Neil Patrick Harris hosted the 87th Oscars Sunday night. Let’s talk about it!
Having hosted multiple Emmy and Tony award shows in the past, quadruple-threat NPH (he sings, dances, acts and does magic) was well suited — cue Barney Stinson high-five — to the task. He did in fact sing, dance, act and do magic all while poking fun at the nominees, recreating significant movie moments and ad-libbing on the fly. Great job, NPH!
As far as the night’s trends, there were a few:
Using the acceptance speech as a bigger platform
While some folks stick to the traditional “Thank God, the Academy and my manager” speech, others used the time in the spotlight to address other issues. This is nothing new — Marlon Brando famously boycotted the 1973 Academy Awards for Hollywood’s treatment of Native Americans, arranging for Sacheen Littlefeather to attend in his behalf and decline the Best Actor award (for The Godfather).
This year’s acceptance speech shout-outs ranged from appreciating parents (J.K. Simmons) and supporting ecological sanitation and women’s rights (Patricia Arquette) to empowering the LGBTQ community (Graham Moore) and discussing immigration (Alejandro González Iñarritu).
Play someone with a disease, win awards
Again, this trend is far from new. The Academy — and audiences — love to see an actor transform, and portraying someone with a mental or physical condition can certainly do the trick. It’s not a surefire way to win an Oscar — just ask poor Leonardo DiCaprio (What’s Eating Gilbert Grape, The Aviator) — but the Oscars have looked favorably on roles like this in the past. And present: Eddie Redmayne won Best Actor for his portrayal of Stephen Hawking in The Theory of Everything; Julianne Moore was awarded Best Actress for her role as a woman with early-onset Alzheimer’s in Still Alice.
Ladies in White
Whiteness wasn’t just the hilarious subject of NPH’s first joke in the monologue (see below), it was also a prominent dress color for many attendees, nominees and performers. Patricia Arquette, Reese Witherspoon, Carmen Ejogo, Marion Cotillard, Lupita Nyong’o, Julianne Moore, Lady Gaga, Kerry Washington, Nicole Kidman and others all rocked white, channeling the snow that many of those not in L.A. were knee-deep in.
Now for a play-by-play recap of the event.
Neil Patrick Harris opened the show with a theatrical song, but not before making a joke about celebrating the “best and the whitest” – err, brightest film stars.
I like how the Oscars always start with the supporting
actor award to get people excited, only to spend the following hour busting
out all the technical awards and best picture nominee previews.
Best Supporting Actor
Ethan Hawke, Boyhood
Edward Norton, Birdman
J.K. Simmons, Whiplash
Mark Ruffalo, Foxcatcher
Robert Duvall, The Judge
Yay! Simmons has been in the acting game a long time and killed it in Whiplash. Totally deserved.He used the time to thoughtfully and thoroughly thank his wife, kids and parents and urged viewers to do the same. “Call your mom. Call your dad.”
Adam Levine continues to take over the world/every television program. He performed a song from a movie he was in (???).
The Grand Budapest Hotel
Into the Woods
The Grand Budapest Hotel
Guardians of the Galaxy
Makeup, hair and costume design awards went to the visually delightful The Grand Budapest Hotel. Costume designers always wear the best stuff, obviously Exhibit A: Milena Canonero’s sequined pants.
Oscar lobby boys officially became weird when they
held Channing Tatum's hand down the stairs.
Best Foreign Film
I love director Pawel Pawlikowski’s style — he just talked though the Oscars’ STFU Music Cue until it finally stopped playing! All bets are off now that we know the truth: Just. Keep. Talking.
The (not nominated) Lego Movie had its moment in the sun with an over-the-top performance of “Everything is Awesome.”
Best Live Action Short
Boogaloo and Graham
Butter Lamp (La Lamp au Beurre de Yak)
The Phone Call
Best Documentary Short
Crisis Hotline: Veterans Press 1
The Reaper (La Parka)
NPH recreated Birdman undies scene:
The Hobbit: The Battle of the Five Armies
Jared Leto showed up in Dumb and Dumber cosplay to present Best Supporting Actress; he also had a heavenly moment.
Best Supporting Actress
Patricia Arquette, Boyhood
Emma Stone, Birdman
Meryl Streep, Into the Woods
Keira Knightley, The Imitation Game
Laura Dern, Wild
Yay again! The Boyhood actress had this one in the bag. During her speech, Arquette promoted the organization GiveLove and gave a call to action to all the country’s mothers.
