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by Mike Breen 12.14.2011
Posted In: Live Music, Local Music, Music Video at 12:15 PM | Permalink | Comments (0)
 
 
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New Dallas Moore Band Video for "Crazy Again"

On Aug. 30 of last year, local Country artist Dallas Moore and his band teamed up with longtime Willie Nelson guitarist Jody Payne (who grew up in Cincy) to celebrate the 61st anniversary of music icon Hank Williams’ historic recording sessions at Cincinnati’s Herzog recording facilities. The musicians gathered at the very spot Williams recorded (now the headquarters of the Cincinnati USA Music Heritage Foundation on Race St.) and hosted a live recording session/concert in front of a sold-out crowd. The show was recorded for the just-released live album, Hank to Thank: Live at Herzog Studio. Below is the music video for the album's first single "Crazy Again," which is already receiving airplay on Sirius/XM radio.

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by Leyla Shokoohe 08.09.2011
Posted In: Festivals, Live Music, Reviews at 04:42 PM | Permalink | Comments (1)
 
 
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Leyla at Lolla: Lollapalooza 2011 Day 1

EDITOR'S NOTE: This year's 20th anniversary edition of Lollapalooza in Chicago's Grant Park was once again a live, breathing, three-day mixtape featuring star artists (Coldplay, Eminem, Foo Fighters), established performers, cult heroes and up-and-comers. Local writer Leyla Shokoohe attended her very first Lollapalooza this past weekend and agreed to write about the experience for CityBeat. Below is her report on Day 1 as well as video from some of the performances mentioned, mostly from Lollapalooza's YouTube page. Keep an eye on this space for Day 2 and 3 dispatches soon.

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by Hannah McCartney 06.04.2009
Posted In: Music Commentary at 01:27 PM | Permalink | Comments (6)
 
 
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The Day the Music Died … Again?!

"AAAANND welcome to 97.3 The Wolf!”

Um, what? I wouldn’t preset a Country station on my car stereo if my life depended on it. I flipped around frantically, trying to find The Sound instead of the bumpkin bonanza that was currently wreaking havoc on my speakers. Zilch. Gone. I later found out that The Sound, which enjoyed popularity in its early broadcasting stages but was forced last fall to move from 94.9 FM to 97.3 FM after its rankings plummeted, is now available only on HD radio due to continued low ratings.

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by Mike Breen 04.12.2012
Posted In: Music History, Music Video at 09:18 AM | Permalink | Comments (0)
 
 
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This Date in Music History: April 12

Legend Josephine Baker passes away and Vince Gill is born

On this day in 1975, pioneering singer/actress/dancer/civil rights activist/spy Josephine Baker passed away at the age of 68. She died just a few days after a retrospective performance at the Bobino in Paris celebrating her 50 years in show biz. Jackie O, Princess Grace and Prince Rainier funded the show and opening night featured a celebrity-studded audience that included everyone from Mick Jagger to Sophia Loren. Baker's body was discovered four days later, reportedly surrounded by newspapers featuring glowing reviews of her performance.

At her funeral, she became the first American woman to garner full French military honors, one of many "firsts" involving Baker. She was the first black woman to star in a major film, the first to demand (and get) integrated audiences at her concerts and the first to become a global superstar. She fought for civil rights in America (offered a chance to lead it after MLK's assassination, she declined for fear of also being killed) and, before that, helped France (her adopted homeland) in World War II, for which she received numerous honors. Baker was also reportedly a bi-sexual who had serious relationships with both men and women in her lifetime, adding some spicy mystique to her life story.

She got her start as a vaudeville dancer at 15 and eventually became one of the highest paid chorus girls on the planet. In the mid ’20s she did burlesque shows in Paris and around Europe, well-known for her trademark banana-skirt and, later, her pet cheetah Chiquita, who would join her on stage (and, reportedly, terrorize the orchestra). Baker was considered a "muse" for artists from Pablo Picasso and Christian Dior to F. Scott Fitzgerald and Ernest Hemingway, who once said she was "the most sensational woman anyone ever saw."

Baker's life has been the source of several films, musicals, plays and books. On screen and stage, she's been portrayed by the likes of Lynn Whitfield, Diana Ross, Keri Hilson and Beyonce, who sported Baker's banana costume during a 2006 performance (see below) and, in her "Naughty Girl" video, she again paid tribute by dancing in a giant champagne glass.

