Cincinnati's Walk the Moon has been doing the promo rounds hardcore for a while now, performing on network TV shows like the Late Show and Late Night, and touring the planet to ever-increasing crowds. The band tweeted photos about a month ago from its sessions for an episode of MTV Unplugged, the long-running acoustic series on the now-music-deficient network.
Today, Walk the Moon announced that the episode will premiere this coming Monday (Aug. 6) on MTV.com. The band also revealed the first clip from the episode — an a cappella version of "Maps" by popular AltRock trio the Yeah Yeah Yeahs. Enjoy.
Like death, taxes, Who reunion tours and Wolfen sequels, one certainty every year in Cincinnati is a local summer appearance by the master of mediocrity, Jimmy Buffett. If you live here, it's as inevitable as the changing of the season: Buffett brings his plastic palm tree and awful music to Riverbend, and thousands of morons flock to see him.
We've resisted writing about this "phenomenon" in the past. It's kind of like making fun of Kathie Lee Gifford or Kenny G -- it's just too cheap and easy. Of course, CityBeat is nothing if not cheap and easy.
So, here, we bring you the only press you will ever read about Jimmy Buffett in this publication. Unless, of course, there's a shooting spree in the middle of the concert or Riverbend sinks into the river.
10) His music It's sorta tropical, sometimes Country-ish, sometimes "silly," and always boring. It's music for people who don't like music: background, laid-back fluff. It's easy listening for Boomers.
9) His lyrics
"Blew out my flip flop/Stepped on a pop top/Cut my heel, had to cruise on back home."
"So he took her to this movie called Body Heat/She said, 'The Junior Mints were mushy and the sex was neat.' "
"Fruitcakes in the kitchen/Fruitcakes on the street/Struttin' naked through the cross walk/In the middle of the week."
"Evolution can be mean/There's no 'dumb-ass vaccine.' "
8) His album titles A White Sport Coat & A Pink Crustacean. Last Mango in Paris. Off to See the Lizard. This guy makes "Weird Al" look like Oscar Wilde.
7) He recorded a cover of "Purple People Eater" "Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini" is bound to be next.
6) He likes to sue aspiring restaurateurs Buffett's lawyers have gone after entrepreneurs for calling their new bistros things like "Margaritaville" and "Cheeseburger in Paradise." Hey, if they're that stupid ...
5) He was a fratboy No doubt. At the University of Southern Mississippi. Shocker!
4) He wrote and staged a musical (Don't Stop the Carnival) Rock stars shouldn't do that.
3) He tricked Brian Wilson into recording one of his songs "South American" on Wilson's Imagination record. Hasn't this man been taken advantage of enough?
2) His CDs don't even make good coasters I proudly own one Jimmy Buffett CD -- 1999's Beach House on the Moon, which I use on my desk to set my drink on. Damn things keep slippin' off.1) Parrotheads Fans of Buffett use his summer concerts for an excuse to get completely obliterated and "partay." It's like Mardi Gras with tasteless people in stupid hats and Hawaiian shirts. Not so amazingly, his strongest cult is here in Cincinnati. Like we need some other cultural crisis to be embarrassed about.
Five Finger Death Punch is one of the most popular Metal bands in the world. The band has a catchy, melodic sound that resonates with its crowds and the band's songs have become arena anthems across the country. Five Finger continues to tour on its third studio album American Capitalist. Currently, the group is out headlining the Trespass America Festival with the bands Trivium, Pop Evil and Killswitch Engage.
CityBeat was able to spend some time with the band’s lead guitarist Jason Hook to discuss, among other things, the band’s feverish tour schedule and the effect it has on the band members' relationships, as well as what makes the music so addictive. The Trespass America Festival comes to the PNC Pavilion at Riverbend tomorrow (Wednesday) night.
CityBeat: What has been the highlight of Trespass Festival so far?
Jason Hook: Well, the first show was awesome. We opened the show on Friday the 13th just outside of Denver. The place was almost sold out, packed. We had all of our friends, family, record label, managers and agents with us. It was a massive party (and) it was day one. It was awesome, really awesome.
CB: Who leaves the biggest mess backstage at Trespass?
JH: The biggest mess? As far as what, a hot mess or just messy?
CB: It could be either.
