Tracy Letts' plays haven't quite caught on in Cincinnati. We're yet to see a production locally of August: Osage County, his 2008 Pulitzer Prize winner. Neither the Cincinnati Playhouse nor Ensemble Theatre of Cincinnati� have picked up Superior Donuts, his 2011 Tony-nominated script that will be staged by at least eight major regional theaters across the United States during the coming season. However, a local pick-up company will present Letts' latest script at the Clifton Performance Theatre (404 Ludlow Ave.) in a brief run (Sept. 9-18).
If you’ve seen The Seagull at Cincinnati Shakespeare Company (and CityBeat theater reviewer Tom McElfresh recommends that you do), then you should plan a return visit for The Nina Variations, playwright Steven Dietz’s delightful take on the final scene of Chekhov’s play. CSC offers another way to see the 1896 classic, via Dietz’s 1996 script, presented by the Bruce E. Coyle Intern Company from Cincinnati Playhouse in the Park.
Cincinnati Landmark Productions (CLP), operator of the Showboat Majestic and owner and operator of the Covedale Center for the Performing Arts, is looking to expand its entertainment empire with a new facility in East Price Hill, not far from the Primivista Restaurant. At a meeting today with the East Price Hill Improvement Association, representatives from CLP will present a proposal to build a new performing arts center in the Incline District.
plan is for a theater with approximately 250 seats that will be
programmed throughout the year. CLP estimates 112 evenings of
performances, including theatrical productions, a summer season,
concerts, comedy events and cabarets.
CLP recently marked the tenth anniversary of the Covedale Center, a onetime movie theater that the group acquired and renovated. The West Side fixture has seen stead growth in attendance over the decade since opening in 2002. In its first year, there were 804 subscribers; 3,600 are anticipated for the coming season. Season attendance in 2002-2003 was 13, 990; for 2011-2012 it grew to 35,300.
from CLP have already met with developers and leaders of the East Price
Hill Development Association for exploratory purposes. CLP’s executive
artistic director Tim Perrino says that both his organization and the
developers view the partnership as a win-win. The vacant parcel on
Matson Place has nearby parking and dining — as well as the spectacular
view that’s familiar to generations of diners at Primavista.
“The people we’ve talked to,” Perrino explains, “see the true value an arts center can bring to a neighborhood. The arts create neighborhood vibrancy, more pedestrians, good news stories, visitors from outside the neighborhood, more bar and restaurant patrons and improved neighborhood perception.
project is still a concept without a budget or plans, but it’s an
exciting prospect coming from an organization that clearly knows how to
connect with audiences.
Move over, movie theater chains. While several films open in theaters this weekend, there’s one you won’t find at AMC or other traditional movie joints. Reaching a following across the globe, the locally made independent feature film Ctrl+Alt+Dance will have its world premiere this weekend at Memorial Hall.
When an unemployed security software specialist takes an adventure with dance, the definition of courage is surely illustrated — and that’s what audiences can expect to explore. Inspired by the Lindy Hop Movement, producer Brian Crone and producer/director Gex Williams have worked side by side on this low budget independent film that has flourished and received widespread recognition in the dance community. Filled with swing dancing, passion and an unfolding romance, it’s the perfect flick for Valentine’s Day.
Gex Williams has worked on multiple professional film projects and served as the producer and Artistic director of SAC Family Theater in Lexington, Ky. CityBeat caught up with Williams and discussed the inspiration behind the film and the experience of starting out as a small independent project.
CityBeat: Are you and Brian Crone both originally from the Cincinnati area?
Gex Williams: Yes, we both grew up in the Northern Kentucky area but we knew each other growing up. We went to high school together and made some feature films.
CB: How did your film Ctrl+Alt+Dance come about?
GW: I became an avid swing dancer in high school through college. I was aware of this film community throughout the world and no other movies catered to this kind of dance, so I was like, “Hey, I want to make a movie.” I actually wrote the initial script in 2011 but wanted to sit on it to get other projects under by belt.
CB: What was your initial inspiration for the film?
GW: In 2011 I wrote the script, sat on it, and decided to move forward with it. It has a phenomenal story and [Brian and I] reworked a ton of it in early 2013 as we wrote a fresh script together on this draft. The film had dancing, but we needed a story to carry it along. We knew we didn’t have the budget to hire a huge actor and to be solid in the entertaining experience for the audience members. And then we ended the film in summer in 2013 two years from the initial start of pre-production. It went full force in the beginning of 2014 and we’ve been cranking on it ever since. We’re really happy. With an independent film it’s very hard on a low budget and we had phenomenal team members and people.
CB: After a few offers to shoot the film across the country, why was it important for you to film it here in Cincinnati?