Baker released several albums in the early ’50s for Columbia and Mercury. Here she is performing her biggest hit (in France), "J'ai Deux Amours."

Click on for Born This Day featuring Hound Dog Taylor, Tiny Tim, Nick Hexum and Vince Gill.

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by Mike Breen 12.15.2011
Posted In: Live Music, Local Music, Music Video at 12:39 PM | Permalink | Comments (1)
 
 
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Squeeze the Day for 12/15

Eskimo Brothers, Plume Giant and Molly Sullivan, plus This Day in Music with Dr. Dre, Jimmy Cliff and The Clash

Music Tonight: Rootsy Connecticut-based trio Plume Giant performs at the Rohs Street Cafe in Clifton Heights with Columbus, Ohio's Deadwood Floats and Cincinnati's own Molly Sullivan (check out Sullivan's lovely, unique track "Bad Weather" here). Plume Giant released its self-titled debut EP last year, drawing praise from Seattle to New Haven, and travelled up and down the east coast in support. The Indie Folk trio — built around timeless songs, amazing three-part harmonies and pure, naked acoustic guitar/viola/violin backing — is taking on the Midwest this month, touring in advance of its first full-length, due this coming spring. Click here to listen to the EP and enjoy the Plume Giant song "Old Joe the Crow," performed live below.

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by mbreen 10.05.2012
Posted In: Live Music, Local Music, Music News at 03:28 PM | Permalink | Comments (0)
 
 
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Southgate House Revival Opening on Hold

Weekend shows for anticipated Newport club's grand opening halted

The grand opening for the Southgate House Revival, the new venue from the former owners/operators of Newport's beloved Southgate House, has been canceled. The club was supposed to open tonight, but it has been announced that this weekend's shows (including tomorrow's album release party for The Newbees' latest) are to be rescheduled. We'll update with any information we hear as soon as possible, but it appears the CincyPunk Fest scheduled for next weekend is still on for now.

The Southgate House Revival's Facebook page made the announcement around 4 p.m. this afternoon. Here's the post:

"ATTN: Biggest bummer post-summer? Our grand opening weekend has been postponed. This weekend’s shows have to be delayed due to a few last minute construction challenges.

We are completely committed to opening the right way to make your experience the best it can be. We just can't in good conscious present anything below the very best.


Says Morrella: “We are sorry to have to delay sharing this
magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation. The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen. We thank them so much. We look forward to seeing everyone next weekend for CincyPunk Fest. We will announce rescheduled dates for these shows very soon.”

Anyone who had pre-purchased tickets for this weekend’s dates may be issued a refund through ticketfly.com or may hold on to their original tickets for the soon to be announced rescheduled dates"

UPDATE: Here's the press release sent out:
The grand opening of the Southgate House Revival at 111 East Sixth Street in Newport, Kentucky scheduled tonight at 9 p.m. and The Newbees CD Release show scheduled for tomorrow night, Saturday, October 6 have been postponed.  This weekend’s shows had to be delayed due to a few last minute construction challenges. 

The 1866 property, the former Grace Methodist Episcopal Church, has been under a massive renovation since May that includes all new electrical, plumbing and HVAC systems, as well as roof repairs and new flooring.

“We set a very ambitious goal,” said Morrella Raleigh “and we were very, very close.”  “We are sorry to have to delay sharing this magical venue with the music fans of the area, but our first concern will always be to make sure that it is safe and ready for public occupation.

The City of Newport, our wonderful construction crews and crew of volunteers have all been working very hard to make this happen.  We thank them so much.  We look forward to seeing everyone next weekend for CincyPunk Fest.  We will announce rescheduled dates for these shows very soon.”


 
 
by Charlie Harmon 10.14.2014
Posted In: Music History, Local Music at 12:32 PM | Permalink | Comments (0)
 
 
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These Walls Have Heard It All: Sudsy Malone's

When researching Bogart’s for the first of these columns, I discovered a place that used to be its side-stream neighbor. Sudsy Malone’s, which sat just across the street from Bogart’s until 2008, may be a well-known name to older Cincinnatians, but to those of my generation I imagine it’s a legend unheard.

Sudsy’s, as those who knew it well referred to it, was more than just a bar or music venue. It was a laundromat. A gathering place of locals who fancied having a beer and hearing a tune as their clothes turned over in bubbly cleanliness. And while it was only open for a fraction of the time many of the big venues around here have been, it occupies a deep space in the history of Cincinnati and its local music scene.

