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by Rick Pender 07.07.2011
Posted In: Theater at 12:50 PM | Permalink | Comments (0)
 
 
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'Winter Wonderettes' Wins LCT Award

In my CityBeat column this week I shared the news that the Acclaim Awards are gone and that the League of Cincinnati Theatres (LCT) have stepped up to create a new awards program. The first two recognitions of the season have been awarded to Ensemble Theatre of Cincinnati’s (ETC) Christmas-in-July celebration, Roger Bean’s Winter Wonderettes. This musical sequel to ETC’s biggest-ever box-office hit, The Marvelous Wonderettes, has earned these awards for its acting ensemble and specialized design.

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by Rick Pender 10.19.2012
Posted In: Theater at 09:20 AM | Permalink | Comments (0)
 
 
onstage - blue man group - balls - photo paul kolnik

Stage Door: Blue Man Group

My first and foremost recommendation for the weekend is  Blue Man Group. (Review here.)  It's a performance experience unlike much of anything else you've probably ever experienced in a theater — raucous music, zany humor, eye-popping technology and infectiously fun engagement with the audience. Amazingly, it's done without spoken words — the guys mime (well, kind of, it's actually more like they're mute in the style of Harpo Marx, with a lot of staring and double-takes), although they're backed up by awesome video that does offer some instruction (and laughs) for the literate. As I've said before, it's hard to describe but easy to enjoy. This is Blue Man Group's first time in Cincinnati, presented by Broadway Across America; the Aronoff Center might never be the same. (Through Oct. 28) Box office: 800-982-2787.

Last night I enjoyed opening night for the thoroughly authentic and charming production of Neil Simon's
Brighton Beach Memoirs at the Cincinnati Playhouse in the Park. It's the story of a Jewish family in Brooklyn in the 1930s, but thanks to Simon's witty, heartfelt recollections of his own youth, it has a feeling of universality. The narrator is Eugene Morris Jerome (who's a stand-in for Simon himself), and actor Ryan DeLuca conveys the joys and pangs of adolescence and puberty with feeling and hilarity. He frequently addresses the audience about his interactions with his grouchy parents and his woebegon aunt, his worldly brother, his pampered cousins — he's documenting them for something he'll write when he's older, a novel or perhaps a play! And that play is the one onstage at the Playhouse, the first Neil Simon script ever presented there in more than 50 seasons. (Through Nov. 10.) Box office: 513-421-3888.

Continuing productions of the comedy
Mrs. Mannerly at Ensemble Theatre Cincinnati (513-421-3555) and Shakespeare's romantic tragedy Romeo & Juliet at Cincinnati Shakespeare Company (513-381-2273, x1) have been positively reviewed and appreciated by audiences. This weekend also marks the opening of Cincy Shakes' staging of Shakespeare's bloody history of the Roman emperor Titus Andronicus, staged with tongue in cheek (and in a pie) for the Halloween season. It happens on the nights when the R&J cast takes a breather.

You might also consider two special events: New Edgecliff Theatre's annual one-night fundraiser,
Sweet Suspense Theatre, a presentation in the style of a radio play, happens on Saturday evening. This year the production, a new adaptation of Oscar Wilde's story of The Canterville Ghost, is being presented at the Cincinnati Art Museum — and includes an extended intermission with lots of goodies from local bakeries and restaurants. (Tickets: 888-588-0177). You might also want to check in with the Playhouse about ticket availability for Post Secret on Monday evening; the one-night presentation of  a piece based on an anonymous "true confessions" website is rumored to be sold out, but there might be a waiting list if you call the box office. (513-421-3888)



 
 
by Rick Pender 11.12.2012
Posted In: Theater at 10:05 AM | Permalink | Comments (0)
 
 
Photo: Eric Vosmeier

At Last, We Can Know ...

Looking ahead at Know Theatre's holiday schedule and beyond

In my recent Curtain Call column, I talked about collaboration and made some mention of past ventures by Know Theatre. After a period of self-examination covered in an earlier column ("Big-Picture Thinking at Know Theatre," issue of Oct. 24), the Over-the-Rhine company has now shared some of its programming plans for the holidays and the months ahead.