GW: There were a few producers who were interested in shooting it out there, but it was really important for us to shoot it in Cincinnati because we love it so much and we’ve traveled some for business and we loved going back to Cincinnati. It’s a great place to come home to and what it offers. The city holds phenomenal landmarks and has a variety of locations.
CB: What were some of your favorite spots to film?
GW: One of my favorite shots of the film was a beautiful shot at Roebling Bridge set up on the Kentucky side, and you see this beautiful river flowing underneath the city and is lit up. And we had other phenomenal locations like Memorial Hall, which is gorgeous on the inside.
CB: What are some prominent themes in Ctrl+Alt+Dance?
GW: Action overcoming fear. We really wanted to communicate that. We [Brian and I] started our own business after college, a full-time gig and there was fear in our own selves and others. We wanted to tell a story about this and the dance was a catalyst to show how that takes place in the film. It’s a great story and a really cute romance. The dancing is amazing and we encourage people to feel good about it and hopefully inspire them to take risks in doing that.
CB: I see that you had difficulty getting into large chain theaters. Tell me about your experience with that in regard to the film.
GW: I can’t fault them because it is different for an independent film to get the mass distribution that an A-list film would get because they don’t have the budget to hire famous actors like Morgan Freeman. For large theaters, it’s a risk to put their movie in there that they won’t have people to support it. It’s so cool that that we have it in countries like Russia and China and were blessed that it was quite strong. We aced that challenge and we knew we had a strong following so we wanted people to see it. So we ended up contacting theaters ourselves and said we’d like to run a campaign in your city so people buy tickets for a one-night premiere showing. A lot of theaters responded.
CB: With a following in more than 80 different countries, how did word of the film spread so quickly all before the world premiere next weekend?
GW: It’s never been showed, but Cincinnati will be the world premiere. Because the Lindy Hop Swing Movement is huge around the world in countries like Spain and London and it’s really quite astounding that a lot of them they really tuned in. Our main actors, their acting is amazing, they’re international dance champions. People were aware of them and interest grew. We worked hard and wanted this film to benefit the community all over the world and we contacted local groups and wanted the proceeds to go back to local communities. We felt so blessed by the support we received and reached a considerable percentage to help others.
CB: What were your initial expectations for the film? Did you expect it to reach the magnitude it did?
GW: We’re blessed in something that is not at all normal for a normal independent project. A lot of projects start out with a grandiose idea and get small and less feasible and it’s a reality check. It’s difficult. And we’ve been so blessed with the talented people and how it blossomed from day one. We said we’re going to do this no matter what. We had talent and it’s grown and we hope it will continue to grow.
CB: Once it started gaining success, did you get any opportunities later on from corporate theaters?
GW: We are just at the beginning of our public awareness. We’ve had interest from larger producers and we’re definitely exploring our options to get a wider distribution of it.
CB: What are your hopes for the film after the big world premiere at Memorial Hall?
GW: We’ve been working hard to deliver the film in a way for people to access. We wanted to work hard to continue to pave a way and find a way to show this film to anyone who wants to see it. We’ll be talking to distribution companies for a possibility of larger scale so we have the resources to get it out there.
Ctrl+Alt+Dance premieres Feb. 13 and 14 at Memorial Hall. More info here.
A completely different choice is the Afghan Women’s Writing Project at Know Theatre, this weekend only. Playwrights Elizabeth Martin and Lauren Hynek took material written by women in Afghanistan who risk their lives to write their stories and turn them into material for the stage. Several outstanding local actresses — including CEA Hall of Famer Dale Hodges and frequent CEA award winner Annie Fitzpatrick — are among the interpreters. Performances are Friday and Saturday at 8 p.m., Sunday at 3 p.m. If you go on Friday, plan to stick around for a post-show discussion. Tickets ($18): 513-300-5669
If you like heart-warming, schmaltzy tales, you should find your way to Newport’s Monmouth Theatre where Falcon Theatre is presenting Visiting Mr. Green. It’s the story of a young man “sentenced” to regular visits with an elderly gentleman he nearly ran over. Beneath the surface of their disparate worlds they discover some surprising common ground. What makes this rather predictable story come to life is the acting: Joshua Steele and Mike Moskowitz, who happen to be grandfather and grandson, portray their characters with believability. This is the second of two weekends, Saturday at 7:30 p.m., Sunday at 3 p.m. Tickets: 513-479-6783
A year ago Cincinnati Shakespeare had a big hit with Jane Austen’s Pride & Prejudice. They’ve done it again with another adaptation, Sense & Sensibility. This time it’s two sisters, one rational and one emotional, wonderfully portrayed by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as willful, romantic Marianne). They’re surrounded by droll supporting characters in a story of romance and domestic intrigue. I gave the production a Critic’s Pick. It’s onstage until March 18, but many performances have sold out. Tickets: 513-381-2273
Speaking of Cincinnati Shakespeare, the company recently announced its 2012-2013 season, which will feature some memorable characters — Sherlock Holmes, Atticus Finch (in To Kill a Mockingbird), Romeo & Juliet, Lady Bracknell (in Oscar Wilde’s hilarious The Importance of Being Earnest), Richard II and Nick Bottom (Midsummer Night Dream’s aspiring actor who makes an ass of himself). You can read about the entire season in my blog post from last Sunday.
