For the holidays, they'll produce The Naughty List, hosted by Ronda Androski and her great staff at Arnold's Bar & Grill downtown and featuring the talent of OTR Improv, one of the groups Know has nurtured with its Jackson Street Market. They'll take holiday memories from those in attendance as they recreate holiday movies and tell you how your life would have been different if you had received that special gift you yearned for. The fun will be happeing in Arnold's courtyard on Sunday, Monday and Tuesday evenings from Dec. 2 to 30. Tickets will be $15 in advance and $18 at the door.
Know will also offer The Apocalypse Show! for two nights on its home stage at 1120 Jackson St.. Since the world is scheduled to come to an end on Dec. 21, 2012 (according to the Mayan calendar), Know will produce a variety show to end all variety shows on Dec. 20 and 21. There will be sketch comedy, predictions, guest appearances, "gratuitous drinking and answers to all of your apocalypse FAQs." Dec. 20 will be a fundraiser (tickets: $50), despite the funny come-on that you should bring all your money, since it will be worth nothing the next day! (If you come to the performance on Dec. 21, you only need to scrape together $15 in advance or $18 at the door.)
Assuming that the world really isn't ending on Dec. 21, Know will co-host its annual New Year's Eve event with CityBeat, the Speakeasy Party from 8 p.m. on Dec. 31 (to 1 a.m.). Know typically attracts 300 well-dressed guests for this event, and everyone has fun with casino games, food, dancing to a DJ and a live band, martinis and a champagne toast at midnight.
After all this fun stuff, Know will get down to some serious theater — presenting Andrew Bovell's "best new play of 2010," When the Rain Stops Falling (Feb. 8-March 16, 2013). It's another partnership, with the production being staged by Brian Isaac Phillips, artistic director at Cincinnati Shakespeare Company. (Bovell's Speaking in Tongues had a great production at the Cincinnati Playhouse last season.) The show uses an intricate fabric of overlapping connections, moving between several generations between 1959 and 2039 and between London and Australia. Acts and sins of the past are connected to three generations that follow.
More will be following, including an unnamed production running from April 5 to May 12. Sometime in late April (date TBA), just in advance of the tenth annual Cincinnati Fringe Festival (May 28-June 8, 2013), Know will host the 2013 United States Association of Fringe Festivals Conference. "We're honored to have been selected to host this year's conference," says Know's Producing Artistic Director Eric Vosmeier. "It's an amazing opportunity to work on ideas and issues at the core of all Fringe Festivals. Every time I have been to a conference, the Cincinnati Fringe is better for it. We can't wait to show off our city to festival producers from all over the United States."
One more note: Know is selling its version of a subscription, Flex Passes. But these have evolved: You can purchase six flex passes for $90. Valid for most Know productions, they do not expire. (If a show ticket has a higher price than the pass, you can use your pass and just pay the difference.) Know's website will designate: "Flex passes are valid for this event." When you run out of tickets (and you surely will), you simply need to buy another pass.
Know's Fringe Festival has promoted itself with the slogan "Weird, like us." And they're living up to that mantra in a way that should appeal to its supporters and more.
Move over, movie theater chains. While several films open in theaters this weekend, there’s one you won’t find at AMC or other traditional movie joints. Reaching a following across the globe, the locally made independent feature film Ctrl+Alt+Dance will have its world premiere this weekend at Memorial Hall.
When an unemployed security software specialist takes an adventure with dance, the definition of courage is surely illustrated — and that’s what audiences can expect to explore. Inspired by the Lindy Hop Movement, producer Brian Crone and producer/director Gex Williams have worked side by side on this low budget independent film that has flourished and received widespread recognition in the dance community. Filled with swing dancing, passion and an unfolding romance, it’s the perfect flick for Valentine’s Day.
Gex Williams has worked on multiple professional film projects and served as the producer and Artistic director of SAC Family Theater in Lexington, Ky. CityBeat caught up with Williams and discussed the inspiration behind the film and the experience of starting out as a small independent project.
CityBeat: Are you and Brian Crone both originally from the Cincinnati area?
Gex Williams: Yes, we both grew up in the Northern Kentucky area but we knew each other growing up. We went to high school together and made some feature films.
CB: How did your film Ctrl+Alt+Dance come about?
GW: I became an avid swing dancer in high school through college. I was aware of this film community throughout the world and no other movies catered to this kind of dance, so I was like, “Hey, I want to make a movie.” I actually wrote the initial script in 2011 but wanted to sit on it to get other projects under by belt.
