Northside’s Urban Artifact Brewing opened its doors last week, hoping to push the envelope by displaying a finessed brand and aesthetic by reinvigorating old styles of beer and celebrating local artists of all genres. Residing in a renovated church, the brewery is collaborating with restaurant Meatball Kitchen and has big plans for the future as a destination to hear live music.
“We love Northside and we love the neighborhood, so that was at the top of our list from the beginning,” says Scott Hand, who opened the brewery with partners Brett Kollmann Baker, Scott Hunter and Dominic Marino. Hand, a DAAP graduate, was working as an architect in Chicago when he and Marino, a musician and artist, began talking about opening a brewery. Knowing the financial restrictions they would face as a new business in the Windy City, the duo relocated to Cincinnati to begin the project.
Hand was familiar with the process of reconstructing an old space, so when St. Pius X on Blue Rock Street, formerly home to Queen City Cookies’ bakery, became available, the team thought it was the perfect fit for their vision. Originally, Hand and Marino had planned to open Greyscale Cincinnati, a multi-use performing arts facility and craft brewery in the former Jackson Brewery on Mohawk Street in Over-the-Rhine. But plans and funding change, and the Northside church’s sanctuary, gymnasium, next door rectory and other open spaces have now become Urban Artifact, a brewery and event space still focused on blending music (their music label retains the Greyscale Cincinnati name) and unique beer, but with an additional spotlight on good food, design and elevated branding.
“Because of branding, we made a point to reuse a lot of the church and what was already there,” Hand says. “This is a lot harder than just gutting it and starting from scratch. Most breweries are in warehouses or large rooms; our brand and beers come together for a unique experience.” In the final renovation, the team highlighted the church’s historic features, like its stained glass and old columns. They’ve also kept the radiators and reincorporated the 1940s maple floors they plied up from the gymnasium, now home to brewing equipment and fermenters, as finishes in the main church building’s lower-level taproom.
Featuring old things while incorporating contemporary necessities was crucial for Urban Artifact. Most of their beer styles, which utilize wild yeast, bacteria and other captured local cultures, are from the Prohibition days — brewers Hunter and Baker both have backgrounds in chemical engineering. Hand’s favorites are the Maize, a Kentucky Common-style beer, and Harrow Gose, a bready beer of German origin. “The Gose is the most enjoyable for me, and it’s a light beer so I can have two or three without feeling bad about it,” he jokes. The brewery will also focus on experimental wild and tart ales, listing the ale’s pH and other information in the taproom to add an educational element to the experience, and will have local Skinny Pig Kombucha on tap as a non-beer fermented alternative.
The brewery also partnered with Meatball Kitchen, leasing part of rectory’s first floor to become the restaurant’s second location. Food runners will unify the two buildings and make Meatball Kitchen available to everyone. (Currently, Meatball Kitchen is set up in a corner of the taproom until the restaurant renovations are complete.) Hand says the partnership was a natural fit due to their similar aesthetics.
“[Meatball Kitchen’s] Short Vine location has a similar feel — old wood, exposed pipes and things. The menu really identifies with our beers as well,” he says. “I think they are redesigning and making little changes to their menu to make our collaboration more cohesive.”
The brewery’s lower level, which can hold about 200 people, is separated into two parts — the taproom and a listening lounge — in addition to a beer garden outside. Every Wednesday, the listening lounge will feature Cincinnati Jazz institution the Blue Wisp Big Band, which features brewery partner Marino on trombone. The band has been performing every Wednesday night since 1980, but lost their home last year when the Blue Wisp Jazz Club closed. Hand says the “Cincinnati cultural icon” will be at Urban Artifact indefinitely.
In terms of other live music, the brewery scored Soul/R&B/Funk band The Almighty Get Down for their opening night last Friday and World-Fusion band Baoku last Saturday. While powerhouse local bands are flocking to Urban Artifact, they are still looking to book less established, up-and-coming local bands of any genre for other nights. (Hand encourages interested bands to contact Marino at firstname.lastname@example.org.)
The four partners are working hard to have a successful first week of business, but Hand has big plans for the future. The lower level renovation is complete, but the main floor sanctuary is phase two. As a music enthusiast with an architectural background, Hand’s main passion is acoustics. His goal in the next couple of years is to create a “formal but flexible” space for ticketed events, live theater, receptions and eventually big-ticketed performers in the sanctuary.
“I do not want it be your typical standing space,” he says. “It will not be the environment where you blast bands to the loudest decibel and come out with your ears ringing.”
Hand says performers would have the opportunity to record their live shows for personal use or redistribution. He hopes creating the ideal acoustic space will attract larger name performers.
Urban Artifact, whose motto is “Wild culture” for their beers and their brand, focuses on creating a unique product, building promising partnerships and including local artists and culture in their brewery. “We have identified what we’re best at and we do it well, but the best thing is that we come together in the end and figure out how to get things accomplished best as a team,” Hand says. “I think we are pushing the envelope for what a finessed brewing aesthetic is and how that affects the overall experience.”
Urban Artifact is located at 1660 Blue Rock St., Northside. Hours are 4 p.m.-midnight Monday-Thursday; 4 p.m.-1:30 a.m. Friday; noon-1:30 a.m. Saturday and noon-midnight Sunday. For more information, visit artifactbeer.com.
Stuff to do for athletes, aesthetes and people who love celebrating spring produce.
Party pre-marathon with the FLYING PIG WEEKEND
On your mark, get set and go to the 17th annual Flying Pig Marathon. Come and see thousands of runners and walkers of all skill levels take part in this beloved race (a Boston Marathon qualifier). Stand on the sidelines and cheer or register and take part in a course that travels along the streets of Cincinnati, Covington, Newport, Mariemont, Fairfax and Columbia Township. Along with the marathon, the Flying Pig weekend features a series of events.
