Know Theatre of Cincinnati
Andrew Hungerford, Know Theatre’s artistic director, has pointed out that the coming season is the company’s 18th, and that at years of age, “We’re ready to do everything that entails: step into a wider world, fall in love, confront loss, get a crazy summer job, have a history lesson, party with some college kids, give up our childhood toys, obsess over Star Wars again, rail against poverty and injustice, engage in civic discourse, major in the sciences and then, maybe, take a trip to the beach.” Know is planning a lot of shows including works that are entertaining and socially conscious and that offer lots of opportunities for local artists.
“As we near the 10th anniversary of moving into our home at 1120 Jackson St., I think we’re getting ever closer to the vision that Know Theatre’s leadership has always had for this space,” says Producing Artistic Andrew Hungerford. “From our mainstage to Serials to Fringe, there is so much happening on our stages. It really is a theatrical playground here. And seeing the Underground filled with an audience eager to be a part of the next crazy thing we make reminds me exactly why I took this job.” Hungerford is completing his first season of artistic leadership. Here’s what’s in store for his second:
Serials 3: Roundhouse (Late June) will be another stab at short-form theater. This time out there will be five playwrights involved in creating five episodic plays. Each week they’ll trade who’s writing which story.
One-Minute Play Festival (July 10-12, 2015) This event will invite writers to consider the world around them, their cities and communities and the ways they view the world, then write topical moments that say something about what’s happening here and now. The results, probably 70 to 90 of them, will be put together into three evenings of performance.
Hundred Days (July 24-Aug. 22, 2015). This is a show conceived by the Bengsons, a singer-musician couple who have been Cincinnati Fringe festival favorites, and they workshopped it here in 2011. It’s about a couple whose time together is cut short by a fatal illness. They decide to live the 100 days left as if it were the 60 years they had hoped for.
The Hunchback of Seville by Charise Castro Smith (Oct. 9-24, 2015) with CCM drama students, will be staged by CCM drama faculty member Brant Russell. Set in 1504 in Spain, it’s an irreverent comedy that turns historical atrocities on their heads.
Andy’s House of [blank] by Paul Strickland and Trey Tatum (Oct. 30-Nov. 14, 2015). This will be a fully staged version of the show that was presented in 15-minute increments across the five evenings of Serials 2: Thunderdome. (It’s the only show that made it through five weeks.) It’s a small-town, mystery-spot, time travel musical about an unusual man who runs a store that’s an every changing emporium of oddities. Strickland and Tatum are Fringe Festival veterans.
All Childish Things by Joseph Zettelmaier (Nov. 20-Dec. 19, 2015) is about three guys who still have Star Wars on the brain, despite being 30 years old. It’s set in Norwood, and the fact that Kenner, designer of Star Wars toys was headquartered in Cincinnati, is important to this story. This production happens right around the time that Star Wars: Episode VII – The Force Awakens will be in movie theaters. The playwright has been recognized several times by the American Theatre Critics Association, including this play in 2006.
The Naughty List by OTR Improv at Arnold’s Bar & Grill (December 2015) picks up on the Star Wars theme, too. This holiday iteration is subtitled, “The Jolly Awakens.”
Serials 4! (January 2016). Another round of episodic storytelling.
BlackTop Sky by Christina Anderson (Jan. 29-Feb. 20, 2016) is a story about love, violence, community, mental illness and the line between poverty and true homelessness. Kimberly Faith Hickman, the New York City-based director who staged Know’s thought-provoking production of The Twentieth-Century Way in April 2014, will stage it.
Beertown by dog & pony DC (March 2-19, 2016) is another crossover by a Fringe Festival act: dog & Pony performed A Killing Game here in 2013. For this show, they’ll present alternative tales about our town’s history and we get to choose which version we like — a mash-up of choose your own adventure and maybe a murder mystery dinner party. Every performance begins with a dessert potluck; audiences are encouraged to bring a dessert to share.
Silent Sky by Lauren Gunderson (April 15-May 14, 2016), one of America’s hottest young playwrights. Know presented her Macbeth-themed script, Toil and Trouble back in 2014, and the Cincinnati Playhouse is giving her new play The Revolutionists its world premiere in February 2016. Silent Sky is the true story of 19th-century astronomer Henrietta Leavitt and a group of revolutionary women who found a way to measure the universe.
The thirteenth annual Cincinnati Fringe Festival happens in late May and early June 2016. Followed by one more (June 24-July 16, 2016) show that’s still TBA (June 24-July 16), but Hungerford hints that it could be by Steve Yockey, whose surreal Pluto was staged by Know early in 2014.
