What are your favorite memories from the Southgate House?
On Monday night/Tuesday morning this week, as news that the popular Newport music venue would cease to exist (in its current state, at least) leaked out, I watched a steady stream of comments on Facebook respond to the news with a mix of stunned disbelief and sad nostalgia, as fans of the club shared some of their best stories and memories.
Many people were quite emotional, and I wondered why I wasn't having similar feelings. Since the late ’80s, I had been a frequent visitor to the club, and, over the entire span of my 20 years writing about music in Greater Cincinnati, I have consistently covered events at the venue. I was not totally unmoved by the sudden announcement, but I certainly wasn't as shaken as others appeared to be.
"AAAANND welcome to 97.3 The Wolf!”
Um, what? I wouldn’t preset a Country station on my car stereo if my life depended on it. I flipped around frantically, trying to find The Sound instead of the bumpkin bonanza that was currently wreaking havoc on my speakers. Zilch. Gone. I later found out that The Sound, which enjoyed popularity in its early broadcasting stages but was forced last fall to move from 94.9 FM to 97.3 FM after its rankings plummeted, is now available only on HD radio due to continued low ratings.
On this day in 1975, pioneering singer/actress/dancer/civil rights activist/spy Josephine Baker passed away at the age of 68. She died just a few days after a retrospective performance at the Bobino in Paris celebrating her 50 years in show biz. Jackie O, Princess Grace and Prince Rainier funded the show and opening night featured a celebrity-studded audience that included everyone from Mick Jagger to Sophia Loren. Baker's body was discovered four days later, reportedly surrounded by newspapers featuring glowing reviews of her performance.
At her funeral, she became the first American woman to garner full French military honors, one of many "firsts" involving Baker. She was the first black woman to star in a major film, the first to demand (and get) integrated audiences at her concerts and the first to become a global superstar. She fought for civil rights in America (offered a chance to lead it after MLK's assassination, she declined for fear of also being killed) and, before that, helped France (her adopted homeland) in World War II, for which she received numerous honors. Baker was also reportedly a bi-sexual who had serious relationships with both men and women in her lifetime, adding some spicy mystique to her life story.
She got her start as a vaudeville dancer at 15 and eventually became one of the highest paid chorus girls on the planet. In the mid ’20s she did burlesque shows in Paris and around Europe, well-known for her trademark banana-skirt and, later, her pet cheetah Chiquita, who would join her on stage (and, reportedly, terrorize the orchestra). Baker was considered a "muse" for artists from Pablo Picasso and Christian Dior to F. Scott Fitzgerald and Ernest Hemingway, who once said she was "the most sensational woman anyone ever saw."
Baker's life has been the source of several films, musicals, plays and books. On screen and stage, she's been portrayed by the likes of Lynn Whitfield, Diana Ross, Keri Hilson and Beyonce, who sported Baker's banana costume during a 2006 performance (see below) and, in her "Naughty Girl" video, she again paid tribute by dancing in a giant champagne glass.
Baker released several albums in the early ’50s for Columbia and Mercury. Here she is performing her biggest hit (in France), "J'ai Deux Amours."
Click on for Born This Day featuring Hound Dog Taylor, Tiny Tim, Nick Hexum and Vince Gill.
On Sept. 19, Scruby released Boy Genius, which is his second Hip Hop mixtape in less than a year. In two weeks, Boy Genius is less than a thousand downloads from surpassing Best Foot Forward, which Scruby released last November.
Over the 10 months since officially entering the music scene, Scruby has taken off. While making Boy Genius, Scruby studied at Ohio State University and played a few shows. His biggest shows included opening for J. Cole at May’s BuckeyeThon Benefit Concert at OSU. Recently, he opened for Machine Gun Kelley and performed at Ohio University’s 10Fest.
Along with live performances, Scruby and his team at LandSea Media produced enough videos to keep fans entertained while they worked on Boy Genius.
The wait for the new music was worthwhile. I was instantly blown away at the quality of the music. It didn’t sound as if it was produced in a dorm room, but rather a professional studio. The audio was balanced and the vocals weren’t hidden under a blanket of bass.
As for the lyrics, Scruby uses a mix of wordplay and comedy in his songs, and it works. His tracks follow a life of love (or rather, lovemaking), success and partying. Although I find these themes to be a stereotype of rap, Scruby pulls off the stereotypical rap lifestyle with ease.
