Unfortunately, it seems like not all people in this world share the same passion for dogs that I do. Hundreds upon thousands of dogs are abandoned each year and end up either dead or in shelters, and many more suffer at the hands of neglectful or abusive owners. Fortunately, we have organizations such as the SPCA around to speak out and help these animals. However, it’s recently come to my attention that not all shelters treat certain breeds of dogs the same.
If someone told you that two of the biggest musical icons of the 20th century had collaborated on an album that was never released and has never been mentioned in the big history book of popular music, what would you think? Sketchy, right? What if you read the same thing on the Internet? Needless to say, the skepticism increases manifold. So is the case with some recent murmurings on the Web about a “long lost” collaboration between Marvin Gaye and Pink Floyd.
The nominations for the 2015 Cincinnati Entertainment Awards, honoring Greater Cincinnati’s fantastic music scene, were announced Wednesday and now it’s your turn to weigh in.
The 18th annual Cincinnati Entertainment Awards ceremony/party, where the winners for each category will be announced and several acts will perform, returns to Covington’s Madison Theater on Sunday, Jan. 25, 2015. So far, Young Heirlooms, Injecting Strangers, Mad Anthony, The Cliftones and Buggs tha Rocka are confirmed to play the CEAs this year. Stay tuned for further info; tickets are available here.
An educated voter is the best kind of voter, so why not actually check out some or all of the artists for whom you are voting? Below you will find links to the artists’ pages on the excellent local music site cincymusic.com (thanks, CIncyMusic!) featuring links, music, bios and more. (The final three “Critical Achievement” categories are not voted on by the public but rather the CEA nominating committee, but you should still totally check all of those acts out, too.)
Best Live Act:
Best Music Video:
Wussy – “North Sea Girls”
Rob Fetters – “Desire”
Mad Anthony – “Sank for Days”
Injecting Strangers – “Detroit”
Sleep – “I Shot Lincoln”
Tweens - “Forever”
The Tillers – “Willy Dear”
Trademark Aaron – “Gold”
Critical Achievement Awards Album of the Year:
Tweens – Tweens
Pop Goes the Evil – Love Stained Heart
500 Miles to Memphis – Stand There and Bleed
Wussy – Attica!
Rob Fetters – Saint Ain’t
Arlo McKinley & The Lonesome Sound – Arlo McKinley and the Lonesome Sound
The Almighty Get Down – People, This Is …
Buffalo Killers – Heavy Reverie
New Artist of the Year:
Artist of the Year:
Why do you suck now?
A group of Ohio House Democrats wants Congress to move quickly and grant statehood to Puerto Rico, which has been a U.S. possession since the Spanish-American War ended in 1898. The Ohioans do not say where the star should go on a redesigned American flag, but they said statehood would “respect the rights of self-governance through consent of the governed of our fellow United States citizens residing in Puerto Rico.”
The chief sponsor of the resolution, H.C.R. 57, is State Rep. Dan Ramos of Lorain, a northern Ohio city where about 25 percent of the 64,000 residents are Hispanic. Lorain is considered the most Hispanic city in Ohio, and nearly 20 percent of its population claims Puerto Rican descent. The resolution urging statehood was introduced this week in the Ohio House where it likely faces an uncertain future. The current term of the legislature is scheduled to end in December, and it has no Republican co-sponsors. The GOP controls the House, which means that Democratic proposals often get bottled up or receive short shrift.
Earlier this month, a slight majority of Puerto Ricans voted in favor of statehood for the Caribbean Island. It was the first time a statehood referendum has won there, and the non-binding vote was seen as signaling that many Puerto Ricans appear ready to end the island’s status as a U.S. commonwealth. The move by the Ohio House Democrats also appears aimed at cementing the party’s support among Hispanic voters. Some 70 percent of Hispanics backed the Democrats and President Obama on Election Day, and Hispanics are emerging as a key bloc with increasing power at the ballot box.
With the exception of State Rep. Alicia Reece, a Cincinnati Democrat, all of the other House Democrats backing the statehood resolution are from Columbus or further north in Ohio. The resolution urges Congress to take swift action “towards admitting the Commonwealth of Puerto Rico to the Union as a State.” Statehood decisions are up to Congress. The Ohio resolution points out that Puerto Ricans are already U.S. citizens (although they cannot vote in presidential elections), and that many serve in the U.S. military. A 1917 law granted residents U.S. citizenship.
There is a historical footnote involving Cincinnati in Puerto Rico’s fate. Former
GOP President William Howard Taft, a Cincinnatian who went on to serve
as Chief Justice of the Supreme Court in the 1920s, delivered a major
legal decision in 1922 that helped keep Puerto Rico separate. Taft
said the congressional act that conferred citizenship on the islanders
did not contemplate that they would be incorporated into the Union. He ruled the U.S. possession had never been designated for statehood. Taft gave the island a unique status that has been described as a commonwealth, or as it is said in Spanish, “Estado Libre Asociado de Puerto Rico.”