Refined searches and several page scrolls through Google turns up hardly anything on the former venue. I finally found a memorial Facebook page that further fascinated me, still only offering a brief and general history but filled with posts by former loyal patrons reminiscing of great times at the bar, offering tales of hilarious happenings along with images, videos and old posters to fill it all in with color.

I wanted to know more in hopes of giving Sudsy’s its due place in Cincinnati music history. To understand where it all started and where it went from there, I talked to Janine Walz, a former managing partner who was around during the establishment’s heyday.

Sudsy’s was originally owned by John Cioffi and opened in 1986. As I understand it, the idea was inspired by similar businesses popping up in the region such as Dirty Dungarees in Columbus. They serve beer, so you can sip some foam while listening to the groan of washers and dryers, but Dungaree’s was never quite a bar. They served drinks in more of a refreshment center style. Cioffi’s vision for Sudsy’s was different.

The decision for the name came from a lot of scrawling and scratching by Cioffi and his family.

“They just had a long list of names that they would write down as they were brainstorming, and then they started crossing names out until it was down to Soapy Tucker’s or Sudsy Malone’s,” Walz says.

Michael Sharp, the highly adored Renaissance man known for his ballet career in Cincinnati and who sadly just passed away in September, designed the character logos. Soapy Tucker was a sort of motherly figure, whereas Sudsy Malone was a true gangster.


He became the face of the place, with his one-eyed look, suds-filled beer and coin-flipping hand becoming the calling card of the bar’s sign.

Upon walking in the front door guests faced a 40-foot bar.

“We would have competitions to see who could slide a mug full of beer the furthest down the bar without spilling it,” Walz recalls with a smile.

They had little round cocktail tables covered with dark blue tablecloths and standard bar stools. The ceiling undulated with the movement of fans under which each had a globular light, providing a sort of soft ambiance to the bar.

At the back of the building sat the laundry area, a brightly lit room where the fluorescent lights glinted off dozens of top-of-the-line washers and dryers.

“I remember some of the bands complaining after a while about the laundry room lights because they would glow into the bar and kill the mood for the crowd,” Walz says. “We strung up some Christmas lights and would just turn those on instead when bands were on stage at night.”

When the place first opened, however, the stage didn’t exist. Live music had never even been part of the idea.

“It was only intended to be a laundromat with frosty-mug beer,” Walz says of the original plan.

Walz recalls being the second laundry customer when Sudsy’s first opened. She worked at the Perkins just up Short Vine, and happened to be John Cioffi’s waitress the day he sat down to get food with the liquor agent that was supposed to be approving Sudsy’s license.

“When they were finishing lunch he asked me to come a few doors down to talk to him about a job,” she says. “I figured it was the same distance from home and might pay better, so I went. Next thing I knew I was hired on as a manager.”

In other words, she was there from the start. Walz watched the bar being built, and she knew it when it was just a place for people to wash clothes and have a drink, the crowd rarely exceeding 10 people.

Only months after the place opened, a local band called The Thangs approached the owners with the idea to play music. Essentially, they just wanted a place to gig when nowhere else would let them. After some hesitation, Sudsy’s let them do it, and much to their surprise the first show was packed with about 100 people. Sudsy’s wasn’t expecting this, and they completely sold out of every drop of beer they had stocked at the time.

With such outrageous success, The Thangs wanted to come back. Before long, music became the detergent to Sudsy’s suds, responsible for consistently bringing in large crowds. At first they charged a very minimal cover, mostly so they had something to give the band, and offered a free soft-drink ticket with entry for additional incentive.


By ’87 they were charging a $5 cover, although they would still let people in for free if they had a basket of laundry. This often resulted in washers full of abandoned clothes the next day, as people brought the clothes to get in and then simply forgot about them in the excitement of music and merriment. Over time, Sudsy’s developed a massive collection of forsaken threads.

This memory sparked another for Walz: “I remember this guy that would show up about once every year driving a station wagon. He would take the clothes people had left over time and pack every inch of his car, literally. He would do something with them, I think donate them.”

As the place continually packed in people like foam to the top of a mug — thanks to the highly praised booking magic of Dan McCabe (Now of MOTR Pub) — problems inevitably occurred that now seem laughable. The carpet in the bar area became so matted and disgusting that it resembled tile, so Walz had it ripped out and replaced with wood. The men’s bathroom was a story of its own. Widely known as “Worst Men’s Bathroom,” Walz said she wouldn’t go near it, even almost buying stainless steel sheets to layer on it so she could just hose it down at night.