New Edgecliff Theatre
New Edgecliff Theatre has announced three shows for its 2015-2016 season, planned for a new Northside venue at St. Patrick’s Church. “These are plays that challenge the way the characters view their lives and the circumstances they find themselves in,” says Producing Artistic Director Jim Stump. “They are stories of how much can change when you change how you look at things.”
Frankie and Johnny in the Clare de Lune by Terrence McNally (Sept. 17-Oct. 3, 2015). Jared Doren staged an excellent production of William Inge’s Bus Stop for NET in 2013, and he’ll be back to put together this show about a pair of lonely, middle-aged people whose first date ends with their tumbling into bed. Things head in different directions from there. This show, which debuted in 1987, had a sterling production at the Cincinnati Playhouse back in 1989; the Playhouse presents a new play by McNally, Mothers and Sons, in the spring of 2016.
The Santaland Diaries (Dec. 3-19, 2015) is a reprise of David Sedaris’s very funny monologue about working as an elf in Macy’s Santaland in New York City. This holiday staple has been missing from local stages for two seasons; it will be fun to see it again.
The Shape of Things by Neil LaBute (April 14-30, 2016). Former NET artistic director Elizabeth Harris will direct LaBute’s 2001 play about a man who thinks a woman is romantically interested in him when she’s actually using him as the subject of her MFA thesis project.
Under the management of new artistic director Maggie Perrino, Covington’s Carnegie will present four productions of well-known theater titles in the Otto M. Budig Theater.
Company by Stephen Sondheim and George Furth (Aug. 15-30, 2015) is about a single man and his married friends. The show, which won a dozen Tony Awards in 1971, has some of Sondheim’s greatest musical numbers, including “The Ladies Who Lunch,” “Getting Married Today” and “Being Alive.”
Sleuth by Anthony Shaffer (Nov. 7-22, 2015) is about playing games, but in this tale, the games are deadly serious. Veteran director Greg Procaccino will stage this famous Tony Award winner, a whodunit that will keep audiences guessing from start to finish.
The Wizard of Oz by L. Frank Baum, music and lyrics by Harold Arlen and E. Y. Harburg (Jan. 21-31, 2016) will be the Carnegie’s “lightly staged” musical for the coming season — a production that puts music and storytelling over physical staging. The production will feature the Kentucky Symphony Orchestra, led by J. R. Cassidy, performing all the tunes from the classic 1939 movie.
The Last Five Years by Jason Robert Brown (April 9-24, 2016) is an excellent contemporary musical (from 2001) about Jamie and Cathy, a young couple going through a divorce. His story and hers travel in opposite directions through time. Brown is one of the best of Broadway’s next generation of composers.
Commonwealth Dinner Theater
This company offers professional productions with dinner at Northern Kentucky University during the summer months. Productions are often sold out, so be sure to call early to reserve tickets (859-572-5464). This summer’s shows have characters from opposite ends of the age spectrum.
The Sunshine Boys (June 3-21, 2015) is Neil Simon’s 1971 comedy about two aging vaudevillian comics who have grown to hate each other after 40 years of working together. They’re reuniting for a special about the history of comedy, but keeping them on the same page is no easy task.
The 25th Annual Putnam County Spelling Bee by William Finn and Rachel Sheinkin (July 8-26, 2015) is about a contest featuring six quirky adolescents, overseen by three oddball adults. Its 2005 Broadway production was a surprise winner of several Tony Awards. Brush up on your spelling and you could be one of several audience members invited onstage to test your skills against the “kids.”
In its second year as a degree program, Xavier University Theatre is undertaking an ambitious season that features two Broadway musicals, a world premiere and a contemporary drama, staged by former Cincinnati Playhouse artistic director Ed Stern.
The undergraduate actors at Xavier will give Cincinnati audiences a second chance to see The 25th Annual Putnam County Spelling Bee (Oct. 22-24, 2015).
Stern will direct Kenney Lonergan’s This Is Our Youth (Dec. 3-6, 2015), the story of three wayward young people navigating New York in 1982 as they try to thread their way into adulthood.
In an especially challenging endeavor, the theatre program will present three plays in repertory during a two-week stretch (Feb. 17-28, 2016): Miss Julie by August Strindberg will be staged by veteran actress Torie Wiggins; Betrayal by Harold Pinter will be staged by another stage veteran, Bruce Cromer; and a new play by student playwright Tatum Hunter, Eve, will be staged by Bridget Leak.