Captain America: The Winter Soldier
Dawn of the Planet of the Apes
Guardians of the Galaxy
X-men: Days of Future Past
The Bigger Picture
The Dam Keeper
Me and My Moulton
A Single Life
Feast director Patrick Osborne is a Cincinnati native and gave us a little shout-out.
How to Train Your Dragon 2
Big Hero 6
Song of the Sea
The Tale of the Princess Kaguya
Star T.J. Miller (Silicon Valley) was literally in the last row of the theater, but still managed to get the camera's attention as he celebrated in the nosebleed seats.
The Grand Budapest Hotel
The Imitation Game
Into the Woods
The Grand Budapest Hotel
The Grand Budapest Hotel
The Imitation Game
finally got her revenge on
Glom Gazingo John Travolta.
Yet he still managed to act like a fucking weirdo.
Finding Vivian Maier
Last Days in Vietnam
The Salt of the Earth
“Everything Is Awesome” (The Lego Movie)
“Grateful” (Beyond the Lights)
“I’m Not Gonna Miss You” (Glen Campbell … I’ll Be Me)
“Lost Stars” (Begin Again)
John Legend and Common won this right after giving a powerful performance of the song.
Alexandre Desplat, The Imitation Game
Alexandre Desplat, The Grand Budapest Hotel
Jóhann Jóhannsson, The Theory of Everything
Hans Zimmer, Interstellar
Gary Yershon, Mr. Turner
Lady Gaga gave the most “normal” — for lack of a better word — performance of her career with a tribute to The Sound of Music, proving that beyond the meat dresses and famous fiancés and 9-inch heelless platform monstrosities, Gaga is a talented entertainer.
The Grand Budapest Hotel
The Imitation Game
The Theory of Everything
In his acceptance speech, director Graham Moore revealed he tried to kill himself as a teen because he felt different. “Stay weird. Stay different,” he encouraged.
Wes Anderson, The Grand Budapest Hotel
Richard Linklater, Boyhood
Alejandro González Iñarritu, Birdman
Bennet Miller, Foxcatcher
Morten Tyldum, The Imitation Game
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
Eddie Redmayne, The Theory of Everything
Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
Reese Witherspoon, Wild
Julianne Moore, Still Alice
Felicity Jones, The Theory of Everything
Rosamund Pike, Gone Girl
Marion Cotillard, Two Days, One Night
The Grand Budapest Hotel
The Imitation Game
The Theory of Everything
Iñarritu dedicated the award to, among others, Mexicans and immigrants.
While I was rooting for Boyhood (a movie I will probably never stop talking about and encouraging people to see), I’d be remiss not to say Birdman deserved all the accolades it received. Overall, many of the year’s best films got some deserved recognition on a night that was entertaining for movie makers and lovers alike. Also, did this year's show break the record for tighty whitie references?
The FotoFocus Lecture and Visiting Artist Series at Cincinnati Art Museum will feature photographer Roe Ethridge on March 25 at 7 p.m.
According to FotoFocus, Ethridge — who works in both commercial and fine art photography — draws upon the descriptive power of photography and the ease with which it can be accessed, duplicated and recombined. He is considered a post-Modernist.
His work has been shown in such venues as MOMA/PS1, London's Barbican Center, Carnegie Museum of Art Boston's Institute of Contemporary Art, the 2008 Whitney Biennial (2008); and the Museum of Modern Art. In 2011 he was a finalist for the Deutsche Börse Photography Prize.
presentation at the museum is free and reservations are not required, though
parking for non-museum members is $4. More info here.
I don’t pay much attention to Groundhog Day for signs of spring, and Reds Opening Day is way too late to celebrate the promise of warmer weather. My key indicator for when spring is just around the corner is when Cincinnati-area theaters start announcing their upcoming seasons. (In fact, Cincinnati Landmark Productions was the first out of the gate a few weeks back; more about that in a moment.) But this evening’s big news is rundown of shows to be presented on the Cincinnati Playhouse in the Park’s two stages, the Robert S. Marx Theater and the Shelterhouse.