For the holidays, they'll produce The Naughty List, hosted by Ronda Androski and her great staff at Arnold's Bar & Grill downtown and featuring the talent of OTR Improv, one of the groups Know has nurtured with its Jackson Street Market. They'll take holiday memories from those in attendance as they recreate holiday movies and tell you how your life would have been different if you had received that special gift you yearned for. The fun will be happeing in Arnold's courtyard on Sunday, Monday and Tuesday evenings from Dec. 2 to 30. Tickets will be $15 in advance and $18 at the door.

Know will also offer The Apocalypse Show! for two nights on its home stage at 1120 Jackson St.. Since the world is scheduled to come to an end on Dec. 21, 2012 (according to the Mayan calendar), Know will produce a variety show to end all variety shows on Dec. 20 and 21. There will be sketch comedy, predictions, guest appearances, "gratuitous drinking and answers to all of your apocalypse FAQs." Dec. 20 will be a fundraiser (tickets: $50), despite the funny come-on that you should bring all your money, since it will be worth nothing the next day! (If you come to the performance on Dec. 21, you only need to scrape together $15 in advance or $18 at the door.)

Assuming that the world really isn't ending on Dec. 21, Know will co-host its annual New Year's Eve event with CityBeat, the Speakeasy Party from 8 p.m. on Dec. 31 (to 1 a.m.). Know typically attracts 300 well-dressed guests for this event, and everyone has fun with casino games, food, dancing to a DJ and a live band, martinis and a champagne toast at midnight.

After all this fun stuff, Know will get down to some serious theater — presenting Andrew Bovell's "best new play of 2010," When the Rain Stops Falling (Feb. 8-March 16, 2013). It's another partnership, with the production being staged by Brian Isaac Phillips, artistic director at Cincinnati Shakespeare Company. (Bovell's Speaking in Tongues had a great production at the Cincinnati Playhouse last season.) The show uses an intricate fabric of overlapping connections, moving between several generations between 1959 and 2039 and between London and Australia. Acts and sins of the past are connected to three generations that follow. 

More will be following, including an unnamed production running from April 5 to May 12. Sometime in late April (date TBA), just in advance of the tenth annual Cincinnati Fringe Festival (May 28-June 8, 2013), Know will host the 2013 United States Association of Fringe Festivals Conference. "We're honored to have been selected to host this year's conference," says Know's Producing Artistic Director Eric Vosmeier. "It's an amazing opportunity to work on ideas and issues at the core of all Fringe Festivals. Every time I have been to a conference, the Cincinnati Fringe is better for it. We can't wait to show off our city to festival producers from all over the United States."

One more note: Know is selling its version of a subscription, Flex Passes. But these have evolved: You can purchase six flex passes for $90. Valid for most Know productions, they do not expire. (If a show ticket has a higher price than the pass, you can use your pass and just pay the difference.) Know's website will designate: "Flex passes are valid for this event." When you run out of tickets (and you surely will), you simply need to buy another pass.

Know's Fringe Festival has promoted itself with the slogan "Weird, like us." And they're living up to that mantra in a way that should appeal to its supporters and more.

 
 
by Rick Pender 06.01.2012
Posted In: Theater at 09:32 AM | Permalink | Comments (0)
 
 
fringe1

Stage Door: Fringe, 'Avenue Q,' CSC, etc.

There’s more theater and performance than you can shake a stick at in Over-the-Rhine this weekend, thanks to the 2012 Cincinnati Fringe Festival. (In fact, if you stand on a corner in OTR and shake a stick, you could be mistaken for a Fringe act …) You can read about all the Fringe productions that are up and running here, but here’s half-dozen shows that CityBeat’s reviewers have recommended: Grim & Fischer: A Deathly Comedy in Full-Face Mask (this one has a limited run, closing on Saturday, and it’s had brisk box office since it opened on Wednesday); Methtacular (a one-man show about a musical theater actor who’s a gay crystal-meth addict); Sweet, Burning Yonder (an eco-sensitive comedy about the weird aftermath of Hurricane Katrina); Quake: A Closet Love Story (about a broken-up couple trapped in a closet after an earthquake); Don’t Cross the Streams (a full-fledged musical that starts with a movie about busting ghosts and spins way beyond); and Blown Up (a FringeNext production by high schoolers). Go to cincyfringe.com for more information about schedules and tickets.