JH: I’ll give both to Ivan (Moody, Five Finger's frontman).
CB: OK, I wouldn’t picture that.
JH: Well you don’t know him as well as I do.
CB: Is it true that he still throws up before he performs?
JH: I haven’t seen that lately but it might be because I tend to steer clear of him a little bit more than usual because of that. But he does do that. That is not an urban legend.
CB: You consistently are having these hits with huge sports and military following. What is really the formula for creating a modern day Rock anthem?
JH: I think that you have to keep things simple. People like a really consistent beat, something that has a good thump to it. Obviously, an easy to follow storyline or a relatable storyline and as many hooks as you can get into each section of the song for example the intro, the verse, the pre-chorus, the chorus, the bridge, the solo — all those are sections — and if they get too long or drawn out or too complicated or the resolution set too high for the listener, they just miss out and it will go over their head. A big part of having an anthem is having something that is simple enough that many people can grab it easily like “Rock & Roll all night and party every day.”
CB: Does the band ever write songs for a specific audience?
JH: Not really. Most of us in the band have a background where we grew up listening to heavy bands but bands that were also on the radio. That reflects in the music we make. None of it is really contrived. We just do what we like. Fortunate for us, it catches with a lot more people. Once you try to do something that is not honest, it is really hard to repeat it. You are always chasing or guessing what to do. It is better to know what you like to do and just do it.
You always have the crazy crowd surfing at the shows, the biggest Rock on the Range crowd surfing in history. Do you ever worry about fan safety?
JH: All the time. All the time. It freaks us out. I see people getting beat up pretty good out there, especially the people in the very front row because people crowd surf up from behind them, they can’t see that these 220 pound guys are being launched forward and the people in the front row are the last people that these heavy people land on their heads on the way into the pit. You get a lot of people getting smashed, and they have no idea it is happening until it happens.
I keep saying, “Is there something we should do to discourage this? Should we say that we want people to be careful and keep your eyes open?” I do see a lot of people getting hammered, and it freaks me out. We are always thinking about it.
CB: How do you stay friends living in such close quarters and being on the road almost all year?
JH: How do we stay friends? We stay away from each other. The only way to control how we all get along is to make sure there is a good amount of separation. You need a little bit of on and a little off.
For example, we get hotel rooms. The band gets hotel rooms. We get them every other day. The hotel rooms are essential and it doesn’t matter what it costs to have everybody be able go and have their own private space to go make phone calls, answer e-mails, relax, watch the TV program they want to watch, whatever. The off is just as important as the on because if you get too much together time all the time, then you are likely to have the engine run a little hot, you know what I am saying?
CB: Who in the band is more likely to get into a fight backstage and who is more likely to get laid?
JH: I don’t really want to focus on the fighting, but as far as the sex part of it, I would say, all the girls like Ivan. The rest of us are just sort of swinging the bat. They all seem to want to get to Ivan. So I would say answer "A"—my final answer — Ivan.
The thing is, to chase girls around, which is also to chase the party or stay up, all these people show up and they want to hang out with the band. This is their big night out. The problem is, if we participated in everybody’s big night out, then we end up having 42 or 55 nights in a row, and it is physically too hard. Imagine having 45 New Years Eves in a row. What kind of shape would you be in after that?
CB: Yeah, bands now are a lot more, I don’t want to say mellow, but you can’t sustain (that type of partying) for long periods of time if this is what you are going to do.
JH: God knows we have tried it. We don’t want to hurt the band. We don’t want to hurt the tour. We have a responsibility to not only talk to people during the day but to play in front of these large audiences, and I don’t want to go up there hung over and feel like crap and be fuzzy and making mistakes. It’s very hard. It’s OK when you are a club band — nobody cares; “Get me another beer.” Everyone is drunk anyway, but now we are talking about playing in front of 15,000 people at 9 o’clock at night and it is a business now. It is for real.
Cincy rockers Wussy are set to join the much-celebrated Afghan Whigs' reunion tour this fall when the band finally hits the U.S. for a string of dates. Another great exhibition of Cincy's rich music scene, again in the national spotlight. Wussy has been touring a lot more than usual lately, including its first West Coast jaunt, so this should help raise the group's national profile even more.