As Blake Robison enters his fourth season as the Playhouse’s artistic director, he says he does not approach a season in a thematic way. “Our priorities continue to be new works, culturally diverse works and family-friendly works.” He’s include several of each in the Playhouse’s 2015-2016 season, the Tony Award-winning regional theater’s 56th.
In particular, Robison has slated two world-premiere comedies, Native Gardens, a hilarious tale of clashing neighbors by Karen Zacarías, whose Book Club Play was a big hit for the Mount Adams theater two seasons ago, and The Revolutionists, an irreverent, girl-powered fantasia set during the French Revolution and written by one of America’s best emerging playwrights, Lauren Gunderson. (Know Theatre staged Toil and Trouble in 2013, and her 2014 script I and You won the American Theatre Critics Association’s 2014 Steinberg Prize.) In fact, girl-power has clearly arrived at the Playhouse: Half of the season’s productions are works by women.
In the family-friendly category, Robison has selected two shows based on classic novels: the musical version of Frances Hodgson Burnett’s The Secret Garden and a stage adaptation of Harper Lee’s To Kill a Mockingbird, the 1960 Pulitzer Prize winning novel that’s been much in the news recently with the announcement that a prior version of the story will be published later this year. The creators of the memorable show Fly — about the legendary Tuskegee Airmen — will return with Satchel Paige and the Kansas City Swing, their new Jazz-infused drama focused on African-American sports legend. Robison will also stage a captivating drama, Mad River Rising, set on an Ohio farm at the time of the horrendous floods of 1936.
Here’s a chronological rundown of what’s in store, with dates a few more details.
THE SECRET GARDEN, with book and lyrics by Marsha Norman and music by Lucy Simon. The show features Norman’s Tony Award-winning script, adapted from Frances Hodgson Burnett’s classic novel. It’s the story of Mary Lennox, orphaned at age 10, and sent from India to live with her aloof uncle in his foreboding English manor. There she discovers the locked-away secrets of an abandoned garden. It’s going to be staged by Marcia Millgrom Dodge, a Tony Award winner who staged Cabaret for the Playhouse in 2013. Robison says that this is the kind of musically complex show that is “what the Playhouse does.” Sept. 5-Oct. 3, 2015 on the Robert S. Marx Mainstage.
SEX WITH STRANGERS by Laura Eason. Playwright Eason has been one of the writers behind Netflix’s engaging series, House of Cards, staring Kevin Spacey. Robison tells me he’s wanted to stage this provocative, sexy and funny show since its 2011 debut at Chicago’s Steppenwolf Theatre because of its “intergenerational appeal,” but he had to wait until it had its Broadway debut last year. Associate Artist KJ Sanchez will stage this show that explores what happens when private lives become public domain as a famous blogger finds himself snowbound with a talented but unknown novelist. They’re attracted to each other, but envious, too. Sept. 26-Oct. 25, 2015 in the Thompson Shelterhouse.
MAD RIVER RISING by Dana Yeaton. The playwright is an acquaintance of Robison’s, and this 1998 work debuted in Vermont when Robison worked at a theater there. An 85-year-old man escapes from a nursing home and hides out in his family’s barn. As a boy, he saw his family’s home wash away and now “progress” is threatening to destroy the farm again. The story slips back and forth between past and present, and the production, which Robison will stage features music by a singer/songwriter also from Vermont. Robison calls the drama “poetic, poignant and utterly captivating.” Oct. 17-Nov. 14, 2015 on the Robert S. Marx Mainstage.
LOW DOWN DIRTY BLUES by Randal Myler and Dan Wheetman. For the holiday season on the Thompson Shelterhouse stage, the Playhouse will present a revue with musicians gathered for an after-hours jam session where they swap stories and play nearly two dozen tunes they love by Muddy Waters, Ma Rainey, Sophie Tucker, Howlin’ Wolf, Pearl Bailey and more. Myler was the creative force behind the Playhouse’s popular production of Love, Janis (about Janis Joplin) in 2005 as well as Hank Williams: Lost Highway in 2012, and he’ll be in town to stage this one, too. Nov. 7-Dec. 20, 2015.
