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by Rick Pender 03.30.2012
Posted In: Theater at 10:47 AM | Permalink | Comments (0)
 
 
onstage 3-28 - tigers be still - cincy playhouse - (l-r) joanne tucker, eric nelsen & lindsey kyler - photo by sandy underwood..widea

Stage Door: Entertainments For All Ages

Traditional shows, Cirque du Soleil and openings at Know and Cincy Shakes

Thanks to spot-on casting of the four actors who bring Kim Rosenstock’s new play Tigers Be Still to life at the Cincinnati Playhouse, the show about people dealing with depression is charming, funny, optimistic and even heart-warming. It’s about a young woman with a recently earned degree in art therapy; she’s been down in the dumps about finding work, but not as much as her mom who’s gained weight and her sister who’s been dumped by her fiancé. She’s starting a new job thanks to her mom’s long-ago boyfriend, now a middle school principal. He has issues of his own — from a slacker son to anxiety about a tiger that’s escaped from the local zoo. Sound zany? Well, it is — as well as entertaining. The League of Cincinnati Theatres singled out this production’s sound design by Vincent Olivieri for an award. One panelist wrote, “On a very small stage, scenes took place in a school gym, drugstore, office, closet, outdoors and in the living spaces of two houses. Except for the main set, capturing the essence of these scenes was limited to a couple of props and pieces of furniture — and the sound!” Through April 15. Box office: 513-421-3888.

There’s a final performance on Saturday afternoon of Rapunzel! Rapunzel! A Very Hairy Fairy Tale, presented by The Children’s Theatre of Cincinnati. The world premiere musical by composer Janet Vogt and writer Mark Friedman has received an award from the league of Cincinnati Theatres for its scenic design by David Centers. Tickets: 513-569-8080, x13. His design for the show was described by LCT judges as “simple and very well executed in a style that was great for the play.” In addition to the show’s signature tower, the set also boasts a forest that “wasn’t too dank, dark and dismal, but instead had personality.” (Centers, a veteran local designer and a graduate of the School for Creative and Performing Arts, received an LCT Award in the same category earlier this year for his work Disney’s My Son Pinocchio Jr.) Tickets: 513-569-8080, x13.

On Wednesday I attended the Cirque du Soleil production of Dralion at the Bank of Kentucky Arena, adjacent to Northern Kentucky University. It’s another extravaganza of strength and showmanship, athleticism and artistry. This struck me as a somewhat more compact show than I’ve seen in the past: The talent is just as great, but the concept — connections between East and West — is pretty vaporous. But there are three wonderful clowns, and several of the performances do things that make you say, “How can a human body do that?” Balancing on one hand, flying through the air on a hoop, skipping rope in a human pyramid — it’s amazing stuff. It’s being presented through Sunday: Lots of available seats on opening night, so I’m guessing you can still find tickets for all performances. Through Sunday. Tickets: 800-745-3000

Two excellent productions wrap up this weekend. The Cincinnati Playhouse’s unique staging of Stephen Sondheim and George Furth’s musical Merrily We Roll Along, which uses actors who also play musical instruments has its final performances on Saturday. I gave the production a Critic's Pick; Merrily is only infrequently staged, so this is a chance not to be missed. Box office: 513-421-3888. Ensemble Theatre concludes the run of Time Stands Still, a fine drama with a great ensemble cast directed by Michael Evan Haney. Final performance is on Sunday. This tale of burned-out journalists and last gasps at relationships by Donald Margulies, a Pulitzer Prize-winning dramatist, also earned a Critic's Pick. Box office: 513-421-3555.

Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson, opens on Saturday. (It’s onstage through May 12.) Word has it that tickets are already selling fast. Box office: 513-300-5669. This weekend is also the opening for Cincinnati Shakespeare’s production of The Grapes of Wrath, which runs through April 29. Box office: 513-381-2273, x1.

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 06.01.2012
Posted In: Theater at 09:32 AM | Permalink | Comments (0)
 
 
fringe1

Stage Door: Fringe, 'Avenue Q,' CSC, etc.