While it’s not part of the Fringe, Avenue Q, presented by Showbiz Players at Covington’s Carnegie Center, has the same zany vibe. It’s an X-rated musical with puppets that might visually remind you of Sesame Street — until they open their dirty mouths. The show was a surprise Tony Award winner several years back, and it promises lots of laughs for those who go. Through June 10. 859-957-1940.

If you want something more traditional, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Box office: 513-381-2273, x1.

Be sure to consider downtown’s newest performance venue, Speakeasy Theatre, storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler, set in 1965 in an unnamed Southern city awash in racist attitudes. The Andy Griffith Show is in its fifth season, and the guy who whistles the theme (played here by local professional actor Michael G. Bath) is living off his royalties. But life gets more complicated when he meets an African-American trumpet player (played by Tony Davis) who shares his passion for music. The Whistler will be onstage through June 10. Box office: 513-861-7469

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 03.09.2012
Posted In: Theater at 11:16 AM | Permalink | Comments (0)
 
 
onstage 3-9 - merrily we roll along - cast at cincinnti playhouse - photo sandy underwood

Stage Door: Sondheim, Afghan Women's Writing and More

Last night I attended the opening of the Cincinnati Playhouse production of Stephen Sondheim’s Merrily We Roll Along. It’s been directed by John Doyle, who inventively staged Sondheim’s Company in 2006, a production that moved to Broadway and earned a Tony Award. He uses the same approach this time — actors who provide their own musical accompaniment — and the results are top-notch because he’s assembled a strong, talented cast. This show has long been viewed as one of Sondheim’s few failures, but you wouldn’t know that from this staging: It’s a showbiz tale of success that has not led to happiness. We start at the end, with three former friends at one another’s throats, and then trace back to their earliest moments together. With great music, a stylized set piled with pages of music (the central character is a composer) and some intriguing decisions by Doyle about elevating a realistic tale to something more deeply emotional, this version of Merrily is a great choice for anyone who loves musicals. Through March 31. Box office: 513-421-3888

A completely different choice is the Afghan Women’s Writing Project at Know Theatre, this weekend only. Playwrights Elizabeth Martin and Lauren Hynek took material written by women in Afghanistan who risk their lives to write their stories and turn them into material for the stage. Several outstanding local actresses — including CEA Hall of Famer Dale Hodges and frequent CEA award winner Annie Fitzpatrick — are among the interpreters. Performances are Friday and Saturday at 8 p.m., Sunday at 3 p.m. If you go on Friday, plan to stick around for a post-show discussion. Tickets ($18): 513-300-5669

If you like heart-warming, schmaltzy tales, you should find your way to Newport’s Monmouth Theatre where Falcon Theatre is presenting Visiting Mr. Green. It’s the story of a young man “sentenced” to regular visits with an elderly gentleman he nearly ran over. Beneath the surface of their disparate worlds they discover some surprising common ground. What makes this rather predictable story come to life is the acting: Joshua Steele and Mike Moskowitz, who happen to be grandfather and grandson, portray their characters with believability. This is the second of two weekends, Saturday at 7:30 p.m., Sunday at 3 p.m. Tickets: 513-479-6783

A year ago Cincinnati Shakespeare had a big hit with Jane Austen’s Pride & Prejudice. They’ve done it again with another adaptation, Sense & Sensibility. This time it’s two sisters, one rational and one emotional, wonderfully portrayed by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as willful, romantic Marianne). They’re surrounded by droll supporting characters in a story of romance and domestic intrigue. I gave the production a Critic’s Pick. It’s onstage until March 18, but many performances have sold out. Tickets: 513-381-2273

Speaking of Cincinnati Shakespeare, the company recently announced its 2012-2013 season, which will feature some memorable characters — Sherlock Holmes, Atticus Finch (in To Kill a Mockingbird), Romeo & Juliet, Lady Bracknell (in Oscar Wilde’s hilarious The Importance of Being Earnest), Richard II and Nick Bottom (Midsummer Night Dream’s aspiring actor who makes an ass of himself). You can read about the entire season in my blog post from last Sunday.

Each week in Stage Door, Rick Pender theater tips for the weekend, often with a few pieces of theater news.