Although it doesn't compare to the wholesale hacking and slashing of staff that occurred in 2009, the latest round of layoffs at The Enquirer includes several positions in the newsroom, which already had seen significant reductions.
At least 16 people on the newspaper's editorial staff were laid off, and another chose to retire, according to reliable sources at the paper.
Six months ago today, 26 children and adults were slaughtered at the hands of Adam Lanza and a semi-automatic Bushmaster XM12 E2S rifle inside Sandy Hook Elementary School in Newtown, Conn., one of the deadliest school shooting massacres in U.S. history. As parents, friends, family and gun control advocates around the country mourn and commemorate the loss of life, Ohio gun rights advocates are worried about something else.
Their concern: how to make it easier for Ohio citizens to obtain high-round magazines for their semi-automatic weapons.
A new Ohio House Bill introduced by State Rep. John Becker (R-Union Township) could, if passed, allow people to purchase high-round magazines for semi-automatic weapons, removing language from the Ohio Revised Code (ORC) that currently restricts use of magazines exceeding 31 rounds for semi-automatic weapons.
Specifically, the proposed bill would remove the definition of "automatic firearm" from section 2923.11 from the ORC that currently qualifies a weapon traditionally defined as a semi-automatic firearm (which operated by firing only once for each pull of the trigger) as an automatic firearm under Ohio law when used with a magazine holding greater than 31 rounds of ammunition.
Gun rights advocates are in favor of deleting the line because qualifying a semi-automatic as an automatic weapon under Ohio law (dependent on magazine size) subjects gun owners to greater background checks and stricter purchasing restrictions, which they consider an unlawful hassle and burden.
Jim Irvine, Chairman of the Buckeye Firearms Association, says that the sentence Becker has proposed to remove is one that inherently conflicts the actual definition of an automatic weapon; he says it doesn't make sense to qualify a semi-automatic weapon under the same umbrella as an automatic weapon when the two are entirely different types of firearms.
He says that the issue is one of convenience for most semi-automatic gun owners, including himself. "Loading up magazines can take time," he says. "When I go to the shooting range I want to use my time up shooting, not reloading."
That extra time, though, is exactly the point of the wording in the ORC, explains Toby Hoover, executive director for the Ohio Coalition Against Gun Violence. Limited magazines were what eventually stopped the Arizona gunman who shot former U.S. Rep. Gabrielle Giffords because a bystander was able to attack the shooter when he dropped a magazine while trying to reload.
Hoover asserts that gun rights advocates like Irvine are being subversive in their reasons for wanting to change the changed law.
She says the legal issue is not that the ORC is trying to directly equate semi-automatic weapons to automatic weapons — they clearly operate differently — but that grouping them together using that magazine restriction is a common-sense way to define them both as dangerous, unnecessary forms of firearms that simply shouldn't be readily accessible to the average gun owner. Semi-automatic weapons are extremely easy to purchase in Ohio, she says, while purchasing automatic weapons involves many more complicated restrictions and regulations.
"I'm just really upset with the way they [Ohio Republicans and gun lobbyists] are ignoring the fact that people in Ohio want gun restrictions. They're just going the opposite direction," she says. "If they're really concerned about the wording of the law, just have them maybe separate the definitions but keep the restrictions the same."
Ohio is one of several states monitor magazine limits on semi-automatic weapons, she explains, so it's not unusual at all that the ORC does so.
Adam Lanza, Sandy Hook's shooter, had several 30-round magazines on him and was also carrying two handguns. It's estimated he used somewhere between four and 10 magazines during the shootings, which took place over a matter of minutes.
The bill has been assigned to the House's Transportation, Public Safety and Homeland Security committee, where it currently awaits hearing
Last night at Riverbend, I finished off some personal business for my 12-year-old self. I finally got to see Lita Ford sing “Kiss Me Deadly” live on stage, hear Poison play “Nothing But a Good Time” and catch Def Leppard perform “Pour Some Sugar on Me," live and in person, all on one hot evening by the river.
My parents believed that I was not old enough back in 1987 to make all of these dreams come true, but now my older self is able to make these types of things happen.
Def Leppard has been entertaining international audiences with their strong British sound for the better part of 30 years. They have provided American audiences with Rock anthems that have fired up arenas, like “Pour Some Sugar on Me” and “Animal.” Over the years they have put out 12 albums, including their latest offering from last year Mirrorball: Live and More. The band is among the upper echelon of Rock acts that found success, continuity and growing support through the eras of fans.
CityBeat caught up with guitarist Phil Collen to discuss the band’s continued success before the Riverbend show last night. We discussed why the band is still able to keep it up after so long and what inspires him personally in his musical voyage.
CityBeat: What do you think the secret to the band’s longevity is? I just read this morning that Van Halen just cancelled the rest of their tour. Why have you guys been able to stay together for so long?
