Rockers Papa Roach hit the scene in 2000 with their most successful studio album, Infest. Six albums later, they are still headlining tours and festivals across the country including this weekend’s Rock on the Range in Columbus.
I was able to catch up with the man behind the music, Jacoby Shaddix, the lead vocalist. The two discussed the hard times and redemption that led to Papa Roach's most recent album, The Connection, released late last year.
Papa Roach plays Rock on the Range's Main Stage Saturday
afternoon, getting the night ready for Three Days Grace, Stone Sour and
The Smashing Pumpkins. Find full Rock on the Range details here.
CityBeat: What is your favorite Rock on the Range memory?
Jacoby Shaddix: Shit man, coming in headlining the second stage and utterly fucking demolishing it and being the only band asked back the next year to play the Main Stage and crushing it again.
CB: If you could trade places with anybody for one month who would it be?
JS: My wife.
JS: I just want both of us to live our lives in each other’s shoes for a month. I think we both would learn a lot. I know that it is not the super mega-kick ass Rock star answer, but that is some real shit.
CB: I know you wrote the last album through some of the toughest times of your life. Are any of the songs hard to play for you personally?
JS: No, they are just really good reminders. It is like I had to re-calibrate my life and re-focus myself on what my priorities were in my life and what was important to me and where I wanted to put myself five years from now and 10 years from now. All the decisions I made in the process of making this record I believe are some of the most important decisions that I’ll make in my lifetime. I think the songs are real good reminders of that desperate place that I once was.
CB: Well my favorite song on the album when it came out was “Where Did the Angels Go”…
JS: We had a No. 1 Rock track with that song, which was fucking awesome.
CB: Can you tell me the story behind the song?
JS: As we were making the record, me and my wife had split up at that time and I was strung out again. It is no secret that I have substance abuse issues and I was caught up again and I finally decided that enough is enough. I had to stop and that just utter desperation of hanging on to life by a thread and just feeling completely alone and so broken and not really knowing if I was going to be OK. I just finally realized how much my demons ate me alive and it was time to get myself back and that is where that song came from, utter desperation.
CB: Is it hard to be on the road and stay sober?
JS: Not this time around. It used to be really hard. I have a network of sober musicians I stay really close with and I have a support group through that.
It is finally clear to me in my life I can’t fucking drink, I can’t do drugs, because it eats me alive. I am finally on the road enjoying my life. I faced a lot of demons in the process of getting sober again and I finally put a lot of stuff to rest. I am trying to work on being in the moment, like some of that Buddhist-type culture philosophy — if I am not here now then what is the point? If I am not feeling the moment, then what is the point of my life. Just focusing on that, my spirituality makes all this other stuff that goes on out here on the road way more tolerable and way more fun.
CB: Have you ever had an experience that led you to believe in angels?
JS: I don’t necessarily have a grasp on the idea of angels. I have an understanding of people that have come like saviors in a sense, people that have been sent to me by my higher power to show me and guide me out of the darkness. I had to be broken down to realize I needed help.
CB: People have shown up at the right time?
CB: If you could ask one question to a psychic about your future what would you ask?
JS: I wouldn’t ask anything. I wouldn’t want to know. What do you want to know? Are you going to live different or some shit? I’d rather let it be. Let the future be what it is going to be.
CB: What does your perfect day look like?
JS: Perfect day — wake up next to my wife, sex right off the bat. Then go downstairs and cook breakfast for my kids, take them to school, go for a run, dance with my wife, go fishing with my brother-in-law in the bayou swamp, stretch out and warm up, play a Rock & Roll show, then fall asleep next to my wife. That sounds pretty fucking kick ass.
CB: I know your songs that you write are very autobiographical. Have you considered writing a book or a memoir in the future?
JS: Oh definitely, that is something I am going to definitely do in my life. 100 percent.
CB: No immediate plans?
JS: No immediate plans, but I have put pen to paper. It is something that I can craft as I go along.
CB: What can the fans expect this weekend at Rock on the Range?
JS: A fan that is on fucking fire. We have been doing these festivals, May is a big festival month, and we have been fucking annihilating audiences. We just devastated Carolina Rebellion, just ripped that shit up, we had a great show. Fort Rock in Florida, Rockville down in Florida. Memphis in May was awesome at the Beale Street Festival. That was rippin’. I just feel like we are tuned up and primed for these big festivals. I have to say, all these other bands, bring your fucking A-game because P Roach is coming to town and we have come to rip it.
CB: Memphis was awesome. I saw most of the set. It was awesome. It was great as always. I look forward to shooting you guys again. Smile for the camera on Saturday.
JS: Fuck yeah. Cool. We will see you Saturday.
But there's also another noteworthy local Sundance connection this week: Know Theatre is giving a 2011 Sundance film its Cincinnati premiere with a one-time screening 7 p.m. tonight (Dec. 7) in its space at 1120 Jackson St. in Over-the-Rhine. (Tickets are $10.)
