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by mbreen 02.21.2011
Posted In: Local Music at 11:55 AM | Permalink | Comments (2)
 
 
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A Music Café: Multimedia Venue Sneak Peak

A new music venue opening in Goshen will shine a spotlight on the Greater Cincinnati music scene in unique ways. Founded by Chuck Land Jr., a musician/producer known for his video documentation of past and present local music makers, and Goshen entrepreneur/videographer Lee Lewis, A Music Café will feature live Americana/Roots/Blues performers, a video jukebox loaded with Land’s footage and an informative “shrine” to Cincinnati music. This weekend, the venue’s doors open to the public for the first time for a two-night fundraiser/sneak peak festival showcasing several area bands and performers.

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by Steven Rosen 01.30.2015 95 days ago
at 01:00 PM | Permalink | Comments (0)
 
 
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David Lewis' Music Lectures at the Main Library Expand to Saturdays

The presentations on The History of Cincinnati Music that David (“Uncle Dave”) Lewis has been presenting at the Main Library over the last year or so have been so good — so enlightening and entertaining — that one wishes he could do it for much larger crowds at the Aronoff Center or Music Hall. Or as a professor at University of Cincinnati — he’d be great there. He combines his original research with recordings and archival film footage and still photographs (when available).

One of his presentations, about Homer Rodeheaver, whose Cincinnati-based publishing company and record label were pioneers of sacred music and who was also close to the famous 1920s preacher Billy Sunday, got a nod as Best Arts Lecture last year from CityBeat.

But because his presentations have been on Wednesday evenings, many haven’t been able to attend. But now there’s a second chance. The Main Library’s music librarian, Steven Kemple, has arranged for Lewis to present reprises of his past lectures at 3 p.m. on the last Saturday of each month in the Reading Garden.

It starts tomorrow with The Hymn Composers of Cincinnati: Philips, Bliss & Doane, and Lewis will have guest pianist Jeremy Stevenson with him. All lectures are free.

Looking ahead beyond tomorrow, here’s the 2015 schedule so far for Lewis’ Saturday encore presentations:

Feb. 28: The Rodeheaver Record Company of Cincinnati
March 28: The Ohio Phonograph Company (with guest Patrick Feaster presenting the oldest known recordings of the human voice!)
April 25: Earl Fuller, Cincinnati's Daddy of "Jaz"
June 27: Cincinnati's Billy Golden and the Legacy of American Minstrelsy
July 25: Keep a Song in Your Soul: Mamie Smith, the "Queen of the Blues"
Aug. 29: It's More Than New York: Overview of Cincinnati Sound Recordings & How to Investigate Them (Part 1)
Sept. 26: It's More Than New York... (Part 2)
Oct. 31: Scary Stuff from Cincinnati
Nov. 28: It's More Than New York... (Part 3)

At the same time, Lewis is continuing with his new lectures on Wednesdays at 7 p.m. Here is the schedule for those to date:

Feb. 11: Fats Waller and Una Mae Carlisle – A Romance Made on Radio
March 11: Stay in the Wagonyard: The Lergacy of Louis Marshall “Grandpa” Jones
April 8: Cincinnati Jazz of the 1920s II: Ray Miller and Marion McKay
May 13: Cincinnati Jazz of the 1920s III: Bernie Cummins, Henry Theis
June 10: The Singing Groups of Southwestern Ohio: The Mills Brothers, the Ink Spots, the Charioteers
July 8: Cincinnatians in Silent Film: Arthur V. Johnson and Theda Bara
Aug. 12: Cincinnati Show People: Harry Richman and Libby Holman
Sept. 9: Singin’ Dirty Songs: Party Record King Larry Vincent
Oct. 14: The Library of Congress’ Field Trip to Cincinnati in 1938
Nov. 11: Rosemary Clooney (tentative)
Dec. 9: The Count of Monte Cristo (1913) with Cincinnatian James O’Neill

 
 
by mbreen 03.09.2009
Posted In: Local Music at 04:20 PM | Permalink | Comments (0)
 
 
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Wussy's Latest Is Their Greatest

Scoring major glowing reviews in national music magazines for your first two albums might intimidate some artists. But for Wussy, set to release its newest (a self-titled effort) for locally-based Shake It Records, a natural progression and tightness has resulted in their best album yet.