See a full list of events and prices online. Marathon starts 6:30 a.m. Sunday; marathon registration is $115. flyingpigmarathon.com.
Buy some CHEAP AAART
Local artist and curator Paul Coors (an Art Academy of Cincinnati grad and co-founder of former OTR art space Publico) will exhibit and host a silent auction — with assigned low starting figures and minimum raises — of his own artwork made within the past 10 years on Friday and Saturday at his Brighton loft/exhibition space, The Ice Cream Factory. True to Coors’ legacy of engaging musical acts in his art shows, friends of the artist will DJ over the course of both evenings including Bridget Battle (Tweens), Chris Burgan (Platter Party Records), Jordan Bronk and Sebastian Botzow (the DJ duo behind the monthly Fogger set at Rakes End), Floyd From Ohio Johnson (of Ohio Against the World fame) and Yoni Wolf (WHY?). 5-11 p.m. Friday and Saturday. Free; all ages. The Ice Cream Factory, 2133 Central Ave., Brighton, paulcoors.co.
Celebrate the 50th anniversary of the SOUND OF MUSIC with a live performance
Rodgers and Hammerstein’s great musical theater collaboration — The Sound of Music — has been in the news recently, celebrating the Academy Award-winning movie’s 50th anniversary. If you’d like to dig further into the past (56 years ago it won five Tony Awards in its Broadway debut), you’ll find it onstage at the Covedale Center. It’s the story of a young woman who fails at becoming a nun. But she loves to sing and that wins over a motherless family and their stern father. It’s been a winner since 1959, and it’s sure to please audiences in this production staged by Ed Cohen and Dee Anne Bryll. Through May 24. $21-$24. Covedale Center for the Performing Arts, 4990 Glenway Ave., Western Hills, 513-241-6550, cincinnatilandmarkproductions.com.
Get drunk on mint juleps at Neons' DERBY DAY SOIREE
The Kentucky Derby takes a two-minute race and turns it into a weekend of festivities throughout Louisville — drinking signature cocktails, exclusive parties and many out-of-town celebrity guests in elaborate millinery. But why should Louisvillians have all the fun? Neons is gathering Cincinnatians together to craft derby hats, sip on three different kinds of juleps (in 2015 official Kentucky Derby glasses) and watch the race in their second annual Derby Day Soirée. The event also features live music from the OTR Bluegrass Band featuring members of the Comet Bluegrass All-Stars. 2 p.m. Saturday. Free. Neons, 208 E. 12th St., Over-the-Rhine, neons-unplugged.com.
Wear a fancy hat to the WILDER EP release party at the Southgate House
Americana/Country group Wilder was formed last year by singer/songwriters Kelly Thomas and Randy Steffen after their previous projects had come to an end (Thomas’ Fabulous Pickups and Steffen’s Sleepin’ Dogs). Building into a full band and establishing a presence on the local club scene, Wilder is now set to release its debut EP with a special show Saturday at Southgate House Revival. Falling on the same day as the Kentucky Derby, the 9 p.m. show will have a derby theme (Wear wild hats! Drink mint juleps!). Arlo McKinley & the Lonesome Sound, Mad Anthony and Danny Mecher and the Home Demos are also on the bill. Admission is $5 (or $7 if you’d like a copy of the EP on CD). 111 E. Sixth St., Newport, Ky., southgatehouse.com.
Celebrate spring at Gorman Heritage Farm with SAVOR THE SEASON
The phrase “farm-to-table” gets a literal translation at Gorman Heritage Farm’s annual Savor the Season celebration Saturday. This epicurean adventure, in partnership with Slow Food Cincinnati, focuses on reveling in spring’s bounty from the 122-acre working farm and farms around the area. Top local chefs — including Jose Salazar of Salazar, Allison Hines of Butcher Betties, Todd Kelly of Orchids, Ryan Santos of Please and more — will be offering tasting samples of dishes that highlight seasonal produce, and chef Julie Francis of Nectar and Lance Bowman of Japp’s will be creating cocktail and food pairings. Don’t miss the “Raid the Garden” competition (CityBeat dining writer Anne Mitchell will be one of the judges), where chefs enter into a Chopped-style food competition. The event also includes food trucks and vendors, music from DJ Mowgli and garden/farm workshops, like composting 101, chickens in your backyard, beekeeping and more. 11:30 a.m.-7 p.m. Saturday. $25-$35; $10 for Raid the Garden only. 10052 Reading Road, Evendale, 513-563-6663, gormanfarm.org.
Party on Fountain Square for the CINCY-CINCO FIESTA ON FOUNTAIN SQUARE
Celebrate Cinco de Mayo with the Fiesta on Fountain Square. This authentic Latino festival is designed to share all aspects of Latin American culture, values and traditions with the Cincinnati community in a fun, family-oriented event. Live entertainment throughout the weekend includes performances from Latin band Tropicoso, Cincinnati Balia Dance Academy, Mariachi Zelaya and more, plus food from the likes of La Mexicana, Cuban Pete and Empanadas Caribe. A special children's area will provide free games, crafts, prizes and other activities. All proceeds benefit Tristate charities in support of the Hispanic population. Noon-11 p.m. Saturday; Noon-7 p.m. Sunday. Free. Fountain Square, Fifth and Vine streets, Downtown, cincicinco.com.