There’s more theater and performance than you can shake a stick at in Over-the-Rhine this weekend, thanks to the 2012 Cincinnati Fringe Festival. (In fact, if you stand on a corner in OTR and shake a stick, you could be mistaken for a Fringe act …) You can read about all the Fringe productions that are up and running here, but here’s half-dozen shows that CityBeat’s reviewers have recommended: Grim & Fischer: A Deathly Comedy in Full-Face Mask (this one has a limited run, closing on Saturday, and it’s had brisk box office since it opened on Wednesday); Methtacular (a one-man show about a musical theater actor who’s a gay crystal-meth addict); Sweet, Burning Yonder (an eco-sensitive comedy about the weird aftermath of Hurricane Katrina); Quake: A Closet Love Story (about a broken-up couple trapped in a closet after an earthquake); Don’t Cross the Streams (a full-fledged musical that starts with a movie about busting ghosts and spins way beyond); and Blown Up (a FringeNext production by high schoolers). Go to cincyfringe.com for more information about schedules and tickets.

While it’s not part of the Fringe, Avenue Q, presented by Showbiz Players at Covington’s Carnegie Center, has the same zany vibe. It’s an X-rated musical with puppets that might visually remind you of Sesame Street — until they open their dirty mouths. The show was a surprise Tony Award winner several years back, and it promises lots of laughs for those who go. Through June 10. 859-957-1940.

If you want something more traditional, try Cincinnati Shakespeare Company’s production of The Merchant of Venice, one of Shakespeare’s most difficult plays. It’s officially categorized as a comedy because it has humorous and romantic elements. But the central story about a potentially fatal argument between a moneylender and a businessman is anything but amusing. CSC’s artistic director Brian Isaac Phillips takes on the role of the rapacious moneylender who has faced anti-Semitic discrimination for his entire life. Is Shylock a villain or a victim? Shakespeare gives him aspects of each, and CSC’s production does not tilt in either direction. You get to decide, and it won’t be easy. Box office: 513-381-2273, x1.

Be sure to consider downtown’s newest performance venue, Speakeasy Theatre, storefront space at 815 Race Street. Their inaugural production is Paul Baerman’s The Whistler, set in 1965 in an unnamed Southern city awash in racist attitudes. The Andy Griffith Show is in its fifth season, and the guy who whistles the theme (played here by local professional actor Michael G. Bath) is living off his royalties. But life gets more complicated when he meets an African-American trumpet player (played by Tony Davis) who shares his passion for music. The Whistler will be onstage through June 10. Box office: 513-861-7469

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.

 
 
by Rick Pender 04.28.2013
Posted In: Theater at 10:49 AM | Permalink | Comments (0)
 
 
lynn meyers

ETC Shares News About Four Shows for Next Season

Two additional shows will round out 2013-14 season

Ensemble Theatre Cincinnati today announced four of its six shows for the 2013-2014 season, which opens on Sept. 4. Producing Artistic Director D. Lynn Meyers says, "We are planning a truly original, fresh and exhilarating season of dynamic regional premieres, and I am absolutely thrilled to showcase some of the hottest titles and newest voices this coming year." 

I'll add my vote of confidence: Meyers' play selection has been unerring for several seasons: Even if the titles aren't immediately familiar, ETC's productions have been engaging and among the best work onstage locally. It's a bit of annual amusement for ETC subscribers that Meyers takes longer than most to pull together what she will present — but that's because she's bargaining, wheedling and pleading with agents, rights organizations and sometimes playwrights themselves right up until the last minute to land very recently produced works. In fact, for the coming season, rather than wait until everything is in place, Meyers has is announcing four shows for the company's 28th season, with slots still open for productions in February and May 2014.

Here's what we know, for now:

Other Desert Cities by Jon Robin Baitz (Sept. 4-22, 2013). The searing comedy by the creator of TV's hit drama Brothers & Sisters, was a Pulitzer Prize finalist, and The New York Times called it "the best new play on Broadway" a year ago. When a once-promising novelist returns home to Palm Springs to visit her parents, conflict ensues when she reveals she's been writing a juicy, tell-all memoir focusing on the tragic death of her antiwar-activist brother. 

Rapture, Blister, Burn by Gina Gionfriddo (Oct. 9-27, 2013). It's another Pulitzer Prize finalist, this one is by a writer whose credits include Law & Order and the recent Netflix series starting Kevin Spacey, House of Cards. It's a social comedy about a rising young academic who's not at all certain that she's leading the life she wants. An evening with a friend who's a stay-at-home mom leads to an interesting game of musical chairs.

