residential program fellow in the Getty Leadership Institute’s Museum Leadership Institute, the most rigorous and longest-established academic program for interdisciplinary museum leadership, in 2008. He is also an AAM accreditation peer reviewer, an IMLS national grant panelist and an active leader in numerous professional associations and societies.
Kitchin will relocate to Cincinnati this fall. He will be joined by his wife Katie - a national public policy expert in homelessness and child and family wellbeing - and his three young children, ages 10, 7 and 3.
Good morning all! Here's what's happening today.
A Hamilton County judge yesterday ordered the city to pay back the $4 million it borrowed from neighborhood funds in 2012. We reported on that money and other budget-related cuts to neighborhood funds in June. Common Pleas Judge Robert Gorman wasn’t amused, called the arrangement, which borrowed a total of $5 million from 12 neighborhoods, “creative financing.” He ordered the city to avoid such arrangements in the future. The city has paid off $1 million of the loan and had originally intended to pay the rest back in 2015. But that repayment was pushed until 2017 in Mayor Cranley’s recent budget. Now, the remaining money will be paid back on a court-ordered timeline that has not yet been set. The city hasn’t budgeted for that quicker repayment, though it says giving the money back won’t affect city services. The city originally borrowed the money to cover a debt to Cincinnati Public Schools.
• Mayor Cranley announced yesterday that the city is willing to commit $200,000 a year for 25 years toward upkeep of Union Terminal, a show of support that seems aimed at convincing Hamilton County Commissioners to put the so-called icon tax on the November ballot. The Cultural Facilities Task Force, a group of business leaders tasked with finding ways to renovate the crumbling train station as well as the city’s historic Music Hall, suggested the .25 percent tax hike earlier this summer as the best way to raise some of the estimated $330 million or more needed to fix up the buildings. The city already pays the $200,000 a year to help with Union Terminal’s maintenance requirements, but it isn’t required to do so. Cranley’s proposal would simply lock that amount in long-term.
• Dog owners in Cincinnati could soon be held more responsible for vicious pets. When it gets together again next week after its summer recess, City Council will consider an ordinance proposed by Councilman Chris Seelbach that would impose up to six months in jail for owners of dogs who seriously injury people. The proposed law doesn’t stipulate certain breeds and kicks in the first time a dog injures someone. Currently, no such penalties exist. A violent attack on a 6-year-old girl by two pit bulls in June resulted in only a $150 fine for the dogs’ owner.
“For decades the city of Cincinnati has given a free pass to owners of dangerous and vicious dogs who attack children, adults and other pets in our community," Seelbach told The Enquirer. "The vast majority of these attacks are due to negligent and irresponsible owners. It's time to eliminate the free pass."
• More trouble for the Department of Veterans Affairs, and this time it’s local. According to a federal report released Monday, accusations have surfaced that the Cincinnati VA hospital engaged in manipulation of patient wait-time data. Officials at the 277-bed hospital in Corryville altered records to hide the amount of time patients had to wait for care, according to an anonymous whistleblower cited in the report. Charges of record manipulation covering up long wait times for patients have brought intense scrutiny to the entire VA, sparking further investigation of 112 VA clinics nationally. Wait time data is tied to employee performance reviews and bonuses.
• After years of preparation, school districts in Ohio are gearing up for final implementation of national Common Core educational standards. As they do so, Republican lawmakers in the statehouse are working to repeal those guidelines. State Rep. Andy Thompson of Marietta has introduced a bill to replace Common Core with state-specific benchmarks based in part on those used in Massachusetts. Thompson calls Common Core “the wrong road.” The standards were developed by education experts and politicians over a number of years and focus more on critical thinking skills in math and reading. The new benchmarks have caused criticism from both conservatives and liberals, however. Those to the right say the standards represent a federal takeover of education, while some on the left see massive benefits to large education companies like Pearson and see a corporate takeover of the school system.