CB: What was your initial inspiration for the film?
GW: In 2011 I wrote the script, sat on it, and decided to move forward with it. It has a phenomenal story and [Brian and I] reworked a ton of it in early 2013 as we wrote a fresh script together on this draft. The film had dancing, but we needed a story to carry it along. We knew we didn’t have the budget to hire a huge actor and to be solid in the entertaining experience for the audience members. And then we ended the film in summer in 2013 two years from the initial start of pre-production. It went full force in the beginning of 2014 and we’ve been cranking on it ever since. We’re really happy. With an independent film it’s very hard on a low budget and we had phenomenal team members and people.
CB: After a few offers to shoot the film across the country, why was it important for you to film it here in Cincinnati?
GW: There were a few producers who were interested in shooting it out there, but it was really important for us to shoot it in Cincinnati because we love it so much and we’ve traveled some for business and we loved going back to Cincinnati. It’s a great place to come home to and what it offers. The city holds phenomenal landmarks and has a variety of locations.
CB: What were some of your favorite spots to film?
GW: One of my favorite shots of the film was a beautiful shot at Roebling Bridge set up on the Kentucky side, and you see this beautiful river flowing underneath the city and is lit up. And we had other phenomenal locations like Memorial Hall, which is gorgeous on the inside.
CB: What are some prominent themes in Ctrl+Alt+Dance?
GW: Action overcoming fear. We really wanted to communicate that. We [Brian and I] started our own business after college, a full-time gig and there was fear in our own selves and others. We wanted to tell a story about this and the dance was a catalyst to show how that takes place in the film. It’s a great story and a really cute romance. The dancing is amazing and we encourage people to feel good about it and hopefully inspire them to take risks in doing that.
CB: I see that you had difficulty getting into large chain theaters. Tell me about your experience with that in regard to the film.
GW: I can’t fault them because it is different for an independent film to get the mass distribution that an A-list film would get because they don’t have the budget to hire famous actors like Morgan Freeman. For large theaters, it’s a risk to put their movie in there that they won’t have people to support it. It’s so cool that that we have it in countries like Russia and China and were blessed that it was quite strong. We aced that challenge and we knew we had a strong following so we wanted people to see it. So we ended up contacting theaters ourselves and said we’d like to run a campaign in your city so people buy tickets for a one-night premiere showing. A lot of theaters responded.
CB: With a following in more than 80 different countries, how did word of the film spread so quickly all before the world premiere next weekend?
GW: It’s never been showed, but Cincinnati will be the world premiere. Because the Lindy Hop Swing Movement is huge around the world in countries like Spain and London and it’s really quite astounding that a lot of them they really tuned in. Our main actors, their acting is amazing, they’re international dance champions. People were aware of them and interest grew. We worked hard and wanted this film to benefit the community all over the world and we contacted local groups and wanted the proceeds to go back to local communities. We felt so blessed by the support we received and reached a considerable percentage to help others.
CB: What were your initial expectations for the film? Did you expect it to reach the magnitude it did?
GW: We’re blessed in something that is not at all normal for a normal independent project. A lot of projects start out with a grandiose idea and get small and less feasible and it’s a reality check. It’s difficult. And we’ve been so blessed with the talented people and how it blossomed from day one. We said we’re going to do this no matter what. We had talent and it’s grown and we hope it will continue to grow.
CB: Once it started gaining success, did you get any opportunities later on from corporate theaters?
GW: We are just at the beginning of our public awareness. We’ve had interest from larger producers and we’re definitely exploring our options to get a wider distribution of it.
CB: What are your hopes for the film after the big world premiere at Memorial Hall?
GW: We’ve been working hard to deliver the film in a way for people to access. We wanted to work hard to continue to pave a way and find a way to show this film to anyone who wants to see it. We’ll be talking to distribution companies for a possibility of larger scale so we have the resources to get it out there.
Ctrl+Alt+Dance premieres Feb. 13 and 14 at Memorial Hall. More info here.
