The Anna Louise Inn today won another case in front of the Cincinnati Zoning Board of Appeals. The ruling upheld a Historic Conservation Board decision that gave Cincinnati Union Bethel, which owns the inn, a conditional use permit that will allow the social service agency to carry on with a planned $13 million renovation. Western & Southern in a statement given to reporters following the decision vowed to appeal the ruling.
At the hearing, Western & Southern attorney Francis Barrett, who is
the brother of Western & Southern CEO John Barrett, continued his
argument that the Anna Louise Inn is a “high-crime area.” The accusation
is meant to disqualify the Inn for the conditional use permit, which
requires that the building’s use will not be detrimental to public
health and safety or negatively affect property values in the
neighborhood. During an Aug. 27 hearing, the Historic Conservation Board found no direct evidence connecting residents of the Anna Louise Inn to
criminal activity in the neighborhood.
Barrett also emphasized Western & Southern’s stance that continuing on the current path set by the Historic Conservation Board is a waste of taxpayer money because the Inn is receiving public funds. Barrett labeled the funds “excessive expenditures.” However, that argument has little bearing on whether the Inn deserves a conditional use permit, because it’s not relevant to zoning laws and rules.
Tim Burke, Cincinnati Union Bethel’s attorney, began his defense of the Anna Louise Inn by calling the ongoing case one of the most “frustrating” of his career. He suggested Western & Southern is just continuing its attempts to delay the Inn’s renovations as much as possible.
Regarding the charge that the Anna Louise Inn has adverse effects on public health and safety, Burke told the Zoning Board of Appeals that the only adverse effect is on Western & Southern because “they want the property and can’t get it.” He claimed there is no proof that the Anna Louise Inn perpetuates crime in the area, and testimony and evidence presented in the case has proven as much.
The case is only one of many in the ongoing conflict between Cincinnati Union Bethel and Western & Southern, which CityBeat previously covered in-depth (“Surrounded by Skyscrapers,” issue of Aug. 15). Cincinnati Union Bethel wants to renovate the Anna Louise Inn in part with $10 million in tax credit financing from the Ohio Housing Finance Agency and a $2.6 million loan funded by U.S. Department of Housing and Urban Development that was awarded by the city. Western & Southern says it wants to use the Lytle Park area, where the Inn is located, for private economic development.
The series of cases began when Judge Norbert Nadel ruled on May 27 that the Anna Louise Inn classifies as a “special assistance shelter,” which requires a different kind of zoning permit than the previous classification of “transitional housing.” That ruling was appealed by Cincinnati Union Bethel to the Ohio First District Court of Appeals, which held hearings on Oct. 30 and is expected to give a ruling soon.
Right around Thanksgiving time, CityBeat began to receive several queries via email, Twitter and Facebook, all essentially asking, "What the hell happened to the Cincinnati Entertainment Awards?"
CityBeat's annual celebration of Greater Cincinnati's best original music had been held for 15 years on the Sunday before Thanksgiving. The reasoning was that musicians who tour a lot would hopefully be home for the ceremony and regular weekly giggers might be less likely to have an every-Sunday residency. Also, we thought, perhaps the holiday timing would allow us to nab a few of the city's favorite sons and daughters (Jerry Springer? SJP? Any Lachey we could get our hands on?) as presenters.
In the end, the timing of the ceremony never really had much effect. We did have Jerry Springer — via video tape from Chicago — at the very first CEAs (held at the old Sycamore Gardens in Over-the-Rhine), but the video malfunctioned. Maybe it was an omen. We also spent many years attempting to lure the Isley Brothers to perform and be inducted into the CEA Hall of Fame, but the Isleys haven't been "local" in almost half a century, so the Thanksgiving timing was irrelevant (and the Isleys would have cost a fortune to bring to town).
We also discovered those hard-touring musicians tour so hard, having an off day the Sunday before Thanksgiving is hardly a given. Last year, for example, Artist of the Year winners Walk the Moon were on the road and unable to attend (though they still created one of the show's better moments by having their mothers accept on their behalf).