• Hey, y’all seen that Snow Piercer movie? So this next thing is just like that, but also kind of the opposite. Basically, both are icy and really dystopian. If you’re the kind of person who is really into apocalyptic stuff, you’ve got $20,000-$40,000 lying around and you’re also into irony, have I got a deal for you. You can now take a climate change-themed cruise ship through parts of the arctic that, until recently, were impassible by boat due to, you know, being covered in ice like they're supposed to be. However, thanks to global warming, it's now possible to take a luxury liner from Alaska, swing north of the Arctic Circle, pop out near Greenland and be in New York City a month later. And for only the average yearly salary of a school teacher, you can do it.
The high end of the price range will get you a penthouse suite on the ship, all the better for watching sea waters rise and arctic seals and polar bears
cling desperately to ice floes bask in the newly balmy temperatures. The 68,000-ton,13-deck, 1,000-passenger ship, which has three times the per-passenger carbon footprint of a 747, is called the Crystal Serenity, of course, because nothing is more serene than watching the planet come apart at the seams before your very eyes. Pure magic.
It's Monday and stuff is already getting crazy. Here's the good, the bad and the befuddling in the news today.
Butler County Sheriff Richard Jones shared his thoughts Friday on… something… ostensibly related to Cincinnati Mayor John Cranley’s recently announced immigration initiative. The initiative looks to attract documented immigrants who will contribute to economic growth in the region. Jones, who is well known for his vocal and strident opposition to immigration, went somewhere else entirely with it. Of note: Jones doesn’t seem to know the mayor’s name, calling him “Mayor Cranby” on 700 WLW. Anyway, Jones applauds Mayor
Cranberry’s Cranley's plan, or the imaginary version of it he's conjured, for some fairly nontraditional reasons. I’ll just let him tell ya what’s on his mind:
“I want [Cincinnati] to be a haven for illegal aliens also,” he said. “Really I do. If Cincinnati, with all the violence, the killings they have every night in downtown Cincinnati … anybody that’s illegal in the country, let alone in Butler County, I encourage them to go there. If you’re listening today, if you’re illegal, you’ve committed crime, the mayor, Cranley or Cranby or whatever his name is, wants you to come to Cincinnati. I encourage it.”
Jones, you see, is freaked out about all the undocumented folks streaming into Butler County and would rather they come to a place like Cincinnati where someone gets shot downtown every night (note: this is not even remotely reality, but let’s keep moving). Jones was making the rounds Friday, also appearing on Glenn Beck’s The Blaze (where, puzzlingly, he posed in front of a picture of Cincinnati's skyline, probably because Hamilton's isn't nearly as epic or dangerous-looking). He went on the show to raise alarms about the incredibly dangerous influx of undocumented immigrants caused by Obama’s lax immigration policies and the upswing in horrific crimes that has happened since. Oh, and they’re going to spread disease because they haven’t been immunized. Jones is worried about that, too.
Except a few things. State data shows crimes in Butler County have been steady or falling since 2007, including the drug-related crimes and violent offenses Jones cites. And while the sheriff vaguely highlighted a couple tragic and genuinely reprehensible individual examples, the flood of immigrant-related crime seems hard to find statistically. Also, epidemiologists say that refugees and immigrants coming from Mexico and Central America often have similar or even greater vaccination rates than U.S. citizens and pose little threat of spreading diseases. Finally, pinning a surge in illegal immigration on the Obama boogeyman is tough, since his administration has been pretty active in deporting undocumented immigrants. But, y'know, immigrants are scary and all.
• LumenoCity organizers have something new in store this year: an interactive website, app and social media presence that will stream the event live as well as aggregate social media posts about the event, which takes place in Washington Park and combines a Cincinnati Symphony Orchestra performance with a dramatic light show projected onto Music Hall. The interactive portion will be introduced during the July 31 dress rehearsal, which has been opened up to an audience due to overwhelming demand for tickets to the event, which takes place Aug. 1 through Aug. 3.