Around the World in 80 Days by Joseph McDonough and David Kisor (Dec. 4, 2013-Jan. 4, 2014). ETC will revive one of the first of its holiday shows created back in 1999. Based on Jules Verne's classic novel, it's the story of a crazed circumnavigation of the globe in 1899 by the brilliant Englishman Phileas Fogg, who wages a fortune that he can do it in record time. Bandits, buffalo and winter storms are just a few of the obstacles he must overcome, but the story promises great fun for families.

The Mountaintop by Katori Hall (March 19-April 6, 2014). This show won London's Olivier Award for the season's best new play, and its Broadway production featured Samuel L. Jackson and Angela Bassett as Dr. Martin Luther King Jr. and a feisty young hotel maid. The civil rights leader is cooling down in a lonely Memphis hotel room after delivering one of his greatest speeches. The next day, tragedy would strike. It's a powerful piece of theater by a rising young playwright, according to all who have seen it.

Subscriptions are already on sale for ETC's season. More information is available by calling 513-421-3555. Single tickets will go on sale to the general public on August 5, 2013.
 
 
by 12.03.2008
at 11:51 AM | Permalink | Comments (2)
 
 

Nutcrackering Scrooge

The Nutcracker, A Christmas Carol, model trains, zoo  lights, skating on Fountain Square - do you ever wonder if Cincinnati is capable of creativity around the holidays? Beyond the Ensemble Theater of Cincinnati - an institution that actually takes some risks - the others stick with the same old script with the only news being who will play Scrooge for the next 25 years.. 

 If you could pick  the Holiday line up for 2009, what would it look like?

 
 
by Rick Pender 02.27.2009
Posted In: Theater at 10:46 AM | Permalink | Comments (0)
 
 

Stage Door: Two Gentlemen of Verona

If the last gasps of winter still have you shivering, you can warm up this weekend with some frothy musical theater at UC's College-Conservatory of Music, where Two Gentlemen of Verona is dancing its heart out. With a silly story (thanks to Shakespeare) and an eclectic score (from the guy who wrote the music for Hair), this 1971 show doesn't get staged very often. But you'll wonder why if you find yourself in Patricia Corbett Theater: Thanks to CCM 1995 grad Andrew Palermo, who's returned to direct and choreograph the show, the cast never stops dancing.

Don't fret about the story — changing affections, disguises, villains and heroes — just watch as the tale takes you from the university town of Verona to the urban Milano. The costumes (preppy white shirts and ties in the former, metropolitan chic black and Hip Hop in the latter) will tell you where you are. And the performers are all shining stars from CCM's musical theater program, several of them ready to move along to Broadway. This is the CCM musical people will continue to talk when the current season is over. Two Gentlemen runs longer than usual for a CCM show — two weekends (final performance is March 8) — but don't dally to get your tickets: By next weekend they'll all be claimed. Box office: 513-556-4183.

 
 
by Rick Pender 06.05.2009
Posted In: Theater, Dance at 10:49 AM | Permalink | Comments (0)
 
 
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Stage Door: Fringe. Fringe. Fringe!

I have three words for you regarding theater-going this weekend: Fringe. Fringe. Fringe.

If you haven't dropped in yet for this stimulating festival of push-the-envelope performances, you're missing out on the greatest dose of annual creativity that we get here in Cincinnati. And a lot of your friends have already caught on: Fringe Producer Eric Vosmeier tells me that as of Thursday they've hit their ticket goal for the entire festival ... and there are still two more days to go!

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by Steven Rosen 03.07.2013
Posted In: Visual Art at 09:08 AM | Permalink | Comments (0)
 
 
mattdistel-lowres

Another Day, Another Matt Distel Announcement

In this week's Big Picture column, there is an item that Matt Distel — long active on the local contemporary art scene and current executive director of Northside's Visionaries + Voices center for artists with disabilities — had been named adjunct curator of contemporary art at Cincinnati Art Museum. Today comes the announcement he will leave V+V to be exhibitions director at The Carnegie in Covington, effective in June. He replaces Bill Seitz, who announced his retirement last month. His adjunct position at the art museum will continue.

“Matt is the perfect person to build upon the successes we’ve had in the galleries and we are honored to have him join our team,” said Katie Brass, Carnegie executive director, in a press release. “His personality, his connection to local artists, and background all make him the ideal candidate to run the Carnegie Galleries and to grow programming.” 

In that same release, Distel said, “To be part of the legacy the Carnegie has for supporting local and regional artists, it’s very exciting. The Carnegie is one of the premier arts organizations in the region and Bill [Seitz] has established a great framework for me to continue to build an exhibition program that plays a compelling role in the arts community.”