 
 
by Steven Rosen 04.22.2009
Posted In: Visual Art at 09:45 AM | Permalink | Comments (0)
 
 

Shepard Fairey Hits the CAC?

As the Contemporary Arts Center (CAC) prepares for next Tuesday's announcement of its 2009-10 season, there is indication it will be bringing the big, nationally reviewed Shepard Fairey: Supply and Demand show here from Boston's Institute of Contemporary Art (ICA). The first museum retrospective for the popular and controversial street artist, Supply and Demand looks at his career up to his creation of the iconic Obama silk-screen posters, depicting the then-presidential candidate, head slightly and nobly uplifted, above the words "Progress" and "Hope."

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by Rick Pender 05.25.2012
Posted In: Theater at 09:09 AM | Permalink | Comments (0)
 
 
pip_second-city-2

Stage Door: Theater Offerings For a Hot Weekend

It’s a three-day weekend that’s more about being outdoors and kicking off summer fun. That being said, if you’re looking for a theater production that will give you some laughs for your weekend, I recommend catching a performance of see The Second City 2: Less Pride – More Pork at the Cincinnati Playhouse in the Park on its Shelterhouse Stage. I found it a notch up from the very entertaining first iteration of the show that set box-office records for the Mount Adams theater during the 2010 holiday season. Lots of hilarious fun-poking at … us. The clever cast from Chicago’s renowned comedy/improv troupe uniquely tailors each performance to the audience that shows up. Box office: 513-421-3888.

I haven’t seen the Showboat Majestic’s opening production of its 90th season (that’s right, the boat has been entertaining audiences for nine decades!), but Babes in Hollywood is another show that’s light and entertaining. It’s a revue of tunes made famous by Judy Garland and Mickey Rooney back in the 1930s and ’40s when they were happy-go-lucky adolescent stars. I did see the four-member cast do a number at last Monday’s LCT Awards event, and they have fine voices and a sense of style. I suspect this show will be popular with the grey-haired audience that frequents the Showboat, but I bet people of any age will have a good time watching. Box office: 513-241-6550.

If you want something a tad more profound, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Review here. Box office: 513-381-2273, x1.

There’s a new theater downtown, just a few doors north of Cincinnati Shakespeare’s venue. They’re calling themselves Speakeasy Theatre, and they’re performing in a storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler. The show, directed by Tim Waldrip, is set in 1965 in an unnamed Southern city where a lot a racist attitudes are out in the open. The Andy Griffith Show is in its fifth season, and the guy who whistles that show’s theme (played here by local professional actor Michael G. Bath) is living off the royalties of his work. But life gets more complicated when he meets an African-American trumpet player (Tony Davis is taking on the role) who shares his passion for music. The show just opened on Thursday and I haven’t seen it, but it’s always good to give a new theater a try. The Whistler will be onstage through June 10. Box office: 513-861-7469.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 06.18.2012
Posted In: Theater at 09:00 AM | Permalink | Comments (0)
 
 
covedale center

Another Cincinnati Landmark?

Operator of Showboat Majestic and Covedale Center to open new facility in East Price Hill

Cincinnati Landmark Productions (CLP), operator of the Showboat Majestic and owner and operator of the Covedale Center for the Performing Arts, is looking to expand its entertainment empire with a new facility in East Price Hill, not far from the Primivista Restaurant. At a meeting today with the East Price Hill Improvement Association, representatives from CLP will present a proposal to build a new performing arts center in the Incline District.

The plan is for a theater with approximately 250 seats that will be programmed throughout the year. CLP estimates 112 evenings of performances, including theatrical productions, a summer season, concerts, comedy events and cabarets.
CLP recently marked the tenth anniversary of the Covedale Center, a onetime movie theater that the group acquired and renovated. The West Side fixture has seen stead growth in attendance over the decade since opening in 2002. In its first year, there were 804 subscribers; 3,600 are anticipated for the coming season. Season attendance in 2002-2003 was 13, 990; for 2011-2012 it grew to 35,300.

Representatives from CLP have already met with developers and leaders of the East Price Hill Development Association for exploratory purposes. CLP’s executive artistic director Tim Perrino says that both his organization and the developers view the partnership as a win-win. The vacant parcel on Matson Place has nearby parking and dining — as well as the spectacular view that’s familiar to generations of diners at Primavista.