Each week in Stage Door, Rick Pender theater tips for the weekend, often with a few pieces of theater news.
BuzzFeed — a popular source for news bits, pop culture stories and “list-icles” such as “19 Relics From The ’90s Hologram Epidemic — has published many stories about Cincinnati this year alone. There's “15 Gorgeous Photos Of The Old Cincinnati Library,” which compiles swoon-worthy photographs of our Main Library’s past, as well as “11 Cincinnati Foods That Are Better Than Yours” and “31 Ways To Tell You’re From Cincinnati,” both of which have been shared on social media by countless locals — and mocked/criticized for being outdated and overly-generalizing (some of us actually subsist on a diet of foods that are not covered with runny chili and cheese!).
Chris Breeden, promotions director at Arnold's Bar and Grill, recently added another local list-icle to the site (on BuzzFeed’s
Community page), highlighting the city’s bevy of public art created by
globally recognized street artists.
Breeden's “9 World Famous Street Artists (You Never Would Have Guessed Are) Up In Cincinnati, OH” features photos of work by Shepard Fairey, Vhils, The London Police and other street artists that have adorned Cincinnati surfaces. Also on the list is French artist JR, who was recently in town for his exhibit at the Contemporary Arts Center (on view through Feb. 2, 2014).
Street art featured in the list can be seen everywhere from Arnold's downtown and Amerasia in Covington, Ky. The story details
each artist’s background and home base as well as how to find each
While it’s not part of the Fringe, Avenue Q, presented by Showbiz Players at Covington’s Carnegie Center, has the same zany vibe. It’s an X-rated musical with puppets that might visually remind you of Sesame Street — until they open their dirty mouths. The show was a surprise Tony Award winner several years back, and it promises lots of laughs for those who go. Through June 10. 859-957-1940.
If you want something more traditional, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Box office: 513-381-2273, x1.
Be sure to consider downtown’s newest performance venue, Speakeasy Theatre, storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler, set in 1965 in an unnamed Southern city awash in racist attitudes. The Andy Griffith Show is in its fifth season, and the guy who whistles the theme (played here by local professional actor Michael G. Bath) is living off his royalties. But life gets more complicated when he meets an African-American trumpet player (played by Tony Davis) who shares his passion for music. The Whistler will be onstage through June 10. Box office: 513-861-7469
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
As the Contemporary Arts Center (CAC) prepares for next Tuesday's announcement of its 2009-10 season, there is indication it will be bringing the big, nationally reviewed Shepard Fairey: Supply and Demand show here from Boston's Institute of Contemporary Art (ICA). The first museum retrospective for the popular and controversial street artist, Supply and Demand looks at his career up to his creation of the iconic Obama silk-screen posters, depicting the then-presidential candidate, head slightly and nobly uplifted, above the words "Progress" and "Hope."
I haven’t seen the Showboat Majestic’s opening production of its 90th season (that’s right, the boat has been entertaining audiences for nine decades!), but Babes in Hollywood is another show that’s light and entertaining. It’s a revue of tunes made famous by Judy Garland and Mickey Rooney back in the 1930s and ’40s when they were happy-go-lucky adolescent stars. I did see the four-member cast do a number at last Monday’s LCT Awards event, and they have fine voices and a sense of style. I suspect this show will be popular with the grey-haired audience that frequents the Showboat, but I bet people of any age will have a good time watching. Box office: 513-241-6550.
If you want something a tad more profound, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Review here. Box office: 513-381-2273, x1.
There’s a new theater downtown, just a few doors north of Cincinnati Shakespeare’s venue. They’re calling themselves Speakeasy Theatre, and they’re performing in a storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler. The show, directed by Tim Waldrip, is set in 1965 in an unnamed Southern city where a lot a racist attitudes are out in the open. The Andy Griffith Show is in its fifth season, and the guy who whistles that show’s theme (played here by local professional actor Michael G. Bath) is living off the royalties of his work. But life gets more complicated when he meets an African-American trumpet player (Tony Davis is taking on the role) who shares his passion for music. The show just opened on Thursday and I haven’t seen it, but it’s always good to give a new theater a try. The Whistler will be onstage through June 10. Box office: 513-861-7469.
Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.