• The first time I saw Neko Case was a complete accident. I was in Chicago around the most recent turn of the century and went to see Indie Rock singer/songwriter Edith Frost at the small (but popular) club Lounge Ax and Case and her “Boyfriends,” as her backing band was then called (really Canadian Roots rockers The Sadies), opened the show with a great set. Though I’d heard of Case, seeing her live was revelatory — the singer/songwriter (also part of Canadian Pop collective The New Pornographers) has one of the most soulful, mesmerizing voices in music today and, once I’d heard it, I was hooked for life. Case’s transcendent pipes are only comparable to legends like Patsy Cline (though Jenny Lewis has made quite the solo career aping Case).
Working in a folksy musical realm (though not tethered to any specific style), Case has yet to release a bad album, though her latest for Anti- Records, the recent The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You, has received mixed reviews (likely more indicative of a press corps bored with her astonishing consistency than the actual album itself, which is excellent). I’ve seen Case numerous times since that happy accident in Chicago — including dates at Chicago’s Metro and at Newport’s Southgate House — and I’ve never left in any other state besides “spellbound.”
Case comes back to the Cincinnati area tonight for a show at downtown’s Taft Theatre (her largest local appearance yet) with special guest and fellow red-headed singer/songwriter Karen Elson. Tickets are still available for $35 at the door.
Check out Jason Gargano's feature story on Case from this week's CityBeat. Here's the "lyric video" for The Worse Things Get track "Night Still Comes."
• Over the past two decades, Built to Spill has become a legendary cult band, remaining a solid concert draw across the nation and releasing some of the most brilliant guitar-driven Indie Rock albums of the ’90s and ’00s. Led by singer/guitarist Doug Martsch, BtS formed in Boise, Idaho, in the early ’90s, and worked with a lot of Pacific Northwest musical institutions on its way up. In 1995, as the major labels were winding down their signing frenzy in the wake of Nirvana's huge success (signing seemingly every band even loosely associated with the words "Seattle" or "Grunge"), Built to Spill inked with Warner Brothers Records, which has released six stellar albums by the band since 1997, including the crew's masterful debut for the label, Perfect From Now On, and 2009's There is No Enemy, the group's most recent album.
Like label mates The Flaming Lips, BtS has been the rare band that has sold consistently enough to remain signed to a major label for well over a decade thanks to the consistent quality of its work, heavy touring and an incredibly dedicated following. It's refreshing to see a big-time label stay so loyal to a group that will probably never sell a million copies and even more probably won't ever have a big hit single. (Despite rumors, BtS is not breaking up; a new album is in the works and expected by the end of 2014.)
Built to Spill performs tonight at Newport, Ky.'s Southgate House Revival with guests Slam Dunk and Genders. Showtime is 8:30 p.m. and tickets are $25 at the door.
A seven-member legislative board on Monday accepted federal funding to expand Ohio’s Medicaid program to cover more low-income Ohioans for the next two years.
Republican Gov. John Kasich originally attempted to get the Medicaid expansion through the General Assembly, but he ultimately bypassed the legislature after months of unsuccessfully wrangling with members of his own political party to embrace the expansion.
Kasich instead opted to go through the Controlling Board, an obscure panel that typically handles less contentious budget issues that keep with legislative intent.
Most Republican state representatives, including local Reps. Lou Terhar, Louis Blessing and Peter Stautberg, signed a letter in protest of the tactic. The letter invokes legal arguments against the governor’s decision and could be the basis for a lawsuit in the future.
“Our protest is not about the merits or lack of merit in expanding Medicaid,” the letter states. “Our protest goes to the fundamental form of government upon which our country was founded — a Republic of checks and balances and separation of powers.”
Republican legislators say they’re concerned about the government’s involvement in the health care system and whether the federal government can afford to pay for the Medicaid expansion. They argue it would be better to pursue Medicaid reforms instead of expanding the program.
On the other side, Democrats, in a rare alliance with a Republican governor, applauded Kasich for embracing a cornerstone of President Barack Obama’s signature health care law.
Under Obamacare, the federal government asked states to expand their Medicaid programs to cover anyone at or below 138 percent of the federal poverty level, or individuals with an annual income of $15,856.20 or less. If states accept, the federal government pays for the full expansion through fiscal year 2016, and then gradually phases down its payments to an indefinite 90 percent of the expansion’s costs.
In comparison, the Kaiser Family Foundation found the federal government paid for nearly 64 percent of Ohio’s Medicaid program in fiscal year 2013.
The expansion is necessary to fill a so-called “coverage gap” under Obamacare and Ohio law. Without the expansion, parents with incomes between 90 percent and 100 percent of the federal poverty level and childless adults with incomes below 100 percent of the federal poverty level don’t qualify for either Obamacare’s tax credits or Medicaid.