 
 
by Rick Pender 03.09.2012
Posted In: Theater at 11:16 AM | Permalink | Comments (0)
 
 
onstage 3-9 - merrily we roll along - cast at cincinnti playhouse - photo sandy underwood

Stage Door: Sondheim, Afghan Women's Writing and More

Last night I attended the opening of the Cincinnati Playhouse production of Stephen Sondheim’s Merrily We Roll Along. It’s been directed by John Doyle, who inventively staged Sondheim’s Company in 2006, a production that moved to Broadway and earned a Tony Award. He uses the same approach this time — actors who provide their own musical accompaniment — and the results are top-notch because he’s assembled a strong, talented cast. This show has long been viewed as one of Sondheim’s few failures, but you wouldn’t know that from this staging: It’s a showbiz tale of success that has not led to happiness. We start at the end, with three former friends at one another’s throats, and then trace back to their earliest moments together. With great music, a stylized set piled with pages of music (the central character is a composer) and some intriguing decisions by Doyle about elevating a realistic tale to something more deeply emotional, this version of Merrily is a great choice for anyone who loves musicals. Through March 31. Box office: 513-421-3888

A completely different choice is the Afghan Women’s Writing Project at Know Theatre, this weekend only. Playwrights Elizabeth Martin and Lauren Hynek took material written by women in Afghanistan who risk their lives to write their stories and turn them into material for the stage. Several outstanding local actresses — including CEA Hall of Famer Dale Hodges and frequent CEA award winner Annie Fitzpatrick — are among the interpreters. Performances are Friday and Saturday at 8 p.m., Sunday at 3 p.m. If you go on Friday, plan to stick around for a post-show discussion. Tickets ($18): 513-300-5669

If you like heart-warming, schmaltzy tales, you should find your way to Newport’s Monmouth Theatre where Falcon Theatre is presenting Visiting Mr. Green. It’s the story of a young man “sentenced” to regular visits with an elderly gentleman he nearly ran over. Beneath the surface of their disparate worlds they discover some surprising common ground. What makes this rather predictable story come to life is the acting: Joshua Steele and Mike Moskowitz, who happen to be grandfather and grandson, portray their characters with believability. This is the second of two weekends, Saturday at 7:30 p.m., Sunday at 3 p.m. Tickets: 513-479-6783

A year ago Cincinnati Shakespeare had a big hit with Jane Austen’s Pride & Prejudice. They’ve done it again with another adaptation, Sense & Sensibility. This time it’s two sisters, one rational and one emotional, wonderfully portrayed by Kelly Mengelkoch (as the reserved, reasonable Elinor) and Sara Clark (as willful, romantic Marianne). They’re surrounded by droll supporting characters in a story of romance and domestic intrigue. I gave the production a Critic’s Pick. It’s onstage until March 18, but many performances have sold out. Tickets: 513-381-2273

Speaking of Cincinnati Shakespeare, the company recently announced its 2012-2013 season, which will feature some memorable characters — Sherlock Holmes, Atticus Finch (in To Kill a Mockingbird), Romeo & Juliet, Lady Bracknell (in Oscar Wilde’s hilarious The Importance of Being Earnest), Richard II and Nick Bottom (Midsummer Night Dream’s aspiring actor who makes an ass of himself). You can read about the entire season in my blog post from last Sunday.

Each week in Stage Door, Rick Pender theater tips for the weekend, often with a few pieces of theater news.

 
 
by Steven Rosen 09.25.2009
Posted In: Visual Art at 03:25 PM | Permalink | Comments (1)
 
 
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Cincinnati Art Museum: Genius Factory

Cincinnati Art Museum did well at this week's announcement of MacArthur Foundation $500,000 "genius grants" — one of the most prestigious in the world. Among the 24 recipients were artist Los Angeles artist Mark Bradford (pictured), who creates large-scale map-like collages out of everyday material and whose show Maps & Manifests was featured at Cincinnati Art Museum in 2008.

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by 08.17.2010
at 10:50 AM | Permalink | Comments (2)
 
 

Man of Steel Visits Cincy

Cincinnati has had many famous visitors over the years including Mark Twain, Oscar Wilde and John F. Kennedy. Now we can add Superman to the list.

As part of an ongoing storyline in DC Comics' Superman title, the Man of Steel will visit the Queen City in issue #703, on sale in September.

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