“The people we’ve talked to,” Perrino explains, “see the true value an arts center can bring to a neighborhood. The arts create neighborhood vibrancy, more pedestrians, good news stories, visitors from outside the neighborhood, more bar and restaurant patrons and improved neighborhood perception.

The project is still a concept without a budget or plans, but it’s an exciting prospect coming from an organization that clearly knows how to connect with audiences.

 
 
by 06.06.2009
Posted In: Theater, Theater, Dance at 10:55 AM | Permalink | Comments (0)
 
 

Fringe Fest Ends Tonight

The 2009 Cincy Fringe Festival wraps up tonight. Starting today at 2 p.m., 18 different productions are presenting their final shows and both Film Fringe and Visual Fringe are wrapping up at the Art Academy of Cincinnati.

Rick Pender reports that ticket sales have already surpassed Fringe organizers' goals, and today's beautiful weather should bring out a final wave of good attendance.

Reviews of all 18 of today's shows are posted on CityBeat's Fringe micro-site, including The Secrets Project, which opened last night at New Stage Collective and presents its second and final performance tonight at 7:30. In fact, CityBeat writers have reviewed all 31 Fringe shows, with most reviews being posted the morning after their debut performances.

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by Rick Pender 04.06.2012
at 09:10 AM | Permalink | Comments (0)
 
 
asdfsd

Stage Door: Several Quality Weekend Offerings

Last night I attended Cincinnati Shakespeare Company’s production of The Grapes of Wrath, which opened a week ago and runs through April 29. It’s a powerful theatrical interpretation of John Steinbeck’s grim recounting of a Depression-era family of Oklahoma sharecroppers driven from home by ecological and economic disasters. They make an arduous trek to California in vain hope of employment and a better life. The show calls for an ensemble cast, and CSC uses more than 20 actors to pull it off convincingly. The first act revolves around the Joads’ agonizing trip in a dilapidated truck; the second act portrays the dismal conditions of unemployment and mistreatment once they arrive. It’s a sad reflection of life in the 1930s, as well as a powerful reminder that life has not improved for many Americans some 80 years later. The production is made all the more relevant by folksy musical interludes performed live by some of the actors. A downer of a story, but definitely worth seeing. Here's a link to my review. Box office: 513-381-2273, x1.

Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson, opened last Saturday. I haven’t seen it yet, but the production has a positive buzz. (It’s onstage through May 12.) Box office: 513-300-5669.

Thanks to spot-on casting of the four actors who bring Kim Rosenstock’s new play Tigers Be Still to life at the Cincinnati Playhouse, the show about people dealing with depression is charming, funny, optimistic and even heart-warming. It’s about a young woman with a recently earned degree in art therapy; she’s been down in the dumps about finding work, but not as much as her mom who’s gained weight and her sister who’s been dumped by her fiancé. She’s starting a new job thanks to her mom’s long-ago boyfriend, now a middle school principal. He has issues of his own — from a slacker son to anxiety about a tiger that’s escaped from the local zoo. Sound zany? Well, it is — as well as entertaining. The League of Cincinnati Theatres singled out this production’s sound design by Vincent Olivieri for an award. One panelist wrote, “On a very small stage, scenes took place in a school gym, drugstore, office, closet, outdoors and in the living spaces of two houses. Except for the main set, capturing the essence of these scenes was limited to a couple of props and pieces of furniture — and the sound!” Through April 15. Box office: 513-421-3888.

There’s nothing profound about The Addams Family, onstage at the Aronoff Center in downtown Cincinnati through a Sunday matinee. The touring musical is derived from a 1960s TV series (and subsequent movies), based on on droll, mordant cartoons by Charles Addams, originally in The New Yorker. The show is a faithful reproduction of a pop culture icon; in fact, it begins with the sprightly theme from the TV show, complete with finger-snaps. It has a silly story about willful love and romance, but the entertainment comes from seeing the familiar characters come to life. The new musical numbers are largely clever, and the cast — which includes 1999 CCM grad Sara Gettelfinger as Morticia — is top-notch. Here's a link to my recent review. Tickets: 800-982-2787.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 

 

 

 
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