Hard Rock group Alter Bridge was formed in Orlando in 2004 by Creed members Mark Tremonti, Brian Marshall and Scott Phillips after a tense Creed tour. Adding lead singer/rhythm guitarist Myles Kennedy (also a touring/recording collaborator with Slash), Alter Bridge quickly became more than a side project when Creed's break-up was announced a little later that year. Though Creed has reconstituted, Alter Bridge has remained a full-time entity. The band released its third studio album (on its third label) in 2010, ABIII, a conceptual work dealing with issues of faith that spawned the group's biggest hit yet, “Isolation.” Alter Bridge are currently on the Carnival of Madness tour (with Theory of a Deadman, Black Stone Cherry and others), which comes to the Kentucky State Fair in Louisville this Friday, one of the tour's only free stops, at Cardinal Stadium (required fair admission is $10; find details here). CityBeat recently spoke with Mark Tremonti about the band’s writing style, solo careers and that "other" band, Creed.
Zeng is an award-winning performer and a music educator but he’s never ventured into song writing, until now. He’s currently working on an upcoming album titled Through These Doors about the discrimination he’s faced and he wants to influence others.
"During difficult times in my life, I have always turned to music. This time, for the first time, I was inspired to write and perform my own music. After personally experiencing discrimination, I hope that my music will help others who face similar situations,” said Zeng in a press release.
Combining his story with his professional knowledge in opera and musical theater to create an album that’s both emotionally driven and musically appealing.
His singles “Through These Doors” and “Now” are currently available on iTunes and other major music distribution sites, but audiences have to wait until October to get the full album.
Zeng is hosting a free launch party on Friday, Oct. 19 from 8-10 p.m. at the Below Zero Lounge in Over-The-Rhine. The party is open to the public and those attending will see Zeng perform his singles as well as unveil other album songs.
"AAAANND welcome to 97.3 The Wolf!”
Um, what? I wouldn’t preset a Country station on my car stereo if my life depended on it. I flipped around frantically, trying to find The Sound instead of the bumpkin bonanza that was currently wreaking havoc on my speakers. Zilch. Gone. I later found out that The Sound, which enjoyed popularity in its early broadcasting stages but was forced last fall to move from 94.9 FM to 97.3 FM after its rankings plummeted, is now available only on HD radio due to continued low ratings.
There have been an increasing number of examples — especially in the past decade — of conservative politicians using songs in their campaigns by artists who do not want their music used in that way. Recently, a member of Survivor who owns the copyright for the Rocky III anthem, "Eye of the Tiger," asked Newt Gingrich to stop using the song at rallies (the problem being that not only is the song being used in public, but it also ends up soundtracking YouTube clips from the same rally and lives on eternally on the web). Likewise, British Funk/Rock band The Heavy freaked when Newt's people blared their "How You Like Me Now?" hit to rile up supporters.
It almost seems like these occurrences happen on a weekly basis now. Usually, when asked to cease use, the politicians' campaigns comply immediately. But, with it happening so frequently, wouldn't a campaign manager be a little more aware of the music they're deciding to co-opt? And if a campaign refuses, are there really any legal ramifications?
Where do you begin with a band like Lynyrd Skynyrd? Everyone has been out at a bar or a concert and heard some crazy and/or drunk lunatic shouting to the band on stage, “FREE BIRD!!!” They are the epitome of and gold standard for Southern Rock music. Even now, through the tragedy of the plane crash in 1977 to the re-formed band, Skynyrd still provides electric performances every night. They still happily rock the hits of the early days. like “Simple Man” and “Sweet Home Alabama,” while mixing in the music they are still releasing, most recently Last of a Dying Breed, which came out late last year.
CityBeat had time to catch up with lead vocalist Johnny Van Zant, the younger brother of the band’s original front man Ronnie Van Zant. The two discussed how Skynyrd fits into Rock music today, as well as the wonderful feelings the band still gets performing every night on stage.
Skynyrd performs at Riverbend Music Center tonight with Bad Company, providing the same energy as the cast from the ’70s and showing audiences what real Southern Rock sounds like.
CityBeat: Do you have any crazy Cincinnati memories from the past?
JVZ: We have had so many good shows there. Years back, when a flood hit, there was water in the first four or five rows. People were kind of standing in the water. I was like, “Wow these are really diehards.” I don’t even know how many times we have played at that particular amphitheater (Riverbend), but it has always been a good, hot, sweaty, summer Rock & Roll show, which is how it is supposed to be.