Saturday semifinals and on the men’s side, the only real intrigue comes from looking ahead to the finals, although any player will tell you that they can never overlook the opponent immediately across the net.
Novak Djokovic, the number two seed, goes toe-to-toe with the sixth seed from Argentina Juan Martin Del Potro, the first man other than Rafael Nadal to steal a Grand Slam from Federer during his amazing run from a few years ago. Del Potro has dealt with injuries, which slowed him down following his US Open win, but he’s back and clearly has what it takes to reach the finals here.
Djokovic has definitely brought that return game of his, which will be key against the taller Del Potro who takes advantage of his height. The first set stays on-serve until Del Potro litters a serve game with two double faults and Djokovic breaks for a 4-2 lead. From that point, it’s a routine set of holds with Djokovic winning the set 6-3.
Djokovic breaks Del Potro during his second service game in the second set. A pair of holds before Djokovic breaks again (Del Potro fails to win a point during this service game) for a 5-2 lead. Watching the latter portion of this set, its curious to see Djokovic pushing Del Potro further and further off the baseline with punishingly deep shots. And he pushes and shoves him right out of the match with a final ace [6-3, 6-2].
The other semifinal match is all Swiss, all the time. The number one-seed and world’s number one player Roger Federer against Stanislas Wawrinka. The two teamed up to capture the gold in doubles in the Olympics and having served as practice partners over the years, there’s a real familiarity that could make this match intriguing.
Federer comes out and it is apparent that as the man is king of all he surveys. The crowds are overwhelmingly behind him, granting him home court advantage, although its not like he needs it.
The first set features flashes of brilliance from each man as they hold serve with Wawrinka confirming that he has a powerful weapon in his serve. He logs more aces than Federer, yet Federer's net play and shot selection more than keeps him in the match. By the inevitable tiebreak, the all-around game of Federer leads to a 7-4 win.
The second set is more of the same as they trade holds up through 3-games all, and then Federer sneaks in a break and a strong hold for a 5-3 lead. The expectation is for a Wawrinka hold and then Federer to serve it out, but an untimely double fault for Wawrinka gives the game and match to Federer [7-6 (7-4), 6-3].
Roger Federer versus Novak Djokovic. The number one seed versus the number two seed – the first time the two top seeds have met in the finals at the W&S Open. This is the match everyone was waiting for and the crowds are raucous.
On court, the action takes an unexpected turn. Federer breaks immediately, holds and then breaks again for a 3-0 lead. He holds again at love and unbelievably breaks once more for 5-0. Is Djokovic hurt? He makes no calls for his coach or a trainer and simply lets Federer serve out the first set [6-0]. Has he ever been blanked in a set, in an event final?
When Djokovic holds to start the second set, the crowd whoops it up, hoping to provide him with a charge. And now both players look like the top seeds we came to see. The service games add up and there’s the sense that a tiebreak is in store.
When it arrives, the temperature seems to rise. Heat and excitement generate a palpable jolt. Federer grabs a mini-break on Djokovic’s first serve and holds his two points. Before the air deflates out of the stands, Djokovic holds and breaks back. Back and forth they go. At 6-6, with the crowd firmly in his corner, Djokovic holds to take a 7-6 lead, but Federer scores a huge smash before taking the next two points and the match.
He raises his arms and grants Mirka a knowing nod as he walks over to towel off before the trophy presentation. This match sets the field on notice that Federer is ready to extend his Grand Slam singles title count even further and everybody, including the defending champion, better watch out.
The women’s finalists, ninth seed Na Li (CHN) and the fifth seed Angelique Kerber (GER), have the distinction of being the players who took out the Williams sisters on the way towards this meeting and each of them has proven capable of slugging it out or exerting their will through carefully constructed points.
Much like the men’s final though, this one starts off rather one-sided. Kerber follows up an all-business hold with a quick break of Li and another hold. Li finally hangs on during a service game, but what has undone her thus far is an inability to rein in her shots. Serves and groundstrokes sail far and wide in an-ever increasing avalanche. She seems confounded by her lack of control, but by the time Kerber has earned the first set at 6-1, Li has no answers and yet, it is Kerber who calls for an on-court conference with her coach.
The second set offers more of the same, as Li continues to push shots, except for her swinging half-volleys, which she nails with surprising accuracy. Somehow, she settles into a groove and evens things up at 3-all. Kerber lapses into a funk and before you know it, Li has secured the second set 6-3.