Mixtape opener “Double Time” features Cincinnati’s own DJ ETrayn. He welcomes fans to the musical journey before the song begins. The start of this track is reminiscent of Dumbfoundead’s “Green.” This song makes me want to lean my driver’s seat back and drive with one hand on the steering wheel while doing 50 in a 25.
What seems to be a fan favorite is “Fux With Me.” Crowds at 10Fest wore shirts donned with "I Fux With Cal Scruby." The song isn’t my personal favorite, but I enjoy the tour of people who "fux" with Scruby and how he doesn’t let it slow him down.
My personal favorite is the bonus track “Midwest City,” which is a tribute to his hometown, that city where they sin two times. This closes the album and leaves me wanting to hear more from Scruby.
Even though high school is long gone, I can’t go somewhere
without hearing about the guy who was super cereal about ManBearPig and now,
he’s super cereal about his music.
"ATTN: Biggest bummer post-summer? Our grand opening weekend has been postponed. This weekend’s shows have to be delayed due to a few last minute construction challenges.
We are completely committed to opening the right way to make your experience the best it can be. We just can't in good conscious present anything below the very best.
Says Morrella: “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation. The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
Anyone who had pre-purchased tickets for this weekend’s dates may be issued a refund through ticketfly.com or may hold on to their original tickets for the soon to be announced rescheduled dates"
The grand opening of the Southgate House Revival at 111 East Sixth Street in Newport, Kentucky scheduled tonight at 9 p.m. and The Newbees CD Release show scheduled for tomorrow night, Saturday, October 6 have been postponed. This weekend’s shows had to be delayed due to a few last minute construction challenges.
The 1866 property, the former Grace Methodist Episcopal Church, has been under a massive renovation since May that includes all new electrical, plumbing and HVAC systems, as well as roof repairs and new flooring.
“We set a very ambitious goal,” said Morrella Raleigh “and we were very, very close.” “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation.
The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”
Like death, taxes, Who reunion tours and Wolfen sequels, one certainty every year in Cincinnati is a local summer appearance by the master of mediocrity, Jimmy Buffett. If you live here, it's as inevitable as the changing of the season: Buffett brings his plastic palm tree and awful music to Riverbend, and thousands of morons flock to see him.
We've resisted writing about this "phenomenon" in the past. It's kind of like making fun of Kathie Lee Gifford or Kenny G -- it's just too cheap and easy. Of course, CityBeat is nothing if not cheap and easy.
So, here, we bring you the only press you will ever read about Jimmy Buffett in this publication. Unless, of course, there's a shooting spree in the middle of the concert or Riverbend sinks into the river.
10) His music It's sorta tropical, sometimes Country-ish, sometimes "silly," and always boring. It's music for people who don't like music: background, laid-back fluff. It's easy listening for Boomers.
9) His lyrics
"Blew out my flip flop/Stepped on a pop top/Cut my heel, had to cruise on back home."
"So he took her to this movie called Body Heat/She said, 'The Junior Mints were mushy and the sex was neat.' "
"Fruitcakes in the kitchen/Fruitcakes on the street/Struttin' naked through the cross walk/In the middle of the week."
"Evolution can be mean/There's no 'dumb-ass vaccine.' "
8) His album titles A White Sport Coat & A Pink Crustacean. Last Mango in Paris. Off to See the Lizard. This guy makes "Weird Al" look like Oscar Wilde.
7) He recorded a cover of "Purple People Eater" "Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini" is bound to be next.
6) He likes to sue aspiring restaurateurs Buffett's lawyers have gone after entrepreneurs for calling their new bistros things like "Margaritaville" and "Cheeseburger in Paradise." Hey, if they're that stupid ...
5) He was a fratboy No doubt. At the University of Southern Mississippi. Shocker!
4) He wrote and staged a musical (Don't Stop the Carnival) Rock stars shouldn't do that.
3) He tricked Brian Wilson into recording one of his songs "South American" on Wilson's Imagination record. Hasn't this man been taken advantage of enough?