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by Amy Harris 10.06.2011
Posted In: Interview, Live Music at 10:29 AM | Permalink | Comments (0)
 
 
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Q&A with Gavin Rossdale of Bush

Bush was the peak of Alternative music success in the mid and late ’90s. After an eight year break, the band reformed with as fresh a sound as they ever have provided. From its first No. 1 album, Razorblade Suitcase, Bush was an unstoppable force until its split in 2002. In 2010, lead singer Gavin Rossdale put the band back together and Bush recently released its fifth studio album, The Sea of Memories. CityBeat caught up with Rossdale to preview the band’s concert with Chevelle and Filter this Friday at Riverbend's PNC Pavilion. We discussed the process of putting the band back together, the current tour. R.E.M.'s breakup and how his turbulent upbringing impacts his songwriting.

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by Mike Breen 05.09.2012
Posted In: Music News, Music Commentary at 12:15 PM | Permalink | Comments (1)
 
 
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Music Stars and Gender Identity

Before Against Me!'s Tom Gabel there was Wendy Carlos and Genesis P-Orridge

The Internet is abuzz today with Rolling Stone's teaser about an article in the mag's issue out this Friday. The magazine spoke with Tom Gabel, lead singer for successful Punk band Against Me!, about his plans to begin "gender transition" to become a woman (taking the name Laura Jane Grace). The article will include conversation with the singer about her years of struggling with gender dysphoria (gender identity disorder) and her plans to transition by undergoing hormone treatments and electrolysis.

It's a huge story because a Rock star with such relative mainstream popularity has never come out as transgender. But she's not the first notable music star to pursue gender reassignment. The Rolling Stone article says she's the first "major Rock star" to come out, but two other notable (and way more influential) musicians have gone from man to woman (or almost woman).

Walter Carlos was a musical prodigy who would grow up to be an Electronic music pioneer … as a woman. In 1967, he began hormone treatments and began living as a female. In 1968, Wendy Carlos released Switched-On Bach, an album featuring the music of J.S. Bach rendered on a Moog synthesizer (then a new instrument). The success of the album allowed Wendy to undergo gender reassignment surgery in 1972 (40 years ago this month). Carlos — who also composed and recorded the soundtrack to the legendary film A Clockwork Orange — didn't speak about it until a 1979 interview with Playboy magazine. After feeling exploited, she rarely spoke in public about it again. Carlos took her identity very seriously; in 1998, she sued a songwriter called Momus for $22 million after he wrote a satirical song called "Walter Carlos," about Wendy going back in time and marrying Carlos. The case was settled; Momus took it off his CD and paid $30,000 in legal fees.

Genesis P-Orridge was also a pioneer of Electronic music, as well as Industrial and dance music, with the groups Throbbing Gristle and Psychic TV. In the ’90s, P-Orridge and his collaborator/wife, Lady Jaye (Jacqueline Breyer) embarked on an interesting "Pandrogyne" project that found the two artists working to become one individual androgynous person, Breyer P-Orridge. Though it was more of a living performance art project — and quite a romantic notion, if you think about it — about gender identity and less about gender identity disorder, Genesis didn't have a complete sex change, but the couple each had various surgeries to look more like each other. Among other surgeries, they both got identical breast implants; Genesis had lip surgery, cheek implants and hormone therapy; Lady Jaye had her eyes done. They also wore identical clothes and makeup.

Sadly, Lady Jaye passed away in 2007, but P-Orridge has continued the project with more surgery.

An acclaimed documentary about the couple, The Ballad of Genesis and Lady Jaye, came out last year. Check the trailer out below.