For the 25th consecutive season, the Playhouse will present A CHRISTMAS CAROL Nov. 25-Dec. 30, 2015 on the Robert S. Marx Mainstage. I’ve seen it for most all of those years, and I never grow tired of Howard Dallin’s excellent adaptation. It uses 29 actors, many of them local professionals, and features veteran Bruce Cromer as the miserly Scrooge (it’s his 11th year in the role). Michael Evan Haney, who has staged the production every year since 1992 will return, too. The show, by the way is not part of any subscription package, but subscribers are eligible for discounts and early buying opportunities.
NATIVE GARDENS by Karen Zacarías. 2016 kicks off with a world premiere by the playwright whose Book Club Play charmed Playhouse audiences in 2013. Her new script is about how friendly neighbors become feuding enemies when their gardens and fences don’t quite align. One couple is Hispanic while the other is Anglo, and their disagreements escalate into an all-out war of taste, class, privilege and entitlement with hilarious results. Robison will stage this one, as he did her previous Playhouse show. Jan. 23-Feb. 21, 2016 on the Roberts S. Marx Mainstage.
THE REVOLUTIONISTS by Lauren Gunderson. As noted, Gunderson is a rising star in the theater world — and Robison has scheduled her new script to overlap for a few weeks with Zacarías’s show, resulting in simultaneous world premieres by women playwrights. In Gunderson’s new script, at the height of the French Revolution, four historic characters — playwright Olympe De Gouges, assassin Charlotte Corday, activist Angelle Ogé and former queen Marie Antoinette — conspire to escape the extremist forces swirling around them. Eleanor Holdridge from Catholic University in Washington, D.C., who has been working closely with Gunderson to develop the script, will stage this fantasy about how we change the world. Feb. 6-March 6, 2016, in the Thompson Shelterhouse.
TO KILL A MOCKINGBIRD by Harper Lee (adapted by Christopher Sergel). Set in Depression-era Alabama, it’s about precocious tomboy Scout and her brother Jem during a life-changing summer when their father, Atticus, a small-town lawyer, defends a black man accused of a crime he didn’t commit. The Playhouse was one of the first theaters to stage Sergel’s adaptation in 1993; it’s a slightly different version (with more roles and a different narrator) than the one, also by Sergel, presented by Cincinnati Shakespeare Company in 2012. The Playhouse’s newest artistic associate, Eric Ting, is slated to direct this one. March 5-April 3, 2016, on the Robert S. Marx Mainstage.
MOTHERS AND SONS by Terrence McNally. Another artistic associate, Timothy Douglas, will stage this show, which was a 2014 Tony nominee the year’s best play on Broadway. McNally, who has written more than 30 plays and musicals (including the Tony Award-winning Love! Valour! Compassion!) has created a drama about change, reconciliation and what it means to be a family. A gay couple have a happy life with their 6-year-old child until the mother of a former lover makes a surprise visit to their Manhattan home, two decades years after her son’s untimely death. No play by McNally has been presented at the Playhouse since 1990, so this exploration of the complexities of life that gay men face is a welcome addition to the Playhouse’s repertoire. March 19-April 17, 2016, in the Thompson Shelterhouse.
SATCHEL PAIGE AND THE KANSAS CITY SWING by Trey Ellis and Ricardo Khan. This new play focuses on the 1947 Negro Leagues when pitcher Satchel Paige was the king of baseball, despite his advancing age. But Jackie Robinson’s meteoric rise to fame overshadowed Paige who found himself hemmed in by many barriers. Ellis and Khan’s story of the Tuskegee Airmen, Fly!, used a tap dancer as part of the storytelling, and this one will use a Jazz musician who interacts with the characters in a similar vein. April 23-May 21, 2016, on the Robert S. Marx Mainstage.
BAD DATES by Theresa Rebeck. In 2005 and 2006 this play by Cincinnati born-and-bred playwright Rebeck was a big hit locally and nationally; the comedy was, in fact, one of the most produced plays in America for two years. A middle-aged woman and single mom who manages a restaurant and loves shoes, decides to start dating again. She talks and we listen while she gets ready for one dreadful date after another. Then a turn of events makes life all the more interesting. Originally presented on the Marx stage, this revival will happen in the Thompson Shelterhouse; Michael Haney, who staged it a decade ago, will return to make Cincinnatians laugh again. April 30-June 12, 2016.
For subscription information: 513-421-3888 or http://www.cincyplay.com.