2) His CDs don't even make good coasters I proudly own one Jimmy Buffett CD -- 1999's Beach House on the Moon, which I use on my desk to set my drink on. Damn things keep slippin' off.1) Parrotheads Fans of Buffett use his summer concerts for an excuse to get completely obliterated and "partay." It's like Mardi Gras with tasteless people in stupid hats and Hawaiian shirts. Not so amazingly, his strongest cult is here in Cincinnati. Like we need some other cultural crisis to be embarrassed about.
Music Tonight: Rootsy Connecticut-based trio Plume Giant performs at the Rohs Street Cafe in Clifton Heights with Columbus, Ohio's Deadwood Floats and Cincinnati's own Molly Sullivan (check out Sullivan's lovely, unique track "Bad Weather" here). Plume Giant released its self-titled debut EP last year, drawing praise from Seattle to New Haven, and travelled up and down the east coast in support. The Indie Folk trio — built around timeless songs, amazing three-part harmonies and pure, naked acoustic guitar/viola/violin backing — is taking on the Midwest this month, touring in advance of its first full-length, due this coming spring. Click here to listen to the EP and enjoy the Plume Giant song "Old Joe the Crow," performed live below.
On Wednesday night in Columbus, radio station 99.7 The Blitz had a one year anniversary party and invited hundreds of fans to an appreciation party at the LC Pavillion to give feedback on the station and meet the members of the Blitz on-air team. Die hard Blitz fans were surprised with a live performance from one of the most popular bands on the station, Bobaflex. Bobaflex did an hour high energy set for the intimate crowd performing their hits like “Bury Me with Your Guns On.”
Bobaflex is an independent metal band from West Virginia that has been grinding through the music business since 1998. Over that time, they have released four albums and been on tour with National acts like Disturbed, Filter, Sevendust, among many others. In their thirteen years, they have gained a cult following centered in Ohio and West Virginia.
CityBeat caught up with Shaun McCoy, a vocalist, guitar player, and charter member of the band before the show to discuss the single that is gaining steam across Ohio in radio play and their unconventional view of the music business. Shaun’s anti-establishment view pairs with his innovative ideas to show where he envisions the music business is heading. This is seen in the upcoming release of their fourth album, Hell in My Heart.
CityBeat: I know you guys have the new album, “Hell in My Heart,” The 15 track album that came out in February.
Shaun: Well, it’s technically not out. There was some confusion about it. And now we’re re-releasing it this summer with some extra tracks. But we still have a few copies on us. We pulled it offline and stopped ordering it until this summer. We are looking at distribution deals with some investors. So we’re almost going to do our own label which is the safest thing to do these days. And using other people’s money because we don’t have that much. So we are almost doing the label thing but having more control in the band. And working with an investor or partner but not with an evil corporate label that’s going down the tube anyway.
CB: You guys have been pretty vocal about being independent and doing this on your own because you have been in the business a while. You’ve also talked about your management team and how they’ve helped out. What’s the process to go through to get the album out on your own?
Shaun: Well people are still holding onto the old, it has to be in the stores which is going to be over in the next five years. You still have to play that game and have an official release. So, we had a couple label deals on the table. They were a no-win situation for the band. So we kind of balked at them. And now, we’re doing a distribution deal. Which you’re not locked in legally with them. They just put it out in the stores and you just kind of pay for shelf space. You do all the marketing and promotions yourself. It’s up to you to promote the album. They just put it in the store. You get a way higher split on the album. You get a majority of the money and you keep the bailments. So basically they’re just a service. We took a long time picking a good distribution company because many are in trouble right now. I think we’re in talks right now with Mega Force and they may distribute us. The band ran into marketing and promotions trouble when we paid for it ourselves and it nearly killed us. So we are looking at the option of using an investor to make it easier on the band and split things down in different percentages and have someone else’s money and do like a label does and have someone else do all the promotions and marketing. And they get a piece for putting that much in and investing in the band. But still it will be a band-friendly contract. It’s not going to be a big corporate Atlantic Records thing where they get 12% of your record and you don’t see royalties for three years.
CB: Is that what the April 20th show is partly about? Are you looking for investors at the showcase?