Jonathan Larson’s rock musical Rent (April 21-24, 2016) will round out the season. It’s another Tony Award winner — and it landed a Pulitzer Prize, not often bestowed on a musical. Set in New York’s East Village, it follows a story about bohemian artists struggling to get by, inspired by Puccini’s opera, La Bohème.
Actors Theatre of Louisville
In 2016 the Humana Festival of New American Plays marks its 40th anniversary at Actors Theatre of Louisville. The theater has commissioned Sarah Ruhl, one of America’s most respected current playwrights, to create a new work, Peter Pan on her 70th Birthday, for the occasion. The play, a moving look at growing up and growing old within a family, will be presented from March 10 to April 10, 2016. Ruhl’s works have been offered by many of Cincinnati’s theatres — The Clean House by the Cincinnati Playhouse, Eurydice by Know Theatre, Dead Man’s Cell Phone by Ensemble Theatre and In the Next Room (or The Vibrator Play) by CCM Drama at the Carnegie in Covington.
People’s Liberty, a local group that describes itself as a “philanthropic lab that brings together civic-minded talent to address challenges and uncover opportunities to accelerate the positive transformation of Greater Cincinnati,” has announced eight new grantees who will receive help and funding from the organization for their various project proposals.
The group previously announced two 2015 Haile Fellows to receive funding and other support from People’s Liberty. Brad Cooper’s Start Small project involves building two efficient, low-cost “tiny houses” and engaging residents about the benefits of “tiny living” (the small, affordable homes will be powered by solar panels). Local musician Brad Schnittger was also named a Haile Fellow and is working on a music publishing platform called MusicLi, which will feature a library of original music by artists in Greater Cincinnati that can be licensed for commercial use (and provide income for the artists). Schnittger is currently surveying area businesses interested in using music in advertising to get a sense of their needs (click here if you’re involved in a business that would like to participate). There will be an event on May 7 at Over-the-Rhine’s Woodward Theater (6-8 p.m.) to discuss the new venture (Cincy’s Buffalo Killers will provide live music). Click here for details.
The just-announced Spring Project Grantees were chosen by a panel of creative types, business people and others from the community. This round of grantees includes CityBeat editor Maija Zummo, along with partner Colleen Sullivan, whose project Made in Cincinnati is a planned “curated online marketplace that simplifies shopping locally by offering goods directly from Cincinnati’s best craftspeople, creatives and artisans in one centralized location.”
Others chosen by the panel include Daniel Schleith, Nate Wessel and Brad Thomas’s Metro*Now project, which will provide signs with real-time Metro bus information; Nancy Sunnenberg’s Welcome to Cincinnati tool, to help newcomers connect with “local organizations, businesses and civic opportunities”; Mark Mussman’s Creative App Project, which will certify several Cincinnati residents via an Android App Developers educational series; Alyssa McClanahan & John Blatchford’s Kunst: Build Art, a print magazine focused on redevelopment projects for local historic buildings; Quiera Levy-Smith’s Black Dance is Beautiful, described as a “cultural event … designed to showcase diversity in Cincinnati dance, as well as encourage youth to pursue their passions and break down barriers”; Anne Delano Steinert’s Look Here!, a history exhibition to take place in Over-the-Rhine and feature 50 historic photos to help people connect that neighborhood’s past and present; and Giancomo Ciminello’s Spaced Invaders, an interactive installation featuring “a projection mapped video game that will activate the abandoned spaces once occupied by buildings.”
For more information on People’s Liberty’s work in the community (including information about how to apply if you have a good idea), click here.
Tonight at 6:30 p.m., Cincinnati Art Museum will host a symposium on Moby-Dick: How a 19th Century Novel Speaks to the 21st Century. This free event features Elizabeth Schultz, author of
Unpainted to the Last; Samuel Otter, editor of Leviathan; Matt Kish, author of
Moby-Dick in Pictures, and Emma Rose Thompson of Northern
Kentucky University. The moderator will be Robert K. Wallace, an English
professor at Northern Kentucky University who has taught a course on
Herman Melville's Moby-Dick since 1972. You
can RSVP at moby-dick-symposium.
This is the opening event to a Moby-Dick Arts Festival, co-organized by Thompson and Wallace, that then takes place at
the Covington branch of the Kenton County Public Library and NKU from Saturday through Monday. From 9 a.m.-9 p.m. Saturday and Sunday, there will be a marathon reading of the novel at the library. You can sign up for a 10-minute slot at mobydick.nku.edu. Ther
On Monday, there is an all-day symposium on the book at NKU, beginning at 9 a.m. in the Budig Theater. More information is available at mobydick.nku.edu.