Famous transgendered people are nothing new. Click here for a fairly extensive list.
 
 
by Brian Baker 09.25.2010
Posted In: MidPoint Music Festival, Live Music at 02:41 PM | Permalink | Comments (0)
 
 

MPMF10 Friday: Friday on My MPMFin' Mind

When I was 12 or 13, my dad told me a joke that has, over the years, become one of my all time favorites. A drunk is standing in a doorway to get out of the rain, and a guy and a woman are standing on the corner in front of him, waiting for the light to change. The guy leans over to the woman and says, “Tickle your ass with a feather?” And the woman says, “What did you say?” The guy replies, “Typically nasty weather.” The woman laughs, they strike up a conversation and walk off together. The drunk thinks, “That was amazing! I’m gonna try that!” Pretty soon, a woman stops on the corner, the drunk lurches out of the doorway, sidles up to the woman and says, “Hey! Shove a feather up your ass?” The woman says, “I beg your pardon?” And the drunk says, “Fucking rain.”

When I looked out of my window at around 4:30 this afternoon, I thought about that joke, particularly the punch line. Luckily, the rain passed through relatively quickly and cleared to a large extent, giving us a nearly perfect night two of MidPoint 2010.

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by 11.26.2008
Posted In: CEAs, King Records at 10:43 AM | Permalink | Comments (1)
 
 

CEA Controversy No. 2: "Mr. Cranley, Tear Down That Building!"

There appears to have been a second small controversy over remarks delivered at the podium at Sunday night's Cincinnati Entertainment Awards. At least this time it didn't involve anyone's penis.

Before Mr. Rhythm Man, who spins stacks o' shellacks every Saturday night on WNKU (89.7 FM), presented the award for R&B/Funk, he offered his thoughts on the past and future of King Records, which was a major topic throughout the evening's event. Earlier in the day a historical marker had been unveiled at the former King studio and offices in Evanston, followed by a reception to celebrate a proposed new King studio and community center being developed by Xavier University, Ultrasuede owner John Curley and others.

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by Amy Harris 07.24.2012
Posted In: Interview, Live Music at 10:57 AM | Permalink | Comments (0)
 
 
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Q&A with Motorhead's Phil Campbell

Motörhead are Metal gods. They’ve been rocking arenas and stadiums for 37 years and are currently out on the Mayhem Tour with Anthrax and other major acts of Heavy Metal and Hard Rock. They’ve released 21 albums and have played in front of millions across the world with the loyal support of their super-fans, the Motörheadbangers.

CityBeat spoke with guitar player Phil Campbell to preview their set today Riverbend. They spoke about how life in the band continues to thrive on the road after so many years and his impressive collection of guitars. Mayhem Fest will rock Cincinnati Tuesday and will also feature Anthrax, Slayer, Slipknot and The Devil Wears Prada.

CityBeat: What has been the craziest story from Mayhem so far for you guys?

Phil Campbell: We had a good party the other night. It was a costume party. All our band and crew went dressed pretty strange. There were quite a few strange costumes there. I think Lemmy and his assistant went as the Blues Brothers. I dressed as a clown. Mickey dressed as a frog. One of our crew dressed as Larry King. That was pretty good. It was a good party anyway. We are just too busy to get wild at the moment. 

CB: You guys are famous for your pranks on the road. Have you played any pranks on any of the other bands yet?

PC: No not yet. We leave that for the end.

CB: What is the best and worst part of being out on the road now? You guys have been touring for 30 years. 

PC: You are home for three weeks and then you are ready to come on the road for two months. You are dying get back home. We are not really complainers. One of the worst parts obviously is not having your family there, home comforts and your dogs and things like that. The food can be tough because you really don’t have much choice. That’s not particularly good. The best part is you don’t have to get up early in the morning anymore. We sleep in until really late so that’s very cool.

CB: What is your favorite guitar to play?

PC: My favorite guitar? I just bought a 1957 Les Paul a couple weeks ago so that is probably my favorite now.

CB: I know you have over 260. Do you rotate them in during the shows or do you pretty much stick with the same ones for the live performances?