Shaun: Yeah. I think CDs are like 8-Tracks in a few years. I mean kids don’t want to buy them unless they want something physical to be signed. That’s really it. Adults buy CDs. And it kind of kills me we still have to put it in stores because times are changing and we like to be ahead of the curve. But we’ll play that game for this album and put it in stores. It also opens up radio and touring options. People are still using that as a form of legitimacy. So we have to put it in stores. That’s the way it’s going to be. I’d prefer to have it online and at shows and you’d have to come to the shows to actually purchase it. And that would make the shows better. We’ll have it at shows but right now we have to play the CD game so we’re going to distribute it. There’s nothing finalized, now we’re in talks but nothings done but you can say we’re in talks with Mega Force for distribution.
CB: How long have you been doing this? I know you and your brother started this together.
Shaun: Legitimately, we started in ’98 but full force and making it a profession and barely working a job or not working a job and putting a 100% into from about 2003 until now.
CB: So now it’s full time for all of you.
Shaun: Yeah. Absolutely. It’s been full time for about six or seven years since we signed with TBT, our old label who went bankrupt. Once we got with them it was a full time job.
CB: If you weren’t in a rock band, what would you be doing?
Shaun: Wow, if I weren’t in a rock band, I’d probably turn to a life of crime to make a living. I’m 40 hours short of an advertising degree. I owe the government out the ying-yang. Either I’d be a criminal or I’d just work at Lowe’s.
CB: So you guys have this interesting thing where you let everybody sing. Do you get pushed to try to pick a lead singer or do people give you pressure around that or do people accept that this is how you are going to do it?
Shaun: Early on, when we had a record deal on the table, they actually liked that idea. Years ago, people asked, “Well who’s the lead singer?” Well nobody, we switch off and on. Even our bass player is singing lead on some songs. Well now, if they’re talking to me they say “Well you’re the lead singer.” Or if they’re talking to my brother “Oh you’re the lead singer.” It’s one of those deals. We kind of squash it. It’s whoever song it is. I’m a big KISS fan and I always like Ace songs best and he only sang a handful of them. That’s where we got the idea from. I’m a big Eagles fan and I like any band that has versatile lead singers. It makes the album more eclectic and it makes for better ideas. You don’t get bored or get stuck in a rut when you have three different guys and all three have a little different vibe. That helps for sure.
CB: Have you met KISS?
Shaun: I would like to meet KISS. I have not met KISS. Well, who have I met? We met Dave Mustaine of Megadeath. And that was a big deal. I met all of Anthrax, all of original Anthrax. That was cool. We have toured with Mudvayne and Sevendust but I would love to meet KISS. Absolutely one of my favorite bands.
CB: Have you ever been star struck when you met somebody?
Shaun: Yes, Jonathan Davis and Korn walked into our dressing when we were opening for Mudvayne and Sevendust and we were the openers in the Nokia Center in Dallas. Jonathan Davis had his dressing room across from us and we decided to leave him alone since he was a huge star. I was getting my tattoo worked on drinking and he walked into our room out of nowhere. I was like “What!” He said “Hey this where the party’s at. I smelled weed, I hear drinking and partying. I see you’re getting a tattoo. Does that hurt?” I was like “Noo!” I said “Thanks for having us on the show.” And I shook his hand. He said “Great having you on the show. I’ll see y’all around.” Then he walked out. Then everybody couldn’t even talk and were like “Oh my God! Jonathan Davis just walked into our room.”
CB: Yeah, I’ve interviewed Fieldy and Ray from Korn. They’re great guys.
Shaun: Absolutely. He was really cool to us. That’s the thing with the bigger tours, I’ve never really met an asshole rock star that wouldn’t talk to me or made a rule to “Don’t look at me, especially when I’m eating.” I’ve never seen that yet. That hasn’t happened on the bigger shows like Papa Roach or Megadeath.
CB: One of the things I always say when I’m doing interviews is the bigger the rockstar I talk to the more down to Earth they seem. It’s kind of been the exact opposite of how I envisioned it. Everyone is usually very nice and very down to Earth. One of the theories is that everybody has been at the bottom of this industry and worked their way up and people appreciate it a lot when you do make it and do well. Have you ever had any boyfriend or husband issues on the road?