The Health Policy Institute of Ohio previously found the expansion would insure between 300,000 and 400,000 Ohioans through fiscal year 2015. If legislators approve the expansion beyond that, the institute says it would generate $1.8 billion for Ohio and insure nearly half a million Ohioans over the next decade.
The federally funded expansion is set to begin in 2014. It will cost the federal government nearly $2.6 billion, according to the Ohio Department of Medicaid.
With its first three releases and about a decade worth of live shows across the region, The Frankl Project has honed a sound that has earned notice for its crafty blend of Rock, Pop, Punk and Ska. But the Cincinnati trio’s recent album, Standards, showcases the sound of a band finding its own unique voice and running with it.
While those aforementioned influences are still evident, the group skillfully and more subtly integrates them into something they can completely call its own. What hasn’t changed is that The Frankls (drummer/singer Joseph Frankl, guitarist/singer Jacob Tippey and bassist/singer Paul Schroder) still write excellent songs featuring hooks a plenty and often anthem-ready, spine-tingling choruses. But the variety of the album and the way the trio presents the songs is what makes Standards so magnetic.
Unlike most Pop Rock bands (especially ones that have a “Punk” element or pedigree), The Frankl Project doesn’t try to overload its tracks with giant-sounding guitars that fill every nook and cranny, opting instead to leave lots of space to create a distinctly airy aura. Allowing the tracks to breathe and rise and fall without resorting to predictable dynamics recalls the less-is-more approach that Indie Rock stars Spoon do so well and makes Standards a gripping listening experience. With that sonic elbowroom, the musicians’ intriguing individual parts are more perceptible (Frankl, in particular, is an incredibly musical drummer and his parts — like Tippey’s guitar work — are often captivating) and add to The Frankls’ uniqueness. But the stellar songwriting is still the primary focus.
The album kicks off with “Alive on the Road,” a swaying rocker that soars on the three musicians’ airtight harmonies, while “My Hands” has a rootsy sway that would make Jay Farrar nod along approvingly. After a string of heart-swelling, evocative Pop songs, the band throws in a few curves, like the jazzy but intense “Heart Shapes & Hand Grenades,” the quirky but still resonant Indie Pop gem “Find Your Way,” the ghostly, slow-burning “Chai Bones” and the album’s most rocking track, “The Ottoman.”
If Weezer, Bad Veins, Ben Folds Five, Sunny Day Real Estate and Band of Horses every decided to make an album together and hired a producer with expert knowledge on how to utilize atmosphere as another instrument (like Joe Henry, Brian Eno or Daniel Lanois), it might sound like an unfocused patchwork of lazy, hazy Pop. But, if they (and you) were lucky, it would sound more like The Frankl Project’s impressively creative Standards.
Visit thefranklproject.com for more about Standards and The Frankl Project.
The team is holding informational sessions, skill assessments and bootcamps to prepare prospective skaters for tryouts on Jan. 12, 2014. Sessions are open to interested female skaters 18 years and older and interested referees, who can be male or female as long as they're 18. Interested skaters and referees will be asked to pay a $60 commitment fee on Nov. 3, 2013 to help cover rink rental and training costs.
Location: The Skatin' Place, 3211 Lina Place, Colerain
Time: 9 a.m.-noon
At this session, we will run drills to gauge skaters' skill level and skating ability. Skaters will receive immediate feedback on what they need to work on to pass the actual tryout. We will also hold an informational meeting to answer questions, and give skaters calendar of bootcamps and Monday night practices so that they have a clear plan for how to attain their goals.
Date: Sunday, Dec. 8, 2013
What: Bootcamp and Assessment
Location: The Skatin' Place, 3211 Lina Place, Colerain
Time: 9 a.m.-noon
We will be holding an intensive skills training bootcamp and once again check in with skaters about areas of improvement.
Dates: Friday, Jan. 10, 2014 and Saturday, Jan. 11, 2014
What: Bootcamp Refreshers
Location: CRG practice space (address to be announced)
Times: To be announced
We will hold an intensive skating skills bootcamp on Friday night and a derby skills bootcamp on Saturday afternoon to get skaters back in derby mode right before the tryouts. All participants must provide their own skates and safety equipment for these bootcamps.
Date: Sunday, Jan. 12
Location: The Skatin' Place, 3211 Lina Place, Colerain
Time: 9 a.m.-noon
At tryouts, skaters will be tested on the skills they learned at the bootcamps, including timed laps around the derby track, stops, skating backward, skating with others, giving and receiving hits and overall potential as a derby skater. Skaters who pass tryouts will immediately be invited to a league meeting to meet the rest of the team.
To RSVP, email firstname.lastname@example.org.
Butler County Sheriff
Richard K. Jones announced that he is in favor of altering Ohio’s
law to make cruelty to animals a felony offense rather than a second degree
misdemeanor. As it stands, animal cruelty in Ohio is punishable by 90 days in
jail at most.