So far, Wussy is set to open for The Afghan Whigs for their homecoming show at Bogart's on Oct. 25 (sold out), as well as dates in New Orleans (Oct. 19), Atlanta (Oct. 20), Carrboro, NC (Oct. 21) and another sold-out affair in Detroit (Oct. 24). More dates are expected to be announced soon.
Wussy co-lead-singer/songwriter Chuck Cleaver is a longtime friend/mutual fan of the Whigs. Back in 1993, the local label Mono Cat 7 released a split single featuring the Whigs and Cleaver's former band, The Ass Ponys. The Ponys covered The Whigs' tune "You My Flower," while Greg Dulli and Co. tackled the Ass Ponys classic "Mr. Superlove." (That's the cover art, with former Short Vine mayor Archie acting as the model, above.)
Here's a fan-made video for the Whigs' take on "Mr. Superlove" (NSFW due to mild nudity).
More recently, Wussy recorded a great cover version of another early Whigs song, Up In It opening track, "Retarded," for an Afghan Whigs tribute compilation put out by fantastic Afghan Whigs site Summer's Kiss (listen or purchase here). The comp also included Whigs renditions by Mark Lanegan, Joseph Arthur and several other acts.
Give a listen to Wussy's "Retarded" below.
The Van's Warped Tour might not be the most financially successful summer package tour of all time (the promoter and performers work together to keep an ego-free environment and low ticket prices), but it's hard to argue that it is not the most successful overall, especially in terms of longevity. Now in its 18th year, Kevin Lyman's eclectic traveling festival has outlived all of the roving music events that sprouted up around the same time (from Lollapalooza to Lilith Fair) by creating a "customer friendly" experience that's also very "artist friendly."
The tour's 2012 finale is this weekend in Portland, but before shutting things down for the summer, the fest makes its annual stop at Cincinnati's Riverbend today. Doors open at 11 a.m. and music kicks off shortly after. The show ends around 9 p.m. Tickets at the box office will cost ya $42 (about a dime a band, by my estimation).
Click here for more local show details, including info on how you can "Skip the Line" and walk right into the venue.
The set-times for each act are decided just prior to the gates opening; if you're going, look for the giant inflatable Warped logoed amp to see when your favorites are playing. I also highly recommend grabbing the official Warped Tour app.
Be sure to support our local music scene reps — The Few The Fallen, Heres To The Heroes and Let It Happen will play the Ernie Ball Stage. Check out Let It Happen's recent video for "Bridges" from the great release, It Hurts, But It's Worth It.
Here is who's playing where (via Riverbend's site). (Welsh rockers Lostprophets are also on the bill, though not listed on Riverbend's site; all info is subject to change.)
MAIN STAGE: Taking Back Sunday, All Time Low, New Found Glory, Streetlight Manifesto, Yellowcard, Piece The Veil, Four Year Strong, Of Mice and Men, We The Kings, Breathe Carolina, Miss May I, Falling In Reverse, Blood On The Dance
TBD STAGE: Every Time I Die, Mayday Parade, blessthefall, Chelsea Grin, For Today, Memphis May Fire, Motionless In White, Rise To Remain, Sleeping With Sirens, The Ghost Inside, Vampires Everywhere!, Title Fight
TILLY’S STAGE: Senses Fail, Vanna, Polar Bear Club, We Are The Crowd, Man Overboard, A Loss For Words, Funeral Party, I Fight Dragons, Machine Gun Kelly, Oh No Fiasco
TBD STAGE: Echo Movement, G-Eazy, Stepdad, The Constellations, Ballyhoo!, Champagne, T. Mills, Tomorrows Bad Seeds, Mod Sun, The Green, Amyst
ERNIE BALL STAGE: iwrestledabearonce, Born Of Osiris, Chunk! No Captain, Fireworks, Transit, Cold Forty Three, The Scissors, The Few The Fallen, Here's To The Heroes and Let It Happen.