A limited amount of early-bird passes to the 2015 MidPoint Music Festival are on sale now. Tickets good for all three days of the fest are available for $69, while V.I.P. passes are only $149. Once this first batch of passes is gone, weekend passes will be $79 (and $179 for V.I.P.s) through Labor Day, when another $10 price increase kicks in. The tickets are available for purchase at mpmf.cincyticket.com.
MPMF has also announced a new date shift. After 14 years of running Thursday-Saturday, MidPoint 2015 will take place Friday, Sept. 25-Sunday, Sept. 27. Organizers say the move was to make things easier for out-of-town guests (who previously might not have been able to make the Thursday shows) and also allow for more daytime programming opportunities, including in Washington Park, which is expected to see an increase in attractions and music showcases.
Stay tuned here and at MPMF.com (where artists can also submit for showcase consideration through May 17) for the latest MidPoint developments. You can also follow MPMF on Twitter here and Facebook here for more up-to-date info.
We all have that one Disney movie that we love dearly. The one film that, despite whatever age we are, we can watch and enjoy. For me there are several that meet that criteria: The Three Caballeros (1945), Beauty and the Beast (1991), The Great Mouse Detective (1986) and countless others. But the one film that takes the No. 1 spot on my list is Davy Crockett, King of the Wild Frontier, Disney’s take on the adventures of famed frontiersman and one-time congressman. The movie’s plot ranges from his time in the Creek Wars to his congress years to his final stand at the Alamo.
If I may get personal for a moment: I was obsessed with this movie when I was kid. I couldn’t get enough Crockett related stuff. I even dressed up as Crockett for Halloween one year. I was heartbroken when the film’s lead actor, Fess Parker, passed away in 2010. So, yes, this movie meant a lot to me. In a way, it set me on the path to my love of films and shaped me in a lot of ways.
I’m sure to some people the biggest flaw with the movie is that the plot is a rather romanticized telling of Crockett’s adventures. There’s very rarely a moment where he isn’t an upstanding guy, but to me that kind of works for the film. Walt Disney had no pretentions about this film (originally a mini-series) — he wasn’t planning on making this a super deep movie with complex characters and themes. What Disney wanted to do was take an iconic American folk hero and give the intended audience a person to look up to and root for. To me, you couldn’t anyone more perfect than actor and future wine maker Fess Parker.
Now as I stated before, Crockett’s portrayal in the film is a romanticized, but that doesn’t mean there aren’t some powerful moments — outside of the heroic times — with him. For me, one of the best emotional moments in the film is when Crockett receives word about his wife’s death. His sidekick throughout the film Georgie Russell (Buddy Ebsen) reads a letter delivering the unfortunate news and you can see the news slowly sinking into him. Russell consoles him and asks him if there’s something he can do, and all Crockett says is, “Just give me some time to think.” He then slowly and quietly walks into the woods to try and figure out what to do without his other half. Without any dialogue or music playing, we get a true sense how deeply this has affected him.
The film doesn’t shy away from all the historical facts; the most obvious example is that in the end he and his comrades die at the Alamo. Granted, they don’t show Crockett’s death onscreen but, then again, given how nobody knows how Crockett actually died it makes sense that we don’t see it. The movie ends with him swinging his rifle like a club at the overwhelming forces without a hint of fear.
Like a lot of classic Disney films, it features many great qualities: It has a memorable soundtrack that will have you humming its songs for hours on end; a great sense of adventure and excitement; and a terrific cavalcade of characters performed by great character actors. I mentioned earlier Parker and Ebsen who have amazing chemistry together. There’s also stunt-man Nick Cravat as the mute Comanche Indian named Busted Luck who shows that not only does he have bravery but he's also very witty and smart. There’s a great scene where he foils a trickster’s attempt at swindling him out of food. Speaking of which, there’s the dandy riverboat gambler Thimblerig played by Hans Conried who is a delight in every scene. Some of you know him best as the voice of Captain Hook in Disney’s Peter Pan (1953) and as Thorin in Rankin/Bass’ version of The Hobbit (1977).
haven’t seen this Disney gem, do yourself a favor and check it out,
especially if you have youngsters. Then check out the prequel Davy Crockett and the River Pirates
featuring the fun and bombastic character actor Jeff York as Mike Fink, King of
Hello Cincy. You know what time it is. Yep, news time.