Phil Collen: I think our motivation is very different from Van Halen’s. They broke up a while ago. They actually didn’t get off. We’ve actually experienced super-super highs, diamond albums, multi-platinum sell-out tours and all that with really bad lows, like Steve dying and Rick losing his arm.
I think we have been together more consistently than most families. We leave home for 18 months. I have been in the band for 30 years. It’s just that (it) really makes a difference if you can relate to each other on very much a personal level. You have almost a private little clique, an elite club only you can relate to.
I tell you, we have always been good. We have never gone away. We have never split up. We have never done reunions and I think that is the trick. If you have to do a reunion, I always ask “Why did you split up in the first place?” I think we still have got more to prove. We still have songs to write, great albums to make. It’s a whole new day, a whole new digital age, everything is changing, whole new sets of fans. It never really stops. There is always ambition there, and there is always plenty of stuff to do. If you really want to share your work, that’s one of the first things you do in the first place. You get to express your art, it’s an artistic release and the other thing is you actually share it with other people. We are still doing that.
CB: I know you guys have been talking about writing and wanting to release new music. What is the band's writing process?
PC: It is more difficult than it used to be. I think we have gone through every different variation. We have gone through a time when one person writes the song, one person comes up with an idea and someone finishes it off or someone has an idea or we just play on each other’s songs. That’s what Queen ended up doing.
We have done every different variation of that. The best stuff I think we have done was when Mutt Lange was involved and just the way he approached it. He had a lot more experience than us and just brought a whole bunch of things to the table. Again, it is very different, there are a couple things I am putting together that are almost finished and then I usually play them for someone else in the band and put together an idea for them and we just take it from there. That’s really how it works. It’s not rocket science and every song starts in a different way.
I think the most inspiring song is when you have a title and that’s all you got and the rest kind of writes itself around it. I have another band Man Raze and same deal with that. We actually wrote a couple songs for a movie that was The Showdown, which was about superbikes racing. Once I had the whole story I came up with the idea, “Take on the World” — it was racing and stuff, and the song wrote itself.
So it is very inspiring to start with a title or at least an idea and then you just color in by numbers almost. It can come from a million different places and that is one of the wonderful things about being an artist really.
CB: Do you have any regrets over the years?
PC: There are loads of things that we’d do differently obviously. That is the whole plan. You experience stuff and you don’t make the same mistakes again, hopefully, whether it’s driving, old relationships or whatever. You are always on this learning curve which is a different level than the past.
Yeah, you know, not really — (I don't have any) regrets, not even slightly. I love where I am right now and that is the happiest person in the world. I am having a great time. It’s really cool. None at all really.
CB: What is your craziest fan story over the years?
PC: There have been a bunch of crazy fan stories. I have always found the weirdest ones are when people get my face tattooed on their body. I remember the first time this happened years ago, this Italian girl said, “I’m going to get you tattooed on me.” I said, “No, no, no, no, have you told your parents?” And she said, “No, but they’ll be OK.” She got this tattoo done and over the years we have now seen this millions of times, you know, people show their tattoos of our likeness or face on their arm or back or wherever it is. I always try to discourage it because it is a tattoo. I have one tattoo and it is my wife’s name and she has my name tattooed on her and that’s it. I was 52 when I got that.
CB: When you've written songs in the past over the years, did you guys know when you had a hit on your hands?
PC: Some of them, but other songs you think you have a hit and they disappear. You can never really tell. It depends on the environment of the moment. Back then it would be radio. Right now, everything is about celebrity and fame and TV. It is a different one to judge. It is about getting out there. If you get something in a movie, it has more of a chance than something played on the radio. It has changed a lot. The more the music business has turned more into an industry than art, it becomes more difficult to predict (which songs will catch on).
CB: What is the best guitar solo of all time?
PC: I couldn’t put it down for one. There are a few — and it is obviously my opinion — that (have) really inspired me. A few by David Bowie. There are a few Hendrix ones — “Fire” by Jimi Hendrix. There is a great guitar solo on a song “Midnight at the Oasis” by Maria Muldaur, a song from the ’70s (that) took me ages to figure out, then I realized there were more than one guitar doing it. There are millions of them that really inspire. I could go on all day but (there's) not one in any particular — all of those.
CB: Any current music you are listening to that you find inspiring?
PC: Yeah, my favorite artist is Skrillex. I am really into dance and Techno music, love it, Dubstep especially. I just think what Skrillex is doing sounds like Heavy Metal without guitars and Hip Hop without words. That’s what I get out of it. It is just very different. It is very pure. I love it.
(I listen to) just different things; I listen to everything. I listen to Jazz or Blues, Hip Hop, Metal, Rock, whatever Pop song, right across the board. It’s all amazing and stuff to draw on really.
Last night, Fox 19's website reported that veteran local musician, talent booker and event promoter Johnny Schott passed away unexpectedly on Wednesday morning in his home in Tennessee.