KEVIN SAYS STAGE: Make Do And Mend, Matt Toka, Tonight Alive, Skip The Foreplay, Sick of Sarah, Mighty Mongo, Captain Capa, I Call Fives, Hostage Calm, The Silver Comet, Twin Atlantic, The Darlings, Dead Sara
ACOUSTIC BASEMENT: A Loss For Words, Koji, Brian Marquis, Rocky Votolato, Transit Owen Plant, Anthony Raneri
Those Darlins followed the first opener, Way Yes, a band totally focused around percussion. I was excited to see Nikki and Jessi Darlin again but was sad that Kelley is no longer in the band. Kelley Anderson, their bass player, has left the band to focus on other things such as her Southern Girls Rock and Roll Camp. While that’s totally admirable, her presence is definitely missed in the band. Their stand in bass player is great but doesn’t participate at all with the band in performing.
Jessi Darlin is an amazing performer and sang all of my favorites such as “Be Your Bro,” “Screws Get Loose,” “Funstix Party” “Tina Said,\” and a new track called “Why Can’t I?” Nikki sang a few songs too; most notably “You Give Me Hives.” However, it seems she traded in her retro-sounding rock songs like “Prank Phone Call” for more straightforward ’80s sounding rock songs. It wasn’t bad, — her voice is great but I missed the old sound.
Best Coast came out last, and Bethany Consentino is such a doll. She seemed way more relaxed than the last time I saw her, which was MPMF in 2010, and has become quite the entertainer. While she and Bobb Bruno make up the actual band, Best Coast the touring band is made up of and additional guitarist and drummer. The band sounded extremely tight and professional.
The first three songs they played were from their first album, which was awesome. When Bethany asked, “if they could play a slow song for a sec” I had to giggle because all of their songs are about two minutes long. She definitely is the queen of writing short but catchy love songs. They played an equal amount of songs from their debut album and recent album, The Only Place. Highlights included “Our Deal,” “Summer Mood,” “The Only Place,” “Crazy For You” and “Boyfriend.”
All in all it was a great show. If you missed out on it don’t fret. Best Coast will be in town in September for MPMF!
Motörhead are Metal gods. They’ve been rocking arenas and stadiums for 37 years and are currently out on the Mayhem Tour with Anthrax and other major acts of Heavy Metal and Hard Rock. They’ve released 21 albums and have played in front of millions across the world with the loyal support of their super-fans, the Motörheadbangers.
CityBeat spoke with guitar player Phil Campbell to preview their set today Riverbend. They spoke about how life in the band continues to thrive on the road after so many years and his impressive collection of guitars. Mayhem Fest will rock Cincinnati Tuesday and will also feature Anthrax, Slayer, Slipknot and The Devil Wears Prada.
CityBeat: What has been the craziest story from Mayhem so far for you guys?
Phil Campbell: We had a good party the other night. It was a costume party. All our band and crew went dressed pretty strange. There were quite a few strange costumes there. I think Lemmy and his assistant went as the Blues Brothers. I dressed as a clown. Mickey dressed as a frog. One of our crew dressed as Larry King. That was pretty good. It was a good party anyway. We are just too busy to get wild at the moment.
CB: You guys are famous for your pranks on the road. Have you played any pranks on any of the other bands yet?
PC: No not yet. We leave that for the end.
CB: What is the best and worst part of being out on the road now? You guys have been touring for 30 years.
PC: You are home for three weeks and then you are ready to come on the road for two months. You are dying get back home. We are not really complainers. One of the worst parts obviously is not having your family there, home comforts and your dogs and things like that. The food can be tough because you really don’t have much choice. That’s not particularly good. The best part is you don’t have to get up early in the morning anymore. We sleep in until really late so that’s very cool.
CB: What is your favorite guitar to play?
PC: My favorite guitar? I just bought a 1957 Les Paul a couple weeks ago so that is probably my favorite now.
CB: I know you have over 260. Do you rotate them in during the shows or do you pretty much stick with the same ones for the live performances?
PC: No I have about 12 on the road at any given time, so sometimes I rotate a couple. Some of the real amazing ones I don’t really want to take on the road. They are safer in different storage locations, but I have plenty to choose from.
CB: Any regrets through the years?
PC: No, not really, none. It has been pretty good. It has been a privilege to be able to play music for people who enjoy our music. No, no major regrets, no.
CB: Supergroups are very popular right now with bands like Chickenfoot and musicians doing side projects. If you could put together a dream supergroup who would you want to play with from any band?
PC: Elton John, Adam Jones from Tool, David Bato on the drums and Victor Wooten on bass.