It’s become a dependable, even comforting, routine. On Thursday mornings, I sit down and tell you all about the ways in which City Council bickered over the streetcar in its Wednesday meeting. The tradition continues. A discussion yesterday about proposed Over-the-Rhine parking plans, which have been bandied back and forth for months, quickly devolved into a debate over the streetcar’s operating budget gap. Mayor John Cranley has been using that gap, which could be as high as $600,000 a year because of shortfalls in revenue and advertising receipts, as a reason council should pass his version of the OTR parking plan.
Cranley, who formerly proposed $300-a-year parking passes for residents in the neighborhood, now wants the passes to be valued at a market rate determined by the city manager. Meanwhile, Councilman Chris Seelbach has another idea: Cap the costs of the permits at $108. Seelbach’s plan calls for 450 permits, plus 50 non-metered, non-permitted flex spots for bartenders, waiters and the like who work in the neighborhood. Cranley’s plan calls for more flex spots. Either proposal would likely yield the highest-cost neighborhood parking permit in the country.
At issue is a philosophical debate: Cranley wants OTR residents to shoulder more of the cost of the streetcar. He also says the city has done enough to subsidize residents in OTR, citing tax abatements on many properties in the neighborhood and the fact that metered spots on the public streets around them would bring in more money than the permits do. Streetcar supporters like Seelbach and Councilwoman Yvette Simspon, however, say the streetcar is about economic development and that it will benefit the entire city, not just OTR residents. They say it isn’t fair to place its financial burden so much on those living in the neighborhood. Seelbach also points to residential parking permits in other neighborhoods, which are priced much more affordably than Cranley’s OTR plan.
• There was also a big hubbub about whether or not the streetcar will get in the way of major downtown events on Fifth Street like Oktoberfest and Taste of Cincinnati. Mayor John Cranley yesterday railed against, as he said, “the idea that the city was secretly trying to discourage these events from maintaining their historic location,” and touted measures by city administration to make sure it doesn’t happen.
The backstory: In 2014, then-City Manager Scott Stiles released a memo stating that no special events could disrupt the streetcar’s operation. Depending on what you take “special events” to mean (i.e. is something that has been scheduled every year for at least a decade a special event?) that could mean the streetcar would take precedence over some beloved Cincinnati traditions. However, an agreement between streetcar operators SORTA and the city also signed later in 2014 allows streetcar operations to be disrupted for events up to four times a year. Sooo, yeah. Were those events ever actually in danger of being moved for the streetcar? Unclear.
• Citizens for Community Values President Phil Burress thinks defeat may be at hand, at least in the short term, when it comes to the looming Supreme Court case around same-sex marriage. Springdale-based right-wing CCV has pushed a number of anti-gay rights measures over the years, and Burress was instrumental in engineering Ohio’s 2004 constitutional amendment banning gay marriage. That law is part of the current SCOTUS case. Burress told the Cincinnati Enquirer he’s “not very optimistic” about Ohio’s ban withstanding the court challenge, mostly because he says some of the justices are biased and don’t respect state sovereignty. But Burress also promised that the issue “won’t go away” anytime soon. You can read our story about case, and the local folks who are making history as the plaintiffs, here.
• The Ohio House of Representatives last night passed a record-breaking two-year budget for the state that looks much different than the one Gov. John Kasich suggested. The proposed budget spends more than the state ever has, while taxing top-tier earners less than it has in the past three decades. The proposal would put Ohio’s top income tax rate below 5 percent for the first time since 1982 but forgoes Kasich’s more regressive plan to lower income taxes by 23 percent and use a sales tax hike to pay for the cuts. The $131.6 billion spending package, the largest in state history, also zeroes out much of Kasich’s proposed reform to education spending. Kasich is not exactly stoked by the budget.
“After the fiscal crisis subsides people think it's OK to slip back to old habits,” Kasich’s office said in a statement to press. “The governor will do everything possible to prevent that from happening."
The budget isn’t a done deal. Next it heads to the state Senate, which is cooking up its own budget anyway.
• After those long-winded updates, here's a quickie or two: Is former Florida Governor Jeb Bush really the cuddly moderate he's been made out to be, and, if not, does that open up a window of opportunity for Ohio Gov. Kasich in the GOP 2016 presidential sweepstakes? Despite being a proponent of Common Core and having some less-than-hardline views on immigration, ol' Jeb does have some harder right tendencies as well that make him more complicated to consider. This article gives some good examples.
• Finally, as a person who recently transitioned to Microsoft Office 365 for all my workaholic email needs, I really appreciate this hilarious Washington Post article about the company's new ad campaign. I really do love working while I'm also sleeping face down in my bed.
That is all. Tweet me. Email me. Or don’t. Actually, just go outside and enjoy the sun. But bring your smart phone just in case.