CB: The band has had multiple lineup changes over the years since you joined the band. How do you integrate someone new into the band?
JVZ: For us, they have to be a friend, someone we have known, someone we admire as a musician, someone we think would fit into our family. When we are out on the road, running up and down the road playing shows, you have to be not only a member of a band but, especially with Lynyrd Skynyrd, you have to be a part of the Skynyrd nation. You have to be a part of the family. Our newest member is Johnny Colt, who was bass player with The Black Crowes. Colt fits right in with us. He’s loony as heck and so are we. We have a great time and love doing what we do. I hope Johnny is with us for a long, long time. He is quite the guy. It has been awesome.
CB: I know you guys have worked many times with one of my favorite guitarists, John 5. What was that experience like for you and have you done any collaborations recently?
JVZ: Well, yeah, he was on our last record, Last of a Dying Breed.
John is a good friend of us. We knew we were going to be good friends
with John because we were in Nashville writing and our manager mentioned
John and said, “You know, he is a little different than you guys.” And
we said, “ That’s OK, that’s no problem.”
John walked in, he was just coming from a photo shoot. He had on the fingernails with his hair all up. When he walked in and I went, “Damn, you are different. Damn, are you a freak or something?” And he said, “I was thinking the same crap about you guys.” We just hit it off. He is a wonderful guitar player. Not only can he play Heavy Metal and Rock & Roll, but he can play the hell out of some Country music, which we love. I just admire his work and he is one of the most phenomenal guitar players I have had the pleasure to work with.
CB: A lot of people are saying Rock is dead and Country music is the new Rock. Do you believe that Rock is dead?
JVZ: No. I think Country music is Lynyrd Skynyrd. I
think a lot of the Country music is what we do, but I don’t think Rock &
Roll is dead at all. People have been saying that shit for years and
years and years: "Rock & Roll is dead." Then it comes back. It’s like
For us we just played Houston, Texas, in front of 10,000
people. We played Bristol, Va., I think there were 14,000 people on
a Sunday night. The night before last we were in Camden, N.J.,
14,000 people on a Wednesday night. I’m sure Cincinnati is doing quite
well. We are in Pittsburgh tonight. It is going to be phenomenal here.
If Rock & Roll is dead and gone, man, I am missing out on it.
CB: Tell me a little bit about Last of a Dying Breed and which songs we are going to hear from that album when you come to Cincinnati?
JVZ: Well, it is debatable. What we do, each night we try to think about what new song we want to put in. Right now we are really concentrating on 40 years. It’s been 40 years since (Pronounced 'lĕh-'nérd 'skin-'nérd) came out. It’s been our major focus to play as many songs off that record and celebrate that era.
CB: Where do you see yourself in 15 more years?
JVZ: Hopefully alive. Hopefully playing some shows
and still doing this. Doing a lot of fishing and drinking a good
Budweiser and something like that, I don’t know. If you want to make God
laugh, tell him your plans. I never really plan too much. I just like to
go along with the flow and the good Lord throws me in the direction he
wants me to go.
CB: Do you ever get tired of playing “Free Bird”?
JVZ: Not at all. I am quick to say, "Not at all." How
many bands would love to have songs like that? Most bands say we would
give anything to have one of those. “Free Bird” and ("Sweet Home Alabama"), that’s
the cool thing about Skynyrd. We have three generations of fans who love
those songs. It is amazing to me.
We are out with Bad Company right now and we are real big Bad Company fans. We are at the top of the game with these guys. From my era and a lot of other people’s era, Bad Company was the rule of the roost when it came to Rock & Roll. Paul Rogers is one of the best singers. Simon Kirke and Mick Ralphs have been around for years. It is just great to be out on the road and playing shows with good friends too. We are having a blast. We hope to do it again sometime after this tour and look forward to coming your way.
CB: Are you flattered when someone like Kid Rock uses "Sweet Home Alabama" in his songs? Excited? Upset? How do you feel when someone integrates that song?
JVZ: We were actually doing a tour with Bobby when
he had “All Summer Long” (the song that incorporates "Sweet Home") out. For us, hell, it keeps us in the spotlight.