CB: That’s pretty good. I know your children are also in bands. Have you thought about recording with them anytime in the future?
PC: Yeah, they are doing really good. I have some children in a band called Straight Lines. They have their second album out and they are doing lots of shows. They have great reviews in all the magazines and everything. Hopefully they will be doing the Warped Tour next summer. Another is in a band called Inside the Trees but they changed their name to The People’s Poet and they are recording their new album now, as we speak. It’s a quite different kind of music. They have their own sound as well. They are all doing really well.
CB: Do you ever play with them?
PC: I used to when they were younger but they won’t let me play anymore. I’m not good enough.
CB: They tell me you are a Lord. How did that process come about to become Lord Axesmith?
PC: I applied. The title goes back 500 years, Lord of Axesmith. It’s on my credit cards now and everything. I am an honorary member of the Knight’s Templar of Brittannia. It is a bit of fun when the crew has to call me “My Lord.”
CB: I was going to ask you what the best part is of being a Lord but that’s probably it, people have to address you as Lord.
PC: When we are at restaurants and they ask for the name of the party, if you say Lord Axesmith then you know they will give you a good table. Even before I became Lord Axesmith, I was told it did the trick.
CB: What can the fans look forward to from the Motörhead show in Cincinnati on Tuesday?
PC: Just another killer Motörhead show. It is only going to be about 50 minutes long because we have to have all the other bands on. So it will be loud and nobody will be disappointed.
Anthrax has shaped the heavy metal movement in America. The band recently released its 10th studio album, Worship Music, which brings back the band’s early sound with the re-emergence of lead vocalist Joey Belladonna. I love heavy metal guitars, so it was a privilege to speak to one of the all time metal guitar greats, Scott Ian, to preview their performance at Mayhem Fest Tuesday at Riverbend Music Center.
CityBeat caught up with Ian to discuss the highlights of Mayhem so far and how being a father has changed his perspective on life and music.
CityBeat: What has been the highlight of Mayhem Fest so far for you?
Scott Ian: For me personally it is just the overall vibe. This is the first time we have done a U.S. festival traveling tour in the summer. We kind of knew what to expect since we are friends with Slayer, Slipknot and Motorhead, but it has been so much fun to hang with our friends. The crew and everyone who works with Mayhem have been great and it really is a big family vibe out here. It is a really great place to show up for work.
CB: What has it been like having Joey back the past few tours with the band?
SI: It’s been like two and a half years already. Hopefully that answers the question. It is obviously been going great. We couldn’t be happier with the record we made. We couldn’t be happier with the way shows have been going. I think this is by far the best version of Anthrax that we have ever had.
CB: You became a father last year for the first time. Has this changed your perspective on writing music or life in general?
SI: I haven’t really written yet since he was born because we have been in touring mode. One way that my perspective overall has changed is now having this person in my life that I love beyond anything I can comprehend. It makes me hate the human race even more because of all the pressure that comes with raising a child and wanting to protect him. People ask what do you have to be angry about and there is plenty to be pissed off about now. Look at what happened in Colorado last night with the guy shooting people in a movie theater. It sickens me to the pit of my stomach for a million reasons. What if that was my child in the movie theater?
CB: It is terrible and it is beyond my comprehension how that can happen.
SI: Up until he was born, I had my wife and close family but they are adults and are responsible for themselves. Now we have this person that is 100 percent helpless and relies on us to take care of him, so there is this protective instinct that showed up as soon as he was born. I think that will have a big impact on my writing in the future when the time comes.
CB: Do they come visit you on the road?
SI: Yes they are here right now and have been with me for 10 days.
CB: What is the longest you have gone without playing guitar?
SI: Probably way back in 1977 when I broke my wrist at a skateboard park and I couldn’t play guitar for two months because I had a cast on. I was so bummed that I couldn’t play guitar that I pretty much gave up any type of fancy skateboarding on ramps or pools. The guitar was definitely more of a priority.
CB: What is the biggest difference for you touring versus in the 1980s?
SI: Sometimes we sit around and talk about how did we ever get anything done before we had cell phones and laptops? In the ’80s no one even knew what a cell phone was. I remember the first time a tour manager had that big briefcase thing with a phone in it and it was something like $18 a minute to use it. The idea that we were able to do stuff back then and everything got done is amazing. I try to think about how it got done and I have no idea how we made it through one day let alone a whole tour without the technology.