PC: No I have about 12 on the road at any given time, so sometimes I rotate a couple. Some of the real amazing ones I don’t really want to take on the road. They are safer in different storage locations, but I have plenty to choose from.

CB: Any regrets through the years?

PC: No, not really, none. It has been pretty good. It has been a privilege to be able to play music for people who enjoy our music. No, no major regrets, no.

CB: Supergroups are very popular right now with bands like Chickenfoot and musicians doing side projects. If you could put together a dream supergroup who would you want to play with from any band?

PC: Elton John, Adam Jones from Tool, David Bato on the drums and Victor Wooten on bass.

CB: That’s pretty good. I know your children are also in bands. Have you thought about recording with them anytime in the future?

PC: Yeah, they are doing really good. I have some children in a band called Straight Lines. They have their second album out and they are doing lots of shows. They have great reviews in all the magazines and everything. Hopefully they will be doing the Warped Tour next summer. Another is in a band called Inside the Trees but they changed their name to The People’s Poet and they are recording their new album now, as we speak. It’s a quite different kind of music. They have their own sound as well. They are all doing really well.

CB: Do you ever play with them?

PC: I used to when they were younger but they won’t let me play anymore. I’m not good enough. 

CB: They tell me you are a Lord. How did that process come about to become Lord Axesmith? 

PC: I applied. The title goes back 500 years, Lord of Axesmith. It’s on my credit cards now and everything. I am an honorary member of the Knight’s Templar of Brittannia. It is a bit of fun when the crew has to call me “My Lord.”

CB: I was going to ask you what the best part is of being a Lord but that’s probably it, people have to address you as Lord. 

PC: When we are at restaurants and they ask for the name of the party, if you say Lord Axesmith then you know they will give you a good table. Even before I became Lord Axesmith, I was told it did the trick. 

CB: What can the fans look forward to from the Motörhead show in Cincinnati on Tuesday?

PC: Just another killer Motörhead show. It is only going to be about 50 minutes long because we have to have all the other bands on. So it will be loud and nobody will be disappointed.

 
 
by Mike Breen 12.14.2011
Posted In: Live Music, Local Music, Music Video at 11:04 AM | Permalink | Comments (0)
 
 
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Squeeze the Day for 12/14

Straight No Chaser, Carolina Jazmine and Koffin Kats, plus This Day in Music with T. Rex, Spike Jones, Daffy Duck and Hitler

Music Tonight: Popular Detroit Psychobilly/Punkabilly/Powerbilly trio The Koffin Kats hot-rod it into Newport for a show at the Southgate House. While the band, which formed in 2003, has done the Psychobilly schtick, writing songs with Horror and Sci Fi themes, the Kats' more "real life" songs have always been around and, over the years, become more dominant in KK sets and on albums. That should be especially evident on the upcoming Our Way & The Highway, due in mid-January, which reflects what singer/bassist Zac Victor told CityBeat was a general move towards a "Bruce Springsteen approach more than a Dracula approach" and even more reflective of their broad musical influences. Read the entire interview with Victor at citybeat.com, then catch the band tonight at SGH with Dr. Bombay, The Returners, Vice Tricks and Switchblade Syndicate. Showtime is 9 p.m. Tickets are $10 ($13 for those ages 18-20). Below, check out the great, swoony track (anybody else hear some Smiths in there?) "The Bottle Called" from last year's "split album" with 12 Step Rebels called From Our Hands to Yours (it will also be on the new album).

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by mbreen 03.07.2011
Posted In: Music News, Local Music at 12:50 AM | Permalink | Comments (0)
 
 
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Free Eat Sugar Remixes

Eat Sugar and Mush Records are giving away three tracks though the Mush Web site, free for a limited time. The download is a maxi-single featuring the original version and two remixes of “Clap You Hands,” a track from Eat Sugar’s Levántense! album. The digital-only full-length (the first from the band) was recently re-released by Mush on CD, giving it a well-deserved extra push to find a wider audience.

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