Shaun: Well yeah, it’s happened. We’re really cool guys, we’re cool with the fans. But there have been weird situations where somebody’s girlfriend has liked someone in the band and then they come up and we don’t know them personally and the guy never comes to a gig again and sends us an e-mail, “I can’t believe you did this to me.” I don’t even know who they are or don’t even know their name. Our ex-guitar player used to have issues with that. He always had people showing up to gigs looking for him. Many times it was due to Facebook and Myspacing and meeting girls. But I personally try to be cool to the fans and I, personally have not or very minimally had that. It’s always been light and nobody’s said anything bad. I’ve had a couple guys try to steer me away from girls via Facebook or Myspace, mainly Facebook. And say, “That chick is trouble man.” And I say, “I don’t even know you man. Why are you contacting me.” I had a guy recently tell me a girl was dangerous. And I was like, “Dangerous? What is she, Al Qaeda? She’s 120 pounds. What are you talking about? Does she have a gun on her? Does she carry a knife and stab people?” I just ignored it. It’s really not too bad. Just our ex-guitar player. And all the guys at this point in the game have girlfriends. I’m the only one who doesn’t. So, on that front, I can’t say it happens too often.
CB: Well I think dating is scary these days anyway. Just meeting on Facebook or Myspace. You talk about music changing. Dating is definitely changing.
Shaun: Oh my God! In the band, you always have some nutball or weirdo a little bit. Or I’ll get stalked multiple times where I can’t get on Facebook without a thing popping up “What are you doing? Why haven’t you called me?” I’ve had that happen several times. I had an older lady, like forty years old, who showed up to gigs crying. She was a nice lady at first and really cool and ran merch for us. I thought she was a forty year old redneck mom who’s not gonna rob us. So we let her sell merch for us. Her and her daughter followed us all over the country spending so much money to follow us to gigs. I’m like “I guess they really like the band.” And they bought us beer. She was married and she started sending me weird lovey messages like “Oh Shaun I love you as deep as the ocean is blue.” So I sent her a message saying she was making us uncomfortable and chill out a little bit. A year later she started it again. She sent me these weird messages, “Oh you don’t know how much I think about you.” I finally told her that “You’re creeping me out.” Then I got this huge message of evil after I told her she was creeping me out. “Who are you to judge?” Then her son called me. And her family was “Why are you being mean to my family?” And I’m like “You’re mom is creeping me out.” It went on forever. Finally I had to quit speaking to her or looking at her. She still showed up to gigs in the front row and call out “You don’t know what you meant to me?” I’m afraid the people would think something is going on and she’s crying at the gig. She would text me for a while and I would never text her back. She got my phone number somehow. Her texts were like I was answering her calling me baby and honey and I wouldn’t answer her and she would send me, “Baby are you sleeping?” and I haven’t answered her but she would answer back like I was talking to her but never was. That was scary. That was weird. Then I found out she pulled a gun on her ex-husband. So that’s when I told the band she had a weird past and was creeping me out. There were a couple gigs that I said they had to keep that lady out of the building. That’s one of several stories.
CB: Wow. So, did somebody inspire the song, “Vampire”?
Shaun: The song, “Vampire,” my brother wrote about a needy girlfriend who wouldn’t leave him alone and needed so much attention and was draining his life and sucking his life force out of him. He’s had a few that were very needy. Read my mind all the time draining like a vampire sucking his soul away. That’s what that song is about.
CB: I’m sure she was really pleased that’s what inspired the song. Does she know?
Shaun: The girlfriend? No she doesn’t. There’s several songs about her. “Playing Dead” is about her too. He doesn’t really tell anyone about her. He’s writing about the same stuff I think in that song.
CB: Some of the best songs come out of bad relationships. Some people I talk to that say they should never get married or never get in a good relationship because they think the band will fall apart.
Shaun: Yeah, we’ve all been divorced. I’m currently separated and getting a divorce. We’ve been separated for two years. She’s had like two boyfriends. We’re good friends and everything but it was definitely hard to keep the marriage together being on the road so much. We had a child together and it was tough. There’s a song called, “On That Night”, and that’s about being betrayed by someone you loved which we’ve never really delved into too much in the past. And this album, it’s like all the things that went on during TBT’s bankruptcy and then we were owned by a bank for a year. It was hell getting a record together. We didn’t have the rights to do it. We thought of everything that happened the last few years. Jared’s song was about his and his ex-wife divorcing. There’s definitely some reality in this record.
CB: Sometimes those are the best songs.
CB: Do you guys write everything yourself?
Shaun: Yes. we worked with songwriters on a couple that weren’t singles. On this album, we definitely collaborated on everything with each other. On a couple songs, I might write the scale or my brother or Jared might but then everybody comes in and puts their ten cents into it.