CB: What habit would you like to break?
SI: I don’t know. I don’t smoke. I don’t drink excessively. My wife is saying talking with my mouth full so I guess I will go with that as a born and bred New Yorker.
CB: What adjectives do you hope describe you at 75?
SI: I hope when I am 75 no one has anything to say about me. I hope the only thing they say is “What ever happened to that guy?” because I am so far off the grid by that point.
CB: I doubt that will happen.
SI: No, we will probably still be playing music and people will say “I can’t believe he is still banging his head.”
CB: What has been your craziest fan story over the past few years?
SI: The craziest audiences in the world are in South America in Chile with the craziest fans overall. We do a signing every day at the Rockstar Energy Drink tent and we get to meet a lot of fans every day on this tour. Anyone who would get anything Anthrax related tattooed on their body is amazing to me. I can’t really call it too crazy because I have Gene Simmons and Angus from AC/DC tattooed on me. I understand that point of view of being such a fan that you would be willing to make that commitment but being the guy in Anthrax and seeing an Anthrax-related tattoo makes you feel great because I know the commitment and I know how much Anthrax must mean to them.
CB: What is the best guitar solo of all time?
SI: Eddie Van Halen “Eruption.”
Anthrax performs July 24 at Mayhem Fest at Riverbend Music Center. More information: rockstarmayhemfest.com.
The Devil Wears Prada is a true "area band makes good" story. The Dayton-born group is steamrolling through the landscape of Metal all over the world. In the band's short history, TDWP has released four albums while keeping up one of the most active tour schedules around. The group's latest album, Dead Throne, from last year reached the top of the US Indie charts and they are showing no signs of slowing down, joining the likes of Slipknot, Slayer, and Motorhead on the latest Mayhem package tour, which comes to Riverbend next Tuesday (July 24).
CityBeat caught up with lead singer Mike Hranica in person prior to the band's show at Bogart's this past winter, and with rhythm guitarist Jeremy DePoyster by phone just this week to preview the group's return to Ohio. They both are very proud of their Midwestern roots, what it has meant to the band’s success and how it has let the members keep their Christian values at the forefront of their music.
CityBeat: I have been listening to your new album this week Dead Throne to get ready for the show. First, I wanted to ask you about one of the songs on it. I guess the song that speaks to me the most was “Mammoth.” Can you tell me the story behind that song and a little bit about it?
Mike Hranica: “Mammoth” was an interesting song. When we went into recording the record, there were only two songs that didn’t have vocals yet. One being “Chicago,” one being “Mammoth” and I wrote them as we were working on the record. When we took “Mammoth” into pre-production, Adam D, who produced the record, totally re-arranged it and it turned out to be one of our favorite songs as well and a favorite of the fans. Lyrically, it was the second to last song I wrote for the record, so I wanted it to be this recap of everything this record deals with, all the issues from idolatry to love loss and all this and tying obviously God into it. That is the idea of the full circle which runs throughout the song and that is the general concept of it.
CB: You mentioned Adam D from Killswitch. What was your favorite part of working with him on the album?
MH: I liked all of it. He is extravagant, personality-wise, and professionally I see him his as very simply a mastermind. I think he absolutely smashes it. I loved what he did with the music, what he did vocally with me, and I loved eating lobster with him every day.
CB: You recorded it somewhere up north right?
MH: Yes, in Western Massachusetts.
CB: You guys grew up here in Dayton. This is a local show for the band. How do you think growing up here in the Midwest influenced the music?
MH: You really see it everywhere, internationally and throughout the states. Music is obviously huge to all cliques, all generations, and all sorts of youths as far as going to school in the groups or the segregations, the cliques of people all have their music. Music is very important to someone young and growing up and I know that really translated to us. I think the Midwest has a big part in it because there is not much else to do. Like anyone else there was BMX and skateboarding and sports and what not, but it seems like a lot of young folks in the Midwest just want to play guitar and go to shows and I know that was the members that make up this band.
