Brian Olive, a founding member of The Greenhornes and later a member of the Soledad Brothers (under the stage-name Oliver Henry), is releasing a self-titled solo album on June 23. The CD will be put out by Alive Records, also home to Cincy's Buffalo Killers.
Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.
We caught up with local singer/songwriter Kim Taylor after her show at HullabaLOU Music Festival at Churchill Downs in Lousiville a few weeks ago. We wanted to get the scoop on her new album, Little Miracle.
Kim has been working on new music and will release her latest recording Friday night at Northside Tavern Her music can often be heard on TV shows like Grey’s Anatomy, Lost and Hawthorne.
EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.
"AAAANND welcome to 97.3 The Wolf!”
Um, what? I wouldn’t preset a Country station on my car stereo if my life depended on it. I flipped around frantically, trying to find The Sound instead of the bumpkin bonanza that was currently wreaking havoc on my speakers. Zilch. Gone. I later found out that The Sound, which enjoyed popularity in its early broadcasting stages but was forced last fall to move from 94.9 FM to 97.3 FM after its rankings plummeted, is now available only on HD radio due to continued low ratings.
Recently, local singer/songwriter Maurice Mattei and his band, The Tempers, celebrated the release of a live album recorded last December at a Christmas show at Covington's Madison Theater. While The Tempers Christmas Show does include a few holiday classics (Lieber & Stoller's "Santa Claus is Back in Town" and Chuck Berry's "Run Rudolph Run"), the bulk of songs are Mattei originals and not exactly of the "Christmas" variety. (Listen to the whole release here.) Still, it's a great release, as the band takes advantage of the live-recording format — the songs exude a palpable, occasionally Punk-like energy. Check out one of those non-holiday tracks, "Made a Mess of It," in music video form below. (Maybe the "Vixen" in the line "Listen to the vixen in the ol' hoosegow/Funny that's the only kinda milk cow" is "Vixen" from Santa's slave-reindeer team?)
The song — which originally appeared on the release The Tempers Perform The Best of Maurice Mattei Volume 3 — was made into a video by Dave Miller from Southern Californian design/illustration company Deluxerider, who has done several clips for Mattei songs, including the Chuck Berry X-mas tune (posted below, as well).
There have been an increasing number of examples — especially in the past decade — of conservative politicians using songs in their campaigns by artists who do not want their music used in that way. Recently, a member of Survivor who owns the copyright for the Rocky III anthem, "Eye of the Tiger," asked Newt Gingrich to stop using the song at rallies (the problem being that not only is the song being used in public, but it also ends up soundtracking YouTube clips from the same rally and lives on eternally on the web). Likewise, British Funk/Rock band The Heavy freaked when Newt's people blared their "How You Like Me Now?" hit to rile up supporters.
It almost seems like these occurrences happen on a weekly basis now. Usually, when asked to cease use, the politicians' campaigns comply immediately. But, with it happening so frequently, wouldn't a campaign manager be a little more aware of the music they're deciding to co-opt? And if a campaign refuses, are there really any legal ramifications?
Cincinnati Garage Rock heroes The Greenhornes seemed headed for big-time success, a gradual build-up that ultimately found them recording for the V2 label with Power Pop cult fave Brendan Benson producing, having songs placed in Jim Jarmusch movies and playing to gigantic arena/stadium-sized crowds touring with The White Stripes.
But the band’s momentum was halted when Jack White decided their rhythm section (drummer Patrick Keeler and bassist Jack Lawrence) was so good, he’d like to work with them.
Before its current successful run of reunion concerts across the globe, The Afghan Whigs played its final live show at a New York City club called Hush on Sept. 29, 1999. But that was a private concert. The Whigs last public appearance was Sept. 25, 1999, at Cincinnati's Bogart's with special guests Howlin' Maggie. (The set list featured a large chunk of final album 1965, as well as lots of dips into cover tunes and snippets, including opener "The Boys Are Back in Town," and dashes of "Superstition," "In-A-Gadda-Da-Vida," "Little Red Corvette," "People Get Ready," "Hot for Teacher," "All You Need is Love" and Madonna's "Express Yourself," among others.)
Today it was announced that The Afghan Whigs will return to the scene of the crime and perform their first hometown show in over a decade on Oct. 25 at Bogart's, one month and 13 years after that final concert. Tickets are $33.50 ($45.86 with fees). The fan pre-sale starts this morning at 10 a.m.; tickets go on sale to the general public this Friday at 10 a.m. Click here for info. (Check The Afghan Whigs' official site for a password to get in on the pre-sale.)
Though the neighborhood has changed a lot since The Whigs roamed the earth originally, the band returning to Corryville is fitting. While frontman Greg Dulli would eventually bring his band The Twilight Singers to Newport's Southgate House frequently, Bogart's was the Whigs hometown concert home. Before that, the group played many shows at long-since-shuttered Sudsy Malone's across the street from Bogart's, while it and Top Cat's just a few blocks up the street were the sites of a few epic "secret shows," warm-up gigs for tours where the band would perform under a pseudonym like The Havana Sugar Kings or Gato Negro.
Update: The fan pre-sale password for Bogart's is uptownagain. Use it here starting at 10 a.m. today.
Update2: The pre-sale is now at noon today, according to the ticketing site.