Buy some rocks at the GEOFAIR
The 50th annual GeoFair is Cincinnati’s largest gem, mineral, fossil and jewelry show. This year’s theme is “American Mineral and Fossil Treasures,” with displays containing private, university and museum-quality specimens, along with vendors and wholesalers, a swap area and free fossil, meteorite, mineral and gemstone identification. Demonstrations include gold panning, geode cracking and gemstone polishing. Children younger than 12 will receive free mineral and fossil specimens upon entry. 10 a.m.-6 p.m. Saturday; 11 a.m.-5 p.m. Sunday. $9 adults; $3 kids; free for uniformed scouts. Sharonville Convention Center, 11355 Chester Road, Sharonville, geofair.com.
Make cooing noises at ZOO BABIES
Celebrate the newest arrivals at the Cincinnati Zoo & Botanical Garden during the entire month of May, where you'll find the cutest baby faces from all over the globe. Follow the six-foot-tall pink and blue stork statues displayed throughout the zoo to lead you to baby African lions, penguin chicks, bonobo monkeys, a whole litter of African painted dogs and more, as their big eyes, miniature sizes and playful personalities melt your heart. Through May. Park admission $18 adults; $12 children and seniors. 3400 Vine St., Avondale, 513-281-4700, cincinnatizoo.org.
Take in a lightly staged matinee of THE MUSIC MAN
As Hugh Jackman declared in his 2009 Oscars performance, “The musical is back!” Musicals and movie-musicals have lodged themselves in the mainstream consciousness though film productions like Les Miserables (in which the aforementioned Jackman starred) and Into The Woods (an Oscar-nominated adaptation of the Sondheim classic) and various frequent Broadway touring productions, like those at the Aronoff Center. Cincinnati Pops Orchestra conductor John Morris Russell is giving us another angle through which to experience a classic musical, resurrected this weekend. The Pops’ semi-staged performance of 1957’s The Music Man features Broadway veterans Will Chase and Betsy Wolfe in leading roles, plus hundreds of local artists from Playhouse in the Park, CCM’s musical theater department, May Festival Chorus and more. 8 p.m. Friday and Saturday; 2 p.m. Sunday. $20-$103. Music Hall, 1241 Elm St., Over-the-Rhine, cincinnatisymphony.org.
Laugh at VANYA AND SONIA AND MASHA AND SPIKE
Vanya, Sonia and Masha are mismatched siblings, named by academic parents who had a yen for community theater. Now late in middle age, Vanya and Sonia continue to live in rural eastern Pennsylvania on the family’s farm with a few cherry trees. (Durang constantly drops reminders of Chekhov, dollops of amusement for anyone who recognizes them.) Their lives have some angst and ennui, but they aren’t doing anything about it. Through May 23. Cincinnati Playhouse in the Park, 962 Mt. Adams Circle, Mount Adams, cincyplay.com.
Grab a coffee at the CAC's new lobby and check out REMEMBER THE FUTURE
Blah concrete no longer dominates the Contemporary Arts Center lobby. A mere decade after its opening, the harsh environment needed a change. “We wanted the lobby to be the movie trailer for what’s upstairs,” says CAC curator Steven Matijcio. Architect Zaha Hadid’s vision of an “urban carpet” that draws visitors from the sidewalk has been realized with a colorful mural blanketing the walls, lights on the concrete pillars and the welcome desk front and center. A neon sign over the entrance reads “Contagious,” reflecting the vibe enjoyed at the café and in conversations on comfortable couches. Even though they resemble thunderclouds, chandeliers by Cincinnati sculptor Matt Kotlarczyk perk up an overcast day. The CAC needed to seize control of space, time and light.
Upstairs Daniel Arsham’s Remember the Future is anchored by a gray mountain of hundreds upon hundreds of pop culture artifacts cast from volcanic ash, obsidian, quartz and glacial rock. Yet colorful, not-so-distant memories stir as the viewer circles the heap and notices boom boxes, video game controllers, keyboards, cameras, turntables, guitars, film reels and videotapes. 10-4 p.m. $7.50 adults; $5.50 educators/students/seniors. 44 E. Sixth St., Downtown, contemporaryartscenter.org.
Good morning y’all. Like yesterday, I’m once again groggy this morning, but for different reasons that have everything to do with the news. So let’s talk about that.
Last night a group of about 300 gathered outside the Hamilton County Courthouse to protest inequities in the nation’s justice system and to express solidarity with Baltimore, where civil unrest has broken out after the April 18 death of 25-year-old Freddie Gray. Gray died from injuries he sustained while in police custody. The rally and subsequent march through downtown and Over-the-Rhine, which drew more than 100, were peaceful and lasted about four hours. No one was arrested, though there were a few tense moments as protesters tried to enter a highway on-ramp and the Horseshoe Casino. Cincinnati Police Chief Jeffery Blackwell was present at the protest last night, and this morning appeared on CNN touting the city’s protest response protocols, which have been adopted by the U.S. Justice Department as an example of how police should respond to such rallies.
Update: Gray's death has been ruled a homicide and the six Baltimore police officers involved will be charged. Officer Caesar Goodson, the van driver, will be charged with second-degree murder, Baltimore State Attorney Marylin Mosby announced today. Other officers involved in Gray's arrest will face lesser charges.
“I heard your call for 'No justice, no peace,' ” Mosby said at a news conference. “Your peace is severely needed as I work to deliver justice for this young man.”
• Drug overdose deaths in Ohio have hit record numbers, according to a report released yesterday by the Ohio Department of Health. In 2013, 2,210 people died of overdoses in the state, a 10 percent increase in a year. It’s especially grim here in the Greater Cincinnati area: About 440, or 20 percent, of those deaths happened in Southwestern Ohio’s Hamilton, Butler, Clermont and Warren Counties. Here in Hamilton County, deaths have increased 30 percent since last year, according to the report. More than 40 percent of those deaths statewide were caused by heroin overdoses, by far the biggest single cause of drug overdoses in the state. Heroin overdose deaths have spike sharply in the last four years, overtaking cocaine overdoses in 2012 as the leading cause of overdose death.