Jeremy DePoyster: There are so many bands that are doing similar kinds of things to what we are doing now. When we grew up, especially in Cincinnati, there was an actual Hardcore scene of music and it was bizarre to be playing with them as kids with keyboards and singing and all this stuff. We were this kind of and oddball band and it was exciting because we were just a bunch of kids and into that stuff. It forced us to try and do the best we could and to really have no promise of anything. It was all local. Between Cincinnati and Dayton and Indianapolis and all these places we played growing up, it’s just the Midwest vibe. That’s why I live in Chicago now instead of the West Coast. I like the feeling here. I feel like it is really down to Earth. My wife is from Cincinnati and so we grew up together. It makes you more humble. You don’t have the arrogance that comes with it a lot of times.
CB: So you were in the school band?
MH: Dan and James were. I think those two were the only ones in school bands.
CB: I downloaded “Zombie Slay” last night and played that on the iPad for the first time. I was just curious about you guys getting into gaming and the comic books and how did that all come about and why did you choose to go down that path?
MH: When we did the EP, it was like a weird concept, it is a non-serious concept that we are going to take seriously and with that I think it would be really stupid to not do things in addition to zombie t-shirts and zombie hoodies. We wanted to go outside of that. The comic book was something that came to us right away as well as the game. Unfortunately, it just took a long time to get the game together. It was just stuff we wanted to do.
CB: Do you draw?
MH: Chris draws. The dude that did all the illustrations, actually Kevin Mellon who did the comic book illustrations worked with us on the app as well. We were just curious to get into the app world, the iTunes world, being a bunch of Apple nerds. The game was definitely an awesome first step for us and we are excited to see what else we can do with outside the box marketing products and just giving fans something a little bit different to maintain curiosity and just have a little bit of fun.
CB: What is your favorite game to play, other than Zombie Slay of course?
MH: I have been playing a lot of Zombie Slay. We just did Australia before this tour which is a lot of long flights and I was playing a lot of Zombie Slay. Otherwise, I go in and out. I have an iPad as well and I play games on that. I am not that big of an Angry Birds fan. Everyone is definitely on Angry Birds. I like Veggie Samurai, I play that a lot. Sadly I play a lot of Solitaire on my iPod, like my classic iPod.
CB: What are you guys most looking forward to with the Mayhem Festival?
JD: So many things. We have tried to come a long way as a band. That is always the goal. We have tried to really fine tune the art and harness the sound in the show and all that good stuff. I think that being on the Festival is kind of the next step in the direction of shying away from the Dubstep nonsense, you know, silly autotune wave of things that are happening and get back to Metal which is what we like and what we love and why we write the stuff we do. Slipknot, Slayer, Motorhead and Anthrax are amazing. You can’t beat that stuff. We have wanted to do the tour for a long time but as soon as those names came up, we were like, “Yes. Now. Put us on it.”
CB: You guys have never really compromised your Christian values and you have always had that kind of a theme through your lyrics but you have started touring with more mainstream Metal bands like White Chapel and the bands you just named. There is not always a Christian atmosphere. I cover a lot of Metal music. How do you handle it or does it bother you guys at all?
JD: It doesn’t really bother us. Even one of the guys from Slayer is Catholic. I think it is more of a vibe thing for them more than anything in a lot of those bands. I don’t really feel like it is that big of a deal. Some people sing about politics and some people sing about satanic issues and some people sing about love and all different kinds of things. This is just what we sing about.
I don’t think it really has a whole lot to do with music. I listen to Slayer and I listen to Slipknot and bands whose values have nothing to do with mine but I can still enjoy it and listen to it and have a good time with it. I think that is the vibe we try to bring in. We are pretty respectful dudes.
We generally tour, 99% of the time with secular bands, and we really don’t have a problem with it. I guess we just hope that people will give us a chance which is why it is fun to get out on a tour like this and be able to play in front of people that might have a pre-established opinion on who we are and what we do based on the fact we are a Christian band. They see it and go, “Oh wow. I had no idea it was like that.” It’s kind of cool.
MH: It really is no big deal. We never, ever set out to only tour with Christian bands. We just wanted to, it was always about playing to as many people as possible. The funny thing is, backstage it never really matters what you believe because everyone gets along fine. We get along with For Today really well, both being Christian bands and being people, Christians, normal people. That’s how I think of ourselves, just normal dudes and Christians.