CB: Where do you guys usually write together?
Shaun: Well we usually get a rehearsal spot or sometimes we’ll put it together at home. We have a nice rehearsal spot with a studio in it. We’ll just sit down from noon to five and go over the set list and some rifts. Everybody will critique everybody’s other songs. And go over them and hammer them out. We’re at the point that we’re mature enough no one will have their feelings hurt when someone doesn’t like someone else’s idea. You either like it or you don’t. We write songs a lot faster now. We know each other so well. There are still some bastards that you have to hammer out that just aren’t right but a lot of the songs come together pretty quick.
CB: Do you guys still live in West Virginia?
Shaun: Yes. I lived in Ohio for a while. Then now I live in West Virginia. Jared, I think lives in Ohio with his girlfriend. The others live half the time with their girlfriend in Ohio and the other half in West Virginia.
CB: I heard about you guys in Columbus. There’s a huge buzz about Bobaflex in Columbus. I thought you were from Columbus.
Shaun: That’s our biggest spot. That’s one of our favorite spots to play. We owe everything to Columbus and West Virginia.
CB: I was hoping you’d be at “Rock on the Range.” That’s one of my favorite festivals to shoot and go to.
Shaun: We were supposed to. We still have the number one requested song in the city. I don’t know what his prejudice was, the guy running it. He said “Oh you won’t draw 2000.” And neither does Egypt Central. We’ll draw about a 1000. Anywhere from 700 to 1000. I know all the promoters in Columbus and we outdraw all the bands when they’re out by themselves. To say all the lower bands outdraw us on “Rock on the Range” is a lie. That’s not true. I don’t know why they won’t have us on.
CB: Well sometimes they try to mix it up and want some new people.
Shaun: Yeah. And it also goes back to that release date. We don’t have a new CD in stores, not gonna be on there. We’re on the old model forever until there are no CDs left.
CB: I love the song “Bury Me With My Guns On.” I thought it was amazing that the song is all over the radio. Then I heard that you had no label and doing everything yourselves. I found the story to be so interesting from the music industry perspective. I hear the song in Cincinnati, I hear it in Columbus, I hear it in Cleveland. So you guys are doing a good job getting it out there on the radio.
Shaun: We’re number 50 on the rock charts right now and we’re paying a radio promoter like a label would. We are paying them to keep pushing it. That’s where we’re at right now. We’re on a teeter-totter at this point. We’re getting a game plan together quickly this week and next week to get this record out.
Lightnin’ Malcolm is an emerging driving force in the genre of underground Blues as a member of the North Mississippi All-Stars and also as a solo artist. Alongside counterpart Carl Gentle White aka "Stud" on drums, the dichotomy of their two styles produces a rough, soulful sound that reminds folks of Blues legends like Lightnin' Hopkins and Howlin' Wolf. Audiences should be prepared to dance, party and delight in Malcolm’s deep Mississippi sounds tonight at the Southgate House Revival. Malcolm is opening for and playing alongside the North Mississippi All-Stars. Showtime is 8 p.m.
CityBeat: I know you have an album coming out on Sept. 10. Can you tell me a little bit about it?
Lightnin' Malcolm: Well, it is 14 original songs and they have quite a few different styles on them. It is all based on my style, which is based on the hard driving, raw boogie North Mississippi Hill Country style. It is mostly (the) guitar and drums duo but we add some horns on a few tracks. We have Luther Dickinson playing slide on a few songs. So it is a pretty good mix of stuff.
CB: I was listening to some of it this week. I love “My Life is a Wreck.” Can you tell me the story behind that song?
LM: Well, that is a semi-autobiographical piece. One of my greatest influences was T Model Ford and he recently passed and that song was based on a style he had on the guitar. His grandson Stud is playing drums with me now. That was the first song we did in the studio. That was his first song recording and I thought it was a great way to feature it. My music depends on a great drummer. Drums are so important to the music and he is one of the best. I have known Stud since he was like 1 years old. He grew up watching me play drums with his granddad. He knows the style of drums that I like, the raw, four on the floor, predator style, no messing around. Just raw and making people dance. By us knowing each other so long, he is like my little baby brother. We have this chemistry together that works so well.
CB: I watched some videos of you two playing together. It is super high energy and looks like a lot of fun.