He did a good job on it. It was a hit song for him and everybody got
paid. So surely, we are like, “Can someone else use it again and again?”
It is kind of funny when you think of stuff like that. Who would have thought when that song was written a long, long time ago, people would still be loving it and a band from Jacksonville, Fla., and what success my brother and Alan and Gary, my hat is off to them. I love keeping the music alive. It is a great thing. It’s a great thing because the song has been used in Forrest Gump and various movies. Any time anything like that pops up as long, as it is not in bad taste, is great. It has been a good ride.
Music Saturday: This weeks' CityBeat cover stars The Kentucky Struts have reached the end of their yearlong recording/art project, The Year of the Horse. After releasing one track online from the album each month in 2011, as well as showcasing a corresponding, horse-themed piece of art commissioned to accompany the song, the Roots/Country/Rock band will have copies of the full release available at Saturday's release party at Newport's Southgate House. The visual artists featured on the project are a mix of local and national artists, including Joshua Black Wilkins (also an acclaimed singer/songwriter), Rob Warnick, Karen Heyl, Matthew Shleton and Julie Hill. Some proceeds from the release show (featuring openers The Sundresses), as well as profits from prints of the artwork, will be donated to the Kentucky-based horse rescue organization, Speak Up For Horses. Click here and here for more on the project (and to look at some of the amazing art pieces). Below, take a gander at the pre-launch video, which explains the ambitious venture.
The initial lineup for this year's local-music-heavy Indie Summer series (taking place each Friday this summer on Fountain Square) has been announced. The successful series has teamed with the MidPoint Music Festival this year (musicians, don't forget the submission deadline is May 1) and will include a few special "late" shows of note. On June 26, Chicago's Mucca Pazza plays at 10 p.m., while locals Bad Veins take that timeslot on July 24 for their official release party for their Dangerbird Records debut. Below is the rest of the schedule so far.
One of Cincinnati's all-time greatest bands, The Afghan Whigs, have announced numerous overseas dates on its forthcoming reunion tour, but the only U.S. show announced was the Sept. 22 concert headlining the Greg Dulli co-curated "I'll Be Your Mirror" event in Asbury Park, NJ. Today, another American show was announced with the release of the 2012 Lollapalooza lineup (the event takes place in Chicago's Grant Park, Aug. 3-5). The Whigs were up pretty high on the poster for the event, but the top-billed acts announced are soon-to-be Rock & Roll Hall of Famers the Red Hot Chili Peppers, The Black Keys, Black Sabbath and Jack White. (Check the full lineup here and the announcement video below.) Lolla tickets are on-sale here.
That sets up a loose timeframe for more U.S. dates for the Whigs — Aug. 3-Sept. 22 (minus about three days in August when they'll be back overseas). We've been hearing about a few offers to the band for shows in Cincinnati from a pair of larger festivals, but so far nothing official has been ironed out (at least to the point that an appearance could be announced). Stay tuned. The band now has about 20 dates booked worldwide.
Before its current successful run of reunion concerts across the globe, The Afghan Whigs played its final live show at a New York City club called Hush on Sept. 29, 1999. But that was a private concert. The Whigs last public appearance was Sept. 25, 1999, at Cincinnati's Bogart's with special guests Howlin' Maggie. (The set list featured a large chunk of final album 1965, as well as lots of dips into cover tunes and snippets, including opener "The Boys Are Back in Town," and dashes of "Superstition," "In-A-Gadda-Da-Vida," "Little Red Corvette," "People Get Ready," "Hot for Teacher," "All You Need is Love" and Madonna's "Express Yourself," among others.)
Today it was announced that The Afghan Whigs will return to the scene of the crime and perform their first hometown show in over a decade on Oct. 25 at Bogart's, one month and 13 years after that final concert. Tickets are $33.50 ($45.86 with fees). The fan pre-sale starts this morning at 10 a.m.; tickets go on sale to the general public this Friday at 10 a.m. Click here for info. (Check The Afghan Whigs' official site for a password to get in on the pre-sale.)
Though the neighborhood has changed a lot since The Whigs roamed the earth originally, the band returning to Corryville is fitting. While frontman Greg Dulli would eventually bring his band The Twilight Singers to Newport's Southgate House frequently, Bogart's was the Whigs hometown concert home. Before that, the group played many shows at long-since-shuttered Sudsy Malone's across the street from Bogart's, while it and Top Cat's just a few blocks up the street were the sites of a few epic "secret shows," warm-up gigs for tours where the band would perform under a pseudonym like The Havana Sugar Kings or Gato Negro.