Jones took over the official duties of dog warden on Sept. 29, when the Butler County Dog warden’s office and the sheriff’s office joined together. A recent case involving an emaciated and abandoned white pit bull in Middletown pushed Jones to call for tougher animal cruelty laws.
Demonstrators outside of the courtroom displayed their discontent toward the leniency of the current law. Jones agrees that the maximum of 90 days in jail is not enough of a penalty for those who abuse and neglect pets dependent on them.
The sheriff is supporting
HB 274, currently under consideration. If HB 274 passes, it will make animal
cruelty a fifth-degree felony to torture, injure or kill a companion animal or
deprive it of water, food or shelter. Those convicted could receive six months
to a year in jail, bringing Ohio’s law up to par with that of other states.
A letter about the issue was sent on Tuesday to Ohio legislators, with copies to the Buckeye
State Sheriffs’ Association and the Public Animal Welfare Society (PAWS).
Ohio Dream Pop/Rock group strangewave performs tonight at The Comet in Northside. J. Trenton Crace and Katrina Eresman formed the compelling group in Dayton not long ago and released their ear-grabbing full-length debut, Pop Noir, earlier this year. It's a fantastic first effort full of hypnotic songs that hover in the same realm as classic Shoegaze, Mazzy Star, Blonde Redhead and Lush, with the diversity from track to track keeping the listener drawn in and mesmerized from start to finish. The twosome is joined by a drummer and bassist for live shows.
Opening the free show at 10 p.m. is Seattle Indie Rock/Soul trio Garage Voice, which claims heavy influence from Gospel music and Memphis Soul and has a Garage Rock spirit, thought its songs are far less derivative and predictable that most other groups given that tag. The soulful sounds of the band — which are laced with cool Hammond Organ stabs, soundscapes and grooves — have something of an atmospheric Psych Pop vibe at times (making them a good fit with strangewave), but ignite into dirty Blues and Rock & Roll outbursts with little to no notice.
Get a taste of Garage Voice's latest album, Amenin, below.
Early voting for the 2013 City Council and mayoral elections is now underway. Find your voting location here. Normal voting hours are 8 a.m. to 4 p.m., although some days are extended.
On Oct. 29, local residents will be able to give feedback to Cincinnati officials about the city budget — and also nab some free pizza. The open budgeting event is from 6 p.m. to 8:30 p.m. on Oct. 29 at 1115 Bates Ave., Cincinnati.
The Greater Cincinnati Port Authority on Saturday approved bond sales and contract agreements for the controversial parking plan. The approval is the final major step necessary for the Port Authority and its private partners to take over Cincinnati’s parking meters, lots and garages after the city leased the assets to the nonprofit development agency earlier in the year. The deal is supposed to raise $85 million in upfront funds and at least $3 million in annual payments for the city, which the city administration previously planned to use for development projects and operating budget gaps. But opponents of the deal say the city is giving up far too much control over its parking assets, which they argue could cause parking rates to skyrocket as private operators attempt to maximize profits.
Ohio’s Controlling Board, a seven-member legislative panel, is expected to decide today whether it will use federal funds to expand the state’s Medicaid program to more low-income Ohioans. Gov. John Kasich opted to bypass the legislature and put the decision to the Controlling Board after months of failing to convince his fellow Republicans in the Ohio House and Senate to take up the expansion. But critics of the expansion have threatened to sue the Kasich administration if it bypasses the legislature. Under Obamacare, the federal government will pay for the full expansion for the two years being considered; if Ohio ends up accepting the expansion beyond that, the federal government will pay for the entire expansion through 2016 then phase down its payments to an indefinite 90 percent of the expansion’s cost. The Health Policy Institute of Ohio previously found the expansion would generate $1.8 billion for the state and insure nearly half a million Ohioans over the next decade.
Hamilton County commissioners could consider today whether to use excess tourist tax revenues
on more funding for tourism-related infrastructure projects. The tourist tax was previously
used to help build the Cincinnati and Sharonville convention centers and fund the Convention and Visitors Bureau, but the county administrator intends to lay out more options in his meeting with commissioners.
In the mayoral race between Vice Mayor Roxanne Qualls and ex-Councilman John Cranley, black voters could make the big decision.
Ohio Attorney General Mike DeWine on Friday warned about so-called sweetheart scams in which a con artist develops a relationship with a victim, typically through the Internet, before asking for money. The Attorney General’s Consumer Protection Section has received about 70 complaints involving the scams since October 2011, resulting in an average loss of more than $14,000 with the highest reported loss coming in at $210,000, according to the attorney general.
Ohio’s school chief ordered two Columbus charter schools to shut down for health and safety reasons and inadequate staffing.
Findlay Market is tapping into crowdsourcing to decide three new storefronts.