• While you’re at LumenoCity this weekend — or, if you didn’t get tickets, hanging out around the park craning your neck to see what’s going on — you can pick up a new card designed to promote the arts in Over-the-Rhine. The Explore OTR card will be distributed by the small arts organizations in the city like Know Theatre and the Art Academy. After you’ve used the card at five of these smaller venues, you can redeem it for deals at larger arts organizations like the Cincinnati Symphony Orchestra. Pretty cool.
• After some stinging criticism of General Electric’s proposed new building at The Banks, some hand-wringing has commenced as to whether the gargantuan, decade-in-the-making development along the Ohio River is too boring (spoiler: probably).
A quote from Jim Fitzgerald, who sits on the city’s Urban Design Review Board:
"We have been disappointed with the quality of architecture on The Banks to date other than the stadiums. The stadiums are of reasonably good architecture, but the other buildings are very vanilla, very uninteresting, very disappointing."
The review board looks at all plans for buildings before construction begins, though their role is strictly advisory and their advice to the city is non-binding. Others, including city and county leaders, have pointed out that all the buildings currently constructed or planned for the site meet the standards the city has set out and say that the project is a work in progress.
• I’m always trying to get my out of town friends hooked on Cincinnati chili, with varying degrees of success. Skyline, it seems, is doing the same, making plans to open a fifth location in Louisville. Why Louisville? My guess: It’s just close enough that on a clear day, with the wind blowing just right, the fragrance of that sweet but spicy meat sauce wafts across the rolling landscape between the cities and entices Kentuckians the same way it does Cincy natives. Or there are just a lot of people originally from Cincinnati who now live there. Probably the latter. Currently, the chain operates stores in Ohio, Kentucky, Indiana and five locations in Florida, of all places. Go forth, Skyline, and spread the gospel of mountainous cheese and tiny hotdogs.
If you paid attention to the local theater season just concluded, you will recall that Cincinnati Shakespeare Company completed a herculean task: During its 20-year existence, the classic theater has produced all 38 of Shakespeare's plays. This summer three of Cincy Shakes' best actors are repeating the feat — sort of — with a production of The Complete Works of William Shakespeare (Abridged), opening tonight. Jeremy Dubin, Justin McCombs and Nicholas Rose will be careening through the comedies, histories and tragedies digging props, wigs and ridiculous costumes out of a trunk. This is a perfect summer laugh-fest, and it's been a predictable hit in past seasons for Cincy Shakes, so tickets are sure to sell fast. Through Aug. 11. Tickets ($22-$35): 513-381-2273.
Summertime musicals are another great tradition, and Cincinnati Young People's Theatre has been presenting them with big casts of high school students for three decades. In fact, the just-opened production of Footloose at the Covedale Center for the Performing Arts is the 33rd summer show. It's the stage version of the popular 1984 movie musical, and it's a perfect vehicle for youthful energy focused on a group of high school kids — despite a repressive conservative atmosphere, kids in a small farming town just want to dance and have fun. With Tim Perrino at the helm, CYPT has steered more than 2,300 teens through entertaining shows, and this one will be another notch in his director's belt, providing experience for performers and techies alike. Through Aug. 3, you'll be able to come out and "Hear It for the Boy"! Tickets ($12-$16): 513-241-6559.
I wrote a CityBeat column a week ago about John Leo Muething, an ambitious young theater artistic who's staging a couple of shows this summer at the Art Academy's auditorium on Jackson Street in Over-the-Rhine. His second of three shows, repertory theatre, will be produced this weekend (Friday and Saturday at 7:30 p.m.). It's about a timid young playwright who approaches a veteran director about his new play. With Shakespeare's Hamlet echoing throughout, things get wilder and wilder. This show was a hit at the Edinburgh Fringe for two years, and its original production is still touring in England; this is its U.S. premiere. Tickets ($10) at the door.
The Commonwealth Theatre Company's Route 66 winds up its run at Northern Kentucky University this weekend on Sunday. It's the tale of a band headed for the West Coast in the 1960s stopping at juke joints, diners, cheap motels and curio shops along one of America's legendary highways. Wes Carman, Roderick Justice, Dain Alan Paige and Joshua Steele play The Chicago Avenue Band. Dinner and the show ($30): 859-572-5464.