Having the ceremony in November was also a hassle once CityBeat acquired the MidPoint Music Festival, which occurs annually in late September. The CEAs bumped up a little too close to MPMF, making the organization of the awards a hectic endeavor.
So, starting with the 2012 Cincinnati Entertainment Awards, the ceremony will now be held in January. This change allows our staff to fully focus on the CEAs without battling MPMF fatigue. And it creates an easier-to-track window for nomination consideration. In the future, the Album of the Year category's eligibility timeframe will be anything released that year. Previously, the timeframe was approximately October of the previous year to October of the current year. (This year, eligibility will be extended to anything released in 2012, but also includes releases that came out October-December 2011.)
The 16th annual Cincinnati Entertainment Awards ceremony will be held at Covington's Madison Theater on Jan. 27. This year's host will be the very funny Ted Clark, who is also making plans to do his popular "live talk show" at the after-party (read more about Ted here). And there will be more live performances at the CEA ceremony than ever before. Ticket info, the lineup of performers and more details will be released soon.
(Let's get this out of the way right up front, since the Northern Ky. locale always gets mocked every year — yes, the "2012" "Cincinnati" Entertainment Awards will be held in Covington in 2013. How odd!)
Another new wrinkle for the CEAs this year will be a live showcase of the "New Artist of the Year" nominees; the winner of the category (normally decided by the nominating committee) will be largely determined by audience vote at the showcase, which is scheduled for Friday, Jan. 18 at Bogart's. More details to come.
The 2012 CEA nominees — determined by a large pool of local music experts, including writers, bloggers, club owners, radio show hosts and others (this year's committee is the largest yet) — will be announced Dec. 12. The ballot will go live at citybeat.com and then it's up to you. Fan voting determines all categories except for the "Critical Achievement" ones — Artist of the Year, Album of the Year — which are voted on by the committee.
Stay tuned for many more CEA announcements to come. And visit citybeat.com's CEA page here for a look at past nominees, winners and more.
(** UPDATE FOLLOWS AT BOTTOM.)
Mark Miller isn't a subtle guy.
Miller, treasurer of the Coalition Opposed to Additional Spending and Taxes (COAST), recently apologized publicly after using the anniversary of the Sept. 11 terrorist attacks to tweet a comment comparing the attacks to a political battle about the planned Cincinnati streetcar system.
Now Miller has posted an altered photograph on his Facebook page that some people believe is racist. The photo depicts a streetcar filled with young African-American males brandishing weapons. The streetcar has a sign that reads, “Banks & Freedom Center Only.”
I wanted to chime in on two fun events from the opening night of the 2009 MidPoint Music Festival that not many people saw: the kick-off shows on Fountain Square and Deke Dickerson at the Southgate House.
The Young Republic at the Blue Wisp after playing Fountain Square
Rain kept the Fountain Square crowd down, obviously, but the two bands who performed (Shanya Zaid & the Catch from New York and The Young Republic from Nashville) were energetic, happy to be in Cincinnati and ready for their regular club showcases later in the evening. The sound, provided by ICB Audio, was excellent.
A Cincinnati outdoor advertising company announced Tuesday that it will take down controversial billboards that opponents claim are aimed at intimidating voters.
Norton Outdoor Advertising had been contracted to put up about 30 billboards that read “Voter Fraud is a Felony!” The billboards also listed the maximum penalty for voter fraud — up to 3 and a half years and a $10,000 fine.
Opponents of the billboards claim they were strategically placed in predominantly low-income and black neighborhoods in Cincinnati as a means to discourage those largely Democratic voters from going to the polls.
The billboards were funded by an anonymous “private family foundation.”
In a statement posted online, Norton Executive Vice President Mike Norton said the displays would be taken down as soon as possible. He wrote that the foundation and Norton agreed after hearing criticism that the sentiment surrounding the displays was contrary to their intended purpose.
The family foundation didn’t intend to make a political statement, but rather make the public aware of voting regulations, he wrote.