At one point the fire department came in and completely cleared house, although there wasn’t a single flame or wisp of smoke. The building’s stated capacity was far under how many people they would pack in, and one night they had to count the crowd back in, one by one. Eventually they completely stopped the music for a period of time to get the building up to code.

Despite its small size, Sudsy’s brought in now-major acts that were rising at the time — Beck, Smashing Pumpkins and Red Hot Chili Peppers — while also helping breed local acts like The Afghan Whigs and Over The Rhine. Almost all the music was original, save some special events like Grateful Dead night.

Even on nights they weren’t playing themselves, members of bands could always be found among the crowd. The music scene at the time was like a circle, made up of bands and fans that truly appreciated music and enjoyed simply watching people express themselves creatively. Bands would come out and support other bands. Non-musicians would out come and support them all.

Even bands and celebrities that were too big to play there live in the storybooks. Popularly known folks like Jackson Browne, "Weird Al" Yankovic and James Taylor stopped in to wash clothes or use the phone. Kate Pierson (B52s) and Chrissie Hynde (The Pretenders) came by during their Tide protest to pass out literature in affiliation with People for the Ethical Treatment of Animals.


Walz recalls the afternoon before a Jefferson Airplane concert at Riverbend when the bar was pretty empty and there were four guys hanging out doing laundry and drinking a beer. They were worried about their cab not showing up and frantically trying to figure out how to get to their hotel — so Walz drove them. Only after dropping them off did she realize the reason the dudes were so worried about being late.

Walz showed me the blueprint of the building, and again lit up when she pointed out the wash sink in the laundry room.

“Some crazy celebrity took a bath in that sink one night,” she says. “I’m pretty sure it was Marilyn Manson.”

And these stop-ins aren’t the only “celebrity” claims to fame for Sudsy’s. The bar itself was given awards throughout the years from Cincinnati’s former alternative weekly Everybody’s News, from “Best Looking Staff” to “Best Rock Club,” and even “Best Place to Ditch a Blind Date.” They were also named the best bar in Ohio in ’93 by Creem magazine, courtesy of The Connells.


However, all the press, awards and celebrities aside, Walz says what really made the place special were the local patrons.

“It was like a family, people were loyal,” she says. “They would look out for others, and for the bands, and would always defend Sudsy’s no matter what. Without the people, everybody, the people that watched the bands, the bands themselves, Sudsy’s was nothing.”

The bar would even cater specifically to bands they knew well, for example stocking extra Hudy Delight when The Thangs would come back because their crowd loved to drink it.


There were also folks she referred to as “family bums”. There was Archie Harrison, a local homeless man who would help clean at night for a little money. During the days he would just hang out, always being jolly and telling jokes sharing what little bit of anything he might have had that day to share.

Then there was Sonny, a good-hearted man who hid behind a hulk of a body. Sonny would guard the back door, despite never being asked.

“I remember one time one of the dryers was broken and the glass wasn’t in there to cover the hole,” she says. “We had an out of order sign but, you know, I guess it disappeared. No surprise there. Anyway, we had given him some money to do laundry and he used that dryer, just picking up the clothes as they fell out of hole and throwing them right back in. It was hysterical. When we asked him why he didn’t switch dryers he said he didn’t want to bother us and cause trouble.”

As the Millennium rolled around, a lot of the core patrons began settling down and showing up less often. The crime in the area would keep people away, and the decline in the laundry business lowered their numbers even further. Walz had just put $12,000 into a new sprinkler system, still trying to keep the building code-worth, but she, too, was moving toward settling down.

“I was pregnant at that pointm too, and I was just kind of done working in the bar business,” she says.

That, along with clashes between Walz and McCabe about making money versus booking acts that would be huge for the scene led to Walz selling the establishment by 2002.

While it seems that Sudsy’s wasn’t as glorious after that time as it once had been, the venue remained open until 2008, at which time it closed its doors for good. The old building at 2626 Vine Street remains a boarded up relic.

One of the most revealing things Walz said during our talk about Sudsy’s was, “If you were there, you were part of the reason you are here talking to me today.”

It saddens me that I didn’t have to opportunity to be there, but for all those who were, as well as for the others that might not have known what this place ever was, this is just a small piece of the big apple pie that was Sudsy Malone’s Rock n’ Roll Laundry & Bar.