If Monday evening arrives and you're still yearning for something entertaining onstage, you can't go wrong with the next quarterly installment of TrueTheatre. This time around it's trueBLOOD, with the warning that if you cringe easily, this might not be the show for you. Whether it's stories that make your blood run cold — or just run — you can be sure that there will be first-person tales of memorable experiences. Great fun with a lively audience. One night only, Monday evening at 7:30 p.m. at Know Theatre. Tickets ($15, only a few left): 513-300-5669.
As we reported yesterday, Mayor John Cranley rolled out his new immigration task force at Music Hall. The volunteer group, made up of 78 community leaders split into five committees, will look for ways to make Cincinnati a welcoming city for immigrants with an eye toward economic development and growth. The initiative is in its early stages, with committees scheduled to report their findings and suggestions in December. No word so far on hot-button issues like undocumented immigrants, but you can read more about the task force and the work it will be doing in the above blog post.
The mayor also mentioned another immigration-related effort underway, though one unrelated to the task force. Catholic Charities of Southwestern Ohio and the Catholic Archdiocese are working to find ways to house some child refugees who have come to the U.S. through Mexico from Central America, fleeing turmoil related to drug violence in their home countries. The groups have applied for federal grant money through the Department of Health and Human Services to give about 50 refugee children a temporary place to stay in the Cincinnati area.
The massive border crossings have been called a humanitarian crisis and have drawn response from President Obama, Texas Governor Rick Perry, and many liberal and conservative groups. Perry, a staunch conservative, has taken the step of calling in National Guard troops to the Texas-Mexico border. Closer to home, Dayton’s Mayor Nan Whaley recently caused controversy with conservatives when she expressed willingness to house some of the child immigrants in Dayton. That led to a backlash from Republican U.S. Rep. Mike Turner, who represents Dayton in Congress. Turner called her comments “completely out of line.” Dayton has been engaged in efforts since 2009 to attract more immigrants to the city, though those efforts are focused on documented immigrants who can help the city grow economically.
The federal government works to move unaccompanied child immigrants out of federal facilities and into temporarily housing with “sponsors,” families or non-profit groups. So far this year, the government has placed about 30,000 children into such arrangements.
• Last month we reported on a lawsuit against the Ohio Bureau of Workers Compensation. The state has settled that suit, and now, local companies overcharged by the OBWC will be getting at least some of their money back. The state settled a lawsuit yesterday over unfair payment structures that gave big discounts on insurance rates to some companies while charging much higher rates to others. Local companies like BAE and non-profits like the Cincinnati Ballet are owed hundreds of thousands of dollars due to the payment scheme. The OBWC has changed how they calculate payments and will create a $420 million fund to repay companies overcharged by the scheme.
• Sen. Rand Paul, R-Ky., spoke today at the ongoing National Urban League Conference here in Cincinnati. Paul is a staunch libertarian conservative and tea party favorite who in the past has expressed some skepticism about parts of the 1964 Civil Rights Act, saying private businesses should be free to discriminate if they see fit. Paul has since walked back a bit on that, but statements like that make him an unlikely choice to speak at the civil rights organization’s big national gathering. He didn’t draw the biggest crowd of the conference, for sure, but he did touch on at least a couple issues relevant to the black community, including his ideas for changing mandatory drug sentencing laws. Current drug laws in the United States have contributed to the highly disproportionate incarceration rates faced by young black males, Paul says, and he’d like to change that. One proposal he'll be pursuing in the Senate-- ending the much higher penalties for selling crack over powdered cocaine. Paul also made his argument for libertarian policies that he says will increase the availability of jobs for everyone, including minorities. Paul has been reaching out to minority groups with mixed success as he builds up to his 2016 presidential bid. Meanwhile, Democrats are rolling their eyes at Paul’s attempts.
• Cincinnati set a Guinness World Record last night for most salsa dancers when more than 2,000 people danced at Fountain Square. The previous record was 1,600 dancers. The effort was put together by a number of community organizations to celebrate Cincinnati’s Hispanic community.