Ohio gas prices increased for the second week in a row.
A thermal wristband promises to keep the user’s body at the perfect temperature.
At the heart of even the darkest of music, it’s love that made it possible. Love of singing or escapism. Love of an instrument or a sound. A flourishing love or a dissipating love. That love is especially present in absolutely everything Abigail Washburn does. It’s a love for the banjo, a love for China and a love of people, especially her husband, Bela Fleck, and (most recently) their adorable new son, Juno.
Washburn is currently on tour (playing Miami University Middletown Saturday; click here for tickets and more info) and she’s bringing all the things she loves with her, including her husband and baby Juno. Though Washburn and her banjo rarely tour alone, it’s a little different now that she’s touring with Juno.
“Touring is different with the little buddy. Different in a good way,” Washburn says. “In general I'd say life is richer with him in it. When we arrive at a venue, the first thing I do is grab our blanket and go looking for a big tree to lay under and stare up at the leaves and when we walk around the venue for the first time he has such strong and wondrous reactions to the smallest things. Juno helps me stop and appreciate every little detail of the way the world works. He makes it all seem new and magical.”
As adorable as the mother and son relationship seems, when Washburn references her time with Fleck, even more of that love seeps through. They have a relationship with each other and with their music that seems downright precious and magical in comparison to so many other relationships in the music business.
“We met when he was playing at a square dance and I was dancing,” Washburn says. “But I think it's our sense of place in the world and our passion to contribute to music and humanity that really sealed our deal. We love talking and supporting one another and encouraging one another to reach further and further. This is the cornerstone of our connection and the fact that we push each other to explore is what keeps us together.”
There’s still one more kind of love that fuels Washburn, though. Washburn is also whole-heartedly in love with China, too. It’s a passion that roars to life when she performs, especially.
For fans of Bela Fleck or the banjo who have somehow missed the beautiful stylings of Abigail Washburn, that love of China may seem a little odd. The banjo came from Africa and from there became mostly associated with the musical sounds of Appalachia. So … China?
It started when Washburn left the states after college, heading to China and intent on a law degree. Along the way, she picked up Mandarin and found a cool new way to play her banjo. While her future husband was tracing the banjo’s roots in Africa for Throw Down Your Heart, Washburn was bringing the East to Appalachia … or maybe she was bringing Appalachia to the East.
The connection of romanticism and adventure associated with a foreign land never faded for Washburn, even after numerous trips back to China. That passion has only grown with each new adventure in her other motherland. She’s even documented that love in a play she wrote and performed in New York called Post-American Girl.
“I think it is fair to say that it's like a love triangle between 'us' three … The US and China corners of the triangle are symbolically represented by my U.S. and Chinese mothers in the play,” she says. “A strong theme of going far away to find one's self and discover one's path in life is a big part of the struggle and the ultimate bond connecting all sides.”
Post-American Girl had a limited run in New York. However, with the help of the New York Public Theater, Washburn is hoping to develop the performance further. The hope is that eventually, it might actually tour the U.S.
Washburn still loves China and especially loves watching as others experience the country for the first time. In 2011, she set out on the Silk Road Tour with a few musician friends. Together they played music and experienced even more of China together. (You can see recaps of the tour here.)
While you can experience plenty of Washburn’s Chinese influence when listening to her music and seeing her in person, this current tour is powered almost exclusively on the love of her family and the music they can create together.
“I think both Bela and I are really enjoying playing music together,” she says about their family tour. “There's so much potential and uncovered territory in focusing on the soundscapes that can be made with the claw hammer and three-finger banjo styles. The two timbres and rolls together can sound like rippling flowing water or a swinging old ragtime bounce or driving mountain sounds and so on and on. The musical exploration together is exciting for both of us. And then on a personal level it's downright mystical to get to be together all the time and navigate the road and performing as a family.”
For even more awesome music, check out the music Washburn says “floats little Juno’s boat” like Dervish, Phil Cunningham, Paul Brady, Afel Bolcum, Oumou Sangare and Sam Amidon. She says he also likes a little bit of Bon Iver and Bonnie Raitt, too.
But, Washburn says, “So far I think banjo is his favorite!”
Take a break from Oktoberfest brews with something a bit more grapey.
Saturday, pour yourself a glass of wine (or two or three) as MainStrasse Village gives you the chance for a little weekend wining and dining. The festival features tastings from more than 15 local wineries — including Baker-Bird Winery, Elk Creek Vineyards, Purple Toad Winery and more — as well as food, artisans and live entertainment.
So whether you’re looking to sample some local wines, get a taste of perfectly paired food or just want a whole bottle of locally made wine for yourself, you can sip as much as you please.
Rain or shine. 3-10 p.m. $10; admission includes a souvenir wine glass and sample tickets. MainStrasse Village, Sixth and Main streets, Covington, Ky., mainstrasse.org.