Li breaks to open the third set and suddenly, the two have completely switched games. Kerber can’t keep the ball on the court or as the games mount, it looks like she’s frustrated by Li’s ability to power shots all over the court. Kerber begins to stop chasing down shots that she consistently reached in the first set. She calls for a second pow-wow with her coach after falling down 3-0. Li aces her to take the fourth game, but Kerber digs deep enough to win her next service game and the crowd perks up for a minute, checking Kerber’s resolve. Unfortunately, Kerber had nothing left in the tank and she allowed Li to sweep her off the court without much resistance.
The final score [1-6, 6-3, 6-1] doesn’t quite reflect the curious lack of sharp precise play. It will be interesting to see if either player can use today’s effort as a springboard into the US Open. The women’s side of the upcoming Slam appears wide open, ready and waiting for someone, anyone to step up to the big stage, like Stosur last year. At this rate though, it will take far more from either of these finalists to own that epic moment.
Unfortunately, it seems like not all people in this world share the same passion for dogs that I do. Hundreds upon thousands of dogs are abandoned each year and end up either dead or in shelters, and many more suffer at the hands of neglectful or abusive owners. Fortunately, we have organizations such as the SPCA around to speak out and help these animals. However, it’s recently come to my attention that not all shelters treat certain breeds of dogs the same.
Have something to say that’s more significant about what’s going on in the world than where to find the cheapest beer or what the woman next to you is wearing? Then put those thoughts down on paper and submit them to the 2009 annual Book of Poems and Drawings on Peace and Justice.
The first step is a call for poets to focus on the themes of peace and justice. Here are the pesky details:
* Poet may submit up to three poems.
* All submissions will be considered. The editors will be looking for quality, inclusiveness, and appropriateness to the themes of peace and justice.
* If space becomes limited, priority will be given to poets not published in previous books. (This is the sixth annual book.)
* Poems selected will be illustrated in black and white by Greater Cincinnati artists (one drawing per poet).
* Poems and illustrations will be printed in For a Better World 2009 slated for publication in May 2009.
Send submissions as “Word” attachments (or in full text) by e-mail or by U.S. mail (on a CD) to:
Saad Ghosn: email@example.com or 216 Erkenbrecher Ave., Cincinnati, OH 45229
Submission deadline: Feb. 25, 2009
The book will be launched and available for sale at “SOS ART” and “poets included in book will be invited to read their poems at SOS ART,” according to publisher and event organizer Saad Ghosn.
In the summer of 2009, several student filmmakers from Northern Kentucky University decided to make a documentary about Newport music venue the Southgate House. With a soundtrack loaded with local music (Mack West, The Tillers and many others), the movie features some great historical information about the old mansion, lovely footage of the interior and exterior of the building and lots of interviews with area musicians, music lovers, Southgate employees and longtime operator Ross Raleigh, all discussing the uniqueness of the club and what it means to the local music community. There are some prescient comments towards the end about what losing the Southgate would mean to the music scene. Click below to watch the full shebang.
Although it doesn't compare to the wholesale hacking and slashing of staff that occurred in 2009, the latest round of layoffs at The Enquirer includes several positions in the newsroom, which already had seen significant reductions.
At least 16 people on the newspaper's editorial staff were laid off, and another chose to retire, according to reliable sources at the paper.
The sixth season of TV One's entertaining and informative Unsung series, showcasing artists who did well but didn't quite reach the heights many expected, kicks off tonight at 10 p.m. with an episode about the late, great Soul star Isaac Hayes. Next week, on Jan. 30, the series focuses on a group that was formed at Kentucky State University and ended up calling Cincinnati its home base — Midnight Star.
The R&B/ElectroFunk nine-piece band was a major success in the ’80s, giving the music world massive hits like "Slow Jam," "No Parking on the Dance Floor" and "Freak-a-Zoid." But the band eventually splintered — due to "arguments over money and management," according to the Unsung synopsis — with Reggie Calloway and brother Vincent leaving and eventually forming Calloway (which had success with the smash "I Wanna Be Rich" in 1989).
Midnight Star carried on and produced a couple more albums that featured R&B chart hits before taking a break. The "hiatus" ended in 2000 and Midnight Star continues to this day, performing most recently at the Macy's Music Festival last summer. Click here to read up on the band circa 2013.
The Unsung series has a loose definition of "unsung" (as the Isaac Hayes episode suggests), but its profiles of various R&B/Soul, Hip Hop, Funk and Gospel artists are always fairly illuminating. The show has dedicated episodes to a wide range of successful artists, from The Ohio Players and Zapp to Kool Mo Dee and Big Daddy Kane to George Clinton, The Spinners and another Cincinnati-affiliated star, Bootsy Collins.
Unsung (Documentary) - Bootsy Collins... by GENERATIONDISCOFUNK
The rest of Unsung's season six includes episodes on EPMD, Lou Rawls, Eddie Kendricks, The Whispers, Mint Condition, Johnny Gill and a special two-hour look at the Disco phenomenon.
TV One is channel 217 for local Time Warner Cable subscribers (1217 for the HD channel).