• Finally, if you’re like me after finishing a long article on the subject last week, you’re in too deep on the hot topic of charter schools and need some tips for how to uh, unwind. Luckily, Ohio Department of Education Communications Director John Charlton has some advice for anyone in this position. In a personal tweet sent out July 18, Chartlon advised opponents of charter schools to “take a break from muckraking and enjoy the weekend. Maybe you can get laid. Lol.” Charlton was responding to a tweet asserting that he thought “charter schools are OK no matter what shenanigans take place.” Laugh out loud!
Charlton deleted the tweet yesterday, and explained it this way:
"It was an offhanded comment made as a back and forth with critics who engaged me on my personal account," he said.
Bee-tee-dubs, keep an eye out for our piece on charter schools next week. It’s a deep dive into what’s up with Ohio’s charters. Until then, relax, enjoy your weekend, and maybe you can get… some pizza or something.
Mayor John Cranley today announced the creation of a 78-person task force that will work toward making Cincinnati "the most immigrant-friendly city in the country."
The effort will work to bring more investment from highly-educated and well-to-do immigrants to the area. Few specifics were offered about how the initiative would address the hot topic of undocumented immigration.
“This is a country of immigrants, and this is a place where immigration is rewarded and thanked,” Cranley said during a news conference at Music Hall. “We’re all going to be richer and better by being a friendly city for immigrants.”
The task force, which is all-volunteer and uses no city money at this point, will research ways to attract and retain immigrants in the city. The group will be split into five committees focused on economic development, community resources, education/talent retention, international attractions and rights and safety. The task force will be led by co-chairs Raj Chundur and Tom Fernandez.
Cranley cited economic studies suggesting that immigration is good for economic growth. Economic experts and politicians are split on the wider point of whether welcoming more immigrants overall aids the economy, though some researchers believe even undocumented immigrants are a net positive. Either way, there is much evidence to suggest well-thought-out programs to attract documented immigrants can help cities. Dayton began working to attract immigrants in 2009, and has received national attention for its program. Since the start of the program, more than 3,000 immigrants, mostly from Turkey, have moved to Dayton, helping to revitalize the city's blighted North Dayton neighborhood.
He specifically discussed the EB5 visa program, which rewards immigrants who invest between $500,000 to $1 million in their communities with a special long-term visa and the opportunity for citizenship. He said that program has helped spur development in the city, especially along the Short Vine area in Corryville.
“I can tell you this means a lot to me personally, because I and my family are immigrants to this country,” said University of Cincinnati President Santa Ono, who will lead the task force’s education committee. Ono said his time at UC has shown him just how important attracting and retaining immigrants is for the city.
Cranley hedged some on revealing how undocumented immigrants would fit into the plan, saying that was work the task force will need to do as it prepares its recommendations.
“The whole point of the task force is to look at these issues in depth and come back with specific recommendations,” he said.
The mayor did share one effort to help children refugees in the country’s ongoing border crisis, though it is unrelated to the task force. Catholic Charities Southwest Ohio CEO Ted Bergh is a co-chair on the task force’s community resources committee. That nonprofit group and the Catholic Archdiocese in Cincinnati are working to help house in dormitories and hopefully find temporary foster homes (called "sponsors") for about 50 kids who have crossed the border into the United States due to turmoil in Mexico and Central America.The groups have applied for federal grants through the Department of Health and Human Services to fund the effort.
Tons going on today in Cincinnati. Check it out.
Vice President Joe Biden spoke this morning at the National Urban League Conference, which is here in town this year. Biden’s speech touched on the challenges the black community has historically faced and the progress the country has made toward economic and social equality. But there are a lot of challenges ahead, the VP said.
“Both civil and economic rights are under siege in the aftermath of the great recession. We can’t be satisfied with where we are now in either civil rights or economic opportunities for African Americans,” he said. Biden called out new voting laws designed to “prevent fraud where no fraud exists” in states like Wisconsin and Pennsylvania. Ohio has attempted to enact new voting laws as well, limiting early voting times during which many black voters go to the ballot.