• Yesterday I told you about how the Cincinnati Enquirer swapped out a headline on a news article about a murder in OTR while taking criticism for its handling of that story. Several high-profile Cincinnatians have since called out the Enquirer for coverage they call sensationalist. You can read more about that, and CityBeat editor Danny Cross’ analysis, here.
• We all have needs. I maybe need to get around to buying a car eventually. Cincinnati needs better public transit. Ohio Gov. John Kasich and other top officials need $9.6 million worth of small aircraft to hop around the state in. The state has purchased two Beechcraft airplanes for officials to use on state business. State officials say the planes are needed replacements for older aircraft with rising maintenance costs. One of the shiny new planes holds nine passengers, the other six, and in case you’re wondering, yes, they do have all the necessary modern avionics equipment on board, including an entertainment center and the oh-so-vital wine bottle chillers because god knows you can’t drink room-temperature white wine while you’re floating somewhere above Youngstown on official state business.
• Speaking of Kasich, his profile is rising as he continues to kinda sorta run for president. I read this pretty long Atlantic article about him yesterday. The piece literally calls him a jerk and make him sound a little like he has attention deficit disorder. But the in-depth Atlantic piece also talks about his strengths, including his energy and his sometimes-gruff but sometimes-endearing plainspoken ways. Some other magazines and national publications have taken a closer look at Kasich over the past week or so, including conservative mag the National Review, which thinks his bid is a no-go. I’d tell you more about their article, but talking about the National Review makes my soul hurt so let’s just stop there, shall we?
• Speaking of the 2016 presidential race, Cincinnati’s uh, favorite (?) son Larry Flynt has endorsed Hillary Clinton for president. Good thing for Clinton? Bad thing for Clinton? Unclear. Flynt says he’s mostly behind Clinton because she has the best chance of winning and she’ll be able to appoint two or three Supreme Court justices, bringing the nation’s highest court under a decidedly liberal sway. Flynt was an ardent supporter of Clinton’s husband, former president Bill Clinton. He doesn’t have any illusions that Hillary is about to take him on the campaign trail with her, though.
“I’m sure that Hillary doesn’t necessarily approve of everything I do,” he told Bloomberg Politics.
More than 300 gathered outside the Hamilton County Courthouse today
to protest racial disparities in the justice system and express
solidarity with Baltimore. More than a week of unrest has gripped
that city after 25-year-old Freddie Gray died in police custody there April 18. Gray
sustained severe spinal injuries while riding in a police van, slipped into a coma and died from his injuries.
The Cincinnati rally was the latest of several that have taken place downtown in the last year after the shooting death of unarmed teen Mike Brown by white officer Darren Wilson brought national attention to the issue of racially-charged police-involved deaths.
After the rally, a crowd of more than 100 marched down Central Parkway,
through Over-the-Rhine, and to the Cincinnati Police Department District
1 headquarters on Ezzard Charles Drive. From there, a smaller group of
about 40 took a zig-zagging route past City Hall and Fountain Square.
That group had a couple tense standoffs with police at the eastern end
of Fifth Street near a highway onramp and in front of the Horseshoe
Casino. All told, the protest lasted about four hours, winding down
about 10 pm.
The protests were peaceful and did not result in any arrests, police said, though one protester was briefly detained on Vine Street and issued a citation for jaywalking.
Activist group Black Lives Matter Cincinnati organized the rally. Among
attendees were long-time activist Iris Roley, who was a key participant
in forging Cincinnati’s collaborative agreement which arose from civil
unrest here14 years ago. That unrest was sparked by the 2001 shooting
death of unarmed black man Timothy Thomas, the 16th person of color shot
by Cincinnati Police over the course of a few years. Also in attendance
were State Senator Cecil Thomas, police officer and Over-the-Rhine
transit activist Derek Bauman, Cincinnati Police Chief Jeffery Blackwell
and others active in the community.
Many attendees said they were concerned about wider disparities in the justice system beyond police actions.
“We’re to remember,” said co-organizer Rashida
Manuel. “We’re here to remember Freddie Gray. We’re here to remember
Maya Hall, the black trans woman who was killed in Baltimore last month.
We’re here to remember Mike Brown, we’re here to remember John
Crawford, and so many others I can’t possibly name. We’re here to
remember Timothy Thomas. We’re here because we’re tired.”
Documentaries about photographers have the difficulty of making still photographs hold our interest in a medium that is about — obviously — moving pictures. The contemplation and meditation that successful still photographs elicit tend to get lost when your eyes and brain are trying to keep up with something traveling at 35 frames per second. It's like trying to admire an elegant home from a speeding train.
A recent (and very good) film about a photographer, Finding Vivian Maier, solved that problem by turning the story of why she was so overlooked in her lifetime into a mystery.
The current film The Salt of the Earth, about the questing, humanistic Brazilian-born photographer Sebastiao Salgado and directed by Wim Wenders with Salgado's son, Juliano, may be the best documentary about a photographer ever.
Salgado deserves it, too — his years-long, book-length projects chronicling the hardships humans endure in their search for work (Workers) and safety from war and famine (Migrations), as well as his elegiac images of the earth itself (Genesis), mark him as one of history's most important photographers. And he's still active at age 71.
Mariemont Theatre has just announced the film will be held over for a second week, starting tomorrow (Friday).