Cincinnati Landmark Productions has a lot to offer, too
Cincinnati Landmark Productions is growing, complementing its productions at the Covedale Center for the Performing Arts with a new venue, the Warsaw Federal Incline Theater. A month or so ago artistic director Tim Perrino laid out more than a dozen productions that will be happening during 2015-2016.
“We’ve created distinct seasons of exciting show titles that our audiences will absolutely love,” he said at the time. “The Covedale season will represent the legacy of our company, while the Incline will be an expansion of our programming. Together, they deepen the impact of Cincinnati Landmark Productions in the communities we call home.” Audiences have flocked to the Covedale (4990 Glenway Avenue) in recent years, leading to an expansion of runs from three to four weeks as annual attendance grew from less than 14,000 in 2003 to more than 37,000 in 2014. Perrino hopes for similar success at the Incline Theater (801 Matson Place, East Price Hill).
This summer the Incline will offer three “summer classics” — somewhat in the vein of shows that Cincinnati Landmark once presented on the Showboat Majestic. They are Mel Brooks’ hilarious showbiz spoof, The Producers (June 3-21); 1776 (July 8-26), the story of America’s patriotic heritage by Sherman Edwards and Peter Stone; and Dolly Parton’s 9 to 5 (August 12-30), the story of women in an office who take administration into their own hands.
The Covedale will offer a “Marquee Series,” a half-dozen productions between September and May. On the schedule are classically entertaining musicals and comedies — A Chorus Line (Sept. 3-27), the story of a dance audition process for a Broadway show; Fox on the Fairway, a comedy by Ken Ludwig (author of Lend Me a Tenor); Mary Poppins (Nov. 27-Dec. 20), a perfect storybook musical for the holidays; Neil Simon’s Chapter Two (Jan. 21-Feb. 14, 2016), a laugh-infused tale about getting back into the dating game; She Loves Me (March 10-April 3, 2016), from the creators of Fiddler on the Roof, a Tony Award Winner from 1964 about two shop clerks who don’t see eye to eye but unwittingly become romantic pen pals; and Brigadoon (April 28-May 22, 2016) by Lerner and Loewe (the guys who created My Fair Lady), the story of a town in Scotland that that vanishes only to reappear once every 100 years.
While those shows are happening on Glenway Avenue, the energetic folks at Cincinnati Landmark have mapped out a more mature set of shows for the Incline Theater, starting with William Mastrisimone’s Extremities (Sept. 30-Oct. 18), about a woman who turns the tables on a would-be rapist with complicated results. Subsequent productions will be Jonathan Larson’s groundbreaking, Tony Award-winning musical Rent (Dec. 2-20) about impoverished artists trying to survive in New York City; Avenue Q (Feb. 17-March 6, 2016), the hilarious musical featuring puppets that’s about a neighborhood quite a few blocks from Sesame Street — it deals with adult issues, but it’s funny and heartwarming; and another searing drama, David Mamet’s Glengarry Glen Ross (April 6-24, 2016), about the lives of four desperate real estate agents in Chicago who are willing to do anything to win.
Seasons like these are big undertakings for this ambitious theatrical organization. With a new 220-seat Incline adding to the 385-seat Covedale, we can expect a lot of Cincinnatians will be heading west for these enhanced theater choices.
For subscription information: 513-241-6550 or http://cincinnatilandmarkproductions.com.
Good morning y’all. I’m fresh off my epic, hour-long alpine adventure, also known as my walk to work. Did you wonder what happened to all the snow that had been on the roadways as you were driving leisurely to work this morning? It's now piled in mountains on the sidewalk by city snowplows. Thanks guys. I do have to say a city worker in a Bobcat drove by yesterday while I was digging my lady friend’s car out of the snow. He looped back around and with three or four quick maneuvers did what would have taken me 20 minutes with a shovel. Driving one of those things is an art, and I have met its Picasso.
Enough grumbling. It’s news time. Mayor John Cranley is, as the kids say, stacking cash (note: kids these days don’t actually say that). Cranley collected more than $250,000 at a Feb. 17 fundraiser for his re-election campaign. That may be the biggest haul ever for a city candidate, according to Cranley’s campaign, which is all the more impressive because Cranley doesn’t face reelection for almost two years. A ton of big names were in attendance at the event, and it seems like the city’s movers and shakers are backing the mayor.