“We look forward to helping to heal the divisiveness that has been an unfortunate result of this election year,” Norton wrote.
Norton had previously told CityBeat that the billboards were not targeted but distributed randomly throughout the city.
Several Cincinnati officials wrote to the company requesting the billboards be taken down.
ClearChannel Outdoor Advertising announced on Monday that it was removing similar billboards in Cleveland and Columbus.
The billboards throughout Ohio had garnered national criticism and media attention.
A rival outdoor advertising company is putting up 10 new billboards to rebut the voter fraud ones.
The new red, white and blue billboards will read “Hey Cincinnati, voting is a right not a crime!”
Cincinnati City Councilman P.G. Sittenfeld said in an emailed news release that he reached out to Lamar Advertising Company to ask if they would donate the billboards throughout Cincinnati.
“We should be encouraging folks to participate in our democratic process, not trying to scare them,” Sittenfeld wrote. “I salute Lamar’s generosity and their support in encouraging citizens to raise their voice and not be scared away.”
Unfortunately, it seems like not all people in this world share the same passion for dogs that I do. Hundreds upon thousands of dogs are abandoned each year and end up either dead or in shelters, and many more suffer at the hands of neglectful or abusive owners. Fortunately, we have organizations such as the SPCA around to speak out and help these animals. However, it’s recently come to my attention that not all shelters treat certain breeds of dogs the same.
Monday was a bit of a wash, and yes, I mean that literally. Unable to journey out during the daytime session, I braved rush hour traffic in order to catch the evening match-ups.
News trickled in from loyal colleagues as the afternoon progressed. Andy Murray felled by lucky loser, the Frenchman Jeremy Chardy who had already dispatched Andy Roddick. Unfortunately for him there are no other Andys in the draw. And Roger Federer was Roger Federer, making routine work of his opponent.
So I just knew the night would be worth the trip, right?
Novak Djokovic versus David Davydenko. I imagined that the Russian would force Djokovic to find his groove early. There would be no time for half-stepping against the veteran. But from the start, something was off with Davydenko. He wasn’t crisp and clean with no caffeine, although Djokovic certainly was as he fired off aces and returns. He wasn’t at the top of his game yet, but he was ready to shift into that next gear when necessary.
It wasn’t necessary, not at all. He took the first set 6-0 and before I could blink — I actually had a wild hair in my eye that was bothering me — he called for a trainer. No diagnosis was announced, but Davydenko retired and the audience was quite gracious.
And then the rain began.
After the 45-minute delay Monday night, I was ready for a brief wait and the promise of more tennis, because really I hadn’t gotten much tennis at all thus far. But alas, it was not to be. The rain fell steadily and lightning flashed like aces in the night sky and tournament officials suspended play.
And so we all retired for the night.
All of the qualifying matches, on both the men and women’s sides, have been played and today marks the official start of the main draws. There are preliminary press conferences scheduled with a select group of top players and while the interviews may have star power and a hint of intrigue – especially in light of the impact of inserting a grass court Olympics event into the already crowded summer schedule – I am drawn more to a few first round match-ups.
Veteran Nikolay Davydenko (RUS) dispatched the 13th seed Alexandr Dolgopolov (UKR) with such ease and efficiency [6-1, 6-1] that I never even made it out of the press box above Center Court down to watch the match from inside the stadium. Dolgopolov fumed a bit, but was clearly not ready for the steely Davydenko who is never unprepared.
I was able to march over to the Grandstand though for the second match of the day on that court, featuring two Americans – the qualifier Jesse Levine and young upstart Donald Young who has cracked the mid-to-upper ranks (world top 30) thanks to strong recent Grand Slam showings. He’s got natural athleticism and solid command of his shots, but the knock on him has been that he’s not as disciplined mentally as he needs to be to truly make a sustained run.