And we both get along with White Chapel just as well, who don’t have the same sort of belief system, but it doesn’t matter at all because we are here to perform what we made and explore the music we have created and that may sound like it degrades your beliefs but it doesn’t. It’s just how it is touring. If anybody really has a big problem with Christians being on the tour, they are the standouts, and not to be too blunt, they are usually pretty ignorant people. We get along with everyone and we have been touring with non-Christian bands since we started and some of our absolute best friends are non-Christian bands.
CB: I was just curious because White Chapel is almost the extreme opposite of what you guys play and lyrically. How did that tour come about or how did you hook up with them?
MH: The first time we toured with White Chapel was early in 2008. I had went and saw them at a show some of my friends were playing and I had been listening to their EP that was out and was “This is the heaviest thing I know of right now.” We are happy to have them on tour early that year and it was smooth sailing. They were “We’re a little bit nervous” and we were “We’re a little bit nervous.” And it was whatever and we just play music together. We just announced a South America tour for next year which White Chapel is on again. When we see them, it is always, “When are we touring together?” It’s awesome to have them back and it is awesome to have all good people on the tour, definitely White Chapel included.
CB: I think there is a misconception about Metal in general. I interview everybody at Rock on the Range and every festival. I have never met anyone that was disrespectful or not nice or who didn’t get along. I think it is a misconception in general.
MH: It really is. There are Metal bands that take the whole evil thing literally, mayhem and these other things. For the most part it is evil music and it needs evil lyrics and that is what they make. They are not killing and raping women in ditches so what does it really matter?
CB: You recently released a video for “Vengeance.” Can you tell me the story behind that song and the video itself?
JD: It’s just a live video from our DVD shoot that we did. We put it out to get the message out of that and spark interest. We put a lot into our live show. Actually we filmed that DVD and that video I think four days before the Cincinnati show. We really just wanted to capture what that tour was in a permanent format so people could see it, not like in a Youtube quality video and stuff. That video is kind of like promoting that and getting it out there. It is one of the more relatable songs that we have off the record.
CB: The DVD you are referring to is Dead and Alive. I know you did a lot of the behind the scenes shooting and editing. Are you a photographer or videographer? Is that kind of a hobby?
JD: It is just something I just started doing as a hobby and a side thing. Then it just gradually turned more and more into something where I was doing every single one of the tours a video for us. Something really important to us is making sure that everything that goes out there with our name on it is coming from us and not from a giant business, corporation behind us but intimately from us. So with the video stuff and most of the photos we put up, we shoot and produce and come out from us.
I feel like the bands that I like and respect the most are the ones that put effort into it instead of writing the songs and handing it in and going, “OK, do what you will with this.” Even with the merchandise designs and the website design, Mike has a massive, large hand in creating. We just want everything that has our name on it to come from us. Being able to do the video stuff ourselves is a really big help in that.
CB: I have seen you guys a couple times play and you have major crowd surfing. The fans really get into your shows. Is there ever any worry about injury or anything crazy happening at the shows?
JD: Yeah, but I guess it just comes with the territory. We grew up going to small shows and hardcore shows in the Dayton and Cincinnati scene which was not a calm, passive scene to grow up in. We are kind of used to it, teeth are all messed up, my face kicked in at a show as a kid and that is what we are used to. There are usually ambulances that come. I think it is pretty easy to be able to tell the areas where you won’t get hurt and the ones where you might get hurt. I think it is a do-it-at-your-own-risk kind of deal. It is part of the style of music and hopefully no one gets too hurt.
CB: What was your highlight of the last tour you were on?
JD: We have done a couple tours. Our fall tour was probably the most exciting one we have done so far. We got to bring massive production out and put on a big show. We just did a small club tour in the U.K. which was real cool and intimate. We did a secondary market tour in the Spring which was really cool because we got to do some “off the beaten path” markets which do a little bit better for us. The people are just more passionate than they are in the big city. We went to South America which was insane as it always is down there. It is a totally different world than it is here. The shows were great. I think it has been an exciting good six months for us.
Really the highlight will be this summer with the Mayhem Fest.
CB: What is the best guitar solo of all time?
JD: Really, I like a lot of the Judas Priest stuff. “Painkiller” solo is pretty up there for me. There is just an emotion that comes from that, that is pretty awesome.