Well, the erratic LCT awards got this one right — even if the announcement arrives almost two weeks after the brief run of Oklahoma! at UC’s College-Conservatory of Music. (Nov. 17-20). Three performers and the show’s director and choreographer have been cited by a judging panel from the League of Cincinnati Theatres. The recreation of Rodgers and Hammerstein’s trend-setting musical from 1943 is certainly one of the best productions I’ve seen all season. It marshaled the forces of 35 and an orchestra of more than 40 musicians. It’s not likely that you’ll see such a production anywhere but at a school like CCM
Professor of Musical Theatre Diana Lala, the show’s director and choreographer, was recognized with an LCT award for the show’s outstanding choreography. LCT panelists praised the quality and quantity of dancing, based on Agnes DeMille’s legendary work for the original 1943 Broadway production, as well as its “flawless” execution.
Three student performers were cited for their contributions to the show. Senior John Riddle from Vermillion, Ohio, was awarded for his performance as a leading actor, playing the cowboy Curly McLain. Senior Julia Johanos from Louisville, Colorado, was similarly recognized as a leading actress in a musical for playing Laurey Williams, the object of Curly’s romantic attention. One LCT judge said the leads “knocked this one out of the park with depth, musical talent and romantic chemistry.” Senior Eric Huffman from Lenexa, Kansas, played cowboy Will Parker, a featured role for which LCT recognized him as a “confident dancer, good singer and truly gifted actor.”
More information about the League can be found at www.leagueofcincytheatres.info.
I have three words for you regarding theater-going this weekend: Fringe. Fringe. Fringe.
If you haven't dropped in yet for this stimulating festival of push-the-envelope performances, you're missing out on the greatest dose of annual creativity that we get here in Cincinnati. And a lot of your friends have already caught on: Fringe Producer Eric Vosmeier tells me that as of Thursday they've hit their ticket goal for the entire festival ... and there are still two more days to go!
I can't say that a musical based on the Adam Sandler film The Wedding Singer
is going to be either edifying or educational for a bunch of teens. But
I can assure you that the kids from all over the region involved in
Cincinnati Young People's Theatre, which opens its production of the
show tonight, will be having a blast at the Covedale Center for the
Performing Arts. I bet their good times with this goofy show will mean
contagious entertainment for everyone who shows up to see it. Whether
they're related to the kids or not! It's onstage through Aug. 5. Box
It appears that Cincinnati Shakespeare Company has a summertime hit on its hands with its very tongue-in-cheek staging of The Hound of the Baskervilles using three of its best actors. The show opened a week ago and there is so much demand for tickets that CSC has added matinee performances through the production's three-week run. Several performances have completely sold out. It's directed by Michael Evan Haney, associate artistic director at the Cincinnati Playhouse and one of our area's best at staging witty and complicated pieces — his Cincinnati Playhouse production of Around the World in Eighty Days was a big hit several seasons back (it used four actors) and it moved on to a well-received run in New York City. While Hound retells the well known Sherlock Holmes tale, it does it with actors in multiple roles (Jeremy Dubin, who portrays Holmes, for instance, also plays all the villains) and a lot of visual humor and slapstick physicality. Through Aug. 12. Box office: 513-381-2273.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
Last night I attended Cincinnati Shakespeare Company’s production of The Grapes of Wrath, which opened a week ago and runs through April 29. It’s a powerful theatrical interpretation of John Steinbeck’s grim recounting of a Depression-era family of Oklahoma sharecroppers driven from home by ecological and economic disasters. They make an arduous trek to California in vain hope of employment and a better life. The show calls for an ensemble cast, and CSC uses more than 20 actors to pull it off convincingly. The first act revolves around the Joads’ agonizing trip in a dilapidated truck; the second act portrays the dismal conditions of unemployment and mistreatment once they arrive. It’s a sad reflection of life in the 1930s, as well as a powerful reminder that life has not improved for many Americans some 80 years later. The production is made all the more relevant by folksy musical interludes performed live by some of the actors. A downer of a story, but definitely worth seeing. Here's a link to my review. Box office: 513-381-2273, x1.
Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson, opened last Saturday. I haven’t seen it yet, but the production has a positive buzz. (It’s onstage through May 12.) Box office: 513-300-5669.
Thanks to spot-on casting of the four actors who bring Kim Rosenstock’s new play Tigers Be Still to life at the Cincinnati Playhouse, the show about people dealing with depression is charming, funny, optimistic and even heart-warming. It’s about a young woman with a recently earned degree in art therapy; she’s been down in the dumps about finding work, but not as much as her mom who’s gained weight and her sister who’s been dumped by her fiancé. She’s starting a new job thanks to her mom’s long-ago boyfriend, now a middle school principal. He has issues of his own — from a slacker son to anxiety about a tiger that’s escaped from the local zoo. Sound zany? Well, it is — as well as entertaining. The League of Cincinnati Theatres singled out this production’s sound design by Vincent Olivieri for an award. One panelist wrote, “On a very small stage, scenes took place in a school gym, drugstore, office, closet, outdoors and in the living spaces of two houses. Except for the main set, capturing the essence of these scenes was limited to a couple of props and pieces of furniture — and the sound!” Through April 15. Box office: 513-421-3888.