Reds owner Bob Castellini was a host. So were Western and Southern CEO John Barrett, two members of the Lindner family and PACs from Kroger and Procter & Gamble. Cranley’s already got his eye on the election, having hired his campaign manager and setting a fundraising goal of $2 million. That’s a huge sum of money, some of which could go to help out allies in their City Council campaigns, though Cranley has said he won’t be doing that, focusing the cash on his own bid. Another possibility: Is Cranley setting such ambitious goals as a demonstration of his fundraising abilities so he can set up a bid for a higher office down the road?
• The federal government has said it will give $110 million to build a new facility in Cincinnati for the National Institute for Occupational Safety and Health. U.S. Sen. Sherrod Brown has been instrumental in securing the funding for the building, which will replace two aging facilities in the city, the Robert A. Taft Laboratory in the East End and the Alice Hamilton Laboratory in Pleasant Ridge. The new facility will consolidate them, making work easier for the federal employees there.
The Center for Disease Control oversees NIOSH. The agency researches ways to prevent injury and illness caused by occupational hazards, making recommendations to other federal agencies. The Cincinnati labs employ about 550 people. It’s not clear where the new labs will be located, but the Uptown Consortium, which represents major businesses and institutions in the Clifton, CUF, Corryville and Avondale neighborhoods including UC and several hospitals, is making a big pull to get the 14-acre site in that area. Other neighborhoods looking to get the facility include Bond Hill.
• Cincinnati anti-abortion activist Dr. John Wilke has died. He was 89. Wilke founded Greater Cincinnati Right to Life and Ohio Right to Life in the 1970s with his wife Barbara as debate swirled about a woman’s right to choose. The two groups have been incredibly active in the decades since as the issue has continued to be one of the country’s most intense and divisive. Wilke also served as head of national and international pro-life groups. Among Wilke’s more controversial assertions: that the stress caused by rape made it very unlikely a woman being raped would become pregnant. Other doctors and experts have since challenged that assertion, calling it bunk science and a cruel perspective on a terrible experience. Last month, Wilke released an autobiography about his time as a pro-life activist.
• A lawsuit over decades-old corpse abuse at the Hamilton County Morgue is in court today. The case involves the behavior of former morgue employee Kenneth Douglass, who was convicted six years ago of sexually abusing three bodies while he worked at the morgue. The families of the women whose corpses were abused have sued the county, charging that it should have known Douglass was engaging in illegal behavior at the facility and fired him. County officials and the estates of the former county coroner and supervisor, who the family also named in the suit and who have both since died, say they couldn’t have known Douglass would engage in behavior so abnormal and unpredictable.
• Has Kentucky held the wrong man in prison for 27 years? Some evidence suggests that might be the case. The Kentucky Innocence Project has been working on the case of William Virgil, who was convicted for the 1987 killing of psychiatric nurse Retha Welch in Newport. Virgil was convicted based on witness testimony, though some of those witnesses have since been discredited. Meanwhile, DNA evidence tested since the trial suggests Virgil may not have committed the crime. His DNA wasn’t found at the crime scene, Virgil’s advocates point out, and hers was not found on his clothing. The state is waiting for more tests to be done, but the Kentucky Innocence Project holds that there isn’t enough evidence against Virgil to hold him in prison.
Performance and Time Arts (PTA), a project of Contemporary Dance Theater, is the longest-running performance art showcase in the city, but until this weekend it has never been host to a single production. One Way Road on a Two Way Street, an original multi-act examination by an all-female cast of unrequited love and its ramifications, debuts Friday and Saturday at the College Hill Town Hall. Producer, flugelist (yes, someone who plays the flugelhorn), dancer and choreographer Shakira Rae Adams reveals that the theme is derived from personal experience. “A certain woman has sparked this creation — someone very close to my heart,” she says.Acts include spoken word, dance, live and recorded music, visual media and theater. A post-performance reception offers pastry treats from Oliver’s Desserts.
Adams, born in Findlay, Ohio, is an outgoing personality with a contagious smile who describes herself as an “outside-the-box nerd.” Her life so far has included pre-med and nursing studies, work as a doula (a person trained to assist in childbirth) and a trip to West Africa, from which she brought back the African dance techniques she uses to teach her own choreography. Oh, and she also designed and teaches a class on the dissection of the human body for kids 5-14.
“I found dance through jazz dance, and it’s help me keep my sanity,” Adams says. “I think music and science and dance