LM: Yeah, that is the key to it all. We don’t have to hit a note exactly right or (do flashy) guitar solos. We just try to create as much … fun for the people as we can. We just want to see people party and have fun.
CB: How old were you when you picked up your first guitar?
LM: I was about 10 or 12. Before that, I really wanted to be a drummer. I used to beat on buckets and pots and pans, put the radio on and play along with them. I didn’t have any actual drums and I finally got a hold of a little piece of guitar. I didn’t know how to tune it or nothing, but I fell in love with the strings in my hand. It took a while to learn how to tune it because I didn’t have anybody around me to show me at that time. Once I learned how to tune it, I started learning pretty fast. It just became everything to me. I look at the guitar like some people look at The Bible. It is like a vehicle for something later. I leave Earth. I can go on a vacation in my backyard with a guitar. I can escape to a whole other world with it.
CB: I know you eventually moved to Mississippi after growing up in Missouri. How did you hook up with some of these great guitar and Blues players in Mississippi?
LM: I just made friends with them. They saw something special in me, I think. I wasn’t trying to blow them off stage. I didn’t ask them many questions, like how to do things. They noticed whatever they played, I could play back. They hadn’t seen too many white guys, or any guys, that could do that. So we just made friends. It was pretty easy. Those were the kind of guys I wanted to be around. They really took me in. They were really nice to me. They never said I wouldn’t be able to do it. There was everybody else saying, “You won’t be able to do it.” They were the guys saying, “You got it. Stick with it.”
CB: Alive or dead, what one person would you want to collaborate with if you could?
LM: That’s a good question. I think, you know what’s funny, there are a lot of people outside of the Blues I’d like to collaborate with nowadays. Of course, like, John Lee Hooker is one of my all time favorites, Howlin' Wolf, there are so many Blues guys. Out of living artists, I’ll tell you a guy I love right now, two guys I love, they are more like R&B. (One is an) artist named Lyfe Jennings, I don’t know if you’ve ever heard of him, he’s fucking awesome, he’s so sincere. Another guy is Anthony Hamilton who is a Soul singer. To me, even though their style is way different than mine, those are guys I really hear singing where I’m like, "Wow, they really hit the ceiling." You don’t hear it that much anymore. Everybody is using effects. You really don’t hear that wail in that voice. Otis Redding had that, you heard his voice and you just had to see him. You don’t hear anybody like that anymore. I know people wouldn’t expect that from me, but when I am riding down the highway listening to music, those are two guys I really listen to, that I look up to and would be great to collaborate with.
CB: That leads me into another question. There has been so much publicity recently around Pop music with Miley Cyrus and the VMAs. To me it shows how much more important it is to keep really authentic Blues music in front of people. What are your thoughts on that?
LM: I agree with that. I’m out here fighting the good fight doing what I can. It’s not always easy. People have to support what is going on. If people start throwing their money at garbage, you’re going to end up with a lot of garbage. I can’t speak for the next person but I can say this — there isn’t enough hours in the day to listen to great music. There is all the great music you can listen to. There is definitely no time for nonsense. I don’t waste time listening to stuff that sounds like garbage. That’s just me.
My drummer, Stud, he’s young. He was watching the awards the other night and I was laying on the couch trying to sleep. I didn’t miss much. The hours in the day are precious. I would use them wisely. You don’t have to listen to garbage. That’s about the best I can do. If anybody can make some money doing something, good for you, I don’t mean it the wrong way. If you ask me about serious music, there is great music out there being made. It is just underground. Maybe it is too real for people. I am not the expert on this type of thing, I just know what I like, I listen to what I like. Even when I was a kid in school, I was listening to way different music. I was listening to Lightnin' Hopkins and John Lee Hooker and would tell the other kids, “You have got to hear this. Check it out.” They just said, “Whatever.” I thought maybe when they grew up they would understand.
CB: What can the fans expect from you guys at the Southgate House Revival show?
LM: We are coming to rock y’all. We want y’all to come and have fun and dance and boogie. We want you to get in the groove and forget about everything in the outside world for a couple hours and get in the zone. We want to have a party for y’all. Being on stage can be the funnest thing in the world when it is going right. When it is going wrong, you just want to disappear. It is a funny thing. When it is right, it is right as a motherfucker.