There’s nothing profound about The Addams Family, onstage at the Aronoff Center in downtown Cincinnati through a Sunday matinee. The touring musical is derived from a 1960s TV series (and subsequent movies), based on on droll, mordant cartoons by Charles Addams, originally in The New Yorker. The show is a faithful reproduction of a pop culture icon; in fact, it begins with the sprightly theme from the TV show, complete with finger-snaps. It has a silly story about willful love and romance, but the entertainment comes from seeing the familiar characters come to life. The new musical numbers are largely clever, and the cast — which includes 1999 CCM grad Sara Gettelfinger as Morticia — is top-notch. Here's a link to my recent review. Tickets: 800-982-2787.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
The 2009 Cincy Fringe Festival wraps up tonight. Starting today at 2 p.m., 18 different productions are presenting their final shows and both Film Fringe and Visual Fringe are wrapping up at the Art Academy of Cincinnati.
Rick Pender reports that ticket sales have already surpassed Fringe organizers' goals, and today's beautiful weather should bring out a final wave of good attendance.
Reviews of all 18 of today's shows are posted on CityBeat's Fringe micro-site, including The Secrets Project, which opened last night at New Stage Collective and presents its second and final performance tonight at 7:30. In fact, CityBeat writers have reviewed all 31 Fringe shows, with most reviews being posted the morning after their debut performances.
Tune to PBS this evening for A Broadway Celebration: In Performance at the White House (9 p.m. on WCET locally) , featuring some of the biggest stars from the New York stage. Nathan Lane emcees the quickly paced hour, Idina Menzel — recently in Cincinnati with the Pops — sings "Defying Gravity" from Wicked and "What I Did for Love" (with composer Marvin Hamlisch as her accompanist), and veteran Elaine Stritch belts out two numbers from Stephen Sondheim's Follies, "Broadway Baby" and "I'm Still Here" (the latter earns the event's only standing ovation).
As I wrote in my column in the current issue of CityBeat, there's a lot of good holiday theater available on Cincinnati stages right now. The Playhouse's production of A Christmas Carol, now in its 22nd year, is best in class — a well-told traditional tale with some of the best professional actors in town onstage, from Bruce Cromer as Scrooge and Dale Hodges as the Ghost of Christmas past. There are a few new faces, too, playing the Cratchits. And speaking of new faces, I feel comfortable recommending New Edgecliff Theatre's one-woman show, The 12 Dates of Christmas, which is being engagingly performed by Annie Kalahurka. It's paired with David Sedaris's The Santaland Diaries, which feels a little shopworn to me, but you can catch the double-bill downtown at the Arnonff's Fifth Third Bank Theater — and maybe go for drinks at Arnold's before or after the show.
If you're looking for something kind of different, try The Naughty List (review here), a holiday-themed improv show (presented in Arnold's courtyard on Sunday, Monday and Tuesday evenings) by Know Theatre. Five quick-witted comics who constitute OTR Improv are doing routines that use audience suggestions (and occasional audience participants) for nearly two hours of entertainment. It's a different show every night.
Have kids you want to take to the theater and give them a taste of what fun it can be? Two good bets are Ensemble Theatre Cincinnati for one of its musical fairytales with a moral (this year the show is a colorful, cartoonish rendition of Alice in Wonderland) and Covedale Center, where Rodgers and Hammerstein's Cinderella is singing and dancing its way through another familiar story the kids will know. The prince is handsome, Cinderella is sweet and the nasty Stepmother is played by a guy.
As far as familiar stories go, you've probably seen Frank Capra's classic holiday film It's a Wonderful Life a few times during the holidays. But I bet you haven't experienced in the unique way that Falcon Theater offers it up at Newport's Monmouth Theatre: The script frames the story as an old-time radio drama, and you get to watch behind-the-scenes as a handful of actors play all the roles and a few others create the necessary sound effects. It opens this weekend and runs for a week. I haven't seen this year's edition, but I've enjoyed past incarnations, and I suspect this one will be entertaining as well.