Update: The fan pre-sale password for Bogart's is uptownagain. Use it here starting at 10 a.m. today.
Update2: The pre-sale is now at noon today, according to the ticketing site.
On this date in 1993, Elvis Presley died. For real this time. This according to the tabloid Weekly World News, which has given the world such groundbreaking stories as the trials and tribulations of Bat Boy (half-boy, half-bat, of course), the capture of various mer-people (mermen and mermaids) and the secret romantic relationship between Saddam Hussein (former gay porn star … ALLEGEDLY) and Osama bin Laden.
Presley died from diabetes, according to WWN's exclusive report.
Alas, the King didn't stay dead long in the pages of the tabloid. In 2005, everything in the universe was back in its right place as the Weekly World News published the cover feature "Elvis IS Alive." Not only was he still alive, but he was going to run for President. I don't recall that actually happening, but they wouldn't print it if it wasn't true, right? Either the lame-stream media just ignored Elvis' campaign or the King was just gearing up for a 2012 run. I hear the Republicans need a viable candidate.
What's Elvis been up to lately? Last summer, WWN reported he was hanging out on Barack Obama's tour bus. As for Obama, the President's foes are apparently way off base with the whole "secret Muslim" thing. Among other things, WWN has reported that Obama is a — duh! — alien from outer space. Oh, and he won the "Who is a bigger enemy of dogs?" war handily by kidnapping "Republican campaign dog, Huckabee." Holding him hostage? Nope. According to WWN, the President "had a Huckabee burger.” (Actually, WWN seems almost reasonable compared to the "birther" movement. Now THAT'S scary.)
Until the next time Elvis dies, just remember the words of Mojo Nixon, poet and prophet:
Born This Day: Musical movers and shakers sharing a May 14 birthday include ’50s/’60s Pop star ("Mack the Knife," "Beyond the Sea") Bobby Darin (1936); one of Rock's greatest bassists, Cream's Jack Bruce (1943); original drummer for legendary Canadian Rock trio Rush, John Rutsey (1952); frontman for British rockers The Cult, Ian Astbury (1962); guitarist for glammy Hair Metal heroes Poison, CC DeVille (1962); bassist for Alice in Chains, Mike Inez (1966); the still-alive half of Milli Vanilli, Fabrice Morvan (1966); one of the less-celebrated New Kids on the Block members, Danny Wood (1969); bassist for Modern Rock band AFI, Hunter Burgan (1976); half of the killer Hip Hop duo Clipse, Terrence Thornton, known professionally as Pusha T (1977); Disney actress/Pop princess Miranda Cosgrove (1993); and Soul/R&B singer/songwriter/musician/producer Raphael Saadiq (1966).
Saadiq's career began in the early ’80s when he got a job as bassist for Sheila E and toured the world with Prince. He returned to his native Oakland after the tour and formed the R&B/Pop trio Tony! Toni! Tone! with his brother and cousin. The band scored several hits, notably the upbeat "Feels Good," their only Top 10 hit on the Billboard singles charts. In 1997, Saadiq formed Lucy Pearl, a supergroup of sorts, featuring members of A Tribe Called Quest and En Vogue.
Saadiq has worked behind the scenes with several popular artists. He collaborated with D'Angelo for "Untitled (How Does It Feel," which won D'Angelo a Grammy, and also worked with Whitney Houston, Macy Gray, Jill Scott, John Legend, Joss Stone and many other star performers. In 2002, he put out his first solo effort, Instant Vintage, a brilliant throwback/old-school R&B album that scored Saadiq five Grammy nominations. He has since released a string of strong solo works, including 2011's great Stone Rollin' and 2008's even better The Way I See It.
Recently, Saadiq was one of a small handful of musicians named one of Time magazine's "100 Most Influential People In the World," joining Rihanna, Adele and others. Elton John wrote the blurb about Saadiq for Time, writing "Immaculately dressed (a Saadiq trademark) and moving like the soul stars of old, (Saadiq) confirmed that great black music is alive and well and not just a string of hip-hop monotony."
Happy 46th birthday to Mr. Saadiq. Here's a clip for the title track from his most recent solo album.