And, unfortunately, today’s match offered proof to support these claims. The duel between the two American lefties kicked off with loose play from Young as he was broken easily in his first service game and then sloppily dropped enough points for Levine to hold. Watching Young, it felt like he started out in a much lower gear, so low, in fact, that I would argue it’s a gear that the top players don’t even have anymore at this stage. The guys in the Top Five start in third and shift up from there, but Young was definitely in first and seemingly stuck, although Levine wasn’t ready to jump on the opportunity. He played down to Young’s level and I found myself pondering how quickly the winner here would exit in the next round.
In a fit of frustration after a listless point, Young muttered to himself that his shot “was the worst ever” and sadly, it would have been hard to disagree with him. That attitude though, without a corresponding rise in the level of play, is going to knock the wind out of his sails and those of his fans. Buck up, Young man!
The next match on the Grandstand, I was sure, would be better. In another battle of countrymen, Francesca Schiavone (ITA) faced off against wild card Camila Giorgi and I was hyped for a passionate display from Schiavone who impressed me during last year’s W&S Open with her never say die approach and gritty shot making. She has won a Grand Slam on clay, which lines up with her skills (and robs the larger, stronger players of their strengths), but the shots have to fall and alas that was not the case against Giorgi.
Schiavone struggled to withstand the power of Giorgi, a player who certainly looked equal to her in stature. There was discipline and poise in every move Giorgi made, while Schiavone settled into a surprising degree of resignation over the shots she was spraying all over (and beyond) the boundaries of the court. She quickly transitioned from frustration to acceptance that today, in this match, Giorgi was simply better, but she fought to the last point, as we would expect. In this case, as opposed to the Levine-Young match, I give Giorgi solid odds to possibly advance further, mainly because she didn’t simply let Schiavone give her the match; she earned it by seizing control of points and making shots.
My final match of the day, the first of the evening on Center Court featured the 13th seed and former Number One Jelena Jankovic (SRB) against Shuai Peng from China. Jankovic won the women’s W&S title back in 2009, but has been struggling to rebound back into the top ranks of late.
Rather than watch from the sheltered remove of the press box, I ventured down to the photographer’s pit on court and by chance ended up next to Peng’s coach. While I offered little more than a nod of greeting when he initially sat down, I found myself alternating between my own study of the match and a sneak bit of observation, focusing on his reactions to his player’s efforts.
Much is made of the idea that players should not receive coaching during a match, but a simple clap of encouragement or a reminder to keep your head in the game or to watch a stroke seems perfectly acceptable. Peng’s coach did these things, sparingly, and often, it was little more than confirming something Peng (and many of the observant fans in the stands) already knew. It was intriguing interplay that never crossed the line, but also wouldn’t intrude upon the player’s ability to think and strategize for herself. She is the one out there in the match and any adjustments, whether large or small, must come from her and their arrangement certainly gave her the control she needed.
Peng is a crafty and solid player who primarily uses a two-handed swing on both sides. I’m not much of a fan of the two-handed backhand because I believe that it limits the full range of the player’s stroke and forces them to get into position faster to reach and make certain shots, but watching Peng’s form, I must admit that she nearly won me over. When she was set and on top of the ball, the two-hand swing allows her to generate a great deal of power, which she can control and direct to either side.
The best facet of her game though is her discipline and mental toughness. Peng never once succumbed to rushing either a shot or the pace of her play. There was always a sense of an inner calm and this match certainly ended up pushing her to the limit.
Peng and Jankovic slugged it out for three long sets, the final going to a tiebreak, alternating between brilliant shot making and loose points. In addition, they suffered through a 45-minute rain delay, but in the end, Peng stood triumphant, as Jankovic seemed ready for the match to be over. After nearly 3 hours, it was hard to blame her.
Not that anyone really gives a [expletive] what Hank Williams, Jr., thinks about politics, but the country singer has gotten himself canned from Monday Night Football for saying insensitive things about subjects he doesn't know that much about. Williams yesterday told Fox & Friends that John Boehner's golf game with President Obama was "one of the biggest political mistakes ever," comparing it to “Hitler playing golf with (Israeli leader) Benjamin Netanyahu,” and then explaining that Obama and Joe Biden are “the enemy.”