The Salt of the Earth accomplishes its profundity by beautifully melding the best traits of film — tracking shots, close-ups, essayist commentary and interviews presented as monologues, color cinematography, music — with deep feeling for the subject and his work. Wenders presents Salgado's monumental black-and-white photographs superbly. He slowly shifts between them and his own filmmaking. It deserved the recent Academy Award nomination it received.
Wenders is the German director of some classic narrative films (Wings of Desire, Paris, Texas) who, with his documentaries Pina and Buena Vista Social Club, showed he could find inventive and life-affirming ways to depict on film the work of other artists he respects.
Wenders in The Salt of the Earth can be solemn when it's called for — Salgado's work at times makes you wonder if the human race is doomed to cruelty to hardship. But it's also optimistic, as when chronicling how Salgado has restored to health his parched, dying family farm in Brazil.
We're fortunate that the Mariemont has elected to hold this film for a second week. I saw it last Monday and the crowd was small, so many of its intended audience might not yet be aware of it. It really deserves to be seen on a big screen. and it's rewarding for all those who take film and photography seriously.
Just before we turned the corner from 12th onto Main, gunshots popped off behind us. We turned around and saw some dude running south on Sycamore. We bolted onto Main and jumped into a storefront doorway until things calmed down, called the police and then continued on our way. I followed up and found out that the man we saw running away neither died nor killed anyone.
It was a scene that has grown less common in recent years in the area, as the push of development has moved much of the drug dealing and related violence outward into other neighborhoods. In January WCPO reported that violent crime in OTR was down 74 percent since 2004, in part due to development and evolving policing tactics.
Such facts didn't deter The Enquirer from freaking the hell out yesterday when one of its reporters witnessed a shooting in front of a bunch of popular OTR restaurants. Reporter Emilie Eaton was on the same block when 30-year-old Gregory Douglas was shot around 9 a.m. near Vine and Mercer streets, fled a short distance then collapsed and died. Police today issued a warrant for the arrest of Darnell Higgins for the murder.
It's been a sad day for a lot of people: families and friends of the deceased and the accused; those who witnessed such violence up close.
It’s also a sad day to consider the
state of local media, considering the response we've seen so far to The Enquirer's collection of coverage. It started with the reporter's first-person account of witnessing the shooting. Then came a news story questioning the neighborhood's safety, for some reason quoting the Hamilton County Republican chairman and a lone neighborhood resident saying he didn't feel safe these days. Soon afterward, a more formed version of the story was updated online — this time the headline tried to cleverly play on the word "dead" (“Gunfire in OTR brings
morning to a dead stop”). The headline was later changed, “After fatal shooting, no easy answer in OTR," though the insensitive quip lives on in the story's URL.
decision to frame Douglas’ death as a question of whether or not OTR is
safe for those of us unaccustomed to witnessing violence is generating the type of
online debate (/clicks) the "newsroom of the future" was meant to induce. It has also been heavily criticized.
Here’s former Cincinnati mayor Charlie Luken on Facebook:
Here’s Derek Bauman, an OTR and mass transit advocate/suburban police officer, who wondered on Twitter why the first source in an early version of the “Is OTR safe yet” story quoted the county GOP chair before anyone else. Alex Triantafilou’s take? “There is more work to be done to make our city as safe as the suburbs."
Eaton's first-person story was published just hours after the shooting occurred. "A stray bullet could have easily missed the victim and hit me," she wrote. "The gunman could have come around the corner for me. I'm lucky to be writing this story right now."
The story elicited strong response from readers, but perhaps not the kind the Enquirer was picturing. About 20 wrote comments questioning the appropriateness of the piece, many along the lines of this:
As writers molded dispatches from the
scene into The Enquirer’s larger
collection of reporting on the incident, debate continued on social
media. Enquirer writer John Faherty took to the comment section of Eaton's article to defend her.
Those of us in the media don’t enjoy criticizing each others' work, and we realize most people in the industry are dedicated and passionate. We respect colleagues at other media companies, especially when their dedication to the craft is evident.
Eaton clearly had a shitty morning. Her decision to immediately get back to doing her job is admirable.
Unfortunately, the collection of work to which she contributed was misguided, made worse by the classlessness with which Enquirer editors showed along the way. Publishing right-wing digs at inner-city neighborhoods has been a longstanding tradition at The Enquirer. Using a play on the word "dead" in a news story about a murder is the type of move that would get a college newspaper in trouble. It shouldn't be OK at any self-respecting daily.
There's no way to tell which “content coach” might have shaped yesterday’s coverage. Any number of web editors could have written such an offensive headline — the newsroom of the future isn't set up to catch these things. Newsroom morale has been known to be low at Gannett papers across the country, and many of us actually feel bad for the many talented people struggling to produce quality work under such restrictive guidelines.
Ultimately, reporting that might have culminated in an articulation of how opposite worlds intertwine in front of our eyes every day instead became a question of whether it's smart to eat and shop near poor people.
Later versions of the story noted that the lunch rush on Vine Street continued as usual just hours later, suggesting that maybe the question of whether or not Vine Street is safe had already been answered.
"I'm not worried about it," said Mike Georgitan, a general manager at Pontiac BBQ on Vine Street. "It might affect lunch today – maybe," he shrugged. "But then it will pick back up."A person is dead, and the cycle of poverty, crime, drugs and violence that gripped Over-the-Rhine long before a Japanese gastropub opened at 15th and Vine is still occurring all over this city. The Enquirer would be wise to demonstrate an understanding of these forces rather than following the path of least resistance to Internet debate.