“We need to call this what it is,” Biden said. “This is an attempt to suppress minority voting masquerading as an attempt to end fraud.”
Biden also outlined the deep economic disparities facing African Americans, including lack of access to high-quality education and good paying jobs. But there's hope, he said, highlighting new jobs in technology and the medical industry. "If I made this presentation to you seven years ago, I wouldn't be so optimistic. But I'm telling you, this is a new era, not just because of this administration. We're better positioned than anyone in the world." But the United States needs to invest in education and infrastructure to capitalize on that opportunity, Biden said.
True to form, he sprinkled some scatter-brained levity into his talk, opening with wall to wall jokes. Biden’s daughter Ashley is on the board of the Urban League, he noted. “I should have had at least one Republican kid who makes money,” he joked. “That way, when they put me in a home, I get a room with a view.”
• Hundreds of folks from all over the city crowded into the Sharonville Convention Center last night to talk about the plan to hike sales taxes to pay for renovations at Union Terminal and Music Hall. Many supporters of the plan showed up, but there were some skeptics in the audience as well. One suggestion that popped up a couple times, and that Commissioners say they may consider, is splitting renovations of the two buildings. Some have suggested raising taxes by a smaller amount so that people across the county can help pay for the badly-needed renovations to Union Terminal, while saving less-urgent Music Hall for the city to fund. Other attendees at the meeting didn’t like the proposed tax plan at all, saying they felt it put too much burden on the county. Many of the plan’s supporters came sporting the yellow signs that are part of the Save Our Icons campaign, a local effort to raise awareness about the buildings and advocate for a renovation plan sponsored by the Cincinnati Museum Center and Music Hall Revitalization Company. The next and final public meeting on the plan before Commissioners decide whether it will go on the ballot will be at the Commissioners’ regular meeting at 11 a.m. on Monday, July 30.
• Former P&G CEO Bob McDonald is another step closer to becoming the head of the Department of Veterans Affairs after the Senate Committee on Veterans Affairs voted unanimously yesterday to endorse his nomination. The VA has been plagued by mismanagement, with serious questions arising about patient wait times and record keeping at the agency. Sen. Sherrod Brown is on the committee, and voiced strong confidence in McDonald.
“The VA is faced with many hurdles that it must overcome,” Brown said. “These hurdles are not insurmountable, and I am confident Bob McDonald will meet these challenges head-on.”
McDonald is a veteran himself, graduating from West Point and serving in the Army Rangers before his time at P&G.
“…I desperately want this job because I think I can make a difference,” McDonald told the committee yesterday.
• Cincinnati is the top city in the country for recreation, a new ranking says. A study done by finance website WalletHub.com puts our fair city on top of the nation’s 100 largest cities when it comes to having a good time. The study measured availability and affordability of various recreation—from parks to bowling to beer and wine—and then ranked cities accordingly. In all, 24 factors were considered. Most notably, the city is 2nd in the country when it comes to low prices for pizza and burgers. That’s the kind of metric I like to see. I may need to verify this during lunch hour today.
• A local non-profit called People’s Liberty has announced it will give out two $100,000 grants to Cincinnatians looking to make a difference in their community. Smaller grants will also be available for one-off projects and efforts. The group, which will be based in the Globe Building across from Findlay Market in northern Over-the-Rhine, is looking for “civic rock stars” who will use the money to try new, adventurous ways of getting people civically engaged. The grants will come with access to work space, support from staff, and connections with Cincinnati’s business and non-profit communities.
The coolest thing about this idea, I think, is the promise to make it inclusive and diverse.
"This is not going to be a playhouse for the hip," CEO Eric Avner told the Enquirer. "We will talk to everybody. We will listen to everybody. We will do it with intention."