James Franco is coming to Cincinnati two shoot not one but two films this May. The actor/filmmaker, who will always be Daniel Desario to me, will be working on two movies simultaneously: Goat, a frat hazing film based on the memoir King Kelly by Brad Land, and The Long Home, about bootlegger Dallas Harden, adapted from William Gay’s novel of the same name. Franco is on to produce Goat, which stars Nick Jonas and Ben Schnetzer; he’ll produce and direct The Long Home. The latter film’s cast has not been announced yet, but a recent Facebook post by Franco mentioned the movie along with Josh Hutcherson (The Hunger Games series, Union, Ky., native), Timothy Hutton (a bunch of TV dramas I've never seen + Ordinary People), Keegan Allen (not to be confused with Andrew Keegan), Ashley Green (all the Twilights), Tim Blake Nelson (O Brother, Where Art Thou?), Jim Parrack (True Blood) and Scott Haze (lots o' Franco flicks). Let’s ponder while looking at a topless Franco:
In a Salon article about HBO's Silicon Valley that called out the show’s “woman problem,” the writer mistakenly reported that Silicon’s Kumail Nanjiani is the same person as Big Bang Theory’s Kunal Nayyar. OOF.
The Full House sequel show you’ve been wishing for is finally coming, and the cherry on top of this nostalgic cake has to be the fact that Kimmy Gibbler will return! Fuller House is set to premiere on Netflix sometime next year and will focus on D.J. (Candace Cameron-Bure), Stephanie (Jodie Sweetin) and Kimmy (Andrea Barber). Adult D.J. is a vet, she has two boys and is pregnant with another, and the show picks up with her being recently widowed (R.I.P. Steve?!). Aspiring musician Stephanie moves in along with single mom Kimmy and her teenage daughter. It sounds like a pretty fucked up plot until you realize it is exactly the same as the original, but with ladies. Remake ALL THE THINGS with ALL THE LADIES!
John Stamos is producing and will pop in from time to time as Uncle Jesse, but the rest of the original cast is still up in the air. This could be a big pile of awful, but one thing gives me hope: Stephanie is still pursuing her entertaining dreams!
A masked hero in the UK is
going around spray painting penises around potholes to try to get them filled
faster. Best part: they’re going by the name Wanksy.
Inside Amy Schumer’s third season just started, and already there have been some epic musical moments. She pays tribute to the It Girl of body parts, the butt — watch out, eyebrows are comin’ for that title — in “Milk Milk Lemonade” and gives One Direction a realistic makeover with “Girl, You Don’t Need Makeup.”
David Ayer revealed Jared
Leto’s Joker look for the upcoming Suicide
Squad movie. Let the mockery begin!
Cecily Strong hosted “nerd prom,” which is the White House Correspondents’ Dinner and not Comic-Con. See the SNL star’s full speech here.
Obama addressed the crowd beforehand and, thankfully, Luther the anger translator was on hand.
Apparently any time more than two stars of a past TV show/movie are in the same room, that constitutes a reunion. So I guess there was a Lizzie McGuire “reunion” with Hilary Duff, Lalaine (Miranda) and Jake Thomas (Lizzie’s little brother whose name I can’t remember and won’t look up). Considering Gordo, Lenny and animated Lizzie weren’t there, this is truly a weak reunion. Sorry. Read more in this TIME article (seriously).
If you need a massive dose of Beyoncé in a short amount of time:
Hey hey Cincy. So I’m a little groggy today after spending, oh, I don’t know, over three hours binge-watching the latest few episodes of Mad Men last night. This is unlike me — I don’t normally watch TV and shows about sad rich dudes aren’t usually my jam. But watching Don Draper, Pete Campbell (especially Pete Campbell, who looks like a smug Frisch’s Big Boy come to life) and co. get their comeuppance is great. Anyway, I’m going to try and muddle through the news in my drowsy state. Let me tell you about all the stuff that’s been happening.
The epic dramatic series that is Cincinnati City Council aired its latest episode yesterday, and there were some big developments. OK, that’s obnoxious, sorry. I’m going to stop now. Among the more exciting moves: Council passed a measure giving the city the go-ahead to apply for nearly $29 million in federal TIGER grant funds for the Wasson Way bike trail, an ask we first told you about in this story.
Council also passed a resolution that prohibits private police groups from operating with police powers in Cincinnati. The decision comes after a man in Tulsa, Oklahoma died earlier this month when he was shot by a 71-year-old private police officer while laying on the ground handcuffed. Use of private police in Cincinnati dates back to 1983 and is relatively small — two companies employing about 10 people that provide police services for events, apartment complexes and places like the Regional Chamber of Commerce. Members of council, including Councilman Christopher Smitherman, who introduced the legislation, stressed that the decision wasn’t a reflection the service of private police agencies and was made based on legal liability issues for the city.
Chief Lester Slone of Cincinnati Private Police said the decision was unfortunate and will probably put the agency out of business. Slone has served with the CPP, which employs seven private officers, for 32 years.
• Later in the evening yesterday, Mayor John Cranley and City Manager Harry Black announced the city has reached an agreement with public employees in regard to the city's pension obligations. The agreement is a big deal, city officials say, finally fully accounting for the city's huge $682 million pension obligation. Both the city and public employees gave up some things to get to an agreement. Retired public employees will no longer get a cost of living increase on their pension payments in their first three years, for instance. Pension obligations have been a major governing issue for many cities, hobbling the finances of struggling cities like Detroit for decades.
• A newly released police report says Kings Mills transgender teen Leelah Alcorn wrote a brief suicide note the fateful night she jumped in front of a semi-truck on I-71. The note, which was uncovered after her death, simply said “I’ve had enough.” The police report also reveals that Alcorn had recently researched suicide prevention organizations and had written an online message to a friend recounting past suicidal thoughts.
• The Cincinnati Enquirer changed a headline on a story about a shooting in Over-the-Rhine from one making a play on the word “dead” to something more neutral. The original headline, about the shooting death of a 30-year-old man on Vine Street, originally read “Gunfire in OTR brings spring morning to a dead stop.” The headline now reads “After fatal shooting, no easy answer in OTR.” The story asks whether the shooting will affect business and perceptions of safety in the neighborhood.
The change comes as the Enquirer’s coverage of the shooting raises controversy on social media. An emotional first-person account of the shooting by an Enquirer reporter drew a slew of comments questioning the appropriateness of such a story.
Good morning y’all. Here’s what’s happening today.
Activist group Cincinnati Black Lives Matter tomorrow will hold an event in solidarity with Freddie Gray, who died in Baltimore police custody April 19, and those protesting his death. The group says it will meet at 6 p.m. outside the Hamilton County Courthouse. More than 400 people have signed up on a Facebook event set up by the group.
“We will stand in solidarity with the women and men of Baltimore who have decided to protest the defacto execution of Freddie Gray,” the group says on the event page.
Law enforcement authorities say they’re aware of the planned event and will plan accordingly. Hamilton County Sheriff Jim Neil has said the department will work to allow peaceful, lawful demonstration, and Cincinnati Police Chief Jeffrey Blackwell said the department is striving to work with peaceful demonstrators.
Protests broke out in Baltimore after Gray died of an apparent spinal cord injury he received while in police custody. You can follow news from Baltimore at fellow alt-weekly the Baltimore City Paper's website. They're doing crazy good work.
Most of those protests have been peaceful, but a few have spilled over into violence, and the governor of Maryland had called in the National Guard and other law enforcement agencies. The Butler County Sheriff, for instance, has sent a six-person SWAT unit to Baltimore. The unrest in Baltimore is the continuation of a national debate over treatment of blacks at the hands of mostly-white police forces across the country sparked by the police shooting death of unarmed 19-year-old black man Michael Brown in Ferguson, Mo. last summer. Meanwhile, tensions in other cities, including Cleveland, continue to simmer.
• The former Deer Park country club bartender who is charged with making threats against U.S. House Speaker John Boehner’s life pleaded not guilty yesterday in U.S. District Court. Michael Hoyt was arrested after sending an e-mail to Boehner’s wife saying that he could have slipped something into the Republican’s drink on any number of occasions, but didn’t. When authorities arrested him, he told them he was Jesus and that Boehner was “evil” and needed to be killed. Hoyt has a history of mental illness, which his defense attorney says explains his actions. The U.S. District Court recently found Hoyt mentally competent to stand trial.
• Are fancy-schmancy glass bottles and frosted beer mugs not your style? There’s a new beer festival coming to Cincinnati this summer that might be more your speed. Washington Park will host the Cincinnati CANival, which, as you might surmise from the name, will celebrate the city’s best beers sold in convenient, portable aluminum cylinders. The festival is being organized by the same folks who bring you the Cincinnati Winter and Summer Beerfests, and will feature more than 125 varieties of beer. Tickets go on sale Friday.
• The big news for Cincinnati and the rest of the country, of course, is yesterday’s U.S. Supreme Court hearing on Obergefell v. Hodges, a combination of past cases from Ohio, Kentucky, Indiana and Tennessee on the legality of states’ same-sex marriage bans. So … how did it all go? Will the court force Ohio to, you know, step into the 21st Century? Well, first, it’s a bit of fool’s errand to try and divine how the court will rule based on the questions they asked at the two-hour plus hearing. We won’t know for sure until the court actually rules on the case, which could happen as late as June. But, it’s interested to parse what was said in that hearing, and, as you might expect, the court’s nine justices were split along ideological lines in terms of their questions and apparent leanings. The court is currently pretty evenly weighted, with a couple justices who are reliably liberal in a way that almost assures they’ll side with same-sex marriage advocates and a couple who are so conservative they’ll almost certainly side against. Take Justice Antonin Scalia, for instance, who let loose with this pretty tasteless joke during the arguments. If anyone is a deciding vote, though, it’s Justice Anthony Kennedy, a moderate justice in most matters. Kennedy has written majority decisions in past court victories for same-sex marriage advocates, but he also struck a skeptical tone with his questions this time around.
“This definition [of traditional marriage] has been with us for millennia,” Kennedy said during a question to attorneys for the plaintiffs. “And it’s very difficult for the court to say, ‘Oh, well, we know better.’ ”
But later, Kennedy also highlighted the importance of acknowledging the dignity of same-sex couples. Other justices also hemmed and hawed in their questioning, so, you know, it’s hard to divine what the court will do. There was a lot more to the arguments, and the justice’s questions. This great rundown in the Washington Post is worth a look-through if you’re curious to untangle all the legal wrangling. For a more light-hearted view of the proceedings, this Politico piece is pretty hilarious.
• In other national news, the Democratic primary for the 2016 presidential election is about to get more interesting. Independent Senator Bernie Sanders of Vermont will announce Thursday that he’s planning on seeking the party’s nomination, according to the New York Times, challenging Democratic frontrunner Hillary Clinton. Sanders isn’t really part of the Democratic Party, though he does meet with them and vote with them most of the time in the Senate. He’s an avowed socialist and looks to shore up support from the Democratic Party’s left flank, perhaps capitalizing on demand for a more liberal alternative to Clinton.