• Finally, from the "weird crimes" file—the press secretary for a Pennsylvania Republican congressman was arrested late last week for trying to bring a loaded 9mm pistol into the Cannon congressional office building. Ryan Shucard, the press secretary for Rep. Tom Marino, tried to walk right through a security checkpoint at the building, which is just a block from the Capitol. Security found the weapon and magazine, and how Shucard is charged with carrying a weapon without a license, which is a felony.
Strangely enough, all of the regular content eye-catching words start with the letter “P.”
paucity: smallness of quantity, n.
reporters note that rockets fired from Gaza are aimed at Israeli civilians,
although they note the comparative paucity of Israeli victims,” in Ben L.
Kaufman’s Curmudgeon Notes. Yet again, another week of worthy comments on the
shortcomings of journalistic coverage. His comments on the reporting of the
Israeli-Palestinian conflict are important albeit hard to understand.
portend: to foreshadow, v. (used with an object)
“What does this all portend for the live presence of Clap Your Hands Say Yeah?” in Brian Baker’s Sound Advice for the CYHSY show. Actually, that’s a great question, considering the band used to have four members and at least three of them have left the group since 2011. I’m curious how this resolves itself on Fountain Square this Friday night.
prescient: to have knowledge of something before it exists, adj.
example of how prescient the Alvins believe Broonzy to have been …” in Steven
Rosen’s Bond of Brothers, describing the relationship two really old guys have
with a record done by an even older guy that they listened to in their
Worst Politicians Vocabulary
apprised: to inform or tell someone, v.
“Dayton explained he had been credibly, confidently apprised that the Capitol itself would be shortly laid waste by terrorists,” in Neal Karlen’s description of Minnesota Governor Mark Dayton. Who apprised him of that?
Also, who knew that someone who gave his own tenure in the Senate an “F” could be elected governor on a pity vote? I didn’t know it was so easy but then again, I don’t have $4 million to finance my own campaign.
moribund: in a dying state, near death, adj.
“A defrocked demagogue, she still pretends her Tea Party is a reactionary revolution, not a moribund refuge for the Republicans’ traditional bloc of bat-shit crazy far-right-wingers,” in Karlen’s bit on Minnesota U.S. Representative Michele Bachmann.
I hope Karlen’s use of moribund in relation to the Tea Party is accurate, but considering Bachmann’s talk of another presidential run in 2016, it may be wishful thinking. Karlen (if you ever read this), brace yourself because I’m sure you’ll have to cover that.
Shout-out to Karlen, by the way, for using one of my personal favorite phrases, “bat-shit crazy.” I keep trying to convince my mother it’s a thing because obviously, it’s a thing.
opprobrium: harsh criticism or censure, n.
“… Jan Brewer affixed her signature to the infamous, immigrant-bashing Senate Bill 1070 and rode a wave of xenophobia to electoral triumph… and liberal opprobrium,” in Stephen Lemons description of Arizona Governor Jan Brewer. It wasn’t just “liberal opprobrium,” considering the U.S. Supreme Court threw out a lot of the law as unconstitutional. Take that, Jan Brewer.
When I was learning how to insert the photos, our design editor specifically said, “Use the photo where she’s laughing like the devil.”
troglodyte: a prehistoric cave-dweller, a person of degraded character or a person unacquainted with affairs of the world, n.
“DeMint backed Todd ‘Legitimate Rape’ Akin, Richard ‘God Wants Rape Babies’ Mourdock and a host of other troglodyte true-believers,” in Chris Haire’s bit on South Carolina former U.S. Senator Jim DeMint. Troglodyte is the word of the week, hands down. Pick whatever definition you want, they all apply. Props to Haire for his ability to find the perfect word for such people. DeMint was one of my personal favorites on the list, for his views that gays and unwed heterosexual women having sex shouldn’t be allowed to teach in public schools. I’d love to hear his plans for unwed heterosexual men and how he would like to enforce these ideas.
state schools in Indiana (or at least Ball State) start school really early
(like August 18) so I’m heading back to Muncie and you lovely people only have
one more week until you probably won’t notice the fabulous words in CityBeat
anymore. Please return next week for my going away Fiesta Edition. I just made