Disclaimer: Although Jenner gave ABC, some news outlets and Jenner’s family permission to use "he," "him" and "his" pronouns until people become comfortable with the change, I am using gender neutral pronouns "they," "them" and "their "and dropping Jenner’s first name out of respect to an individual that has dealt being misgendered for a large portion of their life. Jenner also has not released their preferred name.
The black and white photo showed what appeared to be a twentysomething with a shaggy bowl-cut. The person was smiling, mouth open, revealing his probably perfect pearly whites as he looked off camera. Who is he looking at? Is he in mid-laugh or mid-sentence? What made the old photo interesting, despite it being posted on Instagram by Kylie Jenner in the first place, was how the person’s chiseled muscles and hairy abs contrasted with the tight clothes that concealed body parts our society likes to label “vulgar” and “inappropriate”. The last place I looked was in the eyes. I had noticed they were looking away, but I never really looked in their eyes and tried to read them. The eyes in the photograph read as distant, unfocused, not fully engaged. Was I just looking at it in a different light because my prior knowledge and context changed? The Instagram post read, “daddy throwback. #Tonight #DianeSawyer #ABC #love”.
I had a lot of positive and negative anxiety about the Bruce Jenner Interview with Diane Sawyer. My two biggest passions — the queer rights movement and popular culture — were center stage, about to sing a dynamic duet under a hot spotlight. The iconic event would change my view on the direction of the trans* movement, how I view the Kardashian family — a guilty pleasure turned complete obsession, especially with Kim K. — and how the public views a community they have little knowledge about. Waiting for the interview to start, I was clueless as to what was in store. I only knew the duration of the interview and sneak peeks I viewed online. While I was confident I knew Jenner’s announcement after viewing the illegal paparazzi shots published by the New York Daily News of Jenner in a dress, I refused to give into the stereotypes I made based on photographs. Jenner was the only reliable source. I did not think it was a public relations scheme to promote a new reality show, but I wondered how it could last two hours. What are we in store for — two hours of ignorance and the same pictures on rotation from the 1976 Summer Olympics?
As the interview began and progressed, I was pleasantly surprised with Jenner’s well-informed, genuine responses and the educational presence of the interview. I appreciated the inclusion of newsworthy events from the past couple of years, interviews from other transgender figures and the visual approach the interview took in terms of explaining and comparing terminology. Here are the good and bad moments before, during and after the interview that I found the most interesting:
But Jenner was not the only one making national headlines that day. Cincinnati received coverage, but not for anything noteworthy. Senate, a gastropub in OTR that occasionally picks a celebrity or current event as inspiration to name and create the Dog of the Day, featured the “Bruce Jenner 2.0” Friday. The dish, described as “part hot dog part taco,” had a beef frank sliced in half and filled with taco toppings. After experiencing outrage on social media, Senate issued an apology and donated the proceeds to The Heartland Trans Wellness Fund. This whole situation is wrong for multiple reasons.
In 2014, transgender folks received an unprecedented amount of media attention. Actress Laverne Cox, model Carmen Carrera and author Janet Mock reestablished how reporters and talk show hosts speak to trans* individuals by speaking out when they felt uncomfortable or triggered in interviews and making it an on-air educational opportunity. One of the main themes in these interviews was America’s fascination with transgender genitalia instead creating conversation about the trans* suicide rate or homeless queer youth. The bottom line was that trans* public figures wanted to be valued for more than what is in their pants. Sexual reassignment surgery is typically the final stage of the transformation, but not required or done by everyone. It is a monumental and hyper-personal moment for individuals that continue on in that journey. The “Bruce Jenner 2.0” was a symbol of how privileged individuals and businesses appropriate minority groups, even for just one day of media buzz, and increased revenue. Senate’s actions were regressive to the strides Cox and others made in regards to how we speak to trans* people.
The Jenner interview was unprecedented and a major success for trans* visibility, but it does not change the suicide rate or the fact that seven trans* women of color were murdered the first eight weeks of 2015. Visibility in the media and educating the masses is crucial to the movement, but it must translate to policies and how mainstream society treats transgender people. Jenner is not the first to show public displays of bravery. As the trans* rights movement continues on and we meet new faces, let us not forget the historical events like the Stonewall riots and the unspoken queer heroes that paved the way for Jenner to come out and educate the nation on primetime television.
Growing up, you always hear that eyes are windows to the soul. If that is true, why is it the last place we truly look? Why is it so romantic and out of the ordinary when you are on a date and the other person describes your eyes in great detail, as opposed to generalizations like, “You’re beautiful,” and “You look so hot in that”? During Jenner interview, I saw it all in their eyes — the pain, the relief, “her”. I saw it again as they replayed scenes from Keeping Up with the Kardashians. When now-ex-wife Kris made fun of Jenner’s clothing and style, what I perceived as annoyance when I watched the episode years ago I now perceived as hurt and pain in Jenner’s eyes. In the flashback scene of Khloe referring to Jenner as a strong male presence in her life, Jenner looks deep in thought and distant.
Context changes a viewer’s perception, and we need to start paying attention. Reflecting back on Kylie’s Instagram photo of a young Jenner, I realized that I had to get past the short jean shorts and cut-off tee to truly see the photograph. You never really know someone’s life or the journeys they are on. Here was the model “masculine figure,” but inside Jenner was filled with emotions and feelings most people cannot begin to understand. Like society’s fascination with what transgender folks have below the waist, we could not see that Jenner had a lot more depth to him that we presumed. Jenner’s closing advice for people was to “have an open mind and have an open heart.” This ideology can be translated to different aspects of our life and the relationships with others, especially those we do not know. Together we are all connected, making up collective humanity. We are one.
full interview with Jenner and Diane Sawyer here.